#Motivations analysis

[multifunctionalnitroglycerin]

Heaven is not entirely on the wrong – a Hazbin Hotel theory #1 - Adam

Alright fellas, before you start shooting and cursing at my name with the most colorful strings of curses, hear me out.

But first let me get this out of the way, heaven not infallible no, I am not going to paint them as the perfectly good guys, no flaws whatever. And yes, Adam is still an arsehole. A big one. A heartbroken one, but still a royal arsehole. One that is one of the most memorable characters in Hazbin.

I mean imagine being the first man and having two women made for you. The perfect pieces to complete your puzzle. You know, as soulmate-y as it goes. And then both of them, one after the other end up leave you. For the same dude. And said dude is the reason you were cast out from the garden of Eden in the first place. Yup, that hurts. And I can only imagine it creates a bunch of insecurities, a hint of inferiority complex (How can one complete with an ANGEL – fallen or not?) an a very healthy misogynistic view.

Because hey, the first man was created, given a purpose, and given a partner to carry out that purpose with. A partner tailored specifically for him. Made for him, made to complete him in every way. And he is ecstatic.  And she cheats on him. With a fallen angel. His purpose is now null. And when given a second chance, IT HAPPENS AGAIN, WITH THE SAME DUDE.

And allow me to believe that Adam cherished Eve much more than Lilith. After all you don’t fully realize how much you love something, util you lose it. And Adam had lost a wife once. So, it is not difficult to imagine that he was much more devoted and caring to Eve. Consequently, when Lilith “corrupts” her, and Eve cheats on Adam with Lucifer – AGAIN, well he loses it. And here we are 10000 or however many years later, and he is a royal arsehole. Because how can you look at any woman the same way again, when the two women made for you, hurt you that way.  

And the heartbreak kinda bleeds out to his personality. His whole demeanor practically screams “Hey bitches look, I have been through shit, cheated on that way twice – with all the implications that come with it – and I am still here, standing and triumphing like Heaven’s very own Hollywood celebrity. And I have a bunch of badass women under my command that love, admire me and follow my every order, that cherish me like my two wives never did.”

And that last bit, is an important plot point, cause here comes Lute. Lute that was his second in command and cherished him and followed him right to the very end. Lute the only woman that did not betray him. And Adam dies with a smile.

Given all of that, I would think it is safe to assume that Adam is pretty jaded, as far as both women and second chances go. Because he got his second chance, after the first one was squandered – not out of his choice, but Lilith’s – and the second chance as well did not work out, because Eve ended up betraying him as well. For Adam, second chances amount to another chance at failure. We can all see why he wouldn’t be all unicorns and rainbows for Charlie’s plan to rehabilitate sinners and give them a “second” chance, when his own second chance amounted to nothing but a repeat of the first failure.

All in all, Adam is a major pain in the neck, and a misogynistic asshole yes, but he is also someone that has been hurt, and that in his own way conquered his trauma and heartbreak and made something of himself. That is not to say he is an altruistic goody-two-shoes hero, far from it, but he is a bit of an unintentional hero, that while following his own agenda and self-interests, freed many souls of their eternal torment.

And before you come at me for the nonsense that my last sentence is we move on the next part.

#2 – Exterminations

[courtingwonder]

Critical Thinking Cheatsheet

[chemblrish]

11 May 2024

Here's what's left of the semester:

four weeks of classes (only four?!?! Ahhhh!)

one analysis in ochem

one synthesis in ochem (when am I supposed to do it?!)

two pchem labs

two ochem tests

one final

I am totally not freaking out. It's fine I'm fine okay I'm fINE

[zuzu-draws]

So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.

I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!

Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.

This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!

This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.

What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.

Eating is an instinct, a necessity for the survival of every single living being.

And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)

In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.

On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.

Btw, this tweet and this thread gives additional characterisation to Sukuna:

Link to the original thread: Link.

More context (and reactions :P):

Link to original thread: Here

This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.

When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:

When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?

No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.

This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.

This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.

Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )

I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.

He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.

I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.

Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.

Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.

This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.

I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:

Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.

Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.

But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:

This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.

Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.

