#Real business cycle theory

[omegaphilosophia]

Theories of the Philosophy of Macroeconomics

The philosophy of macroeconomics deals with the study of large-scale economic phenomena, such as aggregate output, employment, inflation, and economic growth. It seeks to understand the principles, assumptions, and implications of overall economic activity and the interactions between different sectors of the economy. Some key theories in the philosophy of macroeconomics include:

Classical Economics: Classical economics emphasizes the long-run equilibrium of the economy, where prices and wages adjust to ensure full employment and resource utilization. It stresses the importance of free markets, minimal government intervention, and the self-regulating nature of the economy.

Keynesian Economics: Keynesian economics, developed by John Maynard Keynes, focuses on short-run fluctuations in economic activity and the role of aggregate demand in determining output and employment. It advocates for government intervention through fiscal policy (such as government spending and taxation) and monetary policy (such as interest rate adjustments) to stabilize the economy and address unemployment during recessions.

Monetarism: Monetarism, associated with economists like Milton Friedman, emphasizes the role of monetary policy in influencing aggregate demand and economic outcomes. It argues that changes in the money supply directly impact inflation and economic growth, advocating for stable and predictable growth in the money supply to maintain price stability and promote long-term economic growth.

New Classical Economics: New classical economics incorporates microeconomic foundations into macroeconomic models and emphasizes the rational expectations hypothesis. It posits that individuals form expectations about future economic variables based on all available information, leading to self-correcting market outcomes and limited effectiveness of government policies.

New Keynesian Economics: New Keynesian economics builds on Keynesian principles but incorporates microeconomic foundations and imperfect competition into macroeconomic models. It emphasizes the role of nominal rigidities, such as sticky prices and wages, in explaining short-run fluctuations in economic activity and advocates for countercyclical policies to stabilize the economy.

Real Business Cycle Theory: Real business cycle theory attributes fluctuations in economic activity to exogenous shocks to productivity and technology. It argues that changes in real factors, such as productivity shocks, drive business cycles, while monetary and fiscal policy have limited effects on real economic outcomes.

Post-Keynesian Economics: Post-Keynesian economics extends Keynesian principles by emphasizing the role of uncertainty, financial instability, and institutional factors in shaping economic behavior. It critiques mainstream macroeconomic models for their simplifying assumptions and advocates for a more heterodox approach to macroeconomic analysis.

Modern Monetary Theory (MMT): Modern Monetary Theory challenges traditional views on fiscal policy and government finance, arguing that countries with sovereign currencies can issue fiat money to finance government spending without facing solvency constraints. It emphasizes the role of fiscal policy in achieving full employment and price stability, advocating for policies that prioritize job creation and public investment.

These theories and approaches in the philosophy of macroeconomics provide frameworks for understanding the determinants of aggregate economic activity, the role of government policy, and the dynamics of economic fluctuations and growth.

[lucabyte]

obligatory ramble about postcanon loop ask

also your art is amazing

Hiiiiiiiii :D thank you :)!!

and thank you for the excuse to post the. just absolute wall of text that i truncated down to form the tags of that post. (i did,,, hit the tag limit. i forgot tumblr had one of those...) so let me just paste that and tidy it up a bit...

I am putting this under a readmore because it's a bit long. but:

This is like. The General Context for all* of my postcanon doodles? (Except AUs obviously) Like this is the base idea I've been drawing them all in. So, feel free to backread with this in mind. I've basically had this 'postcanon' timeline set in my brain since finishing the game...

My general thoughts are that I like the idea of Loop (even if through dubiously ethical means) being able to slowly reintegrate with the party as a whole new person, because they are, in fact, their own person.

It's a muddle of thematic threads im pulling on and "wouldn't it be fucked up if", but. (at its core, it's powered by the fact that like, while narratively isat's theme of 'the only person who can truly take the first step to help you is yourself'. (wrt: loop helping the party help siffrin in act 5) which i LOVE AND IS GREAT NARRATIVELY…. would be super fucked up irl to learn that your friend 'learned as a lesson' while you stood by kinda uselessly. I know i'd be upset about it. but thats mostly background here. doesn't really come up. at least not until loop has to explain who they are and the party realises they had to fall back on literally themselves again for help, but i digress,)

The real core concept is: Occam's razor. It is like, inherently, a buckwild thing to accuse a person of being somehow a clone or copy of your friend. Even if they start vaguely alluding to a backstory it's far more likely they were some other person before all that. (I still think Odile has that theory in the back pocket but she's rational enough to know it's a really long shot without a solid explanation. and i think Loop deep down knows this, and would, if cornered into confessing, turn the situation around to go J'ACCUSE and make HER explain it instead. Ever longer dodging being direct with their emotions...)

And the party are nice! And if someone has changed and wants to keep stuff secret it's kind of not their business? (Though it's hard not to speculate… see: the main joke of the doodles) And they seem important to Siffrin so they just try to accept them abrasive quirks and all. And eventually the question of their prior identity just fades away since, well, they're Loop. Their friend Loop.

but yeah. personal headcanon is that a few months/weeks after picking up and getting aquainted with Nille** (since that was presumably the IMMEDIATE TASK postgame), Loop reappears (either after a literal period of nonexistance, or just spending a few months wandering the french countryside alone being attacked by wild dogs). Since Siffrin has had a while to be therapised by the party they're doing mostly okay, but Loop showing up and still being agitated/aggressive pulls them both into a bit of a backslide behaviourally and puts the party on the back foot again.

Hooowever, I do think that due to no longer being literally stewing in the worst pressure cooker of all time together, the two do mostly actually sort themselves out with productive conversation. (Via a cycle of: genuinely distressing argument -> weeeird lovebombing -> ok we're good -> repeat, that gets less intense over time)

Thus, allowing the party to just. Integrate loop as a new person. They and Siffrin shuffle into different ecological niches (Loop taking over stuff Siffrin is now too squeamish for, etc (see: hunting, mostly)), and while it's not exactly what Loop wanted they generally get that beggars can't be choosers and it's a pretty good deal. And the rest of the party does straight up just like them as a friend, especially when Loop quits trying to actively antagonise them after a few weeks of being around them, since they just can't keep up being mean to people they like forever.

As for how I think the truth eventually drags itself out. This is where I invoke The Isabeau Torment Nexus™. So its gonna get shippy here for a bit hold on.

Which is, I think giving them time before Loop reappears long enough that Siffrin and Iseabeau actually manage to become established, Isabeau has to be the one to nudge the pair of them and go. "Hey. You know we're in Vaugarde right. I'm okay with polyamory if we all communicate." Before Loop and Siffrin actually even acknowledge that whatever the fuck they have going on kinda looks a lot like a relationship of some kind. (or have already been agonising about that via fighting and arguing, depending) (Obviously this comes after Isa "Emotionally intelligent enough to keep a lid on the jealousy" Beau has managed to use that big brain of his to Not just go Scream somewhere on the daily because oh godddd they keep talking like theyre suicide-baiting each other jesus chriiist. is it overstepping his boundaries to bring that up?? god)

This, taking a bunch of the tension out of Loop and Isabeau's relationship (Since I imagine Loop is a. being weird for the obvious reasons and b. feeling kinda guilty about 'getting in the way of' Siffrin and Iseabeau), allows them to actually get close in a normal friend way. (I think an interesting turning point could be Isabeau actually taking Loop's side in an argument vs Siffrin, which would absolutely break Loop's brain. Especially if it's an argument that matters. Like what do you mean he isn't just going to play favourites. What?)

Then Isabeau, just actually open minded and charmed by Loop (and maybe even somewhat at Siffrin's suggestion?) tries to close the final open side on the polyamory triangle here and that's the final straw for Loop on "This lie by omission is too unethical to keep up, this is just actually sick and wrong. I can't do this while he doesn't know who I am." Though. Obviously it probably goes. Very poorly with emotions high like that. And the added element of several months of deceit. Getting dark here for a second but that dagger is going MISSING and so are THEY for a hot minute.

Then yaaay everything works out in the end 👍 yippieee!! all it took was maybe a lot of harrowed recontextualisation of all the weird shit your new friend said and did when it turns out they're your old friend. It's fine.

But yeah. this is basically the context all of my postcanon doodles have existed within? And those exist to give other people something to chew on. So this does too.

I suppose TL;DR: Imagine if sloopis almost fucking happens before isabeau knows who loop is. can you fucking imagine. can you imagine having to navigate that. nightmare.

*Yes this includes the implied cannibalism comic. Uhh. Comes part and parcel with headcanoning that Loop went way off the deep end similar to A5 Sif But Maybe Worse before giving in. Add weepy half-asleep confessions to murder wherever you see fit in your mind palace. 👍👍👍

**Re: Nille footnote. I don't have anywhere to put this besides here! I have some thoughts on Loop and Nille having an odd dynamic. I don't imagine Nille to be super gung-ho on trusting a bunch of adults (even if they are majority around her age) given their implied backstory. It's probably a big shock to the system, especially since Bambouche is a good couple hundred Kilometers up north from Dormont and these guys don't seem to have trains. She would've been unfrozen and without Bonnie for some time....

