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safination · 2 months

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Partners in Death...and Life.

Part I: Radio's not dead

| Part 2: Radio Will Be Dead if He Doesn’t Explain Himself. | Masterlist| ao3 Pairings: Alastor x wife!reader Tags: fem! reader, established relationship, human!alastor, hopefully not but just in case ooc!alastor (I'm trying my best to keep him as canon as possible) acroace!alastor

"Alastor! Pleasure to meet you. Quite a pleasure!" One hand reset on his chest, and the other shoots into the air. You chuckle. "I don't think it will be quite the pleasure you think." "Is that so?" Alastor's smile remains constant. "And why would that be? You show him the tray you're holding "I'm here to do your sutures"

You pass the tissue box—the third one already.

Your patient blows his nose, rubbing snot off his snout. He has to stretch his arms to reach his nose. Alligators are known for their long snouts. His nostrils flare when he sniffles. Used tissue is discarded on the pastel-pink floor despite a pastel-pink trashcan stationed by his webbed feet. It’s been the same pattern for the last fifteen-minutes.

Tissue, Sneeze. Floor.

“—and I have this…uh…like this real bad itch on my eye. I keep rubbing and rubbing but it doesn’t do shit! My eyesight’s gotten worse—It’s already fucked up but this is just different. My roommate hissed at me about getting blood all-over the carpet floors if I kept scratching my scales. Oh. Oh! I’ve been snee—achew!” Alligator snot lands on the pastel-pink floors of the clinic.

Your eyes twitch.

He takes another tissue and waves it around his head. “The top of my head is killing me. Ya’know where that is right?” He blows his nose. “It’s right here,” he says, inching his head closer to you. “The last nurse I went to was blind as a bat! Literally, she had the wings and everything. It was kinda hot.”

“I’m well aware of the location of your head,” you say. “You can lean back now.”

Tissue. Sneeze. Floor

Tissue. Sneeze. Floor.

Pastel pink floor.

Underneath the mix of feathers and hair strands, the bustling of the waiting room catches your ear. Someone curses, booming and violent at another waiting patient. A cough, a sigh, a barf. Painful curses erupt after that. You bring a hand to your ears, wincing as your eardrum rings.

Pentagon City’s best and biggest hospital needs better doors, but those lazy sloth fuckers at the top invested at the first material they found. The alligator sneezes into another tissue. He flicks it with his wrist, and it hits the pastel-pink wallpaper adorned with closed eyes. Maybe Belphegor should be the sin of Pride instead, considering all items are covered in her symbol.

“I really feel like t’was those exterminators ya’know?”

You do not, in fact, know. Half of what this young man says is incomprehensible.

His snout sways left to right when he shakes his head. “It’s only my second one, and this was a close call, and uh…well, ever since then I’ve been like this. One even got to my roommate. “

You hum, leaning back on your chair. You should petition to for thicker doors. And while you’re at it, better interior design, and better paint—something that isn’t pastel pink.

“Ugh, and it’s so not cool that this new roommate of mine’s been shedding since the day they moved in,” he says. “Speaking of shedding, do you think it’s because of those exterminators? Do you think they like spread some sort of weird pollen to make us sick? They’re totally the type to that.”

You take your pen—your pastel-fucking-pink pen—and poke his alligator sinuses.

Hell does have its own brand of humor. You gave your 20s to studying human anatomy, only to die and find yourself with the need to re-learn the boring part of biology. (Two books on reptiles, four on mammals, and fifteen on sea creatures.)

“YEOWCH!” His teeth stick out again. You do not know what this means. “What kind of nurse ar—“

“Doctor.”

“—you? That’s not the top of my head!”

You push back on of the feathers on your head. “Your roommate ‘hissed’ at you? And they’ve been shedding fur for two weeks now?"

“…Yeah…?”

You stare at him. “Have you ever considered that you’re allergic to your roommate?”

“Ooooooooooh,” he says. ‘Yeah, I was allergic to cats back when I was alive.”

You grab your (pastel-fucking-pink) prescription pad from the desk drawer. “Control it with some antihistamine. Four pills every 12 hours.”

His teeth start showing. You’re not sure if he’s frowning. It’s hard to tell. “Pills, really?”

You toss what you were writing into the massive pile of germs, mucus, and tissue. “I can give you a nasal spray. I’ll flush the mucus then insert a spray that prevents build-up,” you say. “They last for two weeks and then you’ll need to come back.”

He grabs the last tissue from the box. It still lands on your floor. “Ma’am nurse, do you have any more of this?”

You sigh and reach for a fourth box of tissue. “It’s doctor,” you say. “We keep nasal sprays here in the clinic. I’ll just grab one and you’ll be out in fifteen minutes.”

“No can do,” he says. “Before I died, my coach told me to stay away from that non-organic shit. It’ll mess us up real bad apparently. All those steroids.”

“You have phencyclidine sticking out of your coat pocket.”

“Pheny—what?”

“…Angel Dust.”

“The porn star?”

“The drug. You have drugs sticking out of your coat pocket.”

“Come on, nurse—”

Threads erupt from your fingers. It snakes around his wrist, coiling and twisting. He jerks his arm away and cries out when you tighten your hold. Your threads wrap around his legs. It pulls against his waist. Magic binds his arms, and tightens around every joint he owns. You stop, only when the alligator struggles, trashing against the clinic chair.

His teeth bare and he snaps at whatever he can reach. You tug on one of the thousands of strings digging into his skin. His jaw snaps shut, and it will stay shut. Another tug and his back stretches to straighten. You move your fingers as if a piano laid before you, and he sits up like a good puppet.

Another month of clinic dury will be your punishment if those sloth from down below are lucid enough to do their jobs. Sadly, killing this idiot would have you suspended for three months.

“I am a doctor,” you tell him. “Do not make me repeat myself.”

The tension on your strings marks even the few scales scattered on his body. He’s a real idiot if he continues to struggle.

Delicate movements of your fingers bring him forward, his back still strained, and tilt his snout at a forty-five-degree angle. Your threads elongate as you move toward the clinic drawers. It loosens around you, careful at keeping you able to move freely. It’s one of the handier parts of your magic.

You shake your hands and the threads detach. It sticks to the floor to keep the alligator as your puppet. You scrub your hands thoroughly before taking the nasal spray and filling with with distilled water.

You place on nitrite gloves. It’s always best when dealing with bodily substances such as mucus. You place a pan underneath and jam the tube up his nostrils, hosing his sinuses with water. The tension of his binding keeps him still. (If you ignore his whining, then that’s your business. The brawl you heard from the waiting room drowned it all out anyway.) He starts breathing better when all the snot flushes to the pan.

“Finished,” you say with satisfaction. You grab your prescription pad and write one for a nasal spray. “I cleared the mucus buildup so you shouldn’t feel any more headaches. The spray will keep your nose clear for as long as you use it. Come back if you start to feel any discomfort. For the rashes just get cream.” You point at the pastel pink door. “The exit’s right there.”

The threads dissolve in the air. He rubs his wrist, trying to soothe the red marks that your strings bring. You hand him the signed prescription.

He doesn’t close the door on his way out.

The broom and dustpan are hidden in one of the taller cabinets—pastel-pink like everything else in the room.

(Well, not everything. The radio sitting on the corner of the counter gives a splash of red into the room.)

You sweep the tissues into the dustpan. Your control over your strings is much more proficient when living beings are involved. Inanimate objects whip around when you use your magic on them, and radios have been difficult to purchase recently. It’s more convenient to clean using your own hands.

“Tagatha,” you call out when the floor is clean. “You can bring in the next one in.”

Silence is your reply.

“Tagatha?”

Your ears quirk. The noises are faint—an occasional cough, silent weeping, and muted voices coming from the television. You peek out the door, eyeing the crowd formed around the corner of the hall where a pAstel-pInK television mounts on the wall.

The door closes with a faint click. You sink into the cushions of the office chair. Vox’s yapping bore you. It was probably some man-child debate about the new extermination date. Although… those serialized dramas he produces, sadly, are interesting enough to be consumed. If asked for your honest opinion, you’d tell them that they were a hot pile of smelly garbage, but you like to leave it playing mindlessly in the background.

Your husband will throw the television out the window the first chance he’ll get.

Too bad he’s occupied.

You grab a piece of paper from the drawer. Management is forcing you to write a thousand-word formal apology. There are about three-hundred words left to write.

Getting caught dissecting the dead bodies from the morgue is a mistake that won’t be repeated. One dead body and suddenly those lazy fuckers have diligence weaved into their DNA. The body was already dead, and it’s not every day a chance to poke around a chimera’s entrails appears. The sinner would contribute to something meaningful at least. You’re stuck on clinic duty until you dot your last sentence, and not a moment before

The coffee’s cold now, but consumable.

You reach across the desk, feeling for the knob of the radio. You twist until you feel the clink. Music fills the air—the same twenty-five songs on a loop. You stare at the radio for a moment.

Just… a small… single moment.

