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#Plato Design
nedgis · 2 months
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Plato Design : l'harmonie entre minimalisme et chaleur italienne !
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mysticalcats · 2 months
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May I request Plato? I don’t think he gets the love he deserves, I really like his design 😭
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I AGREE I LOVE HIM !!! have a bunch of sketches of him that i've drawn over the past week (i've been thinking about him a lot)
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clovenhoofedjester · 4 months
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jellicle lineups; part 1/4
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hi catsblur ! today i am presenting to you the fruits of my labor. my own little versions of the jellicle cats; obviously based on the replica designs With Fun Little Twists ! such as, they are not naked. ramble below the cut, both on designs and some personal thoughts on the characters
these designs are very much first-draft, subject to change, blah blah. you will very likely be seeing me drawing them differently if i post more of them. i just. urrbhhh. i had 2 draw them....
and the clothes ! even though they're very feline i draw them a bit too human-y for the nakedness to not look consistently weird. i will be drawing them closer to the stage designs in some instances but for rn. clothes. it was a fun exercise in character design too
the kittens are all young adults, think 18-20 ! as much as i love headcanons like demeter being sillabubs mother, it shrimply will not work out timeline-wise. so headcanons like that will be delegated to like... siblings and stuff
victoria | 🍧 💌 🩰
i started out with victoria's design not only because of her being the Main Kitten, but because she has such a concise and clear aesthetic to me. she actually started out with a simple pastel brown dance practice fit before i decided that i wanted to make the outfits ornate(ish) and ended up with a proper ballerina getup
i also quite like when victoria is not just solid white with some grey (love ones that are more yellow or brown) so i colored her fur with some blue and pink-ish tones not only to add more depth but to resemble the trans flag LOL
and i wanted to try something different with making her a bit more lavender than baby pink. i also based her overall look on obc victoria, portrayed by cynthia onrubia :^]
to move on to character interpretation, i think victoria is partially deaf and mute. she primarily communicates through dance. as one of the oldest kittens she'd be 19 in human years
plato | 💐 🕯 🍬
plato's design doesnt stray too far from his standard replica design but i tried to add my own flair . i tried to keep the creepy porcelain doll aesthetic going w their face added some more depth like some other designs with different colors and bold face stripes
i also really like the outfit i chose for them. the flower in their hair and on their shirt is a peony which is a popular wedding flower :") because im a sucker for platoria and very much subscribe to the idea that the ball we see is their funny cat wedding in a way
the outfit is based on standard ballerino costumes but i tried to stray from it with the silky half-skirt thing and pointe shoes. lets go queer cats lets go
i think plato is also very quiet and that's why he and victoria were so drawn to each other. i also quite like the idea that he was a bit of a troubled stray before he found the jellicles. they would be 20 in human years
electra |⚡���� 🔔
boy i STRUGGLED with electra's clothes i struggled so hard. i think i'm happy with what i ended up with though—i originally gave her the babydoll dress that sillabub has (inspired by artsed electra) but figured that i wanted at least one of the girls to be more tomboyish/butchy. thank you to that one production which apparently had electra be one of the raffish crew and get in on some of the boys' choreography
im very happy with what i did with her fur colors as well. silly little tortoiseshell :] its based on a nonrep but i have no idea which one. enjoy her freckles too
i think electra deserves to be a little spunky. [whispers] i also think shes bombalurinas little sister. she'd be 18 in human years
etcetera | 🎠 🍯 🏅
i needed at least one cat with a circus aesthetic. say hello to my magnum opus: jacked tumbler acrobat etcetera. it was only a matter of time until someone said fuck it and let one of the girls perform lifts and stuff. this is mostly because ive always really liked how shes usually the cat to do the flying trapeze bit and wanted to push it further
i also struggled SO EXTREMELY HARD with making her colors look nice and makeup distinctive but i figured it out in the end—thank you obc cettie for the mismatched eyeshadow and such. i also wanted to give a cat a short bob type of head fur/hairstyle and she fit the bill
