I need to talk about Julian's whole thing with Sloan in Extreme Measures cause it does actually make me feel a certain kind of rabid
Extreme Measures is a great episode for the Julian/Miles dynamic and has a lot of great moments with them but I think an underrated element of the episode is how it very plainly shows just how much the Dominion War has changed Julian, and how his morals have shifted into a much greyer area
Julian in this episode is very callous towards Sloan even as he's literally dying. he has no issues violating Sloan's mind, and when Sloan dies, the only reason he actually cares is because the answers and secrets Sloan has will die with him. truly cannot emphasize enough just how deeply Julian fucking hates Sloan, and sheer hatred isnt something we really see all that much from Julian, especially not to the degree he was with Sloan
even with that, though, Julian has never been like that with another patient. Julian doesnt let his personal feelings get in the way of being a doctor, and always treats his patients with the utmost care and his best work. Julian was willing to find a cure for the Jem'Hadar's addiction, simply because they asked for help, even if it meant potentially making them into a much bigger threat than they already were. Julian treated Tain in Camp 371. and, sure, Julian does treat Sloan, but he does so explicitly because Sloan has information they need, not because he has any care for Sloan's life
and I think that- his willingness to violate Sloan's mind to get what they need, and how he didn't particularly care that Sloan died- is a really bleak look at just how much the war has changed Julian and how much it's shifted his moral compass. throughout the war, Julian has been ordered time and time again to compromise his morals. add to that several traumatic events- multiple of which are orchestrated by Sloan- and a slide into deep depression, and it's no wonder he gets to a point where he can do the things he does in this episode
and I dont think it hits him until much later. I think one day, long after the war has ended and theyre still rebuilding everything that was broken, Julian lays awake at night and remembers how bad it got and what he became willing to do, and it makes him sick to his stomach
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I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.
I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.
I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.
There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:
A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.
B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.
And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.
This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.
But yk. That didn’t happen. At all. Nowhere close even.
The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).
To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)
And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.
Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.
I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.
Izuku is not controlling too much, he’s expressing just enough.
I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.
In fact, I’ll even say that this moment right here?
ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)
Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.
Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this
And this
Aand this
That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.
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You know, I'm sorry for another story time but my life has been very stressed lately and today I got a huge boost. SO.
As some of you may know, I moved states at the end of July and have been here since August 1st basically. Social anxiety is a struggle but I'm making it. And there's this easy to reach by walking convenience store and almost every time I walk there I walk past a gem store. And I think to myself almost every single time "I love the store has a bouncer". I didn't say anything to him at first! But one day I got brave and proceeded to make an absolute FOOL of myself as I am on my way back from buying some sodas and ask him "are you like the store bouncer?"
The man looks at me and smiles and gives a little chuckle and says pretty much yeah? And then I say more awkward things and then promptly leave feeling very embarrassed. I purposefully AVOID that lil corner for a couple days and then finally feel brave enough to walk by cause it's ... like. Literally right by my destination. Man isn't even outside that day and I think phew! I can't be creepy if I can't talk to him!
BUT THEN I SEE THAT HE IS DIRECTLY INSIDE CHATTING TO A WORKER. And he sees me. And smiles and stops whatever conversation he's having and exits the store to say hi. (I am definitely beaming, like a normal person, because I apparently am NOT creepy enough to this man more than a foot taller than me who could easily kick my ass if he wanted) So we just chat. For maybe ten minutes? It's very nice! We have a Very Normal Conversation! I feel better about the first interaction because I had a second interaction.
So now............ today. I am once again wandering around and on my way to lunch when I pass the gem store and I'm like "hello again!" to the gem store bouncer. We begin to chat again and he mentions a pendant they recently appraised that he likes and I, thinking this entire time that the store was ONLY appointment only and I would never be allowed inside, am casually mentioning "yeah, I was born in June and we have three birthstones and like.... none of them are dark enough for me. I mean there's pearl which I'm not a fan of and then moonstone and another." And so he's saying they have a sheet inside to show birthstones so we walk in together to find out the mysterious third stone.
