#No real spoilers this time. I think. Probably.

[bunnakit]

my stand in episode 1 thoughts, feelings, etc.

OHOHOOO FINALLY. FINALLY I FEEL INSANE ABOUT A SHOW AGAIN. poom phuripan my absolute beloved, i've missed you so fucking much.

the show really eases you into everything and so far i don't mind the back and forth, i think it's interesting to see the direct consequences and THEN the story of how we got here. i don't know if my opinion on that will change later but for right now it's really pleasing me. i also really like this gradual introduction we're getting into everything and the sort of thriller/mystery vibe to it all. it's giving me some very loose/vague manner of death vibes.

i immediately don't like the vibes of tong or wut but i'm reserving any real accusations until later, but i'm def side eyeing them. i've got my eye on you two.

it really took my brain some getting used to to understanding the joe we're seeing is joe's consciousness and everyone else is seeing the joe that was shown in his reflection in the hospital (i've never seen vice versa or many other shows that do this, forgive me) but once i wrapped my head around it i actually quite like it. mostly bc it means i still get to see a lot of poom.

anyway - thus far this has one of my favorite romance tropes; guy who is used to being treated badly/ignored and man who has too much love to give (to someone who may or may not deserve it, judgement withstanding on that rn.) joe is just such a heart eyed fool and i'm so glad to see poom in another role of lovesick, unfairly attractive, dork. it's a role he plays so well and he immediately endears you to joe so fucking much.

throughout most of the episode i was like ooh this is a bummer but the angst isn't too bad. and then. AND THEN.

ming coming over to joe's house and making a move on him, again, from the perspective of behind joe - where he looks so much like tong. the lamenting about him being a virgin and joe offering himself up to him. and then ming turning him back around to face the mirror. this way he looks so much like tong, he can pretend it's tong, and yet at the same time joe's face is right there, reflected back in the mirror, inescapable. i'm fucking eating this up, finally some good fucking food.

idk i'm probably not touching on everything i want to, it's been a long ass time since i've done one of these, but this is just what immediately comes to mind. now time to go make a gifset lmao.

(if you give me novel spoilers i WILL hunt you for sport)

[dancingtotuyo]

11. up from the dust, inconceivable love

Woman | Joel Miller X Female Reader

Rating: Mature/Explicit

Chapter Summary: Ellie learns the truth. Your family gains a member.

Tags: Joel Miller X Female Reader. Age Gap (13/14 years). HBO Characters. Mostly cannon compliant for show & game. Timeline is changed.

Chapter Warnings: pregnancy related things, angst, hurt & comfort and no comfort?, self worth issues, canon violence, anger, child birth, spoilers for TLOU 2 (we’re entering the timeline that starts to burrow things for part 2 of the game)

Notes: huge thank you to my constants, my rocks @ramblers-lets-get-ramblinand @janaispunk for beta reading and letting me yell and scream and break their hearts.

If you have checked out Before, I would encourage you to do so for more backstory on our dear reader! The final part is out now!

Words: 5352

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“What do you think of Peace?” You ask, propped up in bed, hand over your swollen stomach. You’ve gained more weight this time, probably because you’re not in the throes of grief. 

“I mean, I’m a fan. I hope everyone is.” Joel says, trimming his facial hair with the bathroom door wide open. 

You bite your lip, admiring the expanse of his bare back. If getting out of bed wasn’t an event, you would be behind him right now, kissing his shoulders. 

“No, as a name for a girl,” you say. Joel turns around looking at you like he’s contemplating checking you into a psychiatric ward if those still existed. “A middle name, not a first name.” 

Joel sets his trimmers down, leaning in the doorway shirtless. “And what would her first name be?” 

“Willow.”

Joel furrows his brow stepping into your bedroom, your shared bedroom. “Darlin, I know we live in a commune, but we’re not hippies.”

“You bring me wildflowers and we walk barefoot through the fields. I wouldn’t be so sure.” You can’t help but laugh. Joel cracks a smile. “Do you have suggestions then?”

“Thought about naming Sarah- Katherine.”

You make a face. You know one too many Kates and Katies even in Jackson.

“It’s not a bad name,” Joel chuckles. 

“Neither is Willow.”

“Is this your way of telling me you’re a hippie?”

“Would you leave if I said yes?”

Joel shrugs “I don’t know, but I knocked you up so I guess I have to stay.” He crawls into the bed. His head is level with your stomach as he watches for movement. 

You roll your eyes. “How romantic.”

He grins up at you and then his eyes are back on your belly. He rests a hand at the top, staring, waiting in wonderment. Neither of you can believe this is all real. Your baby moves around all the time, kicking your bladder and lungs, signifying life. A life you did not think would make it. 

You thread your fingers through Joel’s soft brown hair. The outline of a foot appears and then disappears. Joel’s eyes sparkle and he kisses the same spot. He’s soft and gentle. In these moments, all your anxieties are carried away like leaves on an autumn breeze. This is your peace. 

“What other names did you have picked out for Carter?”

You bite your lip. “We didn’t have any other boys' names.”

“And if he’d been a girl?” He’s still enthralled with your stomach as if there’s been an enchantment cast over it. 

“Sarah.”

His head snaps up. 

“Tommy and I talked about her a lot when I was pregnant. She was on my mind… being a part of Sarah’s life made me realize I wanted a family… even in this world where I had no right to do so.”

You keep playing with his hair. His eyes go glassy making you wonder what memory is playing behind his eyes. You stay like that until Joel is ready to talk. Eventually, he sits up, clearing his throat. His lips touch yours. 

“What about Willa?”

You tilt your head to the side. You don’t really see how it’s any different than Willow, but you’re not going to bring that up. “I like it.” 

“And Miles for a boy.” His smile returns. He doesn’t tell you that he’s positive you’re having a girl.

“Miles is an old man's name!”

“Good, then he’ll grow to be an old man.”

You take in a sharp breath. It’s just an offhand comment, but it carries so much weight. It’s a stark reminder of the heaviness of the world, and the twinge of guilt you feel bringing another child into it. 

Joel takes your hand, kissing your palm. You see it in his eyes too. “I’m sorry. I shouldn’tve-”

“It’s okay.” Your fingers comb through his hair. He leans into your touch. His grays are more noticeable than they were a year ago, but the brown still outnumbers them. 

“Do you think it’s a boy or a girl?” he asks.

“I don’t know… I- I haven’t really let myself think about it until today.” It's true. The fact of the matter is you’re within a month of your due date. You and Joel are so close to welcoming this baby into the world and are wildly unprepared. 

“We’re getting close… We need a crib.” 

“The one I used for Carter is in the attic.”

“I can bring it down in the morning.”

“I need to get some baby clothes. I traded all of Carter’s.” 

“Looks like we have a bunch of work to do, Mama,” Joel smiles, kissing your forehead. He still hasn't told you about the swaddles and onesies tucked in the back of his drawer, but it seems you’re finally ready for them.

You cock your head to the side, contemplating the nickname. There’s a mix of emotions with it. You’re already a mother. Joel is a father, but this is a life you’re bringing in together. It’s uncharted territory for both of you. Sarah’s mom was out the door before she was six months old. Neither of you have done this part with a partner before. 

A sharp knock on the front door pulls your mind from its wandering. Joel’s brow furrows, rolling out of the bed. People don’t knock on your door often. They usually barrel right in, unless it’s bad. Your stomach drops. 

Joel is out of the bedroom, shrugging on a shirt. Dina’s voice calls through your home. “Hello?” She sounds worried, desperate. 

You swing your legs over the side of the bed. It takes more time to stand these days. If you try too quickly, your head rushes making you feel dizzy. 

“Dina? What’s wrong?” Joel’s at the bottom of the stairs now, but his voice carries. You have to stop at the top of the stairs to catch your breath. 

“Ellie is gone.”

You freeze, grabbing the railing for stability. “What?”

Joel turns around, worry etched in his face. “Where did she go?”

“I don’t know. She mentioned something about the Fireflies and a hospital, but she wouldn’t talk to me.” You make out the flicker of hurt in Dina’s face. Those two tell each other everything, or most things. You’re not sure Ellie has told her about her immunity. You all keep that one pretty close to your chests. 

