#Originally i watched only seasons 1 and 2 that were on netflix

[1-800-disasterbi]

I’ve been obsessing over winx club bc I remembered it existed a while ago and so what better to do than make a kind-of-self-insert oc

Her name is Dalia and she’s the fairy of dew! The design is pretty rough rn but i’ve been sketching ideas n stuff so i might post those too

[colorousme]

*feels unsatisfied by The Witcher season 3 and the way it was told and edited and how everything in the end feels the farthest from earned anything could ever be* Hmm I better watch 15 different hour-long video essays about it so I can understand what it is Exactly that makes me so angry and unsatisfied about this show!

[romor]

I'm starting to think people don't understand that adaptations have to be different. Did netflix have the same amount of time as Book 1 to work with? Technically yes, but 20 episodes is for sure more than 8 so they didn't.

If you are constantly comparing it to the original and upset about the changes. Then for sure the netflix adaptation is not for you.

I've seen some bad adaptations over the years, for example my favorite book is Inkheart. Even the 2010 Avatar movie is a better adaptation than Inkheart's.

Conclusion it's a pretty good series, if you like the original, if you can watch it without constantly comparing it to the original you will enjoy it more.

Editing to add to this since so many have said something.

Inkheart is not a horrible movie, but it is a bad adaptation. Fantastic cast, with no loyalty to the source material.

There is a difference between adapting a story, and remaking it. This is literally being referred to as the netflix adaptation, so clearly it's not a remake. Because it is an adaptation, changes are expected. It would be stupid to expect a copy and paste story.

The changes make sense, because if you want book 2, and only have 8 episodes to work, you have to make a lot happen. The original show has clear start and end points for the events that occur (aka you know that start of the episode and the end). That's fine, when you have 20 episodes to work with, each 20 minutes. That doesn't work with 8 episodes each 1 hour (or about an hour). It doesn't translate to smooth storytelling. A lot of important things occur in book 1, but let's not forget that book 1 is also more episodic vs the rest of the series. In fact don't we often say "it gets better," about the book 1? What I am saying, a lot has to happen in the first season to set up not just season 2, but season 3. They did really good making sure those events happened.

I don't mind the mixing of plot because they didn't have much of a choice if they wanted a cohesive plot. I would also like to add I'm so glad the removed the northern air temple episode's setting. Never felt right with me.

I'm not saying don't compare them because it's impossible not to. I'm saying that if you are constantly going to be thinking of everything they changed, if you think the original series is so perfect. So unflawed, that how dare they even try. If you are going to be watching it already offended that they decided to even touch it. This adaptation is not for you.

If you were like me and wished that fire did in fact burn everytime it touched someone. If you are like me and thought the original series was too light-hearted for its plot. Then you will enjoy it. It's a fun adaptation, that keeps as loyal to its source material as it can be.

Yes I have my issues with it, but that doesn't mean it wasn't a fun watch.

[startrekprodigyfan]

Okay, this is going out to the die-hard old-school Trekkies. And I’m going to be including spoilers because at this point if you haven’t been watching Prodigy yet, this is the only other way I know how to convince you to start! And even seeing spoilers won’t give you any context to the how or why they’re there, so that should hopefully give you incentive to watch the show!

For starters, what is Prodigy? Star Trek Prodigy is a 3D animated Nickelodeon show meant to introduce kids to the world of Star Trek. But don’t let the “kids show” title fool you, this is a show for ALL ages and even the most die-hard Trekkie will find something about it to enjoy.

The story centers around a group of alien kids who have been imprisoned on a mining asteroid as they stumble upon an abandoned Federation Starship and use it to escape with the hopes of one day joining Starfleet.

Are you happy that Star Trek is back but haven’t been excited or jazzed much about some of the recent shows? Then please watch Star Trek Prodigy! Here’s a visual list of things to expect to appease your continuity and cannon loving hearts:

1) The Enterprise D bridge on the holodeck, alongside Uhura, Odo, Doctor Crusher, Scotty, and Spock (using original legacy voice clips for many of the characters too)

2) The original Enterprise (non-Strange New Worlds) bridge!

3) An explanation for what happened to the original Galileo shuttle craft from the TOS series.

4) Both the original Vice Admiral Janeway and the new Hologram Janeway.

5) Wesley Crusher!

6) The Voyager-A!

7) Chakotay and the Holographic Doctor!

8) Original TNG (pre-First Contact) style Borg!

9) Legacy side characters returning such as The Outrageous Okona, voiced by the original actor Bill Campbell!

Currently the show is on Netflix. There are two seasons, 20 episodes each season that run around 24-30 mins long each for a grand total of a whopping 40 episodes! And there’s hopes that if Netflix thinks the show is worthy a 3rd season could be ordered. But only if you watch it now and get those ratings and viewership numbers up!

Please! Prodigy needs the help! Paramount+ canceled the show and yanked it from streaming before season 2 could even air (it had already been completed too)! Through a grass-roots campaign fans were able to get Netflix to pick it up and release the second season! Without Netflix this show would’ve just disappeared!

So please… if you love old school Trek and just want to exist in this world, you’re going to love Prodigy! And trust me, even those spoilers I showcased don’t even begin to scratch the surface of what this show has to offer!

[old-people-like-avatar]

Netflix Avatar the Last Airbender S1 - Overall Thoughts [SPOILERS]

I am a longtime fan of Avatar the Last Airbender. I did not watch it in its original 2005 run, but I discovered it in around 2010 after my good friend R.S. recommended it to me. It's been my #1 favorite TV show ever since and I have rewatched it more times than I can count. I was cautiously optimistic about NATLA.

Now, having watched the whole first season of NATLA, and looking at the season as a whole, I think the best word to describe it is uneven. I can't say that I loved it, and I can't say that I hated it. But there were things I really liked about it and things that really did not work for me. Overall, I enjoyed watching it -- if only to dissect what did and did not work about the adaptation -- and would want to watch more.

WHAT WORKED

Everything to do with Zuko and Iroh. I found myself going back through just to rewatch all of the Zuko and Iroh-related scenes. I thought Dallas Liu really nailed Zuko -- from tantrums about his journal being stolen to incredible action sequences to the boyish vulnerability of worrying about the laces on his gauntlets. He took an iconic character and made him his own. NATLA added some incredible scenes and lines to my favorite duo: Lu Ten's funeral (coupled with orchestral version of "Leaves from the Vine"); Zuko's first war council; Iroh choosing to go with Zuko on the boat; the 41st Division; Iroh putting a blanket on Zuko. And I liked that NATLA emphasized that Iroh needed Zuko in the wake of Lu Ten's death as much as Zuko needed Iroh after his mother left.

Daniel Dae Kim's interpretation of Ozai. Ozai in ATLA is kind of one-dimensional. Daniel Dae Kim's Ozai adds a deeper layer to him in that he genuinely seems to think he's doing legitimate parenting -- even going so far as to visit Zuko after burning his face and remarking, glibly, that he'll recover ("but he'll never heal," says Iroh). It adds an even more monstrous angle to his cruelty because Kim's Ozai seems to think he's doing it for his children's own good. This post perfectly encapsulates my feelings about why I thought the agni kai between Ozai and Zuko was an excellent addition to NATLA.

Zuko/Aang. These two bonding over goat hair brushes was the scene I never knew I needed. The way Aang managed to wrest a little smile out of Zuko in that scene before Zuko blew up at him for criticizing the Fire Lord? And the way that tied into the "Compassion is a sign of weakness" scene from the agni kai? Great character work.