On your kitchen counter, that second cup of coffee should be cold by now. It’s always cold when you trudge through the door. It’s been cold and untouched for years.

Yet, without fail, that second cup you brew will always be waiting for its owner.

“Salutations!” You snap your head to the radio. “Good to be back on the air.”

…Huh? The feather on your hair bristle. You swipe the radio, your hold on it feather-light. You turn the knob responsible for volume. The static noise stings your eardrums.

“—ile since someone with style treated hell to a broadcast. Sinners rejoice!”

Murmurs erupt outside your door. You blink and find yourself slamming it open. One foot after another, one step after the other, brings you closer to the television. Your shoulder throbs when you bump into someone, but you keep pushing until you see Vox and his tacky suit enlarged on the screen.

“What a dated voice!”

A reply comes from the radio. “Instead of a clout-chasin’ mediocre video podcast.”

Your feather rises higher. Laughter escapes your lips, it leaves a dry taste. That…that ṁ̵̭͔̲̙̦͎̝̜̲̠͙͇̂̏̃̐̂̓̊̂̕̕o̴̢̭̝̙̤̬͚͐̅͗̌̇̂̌̕ţ̷̛̝̂̿h̶̯̟̙̲̘̟̟͙͔̔̋͊̋̿̐͘͜͜ę̶̗̰͔̫͔̗̝̘̻̰̓̓̈̊͜r̵̨̂̏f̶͖̻̱̺͕̹̫̭̠̚u̸̬̺̯̟̦͖̅̂́́̌̚͝ć̴̖͙̰͈͕̉͌̈́́̈̔̀̉̍́͜͠ḳ̴̨̧̗̫̗͖̞̟̑͌̂̀̈́̀͆͒ę̷̛͓̼̟͍̆̆́͆̾͛͝r̵̹̮̤͓̗̹̈́̎̉͌̾͌̏͑̋̚͝.

“Doctor!” Tagatha screeches when she spots you. “I am so sorry. I’ll bring in the next one right away!”

Your eyes are trapped by the screen and your ears by the radio. “It’s alrig—”

Tagatha grabs the closest person to her and shoves you back into the clinic. The door slams shut just as everything goes dark and silent. (Well, it’s not completely dark, once your eyes adjust you can still see as if the lights were open. Another small perk to this body). Your radio, along with the power, stopped working.

“Oh my!” Your new patient bleats.

“We have generators,” you find yourself saying. “I’m sure the power will come on in a minute.”

The cushions of the chair do little to ease your nerves. You pat your hair, trying to get it in control. A pile of feathers starts forming on the PASTEL-FUCKING PINK FLOORS. T̴̹̜͇̅̅͗͜H̶̰̗̄Ơ̶̡̡̻̗͖̋̎̓̓S̴̨͉̝̻͋̽̆́͆Ẹ̸̡̢͐͐͠ ̷̨͚̞̙̀͒̆̆͊Ŭ̵͕̲̪͇͓͐̚G̷̹̝̦̬͊͒Ḷ̶̭͓̎̏̈͘Y̶͇̟̍̉̚ ̷̟͎͕̞͂͑̂̇À̶͉̍̄̈̚S̸͖̖͕͑̏͛̈́S̶͚̤̼̯̀ ̶̻͆P̷̬̝̉Ä̵͕́͊̌S̸̢͍̆̓͝Ṫ̸͖̲̠̾̉͜͝E̷̺͆L̷͖̏͐́͝ ̶̛̟̽͝P̷̪̔͜I̴̹̥̹͖̮͒́̏͘N̸̳̙̼̾̆̿Ķ̶̟̞̜̉͊̓̂̚ ̵͈̬̃̿̄̈́̋F̵̨̨̼̫̘͘L̸̙̠͎̓̆́O̷̧̘͚͉̤̓O̷̤̟̱̼̤͋̍͐R̷̰̝̓͌̌Ș̵̲̝̈́ "Excuse me?” You will paint this room red with the blood of management. You tap your foot again, and again, and again. “…Doctor?”

Your neck snaps in her direction, eyes wide and staring.

“The… uh… the lights are back.”

You blink at your patient—huh, she’s a goat. “I apologize,” you say, smiling. “Please, tell me, what brings you here in this hellish afternoon.”

She holds up her bleeding arm. “It’s been like this since the extermination,” she explains. “Some angle got me. Luckily, I was able to run off before I was finished. I thought it would heal on its own like it usually does but it just hasn’t. It keeps bleeding.”

“Well, angel-induced injuries are my specialty,” you say. Tucked away to the side, a mirror hangs. You catch your reflection, and you blow your hair away from your vision, your red sclerae “This will cost you. Injuries caused by angels are…difficult to stitch, but not impossible—not for me at least.”

“Oh, yes.” She bleats one more “Dear God, where are my manners? I’m sorry can I ask for your name?”

Your smile widens. “Of course. I’m—"

ﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـ ﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـ

“Alastor! Pleasure to be meeting you. Quite a pleasure!” One hand reset on his chest, and the other shoots into the air. It’s the bow you did in high school, back when you wanted theater to pay your bills. A performer’s bow.

You chuckle. “I don’t think it will be quite the pleasure you think.”

“Is that so?” Alastor’s smile remains constant. “And why would that be?”

You show him the tray you’re holding. “I’m here to do your sutures.” He steps closer to take a peek. You watch him as his eyes gloss over your matches then your needle driver, then the alcohol lamp. His smile wobbles when he lands on the syringe.

You move the tray, dropping it down on the little cart by the examination chair.

“There’s no need to worry.” You beam at him. “I have the steadiest hands in this city.”

“Hmmmm,” he says. “You must be the other doctor then.”

“Not at all.” You point to your uniform, where the initial ‘NP’ is embroidered next to your name. “Just the nurse practitioner.”

He takes a closer look and reads your name. “Then I have no reason to fret. None at all! In my experience, doctors usually have their noses buried in their books. It’s the nurses that actually get the hands-on experience.” Alastor’s hands move when he talks. “What’s such a talented practitioner doing in such a dinged-up clinic?”

“Management caught me in the morgue dissecting the dead—It’s how I practice my stitches.”

“Really, now?”

You bark a laugh. “Not at all—I’m far too smart to get caught.”

“A witty sense of humor and a steady hand! I am in good hands, indeed.”

You take a seat on the rolling stool. “Yes, yes,” you say, waving your wrist. “You make fine compliments, Sir. I’ll be sure to be extra gentle.” You point towards the examination chair. “But, please hurry to the chair. You’re dripping blood on my floor.”

Alastor glances down. His eyebrows furrow as he glares at where the blood seeps from his sleeve … almost… almost as if he’s angry. “My apologies,” he says, allowing his blood to drip to the floor.

Alastor shrugs off his coat. It’s rare to see such a dark red—only a few choose such a color. You hum. Alastor is a well-dressed gentleman. Lovely. Those are your favorite kind. He drapes his coat over the spare chair, ignoring the coat racks the clinic provides.

You turn away and wheel yourself closer to one of the drawers on the counter. It takes two attempts until you find the stash of sterile gloves. “Take your seat when you’re ready,” you say. “I’ll take a look once you are.” You place the gloves on the little green cart, right next to your tray.

Alastor takes his seat, landing with an audible ‘humph’. He smiles at you, sleeves rolled and arm ready. He pushes his glasses up the bridge of his nose.

You hold your palm out. “May I?”

His smile wobbles—it’s a small change in expression that you wouldn’t notice if you weren’t looking. “Of course.”

Along his forearm, a long and sharp cut wounds him. The sight of grime that covers the opened abrasions makes you inwardly cringe. You need to clean these as soon as possible. “Why was this not checked sooner?” You rest his hands on the armrest and use your foot to bring the cart closer. “This looks old, and not at all like a freshly deep cut. I prefer it when patients come to me with fresh wounds.”

You grab a bowl with distilled water and pour in a sterile solution. “I assumed it would heal on its own,” he tells you. “It was quite a surprise when it did not.”

“I need to clean this before you die of infection.” You dip his arm into the bowl. He remains silent, but you feel the tension of his muscles under your fingers. “Hopefully there will be no next time, but just in case, next time, please don’t wait a month.”

He laughs, and there, you faintly see it—a twitch in his eye. “It was only a week actually.”

You smile to yourself. “I’d prefer it if it was only a few hours.” You dry his arm with a soft towel, his arm still tensed underneath your touch. “There, much better.” You release your hold to go to a shelf filled with different labeled vials and select the one you need. With the clean syringe, you draw the contents of the vial. “You’ll feel a bit of a pinch,” you say. You tap its side. “It’s morphine— wouldn’t want you screaming and writhing”

You study his face for a second. There’s just that same dismissively polite smile.

“You can look away if you wish,” you tell him. “It’s why we pin such…er…interesting decorations around…. May I?”

You feel it again when Alastor inches his arm closer. His muscles tense under your touch. It’s almost as if he wishes to pull away. You keep your hold feather-light, but firm.