“Shit,” Joel mumbles. He glances between you at his back and the front door in front of him. You see the push and pull. He needs to go after her. He needs to be here for you. 

His eyes settle on you. Your hand settles on top of your swollen belly. He’s looking for permission. You want to give it, but what if he’s needed here before he gets back. 

“She’s been off lately. I don’t know why. She won’t talk to me.” Dina seems to sense the silent conversation going on. “I can go after her, but-“

“No, I need to go.” Joel swings back toward the teenager, both hands placed on his hips. You try to bite back the panic rising inside you. He’ll be fine. They’ll both be fine. “Do you know when she left?”

“Probably sometime before the sun came up. Shimmer isn’t in the stable.” 

Joel lets out a ragged sigh, hands running over his face. You try to keep the tears away, your hormones making it difficult. 

“Will you let Maria know I’m going after her? I need to pack.” 

Dina nods, her eyes flickering up to you before she’s gone in a flash of dark curls. Joel turns around, hand resting on the banister at the bottom of the stairs. You swallow and walk back into the bedroom. 

It’s silent at first, nothing but the sounds of draws opening and closing and the soft slaps of his leather saddle bags. You sit in silence at the edge of your bed, chewing on your lip as you watch him. Ellie needs him. It echoes on repeat in your brain. 

“I can probably catch her. We’ll be back in two weeks if I don’t.”

You stare down at your ever growing belly. You could easily be pregnant when he returns, but what if you’re not? You’re fairly certain you’ll have this baby sooner rather than later, but Ellie needs him too.

“Why does she want to go back to Salt Lake?”

Joel freezes for a second, like he’s contemplating his answer. It sets an uneasy feeling in your bones. “I don’t know. Maybe she thinks some of the Fireflies are still there? That this whole cure business is still an option?”

You nod, thoughts drifting to her face when you looked at her blood a couple months ago. She looked desperate. You hadn’t seen her like that before. It was almost unnerving, like the need to be needed by humanity had returned tenfold. It made you wonder if you’d been there for her enough these past few months.

“I have to go after her.”

There’s a desperation you don’t quite recognize in Joel’s eyes, sending a thread of dread through your body. Is he leaving something out? Not telling you something? You nod, biting your lip. “I know.”

He lays his hand on your bump, fingers stretching out over it. “We’ve got time.”

You nod. “Hurry back, and be safe, okay?”

Joel kisses your forehead. “Always.”

He rides out thirty minutes later. 

You try to stay busy while they’re gone, cleaning the clinic and the house thrice over as the nesting and anxiety sets in. You ask Tommy to get the crib out of the attic as you prep the corner of your bedroom for the baby, wiping it free from the dust and cobwebs. 

Maria hosts a small get together for you pulling together some semblance of a baby shower, something you hadn’t had with Carter. It's nice, but you feel like they skirt around the questions nagging in their brains. Where did Ellie and Joel go? Will they be back in time? You don’t have answers. You have the same fucking question. Will they be back? 

The braxton hicks kick up, so much so you think you’re in labor ten days after Joel rides out. The fear that courses through your body is so paralyzing that you just lay in bed. Your body tenses with the memory’s of Carter’s labor. It’s not the physical pain of it, but the emotional rollercoaster you went through, alone. You’re not supposed to do this alone this time.  

Then, the contractions stop with no explanation and you fall into a restless sleep. You miss Joel, his warmth and comfort. His unspoken love that fills the room. You’re becoming more comfortable with the idea of it. 

You miss Ellie too, worried about what she’s going through. Providing it’s still vacant, Salt Lake won’t hold any answer for her. What lengths will she go to? How many miles will she travel in search of answers you believe don’t exist? How will she handle reality? 

You see the differences in Carter too. In his mind, Ellie and Joel have always been here. Two weeks without them feels like a lifetime to him, and to you. 

On day twelve, your front door flies open as you come down the stairs. Ellie bursts through looking frantic and frazzled. Her short cropped hair sticks up in certain places. Dirt smudges her forehead. You’re too relieved to see her to worry about her appearance. If anything, it’s expected after two weeks of travel, but your relief is short lived. 

“Did you know?” She yells. The door stays wide open behind her, rage flaming in her eyes. 

“What?” 

“Did you know?”

“Know what?” You step toward her, reaching out, but she backs away like a wild animal.

“He killed them! All of them!” 

“Killed who? Ellie, take a deep breath.”

“Joel! He killed the fireflies! They had a cure!”

Your breath catches. It’s not that Joel has killed people. You know about the years he spent as a raider. You know the cost of surviving in this world, but this isn’t the story you have been told about Salt Lake. When you asked him why she would go back, he lied. He knew. Knew the story hadn’t lined up in Ellie’s mind. 

“So he lied to you too!”

“Ellie!” Joel is stern as his frame fills your doorway. 

She spins around, the week of silence she spent next to him on the road back, wrath bubbling over and focused on him. “Tell her! Tell her, Joel!” She steps toward him. “Tell her what you did!” She shoves against his shoulders. 

“Ellie…” He repeats her name, softer this time. 

“Don’t do that!” She turns back to you, tears streaming down her cheeks. “They were going to make a cure from me, and you stopped them! You slaughtered them!”

“They were going to kill you!”

Your eyes widen, and it makes sense. Why Joel hasn’t talked about it. Why he needed to go after her. Why Ellie feels so useless. She’d been promised the cure. He’d taken that from her with a facade of an excuse.

“You should have let them!” Ellie screams until she pushes past him, rushing out of your house. 

Joel lets out a sigh, defeat evident across his features. You can’t even enjoy their homecoming, their safety, your head spinning too much. 

Joel shuts the door behind him, stepping closer like he’s expecting an embrace, but you step back, a mother’s anger building in your bones. He looks surprised. “Sweetheart…”

“You lied to her.”

“I protected her.” Joel’s eyes narrow. He’s tired and irritable. Neither of you expected a fight to ensue the moment he got home. “And I wouldn’t change a thing.”

“You’ve watched her struggle with this for years!” 

“They were going to kill her!”

“Have you listened to anything she’s said?” 

You almost don’t recognize the Joel in front of you. He looks like a shell of the assured, warm man you know. You wonder if this is the version of Joel Tommy used to speak of. The one Joel has told you about during those late night chats when you spilled the depths of yourselves to each other, or you thought you had. The one who floated through his days, barely living. 

“I couldn’t lose her!” 

“Except you did!”

Joel straightens, shoulders setting in denial. “She’s alive! That’s what matters.”

“You’re missing the point!”

“You’re saying I should have let them go ahead with it! Let them cut open her head for a cure you don’t believe is possible!” 

Fire blazes in Joel's eyes. You see it. There’s no rationalizing with him about this. In his eyes, there were no choices to be made. He did the only thing. It doesn’t matter what else he has to sacrifice, she’s alive and that’s all that matters. “That’s not-”

He scoffs, cutting you off. You see the pain and hurt ripple through his body, causing him to step back from you. “Sure sounds like it.”

“Joel!”

“Don’t.” He yanks the front door open. “I can’t be here right now.” 

He disappears across the threshold in the blink of an eye leaving you with a mountain to process and a growing tension across your stomach.

Joel knows he’s in the wrong. He knows he shouldn’t have lied to Ellie, held the truth from you. He’s a grown man, of course he knows what’s right and wrong, but that admittance doesn’t do anything to calm him. He needs to get out. Out of the house. Out of the walls into the open. It doesn’t matter that he just came from two weeks out there. 

He sneaks over the wall with more ease than he should be able. Instantly, he feels the tightening in his chest begin to ease. He paces the outside of the wall like a caged animal, the series of events reeling through his mind. He doesn’t realize how much he’s been pushing it back since they left Salt Lake. Her words, her pleas, over and over. She’d given him every opportunity to tell her the truth and he kept the lie going. 

There was no cure. The words he’d utter to her after they found that couple, one dead the other infected while out on patrol. 

He’d almost told her, but he couldn’t. He couldn’t lose her. Couldn’t risk it.  

His pacing becomes more frantic as he remembers the fear he felt at the thought of losing Ellie, the fear that pushed him into wiping away every firefly that crossed his path. The same fear that put lies in his mouth before he had time to think, that kept him from telling her the truth. He knew this would happen one day, but hadn’t been enough. He’d kept it from everyone, including you. 