WHAT DID NOT WORK

Dialogue. I already observed at length my dissatisfaction with the clunky, exposition-dumping dialogue in my episode-by-episode writeups. It certainly wasn't as bad as the Movie-That-Shall-Not-Be-Named, but . . . there was no art or subtlety to it, and no trust in the audience. A disappointment.

The GAang did not feel like family. The lack of breathing room in the 8-episode season meant that all of the "filler" episodes that fleshed out the relationships between Aang, Katara, and Sokka were sacrificed. I am not saying NATLA needed to recapture each of the filler episodes. But they needed to build the foundational bonds between the main trio with showing not telling and they really didn't. They separated them for big chunks of 2 episodes. And, really, they just felt like traveling companions. That took all of the emotional heft out of, well, everything related to Aang, Katara, and Sokka. I mean, frankly, the kid actors did a better job establishing the "family" dynamic just by being themselves in their press interviews than the show did with the characters.

Aang did not run away from responsibility. I am not one of those people that's just mad that the show wasn't exactly like the cartoon. No. What I mean is, even putting aside the cartoon, even if you just look at NATLA itself: their own themes were undercut by never showing Aang actually running away from responsibility. Each avatar seemed to be berating Aang for doing something he was never actually shown to be doing.

Katara. I really don't think this one is on the actress. Katara felt like a fundamentally different character from ATLA's Katara. It's not to say an adaption is not allowed to have their own interpretation of a character, but... I just did not understand NATLA Katara. There was no passion, no rage, no overbearing nurturing. She was... I don't know what she was. Traumatized, yes, but nothing grew out of that trauma? Meek, until the plot demanded that she suddenly become a waterbending master without any guidance other than a waterbending scroll? The "younger sister"? More than any of the main characters, I'm not sure what NATLA was trying to say about Katara at all. And, as a result, I'm afraid the word to describe it might be uninteresting. And given that she is the heart and soul of Team Avatar, this one was really tough.

Despite the fact that a lot of NATLA did not work for me, I still enjoyed it because the things that did work for me, well, really worked. So. I'm here for all of the Zuko/Iroh scenes!

[endiness]

Debunking misinformation about Netflix's The Witcher (Part 5)

[Part 1] [Part 2] [Part 3] [Part 4]

"The show was supposed to have 7 seasons."

So. This isn't quite true and this rumor has largely been based off of what was basically a misunderstanding of what Lauren said and the subsequent misreporting of that along with the media never really following up on any of her clarifying comments, either — all of which is the thing that I really want to get into.

First off, I will preface this by saying that at one point, Lauren did say something along the lines of how she pitched "season 1, then season 2, season 3, 4, 5, 6, 7" to Netflix. Unfortunately, I cannot find this quote at the moment, but I do think that should be noted. However, as far as I can tell, the main source of the rumor that the show was originally planned for 7 seasons is not based off of Lauren having said that but rather this SFX/gamesradar interview instead:

Which Lauren later went on to clarify what she meant in another season 1 interview:

And in an interview for season 2:

The basic gist of what she was saying was that she initially mapped out 7 seasons with the idea of 1 season = 1 book, essentially, which she mainly did in order to have an overall sense of where the characters were going. So, was there a rough draft, outline for 7 seasons? Sure. Were there definitive, concrete plans that the show was always supposed to have 7 seasons? imo, no.

Just to address this, too, and how the subsequent misreporting of inaccurate information spreads: People — and not just the fanbase but other media outlets, too — usually cite this Hollywood Reporter interview with Henry Cavill as proof that the show was always supposed to have 7 seasons because he said he'd be up for doing that many:

But Henry Cavill was never directly quoted as saying that, and given that he was never directly quoted, it's likely that the interviewer asked him something along the lines of "Would you be part of the show for 7 seasons?" which prompted the answer he gave — and there is a difference between Henry Cavill himself saying that there's going to be 7 seasons and he's down for being part of the show for that long vs an interviewer asking him if he'd be up for doing 7 seasons of the show (which has been based off of the subsequent misreporting of what Lauren said in the first place) and him answering yes.

On top of that, here's an earlier season 1 interview Henry Cavill did with Elle where he talks about how many seasons he hopes the show goes to:

Which imo also only goes to show that the idea that there were ever any definitive plans for 7 seasons is not an accurate depiction of the situation.

"The viewership for season 3 was bad."

Season 3 debuted at #1 on the Top 10, it stayed at the #1 spot in the Top 10 for a total of 3 weeks, and it stayed in the Top 10 altogether for 8 weeks.

It had approximately 54.8 million views over the course of 186 days — 6.9 million views in 2 days (from Netflix's Jan-Jun 2023 data) + 49.7 million views in 184 days (from Netflix's Jul-Dec 2023 data.)

It was also the 5th most watched show in Netflix's Jul-Dec 2023 data, which I think is the most important factor because regardless of how the season-by-season numbers look and any potential drop in viewership, it was still one of the most watched shows on the platform during that time period.

"The show was cancelled and it was cancelled because of season 3."

The show was already rumored to have been renewed for season 4 and season 5 back in September of 2022.

So, long before season 3 even aired or it was announced that Henry Cavill was leaving the show or any other season 3 related issue. Given that Netflix already has a track record of shows rarely going beyond 5 seasons, if that, I think it is entirely probable that it was renewed for season 4 and season 5 back in 2022 with the intention for the show to end after that point anyway — although, granted, this hasn't been confirmed.

Also, like, despite claims otherwise, the show is following the books and the books do have a set endpoint. The show ending where the books do is not the show being cancelled, it's just the show coming to its natural conclusion like the books do. Also just to say, but it is entirely possible for the show to adapt the last 3 books into two seasons anyway. Baptism of Fire largely focuses on Geralt's story, not Ciri's as she's hardly in that book, whereas The Tower of the Swallow largely focuses on Ciri's story, and both books roughly take place over the course of summer/fall. It is extremely probable that S4 will cover Geralt's story in BoF and Ciri's story in TTotS (especially as we already know that Bonhart will appear in S4 and he's really not that prominent of a character until TTotS), leaving the remainder of TTotS and The Lady of the Lake for S5 (which roughly covers winter/spring, just to give a sense of the timeline in the books.)

[toomanyopinionss]

I want to talk about

Surviving Summer

(nonspoiler/spoiler)

hey y’all, it’s been a minute since i’ve done one of these. let’s get into it…😏

So i genuinely like this show. Just finished watching the second season, in fact.

I feel like it’s the good amount of cheesy and adorable and mind numbing without being too formulaic and basic like some of these Netflix originals tend to be. Now it can be annoying and cringy sometimes, don’t get me wrong. But it’s got some pretty good actors and actresses with enough heartfelt moments and playful scenes to make one feel content. She’s not a top ten, but she never tries to be, you know??

As for the show itself? Surviving Summer is the perfect name for it, because Summer the character? a HOT mess. I cannot stress this enough, the frontal lobes on that one are not fully formed. It’s especially apparent in season 1. Even so, i love her 🥰. I cant help it ok? She has the confidence that i dreamed of having in high school, and now tbh.

I won’t go to deep into every character, but let me just say this: they will ALL annoy you at some point. It’s so obvious that they’re teenagers, cuz they childish. But they all care about each other most of the time, and surfing. It’s a great summer watch! go for it, don’t be shy

7.5/10. Surface level fun with shenanigans galore and annoying teenagers.

SPOILERS

Y’all the second season was gooood. I liked it better than the first tbh. Summer, like i said before was much more serious and focused, but it didn’t change her personality at all, which i loved.