Which is to say: I think she's suspicious of them. I think she may be looking for excuses to distance herself, keep Bonnie safe. SO.... A new guy showing up? And antagonising the party? What do they know that I don't...? I should find out.

And since... Loop didn't ever know Nille, they have no ammunition or real reason to be cruel. Plus, if they're trying to stay on Bonnie's good side (SINCE... if Bonnie thought Loop was cringe they may as well kill themselves. In their mind.) they SUPER have no reason to antagonise Nille.

Mostly, they might be able to open up to each other easier than they can the rest of the party?

I feel like this resolves with Loop feeling compelled to apologise for what they and Siffrin let happen to Bonnie, though... Hmm... Depends on how you interpret Nille that they'd be glad nobody else had been told about that yet, or furious it had been secret this long. I lean toward the former.

[anderwater]

I LOVED They Cloned Tyrone (2023). it was so freaking fuuuuuuun. It's a mystery case, it's a satire, it's a sci-fi thriller, it's an Erykah Badu song, it's a conspiracy plot, it's a whole overplayed joke, it's perfect. 

[spoilers] I loved how it played into the conspiracy theories of mind control through consumerism of products targeted to black american communities and toxic cycles of placing and allowing some businesses and crimes in those areas, all of those to describe how the circumstances/the system can make you into these archetypes. and I loved how these archetypes had this whole growing out off their identity plot while still serving the stereotypes of their characters, in a positive way (the slick of the pimp or the wig, amazing.) I loved how the context is set up so confusedly, with the late 20th century fashion and hair but the 21 century pop cultures references and the obvious in-role characters ; so original in the mix of genres but so familiar in the depiction of those that it keeps you wondering what’s up what’s real what’s fiction what’s anormal from the start. People compared it to They Live and Get Out but most of it, and especially the ending, brought me back to Sorry to Bother You. Big mentions to the cinematography and color grading. So fuuuuuuun, I really enjoyed it.

[sualne]

Sorry if you're already working on this but with Luffy in Croc dad what's his hobby?? Like he's the biggest ball of energy and I think if wasn't fighting wild animals as a kid he would vibrate into another dimension from lack of stimulation. Does he draw and develop his art skills, has he taken up music or is he invested with the void century with Robin? Croc wants to keep him inside and safe so what did he think would be best to entertain him or does he buy a new thing every week that Luffy says he suddenly wants to do. Yes he looks at books but is that it. Also sorry if you answered this before and I've missed waht you said, I am pretty sure I've seen all your comics on this but I haven't seen all your ask answering questions.

i hadn't gotten these questions and im so glad you ask!! :D

so! luffy doesn't have one specific hobby and croc does end up giving him whatever he wants when he suddenly gets a new obsession, one of the reason he's so excited with finding the jewelry box and getting a dagger is because it's finally something new! after that he gets really into rings and knives until it gets bored of it and switch to something else again.

about him and learning about the void century with robin i actually got a comic later for that so i won't say anything here!

im going to make this a list and explain how it goes, under read more:

Fighting: this luffy doesn't know how to fight, but he still love the concept! he gets really excited hearing stories of fights, duels, martial arts and all the rest! In practice though, since he's been so sheltered and only ever saw one real fight that ended up with people being killed in front of him as a kid, if (haha) he were to witness another real fight he wouldn't be as giddy about it as when he hears stories. he does also learn the tiniest bit of kenpo from bonclay!

Dancing: luffy in canon loves dancing (and partying), here too! he doesn't know/master any specific styles but likes to drag people into dancing with him, if no one is around he'll grab some of the smaller bananawani instead.

Singing: he's still very bad at it.

Music: croc noticed how he'd taps on thing and tried to get him to learn some percussion, unfortunately for him, luffy doesn't care about music theory and just does whatever makes him happy. he also love loud noises and croc has to find a way to stop him from making a racket at any hours of the day, it gets worse when luffy loses some of his hearing and needs to make everything even louder. eventually he gets bored of it too.

Cooking: him and croc cooks together pretty often, if no one is there to supervise him luffy will ignore recipes and common sense, making all kind of abominations. it's a miracle he never set the kitchen on fire.

Bugs: he loves them! he collect them! alive. croc is horrified one day when he finds out baby luffy has been letting some food to rot so he could observes flies and larvae going through their little bug lives cycle. later croc gives him those pinned dead bugs collection boxes thinking luffy will like it, he doesnt.

Board&Cards Games: he mostly has to play them by himself, he doesn't like being alone so he'll often ends up playing it "with" the banawanis. after he loses a few too many times against the banawanis and can't get croc to join in for the millionth time he gives up on them. even when robin joins baroques works he still expect her to be too busy to play with him and doesn't ask (she would have accepted if he had asked).

Art&Craft: he tries a bit of everything, doing it his own way meaning most of it is kind of hideous or about to fall apart, canon luffy is completely fine with that, au luffy though, he's having ton of fun at first but when he gets old enough to see that his dad cant quite fake his enthusiasm or interest towards his disastrous creations he gets frustrated and stops for a while. later, robin finds an old drawing of his and thinks its cute so he start doodling a little again for her.

basically, he struggles keeping a hobby, some like fighting, dancing, bugs and staring at pictures in geography books he keeps through his life but mostly, he's very lonely and bored out of his mind, he's depressed, that's not something that can be helped for as long as he's isolated.

when robin becomes a part of his life everything gets better for him! she spends time with him, read stories for him, helps him get out more often, they even meet bonclay and for a few years he's genuinely happy.

[carmensapientia]

The Golden Way

Too many people focus on the how instead of the doing in manifesting. You all care about the methods and “theory” rather than the practical application. I’m in college right now and in all matter of academics, there is no point of talking about theory without putting into application. In my human rights class, we explore the thesis’es but also support NGO who do grass root work. In my climate change class, we ask why it is happening and then study accounts of sciences who actually designed and apply theories into action. All my coursework and any professor will tell you this: theories are nothing without practical application. Too many teachers on here focus more on sounding as smart, as philosophical, as professional as possible, devising thousand word posts and phd level thesises about the inner man, how manifesting working, states, the void etc. It’s not worth it. It’s redundant, it’s useless and half the time intangible and over complex. You do not need to bring in Bible quotes, quantum theory, physics etc to prove that the law works. To prove that it works, you need to use it! The only reason why everyone complains over consumes and over writes about the law is because they’re trying to justify their belief (or lack of) in it. You’re trying to explain and make it logical when manifestation is not logical. You cannot out write, out read, out Anything your way into successful manifestations. All the reading writing and consuming just takes you further away from your goals because let’s face it: you’re procrastinating and not even trying to manifest. For all you saying that you’re doing everything and it’s not working: you’re wavering, you’re whining, and you’re still affirming it doesn’t work. That’s why it doesn’t. You keep searching in vain when you could Have just spent the time to sit down and affirm. Here’s the truth: there is no better way to manifest than just doing it. Just do the work. You cannot avoid the work and no matter how many posts you read or post, it won’t bring your manifestation closer. The only truth or golden way is the way you provide it. You can only have the answers you seek. You are god! Act like it! Be empowered by your thoughts and do not fear them!! Like get real. What is understanding college level quantum theory gonna do if you don’t even affirm or visualize? It’s just an excuse and a short term ego boost. You’re not a better manifestor bc you can read large theological studies. You’re just a procrastinator who relies on outside sources to fuel their belief. You keep triggering a cycle of consume attempt fail and consume every time you tried to “cope” and bring “logic” into manifesting. You don’t need quantum physics the void or convoluted posts to manifest BFFR. STAND UP SISTER. Stand on some business and affirmmmmm!

I was going to put the best way to manifest right here at the top but chances are if you’re reading this you need a long post to over consume to convince you that can manifest. I’ll end my rant here and read below for the golden way to manifest aka Affirm and persist. That’s the golden way. It’s simple and here you go:

1. know that you control your life and your most dominant thoughts cause everything

2. Pick a desire, choose the how the what the when the where etc if you want. Script if you want. Or don’t. It doesn’t matter. Just pick the desire

3. Find affirmations to imply you have it. One that says you have it, another that says how quickly you got it, and another that affirm you were the only one in control. For example: I am God, I have everything I want, and I manifest instantly.

4. Repeat repeat repeat until it manifests.

[popatochisssp]

I would like more details on ocean boys plz. More Descendtale for us?

Descendtale

A human falls to the Underground.

They’re merciful…mostly.

But maybe not merciful enough.

They make friends with many monsters on their way through the Underground.

They kill some others.

Nobody important, none of the real friends they’d made along the way—just a handful of annoying ones who kept getting in their way, surprising them with Encounters when they were busy on their very important quest to escape the Underground and go back home.

When they leave, they put their fun fantasy adventure behind them, eager to get back to their real life.

They never come back.

The monster ‘friends’ they left behind do their best to move on.

Asgore is gone, and so are the six human souls they’d collected, so close to finally being free.

Toriel has returned, which is something, a comfort of familiarity at least to have a ruler who knows what she’s doing when hope is falling and…other things are starting to go wrong.