Tell me, she had pleaded with him, begged him and he still felt the pull to replace his lie with another. 

She’d had to poke and prod to get the words from his mouth. Had to threaten to leave before she got the truth. That hurt almost as much as the fallout. Everyone thought he was a better man than he actually was. Ellie, you, himself, but when it came down to it. He failed that test. Good men don’t make someone threaten to leave to get the truth. 

I’ll go back, but we’re done.

Joel wears a path in the fresh grass beneath his feet, letting the spring chill take over when the sun sets, leaving him in darkness. Ellie had kept her word. He’d never heard her stay quiet for so long. The loss had begun to settle in with her riding next to him. 

Joel’s muscles ache from two weeks out on the road. He misses you and Carter. He hasn’t even touched you yet. Will you let him? 

Getting over the wall from the outside proves more difficult than it had the first time. Which is a good thing, but had Joel feeling every one of his 59 years. Embarrassment creeps over his cheeks with each step toward your home. The one he shares with you, but he feels like a guest as he climbs the steps. He doesn’t catch a glimpse of you or Carter or anyone else through the windows. 

The house is silent when he enters, no signs of life except for the faint buzzing of light bulbs. His brow furrows. You wouldn’t have left the lights on if you weren’t home. Then a faint sound comes from upstairs, movement at the very least. He follows it, placing his hand on the closed bedroom door before cracking it open. 

Soft groans come from behind the cracked bathroom door followed by a whispered curse. Maria's voice follows. Joel’s throat drops into his stomach. His boots echo off the wood floor as he crosses the room. “Sweetheart?” he calls, staying on his side of the door. “Is everything alright?”

“Joel? Get in here,” you groan out. 

It sends some reassurance through him to hear you so clearly before he swings the door open. His eyes go wide at the sight of you in the tub, sweat staining your skin as Maria kneels next to you. “Shit, are you?”

“Make yourself useful and hold my hand.” 

He nods, kneeling beside you. Maria stands, grabbing a few instruments from the bathroom sink, she gives Joel a look that lets him know you’re near the end of labor. Your baby will be here in minutes. It sends a rush through him. “I’m sorry, Darlin.”

You grab onto his hand tightly. It’s wet from the bathwater sloshing around you as you fight to get comfortable. It’s a useless pursuit, but it doesn’t keep you from trying. “Can we do the apologizing later? I’m kinda busy at the moment.” 

“Yes,” Joel takes a deep breath, his heart pounding in his ears. He squares his shoulders next to you, giving an air of assurance you know he doesn’t have. “I’m here for whatever you need.”

“I think you missed most of it.”

“Not that you’ve had much to miss,” Maria says, stern. She pissed at him, which is more than fair given everything. You’d had some time to explain what happened. “We tried to find you. Her labor progressed pretty quick.”

“Speaking of which-” You let out a gasp, face twisting in pain. “I think the baby is crowning.”

“She must be in a hurry,” Joel says. 

“She?” 

“Just a hunch.” Joel smiles, kissing your head.

For the next few minutes, the rest of the world doesn’t exist. Your fight never happened because there’s only one thing on your minds, bringing your baby into the world. The world goes silent again, but not in a bad way. A way that makes you feel at peace, Joel’s warm hand in yours. It doesn’t take long until she announces her arrival with a fiery scream once Maria pulls her out of the water. 

You hold her close, tears of relief gathering in your eyes. Joel leans in, his forehead pressed to your temple, arms wrapping around you and your daughter as she pulls air into her lungs. 

“You did great, Sweetheart.” He whispers into your hair as he kisses your cheek, cupping your daughter’s head. “She’s beautiful.”

Your eyes flicker between him and your newborn. It’s the moment you’ve been envisioning for months, the one you thought you’d get with Gabe when Carter was born. A little piece of you mends. Your child soothes against your skin. 

After you’re both cleaned up, Joel helps you into bed, then settles beside you. She sleeps in your arms, tiny fist clenched around one of Joel’s fingers still curled up in your softest bath towel. You brush her cheek softly. 

“I believe we decided on Willa Peace?”

“Did we?” You tilt your head to the side, a grin verging on your lips. “I thought we weren’t hippies.”

Joel shrugs, tracing your shoulders. “I had a lot of time to think about it the past couple of weeks.”

“Joel…”

Dirt still traces over his face. He hasn’t had time to clean off since he got back. You catch the faint smell of sweat on his clothes and skin. “I know.”

“I would have done the same thing to save her. You know what I think about cures.” You keep your gaze on your child. It only reminds you what you brought her into. “You lied to her over and over when she needed the truth.”

“I was trying to protect her.”

“I wish you would’ve told me.”

“I know.”

“This only works if we’re open with each other.”

“I’m sorry.”

“I know you are.” You bite your lip. “I’m going to need some time with this one.”

Joel nods, arm wrapping around you. “I know.”

You lean into him, enjoying the quietness that surrounds the three of you.

“Willa Peace Miller,” You smile. “Has a nice ring to it.”

“Yeah.” Joel hums beside you. “Can’t believe she’s actually here.” 

“And we’re both okay.”

He nods, and neither of you can tear your eyes away from the precious little being in your arms. You hang on every rise and fall of her chest, everything micro movements, the soft flutter of her eyes that never quite open. It all feels so fragile, so sacred. 

You remember similar moments with Carter. When the grief and the world got too loud, you would lay on the floor or bed with him on your chest asleep. The weight of his small body was a tether that kept you from flying away. 

Even in this moment, as your heart inexplicitly expands, you feel that thread of fear winding itself through your body. Another person to love and protect. Another person to keep from the jaws of the world. Another person you can’t bear to lose. 

“You know,” you say, pulling Joel’s attention. “If you were ever gonna pull those baby clothes and blankets out of your drawer, now would be the time.”

His brow furrows and then eases with realization. “How long have you known they were there?”

You let out a soft chuckle. “I washed them the next time you went out on patrol. I wasn’t going to leave those filthy things in your drawer.”

“You were going through my things, I see.”

“Next time don’t try to hide something in your drawer from the person who washes your clothes.” 

Joel laughs, easing out of the bed to fetch the items from the drawer. “Got it, I’ll be sneakier next time.”

“Can you get the onesie with the yellow flowers?” You bite back a smile. He doesn’t know how you often pulled the drawer open and just gazed upon the items. It helped you visualize it all even when the fear threatened to take over. Another child, and here she was. You’d been most drawn to the little yellow flowers. 

Joel laughs, grabbing the onsie and the swaddle with little yellow flowers to match. You’re gentle with her as you work the small article of clothing over her tiny body. It’s a bit baggy, but you can’t complain. It just means she can wear it for longer. She sleeps through all the jostling as if she’s fully absorbed her middle name. 

She’s settled back into your arms when a soft tap echoes on your door. “Mommy?” Carter’s voice comes through muffled. 

“You can come in.”

The door flies open as your son bursts through the door, grin spread wide on his face. Ellie stands behind him, looking like the space might envelope her.

 “Aunt Maria said I have a baby sister.” 

“You want to meet her?” you ask. 

Carter nods eagerly, dashing toward your bed. Joel catches him before he can jump onto the bed beside you and potentially on you. 

“Daddy!” Carter’s eyes go wide. He hasn’t seen Joel in almost two weeks. 

Joel laughs, arms tightening around the boy. “Hey, bud.”

Your eyes meet Ellie’s. Her eyes are red, bags deep underneath. You motion her next to you. She hesitates before sliding onto the bed beside you. She’s timid, keeping to the edge, eyes flicking over you and Willa. 

“You can get closer.” 

“I don’t want to hurt you.”

“I never got to hug you earlier.” 

She looks down, eyes scanning over your comforter like she’s reliving her homecoming. Once she’s close enough, your arm slips around her shoulders, tugging her close. She nuzzles into your side like a child seeking comfort. “You’re alright?” she asks.

“Yeah… we both are.” You say, kissing the top of her head. “I’m sorry.”

“You didn’t do anything.”

“But I’m still sorry you’re going through this.”