I liked how they got more into Bodhi’s conflicts with surfing and the racism in the industry on her end. If anything, i wish they had time to do even more with it. Because everything else they did with her character this season was just bleh. A half hearted conflict between poppy blown WAY out of proportion and a half assed queer relationship that was cute but barely touched on because hottake Netflix hates their wlws and their black main characters 🤭(oop who said that)

Poppy and marlon were cuteeeee. sidenote, who else forgot that bodhi and marlon had a thing, cuz i sho did 👀. they have such good chemistry and it just warmed my heart. SPEAKING of good chemistry…

✨“summer have you seen yourself?”

summer and baxter are the only mf choice, im SORRY.

immediately side eyeing anyone who says that summer and ari should be together, because i’m not sure you and i watch the same show. another steaming take, but I never bought into summer and ari. they are too sibling for me. i was taken ABACK when they kissed in season one. I genuinely did not see it coming. they play off each other nicely, but in a romantic way? NOPE, i don’t buy it.

but from the first scene with baxter and summer, i knew. it was intense. the casual touches, the instant bind they formed, the way bax looks at her 🤭…

you cannot compete where you don’t compare, Ari is not the one 🤷🏾‍♀️

anyone else? hmmm…

oh, y’all join me in a big FVCK you to Elo and Wren. they both suck actual ass and i hate them both.

it’s the way that they treat everyone like shit equally. even their own brother? like what the fvck is wrong with them?

like especially wren. being jealous and overly competitive is one thing. but they way she handled the bodhi situation, plus the way she outed her old teammate? literally bordering on racist and homophobic like wtffff. maybe a lil psychotic too, cuz why is she literally a threat to summer’s life? don’t take it out on her cuz your boyfriend is an indecisive disaster. at least they didn’t give wren a redemption, i would have been so pissed off like fvck her.

ok this is getting long. tldr, Season 2 was entertaining and fun. poppy and marlon were cute, summer was awesome, ari does not need a girlfriend, justice for baxter, and wren and elo will not be seeing the pearly gates.

[theeeveetamer]

Avatar the Last Expositionbender: Thoughts on the new Netflix adaptation from a near 20-year-long fan of ATLA (first three episodes)

Disclaimer: I’ve been a huge fan of ATLA since literally the day it dropped on February 21st, 2005. I’ve probably seen the original show at least 200 times all the way through. That said, I absolutely am trying to go into this Netflix show with an open mind. I don’t want to denigrate it just because it’s not exactly the same as the original.

I can't draw any final conclusions because I've only watched through episode 3, but my impressions are... not good. I’m going to try and leave some of the nitpickier stuff to my live tweeting thread and just focus on the big things here.

My biggest takeaway thus far is that the show has decent to great special effects, set design, and cinematography, and it is just ALL completely let down by an atrocious script and bizarre changes to both the plot and characters. I don’t think any one decision is the decision that’s breaking this show for me. I think it’s a death-of-a-thousand-cuts kind of breaking the show for me.

(A lot) more below the cut

Let’s start with the structure. The original ATLA is a serialized show (there is one overarching plot), but each episode is smaller scale with short plotlines that are resolved within the runtime of one or two episodes (leans more episodic). The Netflix adaptation seems to drop this format and centers the main plot in pretty much every episode. Many of the little stories still technically happen, but they’re reframed to be in service to the greater plot. E.g. They no longer visit Kyoshi because Aang just wanted to have a fun little adventure and ride some giant fish, he does so because he needs to learn more about the Avatar from Kyoshi.

This is not an inherently negative change, but it is a negative change in this case and I’ll tell you why: it completely destroys the character building that the original series was known so well for. Let me explain.

I can point to any episode in the series and immediately tell you if it's a Katara-centric episode, a Sokka-centric episode, a Zuko-centric episode, etc. I can tell you exactly what the characters did, what the themes were, and how the characters have grown from beginning to end. I can tell you the threads that were woven in which ultimately serve the larger plot, from huge shifts to tiny threads you wouldn’t even notice.

I’ll take episode 2 from the Netflix series and compare it to the three episodes I believe it’s based on: The Warriors of Kyoshi and The Winter Solstice (parts 1 and 2).

In the original series all three of these episodes are largely Aang-centric, with significant moments developing Sokka as well. Kyoshi is the point at which Aang’s lackadaisical attitude toward being the Avatar is significantly challenged for the first time. He spends significant time in Kyoshi being fawned over and messing around despite realistically having done nothing to earn that praise. It’s the damage to his friendship with Katara + Zuko coming in which ultimately humbles him. The Winter Solstice episodes are where Aang’s determination and goal is solidified and a sense of urgency is developed.

On Sokka’s end, Kyoshi is a significant moment for him as a character. He has some of his core beliefs challenged and not only does it humble him, he apologizes and works to better himself. In The Winter Solstice episodes (particularly part 2) we see, for the first time, glimmers of his ingenuity and his role as the idea/plan guy with how he develops a plan to open the door so Aang can speak to Roku.

In terms of the plot, The Warriors of Kyoshi ultimately doesn’t have much to say at this moment, but it is setup for later payoffs in seasons 2 and 3 (the Kyoshi Warrior ruse Azula pulls in Ba Sing Se, Suki’s presence in The Boiling Rock and subsequently joining the Gaang, etc.) so it’s not wasted. The Winter Solstice is where Aang gets crucial information about the world and solidifies his goal (stop the Fire Nation before the arrival of the comet).

Ultimately we discover something important about Sokka, and Aang has a significant moment of character development where he decides to put aside his own ego, stop messing around, and focus on saving the world.

What do we see in Episode 2 of the Netflix series?

Sokka has a kind of awkward relationship with Suki where she largely just kind of complains about being stuck on Kyoshi and acts like a massive bitch toward him for seemingly no reason (since they completely removed his sexism and thus his entire arc in that episode) but then they kiss anyway.

Aang gets shit on by the people of Kyoshi and then blasted by Kyoshi herself for not being determined enough in his quest and not understanding what it means to be the Avatar (even though in this version of events Aang never ran away from the Southern Air Temple he was just out for a lil fly to cool his head and got yeeted by the storm, and the entire reason he came to Kyoshi in the first place is so he could learn more about being the Avatar).

Katara is, uh, there and plays around with the waterbending scroll Gran Gran apparently had the entire time (so I guess we’re not covering The Waterbending Scroll in this show, aka one of Katara’s early defining character episodes).

None of them develop because they weren’t given any flaws to begin with. There’s nothing for them to overcome. The problems they overcame in the original episodes were taken out from the very start, which means they have nowhere to actually go.

And that might be fine if this wasn’t an Avatar the Last Airbender adaptation. You know, the show that is so well known for its character development that it’s often cited as one of the best examples of a redemption arc in fiction? That Avatar the Last Airbender show? Yeah…

Another problem, and I really can’t overlook this, is the atrocious script this show has. It feels like the characters spend 90% of their talking time either delivering bland exposition that was usually just shown to us in the original show, or monologuing about something. It feels like the writers had no confidence in their audience to actually follow what was happening or understand the themes, which is… embarrassing. This show is clearly not made for children at all based on the levels of violence depicted, and it’s not a great sign when the show made for ten year olds has more faith in its audience's intelligence than this one.

And really, I get that you’re probably going to have to combine episodes and cut out some things to fit a 20 episode season into an 8 episode season, but some of the choices for episodes they combined is just bizarre. Who on earth decided it would be a good idea to combine Jet, The King of Omashu, and The Northern Air Temple into one episode?