The Royal Guard has been disbanded, what with the queen’s mandate that humans falling down should be welcomed as friends. Which is fine, most of them all knew the most recent human as a friend, but…it does leave quite a few dogs and a fish and a few other animals out of a job and consequently, out of a driving purpose in their lives.

A handful of monsters have also gone missing. Not Fallen Down, or moved away, just…gone, without a word or a call or a note. No one really knows what happened, though there’s theories, nobody seems to know anything for sure and the unsubstantiated rumors, ranging from wild to tame, are a little bit scary.

And…the Underground’s resources are dwindling. They have been for a long time, but some of those monsters that disappeared—farmers, couriers, suppliers—their absence has unbalanced the food supply chain just a little more, and what they do have is taking longer to get to the populated areas, costing more, creating uncertainty.

In essence, monsters are getting nervous and losing hope.

Many of these problems have no clear solution, but Toriel tasks the Royal Scientist to one it might be possible for her to solve: the food issue.

After all, it may only be a mild concern now, but with the human souls gone, with how long it took to gather so many to begin with, how unlikely it is for more humans to fall down anytime soon—and to be treated as guests, even if they do fall…

It’s going to be quite some time before monsterkind has any real chance to be free.

They need to survive.

They need to be able to weather the long winter that’s to come, to remain strong and keep from falling to despair.

Certainty that they won’t starve to death in subterranean ignominy is a solid step towards that.

Alphys, happy to have been kept on after her last boss…uh. Well, she throws herself into the assignment, feeling that this is her chance to really do something great, worthy of her title.

The way she sees it, they need some kind of a staple crop, something they can produce in excess without exhausting their resources in the process.

She sets her eyes on the echo flower.

Echo flowers are hardy plants and grow well in any dark environment, in all but the driest of soils, already proliferating wildly in the Underground without any influence and thriving for a long, long, long time. Their petals have been known to make a soothing tea, but the root of the plant—a thick black rhizome—is edible, too.

It hasn’t been actually eaten very much, historically, being that the taste is…not great, a little sour and a lot bitter, no matter how you prepare it.

But it is edible, full of nutrients and ambient magic to keep a monster fed and healthy so long as you don’t mind the taste.

And…can they really afford to mind the taste, at this stage?

Toriel agrees with Alphys’ assessment. The artificial light cycles that simulate day and night are ceased and echo flowers are planted anywhere and everywhere they’ll take, roots harvested and incorporated into monsters’ diets. At first, the farming is only to supplement the scarcity of other foods, but as time goes by and most of those all but disappear, the root eventually begins replacing them almost entirely.

It takes awhile for anyone to notice the changes.

Before necessity, no monster ate or even used enough echo flower root to realize that it had preservative properties.

When monsters begin to notice they’re not aging nearly as fast as they should be, a whole host of other side-effects have started to make themselves known, all dutifully assessed and catalogued by Alphys.

Monsters who consume the echo flower root consistently, at volume, can expect to see many of the following changes in their bodies:

Light sensitivity

Darkening of the extremities

Extended periods of low activity (similar to hibernation)

Lack of appetite

Bioluminescence

Reduced metabolism

Sharpening of preexisting teeth, or growth of new ones

Heightened senses (predominantly hearing sight, and smell)

Decreased sensitivity to touch

Increased physical durability

Thorn-like growths or protrusions

Mental changes and personality drift

In addition to these is something monsters colloquially start to refer to as The Withering, when bodies begin to look thin, gnarled and frail but with no attached physical ailments.

The monsters so afflicted by their new condition…

Accept it.

There’s little else they can do, as reliant on their new food source as they are by this point, and quite frankly, none of the changes seem all that bad.

They have food, they have each other, and most importantly, they have time.

It’s all a little different, of course, but monsters are nothing if not adaptable, every bit the survivors the Queen knew they could be.

The worst thing to come out of it all is that brightness of Hotland and New Home poses a bit of discomfort to most of those who’d settled there, but Toriel oversees a mass migration back to Home and renovation of the Ruins there to make them a far more pleasant place to live.

And naturally, along the way are Waterfall, blissfully dark, and Snowdin, delightfully cold—both equally appealing neighborhoods to move into, with monsters’ new taste for such things.

Life goes on for monsterkind, still trapped in their deep cavern but now…kind of thriving in it.

The next human to fall will be faced with a very different sort of Underground than the one the last human left, darker and colder to be sure, filled with monsters who want to be their friend but are maybe…a little rusty at it.

But there should be plenty of time for them to get used to it.

Kohl (Descendtale Sans)

Not so friendly with regards to humans, these days. He knows for a fact what that last one did to a handful of innocent monsters, and has a pretty strong hunch that they could’ve undone it, or at least come back to free their so-called ‘friends’ after the dust settled…but they didn’t. Despite everything, they were no better than any other human who touched the lives of monsters, and he’s all out of belief and hope and second chances for any of their ilk

Something of a new lease on life, or at least a stubborn determination to live, in spite of monsters’ most likely fate after their abandonment—the influence of the echo flower root has made a lot of his favorite creature-comfort-type experiences (eating, sleeping, savoring warmth) more difficult to enjoy, but he refuses to let that stop him

A slight mean-streak, fond of creeping up on people, unnerving them, enjoying a bit of schadenfreude now and then… but at the same time very defensive of anyone he considers part of his in-group (monsters only for now)

Mostly drifts around his usual haunts, Grillby’s, his place, his sentry station—even though the Guard isn’t a thing and he’s not technically a sentry anymore. He still likes to keep an eye-socket out, and if a human manages to slip out of the Ruins without being caught, or if they come in the back way, he’d really like to be there to give them a good scare, and remind them that he’s watching

A little chilly, a bit avoidant, and with a tendency to push peoples’ buttons to see what they do (…well, he’s always done that one), he’s not the easiest person to get along with but… Well, there is no ‘but,’ that’s the end of the sentence.

Bram (Descendtale Papyrus)

Very, very, very eager to make new friends—yes, even human ones! He befriended the last one, but…maybe he didn’t do it right, because…they left…and never came back…and if his brother is to be believed, they may have also murdered a few monsters before that… That’s probably not his fault. But he can do better! He can be a great friend! The best friend, he just needs another chance!

In the process of reinventing himself, just a bit. With the Royal Guard disbanded, that dream is dead, but the Great Papyrus doesn’t need a dream to be great! He’s working on himself right now, trying new hobbies, exploring new styles, reaching out…reaching out a lot, it’s…it’s very hard to get a call back these days, with everything going on…

Some difficulty with emotional regulation, he can go from feeling not much of anything at all, to feeling one emotion very strongly, which can lead to embarrassing outbursts from time to time. He's managing it, or trying to!

Still patrols around Snowdin regularly, even though he’s not a sentry anymore. He likes to see everyone—all the new and old faces—and it wouldn’t do to leave all his traps and puzzles to fall into disrepair, not when he has so many ideas for how to make them more difficult, challenging enough that even the craftiest human might really need to think on

A little bit scattered, a pinch forgetful, and somewhat prone to saying vaguely unsettling things without realizing they are unsettling (…well, he’s always done that one), but mostly he’s harmless! Just seeking a bit of earnest connection and people to have in his life that won’t leave

[gender-trash]

like the grand innovation of ros is that actually now 1) you don't have to rewrite your MESSAGING FRAMEWORK from scratch every time and you get a bunch of debug tools for free and 2) theres a bunch of prototype grade components you can probably plug together to get a demo if you know what you're doing

it's great but it's not like. whatever's going on in webservices world. and the webservices people and vcs who are used to it HATE this!!! i interned for a really crappy startup once whose entire concept was "hey, why is robotics not like webservices? clearly we need to reimplement ros but worse and dockerized lol what's hard realtime" and it so clearly had only survived as long as it had because it was The Baby of this VC guy who tried to sell me on javascript like it was an abusive boyfriend i should give ~another chance~, and right after i left they hired a new ceo and pivoted to having an actual product. theres ALLLL these guys coming from webservices land who want to pretend really hard that a malfunctioning robot is exactly as disposable as a malfunctioning docker container, and that gluing together preexisting robotics components (largely research-grade code developed on a completely different robot from whatever your product is) is exactly as easy as gluing together APIs, and it ends so badly for them every time. it's adorable.

relatedly my dad has this theory, which i think has a lot of predictive power, about how a company Makes It Big doing one thing (SAAS, or online ads, or B2B software, or like. making computer chips) and then that product cycle cadence/approach is baked into the company culture so hard that they completely flub it when they try to make something that necessitates a different approach. intel fucking sucks at making software because they inevitably drop support after 18 months because when you make a chip you design it and you send it to the fab and then it's out of your hands and there's no real way to "fix bugs" (you just maintain an errata sheet and add more tests so you can catch the bugs in the next chip you design). webservices companies who do continuous deployment or bust are often really really bad at coping with the sales and maintenance cycles of Big Businesses that a lot of b2b software is for. and software people in full generality have a ridiculously hard time with the concept that you can't exactly continuously deploy improved suspension for your robot chassis, because you have to actually crack the robot open on a workbench and swap it out.

in microservices world one of the baked-in cultural attitudes is "cattle not pets" -- your herd of docker containers is like a herd of cattle; when one of them malfunctions you take it out back and shoot it and spin up a new one, you don't waste energy on failure recovery. when you bring this approach to robotics land it inevitably fails! you have spent 4 or 5 figures minimum on a robot, that thing's a fucking pet! and also, when it malfunctions, it's flailing around potentially doing damage out here in the real world, which is... generally considered to be bad. there have to be layers and layers and layers of safety systems and fallbacks and failure recovery logic and everything needs to be designed to fail into a state that won't maim anyone, or it inevitably will fail, and maim someone. even just "if something goes wrong stop moving immediately" has some complexity to it.

webservices people are also big on "eventual consistency" and almost nothing in robotics is physically safe to do on an eventual consistency basis or else your robot will eventually (but consistently!) destroy itself and/or anything around it. the closer you get to low level control the more important it is to have hard timing guarantees and that's generally sort of antithetical to the philosophy that hardware should be as abstracted away as possible

[vivivox]

Theory about Virgo on the cusp and reading preferences 📚

There’s a theory I’d like to test ..