Ellie seems to sink into your further, eyes pinned to Willa. She doesn’t answer you. She doesn’t look at Joel as he sinks next to you with Carter, but you feel her tense when he does. 

“What’s her name?” Ellie asks. 

“Willa,” you reply. 

“Baby Willa.” Carter grins proudly. 

And the five of you sit there together in silence. You try to push it out of your head that it’s the last time you all might be together for a while. Even now, you feel the underlying anger rolling through Ellie’s body. This is a wound that’s been festering. It’s going to take time to heal. 

Eventually, Ellie slips from your side without a word to leave. She’s barely out the door when Joel goes after her. 

“Ellie,” Joel says, catching her on the front porch.

Her head whips around, expression set in stone. “I’m here for them, not you.” She keeps her voice low to not be overheard by nosy neighbors. “They’re my family. Do you understand?” 

Joel’s apology catches in his throat. He’s been apologizing the whole way back from Salt Lake. He knows there’s nothing he can say to rush this process. He made a decision, and these are his consequences. “Yeah… I got it.”

“Good.” 

She doesn’t give him a chance to say anything else.  

The bed is empty next to you, the sheets cool to the touch. Your eyes blink open. Cool moonlight shines through the window. You glance at the bathroom door. No light shines through the crease. Joel’s name is on your lips, interrupted by his voice. 

“Do you like the butterflies?” 

You turn to your side. Joel sits next to the crib, talking to Willa. She’s awake, moonlight reflecting off her big eyes. She’s content and still. 

“Your big sister liked butterflies. When they come out in the summertime, I feel her around me.”

She stares at Joel, mesmerized by his voice. Your eyes float upward to the mobile Joel made. He hadn’t explained it to you, but you already knew. Sarah had pinned them all throughout their Austin home. You keep one stuck to the window above the kitchen sink. There’s one tucked in his nightstand drawer. 

“I think she sent you to me.” He lets it sit there, contemplating the weight and depth of what he said. “I think she sent you to me, your momma, Ellie, I suppose she’s your big sister too, Carter. All of you.

“Her name was Sarah. She would have loved you.” He chuckles. “She used to ask me for a baby brother or sister. I didn’t know your momma yet… Well, I guess I did, but that’s a whole ‘nother story.”

You stifle a laugh unsuccessfully. Joel’s eyes lock on yours. He smiles, shooting you a wink. He looks younger under the moonlight, more at ease. The creases in his skin are less apparent. 

“Your momma, she’s quite a bit younger than me.” The smile stays pinned to his face. “It’s not so creepy now- least that’s what she tells me- but it would’ve been then, and I was a decent fella back before the world went to shit. Besides, between you and me.” He leans closer to Willa’s ear, but his eyes are still on you. “Your momma had a pretty big crush on me back then.”

You groan, heat flushing your cheeks. It shouldn’t be embarrassing, but it is. You chuck his pillow at him. Joel catches it, laughing. It’s the kind that sits deep in one’s chest and bubbles up with the purest kind of joy. You can’t help but smile. 

He slowly stands, grunting as he does. You hear the familiar pop of his joints. He leans into the crib. You notice Willa’s eyes have fallen shut. “I love you, my little wildflower.” He kisses her cheek before falling back into bed next to you. 

His arm wraps around your waist. Pulling you close, he steals a kiss on your forehead. “I’m getting too old to sit on the floor like that.”

“You’re getting too old to have a newborn, yet here we are.” Your fingers run through his hair. 

“Still can’t believe she’s here… you’re both healthy.”

“Neither can I.” You glance back at the crib. She’s just a few days old and already, you can’t imagine life without her. 

Tears well at the corner of your eyes. Your heart has grown so much. You thought you couldn’t open it to more people, yet here you are. The you of 4 years ago would be too terrified of losing this life to give it a chance, the price of pain too high. Yet here you are, embracing it, taking that risk, because this is living, and the love and belonging far outweigh the potential for pain even as it grows with every passing day. You fell into the trap,and it’s a crowded one, but it’s a happy one. 

Joel kisses your cheek. “You should get some sleep before she wakes up hungry.” 

“Mmm,” you hum as his hands move soothingly over your back. “Someone not named Willa woke me up.”

Joel chuckles. “I’m sorry, Sweetheart.”

But even now you feel your eyelids getting heavier. 

“Did you mean what you said?”

“About?”

You let your eyes fall shut as Joel massages out a knot in your back. You lean into it. “About Sarah sending us to you.”

“I did.” He kisses your forehead. 

Taglist: @pedrotonin @amyispxnk @joeldjarin @ilovepedro @justagalwhowrites

@missladym1981 @jessthebaker @annieispunk @ashleyfilm @moel-jiller

@eloquentdreamer @lizzie-cakes @hiroikegawa

[alcalystrasz]

Stranger Things 5 spoilers:

We're discussing theories.

So we knew that the first episode was called "The Crawl" because The Duffers posted a tweet with the script title. However, for the other ones... that's crazy.

So remember there are 8 episodes in total, and we possibly only have 6 of their titles. Let's try to understand them together.

EP1 - So, for The Crawl I personally don't have theories for it. I just thought maybe it was going to be about escaping from someplace, or to get to a place.

EP2 - The Episode 2 is the most intriguing, "The Vanishing of ***** Wheeler." It reminds me a lot of the first episode of season 1: "The Vanishing of Will Byers" so it may have a sort of link. So we know it's a Wheeler, but who. If we count the starts there are 5 of them, maybe it's a random number or maybe they did this on purpose so we can know the number of letters in the name. So, Karen has five letters, Holly has five letters too, Nancy also and Mike and Ted are excluded. So only the women could vanish. Between these 3 characters, we know one has been recast: Holly. So maybe, Holly will be the one to disappear, because in a previous spoiler/leak it has been said that Holly was going to be a target of Vecna, so far we thought it was fake but it could turn out to be true actually. So if it's indeed Holly who disappears, and it could make sense because Will vanished when he was 11 and she's going to be around 8, I have a question, will she also get some sort of powers just like Will in the end when we find her?

And now that I think about it, maybe "The Crawl" is Holly's to try to escape from Vecna but she ends up in the Upside Down anyway?

I think Holly is the most possible Wheeler to vanish. And it has been said many times that Holly can be linked to Vecna in some ways. Lots of fans said that Karen could be Henry's sister and Holly is his nephew. Maybe? He would kidnap her to put pressure on Karen, because we know the parents and especially Karen will play a bigger role this season...

EP3 - "The Turbow Trap" is probably something against Vecna, I don't have anything, except maybe it could be made by Dustin because he's a genius at making stuff (He made Cerebro).

EP4 - "Sorcerer." I don't know why but I feel like it's either Vecna, because he's a sort of sorcerer, or maybe it's Will. Remember that in DnD, Will plays a sort of wizard/cleric. I don't know what could happen but... maybe it's also something else. It is probably in this episode that Holly comes back because they could all try to confront this Sorcerer, so Vecna.

EP5 - "Shock Jock" makes me think of "Trick or Treat, freak" an episode of season 2. The episode's name is kinda similar, I don't know how to explain that. But it's a goofy title to something dramatic like in the Halloween one. Jock could be Joyce. It's a shock to Joyce? Maybe something could happen to Will?

EP6 - This episode has probably the weirdest title of them all. "Escape from Camazotz." So... Camazotz is a Bat, more precisely a God who's form is a bat. He's a creature with the head of a bat and the body of a human, really weird to put this in the show. It's from the religion of the Maya, he's associated to night, death and sacrifice. But that's in real life. In DnD, Camazotz is the "Demon Lord of Bats and Fire." He literally likes hunting the mortals in the darkness. Just like Vecna. And in the Upside Down we saw there are in fact Bats, demobats, but is Vecna controlling them? He can't be both Vecna and Camazotz at the same time. Maybe Vecna is just a puppet of this unknown dimension?

The second edition of DnD was introduced in 1974, and Vecna was introduced in this edition. Which explains why they used this name for Henry. But Camazotz wasn't, it's probably in the 3rd or 4th edition.

Who are we gonna see? Camazotz, from the Maya or Camazotz from DnD?

I have some theories.