The original Jet is largely a Sokka-centric episode, dealing with his own insecurity as well as the group’s lack of confidence in him and his abilities. Yet Katara is almost exclusively the one interacting with the Jet plotline in the Netflix adaptation, and all of Sokka’s best moments from that episode are lost. Instead he spends most of this episode hanging out with Teo’s dad and establishing his interest in engineering (and weirdly shitting on Hakoda for some reason in the process?) which could have been established in an episode which shares a less Sokka-important plotline.

The Northern Air Temple is about Aang reconciling his conflicted feelings about refugees moving into a place that once belonged to his people, changing things, and adopting/adapting some of the Air nomad’s culture (such as the gliders). He ultimately comes to the conclusion that the Air Nomads are gone, but he’s happy new people have come along and carry their spirit. Because this episode takes place in Omashu in the Netflix adaptation, there is absolutely none of that conflict or growth over others using the space which used to belong to his people.

The King of Omashu is just a sweet, Aang-centric episode where he realizes he still has friends in the world, and establishes Omashu and Bumi for the world/later seasons. Bumi isn’t even in episode 3 of the Netflix adaptation physically until the end, and when he’s mentioned he basically gets shit on, treated as completely incompetent, and almost murdered by Jet. Though from what I gather based on the episode blurbs the substance of The King of Omashu is probably contained more in Episode 4, so we’ll see if my opinion changes after episode 4.

The act of combining episodes is not the problem. It’s the episodes they’ve chosen to combine. What they’ve done so far does not in any way take advantage of what the original show gave them to work with.

For example, Why not instead combine the Southern Air Temple, The Storm, and The Northern Air temple? All three episodes connect with the theme of Aang dealing with his loss. Just move Teo and his father to the Southern Air Temple instead of the northern one and keep their plotline the same. In the process Aang can walk the run down buildings and learn more about what happened, and at some point he can find Gyatso’s body and there can be flashbacks to him leaving the Southern Temple and he can talk about how guilty he feels.

(While I’m at it I think they could have more smoothly combined Jet with The Waterbending Scroll. Katara can steal the scroll and as they’re escaping they can run into the merry band of freedom fighters who hide them. Katara practices with the scroll while Jet encourages her which is part of why she takes such a liking to him, and Sokka has his arc with Jet. Maybe Jet could even dangle the prospect of getting rid of the pirates chasing them along with the town to try and bait Sokka to his side/convince him by exploiting his protective instinct, but Sokka still refuses.)

Basically, I wish they’d combined the episodes more on the basis of their interconnected themes rather than… whatever it is they were trying to do here.

Anyway I think that’s the big thrust of my criticisms of the show. Now I’m just going to do random miscellaneous complaining about character changes.

First, Aang is such a bland pile of nothing, and despite the writers claiming he’s more determined and a go-getter he has never, not ONCE stopped getting pushed around in the plot.

He doesn’t intentionally leave the Air Nomads of his own volition, he just happened to be out for a little fly to clear his head when a storm oopsied him into the plot. He gets bullied by Kyoshi for like four minutes straight into doing the thing he was already doing (going to the Northern Water Tribe) because she psychically knows that the Fire Nation is going to attack them later, not because he actually… y’know… wants to learn waterbending/wants to find Katara a teacher.

2) Sokka gives sociopathy with the delivery of some of these lines. The jokes are REALLY hit or miss and the acting is more miss than hit in this show (goes for everyone tbh, not even just the kids). I already complained about them removing his sexism and I can confirm the sexism is indeed gone. He does at least maintain his role in the comic relief department, but I can’t say I’m that thrilled they kept the literal least interesting part of his personality.

3) Katara is genuinely one of my favorite characters in media ever. Seriously I could probably make a whole other post about how much I love her, and I am so disappointed by what a bland ball of nothing she is so far. She has none of her edge.

You’ll notice that they’ve so far covered The Boy in the Iceberg, The Avatar Returns, The Southern Air Temple, The Warriors of Kyoshi, The King of Omashu, The Winter Solstice (1 and 2), Jet, The Northern Air Temple, and if I am being EXTREMELY generous The Waterbending Scroll (as in, there is technically a waterbending scroll and Katara does now have possession of it).

None of which are what I would consider Katara-centric character development episodes, and the moments she does have in those episodes appear to be mostly cut out or overlaid with bizarre PTSD flashback nightmare fuel. I’m not trying to imply that the show won’t get better about her, but I’m not a huge fan of having a lot of her moments stripped out and her characterization reduced to “yeah she’s traumatized”. Honestly depending on how the rest of this season goes you might have to deal with a big long ramble just like this on just Katara. Katara Alone, if you will.

4) I have no idea what’s even going on with Zuko. They covered Aang’s half of The Storm in pretty gruesome detail but completely neglected Zuko’s entire half of that episode. Thus far he feels like he’s getting pushed around by the plot just as much as Aang. And he has to share villain screentime with Ozai and Azula for whatever reason. Also, they wussed out on that scar.

Iroh is in a similar boat to Zuko. It just feels like the Netflix adaptation doesn’t have nearly as much interest in developing Zuko and Iroh as the original show did. Which is really disappointing. One of the things that made Zuko’s redemption so good was because he and Iroh were such a presence in the show from the very beginning. They very frequently, even if they’re not directly interacting with the Gaang, dominate the episode B-plot. His redemption simply does not work if you don’t have that.

5) Zhao is such a dweeb. A dork. A weenie. I don’t even understand why they made this change to him. In the original show he’s ruthlessly effective and ambitious to a fault. He’s an antagonist not just to Aang, but to Zuko as well. Aang is his meal ticket to even greater acclaim and Zuko is a banished princeling who has nothing of value to offer him. He has it made in the Fire Nation and he’s not afraid to flex his power or show it. He is also hot headed and rash, which gets him into trouble on more than one occasion and ultimately probably leads to his downfall. He is not some weenie hut junior loser who slides into the Fire Lord’s DMs while trying to play nice and team up with his banished prince son after failing his Commander Exams™ three times.

6) I’m sensing an Ozai woobie arc with that “don’t pretend to know anything about loss” line he said to those guys trying to assassinate him and I swear to god if they try to give him an uwu sad backstory and/or try to pretend like he gives a shit about his wife or either of his kids I am not only not watching the rest of this trainwreck, I’m never paying Netflix money for anything ever again. Don’t even start with me on that shit.

[novelspam]

Allow me to provide a more detailed post about how much I love ROR Buddha that literally NO ONE asked for!😁

It all started when I decided to read the manga after watching season 1 of Record of Ragnarok on Netflix. And you may be asking yourself, "Skittle. Why would you want to read a manga from an anime that you don't even particularly like the plot of?" And that's because of this man right here!

Now I know what you're thinking~. "Skittle! You've lost your mind! There is NO WAY that's Buddha!" To which I say you are absolutely CORRECT on both points! I am insane! And that is NOT Buddha! That would be the Hindu God of Destruction Shiva! And did I mention he has 3 insanely hot wives?🤤🤤 And like I said~ he's why I originally started reading the manga~😌

BUT THEN! I ran into... him~

This was the first look we got of The Buddha himself and when I tell you I did a literal 😳👀👀👀👀

AND THEN I FELL IN LOVE! LOOK AT HIM!! HOW COULD I NOT!!!???

I-! The illustrator KNEW what they were doing!

And then there's THIS!!!