nothing much about specific character notes other than like... i want to make her related to some of the cats but cannot for the life of me figure out who 2 assign. also she'd be around 19 in human years, a couple months younger than vic
sillabub | 🌻 🧋 🎼
i think of all of these little fellas sillabub is my favorite. several elements are balanced in her design—the standard jemima with a darker/reddish palette, the more softer and lighter sillabub design, the red eye patch from il sistina jemima, and the overall aesthetic of obc jemima with the big hair and wide, deepset eyes
i've seen her typical design critiqued by some people and wanted to incorporate those critiques by making her look less similar to demeter/bombalurina, adding more red to her body fur, and making her makeup more distinct and less... wooo girl give us nothing. and i included the squiggly on her collarbone
i also really REALLY love her overall aesthetic of sweet kindhearted girl NAMED AFTER A DEMON WITH SHADOW THE HEDGEHOG COLORING AND GIGANTIC SPIKED COLLAR !!!! so i decided to push it by making the collar definitely too big for her, giving her a slightly "edgy" outfit and making her hair resemble devil horns
as for character stuff, i think she has magical powers though i haven't developed exactly What they are yet. beyond her sweet exterior they trouble her. [whispers] i also think shes demeters little sister. she would be 18 in human years, a few months younger than electra and tumblebrutus
pouncival | 🌱 🩹 🍵
i struggled with pouncival's clothing design like i did electra's because i didn't go into drawing him with a particular gimmick in mind. but i think i'm happy with the casual formal look. it makes him look like such a kind young man even if he's a little shit
i did have a lot of fun trying to make his makeup distinctive from tumblebrutus'—so many fellas with brown eyepatches ! so his colors are more dark and striking. i also tried to make him look less like Typical Cis Man by giving him a bit of black lipstick
enjoy his freckles too
but like. i think hes literally such a little cis guy. nothing else for me to add for my specific interpretation of him it's all laid out. this guy fucking loves rocket league, fishing and chess. he'd be 19 in human years
tumblebrutus | 🎡 🥊 🍦
SWEET TUMBLEBRUTUS. i think drawing him here gave me a soft spot for him. with his outfit mirroring cettie's i didn't much struggle with that. his colors are also based on obc tumblebrutus
when i was first conceptualizing my own versions of the cats i wanted at least one of them asides from grizabella to have wavy fur. and idk what it is, maybe it's the lack of content for him, but i was really drawn to the idea of curly tumblebrutus!
i wanted their design to be distinctive from pouncival's so i made their colors softer, kinda watercolor-y. OH AND THEIR FUR IS ALSO MEANT TO BE A LITTLE TRANS FLAG COLORED
as for character, i think he is also a bit troubled, as a son of grizabella's. you heard me, people. i'm probably the first person ever to headcanon that. he'd be 18 in human years
AND THAT'S ABOUT IT ! thank you for reading this far, have a great day and stay tuned for more designs in the days to come !
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explicette · 5 months
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hysterical-cats · 1 year
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i did it!! this is a redraw of the first ever cats fanart i posted on tumblr!! I'm so proud of my improvement in just over a year :) It is also a redraw of one of my fave platoria images ever <3
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garadinervi · 3 months
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Plato, Phaedrus, [265D-E], Penguin Books, London, 1995, pp. 60-61
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skimblestrap · 9 months
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every time ive drawn plato ive changed his design but hopefully this one sticks! (note: i hc him to have some oriental shorthair in him, hence the height and big ears)
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real-reulbbr-band · 2 months
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If they have kids with platoria?
I assume you mean this one prompt thing? If so absolutely! (Don't mind me making this pretty it's cause I'll most likely be pinning it) ૮₍ ˃ ⤙ ˂ ₎ა𓎩♨
/) /)
(。•ㅅ•。)〝₎₎ Basics! ✦₊ ˊ˗
. .╭∪─∪────────── ✦ ⁺.
. .┊ ◟﹫ Name: Chiffon * ੈ ♡🍮 ⸝⸝🪐 ༘ ⋆
. .┊﹒𐐪 Gender: Female
. .┊ꜝꜝ﹒General Appearance : Chiffon is an American Curl kitten, her coat is a soft blend of palish-blondes and whites; ginger and rosy markings speckle her fur, creating a warm colored coat reminiscent of a sunrise. She has longer waves of fur around her arms and legs that appear to dance with every movement. Her ears are rounded giving her a perpetually and curious look. She wears a blue (occasionally pink) pastel Chiffon fabric bow ribbon instead of a collar, and a smaller ribbon of a complementary color around her fluffy tail. 