The first one is, somebody's going to sacrifice themselves to save everyone else. As I said in my previous theories, I had the idea of Robin and/or Jonathan that sacrifices themselves. In this context, I don't think Robin's sacrifice would happen for this sort of thing. However Jonathan's could be. It could be a big twist for Will because I have this idea where he's going to be either stuck, or he's going to stay in the Upside Down in some ways, along with Mike. So this could be one of their conversations later, it could ruin Will so Mike would be there to comfort him.

The second one is, someone's going to get killed by Camazotz, which explains the word "escape" in the title. Maybe Robin, Jonathan, Max (if she isn't already dead) or one parent like Karen or Ted.

The actor of Ted answered a question in an interview. Someone asked something about him not being mentioned by Vecna when he showed Nancy that her whole family is going to die, and the actor simply answered: "Oh. You noticed?" With a wink.

So maybe Ted knows about Karen's link to Vecna. Maybe it isn't their story isn't like what Nancy said to Jonathan in season 1. The whole "Perfect" family is probably a lie.

This could actually explain why Vecna showed what's gonna happen to the Wheeler family, to Nancy. Because she's the one who got this "Perfect family" idea. We never saw Mike talk about it to anyone. So.... this is all a little blurry...

But I think, in this episode, there has to be 1 death. Most likely Robin, because she was only introduced in season 3 and she's a recent character, compared to the other ones who were here since season 1.

I have this theory, what if the end of ST5 is the beginning of ST1. What I mean is that, we go back to the beginning like how it was before everything happened even though it actually happened. It's like, everything ended and now we're back to how it was. So it means, only the 4 boys, Steve, Nancy, Jonathan, Hopper and Joyce. Eleven wouldn't be, because she's one of the reasons it all started, and it would be such a good ending if she dies saving Hawkins. Barb doesn't count cause she'd dead. And every characters introduced later died so far: Billy, Max (half dead), Bob... Only Murray and Robin are left. Murray will def die that's for sure and Robin, for me, has to die too.

Now, I want to talk about BYLER.

Remember the episode 3 of season 3, with Will and Mike's fight under the rain? Guess who it was directed by:

Shawn Levy.

And who's going to direct episode 6 of ST5?

Shawn Levy.

He didn't only direct that, but he also directed the sauna episode. And what happens in the sauna episode?

Will: I can feel him....

Mike, looking at Will's lips: Max get away from the door...

So, if Shawn Levy direct the episode 6, we'll get byler. And was I thinking? Byler kiss episode 6, that was my theory. With 3 or 4 intimate moments between them before episode 6 and the kiss during this episode.

There is one director I didn't talk about, it's Frank Darabont. He's a director who made a lot of horror movies, and we know how Stanger Things can be disgusting sometimes. Right?

So if Frank directs 3 episodes, they're going to be very scary or atleast be special in a disgusting way, maybe? But it's definitely going to be horror for these episodes.

I think he'll probably direct episode 7, that'd make sense, maybe 8 too.

Anyway, that was it. Tell me what you guys think about these two spoilers/leaks. I hope the directing one is true. And the titles are still possibly to change in the future, but the episode 2 really caught me off guard. I bet it's gonna be Holly.

And by the way, I hope they can bring back Sarah, Hopper's daughter. The fact that her and Holly look alike, isn't a coincidence for me. Maybe Sarah is more important than we think she is.

[mortra]

spoiler heavy

when it comes to shipping mithrun, best candidates are kabru, pattadol, milsiril

w kabru: kabru affected the way mithrun thinks, he's a very impactful figure in mithrun's life. from sharing his past with kabru, and exploring the dungeon with him (kabru was taking care of his basic needs at this time, but honestly, mr-i've-never-had-to-cook-or-clean-in-my-life obviously had a hard time and it probably wasn't perfect, but still better than the canaries, be cause they comment on his glossier hair) they've developed a special comradery that extends outside the task at hand. kabru sympathizes with mithrun very much, and also he distrust elves, he has a soft spot for mithrun. even after kabru 'betrays' them by letting laios go, mithrun doesn't even scold mithrun and ignores him instead. mithrun cares for kabru too, he values kabru's opinions as in the ending, kabru manages to help mithrun realize the beauty of life, and continues to look out for his wellbeing. people usually say kabru is more of a nurse than a lover for mithrun, that's not really that true since mithrun only needs reminding. kabru and mithrun hold each other in respect, heck mithrun risked the entire mission because kabru said 'i want to talk laios out of it for one last time' and if that's not a bond idk what is.

w pattadol: pattadol is 2 years into adulthood, is the typical lower nobility elf, way too immature for mithrun. I can see it, but honestly, I feel like pattadol would sooner consider mithrun a paternal figure than a lover (based on how she treats and views him general, it is cithis who is his main caregiver, and pattadol probably helps out out of respect for mithrun). pattadol needs to focus on her own growth, right now she only values superficial things and while that's an interesting dynamic, mithrun doesn't have anything to like with pattadol. there's no real depth to their relationship.

w milsiril: more possible than pattadol but honestly, it's not a relationship that can spark love. milsiril didn't like former mithrun, but she took care of and checked up on mithrun during all those years from time to time. ultimately I think she and mithrun would probably agree to being a couple, but won't hold any feelings for each other. they are friends to say the least, but they hold no gentleness for each other, for milsiril mithrun is probably someone she can be herself in without masking, and that's beautiful in its own way. they both have a lot of issues to unpack by themselves.

[the-remote-viewers-division]

I have an alternate pale theory…

Consider this like a ‘Pale-AU’ (i.e. I know it is probably not supported by canon, and certainly not supported by some other works like Joshua Jenkins designs, for example… also I haven’t finished reading PJÕL, so maybe my ideas will change after that) but I started thinking about it as a “what-if” situation: If there were to be a direct sequel to Disco Elysium :insert prayer hands:, how could we reconcile the multitude of different Harrys the player could create? What about the fates of other characters? Some change due to our influence, some die. How could a sequel storyline somehow accept all those possible variances? Introducing my almost-certainly not-correct pale theory!TM using a little bit of in-game info, some real-life stuff, and a sprinkle of imagination!

Caution: Many spoilers ahead.

So what is Pale -- just the past?

After you talk to the Phasmid you’re given the impression that humans/people created the pale accidentally (with thinking and memory and ideas and invention?); and after talking to Joyce you learn that some think the pale is “rarified past.” It’s all pretty nebulous, but I think that the pale being a product (or a by-product) of the human mind/memory is close to what could be accepted as the canon origin of the pale:

INSULINDIAN PHASMID - The pale, too, came with you. No one remembers it before you. The cnidarians do not, the radially symmetricals do not. There is an almost unanimous agreement between the birds and the plants that you are going to destroy us all. YOU - Wait, the pale is human made? INSULINDIAN PHASMID - It is a nervous shadow cast into the world by you, eating away at reality. A great, unnatural territory. Its advent coincides with the arrival of the human mind. YOU - I don't have that kind of power. INSULINDIAN PHASMID - You are a violent and irrepressible miracle. The vacuum of cosmos and the stars burning in it are afraid of you. Given enough time you would wipe us all out and replace us with nothing -- just by accident. YOU - ...how? INSULINDIAN PHASMID - We suspect it will be something like the oxygen holocaust that wiped out anaerobic life 2.6 billion years ago -- when organisms first started breathing. Only much worse. CONCEPTUALIZATION - Instead of air, you exhale thoughts. There are no trees that eat thoughts.

JOYCE MESSIER – "Some say the damage stems from extreme sensory deprivation. Others argue that pale somehow *consists* of past information, that's degrading. That it's rarefied past, not rarefied matter." JOYCE MESSIER – "They call it *the blend-over of the self*. The pale does not only suspend the laws of physics, but also the laws of psychology, maybe History, even... The human mind becomes over-radiated by past." YOU – "Who says and who argues?" JOYCE MESSIER – "The logical positivists say -- the dialectical materialists argue."