I literally can't! And here anime version of this frame~🤤

It's kinda lacking compared to the manga version imo but I still love it~ And I REALLY love the approach they took with his hair in the anime! It suits his so well!😊

Tho technically these were the first bits I saw of him on screen which is when I made the FIRST post tonight freaking out about him and they're from the opening

We don't have very much screen time of him so far but I appreciate the crumbs we do have

Ack-! He could look at me like this all he wants. And I swear I'm not religious but I'd get on my knees and pray for this Buddha any day!🙏🙏🙏

OH!!! I ALMOST FORGOT! HIS EYES ARE MANDALAS!

UGH!!! He makes me 🫠🫠🫠

And in case anyone wanted some clips of him here and here! CAUTION THIS ARE SCENES FROM SEASON 2!!!

I really wish the second link played just a few seconds more at the beginning because right before the start of the video is one of my favorite moments from Buddha and really shows that he does whatever the fuck he wants and doesn't care if you're a god or not. He really lives by his quote "The only one in heaven or on Earth who can tell me what to do... is me"

[anxious-tea-cup]

I'm disappointed...in the fandom that is

I finished watching the Netflix adaption on Avatar the last air bender this evening, and you know what? I really liked it.

I was however really disappointed about what I found when I came to read others thoughts on the ADAPTATION of the Original show. The most part because the complaints seem to mostly come from people who haven't watched it!? Or from those who are upset that the shows not a frame by frame retelling.

The only 3 complaints I had, which are just my opinion and not extremely important are:

1. Bumi's face prosthetics/make-up scared me. Though I don't know the thought process behind it, possibly it could be done in a different way.

2. Princess Yue's wig (beautifully constructed) did just look like a wig on her head, and I could not convince myself it was her hair.

3. There were some lines that I think could have been written a little smoother.

Otherwise, I loved the casting, the costumes, the dynamics, the CGI, the way the characters were portrayed and the back stories. I am so looking forward to the next two seasons (please be renewed!!)

To those who are unsure, please just watch it before you decide it's bad, just because it's not the original. I think it's so promising!

[microcomets]

can i ask for your thoughts on the netflix atla adaption? 👉👈 value ur opinion on media

aw, thank you!!! i admit i'm only halfway through watching s1, so my opinions may change as i reach the end of the season, but i can outline some of my thoughts so far!

pros:

overall, with a few exceptions, i think the casting so far is really solid. the asian and indigenous representation within the show is something they clearly took very seriously, and it shows! especially for a netflix show, that's something really groundbreaking and important and refreshing to see; and obviously a huge improvement on past whitewashed adaptations. overall, i think most of the effects are good, despite some weird cinematography choices — there are a handful of moments where the CGI looks particularly egregious, but overall, the bending and choreo look COOL. the opening scene of the pilot had me by the throat, even as it made very clear what a different kind of adaptation this would be. overall, i tend not to be too fussy about an adaptation altering things from originals to make more sense in different formats (with caveats, as i'll mention in the cons lol), so i wasn't mad about the way they've fused some of the storylines to make it flow better in a 60-minute format. (although i do question bringing in s2 stories so early, such as the secret tunnel.) there have been some moments where they've either built out character relationships (like zuko and iroh) or brought in supplementary canon from korra and the comics, which i have also enjoyed as a huge fan of the original. there are a few additions that i've really loved and had fun with — zuko's dream journal, for one, lmao, and his and aang's street fight in omashu.

cons:

honestly, my biggest gripe so far has been the alterations to characterization and character motivation. the cast and crew were sort of smugly talking about removing misogyny from the original and "updating" it, which is ironic because i think the live action is actually more sexist in many ways.

my BIGGEST disappointment has been katara, with no shade to the actor. this is one of the characters who means the most to me from the original, and the character that has hands-down been the least recognizable in natla. her fire, her temper, her unruliness, and her bossiness — all to say, her human traits — have been completely sanitized, presumably to avoid drawing any kind of criticism that she's "annoying." her anger is quite literally what kickstarts the entire show: katara losing her temper with sokka cracks open the iceberg that releases aang. katara's anger is, in a lot of ways, an outlet not only for her sense of injustice in the world, but also an outlet for coping with 1) immense colonial trauma and 2) the burden of being parentified. this, in my view, is IMPORTANT for young girls and particularly young girls of color to see — that anger doesn't have to be something you shy away from, but that you can embrace as a weapon of resistance. this anger is missing entirely, except in small snatches, from natla katara. the moments that make katara a flawed, interesting character — such as her stealing the waterbending scroll and getting jealous of aang's natural prowess — have been scrubbed completely. it is nearly impossible, at this point, to imagine this version of katara bloodbending or taking vengeance for her mother in s3. i think the re-characterization is a big misstep, due more to poor writing than anything. even the agency of katara's bending is "unlocked" and coached by male characters like aang (ep 1) and jet (ep 3), when katara is supposed to be the one teaching aang!

the inversion of sokka and katara's relationship — that is to say, parentifying sokka and making katara more of a "little sister" figure — is also a huge misstep IMO, because it misses a lot of the characterization fundamental to katara's arcs in the original, and even her later conflicts with other characters like toph. in s3 in the original, sokka says when he pictures his mother, he can only picture katara's face — this is, again, a central aspect to their dynamic and to katara's character! my guess is that they removed katara's overmothering qualities to avoid accusations of being anti-feminist, but ironically, by not acknowledging that in-text the way the original does, it bakes misogyny unspokenly into the atla world rather than explicitly acknowledging and challenging it. to clarify again, i have NOT seen the end of the season yet — i am curious what they do with katara's confrontation with paku, which is one of the biggest grapplings with misogyny in the original text. but for me, removing katara's motherly qualities/parentification, and above all her unsavory traits, are not accomplishing anti-sexist work the way the writers think they're doing, but rather sanitizing the original's social commentary on gender altogether.

one of my biggest squicks thus far has been suki and sokka's relationship; i saw suki's characterization described by someone here as a farmer girl p*rn trope where a naive village waif looks to a man to show her the outside world, or w/e, and i hate that this is what they did to suki's character. they keep her warrior qualities, yes, but this is undercut for me by the cringe comphet romance tropes of making her a wide-eyed blushing virgin around sokka. the insta-romance in the original makes more sense to me, obviously because of the format, but because in the span of 20 minutes, suki has taught sokka what it is to respect and reevaluate his relationship with women and femininity. the writers bragged about removing this from the natla representation, so what we have now is that suki doesn't really teach sokka anything substantial about himself, other than some moves. rather, it's sokka teaching suki about what it is to be "worldly" and how to unlock carnal desires. tbh, i hate that! lol! but that's just my onion.

zuko has been one of the strongest and most well-acted characterizations by far, but i do have a gripe with how they shifted his primary motivation from regaining his honor to reclaiming the throne. zuko at his essence has never been a power-hungry character. his entire drive, as we are told exhaustively through both the show and memes of the original, is regaining his honor — which is also an important cultural trope for many japanese warrior characters (though others not me can speak far more in-depth to this). his search for lost honor is incredibly important, if not central, to his entire character arc, which is zuko discovering that his honor does not come by acknowledgement from his abusive family or even imperial power, but through his own integrity and ethical code. so to have him make several lines about rightfully regaining what's his, the throne, and to make that the primary point of contention between him and azula.....is a misunderstanding, again, of the crucial aspects of zuko's character.

my other nitpicks with the characters are smaller — i miss sokka's slapstick, which has been substituted with very dry humor (and i understand this makes more sense for live action). i am still on the fence about how i feel about making ozai and azula such central characters in s1; i understand why they felt this was necessary for live action, but having those two be shadow figures in the original s1 was a really cool narrative effect for not only establishing zuko initially as a villain within his own right, but for building narrative suspense as to the fire nation's motivations.

ultimately, there's just some secret x ingredient that's missing from the live action that the original nailed effortlessly — maybe it's the sense of fun and wonder? i haven't really had fun watching this adaptation; i'm more just spectating, like watching some pretty fireworks before i move on with my day. my opinion may change slightly, as i hear the show is stronger in the second half; i wouldn't even say it's a BAD adaptation, but overall i feel like it's just kinda....meh, and i still question why it needs to exist in the first place when there are some things that animation as a medium just does far better.

also i just want to point out that i find it extremely frustrating that this show leans very hard into showing the atrocities and Moral Evil of genocide in literally the first 20 minutes of episode 1 and that while netflix wants the virtue-signaling brownie points for that, they'll still continue to give giant paychecks and platforms to brazen zionists. because after this dies down, the stranger things promo cycle is going to start up.