“Are you a hunter by any chance?” you ask. You don’t prick him—not yet. Not when tension coils in your hold.

“You could describe it that way,” he says, chuckling like he’s told a humorous joke. (You don’t understand why.)

“I figured you were.”

Alastor slides his glasses up the bridge of his nose. You inject the morphine into his skin, right inside the soft pink tissue. Good. Alastor relaxes when he speaks, it seems. “I do love a good hunt,” he says. “How ever did you know.”

You release your hold and discard the syringe. “Your hands are rough,” you tell him. “And hunters always have this silly notion that injuries magically heal given enough time—along with farmers, actually. Although, farmers are usually much more deluded.”

He flashes that same polite smile. “I'm guessing you’re not a hunter then?”

“How ever did you know?”

You watch his eyes flicker to your palms as you re-arrange the needles. “Delicate hands.”

You flash the same polite smile right back at him. You take a match, and light the alcohol lamp.

Soap spreads all over your palms and up your arm as you scrub your hands. You slip your hands into the sterilized gloves, careful not to contaminate the surface. “I’ll begin now.”

Alastor hums in reply.

You take a scapple and pass it over the flame. You poke him, lightly, but he doesn’t react. Satisfied, you cut back fibrous tissue underneath the skin. You replace the scapple with a needle driver. There was a quiet click when you pinch the tiny curved needle. You pass it over the flame as well. “Can you do me a favor? Can you tell me how many stars are on that wall over there?

Alastor turns to look at you, but you block his eyes with your palm, shielding him from your stiches.

“The wall isn’t over here.”

“I assure you, I’m not afraid of a silly needle.”

“I’m sure you are,” you say. “However, you’ll forgive me if I don’t take your word for it. The last three people who said that took one look and started squirming. One even fainted. It makes your life miserable, and my job harder.

He counts.

“Out loud please.”

He does as he’s told, rather reluctantly.

Hands steady and determination set, you pierce the soft pink tissue with your needle The tissue nearest to the surface is always delicate. You’re certain not to catch any fat in your suture, for fat dies, and a loose stitch is useless. “Well, isn’t this fun!” he says. “I really feel nothing.”

Your concentration does not break. “I don’t remember there only being twenty-six stars. I’m positive there are more.”

“Why is someone as talented as you only a nurse practitioner?”

“There’s nothing wrong with being a nurse…,” you reply, tugging on the needle. “Well…we…. We certainly could be paid more.”

“Why not become an actual doctor then?”

“My father couldn’t afford it. He wouldn’t send me….and…hm…” You smoothly pull the suture thread and begin the next stitch. “And I enjoy this.”

He looks down at you. “Is this all you’ll be satisfied with?”

You focus back on your stitching, hiding your glare. You bring your needle underneath the flesh, making sure to catch the soft tissue. You’re doing an uncommon stitch, but it would be a shame to leave a scar. “You sound familiar.”

You pause to look at him, His smile brightens, and it actually looks like a genuine elated smile. “Why, I’m a radio broadcaster. You might have heard me there.”

“Oh yes...” you hum, turning back to your stitching. “Alastor... I remember now. The ladies and I listen to your broadcast as we do our crafts.”

“Knitting?”

“I personally prefer embroidery,” you say. “I get to practice my stitching and make beautiful art.” You pull the thread and begin a new one, stitching his skin like they were shoe laces. “You’re quite the humorous gentleman, I must say, and quite a lovely taste in music. We enjoy your broadcast very much”

“Do you have any of your artworks here?” he asks you. “I would be eager to see them.”

“Maybe next time.” You tug the suture, and his laceration snaps to a close. You tie a knot and snip the end. “Unfortunately, I’ve finished your stitches.”

“Next time then.”

You discard your gloves and go back to the shelf with the vials. You fill up another syringe. You jam the needle into his skin, not enough to hurt, just enough to scare him a bit. “To prevent infection.”

He jerks away from you. “What happened to that gentle touch of yours?”

“It’s still a sharp object, Sir. They tend to hurt.” You smirk and carefully clean the remaining blood on the skin around the sutured wound. You take a bandage from your cart and begin wrapping it around his forearm, covering your sutures. “Don’t forget to drink your pills every 8 hours, with a meal in your stomach, preferably. Replace the dressing every three days. You can come back here or if you’re able to do so, you can change them yourself. Any by the good God, please, visit the nearest hospital should this incident repeat.”

Alastor slides off the examination chair. He grabs his coat as if you didn’t just stitch him close. You start packing when you notice him fixing his bow tie, and smoothing his hair. Huh…There’s blood on his coat, but he doesn’t seem to mind. Like he’s used to having it there. Like it’s just something he’s learned to live with. “You were wrong by the way.”

“Pardon?”

“It was quite the pleasure to meet you.”

ﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـ ﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـ

Hello, welcome to the hell that's been plaguing my head. In case you didn't know Belphegor is the ruler of the sloth ring, and she seems to be in charge of medical-related stuff in Hell. I have the story mostly plotted out, it's just a matter of writing it down. If you have any questions, ask away

#hazbin hotel #hazbin alastor #alastor hazbin hotel #alastor the radio demon #Hazbin hotel x reader #Alastor x reader #Alastor x wife!reader #hazbin hotel x you #alastor x y/n #alastor x you #alastor x wife reader

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xamag-draws · 11 days

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BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

#my art #xam rambles #the black brick road of oz #long post #ohsees tag

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cheralith · 3 months

Text

vogue — 「 boss/fashion designer!geto suguru x reader 」

synopsis ; even without much knowledge in the world of fashion, you decide that it's in your best interest to work for the country's fashion magazine powerhouse. however, you begin to second-guess your decision when you're faced with the grueling labor of its one and only editor-in-chief who expects nothing less of perfection. can your efficiency meet his standards or will you be out the door before you can even blink?

content tags/warnings ; gn!reader, use of they/them pronouns, mild language, traditional japanese basis of (l/n) (f/n) used, reader wears glasses, makeup, and heeled boots, some mild manga and jjk 0 spoilers (three minor characters from each are introduced), uhhh suguru being a dick lawl, some parts not edited/not beta read

contains ; editor-in-chief!geto, fashion designer!geto, assistant!reader, assistant turned ****!reader, platonic roommate!ino, modern au, mild angst, some crack if you squint

word count ; 10.2k

notes ; heavily inspired by "the devil wears prada" and "paradise kiss", so there'll be some references i've dropped within this—see if you can spot them! also the censored is spoilers so until then, hehe.

now playing ; seven days in sunny june - jamiroquai

It’d be foolish not to know the household name of Geto Suguru, the ultimate male muse of Jun Takahashi whose title has yet to be reigned by another. He was the ultimate breathing mannequin of the iconic Yohji Yamamoto piece he had worn on the Milan runway back when he was just a teenager. It was one of the most staple pieces of the new century that helped open the gates of the mixing of world culture and avant garde fashion—an England-Japanese punk fusion of an ashen and tattered kasaya layered under the contrasting statement piece: the earth-toned gojōu-gesa splattered with weaves of gold—and it was that very piece that rose him to the top of the fashion world as one of the most powerful names in global fashion.

And how could he not? At seventeen, he was scouted as a model for Gaulthier and became his muse at the ripe age of twenty before several other worldwide designers began to fight for his eyes. It was only a few shrewd years later that he’d open up his own successful fashion line, RIIKO, named in honor of his late sister, resulting in it becoming one of the fashion line pillars in the modern century.

It didn’t take long after that, due to his fame and distinct education from Jujutsu University, rising to the top for Kaizen fashion magazine and ruling it with an iron fist and several cups of coffee with almost all his designs on display for all to see in the office. It was due to his work that Kaizen became the powerhouse of powerhouses of fashion editorials and magazines and it was solely his work that made fashion what it was in present times.

Whether it was direct or indirect, Geto had impacted the industry in all sorts of ways. Be it blossoming an upcoming supermodel’s name or setting new fashion trends, everything could essentially be traced to Geto Suguru.

So it’s understandable that many had called you a fool—a dimwit, even—for not understanding how big of a deal it was to become his junior assistant after lazily submitting your resume. Originally, you had just wanted to become a simple lifestyle journalist for papers like Sankei Shimbun or The Japan Times, but seeing how it was between a seemingly mysterious fashion magazine that mentioned, received gasps, or the measly and homely newspaper of The Hokkaido Tribune, a magazine you knew would only give new journalists the scraps of what they earned, the choice was obvious.

Whatever gave you more money, you’d take. Survival of the fittest, was this world not?

“Do not tell me you’re going to your interview at Kaizen wearing that?” Ino barks out a laugh as he finishes his morning cereal for breakfast, scanning your outfit. “You’re going to work in a fashion magazine, not some dingy corporate office.”

You sneer at him as you shove on your loafers (don’t mind that the leather is peeling slightly on the side). You think that there’s nothing remotely wrong with your overused gauntlet gray matching set of trousers and blazer with a slightly wrinkled button-up underneath it.