If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3

[raycatz]

You ever think about how the chain has to change their step sizes and like general gait in order to stay together as a group?

Like, I imagine Four walks with purpose. He's a focused lil guy- he's got places to be. But Time's strides have got to be much larger than his. When traveling as a group they must have all had to readjust.

Four and Time side-by-side walk animation but every couple steps Four has to do a skip hop or a lil jog to catch up. Also consider Four walking normally but Time is taking itty bitty steps.

[microclown]

Crowley and Aziraphale's communication in the final 15 is bad, but going back through the season I've realized it's even more prevalent than I thought…

not all of these miscommunications are a problem, but they barely have one interaction that doesn't include some form of lack of communication, so I thought it was worth highlighting the pattern

List under the cut, analysis at the end

Aziraphale doesn't tell Crowley about the naked man, Nina does

Aziraphale doesn't tell him it's Gabriel, he tell him it's Jim, Crowley sees it's Gabriel

"I feel like your exactly and my exactly are different exactlys" (aka miscommunication- assuming they're on the same page when they're not)

Cowley doesn't tell Aziraphale the stakes, that he could be erased from the book of life for helping Gabriel

The Apology dance is literally dancing around the issue. He doesn't want to apologize because he doesn't believe he is in the wrong, but they never talk through it, they just move forward

"Ah, we're going to the pub!" As they're walking in the door. so Aziraphale didn't tell him where they were going, he just lead him there??

Aziraphale and Crowley don't agree on how to get Nina and Maggie together, but they go ahead and execute their own plans without discussing it further. Crowley does ask "I'm lost, am I doing a rainstorm?" but Aziraphale has already moved on and doesn't answer him. He's already decided the ball is the better option, but he doesn't communicate that. Later, Crowley tries to tell Aziraphale about his plan with the rainstorm, but Aziraphale ignores him. "You don't want to hear about my plan?" Then when Crowley tells him the rainstorm plan was a bust, Aziraphale has no idea what he's talking about.

After telling Crowley about the Clue, Aziraphle doesn't let them discuss it at all. He literally cuts Crowley off from asking any questions about it "no! not another word."

When Aziraphale asks to take the Bentley, he doesn't really ask, he's telling Crowley he's going to take it. Crowley says no indirectly "You can't drive my Bentley." Aziraphale explains that he can drive because he has a license. So Crowley says "No" plainly. Aziraphale ignores him. Crowley says "No" again, louder, clearer, slaps Aziraphale's hand away, but Aziraphale still ignores him.

When Aziraphale tells Crowley what he learned about Gabriel in Edinburgh, they never discuss it fully because Crowley cuts him off to execute his rainstorm that they've also never fully discussed.

Neither Aziraphale or Crowley tell the other that Shax confronted them. More importantly, Aziraphale doesn't tell Crowley that Shax tricked him into revealing that Gabriel is in the bookshop.

Aziraphale is very coy with Crowley while planning the ball "wait and see!" He never actually tells Crowley his plan.

When Aziraphale suggests "just talking" to Gabriel, he looks pleased when Crowley says "Actually, I will." He doesn't seems to read Crowley's tone. Crowley then proceeded to yell at Gabriel and tells him to jump out a window. Probably not what Aziraphale had in mind.

Of course, the whole scene in the ball. Crowley doesn't tell Aziraphale about the demons straight away, he leads with a seemingly less urgent "somethings wrong". Aziraphale is barely listening anyway. He's too in his own world, too caught up in psyching himself up to ask Crowley to dance.

After the demons storm the ball, Aziraphale tells Crowley he's got a suggestion, but Crowley cuts him off "I've got it."

Crowley doesn't tell Aziraphale what he learned in Heaven. He doesn't tell him about Armageddon part 2, or that Gabriel was fired for not wanting to go ahead with it. He doesn't even tell him this during their big fight at the end, when you would think it would be a convincing point towards Aziraphel staying.

