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#NOT EVEN THE FACT THAT I USED TO CONSTANTLY BITCH ABOUT HEARING MUSIC I DIDNT LIKE
baycitystygian · 1 year
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I already know I’m autistic but if I didn’t already then the fact that I noticed the difference in mixing between the version I’m used to of “White & Nerdy” and the Dolby master on apple music wouldve for sure tipped me off
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withallthingslove · 5 years
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the handmaid’s tale s3ep5 thoughts
PUTTING THEM OUT A DAY EARLY BECAUSE IM SO EXCITED
man just when i think im done with this show it pulls me right back in lol (okay I wasn’t actually done I just was annoyed)
baby holly is so fucking cute
so fucking cute
but man was i annoyed at the beginning of the episode... I like(ish) luke in the way that i want him to be written better and just want to be able to root for him and his story. But I constantly get annoyed with how he is written. Because he was kept alive in the show when he wasn’t in the book it’s like the writers dont know how to include him sometimes so he feels shoehorned into june’s thoughts. I love the story line of him raising holly, but then to have the opening be june talking about how much she misses being held and called june as if nick who she loves didnt do that.... it reminded me of in season 2 when june hadnt thought of luke at all and didnt want to leave nick and then suddenly in episode 9 when luke was the main focus of the episode then june thinks of him. It feels like a cop out and the writers being like “oh time to remind viewers june loves luke because we forget about him until now”
and this isn’t anything against luke. i 100% believe june loves him with all her heart. no question. but it’s like the writers think we are dumb and can’t realize that june can still love luke and their memories while also loving nick in the present. So they waste a monologue of june’s voiceover reminding us that she was married
i told you bitches serena was gonna backslide
I fucking told you
jdfghreuijgrew
if anything this demonstrates that june is a selfless mother and serena is just fucking selfish. her one good deed of letting holly go is nothing compared to june as a mother. june fucking told her seeing holly would not do any good, and she of all people knows that considering HANNAH WAS TAKEN FROM HER. but serena is delusional and she thinks its her right to go see june’s kid and june’s husband while june is stuck in gilead
that phone call with luke.... MY HEART. luke fully expressing his emotion and june trying to keep her’s in.... the utter love they have for each other to this day. one plus of this season is luke finally getting emotional moments. it’s about time
i think lawrence felt really bad for june. he says he doesn’t like her but he clearly does a little bit. the way he silently offered a handkerchief and the way he looked at her after the call ended... you could see the wheels turning in his head like “this is fucked up and i cant really do anything to help her”
tuello looking fine as always
i told one of my friends the other day that while serena sucks and she doesnt deserve love i do want her to just fuck tuello. And I said that since serena is fertile and it’s fred that is sterile she should just go have a baby with him instead. And idk if its my bias to that possible story line or what but i feel like this episode kind of hinted at that? tuello again offered her a way out of gilead and i mean... they’re both hot people and they want this show dragging on for 7 more seasons so they gotta do something
after this encounter though i stan luke
the way he said “fuck you” to serena
the way he did not give her the satisfaction of playing into her delusion 
WE STAN AN ICON
when serena very angrily went “i protected your wife” and luke went “what did you say?” .... where was serena going with that?
because she literally held june down while she was raped including when she was pregnant.... that is not protecting her. has she somehow wiped s2ep10 from her memory??? 
the only two things I could think of was either serena arranging for nick and june to sleep together (lol as if they wouldnt have anyway) and then keeping holly’s parentage a secret, or her covering for holly’s escape and june’s reassignment. If anyone else has any ideas about what that line meant feel free to reply or hit up my ask box because I wasn’t sure how to interpret it. But I interpreted luke’s reaction as either “wait what did she need protecting from?” or “shut up you are the reason she is in danger”
luke was too good for letting serena hold holly and that scene was gross... serena is NOT her mom she’s just a delusional and selfish woman
watching her cry... im supposed to feel sorry for that bitch???? I dont
as soon as fred said “it doesnt have to be” i looked into an imaginary camera like here we fucking go
at first i thought the gift for luke from june was just going to be music to remind him of her but omg
omg 
omg
omg
I knew luke was going to find out that holly is nick’s child eventually based on cast interviews
but
fjrgfhrewfjkrhfkfdjrf
i have so many thoughts on that recorded message and kind of blacked out when i realized what she was going to say. and then she said even more than i thought she would
1. june is so fucking mature. your protagonist could never
2. seriously june articulates everything so well. obviously she is ashamed that she fell in love with someone else and has conflicting feelings about loving two people. and I think it’s so great that she acknowledged that
3. she encouraged luke to move on. that’s.... really big of her. i think june at this point has resigned herself to dying in gilead. But she also tells luke that she is not the same person anymore, and that she had to make a life for herself in gilead. Which is you read any of my posts/anon replies IS WHAT I HAVE BEEN SAYING FOR 2 YEARS. Luke and june obviously love each other SOOOO much. But i think luke has been a bit more daydreamy in his thinking of being reunited while june has always been a realist. that’s why she has survived in gilead for so long
4. SHE SAID NICHOLE’S REAL NAME IS HOLLY. THANK FUCKING YOU. now we can drop the bs of nichole lol
5. She said Holly was born out of love. LOVE. And told Luke Nick’s name. NICK AND JUNE ARE HOLLY’S PARENTS. AND THEY LOVE EACH OTHER. THE WRITERS SAID NICKxJUNE RIGHTS. I have been waiting for this admittance for 5 fucking episodes because we spent so much time on serena bullshit
6. She admitted the reason she stayed was to find Hannah and try and get her out and then told luke she loved him
7. Luke’s reaction... that had to be so hard for him to hear. But at the end of the day I think it’s better to know that than to keep thinking holly is the product of rape. And that’s why june wanted him to know. Holly’s history and her true parentage are important. And I think luke’s reaction was so human and heartbreaking, but the fact luke can take care of holly i think he can have it in his heart to accept what june is saying and not resent her
aight so june’s shopping partner.... not really sure what to make of that scene. She seemed to be in shock. And so much softer than we are used to seeing and I felt like that was a hint to her true personality. But who knows
fyi in case you guys forgot... the waterfords suck ESPECIALLY SERENA 
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peacheenie · 5 years
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hl1/2 gordon scentric hc time
im rly feeling half life in this chillis tonight so....some....hc’s about everyones favourite free man, i have a lot so enjoy
-he’s actually mute and uses sign language but only about 50% of the time cuz people either don’t know what he’s saying or he can’t do it whilst holding like 20 different guns/weapons to protect himself so instead he makes big gestures a lot or writes down what hes trying to say (pretty much everyone at black mesa could understand him via sign language so he was very comfortable using it, during hl2 however he has to keep reminding himself not everyone is fluent and it frustrates him to no end)
-when he tries to speak it hurts and the most sound he can make is mumbles or little sqeaks so if theres ever a time he needs to alert someone to dangers reeeal quick he ends up hurting his throat a lot to try and make some kind of warning noise thats loud enough, he can hum tho and enjoys humming along to music as well as when he’s signing to try and convey some kind of emotion along with his facial features of which he emotes a LOT
-his hand writing looks like that of an actual dotors and its neat cursive but very hard to read so if he’s trying to write as a form of communication he just defaults to caps with big spaces inbetween and people (barney) tease him about it constantly (barney)
- hes incredibly short sighted without his glasses and ends up squinting a lot without them on and since he’s usualy default bitch facing he just looks very angry all the time when really he just cant see anything please dont be offended sir he didnt mean to upset you
-is actually very scared all the time abt like everything, hes literally just a scientist who just happened to be “the right man in the wrong place” and was just so determined to try and save those around him during the cascade that he pushed thorough his fears and anxiety to try and get the job done but he def has some form of ptsd after it all, barnicles specifically really freak him out because getting strangled and slowly lifted off of the ground into a row of razor sharp teeth is fucking TERRIFYING and he wouldnt wish it on anyone
-only reason he knows how to use guns is because barney would regularly take him down to the shooting range during their breaks and they’d see who could shoot straightest after a few drinks, barney would always win.
