#Part of Asia

[applesauce42069]

love how sometimes its "colonialism" and sometimes its "conquest" depending on when it happened and who was involved. don't worry about it.

[littleprincehyun]

Baekhyun teasing Jongin and Sehun 😂

[sweet-potato-42]

cool fun fact for sunday

East Asia and South of South America are Antipodes meaning that they are in completely opposite points on the globe.

This means that when Acau joins we will have ccs in oppolise places playing together. People who physically could not be further away from each other.

The ones in buenos aires would be the furthest but i doubt Carre will play so I think cellbit or bagi are next. (idk where exactly they live but I'm pretty sure they come from the south of brazil)

Here is a map of the world showing antipodes. The areas in orange are perfectly opposite to each other.

[welcometogrouchland]

Also I am. Constantly forgetting how fucking funny Hunter is. We never give him enough credit for how funny he is because his life is so fucked up but I swear 90% of his lines are just bit after bit after bit. He's not even trying either. Anytime he actively tries to make a joke it falls flat but if you just put him in a Scenario he'll find a way to be so over invested and yet out of touch/at odds with whatever's going on. He's so autistic

[oinonsana]

Tactical Combat, Violence Dice and Missing Your Attacks in Gubat Banwa

In this post I talk about game feel and decision points when it comes to the "To-Hit Roll" and the "Damage Roll" in relation to Gubat Banwa's design, the Violence Die.

Let's lay down some groundwork: this post assumes that the reader is familiar and has played with the D&D style of wargame combat common nowadays in TTRPGs, brought about no doubt by the market dominance of a game like D&D. It situates its arguments within that context, because much of new-school design makes these things mostly non-problems. (See: the paradigmatic shift required to play a Powered by the Apocalypse game, that completely changes how combat mechanics are interpreted).

With that done, let's specify even more: D&D 5e and 4e are the forerunners of this kind of game--the tactical grid game that prefers a battlemat. 5e's absolute dominance means that there's a 90% chance that you have played the kind of combat I'll be referring to in this post. The one where you roll a d20, add the relevant modifiers, and try to roll equal to or higher than a Target Number to actually hit. Then when you do hit, you roll dice to deal damage. This has been the way of things since OD&D, and has been a staple of many TTRPG combat systems. It's easy to grasp, and has behemoth cultural momentum. Each 1 on a d20 is a 5% chance, so you can essentially do a d100 with smaller increments and thus easier math (smaller numbers are easier to math than larger numbers, generally).

This is how LANCER works, this is how ICON works, this is how SHADOW OF THE DEMON LORD works, this is how TRESPASSER works, this is how WYRDWOOD WAND works, this is how VALIANT QUEST works, etc. etc. It's a tried and true formula, every D&D player has a d20, it's emblematic of the hobby.

There's been a lot more critical discussion lately on D&D's conventions, especially due to the OGL. Many past D&D only people are branching out of the bubble and into the rest of the TTRPG hobby. It's not a new phenomenon--it's happened before. Back in the 2010s, when Apocalypse World came out while D&D was in its 4th Edition, grappling with Pathfinder. Grappling with its stringent GSL License (funny how circular this all is).

Anyway, all of that is just to put in the groundwork. My problem with D&D Violence (particularly, of the 3e, 4e, and 5e version) is that it's a violence that arises from "default fantasy". Default Fantasy is what comes to mind when you say fantasy: dragons, kings, medieval castles, knights, goblins, trolls. It's that fantasy cultivated by people who's played D&D and thus informs D&D. There is much to be said about the majority of this being an American Samsaric Cycle, and it being tied to the greater commodification agenda of Capitalism, but we won't go into that right now. Anyway, D&D Violence is boring. It thinks of fights in HITS and MISSES and DAMAGE PER SECOND.

A Difference Of Paradigm and Philosophies

I believe this is because it stems from D&D still having one foot in the "grungy dungeon crawler" genre it wants to be and the "combat encounter balance MMO" it also wants to be. What ends up happening is that players play it like an immersive sim, finding ways to "cheese" encounters with spells, instead of interacting with the game as the fiction intended. This is exemplified in something like Baldur's Gate 3 for example: a lot of the strats that people love about it includes cheesing, shooting things before they have the chance to react, instead of doing an in-fiction brawl or fight to the death. It's a pragmatist way of approaching the game, and the mechanics of the game kind of reinforce it. People enjoy that approach, so that's good. I don't. Wuxia and Asian Martial Dramas aren't like that, for the most part.