“Oh, please,” you roll your eyes at your roommate and parttime brother figure. “What on earth do you know about fashion?”

“Enough of it to know that outfit is atrocious for that type of environment,” he states simply as he shoves a donut in his mouth. He kicks his feet up on the table, making you cringe at their nakedness. “Trust me, change if you can. Make a statement for ‘em.”

Ino Takuma sighs and glances at your thick spectacles that you’ve worn since early college. “And at least change your glasses for your contacts. Heard they don’t like those sorta things over there. At least not the prescription kind.”

“Can’t find them,” you grunt when you feel the weight of your shoulder bag heave down your body. “I’m already late, anyway,” you sigh, “Listen, if I don’t come back alive, which I will by the way, then you can dance on my grave all you want.”

“I’m holding you to that,” he chants before he lets out a haughty snicker that gets muffled instantly when you slam the door on him.

You throw insults at Ino in your mind, grumbling about how a mere job hopper like him wouldn’t even know the speck of fashion, how you refuse to take advice from someone who wears the same thing every day. There’s nothing wrong with the gray, you think. It’s safe and presentable, ordinary and professional, and you’d much rather blend in than stand out as you believe standing out and making yourself known is just a recipe for trouble.

Stretching out a hand on the street, you call for a taxi and humbly enter as you smooth out your trousers. The taxi driver eyes you in the rearview mirror with a questioning glint in your eye. “Job interview?” he asks.

“Oh, um,” you nod your head. “Yep! I'm a little nervous, haha.”

“Really?” he says as he gratefully steps on the accelerator a little faster. “Better get you there quick, then. Would hate to have you late. Where are you planning on working?”

“Kaizen Magazine,” you declare confidently, an affirmative look on your face.

“Kaizen?” questions the driver slowly as his eyes go to scan your outfit in the mirror again, his brows raised. “As in the… the fashion magazine?”

You nod with visible apprehensiveness. You think that maybe you truly were the only person in the world that didn’t know the impact of Kaizen, seeing as how a mere taxi driver even knew about the name and you didn’t up until a few weeks ago.

“I see…” he mutters. The drive there is a mix of silence and everyday morning conversations, before he pulls up to the building that held the key to your dreams. “Well then, here’s your stop.”

You let out a little gasp of excitement. “Thank you so much,” you reply as you shove some cash into the slot.

“Hm, well,” the taxi driver counts the money carefully, barely looking just before you close the door as he mutters, “Good luck, Plain Jane.”

You turn back to the taxi, your hearing a little awry. “Sorry, what was that?”

But when you turn back to the yellow cab, all that’s left is a billow of smoke and cinders. Dazed and confused, you quickly shake those feelings off before you head inside to the building that was now your shining beacon of hope with a determined smile still plastered on your lips. White is the first thing that greets you when you enter the building as it was essentially aired out onto every corner. White marble counters, white tile flooring with white grout, white frames of fashion icons—the white screams pristine and perfection to you and its message went very much noticed. You haven’t even met Geto Suguru yet, but you understood already that he expected nothing but excellence.

You ride up the elevator quietly and alone, trying not to focus on how your anxiety increased with each ding of the passing floors. The elevator screen seems to almost taunt you as it closes in on your doom, the numbers getting closer to the designated floor until it slowly pauses and shone brightly the number 21 in stippled red.

The doors slowly open and the light seeps itself back to your vision, white flooding your senses again. You carry yourself carefully down the hallway whilst taking your time to admire the many framed pictures of past magazines, multiple runway models, and scraps of newspaper articles. One specific piece catches your attention, however; it was large, almost half your body size and framed in a gilded black frame. It was a picture of a mannequin wearing a tawdry gray-black robe with the kanji characters of “summer” painted with purple messily atop. Layered was a loose, but well-fitted piece of thick green and gold cloth that looked much more refined to the messiness of the other materials.

You stare at it for what seemed to be forever whilst admiring the contrast and beauty of the work before your name is called out.

“(Y/N) (L/N)?”

Your trance breaks from the voice approaching you. You turn to see a short and young woman with dark blue eyes staring at you with a raised brow. “That’s you I presume?” she asks.

“Oh! Uh,” you nod furiously and smooth out your trousers again. “Yes… yes, that’s me. I assume you’re Manami Suda? The one I spoke with on the phone?”

She nods slowly, her eyes going to study your outfit which was a rather stark contrast to her own attire that highlighted an emphasis on shades of opal and navy. Her eyes have a similar glint in the way that Ino’s and the taxi driver’s had, further enunciating the message that your attire was rather… something.

“I see you’ve dressed up for the occasion,” she murmurs. Sarcasm going undetected by you, you grin as a response and think that a compliment from her was a sign you did something right. Her eyes go to rise back and meet yours again before she turns and redirects you to the end of the hallway where some rooms belonging to subordinal editors sat in, clacking away at the computers. There was one singular room that held the only door on the floor and it doesn’t take you long to assume who it belongs to considering the large letters of GS frosted onto the glass.

Two desks stood on each side of the door, one completely devoid of life and decorations. Manami guides you to the empty one and patted the top of it. “This will be yours if you manage to miraculously pass.”

Manami taps on her clipboard a couple of times, listing off a couple of requirements that you were most likely going to need in the future: efficient time management, ability to fight for what Geto wants, sharp memory, quick feet…

“And uh…” Manami flickers her eyes to you and the details (or lack of, in this case). She mutters under her breath quietly, “... a good wardrobe.”

You turn to her, internally wondering if you were going deaf today. “Sorry, can you repeat that?”

“A good, warm…” she squints, obviously finding the right word to keep that ignorant smile on your face. “... welcome to start off his day.”

She succeeds in her task as you merely nod with the same blatant grin attached. “Got it!”

Manami tours you around the floor of the office, letting you say hello to your future coworkers that work in the cubicles that send you worried looks behind your back. They obviously seem too pitying of you, knowing that your fate would be sealed as Geto’s potential right hand man the moment you signed that employee contract.

“This is Human Resources,” Manami gestures over to a room filled with chattering employees who seemed to be getting their gossip out before their day started. “You’ll contact them if you have any—” her phone dings suddenly. Casually, she pulls it out, only for all of her resolve to disappear in an instant. Manami then abruptly blows a whistle with her teeth, alerting everybody in the radius.

“Everybody! His morning facial was canceled!” Manami hollers. “Geto is coming in…” her phone pings again with another notification, and you can tell Manami’s heart instantly drops. “Oh God… he’s in the lobby! Everybody, places! You,” she snags the sleeve of your blazer and drags you along with her, your clunky loafers nearly tripping you. “Come with me.”

Manami takes back to where you first started and orders you to stand in the front of the blank desk with a look that screams both fright and anxiousness all in one. She lists off too many tasks that you need to do before he comes, but you’re so frazzled with trying to remember how to act in front of your future boss that you can’t even remember the first thing she told you.

“Help me arrange the drafts of the magazines from most recent to least recent before he—”

The elevator dings and all goes quiet; Manami tosses the magazines over her shoulders and positions herself firmly in her place, gesturing for you to do the same. The doors open and unveiled from two bodyguards is a man—a tall man, around six feet or perhaps even taller—dressed in noir fitted pants and a matching button-up closed only halfway to reveal a silk navy turtleneck. Caped behind him is a black velvet trenchcoat that you’re sure is worth half your rent and a watch plated on his wrist that is well over your life savings. He’s slightly sunkissed, with blue-black tresses of hair with a soft bang sneaking through and large plated earrings to match. His eyes, however, show a tint of color—a sharp dark amethyst that you think could cut through you like crystals.

But he’s almost hauntingly attracting—like a spirit. Something about him was an enigma and his aura was nothing less than powerful.

“Good morning, Geto,” Manami chants with an artificial happiness to her tone.

Geto doesn’t reply, just merely giving a silent blink before he sheds his coat off and tosses it aimlessly towards Manami. It proves to be heavier than anticipated, giving how she fights to groan from the weight of it. He’s handed his briefcase from one of the bodyguards and begins to open the door to his office until he pauses and turns and glances at you, the stranger.

“Hello,” you state with a slight bow. “I-I’m one of the interviewees for your junior assistant. My name is—”

“(Y/N),” Geto murmurs; his voice is soft and low. It’s all knowing, with indigo eyes boring into your own. “(L/N) (Y/N), I know. The one that graduated from Jujutsu University recently, yes?”

Adjusting your glasses to wave away the blurriness, you nod with anticipation. “Yes, that’s me.”

Geto turns back and opens the door, to which he only replies back, “In my office.”

You glance at Manami for confirmation, only given back with a jut of her head towards the door. All the unease you felt in the elevator comes hurdling back to you in an instinct and you feel as if you were no more than a peasant to someone that was essentially royalty in the fashion world.

Geto turns his chair to face away from you, shuffling a few papers over each other that appears to be your resume, before he spins it slowly towards you. He kicks his feet up lazily on his desk.

