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#Minoru Takashima
eclecticpjf · 1 month
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Now watching:
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fourorfivemovements · 6 months
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Films Watched in 2024: 28. 地球攻撃命令 ゴジラ対ガイガン/Chikyū Kōgeki Meirei Gojira Tai Gaigan/Godzilla vs. Gigan (1972) - Dir. Jun Fukuda
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randomrichards · 3 months
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GODZILLA VS. GIGAN:
An amusement park
Hides plot to take over world
Using space kaijus
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dorkydragon · 2 years
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Yakuza games kanji info 18
Masato Arakawa (荒川 真斗, Arakawa Masato)
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The brother who seeks to overcome his own limitations.
...and here we have his other identity:
Ryo Aoki (青木 遼, Aoki Ryō)
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The ambitious and ruthless Governor of Tokyo.
Both names have aspects of his character as a whole. Let’s start with his real name, Masato Arakawa:
荒 ara = laid waste, rough, rude, wild
川 kawa = stream, river
真 masa = true, reality
斗 to = Big Dipper, sake dipper
- About his family name: Similar to his father, he ends up living up to the meaning of his family name: As Aoki, he never hesitates to use the manpower of the Omi Alliance to destroy his enemies or anyone he considers an obstacle to his plans, including the innocent civilians that live in and depend on the ‘gray zones’ he intends to wipe out.
- About his given name: ‘Masato’ is a combination of the 真 (masa) in Masumi and the 斗 (to) in Toshio, his grandfather’s name. Like Arakawa himself, Masato subverts the meaning of his name: He fakes his death, takes a new name and pretends to be the friendly, kind and concerned politician that will change the future of Japan. Ichiban even mentions at one point that Masato got so used to this new Aoki persona that he forgot who he really was.
I found something interesting about the kanji 斗 that could be related to how Masato/Aoki sees his role as governor. It seems it can mean both Big Dipper and Little Dipper. I also found it’s called ‘Chinese Dipper’ and it refers in particular to the Little Dipper, where the famous North/Pole Star is located. In any case, the names overlap because of the ancient worship of these stars and their Buddhist deity Myōken, nowadays also known as his Shintō counterpart Ame no Minakanushi. From onmarkproductions.com: “Myōken was venerated under various guises as the central star controlling all other celestial bodies, one believed to control the life and fortunes of the people, one who protected not only the emperor and country, but also warded off diseases, prevented calamities of fire and other disasters, increased life spans, and healed eye diseases.”
Now, let’s see Ryo Aoki:
青 ao = blue, green
木 ki = tree, wood
遼 ryo (ryou, ryō) = distant
- About his family name: 青木 (aoki) is the Japanese laurel; spotted laurel; Aucuba japonica​. These colorful, ornamental plants are very versatile and can thrive in very difficult enviroments. They are quite durable and prefer shady places. Masato himself, as Aoki, adapted quite quickly to the world of politics, even learning how to effectively manipulate people to gain the support he needed to achieve his goals. He uses his secret ties to the yakuza world to control his enviroment and thrive.
- About his given name: Masato is a man that didn’t see what he had until it was too late. He was so focused on gaining the power and recognition he felt he needed that he completely turned his back on the only three men that genuinely cared for him since day one. He used them and even tried to kill them when he considered they were either his enemies or no longer useful to him. We play as his caring brother figure Ichiban, who is desperately trying to get close to him and save him from himself.
Extra - Here are the kanji in the names of the other Arakawa men, who he is named after:
荒川 真斗, Arakawa Masato
荒川 斗司雄, Arakawa Toshio
Extra 2 - Here are some characters with the same kanji as Ryo Aoki in their names, with the same or different pronunciations:
(青 ao) 青山 稔, Aoyama Minoru
(木 gi) 柏木 修, Kashiwagi Osamu
(遼 ryo) 高島 遼, Takashima Ryō
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kaijusaurus · 8 years
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Shinji Higuchi at the premiere of Gamera 2 (1996).
Minoru Takashima in Godzilla vs. Gigan (1972).