It must be said that this is my paradigm: that the rules and mechanics of the game is what makes the fiction (that shared collective imagination that binds us, penetrates us) arise. A fiction that arises from a set of mechanics is dependent on those mechanics. There is no fiction that arises independently. This is why I commonly say that the mechanics are the narrative. Even if you try to play a game that completely ignores the rules--as is the case in many OSR games where rules elide--your fiction is still arising from shared cultural tropes, shared ideas, shared interests and consumed media.

So for Gubat Banwa, the philosophy was this: when you spend a resource, something happens. This changes the entire battle state--thus changing the mechanics, thus changing the fiction. In a tactical game, very often, the mechanics are the fiction, barring the moments that you or your Umalagad (or both of you!) have honed creativity enough to take advantage of the fiction without mechanical crutches (ie., trying to justify that cold soup on the table can douse the flames on your Kadungganan if he runs across the table).

The other philosophy was this: we're designing fights that feel like kinetic high flying exchanges between fabled heroes and dirty fighters. In these genres, in these fictions, there was no "he attacked thrice, and one of these attacks missed". Every attack was a move forward.

So Gubat Banwa removed itself from the To-Hit/Damage roll dichotomy. It sought to put itself outside of that paradigm, use game conventions and cultural rituals that exist outside of the current West-dominated space. For combat, I looked to Japanese RPGs for mechanical inspiration: in FINAL FANTASY TACTICS and TACTICS OGRE, missing was rare, and when you did miss it was because you didn't take advantage of your battlefield positioning or was using a kind of weapon that didn't work well against the target's armor. It existed as a fail state to encourage positioning and movement. In wuxia and silat films, fighters are constantly running across the environment and battlefield, trying to find good positioning so that they're not overwhelmed or so that they could have a hand up against the target.

The Violence Die: the Visceral Attacking Roll

Gubat Banwa has THE VIOLENCE DIE: this is the initial die or dice that you roll as part of a specific offensive technique.

In the above example, the Inflict Violence that belongs to the HEAVENSPEAR Discipline, the d8 is the Violence Die. When you roll this die, it can be modified by effects that affect the Violence Die specifically. This becomes an accuracy effect: the more accurate your attack, the more damage you deal against your target's Posture. Mas asintado, mas mapinsala.

You compare your Violence Die roll to your target's EVADE [EVD]. If you rolled equal to or lower than the target's EVD, they avoid that attack completely. There: we keep the tacticality of having to make sure your attack doesn't miss, but also EVD values are very low: often they're just 1, or 2. 4 is very often the highest it can go, and that's with significant investment.

If you rolled higher than that? Then you ignore EVD completely. If you rolled a 3 and the target's EVD was 2, then you deal 3 DMG + relevant modifiers to the DMG. When I wrote this, I had no conception of "removing the To-Hit Roll" or "Just rolling Damage Dice". To me this was the ATTACK, and all attacks wore down your target's capacity to defend themselves until they're completely open to a significant wound. In most fights, a single wound is more than enough to spell certain doom and put you out of the fight, which is the most important distinction here.

In the Thundering Spear example, that targets PARRY [PAR], representing it being blocked by physical means of acuity and quickness. Any damage brought about by the attack is directly reduced by the target's PAR. A means for the target to stay in the fight, actively defending.

But if the attack isn't outright EVADED, then they still suffer its effects. So the target of a Thundering Spear might have reduced the damage of an attack to just 1 (1 is minimum damage), they would still be thrown up to 3 tiles away. It matches that sort of, anime combat thing: they strike Goku, but Goku is still flung back. The game keeps going, the fight keeps going.

On Mechanical Weight

When you miss, the mechanical complexity immediately stops--if you miss, you don't do anything else. Move on. To the next Beat, the next Riff, the next Resound, think about where you could go to better your chances next time.