“It’s nice to have another Jujutsu alum to join us,” he says. His voice is still the same—a little baritone with a wisping edge of a whisper to it, but it almost sounds… bored. Unamused even. “A bachelors in print journalism… same as mine, hm. Tell me, is Professor Tengen still as loose as ever with their practices?”

You fight to fiddle with your glasses as you watch as Geto tangibly toys with his own, with his focus angled on the papers in front of him rather than you. “Um, I assume so. Though I believe they’re actually retiring this year.”

“Good,” he sighs in what seems to be relief. “Shame that the university had wasted time and money by hiring them. Truly, I hope they can find someone much better suited for their position.”

“Really?” you quietly question. You had only taken their class a few semesters ago and thought despite their rather… all too lenient disposition… you did learn quite a lot in their class. “I thought they were a rather alright teacher…”

Regret pools in your mouth from the moment you have finished your sentence. Geto finally goes to look at you from the edge of his glasses with a sharp look, narrowing his eyes ever so slightly.

“Tengen was merely a sorry excuse for a professor. They were rather nothing but a nanny who gave their students too much leeway,” Geto declares. “Though, I’ll admit, I am pleasantly surprised that you managed to take something out of that class.”

A laugh that’s just dripping with nothing but nervousness leaks out of your lips. “I suppose I had learned just a few things…”

“Mmh,” Geto nod nonchalantly, eyes drawing back to the papers. “Well. Let’s start with the basics. Why exactly do you want to work here?”

Geto already feels the cliche comments erupting. Had the person in front of him say at least one of them, he was ready to insert the papers he was holding into the nearby shredder. Or maybe out the window this time, he wonders—something nice for a change.

“I was inspired by your work.”

“It’s been my dream to work at Kaizen.”

“Fashion is my absolute passion.”

“I want to—”

“I’m just in need of a job, really,” you say lifelessly.

He goes to raise his head slowly from the packet and turns to you slowly. Geto doesn’t say anything, but his facial expressions indicate a blend of confusion and intrigue. A slithering tongue darts out to slick his lips, indicating you’ve piqued his interest. “Well, obviously. But why this job specifically? What about it stood out to you?”

You clear your throat. “I had learned recently that Kaizen is a rather prestigious mag—”

“‘Recently’?” Geto repeats quietly. “You hadn’t heard of us before?”

Lips thinning, you shake your head slightly. His eyes go narrow again to your dread, serpent-like. “My specialty is more in newspapers rather than magazines, I-I’m not too knowledgeable in that area.”

Geto goes quiet and the silence makes the air go thick. It’s then that familiar glint sparkles in his sullen eyes when they go to examine your choice of clothing—it confirms Ino was truly right in the end, as he lets out a smile-less chuckle that doesn’t do much to ease your brain.

“Continue,” Geto gestures and takes off his glasses to look at you, or you suppose your outfit, more properly. He folds his hands and places his chin on top of them. “You said you only learned about us not too long ago?”

“Yes, and I realized that perhaps working here for a while would, at least I hope, grant me access to other media houses,” you explain. It’s only then you realize that your declaration sounds absolutely ludicrous and almost disrespectful to the editor-in-chief of the most iconic fashion magazine in the nation. “Connections are quite powerful in this day and age, haha…”

“I suppose,” Geto mumbles with not much interest in your poor humor. “What about me? I do hate bragging but surely, you know about my name or at least my fashion line?”

Your hesitant countenance and silence tells Geto all he needs to know. He thinks that it’s almost some sort of marvel that no one has heard of him or his works before.

He sighs. “Do you have any experience working in any fashion-related activities at least?”

“Well, I once worked in a department store for a few months back in high school,” you say thoughtfully (and ignorantly).

Geto gives you a blank look. His blinks are apathetically slow.

“Um,” you clear your throat again and shake your head, timid. “N-no…”

“Then tell me,” he continues smoothly. “Why exactly should I hire you? You obviously have no taste in fashion and you hadn’t even heard of my name, let alone my magazine, until recently. What is there within that makes you want to work here other than you just… what was it that you said?” He air-quotes mockingly, “‘needing a job?’”

Your throat runs dry and limbs go stiff. A heat rockets to your face when you seemingly can’t get any words out to excuse yourself, much too caught up in the same of your ignorance towards Geto’s profession. And that’s all the response he needs to make his decision.

His hand takes the packet again and to your horror that you fight to keep in, inserts it into the paper shredder. The groan of it rumbles through the room agonizingly and you realize that Ino is going to have the time of your life planning your doomsday.

Geto gives you the mercy of breaking the thick silence first. “You may go.”

With a swift flick of his wrist, Geto dismisses you with a slight edge to his murmuring as he puts back on his glasses to examine the morning newspaper to not waste any more incessant time in the day.

You don’t even attempt to fight back with any poor excuses. Tears prick the corner of your eyes, the sting of them frustrating you to your wits end. Instead, you gather the last of your resolve and bid him through a strained throat good day and make your leave, humiliation and disappointment trailing not too far behind.

You hope that Ino will give a nice eulogy, at least.

Out of all the miracles that await you in life, you do not expect the one that comes in the form of an early morning phone call that wakes you at the ass-crack of dawn. When you pick it up with sleep still very much embedded in your eyes, it dissipates in the instant you hear Manami’s voice. It’s only then that it hits you why on earth she was calling so early and why she was demanding to know your whereabouts, claiming you were going to be late on your first day of work.

You think it’s some sort of cruel joke maneuvered by Ino, especially with how his comforts from last night were mixed with taunts. But when Manami’s voice finally registers in your brain, by some sort of miracle or stroke of luck, you have gotten the job as Geto Suguru’s junior assistant.

You don’t know how, but you don’t waste any time questioning how on earth you landed in such a position because you leap out of bed at 7:23 a.m. and manage to do your morning routine in the matter of what you think is a record-breaking fifteen minutes. Your ruckus manages to wake up deep-sleeping Ino, who, when you excitedly tell him to postpone your funeral, gives a groggy thumbs up before drooling back into his pillow. It’s 7:38 a.m. when you shove on your shabby coat and you realize you only have a mere twenty-two minutes left until you have to officially clock in for work.

At 7:40, you’re out the door and sprinting to the located coffee shop that thankfully wasn’t too far from where you lived.

At 7:47, you’re at the designated cafe whilst attempting to swim through the crowds of morning bustlers to pick up Geto’s coffee.

7:50, you’re sticking your hand out waving desperately for a taxi and tip extra to make the driver speed through as you attempt to make sure the coffees don’t spill out of their containers.

7:58, you arrive at the building and just barely make it into the narrow gap of a tight-fitting elevator, earning stares from the others from your rather… frazzled appearance.

At 8:02 a.m., you dash out the elevator and officially clock in for your first day at work at Kaizen Magazine amidst a birdnest of hair, clothes that were plucked out of your hamper, and what you pray to the heavens above are hefty layers of deodorant and perfume since you were given no time to shower.

When Geto comes in that day, all suave and composed, he takes one good look at you before sighing and focusing his attention to the more refined Manami and lets her take the gears for the day. The only attention he gives you that morning is the rough toss of his heavy coat—a cashmere pearl peacoat today—flung at your arms that nearly makes you tumble from its weight.

You quickly learn that working for Geto requires high demand and maintenance, as he is not one to skip over any details in his day. Not even three hours in your first day, you already have to plan out his future meetings, reschedule one with a rather feisty and insistent client, edit a forest of emails, finishing by dashing out five blocks on foot to the two michelin star restaurant to retrieve Geto’s weekly steak for lunch. Had this been your old corporate job, you only would’ve gotten half the tasks you had completed by the end of the usual eight hours, but you realized early on that you had barely scratched the surface of your future in Kaizen.

You think that after plating his steak with the shakiest of hands, you finally have time to relax during lunch time when you see the small hand of the clock finally hit 12:00 p.m. , especially since you and him were left alone in his part of the office together. But the moment that Geto saunters into the office again, he tends to you once again with a final task by himself.

“(Y/N),” he calls from the office, the scrape of his fork against ceramic cluttering your ears agonizingly.

You fight the urge to cringe from the sound as you scurry to the doorframe, hands stiffly intertwined together. “Yes, Mr. Geto?”

“No need for such formalities,” he remarks with the dab of a napkin to his lips. “They make me feel old, and I’m surely not much older than you are…” you think that’s the longest he’s spoken to you since the day had started. “Did Leibovitz confirm?”

Blinking, you tilt your head ignorantly. “D-did who confirm?”

He pauses and does that taunting slow rise of his eyes from his steak to you. “Leibovitz. Did she confirm?”

Silence fills the office, much like the silence that drowned you back at the interview. He clicks his tongue and dismisses you with a disappointed shake of his head. “Just go on your lunch,” he mutters, sighing.