-after hl1 when he was put into stasis and he wakes up in hl2 hes lost like 20 years of his life and hates that fact terribly, all his friends have aged around him but hes still in his 20′s when he shouldnt be and he hates it so fucking much
-he also finds himself missing the feeling of the HEV suit terribly during the begining of his re-awakening in city 17, he’d grown so used to the feeling of it on him and keeping him safe that it makes him anxious without it and the cold air on his hands is also uncomfortable so he prefers wearing gloves all the time, when he finally gets the HEV suit back it feels like a weight has been lifted and he can finally stop worrying, the suits voice is also a comforting sound beccause its familiar and a sign that he’s not alone, same goes with the healing station and suit charging noises; they’re a comforting sound to hear and he enjoys humming along to the vrwwwrrrr vrrwwrrr vrwrrrrwr the machine makes when he plugs into the port
-he worries about overdosing on the healing stations a lot though; the morphone they give out is indefinite and once during the casade he’d passed out from taking to much and woken up to a zombie very slowly approaching him from down a corridoor but with how drowzy he was it was it was a horrible struggle to lift the gun and fire between dozing in and out
-he gets attached to people quickly since also during the cascade days he’d regularly meet people in danger who only had him to keep them safe so he tries his absolute hardest to make sure he can protect people even if that means he gets shot in the process, the suit usually protects him/heals him anyway so he’s used to it and if theres danger he almost default/automatically moves infront of people to make sure they’re okay without any concern for his own safety
-he also reeeally likes antlions and will pet them any chance he gets, he tried to do it when he first saw them and almost lost a hand so it makes him upset he has to kill them but when he finally gets the bug bite from the vorts? ohhhhohohoh he pets so many antlions, it again makes him sad he has to use them as like fodder for turrets and stuff but if an antlion comes back to him after taking down a turret or killing a combine he gives them extra pets and becomes a very proud papa
-since hes technically in his 30′s (and would be nearing his 40′s had he not been in stasis) he feels more of a big brother/fatherly bond toward Alyx since he’d also met her as a baby and finds any romantic involvement with her awkward, (so Elli’s comment on him “wanting grandkids” he ends up slapping the man on the arm with a frown to which Eli just laughs) this doesn’t help his attachment issue though so when they have to seperate to do things away from the other he worries for her safety even though she constantly assures him she can take care of herself and he KNOWS she can. he still really can’t help but worry though...
after hl2 ep2:
-when eli dies i dont like to think they all straight away go to mossman and instead get to spend some time mourning at the base, this gives gordon some time to finally sit down and relax for a little bit but he finds it incredibly hard to even take off the HEV suit at first because to him there was no passage of time between being put into stasis and waking up in city 17 all those years later; he’d closed his eyes, went into the portal and then the next second awakened in a completely unfamiliar place, in unfamiliar clothes with unfamiliar people (he definitely had a panic attack before geting off that very first train) and the thought of that happening again when he’s not prepared is terrifying.
-when he does finally take off the suit (after a lot of helping and reasuring from alyx, kleiner and barney a LOT from barney; theyre very good friends (;) he takes to wearing very comfy and heavy clothes such as jumpers, ponchos etc as well as a bullet proof vest because it makes him feel safe, the HEV suit gloves he retires entirely cuz theyre gross, definitely covered in his own blood and have been through hell so instead he has a bunch of different pairs he cycles through depending on how he feels that people around the base give him after learning about his fondness towards them
-he secretly carries a gun around with him even when they’re not in any danger becaus it’s another added layer of security and becaus he literally can’t trust things to not go bad EVER; now though nothing will go wrong again on his watch because he’ll be ready for it!! this really doesn’t help with his nerves though since he’s constantly looking for something to go wrong
scene specific hc’s:
-i always think abt that one specific sene in the train that gets derailed where alyx is trapped by a stalker and gordon has to pull it away with his gravity gun and i always imagine him franticly pulling it away with so much alarm on his face and such panic, when shes free though and has to stop to catch her breath gordon would give her a hug and make sure she’s okay cuz it must have been terrifying to have that thing screaming inches from ur face, gordon just instantly  goes into protect mode
-another scene that always comes to mind is when you first encounter an advisor and it makes that horrid loud noise where alyx is holding her head; i imagine gordon almost dropping the gravity gun in a panic to try and cover his ears because he doesn’t handle loud noises too well and it freaks him out so much alyx has to help him get out of the room since he kind of locks up on hearing it
-same goes when you get trapped by an advisor in a barn and almost become food for it; gordon is absolutely terrified at getting so up and close without being able to move that when it finally does drop him he starts hyperventilating and alyx has to protect him from the oncoming combine for a little while before he can catch his breath
-last scenes but some of my favorites are the ENTIRE sections of gordon being up close with breen, 
first being the teleporter malfunctioning and when gordons heavy breathing i imagine hes trying super hard not to start freaking out/hyperventilating and when breens doing his “i want that twink obliterated” spiel and then looks up and says his name, gordon almost looses it and internally is like AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
second is when youre trapped in that like...metal contraption thing the stalkers are carried in and brought to breens officce and that entire section where breen is talking directly TO YOU i just adore it becausee gordon would have been looking away awkwardly unable to actually respond and furrowing his eyebrows at the nerve breen has upon thinking you would ever agree to any such terms and would definitely also spit in breens face as a response just like alyx did since he can’t use words
okay that is all, if you read all of these you’re amazing and i love u and also gordon hes an amazing “character” because i can insert as many of my own quirks into him as i please because valve literally never gave him a personallity :^)
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saints-row-2 · 6 years
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film watch day 31: Every Halloween Film
happy Halloween today i watched every Halloween film currently available to me. i couldnt get to rewatch Halloween 2018 but i already wrote about it a couple of weeks back so feel free to revisit that post. anyway, i watched ten Halloween movies today. It took around 17 hours. i started at 11:15am and im writing this now at 6 am.