Neil has revealed that Crowley never told Aziraphale that he was living in his car

And then their final argument is laden with miscommunication, (people have gone into great depths analyzing this already, but I’ll just sum it up so it’s included) - Aziraphale assumes Crowley would want to be an angel again, but they’ve clearly never discussed this. Crowley assumes Aziraphale is on the same page with why heaven is so bad, but they’ve clearly not fully discussed this either.  Crowley can barely look at Aziraphale when he’s confessing. He can’t get out the word “partner.” He can’t finish his sentence “I would like to spend…” Then there’s “nothing lasts forever” which Crowley interprets entirely differently from Aziraphale’s intention. “I don’t think you understand what I’m offering you” “I understand, and I think I understand a whole lot better than you.” And then, when Crowley has given up on trying to communicate verbally, he kisses Aziraphale as a last “Hail Mary” to get him to understand. But of course he doesn’t. That’s not communication. 

So.

If you’re still with me, what’s the point of laying all this out? Well, a couple of things. I’ll try to organize my thoughts coherently. 

 _

Crowley and Aziraphale’s communication is beyond a simple fix

It is so much worse than I originally thought. What they need is couples therapy. They both need to become aware of the broken way they relate to each other, and they need to do a lot of work on listening to each other, giving each other space to talk, and being honest with what they know and how they are feeling. We needed someone to call them out, make them aware of this, but Nina and Maggie TRIED this season, and it was not enough. Unfortunately, I’m fairly confident season 3 will not just be six hour long couples therapy sessions. I’m not sure how much room for working on communication skills there will be at all. Neil has described season three as big, loud, and action packed. I have no idea how this issue will be resolved in that context. 

_

Something horrible I realized when making this list. Crowley’s relationship with Aziraphale is beginning to mirror his toxic relationship with heaven. Aziraphale develops a plan- taking care of Gabriel, investigating the clue, organizing the ball. He wants things to go just the way he has in mind. He does not let Crowley say no. He does not let Crowley ask questions!!! And now Aziraphale is running heaven? What makes us think he would treat Crowley any differently in a real position of power? It would have been so. bad. if Crowley accepted Aziraphale’s offer. Yes, Aziraphale and Crowley are on the same page on preserving the world and humanity, and yes they love each other and want to be with each other, but when it comes to what to do about it, they don’t see eye to eye. And neither of them know how to properly collaborate or communicate. 

_

Finally, why do Aziraphale and Crowleyhide things from one another? Simply, they don’t really trust each other. I mean they do, sort of, but not entirely. They have a deeper trust. They trust that the other cares about them, and won't harm them intentionally, but they have so many deep rooted issues with trust from their past with heaven and hell that it overflows into their relationship. People have said Crowley keeps information from Aziraphale to protect him, but that also comes from a place of mistrust. He doesn’t trust Aziraphale to protect himself. He doesn’t trust him to do what he would do with that information. Similarly, Aziraphale doesn’t trust Crowley to let him do things his way. They don’t know how to collaborate! Not really. It's something they want, but were never taught. Collaboration was never encouraged in Heaven or hell.

[nerdy-hyperfixations]

I just want to remind everyone that Wallace is canonically the worse one to sleep in the same bed with.

Scott can be a bad roommate in every other aspect but GUYS Wallace is the one that canonically snores and kicks in his sleep.

Scott sleeps like a princess with his back against the sheet lying perfectly straight (and also taking all the covers) and Wallace sleeps semi-on-his-side and apparently just fucking punting Scott in the leg every so often (not to mention he talked in his sleep too) and I don’t know why this is important to me but it is.

Because when people draw them cuddling in their sleep it’s always Wallace being normal and Scott turning and snoring and shit but you’re missing out on sleepy-cuddly Wallace turning and snoring on Scott. Let that cringe-fail 25 year old be annoying. Istg.

I’m talking to the Mobillace people too btw. Not that I’ve seen anyone draw them cuddling in bed (which is a CRIME btw. Draw that. For me.) but like imagine how funny it would be: Mobile stays the night for the first time and the hot-weirdo is a bed-menace, snoring and kicking and tossing and turning and suction cupping for warmth and Mobile is like “I want him to be my boyfriend” THATS FUNNY! LIKE-

[shikai-the-storyteller]

Is that really JuanaFlippa?

Based on everything we know right now, the answer is "no"

What's more likely is that this is a Binary Monster pretending to be JuanaFlippa.