An effect of the Pale is “entroponetical crosstalk" which you can experience when you use the doorbell intercom outside the whirling and hear the woman speaking from Tricentennial Electrics a long time ago, and additionally the old pale driver also talks to you about how she’s experienced the past in the pale, like the assassination of Dolores Dei. Both are snippets of human past:

KIM KITSURAGI - "It was a recording trapped in the circuitry. From some ancient tenant. This sometimes happens. Shall we conclude here? We have other mysteries to solve." YOU - "I do have one mystery that still needs solving... the radio ghost in the Doomed Commercial Area's electronic doorbell." SOONA, THE PROGRAMMER - "The creepy woman!" She slaps her forehead. "We were wondering about that when we worked there... but I had completely forgotten about it ever since!" SOONA, THE PROGRAMMER - "It must be entroponetic crosstalk. The one you get in radios and long-distance calls... Now it makes sense, with the pale right on the doorstep." KIM KITSURAGI - "Incredible..." the lieutenant murmurs. "This would also explain why we get it on the police radio all the time." YOU - "Entroponetic crosstalk?" SOONA, THE PROGRAMMER - "It's quite common actually. When the signal gets routed through pale, all kinds of irregularities take place. You may hear snippets of someone else's conversation, or the voice of your former lover, or an echo of an event that took place 100 years ago." SOONA, THE PROGRAMMER - "Pale is a shroud of memories and it doesn't really distinguish to whom those memories belong to. You could hear anything."

PALEDRIVER - "You don't need to turn back time. The pale is already churning with it. As the tide of pale rises, so does the past. Someday both will cover the whole world. That's it. That's the story." PALEDRIVER - "They say there is a point -- one that *I* have not crossed -- in the pale superdeep. If you stray too far off course on the U41-A, or in Lomonossov's Land... where every step you take is one step further from home, no matter the direction." PALEDRIVER - "It's a point you cannot come back from. Your mind becomes so radiant with the past -- there is a flip." She flicks the ash from her cigarette. "Instead of writing, it erases memory. Nearing some kind of..." She shakes her head. "Indescribable *finale*." PALEDRIVER - "Like Gabriel Buenguerro in 'Segure-me, Paraíso'..." She nods and smiles, unkindly. "You're the opposite of me then. I remember everything -- even the things I never knew." YOU - "Things you never knew?" PALEDRIVER - "The smell of liquor on Gabriel's lips after the shoot. In the motor park. The roses on the day of Franconegro's coronation. On the grand stairs of Raehl. The smoke from the fowling piece, when Dolores Dei was shot..." PALEDRIVER - "The look on her face -- like an orgasm. The wound in her chest. My hand in my father's hand..." She closes her eyes, her eyelids trembling. "Except I never had a father. And I never shot Her Innocence Dolores Dei." .. PALEDRIVER - "Thought insertion? *Dithering*? The Graad-Katla Magistral?" She savours the lungful. "It's more than dangerous -- it's *sad*. But... at first I had to make a living. Now..."

So you’d think Joyce’s theory checks out, it’s all history/memory---BUT! I did the moralist political quest my first play thru, and when you are trying to contact the airship you also get radio crosstalk from the pale.

KIM KITSURAGI - "It's cold now..." SHIVERS - A slight frisson at the point where your neck meets your spine. Something about the lieutenant's words, directed at you, but not *you*... YOU - "It's really coming down, now that you mention it." KIM KITSURAGI - "Mention what?" YOU - "It's cold, like you just said." KIM KITSURAGI - "I didn't say anything, detective." KIM KITSURAGI - "...someone has been maintaining it. The wiring has been repaired..." HORSEBACK ANTENNA - An uncomfortable silence falls over the connection. KIM KITSURAGI - "... It's been a long winter... Long and cold..." YOU - "Are you going to tell me you didn't say *that*, either?" KIM KITSURAGI - "I promise you, I didn't, even though it certainly *sounds* like me..." The lieutenant seems to wince at the sound of his own voice. YOU - "It must be entroponetic crosstalk. It's the only explanation." NOID - "So your partner's haunting himself. Trying to warn him off his current path, most like." KIM KITSURAGI - "It's eerie, for certain, but also harmless. I just wish I could remember what I was talking about..." ESPRIT DE CORPS - Something here is eating at the lieutenant, as much as he would like to move past it.

You can even hear it if Kim is not with you:

KIM KITSURAGI - "It's cold now..." SHIVERS - A slight frisson at the point where your neck meets your spine. You can *feel* the lieutenant's presence, even though he's nowhere to be found... YOU - "Kim? How did you get on my connection?" NOID - "Whoa, the cop's *own partner* is a radio-spooker. That's some *other core* business right there..." HORSEBACK ANTENNA - ... KIM KITSURAGI - "...someone has been maintaining it. The wiring has been repaired..." YOU - "Kim! Answer me." NOID - "No use, man. Don't think he can hear you." YOU - "I've encountered this before. It's entroponetic crosstalk. This is a piece of the past mixing in with our signal." NOID - "What..." KIM KITSURAGI - "It's been a long winter... Long and cold." NOID - "What have you gotten us into, lawman?" HALF LIGHT - Just *run*. Unplug that headset and get as far away as you can.

YOU - "Kim? How did you get on my connection?" … YOU - "What is he talking about?"’ SOONA, THE PROGRAMMER - "I believe you mean, what *was* he talking about." YOU - "Wait, what are *you* talking about?" KIM KITSURAGI - "It's been a long winter... Long and cold." SOONA, THE PROGRAMMER - "It sounds very much like entroponetic crosstalk. It happens sometimes when sending transmissions across long stretches of pale..."

Except IT'S NOT FROM THE PAST. It is Kim talking from the future, from the fort on the island. Which hasn’t happened yet.

And it can possibly NOT HAPPEN.

You hear Kim say this stuff even if he gets shot and doesn’t come with you to the island.

During gameplay they kind of just go “huh, how strange and spooky...” and don’t really delve into it.

But that completely changes the pale right? It’s not just past, it’s also future, and not just the ONLY future, POSSIBLE future.

So, my theory is that the pale is multiverse colliding: the near pale is the places where these universes begin to overlap, and deep pale is where universes overlap to such a degree they are cancelling themselves out into nothing.

Fungal communication – mycorrhizal network

When Joyce talks to you, she talks about a fungus growing at the edge of the porch collapse. I think this fungus could be acting like a mycorrhizal network, which in our world are an underground networks connecting fungi and plants allowing them to communicate or share information. I think the fungi/spores in Elysium pop up at origin points and thrive along the porch collapse and are allowing the universes to “talk” to each other.

SOONA, THE PROGRAMMER - "I understand..." She closes her eyes. "A theory of the pale where instead of an *outer ocean* it metastasises -- like a cancer or a mould -- erupting in points *inside* the world."

JOYCE MESSIER - "An uproar of matter, darling, *rising* into the pale. Rolling. Evaporating even, a great vision. The area of transition between the world and the pale is called *porch collapse*." JOYCE MESSIER - "Imagine a grey coronal mist, cold vapour, marked by spores of an opportunistic microorganism -- a mould that's adapted to grow at the edge of the unrest. It's..." JOYCE MESSIER - She closes her eyes and breathes out heavily: "... the most *disco* thing you will ever see.

INLAND EMPIRE - The white noise turns into a wall of mist and grey mould, bubbling, sweeping over the city... it tears up buildings and raises sidewalks into the sky. It's Revachol -- at the end of the world. INLAND EMPIRE - ...and it hasn't even really started yet.

Destructive interference – “le gris”

When Lena tells you about the cryptid the Col Do Ma Ma Da Qua, you learn that they are nearly extinct because the scientists played back their own calls and since they are creatures made of sound, the recordings cancelled out the birds. They died because the signals matched and cancelled each other out.

LENA, THE CRYPTOZOOLOGIST'S WIFE - "It's the *Col Do Ma Ma Daqua*," the woman corrects her glasses. "Its name means 'thin whisper of sound'. And that's *precisely* what it is -- self-replicating sound waves, invisible and intangible! The Col Do Ma Ma is very afraid of us, which makes it incredibly difficult to track..." YOU - "Why is the Ma Ma Daqua so afraid of us?" LENA, THE CRYPTOZOOLOGIST'S WIFE - "That is a sad story." She frowns. "A group of university students assisting with the field work, in their enthusiasm for the project and, no doubt, because they were preoccupied with impressing their professors, nearly drove it to *extinction*." YOU - "Extinction?" LENA, THE CRYPTOZOOLOGIST'S WIFE - She nods gravely. "They tried to communicate with it, and had no other means but sound. So they started sending out sound waves at frequencies they thought might match the Ma Ma Daqua's. And what happens when a sound wave meets another sound wave of the same frequency, dear?" YOU - "They cancel each other out."