so lets get to the post. for the most part i went in chronological order, except i chose to start with Rob Zombie’s remakes because i knew if i didnt id be finishing the day by watching them at the break of dawn and the idea of doing that was so fucking putrid to me that i decided to get them out of the way first.
Halloween (2007)
i hate this fucking movie. i mentioned in an ask the other day but im happy to repeat here, i dont hate the idea of expanding on Michael’s backstory. like the fact is we largely know his backstory, the issue is how this film chose to portray it. the original Halloween is frightening because its based around the idea that the seemingly safe, quiet suburbs are not as safe as they seem; you can be on a street youve known your entire life, only a few metres from your own home, and still at risk. the whole idea of showing Michael as a murderer when he was six is to tell us that anyone could be a threat, that our conventions that all killers are a particular kind of person is false.
Halloween 2007 says fuck that, we know what serial killers are, and theyre those poor kids who come from shitty neighbourhoods and have abusive parents and mothers who are sex workers. everything that Halloween brings to the table is fucking tedious, played out, and massively uninspired. it wants to bring us the truth about why Michael is like he is, but Rob Zombie’s only understanding of serial killers is in the cliche and exploitative. he has nothing honest about human nature to show us, only the exact same stories that have been fed to us by crime and horror movies past.
this film is incredibly loud and in fucking constant motion. even on steady shots of still scenes the camera constantly shakes, and in every other scene its always whirling around from tracking shot to panning over the scene to just idly zooming in and out of nothing. Zombie’s favourite shot is to have something large and out of focus in the foreground -- like some plants -- and to shoot the characters standing about six feet away muttering to themselves. every single fucking shot in this movie lingers too long, every scene drags a little longer than it needs to. this film moves with the pace that i would describe as “family guy gag”.
and this film is so loud. people are always talking or screaming, largely about nothing important or interesting. theres always music, but it never particularly adds anything; for reasons i fail to fucking understand the entirety of the original theme plays over mostly uninteresting tracking shots of a minor character walking around yelling filler lines about nothing.
the writing is horseshit. everyone in this film is vile, no one talks or behaves like real human beings. almost every exchange in this movie is the characters saying the exact same thing back and forth inanely, frequently punctuated by screaming FUCK as loudly as possible and talking about sex in a way that 40 year old men really really wished teenage girls talk about sex. Halloween (2007) is thoughtlessly gross and mean and nasty, disconnected from any kind of human sensitivity and empathy. it wants to be complicated and to be deep but its crushingly simplistic and stupid. the only thing that redeems it is that its not Halloween II (2009). speaking of which...
Halloween II (2009)
jesus christ this movie is so fucking boring. Halloween II is two hours long but feels like its about twenty hours long. i felt like i was watching this film for twenty days and twenty nights. i was trapped in an eternal purgatory with this movie.
i really cant fucking emphasise how boring this film is. endless scene after scene of nothing of consequence happening, uninteresting death scenes that add nothing, and Michael wandering around doing jack shit. Halloween II fucking made Michael Myers boring, and im saying this as someone who (as i repeat once every 8 seconds) has a tattoo of him. this film couldnt hold MY interest in two of my favourite characters of all time.
the big fun new addition from the first movie is the presence of Michael and Laurie’s mother as a kind of weird goth ghost guiding Michael to kill. i dont know why Michael had to be Jason Voorhees and be a mommy’s boy all of a sudden, but this addition brings absolutely nothing of interest to the film or to his character. its meant to be symbolic of fucking... something im sure, but it feels meaningless. somehow Michael and Laurie are both able to see and interact with this ghost and the ghost has an agenda to do... something? it feels about as intelligent and coherent as the bullshit cult of thorne shit from 6, but a lot less fun. at some point Michael Myers apparently has mind control powers?
not to repeat myself a hundred fucking times but this film is insanely unpleasant to watch. every scene someone is screaming, generally wailing “fuck you bitch” at anyone in their vicinity. this is two hours of people howling swear words at each other and not infrequently making rape jokes. Rob Zombie loves rape jokes! almost as much as he loves putting sexual assault in his movies over and over again for no reason.
there is nothing to enjoy in this film. theres nothing to gain. there is too much slow-mo and far too many strobe lights and absolutely nothing of any intelligence or grace. Halloween II is a thirteen year old boy in a korn T-shirt calling his mom a bitch while he draws zombies on  the back of his homework, which he will get an F for because the only thing he wrote was “reading is for faggots”.
Halloween (1978)
what the fuck can i say. this is one of the greatest horror movies ever made, if not the greatest. its one of my favourite movies. its forty years old and still just as chilling and frightening as it ever was. it has some shot composition and cinematography thats up with the best ive ever seen, all while being shot on a budget of $300,000. it does more with less than just about any film, launched the slasher genre, shot Jamie Lee Curtis to stardom and created a pop culture icon that stayed strong for decades. its a masterclass in tension and suspense, a lean-cut perfectly paced film with heaps of atmosphere and character.
i love this film with a frantic passion that makes me unable to talk about it in a particularly helpful way. i cant “review” Halloween. I love this film beyond reason and sense and you either get it or you dont.