Otherwise, the attack's other parts are a lot more mechanically involved. If you don't miss: roll add your Attacking Prowess, add extra dice from buffs, roll an extra amount of dice representing battlefield positioning or perhaps other attacks you make, apply the effects of your attack, the statuses connected to your attack. It keeps going, and missing is rare, especially once you've learned the systematic intricacies of Gubat Banwa's THUNDERING TACTICS BATTLE SYSTEM.

So there was a lot of setup in the beginning of this post just to sort of contextualize what I was trying to say here. Gubat Banwa inherently arises from those traditions--as a 4e fan, I would be remiss to ignore that. However, the conclusion I wanted to come up to here is the fact that Gubat Banwa tries to step outside of the many conventions of that design due to that design inherently servicing the deliverance of a specific kind of combat fiction, one that isn't 100% conducive to the constantly exchanging attacks that Gubat Banwa tries to make arise in the imagination.

[blacksunrequiem]

Disclaimer: I wrote this post as an enthusiast for Dune: Part Two (2024) and the ‘seductively sick’ portrayal of Feyd-Rautha Harkonnen. Any other thoughts or comments are welcomed and appreciated! TL;DR: The aesthetic choice of Feyd’s blackened teeth aligns well with the widespread custom in ancient Vietnam — a sign of beauty, maturity, and even brutality. Read more below. Original photos belong to their respective owners.

Teeth blackening in Dune: Part Two (2024) through the lens of Vietnamese culture

One thing that mesmerizes me about Feyd in the 2024 Dune movie is his blackened teeth. Not only does this provide an impressive physical appearance for Feyd, but it also reminds me of a long-lost fashionable custom in my home country.

Original inspiration. As far as I know, the film crew creatively invented this aesthetic for the movie from the inspiration of the black mamba (a type of venomous snake in sub-Saharan Africa) and images of geisha with black teeth. Similar to folklore and legends, other countries and ethnicities also dyed their teeth black with their local traditional recipes.

Vietnam-specific. Particularly in Vietnam, teeth blackening was once a popular aesthetic choice for both commoners and noblemen. As teeth blackening was a sign of elegance and decency, it was prevalent for Vietnamese women to adhere to this practice. This custom was deep-rooted as early as 400 BCE and grew so profound as an indicator of being ready for marriage or fierce on battlefields. Side note, Vietnamese people would not dye their teeth black until they came of age; it was indeed a statement of maturity.

A clash between the East and the West. It is also hilarious that until the early 20th century in Vietnam, white teeth were regarded as barbaric; only animals, savages, and evil spirits would have white teeth. During this time, one may casually make a sarcastic remark about pretty girls with white teeth such as “Oh you’ve got a pretty face but your teeth are as white as doggo.” On the contrary, in the eyes of the French colonists, the locals had impressive straight teeth but those were “as black as sewer pipes”.

Cannibalism? In some online discussions, internet users theorize that Feyd’s blackened teeth may indicate cannibalism. This fan theory is reasonable enough, because during World War I, to curb the abuse and bullying from the larger and stronger Moroccans and Senegalese mercenaries to the smaller Annamese counterparts, a French officer spread the rumor that black-toothed people were cannibals and could devour two legs in just an hour, terrifying the African mercenaries and bringing peace to the Annamese ones.

How to? So, without the privilege of wearing an Invisalign filled with black dye like Austin, how did the Vietnamese dye their teeth? In short, one must generally undergo the following stages to dye their teeth black: mouth sanitization, red dyeing, black dyeing, polishing, and maintenance, which on average took around three weeks. It was reported that the first teeth-dyeing session would rather be physically painful due to swelling mouth and lips, stinging sensation of the dyed teeth, and strict dietary restrictions (e.g., refraining from fatty and hot food, smoking).

On another side note, I don’t know exactly what the food that Feyd chewed in the early morning attacking Sietch Tabr and degrading Rabban, but to maintain the sheeny stylish black teeth, ancient and older Vietnamese often practiced betel nut chewing.

Dear Dune fan fic writers, please consider adding this long-lost social custom into your fics; multi-cultural representation would be greatly appreciated and respected.

Please let me know if you want me to delve into greater details of the teeth blackening tutorial in Vietnam. I may do a part two on this for my lovely Feyd and Vietnamese culture if you guys are intrigued!