[beevean]

Multiple questions for you.

What were your thoughts on the Netflix castlevania show when you first discovered it?

How did you feel about the show when watching through each episode?

When did you realize the show was hopeless and would have zero redeeming qualities?

What are your overall thoughts on Netflix castlevania now?

1) I actually heard about it as it was airing - I vaguely remember posts related to Dracula and Lisa, or gifsets of the "I'm killing my boy" scene before I started playing the games. Needless to say, I heard nothing but good things, posts about how it was a great adaptation. I tried watching the first episode before getting into the games, but I got only confused and bored because of the CHURCH BAD scenes that had little to do with the plot lol. When I asked @spinningbuster98 (the friend who urged me to play the games) if it was worth watching it, his response was more or less "ehhhhhhhhhhhhhhhhhhhhhhh", before sharing part of his grievances. At the time, I only vaguely understood the issues. After playing SoTN, CV3 and CoD, let's just say that everything became crystal clear.

The actual show turned out to be a much more unpleasant experience than simply "they fucked up the lore and the characters" could have prepared me for.

2) I actually have chronicled my first experience here :) as you can tell, while my criticism was not as well worded as I would phrase it today, it's proof that I only had a tolerable time in S1, and then things progressively got worse. Here's my second rewatch, if you're curious.

3) No doubt, S3 was my breaking point. S1 was mediocre but tolerable, S2 was boring and sluggish, but S3 was just a mean-spirited waste of time with a terrible, immature message and needlessly sadistic torture porn this side of an edgy fanfic. By the end I was so sick to my stomach, I really didn't want to watch S4, and to this day there are some episodes (mostly the ones focused on the Trepha plot) that I simply skipped because I just want it to be done.

4) That it's bad :P it's a bad adaptation, because it was obviously written by someone who only read the wiki and supervised by fans blinded by their own ego, people who didn't get the spirit of the original series and wrote a shallow Berserk ripoff with only the vague aesthetic of Castlevania: just the writing of the characters is appalling in how everyone was reversed for no reason, almost on purpose. And it's a bad story in itself, because it's rife with shocking writing mistakes, such as an over reliance on telling, glacial pacing, condescending hand holding to push you to think in a certain direction, long pretentious speeches to simulate depth, ridiculous amount of swearing (and even bland swearing) that doesn't fit the characters, dropped plot points, rushed plot lines, immense favoritism towards certain characters combined with the humiliation of others, a lack of focus in the last two seasons, and a general... mean mentality, that I can only describe as a combination of snobbish intellectualism, British imperialism, and victim blaming.

Aside from the cool fight scenes and the old-time fans who are so starved for CV content they'd eat dirt, I genuinely will never understand what people like about this show.

[aphfanficwriters]

Every month we will pose a question and collate responses as a fun and informal little exercise in getting to know each other and spark discussion.

For Hetalia's 18th anniversary, we asked our writers:

“How did you first get into Hetalia?”

Beetroot / @council-of-beetroot: People had recommended it to me prior since I'm a geography nerd but I heard it was offensive. At one point I read a fanfic about Hetalia Lithuania and that piqued my interest. But then like six months, around March of 2022, later I recalled my sister talking about a funny scene from Hetalia. So I decided to look up Hetalia out of context on YouTube. I decided nothing could be more offensive than I was at 13 so I watched that and then knew I had to watch the show. I watched the show in a weekend. It was particularly funny to watch at the time because my best friends that year in highs were foreign exchange students from Germany and Japan. Anyway here I am now.

Angel / @billowingangel: I got into Hetalia around 2015 by reading x Reader fanfiction and I stumbled upon a Germany x Reader on DeviantArt and then I went down a rabbit hole of the Hetalia countries x readers. The x reader fanfiction comforted me immensely as I was struggling greatly at the time and that was probably the worst time of my life. Then I found other Hetalia fanfiction and fanart, and I then watched some of the episodes on YouTube. Since then Hetalia has been something of great comfort and nostalgia to me. Hetalia honestly means so much to me and there's been so many lovely people in this fandom that I’ve had the pleasure of interacting with 💗

Didi / @teaedon: Searched my country on deviantart, found Hetalia OCs comics. Watched the anime when it had just 1 or 2 seasons out (both 2009), and began to keep up with blog and page translations on Livejournal (did I understand English at the time? Barely lmao). Then jumped from Livejournal to Tumblr but because a funny-unrelated-to-Heta blog, but soon more than later I started following Hetalia blogs... Made my sideblog in 2015; I should have done that sooner, it's around that time that my actual main fandom was another for a while. Even with the manga hiatus ending in 2021 (also new anime season), I only fully returned in 2022. No fics until... 2023, omg (the deleted ff.net one from when I was in school doesn't count).

Tama / @delgumofics: Back in 2012 my sister suggested I check it out, said it was funny. I watched ep1 subbed and by the end I had a glassy look in my eyes, shut it off, and promptly forgot about it. Later on it was on Netflix so I gave the dub a shot and died laughing. I binged the whole original run in a couple days then started looking at fics.

Eru / @eruverse: I first learned of Hetalia around well 10 years ago, but couldn’t get properly into it. I alrd liked Vanya but that was that [...] I properly got into Hetalia after they released Indonesia, so it was just around 2021. Was immediately thrown into Netherlands/Indonesia, the beloved ship of Indonesian fandom, creating fanarts for them and brainrotting with other Indonesian fans. Good times! Ah, NLID… other Indonesia ships would simply not compare to the weight of history, emotional baggage, and all kinds of other baggage of this one ship. You should check it out, and being Indonesian I have the front seat for accessing juicy historical materials. Nobody in the fandom knows the special side of Netherlands that Indonesians do.

@folightening: Bought and watched the first season a long time ago, I think it was out of curiosity. I remember people talking about it at school and I recognized the name at the store so I got the first season to check out. Didn't do anything more with it until ~2 years ago I think? Watched it again on a whim, bought the series in a collection set, found where I could read it, got my writer's block shattered, and the rest is history.

Yukihitomi / @arthurhonda: This is actually a funny story. So it was back in 2011, and my friend recommended it to me because I like history and was a history kid. It also had nekotalia, and I love cats. Combine the two, and it was a good recomendation. Ironically, she said "don't get into the fandom." Clearly, I didn't listen.

Ash / Lutz: A friend told me the anime was really funny so we watched a few episodes of it when we were in high school. I was hooked and almost immediately started googling amecan fanart lmao

Prush / @proosh: I can't remember exactly but I think my discovery of it was connected to the old DeviantArt series Scandinavia and the World? But it was around 2011, I'm pretty sure, and I got into it via the dubbed parts uploaded to Youtube. It activated me like a sleeper agent, having already had an early interest in history, and I've been trapped in here ever since.