On a meta level, we know the admins of dead QSMP Eggs said they won't reprise their roles, but it's no fun to base lore analysis on meta alone, so here's a lore explanation for my reasoning:

First, and perhaps the most obvious explaination: JuanaFlippa never had cracks in her shell. She died long before the event where all the Eggs got kidnapped and were returned with cracked shells, yet this "JuanaFlippa" had cracks. What's interesting to note here is that during the Election Dinner when the fake Chayanne and Tallulah tried to trick Phil, he immediately pointed out that they didn't have cracks in their shell while the real Chayanne and Tallulah did. Perhaps the imposter was trying to overcompensate for their previous mistake by adding cracks to JuanaFlippa's shell not realizing that she never had them in the first place.

The reason why I specifically say this is a Binary Monster is because of the signs she left:

We've already seen the Binary Monster(s) try to replicate regular non-binary writing before when Etoiles encountered the fake Dapper and fake Tallulah (the book he showed Forever pictured below):

"My Dapper me na name" —> "My name is Dapper"

We know the Codes are constantly evolving and learning, so naturally their writing is getting better too (though we can clearly see 1s and 0s and other errors in "Flippa's" signs despite this).

But what's the Code's motivation in doing this?

In the past, we saw the Code(s) mimic Eggs because they wanted to attack and kill Presidential candidates— but that's a pretty recent development. Remember: before the elections, they were attacking the Eggs (though they also attacked Maximus and Cellbit at one point). The motivations of the Binary Monster(s) has always been unclear, and there's a lot of potential roads we could go down while theorizing, but in the interest of keeping this as relevant to the current discussion as possible, I'll focus on just one:

We have strong evidence to believe that the Binary Monster didn't want Islanders to stay on the island. It kept attacking the Eggs and leaving behind signs that said "Last Warning," strongly implying that it was trying to chase them away.

HOWEVER: shortly before the elections, QSMPGlobal tweeted an image of the Binary Monster above the Federation building.

[ Note: I thought I had this photo saved, but I didn't. I've been scrolling through their media tab for 5 minutes and Twitter crashed, so I'll have to add this photo later. It’s very late and I am so so tired. ]

This is the first time the Federation acknowledged the existence of the Binary Monster, and afterward, it said Islanders wouldn't need to worry about it attacking them. Why would the Federation suddenly acknowledge this physical embodiment of a mistake, an error, on their (supposedly) perfect Island?

The answer? The Federation took control of the Binary Monster. Why else would they suddenly deem it "not a threat"?

We could clearly see the Binary Monster deteriorating over time during the election arc. It looked shabbier and shabbier as time went on during the election arc. Something was clearly wrong with it (perhaps whatever the Federation was doing to control it hurt the Code in some way? Maybe the Federation experimented on it and made their own Binary Monsters?) But I digress-

The next time we see the Binary Monster after the Election ends is on Tazercraft's recent stream this week. Not only does it have a new upgrade (the strange OP sword Cellbit + Etoiles saw records of), it also ignores Richarlyson and opts to take a swing at Pac and Mike instead.

Now here's where things get really weird.

Earlier this week, we also saw the Binary Monster on Etoiles' stream. It didn't attack him, and instead leads him to a sharestone, which teleported him to a portal. He's given this image, then is kicked from the QSMP with the message: "The Nether Awaits."

So what does this have to do with JuanaFlippa?

...Well, that's the question, isn't it?

This is where things start getting murkier. I want to draw our attention to two specific things Flippa said before she left:

"It's not safe out there for me."

"Please keep this a secret."

The Binary Monster has already proven time and time again it's a force to be reckoned with. Why would it need to hide? Is it so that it can get closer to Charlie? (And if so, why? To mimic him? To get information?) I think a likelier answer is that the Binary Monster is trying to hide from the Federation itself.

Perhaps whatever the Federation did to shackle it— whether they experimented on it or copied it or whatever— left it damaged and weak. Or perhaps it isn't damaged at all; it just needs to lay low and needs someone else to do its dirty work for it (like sending Etoiles on a quest to find that strange shield in the Nether).