📚♍️ Theory

the House where you have Virgo on the cusp shows what kind of things you like to read (about)

EDIT: in combination with your Mercury and 3rd House (sign, house, aspects)

Examples:

1 - self-development, self-help, (auto)biographies, character studies, personality systems, memoirs

2 - how to make money, gaining resources, gardening, cooking/food, beauty, DIY, real estate, health, nature, re-cycling and upcylcing, home interior, design and arts

3 - comics, humor, short stories, subject literature,… for dummies, linguistics, skill learning

4 - history, family sagas, heritage, children’s books, novels, gardening/cooking, real estate, fairy tales & fables, memoirs

5 - comics, humor, satire, dating advice, children’s books

6 - work-related things, health, routine, cleaning, self-help, skill learning

7 - romance, relationship books, dating advice

8 - psychology, self-discovery, self-help, spirituality, occultism/wicca, mystery, fantasy, crime, thriller, horror

9 - philosophy, ethics, law, religion, cultures and languages, scientific papers, history

10 - news/newspaper, career, business, politics things that help with career like scientific articles, society, history

11 - utopia/dystopia, society, social criticism, computer science, blogs, online articles, alien/ paranormal stuff

12 - fantasy, god, nature, religion, spirituality, utopia, novels, poetry, love and romance, books set in other worlds or other eras , books about past lives, dreams or time travel

➡️ So I have Virgo at the cusp of my 8th House and I do like to read about psychology, spirituality, the occult and I loved reading fantasy as a child (still do)

I think the Mercury sign, house placements and aspects will be another indicator for what and if someone likes to read, as well as the third house (to some extent).

Personal example about Mercury:

- Mercury trine Jupiter → I like to read (and write) in foreign languages, especially English

- Mercury bi-septile Neptune and Uranus → I like to read fantasy and supranormal things

Personal example about 3rd House:

- Sun, Mercury and Venus in 3rd House → I love (Venus) writing & reading, it’s one of my talents (Sun, Mercury) and part of my personality (Sun)

📚 What’s your Virgo House and what do you like to read about?

Would love your comments as well as your answers on the poll!

[mickeys-malarkey]

BATDR Analysis/Post-Playthrough Theory Revision Pt. 3/4: All this brings me back to Henry and Allison’s apparently-retconned stories.

Funny how the Memory of Joey tells us this story like a fairytale told to a child, isn’t it?

The Memory of Joey: Once upon a time, Audrey, there was a bitter old man. Who had lost just about everything. Audrey: Joey. The Memory of Joey: Right. The real Joey Drew. He blamed everyone but himself for his mistakes, but mostly he blamed his old business partner for abandoning their work, years and years ago. A man by the name of Henry Stein. A great artist and a good friend. In his anger, Joey used an evil machine to create another world. A world made of paper and ink, where he'd torment his own version of Henry forevermore. But one day, a miracle happened. An angel came into Joey's life. A young woman by the name of Allison Pendle. She didn't visit often, but when she did, she saw something good in Joey that no one else could. Including himself. Through their friendship, he began to see the world with better eyes. So one day, in his cartoon cycle of hatred, he gave Henry an angel of his own. To guide him when things were most dark. To always provide hope…

I’m certain that (aside from the green part) this is a fabrication created by Nathan Sr. and his modification of both the Ink Dimension and the memories of the real world contained in the loop in order to keep Bendy/Real Joey trapped and at odds with not just Henry (as I'd originally theorized), but also Allison beyond the grave (while also allowing them to stay friends although they're both trapped as well just to further taunt Joey). First of all, Allison’s surname was already Connor in her BATIM letter, remember? Doesn’t that mean she can’t have been called “Allison Pendle” when she met Joey, if the Memory of Joey’s story were true?! He’s claiming Allison and Joey met after Henry started going through his loops in 1963, remember (he’s literally saying that every scrap of information we have on her is imaginary just with this one claim, because this would mean that the invitation to her and Tom’s wedding in 1952 in The Employee Handbook [BATIM guidebook], where Allison herself wrote that Joey was the reason they met, was fake… Need I remind everyone that theMeatly, himself, literally told us multiple times, including the day after the trailer dropped, that all of BATIM’s established lore is still 100% canon in BATDR)?!?!

Second of all, I noticed long ago that there looked to be about 12-23 hatch marks (depending on if some of those are actually hatch marks or just meaningless scribbles) in Henry’s prison cell in Allison and Tom’s hideout, like the ones in the beginning hallway, and theorized that this meant Henry had been counting not just how many times he’d gone through the whole cycle, but also how many times specific endings had happened. If I’m right, that would mean that about 12-23 of those 414 loops Henry went through before BATIM ended with him in Allison and Tom’s hideout…

…which means that, even if all the other messages on this particular wall were written by Joey, Audrey, and Wilson, Allison’s addition was most definitely not what made Loop 414 different, as the Memory of Joey seems to be implying. I’ll talk about my new theory on what did make Loop 414 different in a bit.

Now, if that part of the Memory of Joey’s story is untrue, then what if the Henry we meet in Wilson’s prison for Cyclebreakers is not a copy created to be tortured, he’s just been gaslit into believing he must be by the fact he’s survived for years without eating in his new ink body? So much so that he believes that maybe he should just give up on holding onto his human life and memories (translation: he's leaning on Joey's Illusion of Living coping mechanism, trying to create a reality that hurts less. Which, as I've said before, Nathan Sr. loves because it makes him easier to control)?

Henry: What's your name? Audrey: Audrey. What's yours? Henry: Honestly, I've almost forgotten. My name is Henry. Audrey: Have you been a prisoner long? Henry: When the Keepers think you're a threat to their plans, they lock you away, forever. Still, it's given me time to think. Things like: if you haven't eaten in years, you might not be human.

The Memory of Joey literally confessed that he doesn’t actually know if the Ink Dimension was created for revenge or regret, remember? So, why is he now suddenly claiming that he knows for sure that it was specifically created for this particular brand of substitutionary revenge?? Sure sounds like Nathan Sr.'s manipulative self-contradiction, again, doesn't it? I also find it extremely suspicious how this headline that seems to be confirming the retcon of Henry’s death…

…not only sounds nothing like a headline you would read in real life (except maybe in a trash tabloid or something, which this might be judging by some of the other headlines and would mean we shouldn't be trusting it to have done any fact checking rofl) – it sounds like something that a player (maybe one of JDS’s real-life beta testers, even) said during their playthrough, after hearing the Memory of Joey’s “retconning” story – but also… isn’t even properly capitalized or in any of the same fonts as the other headlines on this paper nor on the other we have! Especially considering the fact that one of these headlines is talking about the angry moon Easter egg you can spot in Lost Harbor, I don’t think this is actually a headline confirming that Henry’s not dead in the real world; I think it’s the observer’s (be that Audrey's or those of any other random ink creature who’s run into the Memory of Joey and/or “Fake Henry”) thoughts leaking into the wider reality of the Ink Dimension.

Oh, by the way, we do have evidence that either Henry or at least one of the other potential message writers, at one point, seemed to know our dear Mr. Animator was dead in the real world, also found in his cell in Allison and Tom’s hideout, if anyone who knew forgot.