Lacy: I randomly found the series while I was reading some news. (Think it was back in 2013-14). Sort of got very obsessed with it and was joining groups left and right, bought fktons of merch for a lot of characters. (i just love them all crazy at that point of time) One of the groups i was in decided to hold some event and thats where i wrote my first fic. Then theres so much stupid drama i just withdrew eventually and kept to myself with just one ship. (At this point there was this one person who was writing with me). Then came the time when she left as well, so I did question at that point if i still want to stay in this fandom alone (and i did, because i just want to finish up my wips 🫠).

Mossman / @one-more-mossman: I don't remember exactly how I did get into Hetalia , but I checked out the date of my first Hetalia pfp and it's December of 2012. I remember being super into Ivan and putting him on all my pfps and telling my friends about him and being all mushy and stupid. I had pretty limited access to the internet at that time, and didn't speak any English, so I wasn't a part of the Hetalia fandom - neither the English speaking nor Russian. So I didn't know he was an unstoppable rape truck y'know. I was drawing him and just silently vibing with him. I got into the actual fandom about three years ago - was a lurker first, not interacting aside from leaving kudos/comments, then got into fic writing (for English speaking fandom, I thought it was more lively than the Russian one). Found wonderful people here. Happy to be here, glad to have people sharing my interests. (Notice there is not a single mention of liking history. I don't like it. I can't remember a single fact.)

WhiteWings / @smuttyandabsurd: Gosh everyone started so much later than me... Anyway back in 2007, my sister forwarded a random USUK fanart to me on deviantArt simply because "it's BL and you might like it." I binged the first season of the anime and was tickled enough to keep watching as further seasons came out. I was already casually interested in history - it was my second favourite school subject behind English lit - but after Hetalia? Yeah I was reading the densest modern history nonfictions around, hovering in the military history section of the library among random middle-aged men, and writing rapetruck smutfics with a ~historical~ flavour. Anyway, 17 years later, everything from the way I consume Hetalia and tangentially-related topics to my writing has had a dramatic evolution from my humble weeb-y beginnings, but I'm still in this dang ass fandom and I can't find the exit.

Sicily: I was into countryhumans and I came across it, and was like, pft I'm never going to like hetalia.., and now we are here

[nono-bunny]

Heya! Just wondering, since Netflix Geeked Week will probably show a trailer for the live-action Avatar on Thursday, I want to ask a few things:

Are you excited for it?

What do you think they'll keep, cut, and expand in this live-action of ATLA - Book One: Water (Season 1)?

Since Bryke are not on the project now, do you have a good feeling that this live-action could be a lot better than what they come up with at Avatar Studios?

(By the way, were these "Braving the Elements" episodes recent from your last posts? And were Bryke really acting like complete stooges in them? :O )

Hi, thank you for the lovely ask!

I've been completely ignoring the huge Geeked Week banner so I have no idea what's up with that or that it's possible we're getting a trailer soon, so that's cool information to have lol

1. I honestly can't say I'm excited for the live action. The last Netflix live action for a beloved childhood franchise of mine was such a dumpster fire because they focused on being edgy and dark and abandoned the source material for the worse, so like? Past experience has made me extremely cautious in regards to live action adaptions coming from them. In general I am not a fan of this trend- the Disney ones are shit, and I only really find myself watching and enjoying the (sometimes shitty, but like, in a fun way) J-drama adaptions of old shoujo manga as I don't really fuck with any other genre nowadays. Anime has a long history with shitty adaptions for action shows, and as action is inherent to ATLA after all, even if it's not technically an anime, I know that's gonna be a hurdle they'll have to clear- just having good effects and fight scenes. It's not MY personal focus as I do find charm in shitty effects (I do like J-dramas after all!) but honestly that is probably what's gonna make or break the initial hype for the show imo. Rn I'm honestly just... So neutral about it to the point where it surprises me (I'm. Very much not a neutral person usually lol) and I think it's just a matter of like.... Being burned AND pleasantly surprised by ATLA stuff before so I'm kinda hedging my bets until I know which way it's gonna go for me. Honestly I can very realistically see me LOVING it, but the other option is that it's bad and that's kinda what I'm preparing for rn ig? I can't imagine I'll be too upset if it's just... Bad or unsatisfactory given that I already spend way too much energy on the shit the OG did wrong lol, if the LA follows suit with those I think I'll just kinda... Ignore it lol. Idk, A LOT of mixed feelings

2. I... Really can't even begin to imagine what they choose to do with the reduced time frame, but I know I for sure have my own thoughts on what I WISH they would! Mainly I want NO Kataang, if there's Kataang I'm not gonna even bother with it tbh unless it's completely one sided (which it was in the original, yet we still know how THAT turned out)... I obviously want endgame Zutara, but I'm not hard pressed on it tbh- it would be funny as fuck for it to happen after Bryke left over creative differences though! I REALLY want the Blue Spirit to stay, I really DON'T want The Great Divide (no way it's staying in though so we're probably safe on that front), and overall I kinda just? Want Aang to be more sympathetic- him being irresponsible in the original show only makes sense until a certain point, and I want an Aang that shows an ability to grow from early on. Aang's an awful, awful Avatar, and I truly want him NOT to be one here- honestly, a good way to get around some of his early issues would be to borrow a bit from Korra and twist his love for slacking off into an enthusiasm for all four cultures (rather than just their rideable animals), which I feel like he was CLOSE to having... But as usual with him it was all tell and no show- I wanna see him having friends in all four nations, I wanna see him being multi cultural even before he gets freezed, I wanna see him embrace all four bendings and cultures rather than fixating on air, I wanna see him fail and take responsibility... But I also still want to see him being a kid, because that's crucial, and while the original show never allowed him to grow up, I also don't want him to be immediately seen as and treated as wise and powerful- I want him to struggle with what it means being an Avatar who knows about it at such a young age, I want to see him meaningfully interact with his past incarnations, I want him to ACTUALLY find a balance! I think I maybe just... Want a whole new main character still named Aang tbh, because I DON'T like who he is in the original show, but I do like who he could've been! I REALLY don't want the show to be intentionally edgy- if it goes into any dark topics, they should be ones already raised in the original. I want some more light shed on how the North Pole and Pakku's sexism never went away, I want the show to acknowledge that the monks didn't go down without putting up a hell of a fight, I want to know what the fuck Zhao was doing to get promoted like that despite his constant failures on screen, I want to really dive deep into Aang and Bumi's relationship and maybe how Aang failed him on a personal level (he's literally the only one who would've missed Aang, not the Avatar for all this time) and how he mourned him for years, I want Aang to contend with and realize that he's in a war and how he's FOR SURE killed people and will have to again even before Koizilla (he kills so many people in The Northern Air Temple!!)... I could honestly kinda do with an abridged version of some of the Gaang's travels, like, a lot of them are neat but only matter tangentially or from a world/character building perspective and can be dropped/merged/replaced pretty safely tbh. For example, Haru doesn't really need to exist tbh, what Imprisoned does for Katara can and maybe even SHOULD change gears to focus more on her rather than this random guy who only ever shows up once more to get laughed at because he has a lame mustache. The Fortuneteller should be dropped or altered severely because its message doesn't hold up under scrutiny. Yue should be a bigger presence and be more of an established character. Jet should maybe get his role expanded. Suki should be more of a presence throughout. There are a lot of ways to make the first season better tbh, and also it NEEDS to change to fit with the new timeframe so? Yeah I hope they do a good job at separating the wheat from the chaff because god knows the original show did not know how to do that.