For in-show reference however, her design is inspired by pre-US Tour 6 and early Hamburg chorus Jennyanydots. I made a little moodboard If that helps :3
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. .┊ ⨳゛Personality: Chiffon is an imaginative kitten who enjoys the simpler things in life. If you don’t find her socializing with any of the other kittens or eagerly helping her parents with their daily tasks, she’s most likely off trying to come up with a new ribbon dance routine. But her creativity isn’t limited to dance; she loves playing make-believe and finding articles around the junkyard that she can make fashionable. She is observant and tends to pick up on cues from her environment quickly; like her mother, she values empathy, leading her to be more mindful of the emotions of those around her. Even though she gives off the impression of being confident, she is highly sensitive to criticism and conflicts, which she frequently responds to poorly, making her feel like she's being backed into a corner. Her sensitivity, however, finds a good balance with her playful and inherently easygoing nature towards life.
. .┊ ◟ヾ Special Talents: Her Talent is ribbon dancing, which Plato and especially Victoria were happy to see her take interest in; her routines were normally quite whimsical and fun. Despite lacking technique while she was still young, she made up for in her boundless energy when performing for her parents. However, she does eventually grow to have exceptional precision and expertise in ribbon dancing.
. .┊﹒𐐪 Who they like better : It really depends on the moment. Chiffon throws around the word "favorite" depending on the day, not fully understanding its significance, normally while she's snuggling up to one of her parents. Plato and Victoria don't take it too seriously, but they do like to play-fight about who's the favorite whenever Chiffon throws around that word since it does make Chiffon happy. Regardless, they both know they're Chiffon's favorite adults in the yard, and that's plenty enough.
. .┊ ◟﹫ Who they take more after : Visually, I'd like to say a good blend of both, but since Victoria is pure white, she generally appears more like Plato, with her ginger mane and heavier markings around her coat, but her white and rose-colored markings and the careful way she carries herself make it clear she's Victoria's.
But in terms of personality, she inherits a good amount from both of them. Plato's easygoing nature and protective instincts did influence Chiffon's more empathetic demeanor, particularly when she interacts with others. From Victoria, she did inherit her innocence (which isn't as noticeable when she's young but becomes more apparent when she's older) along with her innate attraction to dance that differs from the typical jellicle, and of course the way she moves when simply walking or interacting with others is similar to Victoria's own gracefulness. 
. .┊ ◟ৎ Personal Head canon: Well, any head canon I have about her just becomes canon regardless, but she really didn't adjust well to collars, much like her father; whenever she had one on, she kept tugging at it and needed long breaks of not wearing it. This didn't go on for too long, as Plato and Victoria realized she wasn't adjusting to collars comfortably, so Victoria chose an alternative, ribbons. there were plenty of spares around the junkyard, so each morning Victoria would groom her and ask her to select the ribbon she wanted for the day and tied it around her neck securely. Chiffon did enjoy this, and the spare ribbons did end up sparking her interest in ribbon dancing.
. .┊ ⋆𐙚₊˚ Face claim: Lisbeth Brittain!
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╰───────────── ✦ ⁺.
I was going to reblog that prompt but then I realized I only had one "finished" kitten fankid so this is perfect! Thank you SM!!
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nerium-aquifolium · 4 months
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“Platonic sun”
“I thought I knew what I was, now I feel made up, I’m a parody!
You wake me up.
Oh, what you are is hard to find, you could teach the deaf, or you could lead the blind
Just by the shock of your touch, yeah I know how it feels
Or the knife in your stare, and the way that it peels me…
Over and over till’ I’m skinned to the core!, I found a hole in my heart that wasn’t there before.
I’m just a pale little boy, looking out for myself, but I start shaking for you and nobody else.
I’d like to be just simple and dry, but it rains like a storm and I can’t fight the sky.
If you know what it’s best for your friends and yourself, you will sit still and shut your mouth”.
- Winter; Yabadum
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heliopixels · 2 years
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Enclose
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cryptidvoidwritings · 9 months
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Munkustrap, Wichita 2023
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thebeautifulbook · 1 year
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PLATO’S WORKS Parisian Greek-Style Binding by Gommar Estienne (Paris, 1555-1559)
source
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orchideae · 6 months
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When I approach Yelan (or anyone else I've written), I don't just look directly at her character, but I also look at her surroundings. Both the ones that she knows by some semblance of necessity, but also those that she chooses. Like here, I talked about the Chasm, and what being 'okay' with existing down there needs to mean for a character, because it's not normal. Someone's surroundings, room, or home say a lot bout who they are and what their mindset, or specifically, their perspective is of the world. And sometimes, I think it says more about people than even the characters realize.