I highly doubt it was referring to the message about Allison leaving him for dead, considering how he was awakened by her sounds of panic and would have no reason to still be in bed when Bendy arrived, even if not knowing about the secret toilet meant he didn’t escape Bendy the first time he experienced an Allison and Tom Loop. Funny that this is also where we see the evidence of Audrey existing in BATIM, by the way; hand with a swirl saying “follow me” and another swirl labelled “trust her,” as SuperHorrorBro on YouTube pointed out? Hm…

Let’s go back to her. It does seem we can trust parts of what the Memory of Joey says, like how we were able to glean clues as to what was going on behind the curtain through TIOL despite both the hoops that Joey had to jump through to get Nathan Sr.'s permission to publish in the first place and Nathan Sr.'s postmortem edits; you just gotta pay attention to the patterns in the broader picture. We do know, for example, from clues in BATIM, TIOL, and TLO, that whether or not he wanted anything to do with romance and having kids was a huge internal struggle for Joey that culminated in regret at missing the chance; which tells me that, yes, Joey created Audrey to be the daughter he could never have (speaking of which… based on the Keepers' “surgical invasions” comment, I wonder if Nathan Sr. might've… *clears throat* had someone forcibly sterilize Joey… ☹️). However, unlike many fans (including MatPat of Game Theory on YouTube, I saw this morning), I think Audrey has a completely new soul; Joey didn't sacrifice Henry's daughter or Tessa Arch or anything like that. Lemme explain.

Y’know how Audrey talks and behaves a lot like Henry (planning on drawing her animations all night long and actually doing so in the secret ending you unlock if you don’t make her move at the very beginning of the game, saying a lot of the same lines as him, etc.) and there’s an Easter egg where you can spot a ghost train on Platform 77 at 4:14am or 4:14pm (the same number as the loop that was different, Henry’s identifier in the Cyclebreaker prison, in the corner of the so-called “death of Henry retconning newspaper,” and the dates marked on so many lore drops… Anyone remember Nathan Sr. saying the last he heard from Joey, when he sounded so happy, was during April? I wonder if Audrey’s “birthday,” when Joey tried to cut ties with Nathan Sr. and disappear off his radar for good, was April 14… and mayhaps Nathan Sr. had the announcement of his buying the Bendy IP published and caused Wilson to discover the Ink Machine on April 14th as a way to poetically rub it all in Joey's face and dance on his grave)? There’s also another place that we can spot a ghost: when you make Audrey strike a pose in front of the mirror in her office too many times, like the goshdarned peacock that Joey was.

There are Lost One memos that say not only that ghosts are what happen when souls randomly, accidentally slip out of the Inkwell, but also that new souls can be created by combining old ones inside the Ink Machine…

“We don’t live forever. When we’re killed or finally pulled apart, our diseased souls return to the ink to be reborn. An unending cycle of torment. But sometimes, something even worse can happen. A soul can slip from the ink completely. It gets caught between worlds, unable to die or return. They wail in the night. Drifting in shadow. The Phantoms of the Machine. The ghosts.” ~ Unknown, Bendy and the Dark Revival, “The Ghosts” memo (emphasis added)

“We live in the ruins of the past. Forever lost in the shadows of those who came before us. Blended souls to make something new. Birthed from a machine into a world we cannot own. But the Ink Demon lives in all of us. A voice that calls us to a purpose. We know it’s a lie, but his intoxicating pull is strong. He is calling. Always calling. Can you not hear him?” ~ Unknown, Bendy and the Dark Revival, “Who We Are” memo (emphasis added)

What if Audrey’s soul is a combination of pieces of Henry and Joey’s souls, so she’s Henry and Joey’s daughter, but none of the three of them realize it?? As far as Joey knows, she's only his own kid (because he knows with 100% certainty that he put a piece of his own soul inside of her), but the Arch family figured out what changed for Joey to finally succeed at creating life (by the way, I saw someone in some YouTube comment section point out a long time ago that, if you translate “414” to the alphabet, it spells “dad…” Wowzah, the symbolism)???

“I believe there’s something special in all of us. With true inner strength, you can conquer even your biggest challenges. You just have to believe in yourself and remain honest, motivated, and above all, who you really are. Okay, let’s stop it right there. I can only do so many takes of this trash a day. And tell the guys in writing I want more use of the word ‘dreaming’ in every message. Keep railing on that, get it? Dreaming! Dreaming! Dreaming! People just eat up that kind of slop. Hmm, what? It’s still on? Well, turn it off, damn it!” ~ Joey Drew, Bendy and the Ink Machine, ch. 4 (emphasis added)

The Memory of Joey: Well, geez! You haven't gotten far! Audrey: Don't do that! Wait… how… how did you get in here? The Memory of Joey: Oh, I have my ways. So, tell me. How goes the journey? Audrey: Slow, but I'll get through. The Memory of Joey: Ah! I see you have your father's never quit, go-getter spirit. Audrey: Oh, now you knew my father. Well, news flash! I didn't even know my father… or my mother. Or anyone else in my family. The Memory of Joey: I see then. You've chosen to forget the past. I can understand that. Audrey: What are you talking about? The Memory of Joey: Look, I don't think you're ready for this, *pats her hand* but hang on to your lunch money. There's something I want to show you. *Starts using his teleportation powers* Audrey: Wait. What are you doing? The Memory of Joey: *Teleports her and himself to BATIM Chapter 1* Henry's Voice (echoing like it's supposed to be a memory): Alright, Joey. I'm here. Let's see if we can find what you wanted me to see. . . . The Memory of Joey: …It was then, Joey decided to make something new. Something he had always wanted, but he could never have: a family. But not a cartoon one. Something real. And after many, many tries, he created something that made him happier than he ever could have imagined: a wonderful, loving daughter. Bright and kind. Almost human. He created you, Audrey. Audrey: What? Are you crazy? The Memory of Joey: Listen, I know it's a lot— Audrey: —Who do you think you are? I wasn't born from some… machine! I'm flesh and blood. I'm not some kind of ink monster. The Memory of Joey: Just because we're born of darkness, doesn't mean we belong to it. We're always free to choose. To believe what we want to believe. Audrey: Take me back! Right now! I'm not listening to any more of your lies! The Memory of Joey: Remember who you are, Audrey. *Tries to take her hand again* Audrey: *Yanks her hand away* Leave me alone! The Memory of Joey: *Sighs and sends her back to the Downside Hotel*

“This may be my last chance to record a message, I’m pretty sure he saw me talking into this thing, He probably won’t let me keep it. Not much left to say except… Linda, I miss you and I love you so much. Coming back to this old place well… it kind of reminds me of how much I’ve gained. I feel like there are so many questions that need answering, so many things that don’t make any sense. If anyone hears this, if you make it out, don’t ever return, because the Ink Demon will find you.” ~ Henry Stein, Bendy and the Ink Machine, ch. 5 teaser audio log #3 (emphasis added)

Audrey: Why would you be a threat to them? Henry: I'm what they call a “Cyclebreaker.” Once upon a time, I knew how to start the cycle over. And when that happens, everything begins again. Completely new. Obviously, Wilson and the Keepers don't want that to happen. Audrey: How did you do it? Henry: Reset the cycle? It turns out the Ink Demon himself is the key. This world is his, but even he must obey its rules. For now at least. If you can get him to look at something very specific, it will reset everything. Audrey: What is it? Henry: It's just a reel of film, labeled with the words “The End.” I can see it in my mind, every day. They keep it upstairs in the Pit [where Heidi says the ghosts live and nobody ever comes out of. At least, never quite the same]. Audrey: I'll see if I can break in and steal it. Maybe, if I reset the cycle, we can make things better for everyone here. Henry: And what about you? Audrey: I just wanna go home. Henry: So did I.

(*Side-eyes that “even Bendy must obey the rules” comment hard*)

Was Audrey created from Joey’s hatred of being what Nathan Sr. forced him to be, his coping mechanisms, and his desires for a family and to be his true self (which comes out in her as wanting to be a real human being of flesh and blood with a normal family, even if that means she has to forget her real family), and Henry’s kindness, curiosity, compassion, perseverance, passion and talent for drawing, and desire to go back home to his family? Joey says in TIOL that he admired Henry’s smile, and I noted in my original analysis/theory that Joey’s smiles that people find unsettling don’t seem to be a sign of malice but instead that he’s going through some sort of suffering, usually related to Nathan Sr., that’s causing him to dissociate just like Bill from TLO does, so of course the newest Audrey’s smile – Henry’s genuine, kind, confident smile – would fill Joey’s heart with joy!!

“Who would have ever dreamed? In the declining years of my life, I have someone more precious to me than any piece of art I could make. When she laughs and smiles, it fills my heart so much it overflows. For all the evil that’s come from me, this is something finally good. We play and talk as we both learn from each other. There’s not much time so every moment has to count. Unlike my versions that came before her, the ones who called me their ‘uncle,’ I’m proud to have her call me ‘Dad.’ Because she is truly my daughter.” ~ Joey Drew, Bendy and the Dark Revival, “True Daughter” memo (emphasis added)

Before anyone says anything, it's for the very same aforementioned “broader pattern” reasons that I'm unconvinced Joey's motivations behind having the previous (implied “imperfect,” which I agree with others could mean “unable to live very long in the real world,” explaining in addition to Joey being very old and sickly the extreme focus on not having much time 😢💔) versions of her call him “Uncle Joey” were as selfish and cruel as they seemed. I feel like it was simply, once again, a way to cope with grief, as he does so often (and Audrey seems to have done generational trauma-style, once again, “choosing to forget” rather than mourning)… I think, in reality, he didn't mean that the other Audreys weren't good enough to call him “Dad,” but that he couldn't bear to have them call him “Dad” because he could tell they'd be gone soon and he needed that fact to hurt less, his thought process something like “of course I still care about my nieces, but losing them is less utterly devastating.”