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podzilla2000 · 5 years
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Hey y’all, we might be on a biweekly schedule these days, but we’re still making progress! Here’s two movies full of weird, wild stuff! Hope you aren’t sick of the 70′s yet, because we’ve got a few episodes left before we say goodbye to the Showa Era!
Movie details beneath the cut!
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GODZILLA VS HEDORAH aka GODZILLA VS THE SMOG MONSTER (1971)
Directed by Yoshimitsu Banno Produced by Tomoyuki Tanaka Written by Yoshimitsu Banno and Takeshi Kimura Music by Riichiro Manabe Cinematography by Yoichi Manoda Edited by Yoshitami Kuroiwa
Starring Akira Yamauchi, Toshie Kimura, Hiroyuki Kawase, Keiko Mari, and Toshio Shiba
(second poster designed by Zygmunt Bobrowski)
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GODZILLA VS GIGAN (1972)
Directed by Jun Fukuda Produced by Tomoyuki Tanaka Written by Takeshi Kimura and Shinichi Sekizawa Music by Akira Ifukube and Kunio Miyauchi Cinematography by Kiyoshi Hasegawa
Starring Hiroshi Ishikawa, Tomoko Umeda, Yuriko Hishimi, Minoru Takashima, Zan Fujita, Toshiaki Nishizawa, and Kunio Murai
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leenaevilin · 6 years
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[Announcement] 舞台「悪魔と天使」(butai akuma to tenshi)
the show will be running from January 19th, 2019 to February 3rd, 2019 (Kanagawa) @ KAAT神奈川芸術劇場 ホール (KAAT Kanagawa Geijutsu Gekijou Hall) February 9th, 2019 and February 10th, 2019 (Osaka) @ 梅田芸術劇場 メインホール (Umeda Geijutsu Gekijou Main Hall) March 1st, 2019 to March 3rd, 2019 (Aichi) @ 御園座 (Misonoza)
Cast:
Mizuki Arisa Shiraishi Shunya Nomura Hironobu Kurokawa Tomoka Kagimoto Akira Mukaiyama Takeshi Kimata Hiroyuki Nakajima Saki Kuroda Koran Shiraki Mikiko Sakura Wakisaka Haruna Narisawa Aki Hagiwara Yuu Yuuji Ishiguro Yohei Sawatari Minoru Umegaki Yoshiaki Kubo Chuukichi Maido Yutaka Ishii Tomoya Bonchi Osamu Matsuzawa Kazuyuki Satou Biisaku Takashima Reiko Ichihara Etsuko (voice only)
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movies-derekwinnert · 7 years
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Godzilla vs Gigan * (1972, Hiroshi Ishikawa, Yuriko Hishimi, Minoru Takashima) - Classic Movie Review 5391
Godzilla vs Gigan * (1972, Hiroshi Ishikawa, Yuriko Hishimi, Minoru Takashima) – Classic Movie Review 5391
Godzilla [Gojira], the dinosaur with radio-active breath, pals up with spiky-backed giant Angorus [Anguirus] to save trembling Earthlings from a devilish duo of space monster invaders – metallic bird Gigan [Gaigan] and King Ghidrah, the dragon with three heads.