So... admittedly this doesn’t directly connect to the pale, but it’s illustrating the concept of signals cancelling each other out and, I'm going to say, indicates that this concept is possible in Elysium. The pale is destruction, the overlap between universes causes matter, physics, and even numbers to dissolve. The more complete the overlap, the more complete the destruction.

In conclusion...

According to my theory, the pale is the areas of the world that are affected by these fungal organisms that allow very similar, but different universes to communicate with each other, and since their 'signals' are so alike, they are being cancelled out.

So why did I force myself to jump thru these mental hoops? I think having a multiverse like this would make a sequel more possible since there are so many ways the game can be played. Any possible playthrough would be its own universe. Having a multiverse like this acknowledges and validates any play thru as 'canon,' no player will feel that they somehow played the game “wrong.”  Whatever Harry appearing in the sequel is one of the possible Harrys even if he wasn’t “your” Harry. If a character died, they died only in some of the universes, not all. Whatever world the sequel would take place in is just one of the many possibilities.

Anyway, I thought WAYYYY too much about this and now you can too. Sorry!

[sunnystrollblog]

THE ANGST IS REAL!!!!

I was thinking of drawing that instead but the idea of drawing the other scene instead because of Floyd growing up and being like "I was a really messed up kid for doing that to Branch, I had a ton of issues and it wasn't his fault, but he probably forgot already"

Just for him to see that Branch is sooooo messed up and being hit with the realization that even if it's just a bad memory for him for Branch it was a HUGE traumatizating thing that molded him was very appealing to me

For some ppl things they did never look as bad as to those they did them to. It might be bad but they just move on and "grow out of it" while those who were subjected to it are scarred and stuck in some ways because of it

Exactly!!! Floyd definitely has moved on from that time in his life even going as far as ignoring it because of how guilty it makes him feel but thinking that branch is better off and (spoiler alert) when he and the rest of brozone are captured to watch branch destroy the strings he’s definitely like ‘oh crap we messed up big time’

[hoippu]

Chronological ZoLu Fanfic Masterlist [improved]

Guide for people who want to avoid anime spoilers

you can check out the google doc for more updates on this list (There is a total of 53 fanfics on the google doc so far)

Hey Lover! by clouddq

-takes place when zoro is recruited -soulmates AU (pre-timeskip)

I’ll Take This Piece of You by lucerile

-One Piece Live Action -Pre-arlong park but post baratie -(pre-timeskip)

Definitely, Spontaneously by croissantmusain

-One Piece Live Action and regular one piece anime/manga -no spoilers -pre-timeskip

last year i abstained by Augment

-part 1 of a series -(pre-timeskip i think) -No major spoilers

this year i devour by Augment

-part 2 or companion fic of last year i abstained -(pre-timeskip i think) -No major spoilers

I Don’t Talk (I Kiss Things) by lostmagician

-One Piece Live Action -I guess there aren’t any major spoilers -(pre-timeskip)

to fail you would be to fail myself by yinyu_ink

-One Piece Live Action -(pre-timeskip) -takes place after Arlong Park

Found in the Crack of your Palm by The_Furthest_City_Light

-(pre-timeskip) -takes place from the beginning until somewhere after alabasta

catching butterflies by aquietdin

-(pre-timeskip) Takes place sometime between Skypiea arc but before Long Island arc. -You should also watch the G-8 filler arc because I think it’s referenced, but it’s okay cuz it is honestly the best and only filler arc worth watching. (G-8 is right after skypiea)

Gold-Tinted Days by needchocolatenow

-indefinite time period but brook’s there. there’s no spoilers

Ode to an ocean by novks (thychesters)

-(pre-timeskip) -Takes place right before water 7.

Chimes by drcalvin

-(pre-timeskip) Contains spoilers from Water 7/ Post-Enies Lobby.  -Takes place shortly after marineford I think. Maybe wait until the timeskip begins before reading this one just in case.

Unable Are the Loved to Die by BasicallyACat

-(pre-timeskip) post Enies Lobby up until sabaody -part 1 of a series

a Losing Game by Angelgotchi

-right after water 7 probs pre-thriller bark -(pre-timeskip)

greed by species_baby

-(pre-timeskip) Thriller Bark

Feelings, what a mess! by drcalvin

(post-timeskip) Very early into the timeskip. I’d say you can read when they’re on the way to fishman island.

Let me carry your scars by arkhamsjason

-DO NOT CLICK ON THE LINK UNLESS YOU’VE BEEN THROUGH MARINEFORD BECAUSE TAGS CONTAIN SPOILERS -(post-timeskip) at some point after return to sabaody arc

Heliotrope by LostInClouds

-(post-timeskip) -As long as you reach the timeskip and have made it more or less to when they are sailing to Fishman Island, you should be fine.

The Things we do for Love by LostInClouds

-(post-timeskip) - It’s recommended that you reach the timeskip for this one too and probably before fishman island is also good enough

Feed your plants a little sunlight by swordsmans

(post-timeskip) indefinite time period tho i think Inspired by this comic

Of First Mates and Duty by Whatev3rs

-(post-timeskip) takes place at an indefinite point in the timeskip after return to sabaody arc. -kind of part 1 of another fic

Look at this! by nuftda

-(pre-timeskip and post-timeskip) takes place from the beginning up until some indefinite point in the early timeskip

‘Til You by Whatev3rs

-Post-timeskip -no real spoilers -it’s KIND OF a continuation of Of First Mates and Duty by Whatev3rs

Kizuna by YokoHogawa

-(post-timeskip) after fishman island

His Captain, Captivating by jirachi

-a sequel to Unable Are the Loved to Die -(post-timeskip) takes place up until the end of dressrosa i think

The Five Times Luffy Kissed Zoro, and the One Time Zoro Kissed Luffy by EclecticIsMyMiddleName

-This one takes place throughout the story up until the end of Wano arc. -It’s preferable that you’re fully caught up because it’s so good you might wanna binge it.  -see google doc if you want a more detailed description of where each chapter takes place in case u cant wait that long

To the ends of the earth (I'll follow you, worship you, love you) by lunarblossoms

-(post-timeskip) occurs when luffy awakens gear 5

Carnelian and Gold by kermit_coded

-Post timeskip  -No major spoilers

I Do the Dumbest Things for You by it_is_i_a_simple_nerd

-(post-timeskip) -Takes place somewhere between wano and egghead

Loyal Till Death Do Us Part by StygianHeart

-(post-timeskip) -takes place after wano and does have some spoilers at the beginning -it takes place in a fictional arc n stuff so its cool

I'm gonna make another masterlist later for the AU fics or maybe add them to this list but you can still find them in the google doc

[crescentrivers]

I wrote down my thoughts while I watched working boys and so I don’t make a million posts about it here’s just everything I wrote, under the cut because it’s a little long and cause spoilers

I never really understood the obsession with minor background characters some HF fans have until now, Hailey ily

It takes balls kind of goes hard but that’s only because all the singers are incredible

The reveal that Hidgens getting struck by lightning was how the workin boys died was insane. I actually wasn’t aware the workin boys died until the pit stop in Hatchetfield stream I thought they were fine until getting infected in TGWDLM. RIP the mark chastity is workin boys Mark joke headcanon

Why is Grace even watching the show if she thinks it’s about hookers??? also is Grace friends with Richie and Ruth in this timeline

Everyone is so good at singing aaaaaaaaa

Also can I point out how Hidgens gets more and more deranged every time we see him? Like he was a little crazy in TGWDLM then ape-man happened, and now this. He’s on a downward spiral and I love it

Workin Boys is clearly very personal to Hidgens him saying it’s loosely based on personal experiences is such a lie. He listens to the girls’ AMAZING singing and then says everything is horrible because it’s not like his boys

Are the zombies their real ghosts or is Pokey being silly. The blue lighting isn’t helpful in me figuring this out.

