#Pink movie cast

[nwemovie]

LOST Movie OTT Release Date, Trailer, Star Cast, Plot |

Lost Story The upcoming Hindi suspense-thriller "Lost" helmed by Aniruddha Roy Chowdhury and the screenplay and dialouge was penned along with Shyamal Sengupta and Ritesh Shah. The movie stars Yami Gautam and Pankaj Kapur in the lead roles, along with Rahul Khanna, Neil Bhoopalam, and many others in supporting roles. Avik Mukhopadhyay handled the cinemotography, and the film's editing was done by Bodhaditya Banerjee. Shantanu Moitra composed the soundtracks and the background score for this film. Kishor Arora, Sam Fernandes, and Shareen Mantri Kedia produced this film under the banners of Nammah Pictures and Zee Studios. The director of the blockbuster courtroom drama "Pink" is currently working on the suspenseful thriller Lost.In suspense-thriller films, you normally know what happened and who the suspects are, but you typically assume how they did it.

Lost Star Cast

Yami Gautam is playing the lead role in the film, and along with her, veteran actor Pankaj Kapur will be seen in key role in it. Pankaj Kapoor was last seen in his son and actor Shahid Kapoor starrer Jersey. Along with them, the film also stars Rahul Khanna, Neil Bhoopalam, Pia Bajpai, and Tushar Pandey in supporting roles.

Lost OTT Release Date & Trailer

After being screened at the 53rd International Film Festival of India (IFFI) in 2022, the investigation thriller is set to have a direct release on OTT soon. Yami Gautam, on her birthday, November 28, revealed that the film will be released on Zee5, and the official release date is 16 Feb 2023. Yami Gautam, who received critical acclaim for her performance in the social comedy film Dasvi, is gearing up for her next direct-to-OTT release, Lost. Touted-to-be an investigation thriller, the film is directed by Bengali filmmaker Aniruddha Roy Chowdhury, who is known for his Hindi directorial debut with Taapsee Pannu and Amitabh Bachchan starrer Pink in 2016.

Lost Star Cast Yami Gautam is playing the lead role in the film, and along with her, veteran actor Pankaj Kapur will be seen in key role in it. Pankaj Kapoor was last seen in his son and actor Shahid Kapoor starrer Jersey. Along with them, the film also stars Rahul Khanna, Neil Bhoopalam, Pia Bajpai, and Tushar Pandey in supporting roles.

Lost OTT Release Date & Trailer

After being screened at the 53rd International Film Festival of India (IFFI) in 2022, the investigation thriller is set to have a direct release on OTT soon. Yami Gautam, on her birthday, November 28, revealed that the film will be released on Zee5, and the official release date is 16 Feb 2023. Lost is her 5th consecutive film opting for a digital release as her last movie to hit the theatres was Ayushmann Khurrana starrer black comedy Bala (2019). Her previous two releases of this year, ‘A Thursday’ and ‘Dasvi’ were released directly on Disney+Hotstar and Netflix.

About the Film ‘Lost

Produced by Zee Studio and Namah Pictures, the film’s screenplay is written by Shyamal Sengupta, while dialogues are written by Ritesh Shah. Director Chwodhury, along with Shyam Sengupta, also penned the film’s screenplay.

[floralcrematorium]

Rumor has it, it was this lass's birthday yesterday!

Belarus | Belgium | Czechia | Hungary | Liechtenstein | Monaco | Seychelles | Taiwan | Ukraine | Vietnam

[loudlyhappycupcake]

The ice boy of Norte dame (the hunchback of Norte dame cast version) @snoopierdass @shironezuninja @pinkdiamondstar @sakulovejulius12 @kuskicanlove @untitled14360 @homuncvlus @serentiydraw5678 @bitter-yet-civilized @d-blue02 @minijenn @miniaturejudgeturkeytree @aamericanotaku @gametoon @shnashq @ashtableh @evander2511 @enchantedchocolatebars @vaultofqueenorion @waltdiegi-theartist @orangewierdo @popssipop @rapunzelsource @capturingdisney @clairaquos @frozensedits @frozenqueen97 @scurviesdisneyblog @collector-noceda-clawthorne @cartoonfan21 @angryscreenshot