Director Jun Fukuda’s 1972 sci-fi monster movie Godzilla versus Gigan is quite fun to watch but really it is the pits of this…
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recentanimenews · 5 years
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Bookshelf Briefs 2/25/20
DAYS, Vol. 16 | By Tsuyoshi Yasuda | Kodansha Comics (digital only) – Usually with sports manga I can find some emotional beat to highlight, but this volume really is just a bunch of soccer. Not that that’s a bad thing. Seiseki has progressed to the second round of the All Japan High School Soccer Tournament and their opponent is Ichiboshi Academy, whose unpredictable playing style proves challenging. Tsukamoto takes a bit of a backseat this time as Yasuda-sensei focuses on some older players like Oshiba, whose experience gets him past Ichiboshi’s impressive defence and allows him to score the first goal of the game, and Usui, who is shockingly bested by Ichiboshi as they score a goal of their own. It may not be deep, but it is fun, and I always appreciate how clear Yasuda’s panels are, particularly in depicting pass and shot trajectory. I’ll keep reading! – Michelle Smith
Don’t Toy With Me, Miss Nagatoro, Vol. 2 | By Nanashi | Vertical Comics – When it comes to teasing titles, I like this better than Uzaki Wants to Hang Out (which I’ve dropped), but it’s still well below Teasing Master Takagi-san. Where it does succeed is in the art—Nanashi is really, really good at drawing embarrassment, and knows it, so the entire title revolves around both leads getting red-faced and twitchy. The problem continues to be that Nagatoro does not get enough scenes where she’s shown to be teasing rather than just torturing him, and the “senpai” remains a thoroughly wet protagonist. That said, the addition of her two friends did make a nice addition, as it brings out her jealousy. No one toys with my senpai but me! – Sean Gaffney
How Heavy Are the Dumbbells You Lift?, Vol. 2 | By Yabako Sandrovich and MAAM | Seven Seas – The blatant fanservice is still there, but there may be slightly less of it, or perhaps I’ve just gotten used to it, as I was not as distracted by it this time around. Instead I remain fascinated by the workout advice, as well as the wacky adventures of the girls getting the advice, primarily Hibiki, who remains the best thing about this book. We’re also introduced to a new character, Zina, a Russian girl who really wants to be true to the stereotypes that Japan has about Russians. She’s fun, losing to Hibiki in a competition and then transferring to challenge her… and ending up in a different class. Again, I’m surprised that, despite some really blatant service, this remains refreshingly non-sleazy. – Sean Gaffney
An Incurable Case of Love, Vol. 2 | By Maki Enjoji | Viz Media – Maki Enjoji’s titles always seem to have heroines that I really enjoy, even when they’re screwing up. Case in point: Sakura at a party gets drunk and basically talks FAR too much, both to the group and later on to Tendo. Despite this, it’s really rather adorable and not pathetic, which is sort of what you’d expect. The manga also gets good later in the volume, as she deals with something that nurses also have to handle: a stalker who became obsessed with her as a patient. As for Dr. Tendo, he’s dealing with a rival for Nanase’s affections… and also a rival in teaching her how to be a good nurse, as he valiantly donates his poor arm until she shows she can put in an IV properly. This is just fun. – Sean Gaffney
Kase-san and Yamada, Vol. 1 | By Hiromi Takashima | Seven Seas – This is not the first Kase-san book, but the title change signals a sea change: the girls are in college, and Kase-san and Yamada are now definitely the focus rather than flowers, pastries, etc. That said, their couple status is both the plus and the minus of this book: as Erica Friedman and others have noted, both of them are dating but decidedly in the closet. And this is a problem on both sides: Kase becomes jealous when Yamada is invited to a group date, and takes steps to intervene; likewise, Yamada realizes that Kase has a roommate, and that, when her love is sick, she cannot simply rush to her side to take care of her. Real life tends to put crimps in a relationship. Maybe next volume they can tell the roommate about it. – Sean Gaffney
Komi Can’t Communicate, Vol. 5 | By Tomohito Oda | Viz Media – The majority of this volume is devoted to a culture festival, where our class has decided to do a maid cafe, mostly as Komi wants to do one. She may have trouble communicating, but she’s still the princess of the school, and a lot rides on her opinions. Of course, there are challenges. Tadano ends up being forced into a maid costume as well, Najimi’s attempts at making money break school rules and come close to violating actual laws, and Yamai exists. We also meet one or two new characters, including a sempai type and an “easygoing” type who tends to wander off, get lost, etc. Komi-san runs on cliches—deliberately so—but it remains at its heart sweet and heartwarming, especially when the two leads are interacting. – Sean Gaffney