Unfortunately, a lot of this amounts to speculation because we simply don't have enough information yet. (It's also very very very late for me, so this analysis is purely driven by sleep-deprived madness and love for QSMP lore and JuanaFlippa).

Whatever's going on, we need to be very careful and think carefully about this being's motivations. Like Cellbit said: "Eyes always open."

Anyways, feel free to share your thoughts in the tags or comments or whatever, it's always fun hearing what people think of my analysis posts. You can find other analysis posts in my QSMP Info and QSMP talk tag.

[posletsvet]

Was anyone going to point out to me that the reason why curses were swarming the streets and filling every empty nook and cranny in the summer of Geto's spiral was actually Gojo Satoru?

The narrative already bears witness to how Satoru's mere birth tips the balance of the world. As the first Gojo to be born with both the Limitless and the Six Eyes in what is almost a half-millenium, he holds unparalled power. Him simply existing is enough for curses to spring into action and start growing in strength as well.

When he suffers a crushing defeat by the hands of Toji and subsequently thrusts himself vigorously into perfecting his technique, this rapid increase in his strength puts into motion a similar process. He becomes stronger, and so cursed spirits follow suit. He breaks the fragile equilibrium, and cursed energy seeks means to restore it.

First time Satoru Gojo changes the world, he is named the strongest. Second time Satoru Gojo changes the world, he becomes the strongest.

Now, this might be a bit of a stretch on my part, but what if Geto's defection and everything in its aftermath is how the world responds to Gojo being the strongest? After all, you cannot balance the scales by putting too much weight on just one side.

Suguru's abilities as a sorcerer are inherently deeply tied to Satoru's, and intentionally so. The stronger he is, the more potent the curses are -- and therefore the more potential there is for Geto's technique. I have said it before and I'll say it again: they are a perfect counterbalance to each other. The equilibrium is broken by Gojo twice. Each time, Geto is there to restore it: first by being born with the ability to manipulate curses, then by creating the opposition to jujutsu society, which Gojo has become the centrepiece of.

Ever since Suguru Geto entered the narrative, he has been the one to keep Gojo's powers in check -- hence preserving the balance. That's why the narrative brings him back: in order to be well-balanced, it needs both of them to be present.

[note-boom]

See here. BSD is a story about how all of our characters were once children. How the scars and wounds and secrets of their past will always haunt them to the present. We see it with Chuuya, Yosano, Ranpo, even Odasaku briefly, Atsushi, Tachihara, Akutagawa, Kyouka and Kenji right now, even Kouyou just a little bit. They've all overcome it or they've allowed it to consume them. And yet that brief glimpse into a past where they were young and scarred shows us once again just how human they are...every criminal, ever person, was once a child wounded by or protected from the world and doesn't that count for something even if it doesn't excuse the atrocities they commit today?

[galadrielspeaks]

you know what? thranduil deserves to drink a smidge too much wine and have a bit of a superiority complex and to be a tiny bit of a bitch. like you gotta give it to him, he’s king of a successful kingdom without the help of any sort of Ring of Power. he deserves to bring up how he's managed to defend his kingdom (that is literally right smack dab in the middle of SO much bullshit) for centuries without any help from a ring whenever he gets the chance.

[bookishfeylin]

Friendly reminder that Rhysand sexually assaulting Feyre Under the Mountain did not in fact save her from dying and was wholly preventable given he has the ability to glamour the guards and could’ve done anything else to “keep her mind occupied” whilst also keeping her out of the spotlight

[adelrambles]

Tips on Writing Bishop

I've been asked a couple times for advice on how to write a good (03-style) Bishop, and I'm well-aware he can be a bit tough to get a grasp on. As someone who's studied him specifically to learn how to write him as accurately as possible, I figured I'd compile some thoughts in case it'd be helpful to anyone else. I know a lot of Rise takes on him are basing off the 03 version, so maybe this could help generate ideas, too. SO!

Big Overall Points!