Speaking of the memories, was anyone else weirded out by the way Wilson said that Nathan Sr. “only ever had time for the grand creatives of the world. The ‘doers,’ as he called them. How could his lowly son ever compete,” after that conspicuous comment from Nathan Sr. that he dislikes creative people, back in TIOL (I specifically noted this comment in my original analysis/theory because it sounded like he was indirectly ending his relationships with every other creative he's ever met specifically so that nobody would believe anyone who claims he looked down upon Joey)? And was anyone else disturbed by the fact that, in the very same room where Wilson went on his rant about how Nathan Sr. was beyond saving (definitely didn't sound like he meant physically 😬👿) before he got freaking shredded (still not over it 😵‍), we find a hotdog connected to Audrey's pleasant childhood with Joey and a final Nathan Sr. audio log where he talks about going on a lovely walk and eating a hotdog for the first time in a long time (no, this isn't implying that the memories are actually Wilson's; the achievement for getting them all is called “Self Discovery.” And, sorry MattyPatty, but I'm not buying “they're Tessa's because the Fashionable Men's Hat was in fashion in the 1930s but not the 1960s;” I didn't know or care what was actually considered fashionable as a little girl – I mean, I still don't, but I'm autistic and that's beside the point – I even called old clothes of my grandmothers' that they gave me to play dress-up with “fashionable/chic/etc.” If I was pretending to be fashionable, I could tell it was expensive, and/or I thought someone – especially my parents – looked good in something, I called it such things without question. Multiple memories make a point of saying how old and/or cheap they are, the Rubber Duck straight-up saying that it was “still dusted with the decay of old soap;” it sounds to me like Joey kept a lot of old/broken things in order to save money and possibly also go out in public as little as possible in order to stay off Nathan Sr.'s radar, his biggest exceptions being making memories with his baby girl)?

“I decided to go for a walk this morning. Took a little stroll down to the park. Enjoyed the warm sun for a while, found a quiet bench, even grabbed a hot dog. It's been ages since I've done that. Tessa would kill me if she knew I've been off my diet. When I got back to the office, I stopped by the animation department and said hello to the troops. My gosh, they're getting younger every day. Either that or I'm just getting older. It all made me realize time is moving on. The hard struggles don't seem as dire as they used to. Life has other value. I think, I'll go home early today. Maybe I'll even pick up a hot dog for Tessa.” ~ Nathan Arch Sr., Bendy and the Dark Revival, “The Bigger Things” audio log

Just this one scene in this one room felt like a big, flashing neon sign highlighting the stark contrast between Nathan Sr. and Joey's parenting. So much here is screaming to me that:

Nathan Sr. – who seems to have just chosen to be a monster of his own, perfectly sane and untraumatized free will – had been working hard to make observers believe he was a good father while neglecting The Favorite Son™ (Nathan Jr.) and abusing The Hated Bastard Son™ (Wilson) so horribly both emotionally and physically that not only was Wilson jealous of how much his dad liked people he just disliked and/or of anyone who got his dad's attention and approval by being used in his machinations, but he was also made into a social pariah (just like Walter and Joey) by the horrific injuries his father inflicted on him, making him look and sound so creepy. I think Nathan Sr. was relieved that day in 1973 when his intricate plans finally came to the fruition he was actually planning on and they found his least favorite son's dead body on the floor of his JDS museum; the hotdogs were a way to celebrate finally ridding himself and Tessa of Wilson for good (seriously, frick you, Nathan Sr. I'mma slug you and then hug and adopt both your sons; nobody deserves a dad as pure evil as you).

Joey – who was clearly forced to be the way he was for survival reasons – really, genuinely was trying to be a good uncle/dad to the Audreys, despite the mistakes he definitely made with them due to decades of being trapped in survival mode (and Audrey definitely loved him despite his flaws, which is probably why she's so willing to give Wilson a chance! Anyone notice the description of the Cracked Mug childhood memory? I… why are you making me tear up over a broken cup with a frowny face drawn on it?? Stop making me cry… 😭😭😭 Not only was Wilson trying to communicate what happened to him to her, but he was successful and she sees her dad in him and wants to help… Unfortunately, he ain't in the same place Joey was, anymore. His dad's Murder Puppet process worked, just as he feared; he's not the same person now as when he wrote The Mug and the Maiden, so she gets hurt for her kindness). He didn't want her to become like him, he wanted her to be safer and better able to move forward than he was, as seen in the memos signed “your best pal;” he fought for his daughter to not just survive, but joyfully thrive, taking her out for hotdogs just so that they could relax together on a Saturday.

“Every great story begins in mystery. Although things may be dark at the start, the truth will illuminate your way. Don’t be afraid of who you are. Fear only what you may become, and banish it away.” ~ “Your Best Pal” (heavily implied Bendy/Real Joey), Bendy and the Dark Revival, “The Beginning” and “Something Familiar” memos (emphasis added)

(The “Something Familiar” copy is literally found on the Memory of Joey’s bed which, as I said in Part Two, I think was actually Dapper Bendy’s.)

“Around here, it's just best to stay out of sight. Don't ever go running into some place if you don't know what's in there! If you attack a problem head on, you're going to find yourself in trouble. And that's just foolish! You gotta watch, listen, and when the time is right, push forward.” ~ “Your Best Pal” (heavily implied Bendy/Real Joey), Bendy and the Dark Revival, “Be Careful” memo

“Don't ever lose hope. When in doubt, the answer you seek is usually nearby. We all have dreams, ghosts in our past. But those ghosts can give us the path forward.” ~ “Your Best Pal” (heavily implied Bendy/Real Joey), Bendy and the Dark Revival, “White Rabbit” memo (emphasis added)

Back to the whole soul blending idea. If I'm right, this would all explain:

Why our Audrey could survive in the real world while the others couldn’t: they needed complete souls, but they only had part of Joey’s soul until part of Henry's escaped!!

What made Loop 414 different: Henry’s memories of the previous loops were erased because part of his soul had (genuinely, cause Joey seemed awfully surprised that something changed) accidentally slipped into the newest Audrey!!

The Memory of Joey saying A: that Audrey doesn’t have to be the Ink Demon anymore, making a big deal about how Audrey’s real and loved – the Ink Demon has the rest of Joey’s soul, he’s saying that she’s her own person and not either of her dads (while also making Joey sound like a selfish creep by passive-aggressively rubbing the fact that he was forced to be the monster he became in Real Joey’s face and also telling him that he’s unlovable trash unlike Audrey *stares at my notes on how Susie Campbell/Twisted Alice’s story parallels Joseph Dempsey/Joey Drew’s, again* but seeming like he's being a jerkwad to another one of his children, as @inkdemonapologist pointed out. So many reasons for Bendy to have crushed the life out of him, there) – and B: “just a pencil and a dream isn’t enough, you have to have heart” – not only does she need to keep choosing compassion to avoid going down the road Joey did, but Joey was The Dreamer, Henry was The Heart, and together they made a separate life!!

Why Wilson would A: describe Audrey's powers as “devilish” (they came partly from Joey, who is now the Ink Demon) and make a big deal about how the Ink Demon can't get into his lab (he knew that Bendy/Real Joey would 100% come to rescue his baby girl, if they were somewhere he was capable of entering. As he did at the end of the Shipahoy Wilson fight), and B: think that her soul would be powerful enough to create a deity that could defeat Bendy (she's also a descendant of the Third King of JDS, who left the kingdom) while also, apparently, not realizing that his own soul might be powerful enough, as well, and therefore never actually trying to kill Bendy himself (he tried to have his Keepers do it, remember? That's literally what those audio logs were all about); maybe this is how souls always work in the Bendyverse – everyone's souls are a combination of pieces of their parents', so Wilson's soul is partly Nathan Sr.'s, another one of the Three Kings of JDS (this might also explain why Henry, the Memory of Joey, Audrey, and Wilson are the only ink creatures we see who resemble humans; if the Memory of Joey is actually Nathan Sr., that means they all have Royal Souls, making them the most powerful beings in the Ink Dimension. Bendy/Real Joey is probably the way he is because A: he chose to be, B: Nathan Sr. forced him to be, or C: nobody had any choice in the matter because he was already bonded to the soulless Bendy body by the failed ritual performed way back in 1946) – but, as far as he knows, it only works that way for ink creatures…?

