#Michael Schneider

[erstwhile-punk-guerito]

[onenakedfarmer]

Currently Playing

Franz Ignaz Beck L’ISLE DESERTE (1779)

Michael Schneider La Stagione Frankfurt

Ana Maria Labin, Samantha Gaul, Theodore Browne, Fabian Kelly

[wildcmbcrsupdates]

Courtney Eaton, Michael Schneider and Sammi Hanratty attend the Variety TV FYC Fest.

Via courtneyeatonfan, 06/08/2023.

[badmovieihave]

Bad movie I have  Schindler’s List 1993

[hoerbahnblog]

Literaturkritik.de: Reinhard Mey 80. Geburtstag - eine Würdigung von Manfred Orlick

Literaturkritik.de: Reinhard Mey 80. Geburtstag – eine Würdigung von Manfred Orlick

Literaturkritik.de: Reinhard Mey 80. Geburtstag – eine Würdigung von Manfred Orlick Mordende Gärtner, goldener Klempnerberuf oder die Freiheit über den Wolken Hördauer ca. 17 Minuten) https://literaturradiohoerbahn.com/wp-content/uploads/2022/12/Literaturkritik-de-Reinhard-Mey-Manfred-Orlick-upload.mp3 Im Olymp der deutschen Liedermacher hat er längst einen der einflussreichsten Plätze…

[jetslay]

Smallville posters by Mickaël Journou.

[cookieruma29]

Therapy sessions

[pierppasolini]

The Dukes of Hazzard - 4.16 - Shine on Hazzard Moon

[tvcartoonme]

Smallville relationships Pt 1

Smallville 2001 10 seasons pt 1

[mrs-jamesbbarnes]

We are not the same…

Your cowboy sexual awakening:

My cowboy sexual awakening:

(This is a joke I’m thoroughly enjoying the Glenessaince I just couldn’t help but giggle since I was raised on westerns and reruns of the Dukes of Hazzard so the cowboy hat has always done it for me.)

[oldpersonnewspaper]

New transcript of a phone call from Head (1968) pre-production discovered!

“Hi Mike, Micky, Davy, and Peter! It’s Bert and Bob here. We’ve finally decided on a plot for the new Monkee movie! It’ll be about the psychological torture. Hugs and kisses!”

[kent-farm]

Drive slower.

—Jonathan Kent to Lex 'The-Maniac-in-the-Porsche' Luthor, Smallville, "Pilot"

[maochira]

since from what i heard döner is a pretty big deal in germany...

... can i request how the german boys (+ noa if you want) like their kebab? thank you <3

(@echariii3)

I love döner sm it's so good I used to eat it very often. It's been a while since I last had one cause I became more picky with what I eat and finding a store that sells döner how i like it is hard😭

Kaiser: prefers dönerteller (the meat and fries on a plate, depending on where you get it but sometimes it comes with vegetables), he eats it with fork and knife. He always gets lettuce with it. Also, cocktail sauce because he hates garlic and herb sauce (which is what you usually get eith döner in Germany. In some parts of the country cocktail sauce is also common)

Ness: average dönerbox liebhaber (basically just fries and the meat in a to-go box), he likes garlic sauce with it

Noa: he ate döner once and held it wrong. Half of the stuff inside fell out. He never ate it again (although he did like the taste)

Bachman: döner with everything except onions

Mensah: döner with everything + cheese + extra tomatoes

Theo: prefers yufka/dürüm (idk how to explain, google if you don't know it), always gets extra garlic sauce and extra meat. Also he always gives Kaiser a sideeye for liking cocktail sauce with his döner

Ndiaye: also prefers yufka/dürüm, but he only eats it with meat and sauce. Occasionally he adds lettuce

Grim: prefers dönerteller, he eats it with ketchup (cause of the fries), he hates garlic sauce because of the smell and cocktail sauce with döner meat sounds illegal to him

Birkenstock: eats döner like once a year, but he's very specific with his order. He doesn't like when the balance between bread, meat, veggies and sauce is off. You can often see him pulling out some pieces and giving them to Gesner

Ali: one of his favourite foods. He could eat döner every day. He's not specific with his order but he's specific with the döner stores he goes to. He knows where you get the best ones in every city

Gesner: döner pizza. Pizza with döner meat. And he doesn't even eat it like a regular pizza. He folds it in half and puts fries in there

Igor: prefers dönerbox with extra meat and no sauce

[nihillist-blog]

The Toxic Avenger (1984)

[thislovintime]

Head premiered on November 6, 1968. (Edit featuring the two Tork songs - in the studio and demo versions, respectively - and a line from the movie.)