Halloween II (1981)
Halloween II is largely one of the less remembered entries in the franchise; its a decent enough movie, neither matching up to the highs of the original or the lows of the later films. its a pretty enjoyable little film, created under the logic of ‘well the first one did well, lets do the same thing again’. Carpenter wrote the script but didn’t direct, and while the film has a solid story, the directing lacks his signature flair. its hard to pinpoint, because the film is generally fairly well-shot, but lacks a kind of eye for shot composition that Carpenter made look easy, doesnt have as much patience for suspense.
on its own merits, theres still some great shots and great scenes in the movie. and a lot of really cool kills; II got a lot more creative with what Michael was capable of, and i think the boiling water drowning kill is rightfully pretty infamous.
this was the last Halloween movie Carpenter wrote, and it was the film where the idea of Laurie and Michael being siblings was introduced. and believe me ill defend this fucking decision to the grave. adding the human connection between Michael and Laurie gives a whole other layer to their relationship thats so fascinating to me, and i love that other films try to expand on the themes of family. in general, deciding that this film would continue to focus on Laurie and not do what later slashers did with bouncing around between different casts was a great fucking move, ironically for a franchise that was intended to be an anthology.
quietly exploring the aftermath of the first film was a good idea for a follow-up, and i especially really enjoy Loomis’ role in this movie, and his discussion about who Myers is. the biggest disappointment for me personally is that Laurie lacks a lot of presence in this film. Curtis is great, as always, but the movie dawdles on some side characters who are too disconnected from her to get a sense of what shes going through.
all that being said, Halloween II is decent. the ending is really great, with some really powerful shots. Michael bleeding from the eyes of his mask after Laurie shoots him is one of the best fucking images in horror and him swinging blindly as Laurie and Loomis slowly orchestrate his death is a fucking amazing scene. i have an immense fondness for this movie, with all its flaws. it brings a lot of really cool concepts to the table, and i think it deserves some appreciation.
heres a question tho; where the fuck were Laurie’s parents. theres a suggestion theyre missing, but theres no explanation why and we never hear from them. did michael kill them too? hello? mr and mrs strode? your daughter just fucking killed a guy and all her friends are dead. where the fuck are you.
Halloween III: Season of the Witch
Halloween III is infamous as being the Halloween movie that isn’t about Michael Myers at all. when it first released it was wildly unpopular and remained so for quite a while, but has had a surge in popularity over the last few years. i think just about every horror critic i know now considers Halloween III one of the best in the franchise. and to be fair to it, its a great little movie. not a slasher at all but rather a conspiracy thriller, Halloween III is all about the mystery of what the Silver Shamrock mask-making company are really up to, and why people are disappearing. its a weird and creative little movie, with some really fucking great practical effects that turn it from just being a thriller to being an all-out horror film. it has a few too many ineffective jumpscares and some of the plot twists are kind of disappointing and feel a little too much like the easy option -- and then others are so wildly bizarre no one would see them coming because theyre fucking completely out there. but i kind of love that sort of nonsense in a horror movie. like lets just have a fucking good time in here for once in our fucking lives.
Halloween III is not a perfect or even a really great movie, but yknow, fuck it. the idea that only perfect films are worth watching is dumb. i appreciate the weird shit this film tried and i think it deserves a lot more respect than what it got; if it had been released under another title it probably would have gone down as a classic instead of being derided for years, you ask me.
now things start going rapidly downhill
Halloween 4: The Return of Michael Myers
Halloween 4 is when Jamie is introduced as the new final girl; Laurie’s seven year old daughter, after Laurie herself died off-screen in a fucking car crash. the decision to kill off Laurie came from Jamie Lee Curtis decided not to return to the character and instead of recasting her, they went with just having her… die. off-screen. in the franchise where the previous two movies were about her triumph and determination to stay alive. like its the casual thoughtlessness of this that, the idea no one would give a shit a character returned, that in my eyes epitomises how fucking little anyone cared about this franchise going forward.
man the idea of Laurie dying completely irrelevant to Michael… thats a lot. anyway continuing on his quest to erase anyone related to him, Michael starts targeting his niece Jamie for the three movies in the franchise. this is where the series started rapidly losing any grip on reality. while Michael always had some kind of superhuman elements to him (he took six bullets to the chest and survived in the first movie) these became increasingly wildly exaggerated. now hes crushing peoples skulls with his bare hands shit like what the fuck. first of all do that to me and secondly, it was this kind of slide into unreality that let the supernatural elements of the series creep in further until you end up with the shitshow that is Halloween 6. like it was the decrease in the impact of violence and human life that really fucked this franchise over.
this film is not great. its a definite decline in quality after 2 and was on the slippery slope downwards. it has some high points, primarily in Dr Loomis. Donald Pleasance is a better actor than most movies deserve and brings gravitas to a role that in the hands of a less capable actor would be laughable. his sincere plea to Michael at one point to just kill him instead of going after Jamie is honestly fucking tragic.
outside of that, the film isnt massively interesting. Michael himself isnt particularly threatening or engaging, and his mask looks like shit in this film. the characters in this film are largely very stupid, also, which doesnt help anything much.
Halloween 5: The Revenge of Michael Myers
if theres a Halloween movie people talk about the least, its this one. II has the sibling twist, III is the black sheep, 4 is the return, even 6 gets talked about for its troubled production history. no one has anything to say about Halloween 5. and thats mostly because there is fucking nothing to say about Halloween 5. it is a relentlessly fucking dull movie that pads out its 100 minute run time with endless unnecessary scenes of shit that does… nothing. this film is dull in a way that i find incredibly detestable. i cant even watch it through a haze of impassioned anger like i can with the also incredible dull Halloween II (2009). its just fucking boring. every single scene drags like its trying to walk on two broken legs. the plot is so bare bones its nonsensical. it constantly adds new characters and new elements but all that does is makes it more incoherent and confusing. watching this movie i literally found my fucking eyes glazing over in my skull. if this film was edited correctly it would be twenty minutes long. i cannot fucking emphasise enough how much of relentless slog it is. Halloween 4 was dull but even that had the lifeline of ‘some cool ideas’. Halloween 5 is nothing. Halloween 5 is puddle dirt water.
Halloween 6: The Curse of Michael Myers
if Halloween 5 is puddle dirt water Halloween 6 is just a fresh hot glass of piss. there are two versions of Halloween 6, the director’s cut and the theatrical release, and both are wretched. this film went full ham with introducing the supernatural elements, telling us that Michael was his whole life psychically controlled by a pagan cult called the Cult of Thorne in order to make Halloween scary again or summon the devil or who fucking cares. this movie is fucking insufferably dull, totally absurd, and wildly unsympathetic. i loathe Halloween 6 and every terrible, stupid plot decision it makes. Paul Rudd defeats Michael Myers by drawing druid symbols on the ground and Michael just gives up and lies down. theres a baby that does nothing and serves no purpose. Halloween is apparently banned in Haddonfield, which makes this more closely related to Footloose than Halloween i think. this film takes itself incredibly seriously while spouting nothing but total fucking bullshit drivel and i dont believe that anyone involved in this movie, from the cast to the cameraman to the guy who served the lunch had any faith in this movie outside of the vague hope it might make money and i wish this movie had been burned at the stake. also i hate Paul Rudd.