Let’s Kiss in Secret Tomorrow, Vol. 1 | By Uri Sugata | Kodansha Comics (digital only) – Saya Kanra and Yuto Kozaki have been friends since elementary school and chastely dating since junior high. Yuto gets a makeover prior to starting high school, wanting to look cool and gain some confidence. The makeover proves too successful, alas, and now he has so many fangirls that Saya, fearing ostracism, has pretended not to know him and adopted the guise of someone disinterested in love. Now they’re trying to keep their relationship secret, occasionally aided by nerdy junior high classmate Amabiki, and talking mostly over voice chat, where things have started to get steamy in the tamest possible sense of the word. This may not be the most robust premise for a series, but I did like that the situation causes Saya to question both her own identity and her past assumptions about Amabiki’s quality of life. This series is complete in three volumes, which feels about right. – Michelle Smith
Living-Room Matsunaga-san, Vol. 1 | By Keiko Iwashita | Kodansha Comics – Originally a digital-only title, Living-Room Matsunaga-san has now achieved a print release! Due to family circumstances that aren’t fully explained, second-year high school student Miko Sonoda is shunted off to live not with her uncle but at her uncle’s boarding house with a bunch of strangers. Miko’s mother seems utterly unconcerned about this, and expects Miko to handle things herself. Thankfully, Miko is pretty capable for a teenager, with occasional lapses, and though she’s initially intimidated by her new housemate Jun Matsunaga, who comes across as belligerent and domineering, she soon realizes that he’s kind, caring, and passionate about his work as a graphic designer. Various situations ensue and Miko finds herself falling for him. While I’m not enthusiastic about a teen/adult romance, I do like these characters, the art style, and the kitty, so I’ll be proceeding on to volume two! – Michelle Smith
The Man Without Talent | By Yoshiharu Tsuge | New York Review Comics – While several of Tsuge’s shorter manga have previously made their way into translation, The Man Without Talent is his first long-form work to be released in English. In the accompanying essay, translator and historian Ryan Holmberg describes it as “Tsuge’s most popular and accessible work.” Originally serialized between 1985 and 1986, The Man Without Talent incorporates semi-autobiographical elements into its narrative. The story follows a cartoonist who seems to have largely given up on cartooning despite the pleas of his wife. Instead, he tries, struggles, and ultimately fails to make ends meet by selling stones he finds along the river near his home. The manga is an occasionally surreal but compellingly honest work, in part an examination of poverty, creativity, society, and self-determination. Readers rightfully intrigued by The Man Without Talent will soon have more of Tsuge’s manga to look forward to—Drawn & Quarterly has a seven-volume series of collected works planned. – Ash Brown
My Androgynous Boyfriend, Vol. 1 | By Tamekou | Seven Seas – Hooray for more josei! Souma Meguru is a beautiful guy who gets profiled in magazines and has many followers on Instagram. He’s been dating Machida Wako, busy editor, for seven years (ever since high school). This slice-of-life series depicts their domestic bliss as well as some of the challenges they face, like rumors that Meguru is actually dating a fellow male model or Wako’s coworker’s assumption that Meguru is female. I particularly enjoyed the chapter in which they go to “Ikeya” and Wako invents backstories for Meguru as he sits in various display rooms. It’s nice to read about a couple that has been together for so long; their relationship exudes trust and devotion. That said, it’s a bit weird that Meguru looks about twelve throughout, when he’s supposed to be so hot. Overall, this was pleasant and I’ll most likely check out volume two. – Michelle Smith
Our Dining Table | By Mita Ori | Seven Seas – I have read thousands of volumes of manga at this point but seldom have I encountered one as intensely charming as Our Dining Table. Yutaka Hozumi is a lonely salaryman who lost his parents at a young age and was never accepted by his adoptive siblings. When a pair of brothers comes into his life, exuberant four-year-old Tane Ueda and harried college student Minoru, Yutaka finds a family that will not only accept him but actively desires he be present as much as possible. I loved the slow progression of Yutaka and Minoru’s relationship; it’s one of those where it’s absolutely clear how they are healing each other of their trauma and what each finds appealing in the other. Also, Tane is incredibly adorable and it’s obvious how much fun Ori-sensei had when drawing him. I loved this without reservation. – Michelle Smith
By: Ash Brown
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