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This brings me to the topic of the city of Fontaine. Now, I personally think it's rather obvious that a lot of the nation takes from historical France, and so when looking at it, I think it really adds to remember its monarchy, the view that the 'common folk' had of it, and its inevitable demise to non-existence today in terms of importance as a result. So my first question is, who constructed or decided on its layout? Was it Furina, Neuvillette, Egeria? Whoever it was, there's a lot that can be said about their view of the world and their placement in it when you look at locations of buildings. Look at where Palais Mermonia, its governing body, is located within the city; it sits at a rather astounding elevation in comparison to, well, everything and everyone else in the city. This frequently represents the concept of 'distance' between groups in one way or another, and seeing the consistency in other nations, this is something that is rather intriguing to me, especially keeping Fontaine's characters in mind (and considering this is the nation of 'justice'). Mondstadt has everything almost entirely uniform, with arguably the church on the highest level (but it isn't greatly elevated in comparison to all else), but it's joined with the plaza and statue which are a common gathering site for all people in the city. Liyue had the gods and adepti visibly living among the humans back in the days of the Guili Assembly for reasons of 'integration' (my apologies to numerous from our dear Guizhong!) The fact that numerous adepti now live far outside of the harbor is a different matter entirely, and the one who seems to function within a semblance of separation of sorts is Ningguang with the Jade Chamber (but I'm not one to speak on behalf of her character as I don't bear the knowledge). Inazuma also has the Tenshukaku at a higher elevation in comparison to the rest of Inazuma City. Sumeru is interesting, but ultimately Nahida was kept at the very peak of the city, far out of reach of humanity— but that's exactly the common denominator that has my interest, the distance between the 'governing body' and humanity for one reason or another.
But Fontaine really takes separation to a different level in my opinion (and again, think of this when you think of the person having designed the whole city), not only because of the above which I'll elaborate more on in a moment, but also its separation from the outside world. Now, this is interesting to think about if you keep in mind that it was perhaps done in eventual protection of the city's inhabitants in terms of the prophecy (which means that this would have been constructed anywhere during or after Egeria's reign), but then why is only Palais Mermonia far above the water's reach? If the walls surrounding the city were ever breached during said prophecy, all its inhabitants are pretty much immediately caught in the flood and would drown, which tells me nothing positive of the city's 'architect' or whoever signed off on the designs. But if not done for the prophecy, then why? Stand in the middle of the Court of Fontaine and really look around you, the only sights you really have of the outside world are the sky, and it's obstructed by a fair bit of the waterways and gardens that hang overhead, which you can only properly enjoy when you take the ages long elevator to the upper level where the palace is located (which, credit due, seems freely accessible to everyone in present-time). But if you don't venture up, how much of the outside world do you get to see? It feels very secluded, very much under lock and key. On some level (and this is one of the many reasons why I think that the Meropide is so excessively important in Fontaine and it's likely why we spent so much time there; it's all to show the ever, ever important contrast and nuance between this 'autonomous nation within Fontaine' and, well, 'Fontaine'), it almost feels like a prison, regardless of how pretty it may look or come across (and despite not 'lacking rights'). And considering how people in the Meropide speak of not always wanting to return back to the 'overworld' following their sentence, I think that there's definitely quite a bit of truth in that. But again, stand there and look around for yourself.
Now to return to the original topic, but keeping the last one in mind as well, look at one other thing that I'm unsure how many have really kept an eye on: the massive effect Palais Mermonia's level has on the rest of the area (inside and outside of its walls). Have you ever walked through the city of Fontaine at any given time of day or night, north to south, east to west, clockwise or counter-clockwise circling through it; have you ever seen how it overshadows an immense part of the streets below it either entirely on its own (which to me signifies a very domineering presence), or together with those outer walls that surround the city? I know how I've spoken thoroughly with people before about how much I enjoy Fontaine and how dark it is in its storytelling, but despite how gorgeous this region with its water- and landscapes are; its city bears quite a heavy weight to me. I don't know who designed it, or ordered it to be constructed in this way, but nothing about the city itself truly, rationally, shows a healthy perspective versus its citizens.
Me: /continues on to ramble in tags because I'm me and I'm a nuisance with always more to say than I know how to coherently put into these posts.