“Now I’m not lookin’ for trouble. It’s just the nature of us projectionists to seek out the dark places. You see, I’ve learned the ins and outs of this here studio. I know how to avoid being bothered by the likes of this… company. ‘That projectionist,’ they always say, ‘creeping around, he’s just lookin’ for trouble.’ Well trouble or not, I sees everything. They don’t even know when I’m watchin’. Even when I’m right behind ‘em.” ~ Norman Polk, Bendy and the Ink Machine, ch. 3 (emphasis added)

“‘Of course,’ Norman said to himself. He took another sip [of what was almost definitely ink]. ‘He says it like that, knowing that he's the one who brought this creature upon us. Of course. Of course.’ I felt cold then, like the temperature had dropped and it was winter. Like if I talked my breath would freeze. ‘What do you mean?’ But I knew what he meant. He meant the infirmary. The thing in the room with the locked door. The door I'd opened. I'd let it out. Me. It was all my fault. ‘What do you two know about the ink?’ Norman asked instead. ‘We know Sammy is obsessed with it,’ said Dot. ‘So not much then,’ said Norman. ‘How much do you know?’ I asked, trying to hold it together. ‘Everything.’” ~ Daniel “Buddy” Lewek, Dreams Come to Life, pg. 210-211 (emphasis added)

“I'm a fan of darkness. It just appeals to me. As old Norman would often say: people really become themselves when they're hidden in shadow. That creepy guy always had a story to tell about this place. But I think I've found a few narrow passages even he didn't know about. I can watch. I can listen. I can even steal. And no one ever sees me. I'm just a ghost, *giggles giddily* living in the walls, peering from the darkness. *Chuckles ominously*” ~ Grace Conway, Bendy and the Dark Revival, “Dark Places” audio log (emphasis added)

Is Grace a combination of Norman and somebody else's souls (someone who's not at all in denial that they enjoy getting into mischief and ruffling people's feathers, clearly… roflolol what if it's Shawn?? What if him leaving JDS was also one of Nathan Sr.'s lies, so he really was the Top Hat Searcher Boss in BATIM??? Omigosh, I wanna meet Grace, she sounds fun 🤣 but also, poor Shawn 🥺), so just as much his daughter as Audrey is Henry and Joey's? Was she created from his desire to find secrets? She has a very similar voice to him and everything, goodness. And while we're back on the subject of dear old Norman, could he have become a personification of part of Wilson's psyche when he got addicted to that same ink that Sammy did (which would also support my “Wilson's not actually the ‘new evil’ in the Ink Dimension, it's Nathan Sr.'s soul” theory)…? Wilson seems to have a Royal Soul, after all; maybe that gave him the ability to work himself into the hivemind that thoroughly… “Wilson's always watching. He knows your purpose…”

Speaking of which, it sure looks to me like we got a whole heckuva lotta “Joey's the center of the hivemind and anyone infected with the right kind of ink becomes a personification of part of his psyche (otherwise, they just send/receive thoughts to/from him)” confirmation, besides that second paragraph of the “Who We Are” memo (especially if Porter really is Brant; he assisted us in escaping Freaky Teeth alongside all the freed Cyclebreakers in the end, I highly doubt he betrayed us).

“A new terror has descended into our lives: This man named Wilson. Ever since, our world feels strained, like a great beast held in chains. The Ink Demon hasn't been seen in a long time. Many of us refuse to believe he's really gone. But what does it matter? Down here, we're all sinners. Children of the Machine all have the Demon in our inky blood.” ~ Unknown, Bendy and the Dark Revival, “Beast in Chains” memo (emphasis added)

“His eyes see all. His claws tear and thrash. His whispers turn your mind into dark, unspeakable trash. Listen for the heartbeat drone. Your doom is close at hand. The Ink Demon is both beast and lord. His powers, too vast for us to understand. Death is fast. Death is near. His reign will last beyond your fear.” ~ Unknown, Bendy and the Dark Revival, “Lament” memo (emphasis added)

“The Dark Puddles awaken. A voice, a soul. The ink speaks to me. It whispers your secrets. Who are you? Tell me your sweet name, that I may devour it. My ink swells and boils. It consumes. I am the Ink Demon. This realm is mine. You were born from it. You belong to it. You cannot hide forever. I will find you. (After telling Porter her name) The deep abyss remembers you, Audrey. A child of the darkness.” ~ The Ink Demon, Bendy and the Dark Revival, ch. 2 (emphasis added)

(Anyone notice the implication there that not only does the very fact that Bendy can hear Audrey’s thoughts mean she has a soul, but also that the very fact that we can hear Bendy’s thoughts must mean he also has a soul inside of him now, by the way?)

“I see your mind as the truth unfolds. You will accept your fate before the end.” ~ The Ink Demon, Bendy and the Dark Revival, ch. 4 (emphasis added)

Wilson: The Demon's evil continues to spread. This world has began to shutter… The Ink Demon (literally interrupting her conversation with Wilson telepathically): He’s lying, Audrey. Audrey (whisper-shouting): Be quiet! Wilson: What did you say? Audrey: Nothing. It was nothing. Wilson: Hm. *Opens door to security checkpoint* Just a quick stop. Won't take but a moment.

Did Susie/Alice not mean that Bendy killed her, but that she knew Joey was the center of the hivemind, back in BATIM? And if so, did she find a way to cut herself off from him or did his power just become stronger when his human body died and his soul finally merged with his ink one, I wonder? It seems like people could only fully hear others' voices in their heads in BATDR; before that, you had to actually be inside the inkwell or else people's thoughts just popped into your head as if they were your own…

“*Alice voice* …Take this little freak for instance! He crawled in here… Trailing his tainted ink to my door! It could have touched me! It could have pulled me *Susie voice* back!! Do you know what it's like? Living in the dark puddles? *Alice voice* It's a buzzing, screaming well of voices! *Susie voice* Bits of your mind, swimming… like… like fish in a bowl! *Alice voice* The first time I was born from its' inky womb, I was a wriggling, pussing, shapeless slug. The second time… well… *Susie voice* It made me an angel! I will not let the demon touch me again. I'm so close now. So… almost perfect… *Dreamy sigh*” ~ Susie Campbell/Twisted Alice, Bendy and the Ink Machine, ch. 3 (emphasis added)

Back to the soul children thing. I wonder if even Alan/Allen Gray/Grey (who can't even spell his name consistently. Yes, I'm mad about it. Jiminy Christmas, my guy) could be one of these “children of the darkness/Machine,” born of its ghosts?

“So we're looking at quite the job here! Walls come out, pipes go in… dang walls go back in again! It's like banging your head on a rock over and over and over. The first time, it hurts to heck. The hundredth time, well… you just don't think much about it. That's what it's like working for Mr. Joey Drew. At first you feel that bad pain in your gut that you're doing something very wrong. But after a time, when the dust settles, and Joey has played his cards, you just learn to go with it. Bit of your soul dies with each pipe you put in.” ~ Thomas Connor, Bendy and the Dark Revival, teaser audio log dated November 12th, 1943 (emphasis added)

“‘I'm not leaving until I get what's mine,’ Tom said as Mister Drew stared him down. . . . ‘I want my patent back,’ Tom said right to Mister Drew's face. They were practically nose-to-nose. Or more like, nose-to-chin. . . . ‘It's my machine, Drew, it's mine.’” ~ Daniel “Buddy” Lewek, Dreams Come to Life, pg. 247 and 248 (emphasis added)

“Joey, Sorry, it's been a while since my last letter. Been Busy with work at Archgate Films. The Studio ordered another sequel! So I have been spending many hours in the recording booth again! It's fun though. Tom is doing good, thanks for asking. He's always tinkering or something. Mostly he's still upset about someone stealing one of his dusty inventions from your old studio. He'll get over it. Have a good New Year, Joey. I'll send you another recipe soon. Warm Regards,” ~ Allison Connor (formerly Pendle), Bendy and the Ink Machine, ch. 5 (emphasis added)

(No, Allison, I don't believe he ever will get over it, rofl.)

“To Grant Cohen, accounting: Please inform Mr. Drew that despite his insistence that the rumors of Joey Drew Studios going bankrupt are untrue, I want to remind him that if his studio does indeed fail, all equipment and experiments produced through our partnership, by contract, belong to the Gent Corporation. We will reclaim these assets forcibly if necessary.” ~ Alan/Allen Gray/Grey (he spells his name “Alan Gray,” here), Bendy and the Dark Revival, “Gent Property” memo (emphasis added)

Could he be a combination of Tom and somebody else's souls (someone more privileged, with money, power, and a college education… Could be Allison, I guess… but also maybe Bertrum, or Nathan Sr…? Something tells me that ghosts gravitate towards ghosts who complement/complete the part of their parent that they embody to form new souls with), so actually his son, created from his desire to get his effing inventions out of JDS's hands (there's that very specific technicality I mentioned, back in Part Two), and perhaps altered by Nathan Sr. to create a new villain to distract us from himself (he's clearly not against doing that to his own sons, so… Also, this would support my “Wilson's not actually the ‘new evil’ in the Ink Dimension, it's Nathan Sr.'s soul” theory, too… The Memory of Joey was the one who retrieved the End Reel from the Pit, by the way. Remember? Audrey never gets to go inside)?