[scoutpologist]

i'm a worldbuilding freak absolutely and the worldbuilding of DE is driving me insane cause some places are pretty clearly inspired by/allegories for real-world regions (seol inspired by east asia and mesque inspired by spain, to name the obvious ones) but i'm not enough of a history person to understand all of them and it's driving me Crazy. cause i love making those connections!!!

if anyone has any info on that, any theories, or an easy-to-understand guide to the worldbuilding i would LOVE to see it, because i'm genuinely really curious

[fighting-these-demons]

Divorce Saga Domon - A Haunted Honk Prequel

Hello Internet Stranger looking up G Gundam on Tumblr dot com!

This is an idea for a fic set in an Alternate Universe involving Queer Non-Canon Relationships between the characters of the series.

If you are not looking for this content please scroll on.

If you ARE looking for this content - and you're ok with reading my and other's Headcanons for this Alternate Universe I've haphazardly spun up -

Then go ahead and feel free to:

Check The Tags Of This Post For The Pairings

and click the Read More below!

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Ended up outlining a completely different fic as a Segway for an explanation instead of making progress on the Royal Flush Haunted Honk AU's Clown Motel Fic like I wanted to but uh....

For y'all's review for the AU: A Prequel Outline - Divorce Saga Domon

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Hey real quick - I'm thinking of maybe changing the timeline to 2 years post canon as opposed to 3 years and change post canon.

The reason being: I had a thought that this scene could either be part if the fic or if it's getting to big then it could be a stand alone tie-in prequel fic as part of this AU but - like

Immediately Post Divorce Domon Needs Space and runs off. As one does. And he runs to Earth because he just wants to Get Lost for a while.

He has Argo smuggle him out to avoid detection.

Argo has Andrew help stow Domon in a storage hanger of a Neo Canadian supply ship that's returning to the US - they have trade often enough and share agricultural resources - which leads to Domon ending up in New York when he hits Earthside pavement.

He's privately worked on his English the last couple of months and after being dropped in New York with a different hairstyle, outfit, and accent he's unrecognizable. 

He considers making his way west to get some solitude in the wilderness, but something about that initial plan feels off now that he's on the ground.

Chibodee is also Earthside for a special series of prize fights aimed at raising charitable appeal for the US in the eyes of Neo Americans.

Domon decides to hit up Chibodee for a fight on a day between matches hoping it'll clear his head and give him the clarity to decide on a course of action. What ends up happening is an unexpected heart to heart via blows and a breakdown.

Domon is happy for Rain and Kyoji, and he knows it's not true; but he feels like he lost a piece of himself when his relationship with Rain fell apart.

Domon's instinct is to run after that but Chibodee knows this city and Domon doesn't hide out for long before Chibodee drags him back to his place to stay and just "Chill out and breathe. You don't have to be anyone but yourself here. You can take as long as you need to find out what everything changing means for you." Friends and teammates stick together.

So Domon spends a few weeks with Chibodee sparring and hanging out in New York. Chibodee does a frankly awesome job at containing his feelings because he's focusing on Domons feelings and being a good friend first and foremost. Whatever he's feeling can wait until after Domon is done going though it.

There's a bit of a twinge in Domon's heart as he leaves that he can't really place.

After he returns to Neo Japan and gets settled back into life with his family, The Dreams start.

They're mainly set in New York. Small things first like noticing Chibodee's smile and his eyes. Then sparring sessions that begin to turn lurid.

He thought these kinds of dreams would stop after he was married.... he doesn't know what to do about this.

I just figure it gives more clarity and sense of time for the journey from Comphet Marriage Dissolution to Feelings to Confession. Idk.

But I got stuck on a bit and then had this thought and needed to get it down before I lost it and it was so long it made sense to make it its own post as opposed to several replies.

The Maize and Clown Motel will probably still be 3 years and change post canon for clarification.

@thedragonchilde @amplexadversary @youreaclownnow

[nordic-language-love]

You know one thing I love about Japan? Everyone responds to me saying "I speak Norwegian" like it's really fucking cool. I tell people in the UK that I speak Norwegian and they're just like "why? You know everyone there speaks English, right? There's literally no point in learning it." But I tell people over here and they're like "no way, that's amazing! And you learned by yourself? You're so clever!"