[manderleyfire]

Ian Bohen and Holland Roden reunite on the carpet at the premiere of Teen Wolf: The Movie held at Harmony Gold in Los Angeles (January 18, 2023)

[tentacleteapot]

the more I think about it the more the Barbie Movie was just one of the biggest monkey’s paw situations I’ve ever experienced in my life

[wokeuplaughing]

just beginning to settle for me how reflective of our culture it is that the current biggest meme online is the fact that barbie and oppenheimer coincidentally come out on the same day. barbie is a multi million dollar plot by matel both to sell more products and to increase media engagement since that's where the future is for advertising their products and oppenheimer is a dramatization of the only time nukes were ever used in war that targeted two civilian cities and killed thousands upon thousands of innocent people from the perspective of the man who developed it and viewed it as a necessary evil to end a war that was basically already over. girlbosses and bombs! isn't everyone having fun

[iloveannaliese]

Pretty little liars -Dark Aesthetic

[itsdappleagain]

sorry ive posted forty thousand posts about our show in a row. i will do it again

[tiredgremlintime]

I JUST SAW BARBIE

LOVE IT!!!!

[missmaywemeetagain]

Okay, first things first, i adore pink scarf, i think you are an incredible writer - i had a crazy fever dream about pink scarf a few nights ago and it felt like i had just watched the movie version of pink scarf, just a bit ...'off'

Nonnie Baby!! Thank you so much! 💗💗💗

I love a good crazy fever dream and to have it be about pink scarf as though it’s a movie version makes me so excited and that is wild that y’all are DREAMING about PS…😳❤️

Can y’all imagine a Pink Scarf movie?? That would be bonkers. Give me your fancasts, y’all!! And not just Reader and E, but like Sandy and Jack and Jerry, too!

[spherekuriboh]

illumination would make a fucking great movie out of blowing up farewell my turnabout into a full runtime because:

- most illumination films have a higher bodycount than the average aa game

- literally everything about celeste and juan and adrian and matt, individually and as relationship units. people love touting these movies as not genuine but the adrian accomplice reveal would be so Good

- the soundtrack would fuck

- the Established Family Unit of nick maya and pearl disrupted violently by the plot. gjdhhshs illumination movies are pretty good at that kind of uncanny loneliness of being various degrees of alienated from your family for any reason and throwing this switch would be effective and terrible

- shelly de killer extra scenes that are just aai2 ice cream man

- nick kicking down those doors wouldnt be a joke actually. there's always marvel quips in these joke posts. they're fun movies but even when they're funny they arent so un-genuine.

- "what kind of jokes are--" matt pulls out his fucking burbon and when nick looks desperately at the guard the guy ducks, obviously having either given it to him or knowing it happens. The action is funny but the framing and audio cue make it clear that the cops not only know to an extent but Will Not Help You. he's only barely in prison. the guard has a large anime sweat drop as the shot re-focuses on nick staring into his own reflection in the glass instead.

- i dont think they'd shy away from this kind of visceral breakdown either? like. i think it'd be discretion cut away but the reunion scene between maya and nick and pearl is the next part and maya is like "what aboutt your record?" and nick goes "i won :)"

- credits scene dance party tribute to the jammin ninja which is a little bit tasteless but it's not worse than anything else that happens generally speaking. de killer is here.