#[ meta. ] the chances are if i open this door; there can be no witnesses left alive. is that a sufficient reason for you?#[ i love how i'm writing a liyue-based character and here i am rambling about fontaine. ]#[ listen my little french heart just ached at this. i've been sitting on it for so long and have been wanting to talk about it. ]#[ but every time i hear 'fontaine is so pretty' -- i agree. i truly do. and the city has become my new 'hub' away from liyue harbor... ]#[ which says a ton in itself. ]#[ so trust me when i say i enjoy it and find it gorgeous. but i don't have any real kind words to spare on who designed it. ]#[ and i don't mean that in an insulting/bad kind of way but more so in the sense of-- whichever god likely designed this-- ]#[ how much worth was placed where; you know? ]#[ this is why i find the gods and all of their differing views so inherently interesting. ]#[ but then i also sit here longer and think more of the meropide. ]#[ and how THAT is supposed to be the prison. hmmmm. and yet /that/ is the place many seem to not want to leave anymore. ]#[ the place that is run and made better by the person whose tragic case was entirely missed and neglected by the authorities. ]#[ ah yes; the meropide. aka meropis-- the retelling (was it a parody? i believe so) of plato's story of atlantis. ]#[ which was sunk by the gods as punishment to its people for leading lives they deigned morally unjust and petty and /greedy/. ]#[ ah yes. the references never end. ]#[ granted we know how the meropide came to be-- so if egeria was in charge of that. chances are she likely was for fontaine as well. ]#[ well-- ]#[ well. ]#[ yep. i have more to say but i'm struggling to find my words-- so here we are for now! ]
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jelliclekay · 1 year
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Cats the Musical OC Masterlist
Wanted to make a list/short descriptions of my OCs, mostly for myself, but also in case anyone wants to send any questions about them. 
** is friend's OC but is heavily involved with my own OCs
Also, several of these OCs use designs from non-rep and non London replica productions, so I’ve made sure to indicate which OCs and designs they are!
Young Adult/Adult OCs:
Artemis (they/them)
My main OC, is the tribe archiver aka the cat who keeps track of each year’s Jellicle Ball and other tribe happenings. They are a small cat who is typically quiet and unassuming. They are dedicated to their work sometimes to a fault, often forgetting to take care of themselves at times. Artemis was a very shy and slightly sheltered kitten, but comes out of their shell and grows more confident and close to the tribe in their young adulthood. They are mates with Lorenzo and Tugger. Artemis has 3 kittens with Tugger, one with Lorenzo and a kitten with Rialto, who is raised by Lorenzo. 
Rialto (he/him)
A tall handsome red tom who doesn’t live in the Junkyard, but is close with several of the Junkyard cats and visits on occasion. He’s incredibly flirtatious, and has flirted with almost every cat in the tribe at some point, to differing degrees of success, Tugger being the cat he most often “visits” during his times in the Junkyard. Despite his numerous pursuits, Rialto is also non-committal, not being interested in having a mate or settling down in one place for a long period of time. 
Jalaneel (she/her)
A beautiful Queen with a costume design similar to Demeter and Bombalurina, but her coat is dark blue in color. She has a short romantic stint with Macavity after Bombalurina leaves him, but is eventually thrown aside by him and left to fend for her self on the streets. Rialto ends up finding her and takes her to the Junkyard where she will be safe. Cassandra is instantly attracted to her, and the two become mates once Jala is more comfortable and settled in with the tribe.
Jericho (she/her) Design: Il Sistina Jellylorum
The daughter of Skimble and Jelly, and Rumpleteazer’s half-sister. Much like her sister, she is mischievous and a jokester, but she is also more mature than her sister. She inherited her mother's talent for sewing and knitting and loves to knit blankets for any new kittens in the tribe, though she is awkward and doesn't know how to interact with kittens herself.
Wyndham (he/him)
The son of Gus Jr and Eloise (OC), a small tom cat who is well-read and book smart, lacks any sort of street smarts. He is good at interpersonal relationships within the tribe and helping cats get together but has bad luck with romance and relationships himself until he meets Kunze. Despite that, he's a big romantic and falls in love easily. He is called Wynnie by his parents but gets embarrassed if any other cat calls him by this pet name. Wyndham is often tricked by other cats outside of the Junkyard to leave, leading him to accidentally go off on long trips for weeks at a time.
