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#Private eye
socialbutterfly19 · 20 days
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Love looking back on memories and remembering things I had forgotten I missed my calling
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bricktoygrapher · 3 months
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Something smells fishy 🔎 🐟
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privateice · 6 months
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Juanjo Guarnido
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dirtyriver · 1 year
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"Spit at the Sky", a Blacksad short story written by Juan Díaz Canales, art by Juanjo Guarnido
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undine66770 · 29 days
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Craig Stevens and Lola Albright
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catfindr · 1 year
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mysharona1987 · 1 month
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balu8 · 9 months
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Blacksad: The All Fall Down (Special Edition-What's News)
by Juan Diaz Canales and Juanjo Guarnido
Dark Horse
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whumpdoyoumean · 6 months
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Whumptober #23
This is a scene from a noir-inspired original work about a PI who's hired by a little girl to investigate the disappearance of her older brother. Enjoy!
xxx it’s gonna get me by the end of the night
He becomes aware of the tail somewhere on 9th, between the deli and the smoke shop--a tall man in a long brown coat, walking with his shoulders rounded forward as if that could somehow help him blend in (it doesn’t). His fedora is pulled down over his eyes, and though he keeps some distance between them it’s pretty obvious what he’s up to. Simon does his best to act like he hasn’t noticed the giant man following him, adjusting his route so that he makes his way out of the busier streets and to a quieter area. Then, when there aren’t many people around, he ducks into an alley and waits. 
The man appears faster than he expected--must’ve sped up in case Simon made a break for it--but Simon is ready and leaps on the man as soon as he appears, grabbing the front of his coat and slamming him against the wall so hard that the man’s hat falls to the ground. The face underneath is angular and hard, the eyes cold and piercing, mouth drawn into a thin line, jaw twitching. 
“You wanna tell me why you’re following me, friend?” Simon says. 
“You’ve been sticking your nose where it doesn’t belong. Boss doesn’t like it.”
“And who’s your boss? He got something to do with the kid? That why he’s not happy?”
“He doesn’t know the kid. Never seen him, never heard of him. Doesn’t know him from a hole in the ground. But the kid is beside the point, Hornby. You’re starting to interfere with Roman’s business and he’s had enough.”
Simon’s stomach drops. 
Shit.
Of all the people whose henchman this could be, why did it have to be Roman? He lets go of the man’s jacket and gives his shoulder an awkward pat, stepping back. 
“Right. Right, well if he’s not involved then I’m sure I can turn my attention elsewhere. I’ve got plenty of other leads. Roman doesn’t need to worry about me.”
“You’ve said that before,” the big man growls.
“I mean it this time.”
“You’ve said that before, too. Boss wants to make sure this time.”
Before Simon has a chance to react, there’s a flash of metal--Big Man is fast--and an impact in Simon’s side that drives the wind out of him and doubles him over as he folds around the man’s fist. The hand withdraws, and with it a bloodied knife. Simon stares at it, then up at Big Man as he falls to his knees. 
“You--I--”
“Boss says if you survive this, you better stop sniffing around or next time the knife goes in your heart. You understand?”
Simon is trying to catch his breath, trying to fight the sickening dizziness that’s washing over him. He nods twice, closing his eyes when the movement makes the world spin. A hand grabs his hair and he groans. 
“Gotta hear you say it.”
“Ye-yes. I understand. I understand.”
“Good.”
The hand releases Simon’s hair and his head drops to his chest as Big Man disappears out of the alley, leaving Simon on the cold ground holding trembling hands against the hole in his gut in a futile attempt to stop the bleeding. His mind is racing but he has to think, he needs to--he has to do something. He puts one hand against the wall. It takes him two tries to stand.
He’s got no change for a pay phone.
His apartment is too far. 
Hospital’s too far.
Businesses are close by now...
There is one place he can think of, someplace close with a resident who will probably be awake, who may even be able to help. 
Whether she actually will is another matter entirely.
But he’s got to try. 
He takes a deep breath and pushes away from the wall, leaving behind a streaking red handprint, and starts to walk.
xxx 
He knocks quietly. He doesn’t want to wake the neighbors, or the kid, and, if he’s being honest with himself, he doesn’t have the strength left for dramatic banging. Though he may need to summon it if she doesn’t come to the door soon. He’s feeling lightheaded--the blood loss, he expects. A wave of dizziness hits him and his vision goes fuzzy, ears ringing, and before he realizes he’s moving he’s leaning on his arm against the door. 
“Who are you?” someone says behind him, and the steadiness of her voice, the challenge in her words, leave no doubt in Simon’s mind who the voice belongs to. “Turn around slowly.”
“You armed?”
“I might be. You wanna find out?”
He can’t stop the chuckle that rises in his throat as he straightens up.
“What are you laughing at? I’m not afraid of you. Turn around. Slowly.”
“No, no. I wouldn’t think so.” He turns, taking his time because she told him to and because he might fall over otherwise. The blood loss is making his tongue loose, and his mind dull, because he says, “Not with Ruth for a daughter.”
The woman, who had been eyeing him with suspicion, goes rigid, face darkening. 
“Excuse me?”
Simon grimaces. “I’m--my name is Simon. I’m not--I’m a private investigator, that’s all. I promise, I haven’t done anything to hurt her, I just want to help, I’m looking for Noah. I swear. I’m only here because I need your help.”
