#Queue area

[sigalrm]

Heute gibt's Bananen by Pascal Volk

[demonboyhalo]

and ik discovering the fanfic sex pollen effect of the sephora spider sex cream must've been traumatizing but this is much funnier than the lemonade that just kills you

[einsatzzz]

Happy Birthday Hibari, my king 👑✨🎉🎂🐥💜 This is my contribution for the recently held Hibari Kyoya Cupsleeve Event, it's so fun!

[simplified-birds]

Simplified bird #46 - carrion crow

( requested by @johnnysphatass )

[maggiecheungs]

Setsuko Hara in A Woman in the Typhoon Area (1948) dir. Hideo Oba

[probablygayattorneys]

I have a legion of questions

Why is Lani bringing Layton art to the Sonic the Hedgehog event

Flora and Emmy are key art so why do the Lukes look like fanart

Why is Future Luke even here, she didn’t voice him, Yuri Lowenthal did

Why wasn’t this available on her Streamily while it was open

And most importantly, how am I going to get to San Diego with barely a month’s notice

[kcamberart]

[Ratatoing narrator voice] the MARVELOUS city

[solarpunkani]

Do I have the balls to go to a DSA general meeting vote now on your phones

[atlasandacamera]

Christie Road near Oakland, CA

[radiofreesanjak]

Normally I try to speak about something that comes to mind once per day, a small commentary on the ways to the new era. But today the sun is warm, the wind is cool, and the birds sing proudly in the trees above the studio.

I'll instead take a moment today to tell you a story:

I was born in the mines, but I was one of the last people to remember childhood there. It's been a while since Sanjak has become free, and since then I have had the great joy to see children born and raised who have no knowledge of our time underground.

This is a source of great joy, but it is also a rift. They will come to me and they will ask me questions of what it was like when I was their age and I will tell them: I grew up in the mines. Things were different there.

They, too, learn history. They ask questions of the nobility that reveal a lack of understanding for the concept. The hierarchy of blood is foreign to them. To explain it is always an interesting trial with myself: I would deny none who seek knowledge the ability to find it, but to explain them faithfully is a trial against myself. (The noble would say they do not view themselves as better, merely suited for different things. But when the things they are suited to deserve luxury, and the things we are suited to are for the dirt, how is that not an assignment of value? This is not a nuance children foreign to the concept typically understand.)

Teaching the children of the mines is always a process. We tell them of the place we lived for so long, what it was like, the floods, the isolation, the denial of basic sunlight. One year, a group of children took it upon themselves to learn this trial by experience, and I remember holding a young child as they sobbed into my arms telling me of the horrors of the dark. "I know of this, dear." I said. "This is what we fought to save you from."

I do not blame them the curiosity but it is odd to feel such a combination of relief and horror. The children do not know of the mines, and this is the future we fought so hard to see. Because the children do not know but see the way it weighs on us, they sometimes take an empathetic leap in order to understand us better, and in the pain they experience at seeing a fraction of what we had to endure, I find myself drawn to tears about what was taken from me.

There many things to take away from this, I suppose. The first we did was to make it harder for them to access the old mineshafts. The rest I find myself thinking on on days like these, when the sun is warm and mild and the wind blows softly and the old horrors seem a distant nightmare.

[daltonsnightmare]

MacGyver (2016) s2e22 UFO + Area 51 | Cold Open

[einsatzzz]

OCtober Day 8: Dislikes - Minato & Yui (at each other)

Their rivalry towards becoming the 10th Generation boss' right-hand man ruined their close friendship. Now, they just mutually hate each other. Even if they both live in the Ninomiya Estate, Minato refused to go to the same school as Yui and chose to transfer to Kokuyo Middle School instead (even if it's situated outside of Namimori).

Despite Kurumi's occasional attempts at reconciling them, it looks like there's no mending for this relationship anytime soon.

[maggiecheungs]

Setsuko Hara in A Woman in the Typhoon Area | 颱風圏の女 (1948) dir. Hideo Oba

[triangle-strategy-notes]

Glenbrook's Crown City Concept Art

Some concept art for Glenbrook's crown city! Translation notes and id under the cut. Here's a link as well to some of the Whiteholm Castle translations I did a while back, since a lot of these pages sort of bleed together subject-wise.

Translation notes:

I couldn't tell exactly what the label on the fish/meat stall was saying. It was definitely "______ shop", but I couldn't make out the characters well enough to say what the first word was. I went with "fish" mostly because of the context of the image beside it.

"Router" appears to be literally the phonemes "Ru Ta", which the dictionary I use translates as "router." However, it could also be interpreted as something more like "Luther" or "Luta". I'm not really sure what the intention here was. Maybe "router" is being used as a synonym for "hub"? Or "Luther" was an early name for the city? I left it as router but there's probably a better translation.

ID:

[image id: Several pieces of art from the Triangle Strategy artbook, primarily of Glenbrook's crown city. The first image is of a distant overhead view of Whiteholm Castle, Whiteholm Bridge, and the main plaza area of the crown city. On the same page, there is an up-close look of the plaza during some sort of festival, with people in the streets. The English translation of the caption for both images reads, "This is a shot of each of Glenbrook's visitable sites. I wanted to include an ordinary medieval European cityscape in one of the three countries, so Glenbrook ended up playing that part. (Tatsuaki Urushibara)". On the next page, there are three images of a street in the city labeled "Normal" (with no decorations), "Ceremony" (with banners and performers), and "After being taken over by Country B" (with a gray sky and a visibly damaged bridge/boats). There are also many labeled objects, such as a statue of an unspecified goddess, a horse drawn cart, a cart of wine, Glenbrook's banner, and some food stalls. There is also a drawing of decorative plates hung on a wall that is shown to turn into swords after the invasion of Country B. The last page is a very distant overhead of the crown city and the castle, showing the flow of the river from the top left to the bottom right, with the castle situated on an island in the middle. There are labels for a floodgate to the top left, a "black market trader" on the northern shore of the river, a moat around the crown city, and fields that surround the city.]

[npd-vriska]

as much as posting about punching nazis is fun you do have to remember no matter how much you think you can do it, you don't actually know that until you meet an actual guy with a swastika on his jacket. maybe you think you can but are you ready to potentially lose that fight? or even just to do violence on another person? i've heard the human brain is weird and generally doesn't like doing that. if you for sure know you can that's good, i've fought a nazi before and you're welcome to join me, but your fantasy of being a hero to an imagined queer person or poc or muslim or jew getting harassed might never come true. but there are things you can do right now. if you like the idea of actively doing good things that can still get you arrested volunteering to feed the homeless is always an option.

[aq2003]

[lying down in bed staring up at the ceiling] fuck dude i want to watch macbeth again