“What’s happening as time goes on is that the movie [Head] is becoming a chronicle of an age. At the time, it was just a chronicle of the Monkees.” - Peter Tork, The Monkees Tale (1985) Q: “What do you think of the music from the film ‘Head’?” Peter Tork: "Well, since I wrote and produced two of the songs myself, I think it’s fine. I did ‘Can You Dig It?’ And ‘[Long Title:] Do I Have To Do This All Over Again.’” - Goldmine, 1982 “The funny thing is that the lyrics [to ‘Long Title: Do I Have To Do This All Over Again?’] came to me right out of the air. I was just playing those chord changes on the guitar, and I opened my mouth and that’s what popped out. The song was weirdly prophetic. I had no idea that was going to be my attitude about anything having to do with music when I wrote that song." - Peter Tork, Listen To The Band liner notes (more about "Long Title..." here) “‘Can You Dig It’ is about the Tao. The hook line I wrote in my dressing room on the set [of the television series in 1967]. The chords for the chorus I’d written in college, and [they] had just stuck with me.” - Peter Tork, Head box set liner notes (more about "Can You Dig It?" here) "I think they're ['Can You Dig It?' and 'Long Title...'] the best songs in the movie [Head]. I love both of them. I thought they were just terrific. He had plugged himself into that whole Stephen Stills connection and was working with those guys. I think they fit the movie better than anything did. When those two songs start up in the movie, it comes alive for me.” - Michael Nesmith, Head box set liner notes “Thorkelson expressed a preference for the Monkees’ ‘Headquarters’ album, because it was the group’s first self-performed album […]. The soundtrack to the [...] movie ‘Head’ also is among Thorkelson’s favorites. ‘It was a little tinny, but back then I guess we were a little tinny,’ he said. ‘That movie will always look good,’ commented Thorkelson.” - The Bowling Green News Revue, May 24, 1979 "'When we made Headquarters, I thought I'd died and gone to heaven,' says Tork. 'My whole goal had been to be a member of a band that worked. The next thing I know we're making a movie and it doesn't have anything to do with the business of being in a band together.' [...] 'There's some weight behind the idea that Bob and Bert wanted to wreck the Monkees, to stop it cold in its tracks,' says Tork. 'I've never known for sure. Bert and Bob might have thought out loud: "Let's kill the Monkees!" Or they may have not thought so out loud but at some unconscious level, they were sick of the Monkees and wanted to do something else.' [...] 'It was a joy seeing a movie being made, but I didn't like working for Bob Rafelson,' Tork says. 'I did what he told me, but I can't say that I ever had any heart connection with him.' His favorite scene, in which he recounts what he has learned from an Indian mystic, was actually directed by Nicholson. [...] Tork has seen Head around 80 times but it took him years to work out why it bothered him so much. In the movie, the Monkees are hoodwinked, bamboozled, chased, assaulted, mocked, trapped in a black box and reduced to dandruff in the hair of actor Victor Mature, before ending up back where they started. In the words of the sardonic Nicholson-penned theme tune, 'So make your choice and we'll rejoice/ In never being free.' 'Most people are dazzled by the psychedelia, and that's fine, but for me finally the point of the movie is the Monkees never get out,' Tork says sadly. 'Which is to say Bob Rafelson's view of life is you never get out of the black box you're in. There's no escape.' So how would a Peter Tork cut of Head end? 'There might have been a scene where we get out,' he says wistfully. 'We jump in the water and get away.'" - The Guardian, April 28, 2011

[whammy-kiss]

Fred Schneider with Curt Smith, Morrissey, and Michael Stipe, 1991