Manami, the savior that she is, is called into the office after her break and is asked the same task and you watch with humiliation whilst packing your things to go on your lunch as she picks up the telephone and speaks to someone over the line before confirming to Geto that, “I’ve got Annie!”

“He hates me, Taku!” you cry out whilst flopping onto the dinner table. It’s ten in the evening and you’ve just come home after what was supposed to be an 8-5 shift. You suppose you should be used to this already after two months of working for the Lucifer donned ritually in white in the building, but you don’t know how much your sanity (and body) can take.

Normally, Geto is usually cold to those who he wasn’t familiar with, but you think that his distaste for you sours everyday. You notice that he’s beginning to pile you with the more urgent and busier duties and that he often stares you down more menacingly in the morning with those piercing purple eyes of his, like you were gum stuck on the bottom of his shoe. You thought it was just him being normal Geto Suguru, the man with the expectations higher than the clouds, and that you just were still adjusting to such a high-intensity environment, but it was today that your world came crumbling down when you overheard him muttering to his associates about you, tone icier than ever.

You were on the other side of the door, a fist going to rap on the glass with the other holding his afternoon coffee pick-me-up when you heard it.

“... can’t even do the most miniscule things right,” Geto had groaned. “I ask if Lanvin’s models are all good to go for next Thursday’s shoot and somehow, they have the nerve to ask ‘How do you spell Lanvin’? For fuck’s sake, I can feel my goddamn conscious just wither away by the second.”

You hadn’t heard Geto swear since you had started working there, but something about his venomous tone enunciating such words had made your blood run cold from the other side of the door. Not having the courage to face him after that, you left his coffee on Manami’s desk for her to tend to with a post-it note saying a sorry excuse for yourself before letting your eyes sob frustratingly in the bathroom, isolated from others.

The last time you had cried that hard was way back in childhood, where you had broken your arm from falling down a tree branch. But you think that Geto’s words had twisted through your skin and bone much harsher than that pain ever will.

“It’s a miracle how I haven’t been fired yet… I don’t even know why he hired me!” you wail.

Ino sighs from across the dinner table and you can’t tell if it’s a sigh of pity or a sigh of criticism. You learn that it’s both when he rolls his eyes at you whilst simultaneously pushing a plate of much needed food towards you.

“First off, you need to eat,” he presses, staring at your gaunt features. “The way your face is swallowing is making me feel like I’m living’ with a ghost. You’ve lost some weight, I’ve noticed.”

Awareingly, you touch your cheekbones and realize he’s right, for you feel the small disc of sharpness from them prick your fingertips. They’ve never been so cavern before. You suppose it’s because of the lack of proper meal time between your days and how you often eat small and very late dinners back at home, truly not enough needed fuel for you.

“Secondly,” Ino chews his tongue, wondering if he should really say what he’s about to say because of your current disposition but goes through with it anyway. He might as well rip the bandaid off now to let more time for the wound to heal. “You won’t like what I’m ‘bout to say, but you need to up your game. Severely.”

An aching body rises up from the table. You go to stare at Ino through glazed eyes and a pouty lip, asking him what he meant.

“Ah nope! Don’t give me that face and don’t play coy with me,” he hisses, looking away to not give in to your helpless puppy eyes. He can’t—he shouldn’t give you the easy way out and just say to quit—not when you’ve been earning so much bank that rent isn’t a problem for either of you anymore. He wonders, though, for a moment if so much money is worth your rationality.

He drags a hand down his face before placing his chin on it, examining your haggard appearance. “What I mean is that you need to see through Geto’s eyes. See what he sees when he looks at you. Tell me, if you had an assistant that showed up wearing things that looked like they were plucked from the clearance bin at a thrift store and didn’t show any respect for your brand, which just so happens to be a fashion magazine out of all things…” Ino eyes you with a raised brow. “You startin’ to follow me?”

Your fingers fiddle with each other. “... sorta.”

“Now listen,” he raises his hands up lazily in surrender. “I already know what you’re ‘bout to say about me not knowing’ how to dress in shit other than black and more black, but even I know that you should put in more effort into your appearance. That’s the first step.”

“But I have—!” you exclaim helplessly, “I-I swear, I’ve been trying to… but it’s not my fault that it isn’t up to his standards.”

Your roommate groans and rubs his forehead, not really knowing what else to do for your situation until an idea pops in his head. “Free up your weekend,” he demands with a sly grin that makes you a little uneasy. “I’m no fashion connoisseur, but you know who is?”

“And remember, we never touch anything with chevron on it, especially in today’s fashion world,” Yuki chimes as she slaps on a navy blue pageboy cap on your head and she prances about your bedroom that’s been littered with spare clothes from her very own closet she graciously gifted to you for the past weekend. “I’m so utterly relieved that the trend has dug its own grave.”

The past weekend had been filled with endless shopping trips and you shuffling in and out of clothes every minute, practicing how to pair items and colors together by Yuki’s teachings. Of course you should’ve known that Ino was going to contact the one person that he was within reach that was essentially a walking encyclopedia when it came to fashion. You’ve met Tsukumo Yuki before, found her to be quite delightful even, but you never anticipated she would be this giddy, especially about clothes of all things.

And she used her brain to good use for not only clothes, but the entirety of yourself. You never knew how much just a simple haircut could do your face along with small hints of makeup to emphasize the best parts of it. Dared not your hands go to a lash curler, but here you are now, making sure your powder compact and lipstick for the day was in your bag before you went out.

“Uh, I don’t think I ever mentioned this before yet, but thank you for helping my wardrobe out, it really means a lot,” you say just before she slides on a pair of gold bangles on your wrist. “Are you sure you wanna give these clothes to me? I’m okay with just borrowing them.”

“Nonsense, babe,” she wavers off before shuffling through your now-hearty closet, a closet that’s now bursting with many clothes given by her. “I needed space in my closet anyway, so take as much as you need.”

So (Y/N)’s closet is basically her trash can, a particular shaggy brunette thinks with a roll of his eyes. Ino fiddles with the piece of toast in his mouth as he leans on the doorway, watching as Yuki essentially treats you like her very own Barbie doll at such an odd morning hour.

“(Y/N)’s not a doll, Yuki,” Ino lazily calls aloud through a tired yawn. “You better get ‘em out the door soon or else they’ll get late for work. Especially need that money since the landlord’s been on our ass about increasing our rent…” he mutters, sniffing. “Damn bastard.”

She snaps at Ino to be quiet and let her work before she shuffles on a regal blue overcoat over your shoulders that completes your look. When you look at yourself finally in the mirror, you almost think there’s a stranger in your house from the way you look so dignified compared to the you just three days ago. It’s a simple outfit with not much layering, but it’s still enough to ooze charisma and elegance to wandering eyes. You’re adorned in a white weaved sweater with flared, light-wash jeans and white boots to match. Over the outfit lies the coat that drapes almost like a king’s mantle behind you and the pageboy cap as your crown.

Yuki creeps up behind you, her manicured hands on your shoulders affirmingly. “How’re you feeling, hun?” she asks quietly as she shares the same sight with you in the mirror. “Don’t you look wonderful?”

You know that it was all her work, it was all her creativity that made you into the artwork that you are now, so breathlessly laugh with a smile on your painted lips and thank her quietly once more before whispering, “Yeah… yeah, I do.”

Her eyes study you for another minute, going to stare at the glasses still atop your face. Yes, they were new and much more modern considering she quite literally called your old pair atrocious, snapped them in half, and tossed them over her shoulder, but she was still quite dissatisfied when you told her about your hesitance about using contacts. “Are you sure you don’t want to give contacts another chance?” she sighs.

You shake your head with a small smile, “I’ll feel completely naked without them,” you murmur, “Besides, I think they actually compliment this look, if I’m being honest.”

Her lips stretch out into a grin, too absorbed in her fashion education finally being used.

“Well then!” she begins to drag you by the sleeve out your room. “We wouldn’t want you to be late then for your first day as the new you, right? Let’s get you a cab!”

Somehow, you think you really are at your first day at work again from the way you feel that same fluttering in your stomach and from how the people you’ve once grown accustomed to seeing in the early mornings are not merely passing you with mundane nods of their heads but instead, greeting you with wide-eyed gawks and open-mouthed smiles. Some of them, a few who you knew but never spoke a word to, even do a double take and compliment you aloud on the new look. Even the cute barista in the lobby that never bothered to spell your name right at last did after finally taking a good look at the holder of the card.

When you exit out of the elevator, Manami nearly drops the pile of magazines she’s holding when she spots a refined and refreshed you. You offer a bright smile to her and you watch as her gasp slowly forms into an affirmative grin when you round your desk.

She laughs softly. “And who might you be?” she asks with a tease in her voice. “‘Cause last time I checked, that’s my coworker (Y/N)’s desk.”

“I murdered them,” you shrug nonchalantly, earning another chuckle from her. You take it as a good sign, great even, considering up until now, Manami had been rather stoic and a little indifferent towards you because of your amateurism; but now, you suppose that ditching that Plain Jane from just two days ago is finally beginning to do you good by finally grounding a proper relationship with her. “Shame, isn’t it? Poor thing.”