She doesn’t look convinced, so he moves his hand away from the wound, showing his bloodied hand and side. Her eyes widen. 
“You’re a nurse, right? I’m-I’m sorry, only the hospital was so far away, I-I didn’t know if I would make it.”
His knees finally give way and she lurches forward, catching him before he falls, letting out a small grunt at the sudden weight of him. 
“Okay, let’s get you inside. Where did you walk from?”
“The alley behind Mozzie’s.”
She clicks her tongue as she helps him lean against the wall so she can fish her keys out of her purse. “That far?”
“Yes, ma’am.”
“You know who did this to you?”
“Best I keep that to myself. They won’t follow me here, if that’s what you’re worried about.”
She pauses with the key halfway turned in the lock to give him a look. “Well I wasn’t.”
She opens the door and he steps inside, with her close on his heels. She closes the door behind them before helping him to the couch. He barely manages to collapse onto it before he slips out of consciousness. 
“Hey!” she says sharply, and he blinks blearily at her. 
“Hm?”
“Stay awake.”
And then, from the other side of the room, a familiar, tiny, tired voice. “Mama?”
Even in his barely conscious state, he winces, grabbing a throw pillow and holding it in front of his blood stained shirt. 
“Honeybee, dont’--”
She’s too late. Ruth’s excited voice cries, “Simon!”
“Hey, kiddo,” he says as she appears in front of him, hair wild, rubbing at her eyes in a pair of oversized pajamas. 
“What are you doing here?” 
“Ruth, I need you to listen to me,” the woman says. “Are you listening?”
“Yes, mama.”
“Go down to Ms. Bailey’s, tell her I sent you and tell her--tell her I need her to call for an ambulance. And then you stay with her until I come get you, you understand? You stay with her.”
Ruth’s brow furrows. “I don’t like Ms. Bailey’s.”
“Ruth Clementine, you do as I say. Go on!”
She doesn’t move, her frown deepening, lower lip protruding. “I’m afraid,” she says quietly.
Her mother’s face softens instantly. “I know, Honeybee. But it’s time to be brave. You’ve got a stinger, remember? Not just wings and pretty stripes.”
The familiar determination flashes across her little face and she nods. 
“Good girl. Fast, now!”
Ruth nods again and takes off. The second the door closes, the woman’s face twists with rage and she snatches the pillow from Simon, then pulls the scarf from around her neck, balling it up in her fists as though it had somehow personally wronged her.
“This happen because of you chasing after my boy?”
He shakes his head and she presses the scarf to his wound. He lets out a cry that’s equal parts pain and surprise. 
“Hush! And don’t lie to me. You may be a private eye, but I’m a nurse. You wanna try that again?”
“I…” She glares at him and he sighs. “Yes. And no. Looking for him led me down a line of inquiry that led to…this.”
She frowns, looking down at her hands. “No one asked you to do this.”
“Ruth did. She’s someone.”
She looks up at him sharply, and her eyes are watery but her expression is hard to read. They gaze at each other for what feels like a long time, and that’s when he realizes--
“I don’t know your name.”
She blinks, and he’s not sure she’s going to answer. And then she says, “Beth. Elizabeth.”
The world feels strange, and his body in it feels stranger--cold and light, weightless almost but not in a pleasant way. Still, he smiles. “Like the Bible.” He blinks heavily, and it’s hard to open his eyes again.
“Hey, Simon? Simon!” She squeezes his hand. “I know that look, and you’re not gonna do that to me, you hear me? You’re not! Keep your eyes open, Simon. Talk to me! That’s a nice suit, where’d you get it?”
“Looks nice,” he says, and his tongue is filling his mouth, the words thick as molasses. “But…it isn’t. Dirt--” He chuckles. “Dirt cheap, but I--I’m a good faker. Always have been. Well, no, that’s…That’s not quite true. Harry always knew. Harry…” He hasn’t talked about Harry in a long time, shouldn’t be talking about him but the blood loss is really getting to him. 
He realizes with a sickening feeling that he’s dying. 
“You…You should put on a sweater, Miss Beth. It’s cold in here.”
“Help will be here soon. Just keep talking, private eye. We don’t know each other nearly well enough for you to die on my couch.”
He’s not sure he has much choice in the matter. He doesn’ want her to see him when he goes.
“‘m alright. Just go…go get a sweater, please. I don’t…I don’t want you to be cold.”
“I’m not cold, and I’m not going anywhere.”
Simon hums in response. The pain seems distant now, and he doesn’t feel well and the world is spinning, spinning and his eyes are rolling--
And then they shut.
xxx 
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loreleysparrow · 11 months
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Juno Steel
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lenyavok · 1 year
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she's the best in the business. trust me
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badkruka · 11 months
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wayoutwest · 1 month
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Private Eye
Harry Snowden
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Looking for clues in “Tom and Jerry Meet Sherlock Holmes,” the boys stumble upon a promising lead. This painting served as an early piece of pitch art before production began.
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dirtyriver · 3 months
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House ad for Maze Agency #4 on the back cover of #3, February 1989, original art by Adam Hughes
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scrivnomancer · 11 months
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Goodnight out there, whatever you are.
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