And the sheet only shows pearls. And I'm like "this is a crime against June babies" and then I somehow start talking to one of the female workers and I'm saying "yeah I just kinda like walking by here and seeing the bouncer" and she looks at him and is like "oh I like that." and I admit I have no other idea what to refer to him as (I don't know his name at this point anyway) and she's like "most often security guard."
Ah. Yes. Like a normal person would think. Security. Yes. Not "gem store bouncer". She then leaves to grab a coffee from across the street and I leave with the bouncer and somehow we get into talking about wearing mostly black and how he's pretty goth and then I mentioned a sweatshirt my aunt sent me once saying "I'm only wearing black until they come out with something darker" and he grins and says it's a life motto. Then the woman returns with her coffee and he tells me to tell her what I said, so I repeat it and she looks me dead in the eye and says "that was made for me. Also I love that you called him a bouncer it's hilarious".
I now observe that he (all black suit black shirt black tie) and her (black sweater with black/white striped pants n black shoes) are indeed somehow the gem store goth club. And then she heads back in and he says he's sorry they don't have any cookies to offer me, they normally have cookies in the back for employees, and I'm like "ah no it's fine thank you".
And then I left feeling like I was somehow allowed to join the Cool Goth Club at the gem store.
Anyway, sup, my new favorite person is the goth bouncer at the gem store and he makes me smile so much when I see him.
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tease tidbit tuesday 🫧
bet yall forgot i moonlight as a writer lmao
Buck, red-faced with his brows knit so close together they’re nearly one, snarls his lip in disgust. He doesn’t say anything and instead cups his palms around Abbie Jean’s elbows, pulling her carefully up out of the pool and passing her off to a paramedic. Once she’s wrapped in a blanket and shuttled off, he turns to stare back down at Eddie.
(Buck is so hot when he’s pissed off, holy shit.)
Eddie offers a smile. It isn’t received well.
Shaking his head, Buck reaches down and knots his hand in the front of Eddie’s t-shirt. He hauls Eddie all the way up and out of the water, and Eddie would be impressed and probably turned on if Buck didn’t look like he’s ready to tear the whole world apart.
tagged by @loveyouanyway and @wikiangela, mwah
tagging @spagheddiediaz, @jeeyuns, @neverevan, @exhuastedpigeon, @actualalligator, @honestlydarkprincess, @rogerzsteven, @underwaterninja13, @devirnis, and @monsterrae1 if any of you have something you want to share!
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Happy 5/14!!!!
Aaaaahh not sure if this is my best work 😭 I just really wanted to draw smth for vettonso day but my brain hasn't really been functioning well LOL so I kept dreading working on this, especially bcs its so important to me, y'know? I hope it's good????? I'm happy with the concept, but I was just so unsure on so many of the angles and it was killing me. I did the color thing bcs I thought it'd add something interesting to it :) since I didn't paint it as I usually would
Anyways! Process!
Now I will explain all of them:
Boy king au is where it all starts of course. I think their relationship is the most developed in this compared to the others, but at the same point, they just start from such a different point, especially affection-wise. All of these kinda have a power dynamic, except the last one, and this is the most imbalanced. Fernando is being subservient, the only part of Seb he may kiss(in public lol) is his hand.
Matador au next. They hurt themselves when they try to be affectionate, because they live in the culture of a sport of violence and death. The sword separates them, their love for the sport keeps them apart, in fear that they hurt each other. Seb, yet again, looks down upon Fernando. Seb haunts Fernando's whole career, the constant overhanging presence. Also aside from that, shame that you can't see his three musketeers look bcs of the black background 😔
2012 core!!! I think this one is pretty easy to understand. Both of them often kiss their trophies, more so than any driver. So they're both trying to claim the wdc trophy by kissing it. Maybe you guys should just get rid of the trophy altogether and claim each other! But yes, just like the sword in the matador au one, the trophy and their ambitions divides, keeps them from ever bridging the vast gap between them, at least at that point in time.