At the core of EVERYTHING Bishop does are two primary motivations. The first: the protection of the earth. What this means to him can get tricky, because it doesn't necessarily mean protecting the people, at least not all of them. But it will be better understood alongside the other:

The second: The protection of his sense of safety. Bishop has been deeply traumatized, and everything he does is born of a want to avoid that pain ever again. In his mind, earth is a safe area, a controllable factor, and anything outside it is a danger that must be eliminated. This is why he will still be willing to put himself and other people on the line in service of this; any sacrifice is worth the greater goal. (It's worth noting, Bishop will claim the first as his motivation freely, but is likely not consciously aware of the second.)

Bishop deals in Big Picture ONLY. Another reason Bishop will willingly throw away anything, including the lives of the people he claims to protect, is that he seems incapable of understanding things on a small, individual basis.

Bishop is a cold personality. He does not have strong displays of emotion. He does emote, but for the most part it's muted, so I recommend using emotional bursts very sparingly. (In my own writing, as an example, I try to limit my use of exclamation marks in his dialogue as much as possible.)

At his core, Bishop is afraid, and his response to fear is aggression. This also makes it particularly difficult to talk him down, if he's put in an emotional state. His response to not being in control is often violent retaliation.

With those basic tenants understood, let's move next to some major personality traits:

Bishop is a controlling personality. This is a direct result of his trauma response. Things that can be controlled are safe, therefore he must control everything. If something cannot be controlled, it's a threat that must be eliminated. If he doesn't know why something happened, he becomes angry (including even when it benefits him.)

Bishop is very low-empathy. When writing him, I try to keep in mind that he cannot put himself in the perspective of others. (Or if he can, he doesn't care to.)

Bishop is a sadist. He gets personal enjoyment from hurting others.

Bishop likes fighting, but only when he's winning. He will quickly leave if he can't see a guaranteed victory.

Bishop is paranoid. This is probably self-evident, but it's the reason he's often so well-prepared even when things don't go to plan.

Bishop genuinely seems to enjoy science. He's shown to be far more lenient with scientist characters than anyone else, and he seems to involve himself in his scientists' projects to a degree. Enough to, at the very least, understand their work. (Given he was the one set to dissect the turtles, it might also be argued he has some medical or biology background, himself.)

Bishop is an opportunist and scavenger. He can roll with failures as long as he can find something to get out of it. If he's presented with an opportunity to stab someone in the back, and he has something to gain? He'll take it without a second thought.

Bishop is deeply self-blind. For all his perceptiveness and strategic prowess, Bishop is not very self-aware in the slightest. He is completely blind to his own hypocrisies, and thoroughly confident in his own righteousness.

Bishop adapts fast. He accepts situations for what they are and acts (Though he may still be angry about them, or what have you.) This is likely a skill developed via longevity; the world around him has changed rapidly, but he doesn't feel out of place at all.

Bishop will take extreme risks and thinks wildly outside the box. Also self-evident, if you're familiar with the plans he enacts throughout the show. He'll put a lot on the line if he thinks the reward is worth enough, and he's willing to go to extreme lengths to get what he wants, even if his plans would be considered crazy by normal standards.

Bishop is persistent. If he wants something, he won't stop until he gets it. If he fails, he'll retreat, make a new plan, and try again. It is very difficult to convince him to back down (and certainly not on moral grounds.)

Habits and triggers I've noted:

Being restrained of any sort puts Bishop in a panic. He is more likely to have an emotional response in these scenarios, and seems to have (an albeit muted) desperation to escape. (See: Leatherhead restraining him in the first encounter; His reaction to being trapped on the surgical table in Head of State.)

When being duplicitous or suppressing a reaction, Bishop will go to adjust his tie. This could possibly be considered his tell.

Bishop seems to have a particular fear of aliens blending in as humans. His slayer project was built around the assumption that this is a common threat. (Worth noting: This makes The Shredder the model of the exact threat Bishop is afraid of. Technically, Bishop himself may also fit the description of a threat shaped like a human.)

Writing considerations:

In 03's narrative, Bishop is EPF and EPF is Bishop. Narratively speaking, any organization Bishop is head of acts as if it is an extension of his will and character.

Bishop is shown to strike fear and/or discomfort into most characters he interacts with. Anything beyond this is an outlier, and will draw a reader's attention.