Halloween H20: 20 Years Later
oh thank fucking god finally some good fucking food. Halloween H20 took the decision to retcon all the sequels (except II) twenty years before Halloween 2018, proving that everyone knew 5 and 6 were fucking mistakes.
this film loses a lot of the Halloween feeling in favour of making a more generic late 1990s/early 2000s style horror. theres nothing particularly interesting about the way this movie is directed or shot, the music is largely very generic, it has a generally uninteresting glossy quality to it that studio movies always do. its very obvious this movie was inspired by Scream and it looks a lot more like Scream than it does Halloween. all of this makes me kind of sad, but other films in the franchise have proved that other directors generally are not capable of imitating Carpenter’s style so maybe its better they dont really try.
what H20 does so well, and the reason i love it so much, is that it explores the relationship between Michael and Laurie, which is something im endlessly fascinated with. this was the first movie to have Laurie shake off her fear and rise up against Michael, and while it doesnt do it with quite as much depth and intelligence as Halloween 2018, it still has a fucking good crack at Laurie’s character, and its still powerful watching her turn on the man who terrorised her for years. Michael is great in this movie too; while he has a terrible mask, watching him back on his shit as a furious force of nature who wants nothing more than to destroy anyone who gets in his way.
honestly i kind of enjoy having a Halloween in a different style; theres something fun about seeing characters recontextualised and done with justice and empathy. most of the Halloween sequels before this one (and after, looking at Resurrection) are shallow, unconcerned with any kind of emotional depth or personality. and while a lot of the stock filler characters in H20 who are lined up for the chopping block arent that interesting and dont particularly standout, watching Jamie Lee Curtis’ performance and seeing her interplay with Michael is enough. and most of the side characters arent particularly annoying, which is more than i can say for half this franchise.
this film also has what is one of my absolute favourite endings in a movie ever; the final confrontation between Michael and Laurie has a particular interaction between them that i absolutely adore and that alone is enough to make this movie one of my favourites.
H20 isnt perfect; it weirdly feels like a blueprint that Halloween 2018 would later refine into a better movie, but the idea its going to be completely disregarded for Halloween 2018 in the future makes me a little sad. in the face of so many fucking mediocre and awful Halloween sequels it did the right thing in trying to focus on what actually mattered; the connection between Michael and Laurie, although i dont feel like it succeeded in making Michael as scary as 2018 would much later. that said, the shot where Michael and Laurie just stare at each other through the glass of a window? that gives me chills every time. and hearing the Halloween theme kick in as Laurie marches off into the school with an axe looking for Michael is so fucking triumphant.
i love H20 even if Michael’s mask looks like his hair was dunked in a bucket of water and then gently blow-dried. i have no idea why it looks so fucking stupid in this movie. why is it so hard to get Michael’s mask right. you wouldnt think it was that fucking hard. anyway, i really fucking love Laurie Strode a lot, which didnt help to make Resurrection any easier to swallow.
Halloween: Resurrection
so whats the obvious thing to do after you have a movie where the power and emotion all comes from the emotional catharsis of seeing a woman get her vengeance on her tormentor? you, uh, make a sequel in which she is immediately defeated and pointlessly killed after its revealed her victory at the end of the previous film was entirely false, and then you never return to focus on her and instead introduce a horde of entirely uninteresting stock characters. yeah, makes sense.
Resurrection is fucking incredibly stupid, in the kind of fucking hysterical way only really bad horror movies can capture. theres absolutely nothing of Halloween in this other than the presence of Michael, who just as easily could have been replaced with anyone or anything. the story has a group of people on a reality show staying in the Myers house to… stay there? its not entirely clear what the challenge is meant to be, other than to just be inside the house, which i imagine gets to be pretty dull viewing pretty quickly. theres no suggestion theyre like, hunting for ghosts or something along those lines, theyre just… looking at stuff.
Michael slopes around this movie like he doesnt fucking understand where he is or whats going on, an entirely out of place relic of better times past while the cast cavorts around him doing nothing of interest and having no plots or characterisation to speak of. the film has exactly two or three funny moments, including the legendary ‘Michael Myers getting electrocuted in the dick by Busta Rhymes’, but youre way, way better off just looking that up on youtube instead of watching this movie. there is an hour of pointless plot development about characters no one cares about until Michael starts fucking killing people. this movie shouldnt exist and we should all go back to pretending it doesnt.
and thats it. thats all the halloween films. i can die now.
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skaian-fiddler · 6 years
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State of the Webcomic
Im not sure what I wanted this to be when I started writing it. I know that as of late, Homestuck, in terms of its fanbase and its surrounding politics, has been pretty bleak. And I know that it feels like there arent alot of us left that care anymore. So I guess this is going to be something of a chronicle of the comic, and its involvement in my own experience. If youre just here for classpecting memes, feel free to totally disregard this. Otherwise… strap the fuck in I guess? Theres a nonzero amount of words about to come at you. For this 4/13, this is my account of Homestuck.
On April 13th, 2009, some guy with a shitty url published the first page of an indie webcomic. As I have come to understand, this fact would eventually become something of a ‘big deal’. At the time, however, it was not. I wouldnt be aware of its existence for quite some time.
Some years passed, and people started learning that this weird thing existed. The webcomic had survived through its fledgeling stages, and had managed to gain enough momentum and a fanbase large enough to keep above the surface and on peoples radar. At this stage, the only thing I knew about the webcomic was a single word, whispered in hushed tones: “Homestuck.” A few more years passed and the fandom began to grow steadily in proportion to a roster of increasingly convoluted characters, as well as the hair-brained complexity of the comics plot.
And then, Cascade.
I heard rumor of a webcomic that went off so huge that it fucking broke Newgrounds. Suddenly the fandom was omnipresent, and potentially out of control. From what ive picked up, it was a pretty rad time to be a nerd. “Somewhere, a soused uncle deliberately shatters china on the floor. Muddy livestock is decorated, and then lost track of. The question ‘Who's mule is this?’ at times can be heard over the din. This is now your reality.”