[leroibobo]

around the great mosque of xi'an, originally built in 742, and one of the largest historical mosques in china. chang'an (xi'an's old name), then the capital of the tang dynasty, had a large west asian community to the point that emperor xuanzong permitted the construction of the mosque. unlike most contemporaneous chinese buildings, which are oriented north-south in accordance with feng shui, the great mosque is oriented to the west, towards mecca.

[badbookkeeping]

there are sooo many inauspicious numbers in this bitch. 4s and 13s all over the place.

[xstea]

Entered the wilderness to collect materials when I was greeted with this surprise,

Love the addition of the Shuori festival in these fireworks celebrating half a year for Reverse. Much looking forward to the next half to see what'd we get on global.

[livelist]

Please stop the nonsense. This should be obvious.

The map even came with the large gaps for the Suez and Panama canals! I didn't even have to do that!

#SixContinents #Eurasia #EuropeIsntAContinent #FarWestEurasia

[suffarustuffaru]

I don’t speak Japanese so I’d LOVE to hear more about the differences between the English and Japanese Re:Zero fandoms

yeah sure its very interesting to me now that ive noticed it more lately :o !! though ok disclaimer - i dont speak japanese either hah so if anyone is seeing this and does speak japanese + is familiar with the japanese speaking side of this fandom please add info if youd like!! and of course ill be mainly speaking from the english side of things bc im more familiar with that yes (sorry anon again im not a japanese speaker T^TT so sorry if i tread on info you already know!!). but yeah im speaking from my own experiences given the Topic at hand. ive been in this fandom since... 2019?? which is so wild to me aljsdfljsd.

anyway so - i think the big difference is mainly that the english fandom and many english speaking people that engage with rezero are. to put it bluntly, misconception runs Rampant to a very Interesting degree. to the point where it seems like the english speaking side of the fandom is More. Aggressive. than the japanese fandom. not that the japanese speaking side of the fandom is perfect - also bc what fandom is ever perfect 100% of the time, tbh - but that the louder people in the english rezero fandom are. well its a Very low bar. Very low. and from what little ive seen and heard so far, the japanese fandom tends to understand rezero and its characters better than the english fandom. which ig makes sense bc you know, rezero is japanese media, and also im sure cultural differences come into play here as well (im not familiar enough on this to speak about it in depth but the cultural differences feel Pretty Clear even though i cant 100% put my finger on what they specifically are).

but also bc yeah. its not That hard to beat some of the english fandom when it comes to media comprehension. misreading rezero is unfortunately Extremely common, both in and out of the rezero community. its Everywhere - youtube, myanimelist, ao3, ff.net, reddit, twitter, various rezero discords - and from what ive experienced, rezero tumblr basically kind of feels like finding an oasis after crawling through the desert for days on end lajdslfjs. which is probs bc rezero tumblr is Smaller and also a lot of us seem to be lgbtq+ in some way or be allies, so you dodge a lot of the misogyny and homophobia that happens in other rezero english circles. its why you see a lot of openly queer rezero-related posts on here while its a bit more. barren. in other rezero english places yes. bc its more safe to post queer rezero things on rezero tumblr rather than rezero reddit for Sure.

im not sure how the japanese fandom is with that exactly but theres some interesting differences between whats popular in the english fandom vs the japanese fandom. i mean as an otto fan ive been noticing how hes more popular with the japanese fandom—and on top of that, ottosuba is Way More popular in the japanese fandom too. reinsuba and julisuba seem to usually be the most popular mlm subaru ships in both fandoms but ottosuba is like A Little Up There in the japanese fandom. not sure if its on the same level as a ship like reinsuba but ottosubas Definitely loved as a ship. from what little ive seen it also seems like ships like vichisha are more acknowledged by the japanese fandom? im not entirely sure on like—Complete differences regarding what the japanese fandom finds interesting that may differ from english fandom, so ill really have to look more into the japanese fandoms fanart and fanfic when i can bc im pretty curious too. in general though, it seems like the japanese fandom has a bit more variety…. you can find fanart on So Many characters in rezero (which already has a very Massive cast full of very fleshed out characters) there. not that you cant in the english fandom bc theres a Bit of variety too, but id more so contribute that a little more to the Big Cast and less to having actual variety in fancontent. and of course im not saying that the japanese fandom may be a bit barren in some areas of fancontent—bc inevitably when u have a big cast of characters, side character content is gonna be more sparse compared to the main characters, but to me it does feel like the english fandom lacks variety in comparison. (and also yeah. seems like the japanese fandom acknowledges gay ships more in general tbh.)