3. I'm honestly pretty confident in saying that Avatar Studios will never ever make anything good, or at the very least, anything that I'll like, but as to what the lack of Bryke means for the LA? Honestly, it's all up to the people working on it- Bryke being bullheaded and bad writers isn't exclusive to them, and if the staff is made up of writers that lean too heavily on the source material or drift too far from it that could honestly sink the whole show. Of course I'm happy they're not on board given their awful track record, but like... I know nothing about any of the people working on it in their stead, so a lack of Bryke doesn't necessarily equate to good writing (it certainly does leave out THEIR bad writing though!!)

Braving the Elements is soon gonna start reviewing the third season of ATLA, and it started in 2021 so everything there is very recent! And yeah, every time Bryke are on they prove themselves to be assholes all over again, they keep topping themselves somehow istg!

I feel that this isn't my most eloquent post but tbh I'm quite sick rn so this is the best I can do atm, hopefully I managed to answer properly anyway?

[pinktwingirl]

Have you watched the one piece live action? There the show runners were brave enough to show the 1-2 episodes to the fans first and the whole season to the critics. Although the marketing tactics of Netflix is questionable, the show was made with love and care.

I felt gaslight with all this raving for Loki here and there especially on tumblr and Reddit. The reviews are making it like a masterpiece, raving Tom’s performance like it deserves an Emmy. The fact they only showed 1-4 episodes and that too critics speaks volumes.

I’m worried for the awards, Loki will steal one piece’s thunder. The cast deserves the love since they were HUMBLE ENOUGH TO THANK THE FANS IN ADVANCE . Plus they are relatively unknown too.

God only if the Loki’s finale is more than atrocious the secret invasion.

I have not watched the live action One Piece yet but I’ve heard mostly good things about it. It just goes to show the lesson that Disney/Marvel consistently fails to learn: good adaptations are born out of love and respect for the original source material. Contrast that with the Loki series, in which the writers literally said they wanted to “strip Loki of everything that makes him Loki.” Like… wtf is wrong with you??? People loved this character for a reason; why would you think we wanted to see him turned into a hollow, boring shell of himself? Also, as much as it pains me to say this because I genuinely think Tom Hiddleston is a great actor and I know he’s capable of better work, his performance in the Loki series is most definitely NOT award-worthy imo. It’s a jumbled mess of cartoonish over-acting that’s honestly painful to sit through. Like I remember watching the scene where Alligator Loki bites President Loki’s hand off and just feeling embarrassed for Tom at how cringe the whole thing was. (I haven’t seen S2 nor do I have any plans to but I’d imagine his performance is more or less the same as S1.) To be fair, though, the dialogue is so poorly written that I think anyone would have a hard time making it sound natural. Also, we’ve seen him give truly great performances as Loki in his past movies so I don’t blame him for it; I blame the direction.

[captainvulcant]

ATLA Live Action Review

I will preface this by saying that largely I enjoyed watching ATLA and I would watch a season 2, would even look forward to a season 2.

However, I did have a lot of issues with this series, issues which I don't feel can be solved by saying "well it's a different series it shouldn't be an exact copy paste of the original". If their changes are worse than the original then that is a failing, and there was a lot which was objectively worse. I'll begin with:

Dialogue Are these things written by AI now or something? The dialogue was giving me "I forced an AI to watch x hours of halmark movies and write one for me" but for your standard adventure series. Listen, we have had this already in 100s of other series and films. ATLA is so unique, could we not have kept the dialogue to that style instead of the expositiony "It's my responsibility" style basic adventure hero stuff? At best it was dull, at worst it was actively cringy. I felt that Zuko and Iroh's dialogue was better and most engaging, no real issues there, but only on a couple of occasions did I experience the Gaang's characteristics and dynamic that I was hoping for from the dialogue.

Music Would have very much liked to have heard some East-Asian instruments and music style. The bog-standard western orchestra did the same as mentioned above: it's dull, it's predictable, it didn't bring me into the world it took me out of it. I was metaphorically taking a shot every time the orchestra swelled at a dramatic or poignant moment. The exception was the little Leaves from the Vine motif they dotted in around Iroh, that was wonderful. Could have done with more of that for Aang's emotional moments.

Exposition So much exposition. Imo they shouldn't have shown the air nomads being attacked. We should have seen Aang fly off and then seen the fire nation making its way up the mountain ominously (on foot!! why do the firebenders have bending jet packs now??? this defeats the later plot??? why can everyone fly now????) before cutting to black. If they really wanted to show it it could have been in quick flashbacks as Aang makes his way through the air temple, which I think would have made it feel more personal to Aang and more devastating. As it was I was just reminded of Star Wars through the whole thing (so many Star Wars vibes at the air temple it really threw me off). Dialogue exposition also awful. If they had spent less time explaining every single plot point to the audience like we're stupid and more on the relationship between the characters and character development we might have actually felt like we progressed from episode 1 to 8. Which leads me to:

Characterisation I'm considering making an entirely different post for this honestly, but here it is in brief. I think we really lost something in this series, and for that I blame the 8 episode thing Netflix is obsessed with. The actors did a good job I felt, particularly with a script that was more rote phrases and platitudes than wise words and attitudes. We didn't really get to see friendships developing, they were just there. We didn't see the characters grow, and the issues which they faced and overcame in the series (which worked perfectly well!!!) have been changed for no reason. Sokka's dad was disappointed in him?? Why???? We already have Zuko whose dad is disappointed in him. I love Sokka's original character, I love seeing him getting over his mysogyny. You know what might have been helpful, in 2024 where all studies show that young men who spend time online become more conservative and sexism is rife?? Maybe showing that it's ok to change your views, that it's ok to work with and respect women, that people will still love you, and that it's not always your fault when you're taught stupid shit. That would have been useful. Taking away that aspect of his character meant changing Katara's and Sukis, and not for the better!!!! Like jesus Suki, my poor Suki. She's such a cool character in the animation. She has responsibility, she is competent and cool and knows her place in the world, but is also open to the idea of change. Why did they make her so awkward (original Suki is fun and funny as well) and unsure? And more parent drama?? Again??? Do they only have one plot?

I also felt that by missing key episodes like the Northern Air Temple we really missed out on Aang's character from the animation, and the emotional weight those scenes could have brought. This Aang doesn't goof off, he's already learned his lesson. This Aang doesn't struggle to balance his beliefs as an airbender (the last airbender, the only one who can continue them) with his job as the avatar, he's just 100% up for the fighting with no conflict. This is a huge part of his character's original internal struggle (and a massive plot point later on) and it feels like we lost something by taking it out.

Final Thoughts Once again, I did enjoy the series. I got super emotional at some parts, I particularly enjoyed the first 4 episodes. Overall I liked the casting and I think the actors did a pretty good job and I'm excited to see where this will go in season 2.

But, I do think that we are allowed to criticise and compare things. I'm seeing a lot of people on here being like stop over-analysing things!! No, lol. Firstly, this is tumblr, the over-analysing website. If you want a superficial review go to tiktok. Secondly, if I had one thing to place the blame on for my issues with this series it's that it is more generic and dumbed down than a cartoon made for kids almost 20 years ago. I am not alone in thinking that media is becoming very basic and sanitised (while at the same time becoming more explicit and violent? It's like no we can't have nuance or complex issues but we will show you explicit sex scenes and awful violence) and also it all feels the same. And I do think we should be wary of the homogenisation of media.