But, as much as I was starting to learn exactly what Homestuck was, I was hearing equally as much in terms of negativity about its fandom. Of their overwhelming presence during conventions, their reputation for immaturity, the torrents of unsealed gray face paint flooding the lobbies of unsuspecting hotels. So, I stayed away. This was like, late middle school for me, and there was no way in hell I was going to risk putting my image-obsessed ass on the line for a bunch of rainbow blooded zodiac alien shitlords and their apocalyptic tendencies. So, I stayed away.
It really was the first time something pop culture had ever gotten this big. Openbound hit, and it got bigger? Somehow? More trolls? Jesus christ. The fandom kept growing at an exponential rate, faster than people could process it, and so much so that nobody else knew how to handle it.
And then it… stopped.
The Gigapause, I think it was called. At the height of their power, the fandom was left with nothing, no new content to grab hold of, no new development to fuel their fan works, no anything. The fandom starts to lose speed. A spot of hope happens, during act 6 and is subsequently dashed against the rocks below as the Omegapause kicks in. I wasnt paying attention. I was busy, there was work to be done trying to get into college.
And just as suddenly as it had come, it was gone. The webcomic concluded in a way that implied that not only the readers, but the fictional characters themselves were freed from the scope and size of their own work. Anyone still reading watched Collide, in what I can only imagine to be 20 minutes of pure catharsis. The fandom got hit with Act 7, and that was it.
This whole time, that entire span of that seven years, nobody had ever ‘told me about Homestuck.’  Until, about a year after it ended, a friend of mine told me that the way I talk reminded them of a character called Karkat (after what Im assuming was a fairly aggressive bitch fest about something or other). Upon my asking what in the fuck kind of name Karkat is, they nostalgically smiled, and asked me if I had ever read a certain webcomic.
We went back to my dorm and they pulled it up on my computer. We read for a couple hours. I didnt think too much of it, but it was amusing enough. I put it away, and forgot about it until one lazy day like month later. And then I think it was Rose dropping a bathtub in Johns hallway that sealed the deal. I dont think I have to tell anyone following a fucking classpect blog about how addicting reading Homestuck is. I got really into the classpect system, as you can see. Im damn near constantly nerding out about videogame-esque class systems and personality studies, and I thought Homestuck’s god tier system was so fucking creative and interesting. And the music, holy shit. A flash webcomic? With LEITMOTIFS?!?
I eventually figured out that thinking Homestuck is cool in 2018 was… lonely. The people that still were fans of the comic enjoyed it in hushed tones, and in shame. It was sad, in ways. A part of me wished that I had gotten to experience it at its peak. I am not one such member of this fandom that has existed when the work was in its primordial stages, and I do not for one second claim to have been at the apex of the movement.
So what does this shitty history lesson good for anyway, right? What does it all mean? It has been nine years to the day, this 4/13, and Hiveswap is the only thing from keeping what was once considered a monumental aspect of pop culture from fading into complete obscurity. I am hopeful of the future of Homestuck, but I cannot help but also feel that one day, in the near future, it will be lost to time. And so, here we are today. I walk amongst the bones of the sun-bleached empire that used to be Homestuck. Not many people live here anymore. One day, it might be empty. One day, it might be that nobody remembers it at all.
But not as long as you are here, reading horseshit like this rant. Not as long as someone is drawing shitty fan art of the Mayor, not as long as someone is shamelessly jamming out on the bus to Sburban Jungle, and not as long as someone out there who cant think of the word ‘Pisces’ without instinctively associating it with the color fuschia. Humanitys drive to build things, to create, is rooted in an effort to outlast their own lifespan. And the same is true for this thing that we have all come to love (hate?), and for all of the thousands of people that have found some connection with each other over a common bond. I know that this whole rant has had some serious cringe potential, but know this, you bunch of nerds: As long as you are out there, reading, enjoying, then the fandom is still alive and well. And better yet? You arent alone.
Happy 4/13, kids.
“I keep having these dreams. Great empty cities, silent roads stretching for miles. The Earth from space, all dark. Not a single light to guide me home. But if someone really came from another world, what would the Earth look like to them? A wilderness? A wasteland? I don't think so. Even after thousands of years they’d see a world shaped by our hand in every aspect of its being. They'd see the cities and the roads; the bridges, the harbors. And they would say: Here lived a race of giants.”
-Acclaimed Actor and Sleeping Prophet, Charles Dutton
-Alexandra Drennan, The Talos Principle
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lueluepanue-blog · 7 years
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"You're not perfect either."
This is what youd always try and point out to me almost every argument. This is what you tried to point out to me post breakup when I tried to get you to once see you were wrong. The thing is, everyone makes mistakes and no one is perfect. The thing is, is theres a difference between what I “Did” to you and you to me. Yes. I was messy. Yes, I could have cooked more often. And then there’s the “controling” card you try and throw out as well. Controlling even though I endlessly gave you what you wanted or id never hear the end of it. And even if it bothered me inside-such as having sleepovers with girls youve slept with, or whatever it was that was “controlling”- I gave you what it was that you wanted cause my feelings were always underneath yours. The thing is, is i didnt pinch or squeeze you as hard as I could if I heard something or you said something I didnt like in front of friends and even family. I didnt get drunk and when wed get home id be throwing up or lose the soul in my eyes black out and choke you- (More then one occasion.) I didnt complain about everything you do for me. Wether it was the clothes i bought you, the phone my grandmother bought you, trips Id planned, dinners I bought, where we lived (especially with my family, even though we were homeless), trying to cheer you up constantly cause you were always mad or bothered by something… you were never grateful, always had a negative comment, always a flaw with what was being done for you. Nothing was good enough. I didnt take my anger out on you day in and day out. If you were grumpy you made sure I was grumpy too. And I’d try and reverse the anger by making you smile over and over. But youd get meaner and meaner hurting me and my feelings. I didnt hurt your feelings constantly or shun you away from kisses and hugs. And when my feelings were hurt and you were clearly in the wrong itd take me a good 3 hours to go through why you owe me and apology and what you did wrong. And even still most times you saw nothing wrong with your behavior in which id finally break down with panic attack telling you that you continuously hurt me and that you needed to change only for you to finally say sorry after crushing me down to the point where sorry should have been said so long ago it didnt mean anything. You said sorry too late too many times. Sometimes if I were lucky you’d acknowledge you knew you had a problem and that you couldn’t help it but that you loved me and if I loved you id put up with it. Making me believe it was okay for someone who says they love someone to treat them like that and that i had to basically be okay with how i was treated. Remember I was told by you I couldn’t drive the car for two years. Yet bitched cause you had to drive me everywhere. Remember how we always listened to your music? And not mine? Cause if it were something I wanted to listen to, or watch on tv you acted rude and huffed and puffed because you wanted to listen to your music. I never was continuously late to pick you up from work. Or forgot you cause I was too drunk at the bar. (Happened one time, regardless, you were 2 and half hours late and drunk at the bar before you even realized I was done with work). You were a nice drunk. Except for when you were alone with me. I never said things to embarrass you or upset you in front of family and friends on purpose if i were mad. I never left you during our relationship and fucked an ex and you at the same time telling both i loved them. I never kissed your mom drunk, or made out with people at the bar drunk then make an excuse for it. I never blatantly hit on your mom in front of you. I never pushed you in front of your mother either. I never stopped giving you attention, or stopped wanting to play. I NEVER. It goes on and on. There’s a difference between things people should work on to improve their relationship and straight up mental and physical abuse. “You act like I beat you.”