The conclusion! Aka what I wish we will get at Imola 2024- kidding kidding. But it is 2024. Finally there is no conflict between them, there's no big thing keeping them in conflict, they can finally come together. Finally they can touch, there is no gap to bridge, they can appreciate each other, and appreciate what they failed to in years past.
The thesis is basically that they always have their aspirations between them, and their aspirations happen to be basically the same thing. Until those are resolved, the gap between them is too vast for them to recognize and/or find any commonality. How do you get along with someone when you're both fighting for the same thing? How do you get along when it feels like one of you is winning more? How do you get along when there's such a vast gap?
In boy king au, it's going to take a while before they both feel settled about the issue of the throne. That's what makes that au interesting, they're trapped in this state of non-closure and they have to actually solve their issues without the matter of one of them simply removing themselves from the equation. They have to find a way to get over themselves and their aspirations, because like it or not they're stuck with each other. I think with the hand kissing, it represents how Fernando, at that point, is only willing to play along with the game if it's tradition, and he often won't budge in other ways. Yes, I will show subservience, but only in this detached, formal way that I don't connect personally to. He's still holding his own bitterness over meaningfully appreciating Seb. Though it's not like Seb isn't at fault. It takes a while for him to not hold things over Fernando, and constantly humiliate him. One day they will meaningfully show affection, and it won't be some sort of power play.
I think matador au is pretty similar to real life, and the 2010s era(it's basically just their actual plot line but in the context of bullfighting.) They're forever going to have this big elephant in the room, and it only really gets resolved when one of them leaves the sport. Once they're not fighting directly against each other, they realize what they've been missing out on and what they were not appreciating for so many years beforehand. They finally come together because they can't just rely anymore on the sport keeping them together. They actually have to make that step to be in each other's lives, rather than just taking their presence for granted.
Also the text on the comic. "We keep missing, and missing, and missing, and finally kissing." It's basically: we keep missing the point of it all, we keep failing to appreciate each other presence in our lives and in our own individual grand stories. But when we're not forced together anymore, we have to make the choice to come together again ourselves. We keep missing what we actually need to do. Missing each other in favor of our aspirations. Etc etc. One day we will finally embrace and there will be nothing keeping us apart.
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Hello!
If you're not too busy, would you mind listing some of the things you think count as death flags for Mr. Spender?
There's the obvious fact that he's the "old" mentor to group of young protagonists, but what else do you think would count?
OHH BOY ok so I'd think I'm a crackpot for this but since we're talking about Zack "Foreshadowing" Morrison. I have some thoughts
No harm in leading with the (chronologically) first thing that jumped out at me:
This one IMMEDIATELY made me antsy whenever I came back to it after my initial read, and considering Zack has referred to it on twitter in the past as one of their favorite jokes it's definitely not been forgotten about.
Second, the sheer amounts of near-misses, jokey or not, of Spender narrowly avoiding specifically lightning
Again, not much, but it's weird that it happened thrice, latter two of which had real gravitas rather than an one-off joke.
And third, Spender himself. He's repeatedly shown himself to be kind of a self sacrificing idiot, as well as prideful to a fault. Granted, it's both him and Mina trying to take on all the responsibility of saving Mayview and its inhabitants from their fate..
But Spender is exactly that right measure of doesn't-value-himself-enough (chest footprint aftercare or lack thereof), having an obscene amount of power (enables his loner act + pride) and poor judgement that has the capacity to put him at great risk. And it has!
Spender has not only shown low enough self-esteem to view himself as the de-facto scapegoat for the safety of the town, but also prideful enough to make very bad calls that end up in people, often himself, hurt (COUGH FORGE INCIDENT COUGH)
This is all conjecture, but it's definitely enough to make me worried about him :') Even if all this doesn't mean he'll necessarily die he's definitely getting (even more) seriously injured at some point. I love the guy but he's so far doing a horrible job of convincing me he wants to live bad enough to circumvent at least that
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