[homoquartz]

this post is not gonna be well put together but i am having feelings

mean girls is trending right now because the musical movie just came out and i feel insane. idk why i do, it was stupid of me to think that most people Got It, no one ever gets it, it was always about the memes and the aesthetic.

the first mean girls movie was based on a nonfiction book called queen bees and wannabes. it interviewed and discussed the social hierarchy system in teen girl friendships. how they hold each other to these insane standards of heternormative femininity out of sheer terror that they won't meet those standards themselves. the way they leverage their relationships for some small degree of power in a world designed to strip them of it, even if it drags other girls down.

the "you can only wear your hair in a ponytail once a week and on wednesdays we wear pink" speech was not an original creation for the script. it's a QUOTE from a real teenage girl. those were REAL RULES.

then the musical came, and it was one step removed from the intended messaging of the film. OG mean girls was not perfect (and was extremely racist), but it said what needed said. the musical leaned on the comedy more, but still left a heartfelt undertone, and still critiqued the systems in place. of course no piece of media is going to be perfect, but it was about the conversation.

then this new movie comes out and it is washed over in the veneer of white hollywood feminism so thick you can't see anymore. the problematic aspects of the original movie are taken out to avoid "offending" when the offense was the point. it becomes toothless, it becomes some other thing entirely. they changed karen's line "i expect to run the world in shoes i cannot walk in" to "watch me as i run the world in shoes i cannot walk in." because choice feminism is in vogue, suddenly this character whose entire point is that she doesn't think deeply about WHY she does anything is suddenly hip to the fact that the world is against her.

i think of sokka losing his misogyny arc in the new atla. i think of the Heathers remake casting the bitchy, identical heathers as queer and hollywood-fat outcasts. as if the story, the meaning, the allegory is hidden in the sets and the jokes and the music. it's a whole new thing now, and it's a thing that means nothing in particular.

the plastics should not wear jeans. they should not have curves. their queerness should be suppressed, painful. their sexuality is not a slay, it's the only thing they think they have of value. the santa dance isn't sexy, it's shocking, it's mortifying - they are children.

they're not mean because "we are all mean." they are mean because they are girls in a world that brutalizes them and crushes them into a standardized shape. they are mean because the world is mean to them. they are mean because it gives them some power back. they are mean because it's the only weapon they have.

the landscape of femininity today has shifted to camera-ready makeup at the age of 10, stringent performative hygiene standards, and avoiding being caught on film while having a genuine emotion. the consumerism, the fatphobia, the racism, the classism, the homophobia remain. We could have had a conversation about that.

[cve-th3mvsic]

if any of you know the shins…….

oh my god please i love the shins lmk if you know the shins bc fjrbgjwksnckd FHHFFJFJ i need to find someone who knows them please i freaking love their music i’m gonna die

___

[frecklystars]

Ryan and Margot and America are so freaking cute in this Barbie commercial!!!! 😭😭😭😭💖💕💖💕💘💓💗💞

And Ryan's face here is such a mood:

[peridot-tears]

Truths that Co-Exist

Barbie (2023) is a giant product placement that profits off nostalgia.

The writing is profound and life-changing and understands why we seek nostalgia in a way most nostalgia-driven entertainment doesn’t.

The film is self-aware about how even now, Barbie dolls set incredibly unrealistic beauty standards. Their “body diversity” does not even scratch the surface of what that phrase really means. I don’t expect this to change.

The film still made a beautiful statement with the scene on the bench about how societal beauty standards are narrow and restrictive! And that beauty comes from experiencing life and the marks it leaves on you!

Its feminist statements are validating. Many of us see our reality onscreen, and the great thing is that it includes how cishet men fall down a pipeline of toxic hypermasculinity. It also shows the solution, and allows men to express themselves despite what society expects them to be.

The film is a capitalist venture.

The cast (aside from the leads) and crew were probably overworked and severely underpaid during filmmaking.

We can still appreciate that something fun was made, and we all made another wonderful memory where we and our loved ones went to the movies color-matching in pink.

We should not feel guilty about seeing ourselves in this film.

Meanwhile, support the WGA and SAG-Aftra strike.

[master-gatherer]

I am what is best described as a "tomboy" and y'all are out here making me defend girlie shit

Fuck all yall