-your words. Okay so because you didnt kick the shit out of me its not abuse? Pinching? Slapping? Choking? Squeezing? “You act like I did it all the time”- your words. Okay so because it didnt happen everyday the damage it caused my heart and mind is irrelevant? And then there’s the emotional abuse. Putting me down about being bisexual. Questioning me to the point no matter what answer i gave it upset you even if it were the truth. Calling me a whore. (Even though you slept with more people) ….**makes alot of sense*** telling me im disgusting over my past or shame me. Telling me i need to stop eating cause I was getting “big”. Justifying hurting my feelings in any shape or form making me believe i was worthless. In what right mind does someone get to hurt someone’s feelings and then get mad at them for getting upset about it. Oh dear my love I could go on and on. Mentally id rather take 12 punches to the face than deal with the mental side of abuse. So, finally one day I gained courage to leave the woman im in love with. I told you itd happen eventually over and over. That id take everything and end it. And that would make you mad. Shame on me for giving countless opportunities to turn everything around grow old with me. Shame on me for trying and fighting for as long as I could and finally breaking from the pain. So I left. And instead of saying to yourself I could have my home and family back if I changed my behavior towards my fiance, you were mad cause I took it away. And even still, I offered to help you out. I said all we needed was some space and for you to get back on track and wed be fine. But no. I was still the monster. I was a “whore” for sleeping with people who at the time hadnt even been slept with. I hadnt even slept with anyone and you were sending nudes and sexting on day three or four. I was a bitch and a cunt for leaving you with “nothing.” Instead of fixing the problem, you pushed me farther away. You were drinking every night. Threatening your life and threatening to crash my car. Name calling. Doing everything opposite of what a person would do if they were to actually fix things. So I started taking away my help. Stopped talking to you as often cause I didn’t want to be put down any longer. Everytime I tried after breaking up youd lash out and be mean and then clam down and tell me youd fix it. Except I had heard it a million times over. Heaven forbid i wanted you to prove for once you meant it. Once I became silent waiting for you, you started the statuses. Degrading me. Making me seem crazy. Making it look like it was me all along. And i wanted to kill myself. How could one person put me through so much and then make the public believe I was the one in the wrong. Then I got the apologies after you knew deep down you were gonna kill me. Then I got the kisses when i saw you again. Then I got the care and love i wanted when i saw you. But it seemed fake. I was so used to you hurting me i didnt believe you when you briefly gave me love those couple of times. After I wanted to die i was so numb and stripped of myself i slept with others. I started to lose hope in us. I wanted attention. And love. I wanted to feel anything other than what I was. And i closed you out still hoping youd eventually come knocking on my door to lift me up and kiss me telling me it was all gonna be okay now. Hoping you would have fought for us. Fixed your mistakes. Hoping id be able to have my family back together and that you truly loved me. After sleeping with them you sort of tried still. New girl was already relevant in your life at this point too. I wasn’t concerned though. You were giving me somewhat of what i wanted with her there. Kisses. Misses. Got a job. I thought you were finally getting it. I was ready for you to come home. And then you cut me cold. Told me I could have had you. Told me it was because I slept with others even though you were loving on me after that. Even though you were sleeping around too. Told me I couldn’t have you and it was my fault. Told me you were moving on with her. Little did i know you were with her long before my knowledge and still giving me false hope. According to facts she was your girlfriend may 11th just wasnt publicly announced. It took you only from the last week of march to the second week of may to forget all about 2 years of family and someone who really loved you. 7 weeks to move on. Meanst the whole time bitched at me for “moving on and seeing others” when im the one who stayed single and faithful to our family and youre the one who moved on. The one who moved on when they were the one who caused the problem. How humiliating for me. How unloved and forgotten and betrayed I felt. I had faith in you and us even after all the pain i was caused and I got shit on. How disappointing, I thought our love was real. I thought instead of finding a new girl to love youd wipe the tears from the one whos done everything for you, your family, and fix the broken. How unimportant and small i felt. How worthless and not speacial you showed me I was. And then I wanted to die all over again. My whole belief in anything and everything was crumbled. I spent two years trying to make it work for us. Gave everything I had in me to fight for us. Meanst while getting fucked in the head and hurt repeatedly. And i wasn’t even worth one attempt. I begged for you to realize. Begged for us. Begged for you to realize I was suffocating and the pain was all so much dying would have been easier. Mentally after everything i was fucked up in the head. Who wouldn’t Be? That’s when you told me “I need professional help and that I was sick.” Dear God, but boy oh boy you never saw you were the one who caused it. You never saw you should have fixed it. All you saw was me breaking down and that it was “my fault” cause I could have had you. I was nothing to you anymore. My screams for you to come home were just annoying noise and I “wasn’t” your baby anymore so you let me burn. And you watched. “You weren’t there for me when i wanted to die”-your words. Heaven forbid i told you i want a break and for once let you live with what you did. Thinking youd take me seriously about our relationship. You never did. You let it slip away. “Why would you wanna be with me if it was that bad and we always fought.”-your words. The answer is simple. I love you. I love all the good and the bad. I love the way you were when you weren’t treating me horribly. I even love your mental illness. However, I don’t love abuse. Mental or physical. I always told you I don’t want to change who you are, I want you to change how you treat me. And that was too hard for you. You didnt want to. And then I realized after all this you hadn’t fixed anything. You quit your job. You blamed me for us not being together. You got a new girl. And you ran away from your problems. All along the only reason I wanted you back was for the sake of I was seeing some improvements. And boy was I wrong after being shit on. Now i don’t know if you ever truly loved me or are capable of love. If you can do it to me- someone who loved you truly so much and did everything for you who you say you love- then youll do it to anybody, anyone. You see, I know you so well, I was the one person who saw your flaws knew to put you in your place, continued to try for us regardless, and at the end of the day still loved you and knew deep down you were better than it, and had faith in you even still. How sad to have let me get to this point. To push me aside. To disregard everything ive done, and spend the rest of life without me. And yet id still let you come back and always will. BECAUSE I DON’T GIVE UP ON PEOPLE OR LOVE JUST BECAUSE IT’S TOUGH. And maybe youll never realize, and maybe you will. And if you do, youll know what you have to do to truly make it right. And if you dont, that is a damn shame for you. And for myself.