Dialogue-wise, Bishop is generally succinct and blunt. He does dabble in gloating, though, and especially likes to upset others. If he's given a chance to be mean, he'll usually take it. It can help to consider he has a Mission Mode and a Normal Mode. When it comes to Mission Mode, he gets straight to the point and hates unnecessary talking. Otherwise, he's still not very talkative, but will take the time to make pointed jabs or talk through a plan. A lot of his sense of humor seems to be rooted in how He's Better Than You (And You're Going To Die Painfully.)

It's a common pitfall that Bishop is depicted as seeking out the turtles. In 03, once he gets their DNA, he's done with them. Any encounters after that are incidental. Bishop does not care about anything that won't effect his greater goal. If he's targeting another character, it should have to do with a greater plan.

Bishop is an extremely competent combatant, shown to be able to handle up to 7 opponents at once. For a breakdown on his fighting style check out my other post on that!

Bishop is hard to kill, and oftentimes he accidentally contributes to his own defeat. (The hook from Bishop's Gambit is an example I get a LOT of mileage out of, as a perfect symbol of his self-defeating prophecies.)

We almost only ever see Bishop in the context of his work. While it could be construed that he depersonalizes himself, it's much more clear that the narrative depersonalizes him. As far as we, the audience know, Bishop's work is all that he is.

It's unclear if Bishop was released from his abduction or escaped. Depending on which you ascribe to, this can have ramifications for his mindset on how to deal with the alien threat. (Personally, because so much of his inability to cope hinges on a feeling of helplessness, I believe he was released. If he escaped on his own power, that undercuts it, somewhat.)

Thematically-speaking, Bishop parallels both his own torturers and his own victims at the same time. He has perpetuated the cycle that traumatized him in the first place by trying to fight fire with fire. (In that vein, I don't think he's capable of understanding that, not seeing aliens as people in the first place, just dangers. Considering how deeply ingrained his trauma is in his worldview and actions, it would probably ruin him, if he were ever able to actually grasp it.)

Bishop and EPF are likely a commentary on the military of the time 03 was coming out. This can be something worth keeping in mind, when figuring out his greater themes in your story, though it can just as well be discarded if it doesn't fit.

Adding to that, Bishop has an extensive american military background. His skills and knowledge will reflect that.

Bishop also plays on and references a number of real-life alien conspiracies. It can be worth digging through conspiracy history to drum up ideas and themes, too.

The ethical and philosophical quandaries of Bishop's body-hopping and humanity tend to not hold too much weight, because Bishop, himself, doesn't seem to care.

If I think of more I'll certainly be adding on to the reblogs of this post! Or, if you have more thoughts, please feel free to add! If you're in the mood for more Bishop ramblings, that's practically most of this blog atm, but this post is a particular favorite. If you're interested in Fast Forward!Bishop, specifically, consider this post! (also read Taking Pawns. slipped in that self-promo, nice.)

[activatebutterflyshield]

I was compelled last night and I’m quite honestly scared of whatever 11:59 PM me intended for those middle sections. At least I still know my colors when sleep deprived, and I’m sure someone else on here can fill the blank spots out better than I can on a full eight hours of shut-eye.

[sugarcoatednightshade]

I've been reading Dungeon Meshi. I'm almost caught up to where the are in the show, and I haven't been able to get this quote out of my head in regards to Laios and Marcille:

This is about the lengths Marcille using black magic and a dragon corpse to resurrect Falin. This is about the party eating monsters. This is about them hanging that man in chapter 2 so that his body could be found by corpse retrievers.

This is about how others react to this knowledge. Especially, this is about how people react to Laios. Maybe he's just an easy target - he doesn't hide what his party is doing, he isn't ashamed, he doesn't know how to mask - maybe it's that hes the leader, the one who's ordering all this to happen.

We the readers know Laios' true motivations - love and passion - so its funny when people like Kabru assume hes some kind of villain. Laios? That guy?? Of course he isn't a villain, how silly it is to even suggest that he might be!

But like, taking a step back, forgetting that his motivations are sympathetic, it's easy to understand why others might think that he's dangerous. He is dangerous. Not because he's the strong, not because he's smart, but because when he sets his eyes on a goal, he gets it done. No matter what stands in his way.

[mcytanti]

Venus planet of love - Cleo victory portrait