Lorenzo (he/him) Design: Original Broadway Alonzo (Gold Lonz)
A tom who was born and raised in the tribe but left with Macavity and a number of other toms his age when Mac was ousted from the tribe. He instantly regretted his decision to leave but stayed until Demeter and Alonzo left out of fear for his own safety of what Macavity would do. When he returns, Artemis begins catching him up on everything he misses while he is gone, and the two fall in love. He is prone to panic, but once he becomes comfortable in the tribe again, he is a happy-go-lucky tom who is eager to help out the tribe when he can.
Castella (she/her) Design: Shiki Bombalurina
Daughter of Bustopher Jones. Castella doesn't live in the Junkyard but does frequently visit. She is half-brothers with Rialto, having the same red queen as a mother, but she is annoyed at her brother's flirtacious antics and immaturity. She has a gloomy demeanor most of the time, walking around with a perpetual rain cloud over her head. Castella is a foodie much her like father and often accompanies him to his clubs.
Kunze (he/him)
A German Longhair tom whom Wyndham meets during one of his "accidental" trips abroad. After spending a few romantic weeks together, Kunze decides to go back to the Junkyard with him so the two can be together. He speaks with a thick German accent and has problems understanding more complicated English words. Kunze calls the toms in the tribe nicknames using "Herr," for example, calling Munk "Herr Protector" and Old Deuteronomy "Herr Leader," and calls the Queens in the tribe "Fraulein."
Kitten OCs
Sylvani (she/her) Design: US Tour 5 Sillabub
The daughter of Bombalurina and Macavity. Sylvani received none of her parent's confidence and is a very anxious kitten who can be rather self-deprecating. She loves looking after kittens, dreaming of one day having a large family herself. Being young herself, however, she isn't the best sometimes at kitten wrangling and often loses the kittens she is tasked with watching. Sylvani is close friends with her half-sisters and becomes mates with Admetus. 
Lumine (she/her)
Daughter of Tugger and Bombalurina, born when Sylvani is roughly of Jellicle Ball age. She is a confident young kitten, getting both of her parent's confidence. When she's older, she is a gorgeous Queen, much like her mother. As a kitten, however, she is very clingy with Bomba and is prone to temper tantrums. Lumine has a rivalry with her brother Trass over being the center of attention. When she's roughly older teenage, she meets and is instantly drawn to Tapper when he first visits the Junkyard.
Trassel (he/him) Design: Gothenburg Tugger
The first of Misto and Tugger's magic kittens, with Misto accidentally producing the kitten out of thin air. Trassel has magic powers like Misto but takes the most after Tugger in terms of personality. He's loud, showy, and loves being the center of attention. Trass has a rivalry with Lumine, often using his magic to try and "one-up" her, but has a bigger rivalry with Gideon when the two are adults.
Alexander (he/him)
The son of Artemis and Tugger. He is Artemis’ first born and the eventual successor to their role as the tribe archiver. Alexander is well-behaved and quiet, a big bookworm like his mother. He takes after Artemis in his fur color, being mostly grey and white, but inherits Tugger’s exact eye color. Alexander ends up being tall, taller than his father, much to the confusion of Artemis on where his height came from. Alexander loves helping Artemis with their work, and he is excited about one day taking on their important role in the tribe when he’s older.
Lia (she/her)
Artemis’ first daughter, and assumed to be Tugger’s kitten. She looks the most like Artemis, her fur design being identical but inverse in color. Lia is close with her brother Alexander as they are very close in age. Lia is a talented dancer, being a very graceful ballerina, and she often receives lessons from Victoria. She becomes mates with Bill Bailey when she’s older.
Nemeia (she/her) Design: Ill Sistina Jemima
Another magic kitten who belongs to Misto, Tugger, and Bomba. Unlike the other magic kittens, Nemeia was poofed into existence as an already grown kitten rather than a newborn. Nemeia is tiny, being the smallest fully grown cat in the tribe, and spends most of her kittenhood mute. Her preferred method of communication is biting, which she does and does often, though always out of affection rather than malice. She has a phase of only wanting to be around Munkustrap.
Kara (she/her)
Daughter of Tugger and Artemis, the "oldest" of Artemis' triplets. She is a black and brown kitten, sporting Tugger's spots going back her shoulders. Kara is easily annoyed and isn't afraid to voice her annoyance and frustration. She's argumentative and stubborn, often getting into squabbles with other kittens that Munkustrap has to break up. When she's older, she becomes a bombshell of a Queen that many cats have their eyes on, but she has no interest in romance.