Tonight I put these words visibly and clearly for my love. For myself. For us. For family.
I love you more than you will ever be able to comprehend. I miss you with every cell in my body. I see you in everything and everywhere I go.
However, I am strong. Please know its okay to be wrong
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My mental health story (so far)
I have just watched all the way through a brilliant playlist on youtube of women talking about mental health, and due to the fact I have had recent developments in this area I decided that I wanted to sum up everything into one big blog post.
I had my first GP appointment at the start of January regarding my mental health, due to the fact I had been really struggling since the summer. I got overly anxious about some social situations, I absolutely loathed myself and thought of myself as worthless, and I dealt with this by restricting my food intake. I lost a stone an a half (21 pounds-ish) between the end of august and the end of october, and continued to have unusual eating patterns aswell as depressive episodes and anxiety attacks leading up to christmas. In october I had told myself I would be better by christmas, but christmas day was probably the worst day mental health wise that I have ever had.
So my GP referred me to an anxiety and depression clinic and then they referred me to an eating disorder clinic, which I was sceptical about. Yeah I had lost some weight but it hadnt changed over the past couple of months,and my eating patterns arent drastically bad, its the self loathing and anxiety that I want to get over.
I had my first appointment at the eating disorder clinic on monday and it revolutionised how I had been thinking about my mental health. I finally feel like I understand my mental illness and this gives me a much clearer idea of how I can make myself better.
I have been diagnosed with OSFED, which stands for Otherwise Specified Feeding or Eating Disorder, subtype Atypical Anorexia Nervosa. This means that I have all the criteria for anorexia, but my weight is remaining in a normal range. Honestly, I find this label liberating.
Then the therapist started trying to work out where this had come from. I dint think that there was a way of doing this. I didnt think that there was a way of identifying where my eating patterns started and I certainly didnt think that I would be able to identify solid triggers, but I was wrong.My restrictive eating started in year 11 when I was 15 and began to compare myself to my girl friends who always got way more by attention than me. I started analysing what was so different about me and came to the conclusion that I needed to lose weight, but this was just slight restriction due to  insecurity, and had ended by the summer of that year.
The first time that I really displayed disordered eating was in the summer between year 12 and year 13. Essentially throughout year 12 I was bullied and alienated from the rest of the year, and from my friendship groups. Nobody in sixth form wanted to have anything to do with me, and two people who had been my best friends were constantly going out with the people who hated me. I would see it all over social media that everyone, people who I still regarded as my friends and who I was now hearing were bitching about me behind my back, was having a fantastic time without me.
Part of my personality type is feeling good within a big group of people and I am a classic extrovert, so all of this absolutely crushed me. It was my worst nightmare. That summer I lost a couple of stone by eating under 1/4 of what I should have been per day, punishing myself for not being good enough to hang out with my gorgeous, beautiful, tiny friends. When I did get invited to parties I would drink way too much to calm my nerves due to the fact I was completely surrounded by people that I had been told had spent time bitching about me and laughing at me, and I still felt this desperate need to impress them due to my fear of the loneliness which currently consumed me.
That summer I worked two jobs and I lost a lot of weight and I returned to school in September with only a shred of the confidence I had had 6 weeks prior, and that year I did not go to a single assembly or enter the common room once. I hid in the art department and bunked off, due to how thinking about facing all these people that hated me just gave me too much anxiety. I took this out on my relationship with food and my weight, blaming the way my body looked for why people didnt want to know me.
Throughout my last year at school I made new friends and my eating habits went back to normal, although I still struggled being part of a sixth form of people who wouldn't look at me. Sixth form ended and I got a job and I began making friends through gigs and clubs and essentially the music that I liked, and was so happy that I didnt have to worry about the hierarchy of school again.
That period between year 12 and 13 was what gave me this disordered thinking. I was so lonely and so hurt, and my eating patterns was how I dealt with it. I can control what people think of me, but when I know that they are thinking the worst then I can use food to feel in control of my situation.
Working out where my eating problems started has shown me what my triggers are, too. Just last weekend I was saying to my boyfriend, ‘why do I feel like this all of a sudden? what id it which makes me feel this way?’
Now I feel like I know. My eating started playing up again in the summer due to a couple of events, a birthday and a festival, with my boyfriends friends. Now dont get me wrong, this is a reflection of me and not of them, but I have a crippling worry of what they think of me. I had so much anxiety at both these events that I essentially ruined them, and straight after that I started at college, and all f this combined is why me eating disorder has come back.
I get very scared when it comes to people that I dont know very well. With my friends and people that I’ve spent a lot of time with and spoken to a lot over social media I am great, people that I’ve relaxed around and hung out with in pyjamas and confessed stupid shit to whilst drunk, I feel fine around those people. However, people like my boyfriends friends & family, friends of friends, people at work, people at college, I am completely terrified about what they think of me. This, in turn., leads me to restrict what I eat, and has started becoming particularly prevalent since September. When we see my boyfriends friends or family I practically starve for the week leading up to it because I feel so nervous and want to be looking my best so that I can feel as confident as possible, because I remember how it felt to have nobody like me and am so scared of that reoccurring.  Last Saturday me and my boyfriend were having a chill day and he mentioned that one of his friends wanted to meet us for a drink later, and I could not eat for the rest of the day. Even after these plans were called off, I still had anxiety at the idea and felt a need to be in control and to be thin.
I’m not eating great this week because we ae going out with my boyfriends friends on friday night, but I am going out with mine on saturday night so I will probably eat fine saturday.
So what I have learnt so far is that due to being bullied and alienated in sixth form I have crippling anxiety that people dont like me and wish that I could control whether people will like me or not, and to cope with these feelings I restrict my food to make myself look thinner (and nicer and therfore easier to like) and I also use this as a form of feeling like I have control over my ife, as well as punishing myself for whatever the reasons were that people did not like me in the past.
Obviously this is all bad stuff, but I feel so happy that I finally know it. I feel like I have made such a big step in terms of sorting out my self esteem issues and beating this thing for good eventually.
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