“Truly,” she nods. Her eyes trail further down until they spot something that makes her gasp. “Don’t tell me those are—”

“—the new calfskin gold studded Louboutin boots?” you finish for her. You flex your ankle and show off the ravishing red bottoms of your shoes. “Oh yeah.”

Manami squeals in excitement and rushes over to your desk, begging to take a look at them. “How on earth did you manage to get your hands on these?! I’ve been looking for them fo—”

The elevator dings again but with a tone that makes you and Manami flinch. Both of you stiffen and straighten out your posture, falling into a thick silence when out comes Geto traipsing out like he usually did—his aura being nothing less than dominating. You and Manami chime out in sync a good morning to him as he saunters towards his office as he begins to shuffle off his coat as usual to toss to you until he looks up and catches you in his field of vision.

He stops all of a sudden with his eyes dancing about your figure, a stark contrast to the rest of his paralyzed body. Geto’s lips thin all of a sudden, and so do his eyes when they scan your outfit. He takes in a sharp breath and opens his mouth to say something to you, yet nothing comes out, even as your eyes glisten with anticipation.

It merely instead zips itself close and he finally whisks himself into his office, coat still on and briefcase still in hand, and slams the door shut.

But not without glancing at you one last time.

Much has changed in the past month for the better.

Yuki was a godsend—she had been your guardian angel, your fairy godmother of sorts—because you swore your career life had taken a complete 180° the moment your closet was revamped. Ever since that makeover, you had felt so much more confident in your actions, so much lighter on your feet. The price of your efforts was beginning to pay off as well, as Geto began to slowly thaw his icier sense of self when you began to actually put effort into your appearance. His thrusts of his coat towards you began to become less aggressive, was significantly more lenient when it came to more of the impossible tasks, and had at one time actually muttered a ‘good morning’ to you and Manami after months of greeting with silence and judgemental glances.

She’d occasionally check up on you every once in a while, usually to offer new clothes that she didn’t want anymore. And by offer, it actually just meant packing them in a box from her place to yours with a post-it that’d usually read “With love, YT ❤” in neat cursive. Along with forming a close bond with Yuki, your relationship with Manami improved significantly, especially when you gave her those white Louboutins she was eyeing. She often invited you to lunch with her other friends, Larue and Remi.

The iconic John Galliano once said that, “The joy of dressing is an art.” A month ago, you would’ve never believed what you would think is a rather tacky statement, but now, you can truly see it to believe it. It never occurred to you to actually look at your surroundings closely, but you often would sometimes take a few seconds out of your day to admire the many colors and materials that would adorn your coworkers. Whether it be admiration for their sense of style or mild jealousy over luxurious pieces, you were finally understanding what makes fashion, fashion.

And your epiphany was awarded today with the task that you thought would never come into the light of your days working for Geto—being tasked with dropping off The Book.

The Book was a collection of pieces that were needed for the upcoming edition of the magazine, regarding it as being the most important item in the entire company. It was a duty that usually Manami tended to, but she hypothesized that you managed to finally get on Geto’s good side after a while and congratulated you. Manami spoke to you briefly about how trivial The Book was to both Geto and Kaizen. She told you about how you must guard it and Geto’s key to his penthouse with your life, and that you were to remain absolutely invisible to him if he was in the apartment. Manami told you because it was usually the hour he needed most concentration—it was during the later hours of the day that he usually mended last minute edits to the edition or he was working on his latest fashion collection since he was only able to work on it during the weekends as Kaizen took too much of his time.

Manami told you he would most likely be found on the second floor of his penthouse, and you were to remain on the first floor at all costs.

“The editors will finish The Book around 10:30 or 11:00 at night, wait in the office until then. Then, drop the book off at his penthouse at no later than 11:30 with his dry cleaning, too.”

Her words echo in your mind as you tiptoe out of the cab and look up to see a gleaming, glamorous building sitting in the heart of the city. It’s one you’ve passed a plenty of times—hell, you pass it on your way to work—but it never occurred to you that it’d be this antique white, Parisian-styled building that would be the abode of your boss.

“Take the elevator to the top floor and enter his apartment. Do not call out his name, don’t wander around, don’t even make a single sound. You are nothing more than a ghost when you step foot into his house.”

The only doors that are on the very top floor of the apartment complex are two large metal doors that sit before you. You enter the key into the keyhole and push them open with controlled force, closing them as quietly as possible with Manami’s whispers still floating about your head. You knew that Geto was certainly a man of luxury, but to see that wealth exempt in a form other than fashion was a sight that you weren’t sure if your eyes deserved to feast on. Sculptures and paintings decorated the foyer and hallway, adding occasional splashes of color to the ivory-adorned apartment. After hanging the dry cleaning in the designated coat closet, the first room you enter - and perhaps the only one you’ll ever be in - is the said living room with the glass coffee table sitting in the center of it.

“Place The Book on the coffee table in the living room. That’s it. Do not toddle any longer in his house and get out immediately. Don’t let curiosity get the better of you and just simply go afterwards. It’s for your own good.”

But oh, how curiosity is just a little devil of temptation that sits far too easily on your shoulder. A house holds the most of a person, and Geto is just an all too mysterious enigma for you not to at least dip your toe in. The doors at the end of the hallway are waiting for you, but so are the picture frames that sit atop the TV stand. You suppose… maybe another minute wouldn’t hurt.

Your feet carry you slowly to the stand and you crouch, adjusting your glasses to get a better look at the pictures. There’s only two of them—six by fours, both in oak brown frames. The first one is a picture of a smiling young girl with short chestnut hair sporting a smile with a cigarette between her teeth. Beside her are two boys taller than her, both making similar faces at the camera. One of them, the one that’s a little taller with silvery snow hair and opaque black sunglasses, throwing a forced, all-too wide grin that almost looks maniacal. It doesn’t require much brain power to know the other figure in the photo is a younger Geto Suguru, his hair shorter in a tight bun with a rare, but soft grin on his face, his gaze affectionate to the others.

The other picture is of the same two boys arm in arm with each other. Both of them are grinning now, with the white haired boy still smiling a little more largely than the other. It doesn’t take long for you to assume who the other boy was considering that the shade of purple sheathing his twinkling eyes is unique to only one individual in your life.

Best friends, you suggest in your mind as you study the pictures a little longer than needed. A minute, you thought, wouldn’t do much harm, but how utterly wrong your thoughts prove when you suddenly hear the slam of a door from the floor above. The crash of it makes you yelp and breaks you out of your trance from the pictures and your gaze suddenly snaps to the open stairs above you, as well as two voices echoing aloud.

“Y-you can’t—” an unknown voice wheezes. “I’ve been your muse for years. You possibly can’t just abandon me out of nowhere…”

“You say that as if I’m not doing that right now,” a familiar one replies back boredly. It’s Geto, and his voice makes your nerves electrify in fear because it’s in that moment that you remember that you can’t get caught inside of his house. “This is the last time I’m telling you, Shigemo. Get out.”

The man that you assume is Shigemo heaves heavy breaths. “You need me,” he declares.

“Needed. Past tense,” Geto corrects as he almost forces Shigemo down the stairs with an invisible force surrounding him. You can see their figures above you, Shigemo slowly stepping backwards with each step Geto takes forward. “You’ve done me well these few years, I admit, and I do thank you for that. But I suppose your expiration date has finally come.”

“I’m not a food,” Shigemo snivels. “I’m a person. Most importantly. I’m the reason your fashion line flourished, I was the inspiration for almost all your works. We’re essentially a team.”

They’re towards the end of the staircase, towards where you are still present in plain sight. Your eyes scatter about a place to hide in the meantime, but there are seemingly no places to hide that would hide you well without the notice of Geto’s eyes.

“A team?” Geto barks out a sarcastic laugh, one that makes shivers run down your spine from both the rarity of the sound and how utterly intimidating it is. “I work alone and I always have. There is no point on relying on anyone of any kind when my independence obviously pays off.”

“Who will you have then?” Shigemo retaliates with a whimper in his voice. “You know that I’m the only one that will tolerate you. It’s not like you can go crawling to Goj—“

“Finish that sentence and see what happens,” Geto hisses, causing the other man to fall into a forced silence.

Your eyes finally land on the small space between the fireplace and a pillar. It’s a space large enough for you to fill and efficient enough to hide you from sight. Unsticking your feet from the ground, you make a run for the small space, only for you to forget about the obstacle that was the ottoman sitting spitefully on the floor.

The thud that comes from your body almost rivals the volume of the door slamming open moments earlier and just like the door, it attracts unneeded attention. Geto and Shigemo stop their bickering for a moment to search for the cause of the sound, only to see you humiliatingly face first on the floor. Geto narrows his eyes at the sight of you, an unwanted visitor in his home.