Hidgens is gay for Chad (we kind of already knew that but it’s just more obvious now)

Okay this is definitely Pokey’s fault I doubt the workin boys are that evil cause they’re suggesting he kills or something

Poor Ruth, would yall hate me if I said this made me feel more sympathy for her than just for once (maybe my opinion will change if I rewatch NPMD but this is how I feel right now) just for once is a good song though

The girls are incredible singers please don’t let them die

I won’t stand for this Hailey abuse

HES GONNA KILL THEM OH NO

RUTH PLEASE LIVE RICHIE IS IN THE CROWD HES YOUR FRIEND (and I think Grace is her friend in this timeline too???)

Oh that’s some gore

Linda saying good about the actresses being dead-

The Starlight Theatre is small actually (I know that’s probably just budget things and it’s bigger in universe but it’s interesting to think about considering the touring production of mamma Mia went there)

Ted got shot in the head like in TGWDLM

Grace saying wow after shooting him. She’s a little bloodthirsty in every timeline I think

The gore??? It’s crazy

Grace saves people from deranged killers but ends up becoming a deranged killer herself, this is becoming a running theme in the timelines

(She doesn’t know about the LIB in this timeline so maybe things will be fine this time but I don’t trust that)

Linda clapping at the end of the show-

I’m sad about Ruth dying and I’m sad that her friend(s) were in the audience too

This leaves me with more questions than answers about the zombies, like I’m assuming blaming Pokey is reasonable but we also don’t know so-

Rip Ruth rip Hailey rip the rest of the girls rip the workin boys rip Ted rip Hidgens

All the songs are great also

[frost-felon]

Might have to make that Sukuna analysis post sooner than I thought, lmao. Talking through my understanding of the character and my frustrations with his writing is getting me to a clearer point, but I need the evidence to back up my arguments; and to assess if I'm barking up the wrong tree. I'm already going to be rereading the first half of the manga again, and need to do so specifically to find what Kenjaku has said about Tengen, but it's mildly annoying. Even for a vent post, I want to make sure I have a basis to work off of--not just my likely-flawed recollections.

Something I'll specifically be tackling is the weight of Sukuna's words and actions. How he carries himself, whether or not what he tells himself and others matches up to his reality, and especially how he treats Yuji. He seems very much the kind of guy to believe in his own lie, thinking he's more secure than he is. Part of it is the sheer 'And then the circumstances they needed magically fell into their lap.' contrivances that keep popping up in JJK. I'm not sure that any character has suffered worse for it (in terms of being entertaining and reputation) than Sukuna. Not even Kenjaku, I think. But like I said, I need evidence.

It's gonna be a drag, but I WILL have far too many screenshots that I don't use.

[egophiliac]

don't think I'm not still deep in the episode 7 brainrot. because OH BOY AM I

(also one more extremely, obnoxiously self-referential thing, I'm -- I'm so sorry)

[mugwot]

travel troubles

[lucabyte]

Comfortable in New Skin

[sacchiri]

Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

[leupagus]

Selyse is not a "who's this bitch" kind of person but honestly, she should be forgiven for meeting Sansa like this and going "who's this bitch"

Just then there was a call from outside the tent, asking for the king. Davos opened the flap and a young solder ducked inside, bowing low to the king first, then to Lady Melisandre, then to Selyse. "Your Grace," he said, "riders were just spotted on the pass below, making their way up to our camp."

"Spotted on the pass?" snorted Davos. "Are they riding snow bears? Or elks?"

As though in answer, an horn sounded in the distance. The king started, his expression as queer as any Selyse had seen on his face in their near twenty years of marriage. It seemed almost...hopeful. "That call," he said, as though to himself.

Davos shook his head. "I don't recognize it, Your Grace. Do you?"

"Oh, yes," said Stannis softly. "I remember it very well."

The party climbing up the pass was small — a hundred men at most — in two long rows, the banners of all of Stark's promised houses unfurled. They were mounted on the great lumbering beasts that passed for horses in the North. In the pearl-grey of dawn, Selyse could see the front pair dragging behind them a curious leather-and plate device. It was shaped for all the world like the prow of a ship and it cut through the snow with ease. The party moved only slightly slower than a full canter; even as she watched, the two horses affixed to the contraption slowed and stopped, their riders giving them full rein to blow out great puffs of air into the snow. The whole party halted in an orderly queue behind them, and the two mounted soldiers directly behind circled round to unhook the lead pair (without bothering to dismount) and attaching their own horses. The party then resumed its swift pace up the mountain pass. The two who had been in the lead rejoined smoothly at the end, where the snow been packed down to a tidy path.

"Ingenious," remarked Davos. Lady Melisandre said nothing, only quirked an eyebrow. Shireen asked some imbecilic question about something, and the king made a patient response.

"Perhaps these men of the North will bring you the miracle you seek, Your Grace," said Lady Melisandre, as the riders at last drew level.

"Certainly they seem to have performed the miracle of moving in this snow," Stannis observed.

Most of the riders remained at the foot of the camp, but a small group began to make their way toward them, their behemoth horses even more ridiculous as they drew closer, with their hoofs near as wide as platters and their tails cut short as a broomstick. As they halted before their king, the riders dismounted. Despite the bitter cold, not one of them showed any sign of discomfort, their thick boots and cloaks making them appear almost as outsized as their horses.

The king took a breath, as if to ask for their leader, when a hooded figure on a great chestnut beast came out from the midst of them. Her cloak and skirts were dirty from the road and snows, her copper-bright hair in a simple peasant's braid as she pushed back her hood. A half-dozen young men surged forward to hand her from her horse, but it was a giantess in armor who helped her down and followed closely behind as she approached them.

It took Selyse a long moment to realize who the girl was: Sansa, Catelyn's eldest daughter. (Eldest child, now that the usurper Robb Stark was dead — and Catelyn too, and Lord Stark before them.) She had more of her mother's look to her than her father's, which must have pleased the Imp when he married her; Tyrion had always liked his whores pretty and clever. There was something in the way that she carried herself, however, that made Selyse suspect Sansa might be rather too clever.

The girl made no move to bow to the king, merely drew within a length as her retinue fanned out behind her. "Your Grace," she greeted Stannis. At least she had the good sense to recognize her rightful king. "I am Lady Sansa, of House Stark."

"Lady Stark," the king replied, or began to, because at that moment the damned direwolf, that unnatural creature the Lord Commander had foisted upon them, came hurtling in from wherever the devils he'd been and lunged for the girl, sending her sprawling to the ground with a scream more chilling than Shireen's, horrifyingly cut off as she—

As she laughed, the creature licking frantically at her face with its great tail wagging. The girl brought her arms around its monstrous neck and hugged it closer to her, burying her face in its fur, unconcerned entirely by the spectacle. Her Northern lords looked well pleased, in fact, nodding and smiling at one another in shared understanding. He'll recognize her, Jon had told Shireen when she'd asked how Ghost would know who Sansa was. The pack knows its own. It seemed the whole of the North knew.

The king's people were nearly as susceptible. Davos was smiling like a dolt and Shireen looked as though she wanted nothing more than to join in the undignified affair. Lady Melisandre, at least, showed little sign of being moved; she was watching with an air of interest but no warmth. Only the king was truly inscrutable, as he stared down at the tangle of girl and dog with another expression she had never seen before. This time, she could not guess as to what it meant.

At long last, the beast allowed Sansa Stark to rise, once again accepting help only from her giantess. "My apologies, Your Grace," she said. Her smile was broad and bright even as she wiped at a streak of mud across her nose. "But as you might guess, Stark reunions are rare these days."

[zafirosreverie]

Would it be very strange if I start making x reader fics of classic books? Serious question.

[heyclickadee]

Aaaand actual spoilers for Ahsoka:

I don’t know HOW Ahsoka got into the world between worlds, but I don’t think it was by dying. At least, not in a permadeath kind of way. It wouldn’t surprise me if Morai swooped in and just went, “Nah, not today—you’ve got a job to do,” and opened a portal under Ahsoka as she fell (or, heck, if Anakin—if that is really Anakin—did it himself).

Also, I’m putting this on my list of reasons why a main character falling from a height should never be considered anything close to a definitive death in the star war ever, so congrats to Tech for looking even a little bit more alive than he was yesterday.