Therai (he/him)
The second born of Artemis' triplets and biologically is Rialto's son but is adopted by Lorenzo when Rialto doesn't step up to raise him. He is bright red and black like his father, and he's a loud, rambunctious kitten. He does not get along with his sister Kara, insisting the two are not related despite being born together. Therai is protective of his sister Kalima, calling her his "little" sister despite the two being the same age. Despite not getting along with Kara, the two are the troublemakers of the Artemis' kittens.
Kalima (she/her) Design: China 2012 Sillabub
Daughter of Artemis and Lorenzo, the "runt" of the Artemis' triplets. She is a tiny but kind kitten who inherited her father's penchant for panic. Kalima is shy and often assumes the worst during situations. She is often assumed to be younger than Kara and Therai despite the three of them being triplets due to her being much smaller than her siblings. Kalima often has to break up little squabbles between Kara and Therai, being the voice of reason out of the three of them.  
Duncan (he/him)
Adopted son of Rumpleteazer and raised by her and Tugger, though Jerrie steps up and also helps raise him when Duncan is older. Found as a newborn abandoned kitten while Teazer and Jerrie were on a heist, and his namesake is from him being found in a Duncan-Hines box. Duncan is very food driven, always on the search for his next meal, and Teazer often brings him back swag bags full of treats. He's dotted on by his grandfather Skimble. Duncan becomes a talented tumbler when he's older and is close with his sister Nemeia.
Ophelia (she/her) Design: Chorus Griz
The first kitten and only daughter of Plato and Victoria. Ophelia is much like her parents and is a well-behaved and gentle kitten. She loves reading and becomes very close to Alexander and the two are often caught by the adults reading a book together. The two eventually become mates when they are older.
Gideon (he/him)
The last of Misto's accidental magic kittens. Gideon happens after the other Tugger kittens are older, and he takes after Tugger almost entirely looks wise. Because of this, Tugger is very clingy to him when he's first born, happy to have a kitten inherit his mane. Despite inheriting his father's good looks, Gideon is a fairly shy kitten and doesn't adjust to being the center of attention until he's a young adult.
Bill Bailey (he/him) Design: Revival Bill Bailey
The second kitten and only son of Plato and Victoria. He's much louder and more charismatic than the rest of his family and harbors an unrequited crush on Kara that goes nowhere despite his many attempts to win her over. However, he does eventually fall in love with Lia when the two are older.
Tapper (he/him) Design: Street Cat Tugger
A young street cat who finds himself in the Junkyard one day after being recommended by Bustopher Jones that he go there to learn "manners and respect." He is immediately attracted to Lumine when he first sees her and decides to stick around, with the two becoming mates once they're older.
Admetus (he/him) Design: OG Broadway Plato
A young tom in the same age group and close friends with Tumble and Pounce. He is a friendly, easy-going tom who is under Munk's wing like Plato. He is mates with Sylvani and is very good at calming her down when she is anxious
Oldies OCs:.
Coeus (he/they)
Deceased. Artemis’ father who was the previous tribe archiver, but was the Jellicle Choice when Artemis was an older kitten. He was notoriously meticulous and always put his work first. While Artemis’ mother is unknown, Coeus used to be mates with Gus the Theater Cat and was apart of the Raffish Crew back in the day. 
Eloise (she/her)
An OC based off my old cat. She is a sweet, kind Queen who is close in age and close friends with Jenny and Jelly. She is a Himalayan cat, and is very fluffy to the point where she looks much bigger than she actually is. Eloise is affectionate, especially to her mate Gus Jr and her son, Wyndham. 
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hysterical-cats · 1 year
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guys guys hear me out. plato wearing gloves instead of arm warmers. imagine it for me.
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garadinervi · 3 months
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Plato, Phaedrus, 265D[-E], in Christopher Alexander, Notes on the Synthesis of Form, Harvard University Press, Cambridge, MA, 1964
«First, the taking in of scattered particulars under one Idea, so that everyone understands what is being talked about… Second, the separation of the Idea into parts, by dividing it at the joints, as nature directs, not breaking any limb in half as a bad carver might.» – Plato, Phaedrus, 265D[-E]
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