A pained groan slips from your lips accidentally. You silently curse yourself for not taking the time to properly break into the tantalizing loafers Yuki bought you the day prior and wince at the pain blooming from your knees and chest. When you finally get up, you can’t help but notice that everything around you seems rather… hazy.

“Who is that…” Shigemo mutters.

Geto bites back a sigh and instead, pinches the bridge of his nose. He supposes that despite your improved mannerisms, your clumsiness still has yet to dissipate. Annoyed, he grunts out, “One of my new assistants.”

Shaking his head, Geto decides to deal with you later. His home is already suffocated with one individual, he doesn’t need another clogging the atmosphere up. He returns his attention back to Shigemo. “I thought I told you to leave,” he states, shoving his bag towards him.

Shigemo’s face paints a horrified expression once again. “Geto, please rethink this,” Shigemo pleads.

He lets out a chain of pleads and excuses for himself as Geto essentially escorts him out with just walking towards him, his face still icy. Shigemo ends up on the other side of the door to his penthouse and it’s there where his patheticness exudes the most—he falls on his hands and knees like a beggar, claiming he’d do anything and everything just to be by his side.

But his voice is suddenly cut short when Geto finally slams the door in his face, the thickness of them guarding him from Shigemo’s whines. He lets out another sigh and locks up the door securely before dealing with the other parasite in his house.

“I don’t think dropping off a book should take longer than thirty seconds,” Geto drawls as he saunters towards the living room, where you’re still on all fours on the floor, your hands tapping around. “So tell me, why are you still here?”

At the sound of his sharp tone, you freeze. You’re sure you looked utterly stupid and a mess right now, considering that you had just lost a fight to an ottoman out of all things, but you couldn’t let Geto see you in such a state. It didn’t take you long to realize that the reason why everything around you looked so blurry was because of your now-missing glasses that you attempted to look around for. But you pulled a Velma, and just like her, you can’t see without your glasses.

Everyone thinks it’s an exaggeration when you state that you felt utterly naked without them, but you truly did. You’ve been wearing glasses ever since childhood and you really didn’t appreciate the looks you had gotten when you were younger when at times you’d take them off. Some complained that your eyes were too small, too big—others mentioned you looked “off” and “weird” without them. Either way, comments from the other children stuck with you like scars, and ever since then, you refused to be seen without them.

“I a-apologize,” you stutter, shuffling your body to hide behind the recliner so Geto wouldn’t see how much of a clutter you are. You’ve humiliated yourself too much already in the office and the last thing you truly need is for you to get fired merely because your curiosity got the better of you. “I was about to head out and th-then I heard your voice from upstairs and—”

Your words fall deaf on Geto’s ears. He lets out another groan while stretching the aching muscles in his neck as he closes in on your disorderedness. A hand goes to shield your face—you don’t want him to see the bareness of your face, especially since you didn’t bother wearing makeup today. You can’t even bear the thought of him looking at it. In a rushed state, you wander around for your glasses with your head tucked in, using the remnants of your hair to curtain your face.

A jumble of excuses tumble out of your quivering lip, but Geto is too preoccupied with the gleam of something catching his eye. Laying flat on the floor are a pair of glasses that doesn’t take Geto long to presume who they belong to. He plucks them from the ground and examines them for a brief moment before holding them above you.

“I assume these are yours,” he asserts with a cocked brow.

Your head snaps up at the sound of his voice directly right above you and through your foggy field of vision is the seraphic figure of Geto holding what seems to be your glasses. Lips escaping a relieved gasp, you hurriedly scramble to your feet. Your eyes are too poor to see it properly, but Geto also shares surprise, but for an entirely different reason.

He doesn’t give you the sanity that is your glasses right away, because he’s much too preoccupied studying your face. It’s so… fresh. Your glasses were hiding such a view, like curtains to a window that unveiled the utmost rare and breathtaking sights. The way your eyes are wide open, pupils blown with a touch of singularity makes him even more intrigued because of how they’re uniquely placed onto your face along with the rest of your features. Your lips, plump with a natural sheen to them—your cheekbones, perfectly rounded. The slope of your nose fell just right. Geto studies it like an artist to a blank canvas, devoid of anything yet holding just the perfect amount of space—wanting, waiting to be filled with anything and everything.

When his eyes stare at you in what seems to be bewilderment, you swallow thickly and look away. But you can only glance at your surroundings for less than a second before Geto takes your chin between his thumb and forefinger, turning your face toward him again. It’s then that you realize that Geto isn’t staring at you, but your face as a whole. His eyes flick with small movements, dancing about as they go from eyebrow to lips, freckle to lash, examining each and every single particle that your face has to offer.

You feel a heat creep onto your cheeks. You’re not sure whether it’s because of the closeness you and him share or the fact that you can’t detect his opinions on the one thing you’ve been disclosed about for years, but either way, you feel weak in the knees; it only worsens when Geto’s thumb brushes over the entirety of your bottom lip, feeling the plushness of it on his the pad of his finger.

“Has your face always been this open…?” he murmurs softly as he studies the various angles of your face.

You aren’t sure whether it’s a compliment or insult, either or neither. Geto’s tone always had a sort of bleakness to it, but in this very moment, you truly can’t tell what he’s thinking.

“My glasses…” is all you manage to squeak out, fighting the urge to squirm in his grasp. Another gulp goes down your dry throat when Geto’s face contorts to an irritated confusion before he realizes his other hand holds the one thing dear to your heart.

“Oh,” he mutters and hands them back to you. His opposing hand finally goes to release your face. “Right.”

Shaking hands go to put them back onto your face again. Sighing internally of relief of your now crystal-clear surroundings, you dust yourself off with your head once more, tucked into your chest.

“I’m so sorry for this,” you whisper. The heat on your face has now spread to the entirety of your body, your nerves alight with the rush of adrenaline. “I-I’ll make sure this never happens again… good night.”

With that, you scurry yourself out before Geto has the chance to falter. All words to urge you to stay to either scold you or excuse you evaporate on his tongue. He can only watch in a strange silence as your figure rushes down the hall and out the doors, the click of them ringing out in his penthouse.

After moments of self-paralysis, an unknown feeling boils inside the pit of Geto’s stomach. He thinks he’s seen your face before with the familiarity of it unsettling him. The ghost of your face prances about in his mind as he slowly climbs the stairs to his sewing room, ignoring the shattered wine glass on the floor thrown by Shigemo. He instead, refills his own glass again with the nearby bottle of merlot wine and savoring the thickness of it running down his dry throat, embellishing in its warmth.

A single, large window faces the busy nighttime street and Geto walks and stills near it, watching carefully as the speck of your figure on the street below calls for a cab. He eyes how you turn towards the building one more time, doing your usual adjustment of your glasses (it’s a habit you often do in times of nervousness, he’s picked up) before you shuffle yourself into a cab that speeds off into the night.

Geto lets out an annoyed click of his tongue. Something about your face seems haunting and he doesn’t enjoy it. The last thing that he needed for today was even more plaguing thoughts in his head after the loss of his muse not even just ten minutes ago, but now with your face staining the back of his head, his jaw grits in irritation. In a poor attempt to take his mind off the excursion of today and the future, he shuffles about his many sketchbooks to look for any designs he could pluck out for his latest collection.

It’s an hour in, two glasses of wine later, and somehow, he still hasn’t found a single piece to begin working on that fits into his theme. Miraculously, through the vast array of what is thought to be thousands of sketches, Geto hasn’t found one that stood out to him until he gets to the last sketchbook. It’s an early one—he thinks it dates back to his early college days, when he was just beginning to peek into the world of fashion. A pang of nostalgia hits him all of a sudden when he flips to a specific page that was the start of his history.

It’s the very design that had the attention of many designers. The sketch featured a gold and red embellished outfit, a sheen of glittering flickers adorning it. The shirt features a mosaic of gold and small flecks of color here and there, imitating the many church mosaics he’d often admired as a child. The skirt and collar of the shirt were the same shade of blood red, crimson gems bespeckling them.

It’s not the outfit, however, that makes his eyes harden. Why would it? He’s seen it many times before. It’s been brought up over and over again—in interviews, in magazines. It’s one of the staples that made Geto the pillar that he is. He knows every detail of it, much like his other designs, so it isn’t the design of the outfit that made him appalled. It’s instead, the person that’s wearing it.

Because somehow, the eerie sketch of the model’s face that he had drawn years ago…

… somehow replicates your own face perfectly.

a/n: first jjk fic in forever! wowie it's been much too long... also if u need a refresher on who shigemo is, he's the guy with the ponytail that nanami pulled kekeke

10.2k is hefty i know but i couldn't help myself my bad lolol T_T currently just a test run of what i hope to be is a series that some may be interested in because clearly this barely scratches the surface of what i want to embed haha so please let me know how you like it so far :))

continuing, i hope you enjoyed and thank you for taking time out of your day to enjoy my craft, whether it be your first time or your hundredth! once more, likes/comments/reblogs are always noticed and are always appreciated (´｡• ᵕ •｡`) ♡ !!!

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