whats focused in fancontent makes it easy to tell what may be popular in a fandom in terms of how fans perceive the source material and what fandoms want to do with the source material, if that makes sense. and its very easy to tell that with the english fandom if you just hop on rezero ao3–or even better, rezero reddit given theres a fanfic ideas thread thats usually pinned right at the top of the site. again i havent looked at japanese fanfic for rezero yet (bc i dont know where to look oops ajdndn) but when it comes to the english fandom you can tell that theyre generally more focused on the female cast both in fanart and in fanfic bc. theyre women and many fans on say, reddit or various rezero discords, are cis straight men, so inevitably… well lets just say you can tell when a man makes content for this fandom o.o theres also the. very weird reaction fic trends and trends following popular fics in the fandom, the two biggest being the watching him die again and again react fic and re:forgotten, the former of which includes a harem plot with subaru and the main girls of rezero while the latter is one of those subaru gets tortured by his ooc friends and then he gets revenge on them fics. which i suppose says something about the english fandom too.

of course on ao3 its dominated mainly by english fics (of course not all fics on there for rezero are in english— big shoutout to all the non english fics on rezero ao3 ur doing great <3 — but the majority are in english). and while yeah ur occasionally gonna find stuff like queer content or side character content or rarepair content, its definitely not that big in amount and also comes with the risk of. Hate. if anyones reading this and remembers the lone star stuff. (if u dont know—lone star was a julius x emilia fic where they NTR subaru or some shit and then it got bombed with hate bc of the ship? yeah.) so yeah english fandom is very cis straight oriented, ironically with the nastiest people being the very people that rezero criticizes. though this is also my personal experience, i do know several people personally whove been in this fandom for a while or were here for a while and yeah english fandom isnt very welcoming at times???? and it seems like at the very least the japanese fandom is A Little Less Aggressive than the english fandom is.

otherwise. yeah im very very curious about more of the differences in popular content between the japanese vs english fandom. i mean the english fandom’s main focus on the female cast for. Interesting Reasons other than their actual character depth is… interesting. and the astreas being popular in general vs otto + ottosubas popularity fluctuating is also very interesting to me (but i have several guesses as to Why that is), among other things. yeah id love to know what else the japanese fandom likes about rezero and see more of their content. i also have to wonder if characters like emilia and subaru are hated less by the japanese fandom…. T^T well that and the english fandom and many english speaking people engaging in rezero have this interesting pattern of either hating subaru No Matter What, wanting subaru to Not Be Subaru (ie using him as a self insert almost or attempting to change him into virtually another character), or putting subaru on a pedestal and ignoring his flaws and mistakes and that he Can do wrong. like theres Really not a lot of nuance there. so i wonder if the japanese fandom is. A Little more chill when it comes to character opinions like this too.

[rhaenella]

Ed Speleers Audition Tape

Star Trek: Picard S3

“I did one tape… When the breakdown came in, I felt I was so right for the part. And yet, for whatever reason, when it came down to taping, it became really late at night in England, and my girlfriend and I… I just couldn’t do it.  I remember getting really emotional, on the brink of tears: ‘I just can’t do it. I’m giving up acting. I’m never doing this again. I’m done with self-tapes. I’ve been self-taping for months and months and months, and nothing’s happening.’ And then she said, ‘All right, look. Give it one more go. Stop being ridiculous.’ So I gave it one more go, and I’m not going to say the rest is history, because it’s not quite at that point. But, things moved on. At that point, when I got offered the part, they said, ‘Right. Just to let you know, you’re playing Picard’s son.’ So I was like, ‘Oh, okay. That’s news.’ And it was hard to get my head around what that meant until I spoke to [Picard season 3 showrunner] Terry Matalas, and he gave me the full throttle rundown of what that was going to mean, and what would transpire for the role.”

— Ed Speleers on his audition for the role of Jack Crusher [x]