“We've hit rock bottom. No doubt about it. By all accounts, I don't even know how this studio is still going at all. If you follow the money, you just hit a big old brick wall! Well, let me tell you, blank ledgers, spare cash, Weird amounts that plain just don't add up. There's still income finding its way onto the books, but for the life of me, I can't figure out where it's all coming from. Though the obvious answer is that Gent is privately pouring in some funds. And truth be told, they really creep me out. Especially that Mister Gray. He doesn't seem to be motivated by money, and he sure as heck ain't telling us what he's REALLY after. You just can't trust someone like that.” ~ Grant Cohen, Bendy and the Dark Revival, “Strange Money” audio log (emphasis added)

Something tells me we shouldn't be looking at the obvious answer. I can think of someone else right off the bat who “sure as heck ain't telling us what he's REALLY after” and we know for a fact that Joey has audibly nervously begged for money from, before…

“It’s been quite a struggle to put this into words, Nathan. After so many years, you know I’d never ask unless it was dire. But when a man’s in a spot, he should call upon his friends. Truth is… well, the studio is… *slight tremor in voice* coming up a little short. Hit a few unexpected bumps. If you could… lend us the amount I mentioned in my last letter *inhale* it would be a big help to me… Hope this reaches you in South America. You and Tessa enjoy your vacation.” ~ Joey Drew, Boris and the Dark Survival

…and I think we just figured out what Mr. Gray/Grey's true motivations are by figuring out where they came from… Could being the second of Audrey's kind, “born of ink but living in flesh,” be why he seems to understand how to make things cross dimensions…??

“The future has arrived. I just didn't know it would get here so soon. Some of the stuff that's coming out of Gent doesn't follow any of the rules of physics that I know. Hard to believe they started out as a brick laying company once upon a time. Nowadays, we have all the modern conveniences and, worse yet, the headaches. Take that ID Card machine they've got at the door. You don't bring your ID, you ain't gettin’ to work. So I started putting my ID Card on my nightstand in my room at the Downside Hotel. It's not the safest place, but at least I know where it is.” ~ Eugene Lloyd, Bendy and the Dark Revival, “Daily Headache” memo (emphasis added)

Y'know, I find it incredibly suspicious how one of the secret endings reveals Audrey to be in an insane asylum, unlocked if you collect all the copies of TIOL (the biggest source of info on Nathan Sr.'s abusiveness towards Joey) that are scattered around the studio and then staring into the colored ink in Wilson's (the biggest source of info on Nathan Sr.'s machinations) lab. They're clearly tryna nudge us towards thinking Audrey might be a fan with an unhealthy parasocial relationship with Joey (the achievement for unlocking it is titled “The Insane Reader”)… but how many times have I said that anyone who might be an info leak or even just displeases Nathan Sr. seems to get disappeared mafia-style? What better way, if she couldn't be trapped in the Ink Dimension with everyone else, to simultaneously silence and torment Joey's only family member than by fabricating a different, more believable life story for her and getting her committed?

I wonder how many of the many more audio logs/memos/etc. there are in this version of the studio – many of which seem outlandish and surreal even in the context of the rest of the series – may have also been made up by the souls of the series' scapegoats/etc. in attempt to call our attention to the discrepancies and reveal the truths?

“Something funny's going on around here. Call me suspicious if you wanna, but I know the signs of weirdness when I see ‘em. Don't get me wrong, we've always had visitors around the studio, but lately we're getting just one kind of visitor in particular: Gent Corporation Employees. Tons of ‘em. They're working in the hallways, ripping up the floors, taking the best toilets, you can't even get near the Little Devil Lounge these days! It's starting to feel less like an animation studio around here, and more and more like some crazy scientist's laboratory. It's just plain weirdness.” ~ Lance Derby, Bendy and the Dark Revival, “Weirdness” audio log (emphasis added)

(Hm… Sounds an awful lot like Constance's comment on the potential dangers of “innocuous strangeness” I brought up in Part Two… 👀)

���This old town [Lost Harbor?] really has changed ever since that big Gent Building went up. Yesterday, I took a trip over to the Farmer's Market, and they had the whole dang street ripped up! It was like a large hole had just plain swallowed the sidewalk. Men were going in and out with strange iron tools. Kind of looked like they were installing some kind of tunnel under the road. Pipes just everywhere! Pete behind the produce counter was just shaking his head. ‘They're up to no good,’ he kept sayin’. ‘You'll see. This is how it always starts.’ I think old Pete might be right. But I don't like to dismiss people just on rumors. Only time will tell, I suppose.” ~ Kitty Thompson, Bendy and the Dark Revival, “Trouble Town” audio log (emphasis added)

“I heard some of the workers from down the hall last night talking about storming Joey Drew's office. They were using some colorful language, banging their fists on the tables and chairs. It was the same bunch who whistled at me yesterday. Things must be getting serious. That accountant, Grant Cohen, just walks from his desk down to the men's room and back all day. Over and over again, gripping his stomach. Kind of green in the gills. I can't tell if something he ate isn't agreeing with him, or if he just can't take the pressure anymore. Joey's got a plan, he keeps saying, Gent is making something special. I really hope he's right. I may just be a secretary, but this place has a magic I don't want to see end.” ~ Sally Newt, Bendy and the Dark Revival, “Getting Serious” memo (emphasis added)

Are the children of the Machine straight-up trying to tell us that A: Nathan Sr. is (genuinely) editing Mr. Gray/Grey into the story as yet another one of his many Decoy Villains for us to hate and pursue instead of him, B: in real-life, Grant was infected with ink (as the audio log in the version of his office in BATIM suggests he was) in order to disappear him for figuring out what Nathan Sr. was doing through the financial records, and C: Joey meant for the Ink Dimension to be salvation for people like Grant (like I suggested in Part Two)?? Wow…

While I'm still on the subject, I think I might know who a couple of other characters are the soul children of. I think Steve is the son of Wally and Tom, and Heidi is the daughter of Allison and Susie (sorry, SuperHorrorBro, but I don't believe Porter and Heidi are previous Audrey versions. Besides the “Who We Are” memo spelling out what “child of the darkness/Machine” actually means, the “True Daughter” memo implies that all of Joey's previous attempts at creating a child were daughters, Porter would be a son and Bendy calling Audrey “the daughter of Drew” as if there's genuinely only one – why the actual heck would he say that if he's not Real Joey and considers himself “one of the children of Drew?” Shouldn't he be giving his sister Heidi the same honor he, himself, wants but was denied, just like she was? That doesn't make sense, which Wilson explains to us is a sign that something was Nathan Sr.'s doing in some way – along with the way Audrey and Betty talk about Betty being “one in a long line of failed experiments” as if Wilson continuing to try and get her to come out the way she was supposed to is a good thing that's going to positively impact her eventually implies that all the Audreys were the same piece of Joey's soul reincarnated. Also, Porter says that he “learned” his powers, and there was a delay between the hivemind speaking to Audrey and her using her default powers for the first time, but zero delay between Porter and Heidi giving her their powers [which Porter does by taking Audrey’s hand like the Memory of Joey does when trying to get her to accept the entire so-called “retconning story” as truth, and Heidi does by touching Audrey’s face like the Memory of Joey does when using his teleportation powers on her, which suggests that this was how they were given to them…] and her using them. I think that A: the Memory of Joey gave Porter and Heidi their powers to push us towards believing that Real Joey was a cruel uncle/father who discarded the failed Audreys when he got sick of taking care of them [I wonder… could Porter's seemingly randomly dubbing Audrey “Bobby,” leading her to describe their interaction as “weird” – which can be another sign of Nathan Sr.’s interference or a sign of Wilson's warning riddles – was a message from Wilson, trying to highlight both his dad's “Fake Siblings” plan and the fact that Audrey's desire to be a normal human stems from Joey's desire to be his true self rather than the monster that Nathan Sr. forced him to be? 👀👀 And, by the way, did anyone notice that Porter, Heidi, and the Memory of Joey's powers are all travel-based?? 👀👀👀 Sounds to me like the Memory of Joey meant it when he said he has his “ways,” plural], B: Audrey just had her default powers automatically because she has a Royal Soul, but they didn't awaken until she wanted them [no, not “needed.” That Searcher outright tells us we don't need to kill them and, from my and my brother's playthrough, you can literally play your whole game without them ever leaving that spot, even if you fight Lost Ones right next to them. I think this moment is further symbolism for Audrey leaning on her dad's coping mechanisms generational trauma-style and the fact we actually do have a choice between cruelty and compassion], and C: Audrey, herself, as a benevolent ruler, is considered a gift from the two main users of the hivemind/Dark Puddles – Wilson and Bendy/Real Joey – by many inhabitants of the Ink Dimension. “And from the hallowed darkness, from the wretched abyss, a savior comes at last,” as Wilson says), created from their playful, lovey-dovey sides…

“These guys down at the warehouse get to play games all day while I'm stuck cleaning up after ‘em. They keep locking themselves out of their own back room. So I says to ‘em, ‘look guys,’ I says, ‘you're smart, right? Here's an idea! Why not rig these games to knock open the door if ya win? It'll be fun for you guys, and it saves me the trip down here every day.’ They went for it like a dog to pot roast. I tell ya! If these guys don't start realizing who the real genius is, I'm outta here.” ~ Wally Franks, Bendy and the Ink Machine, ch. 4

“So here we are! Another big day at Joey Drew Studios! Lot more people running around here these days. But for me, it's the same old dirty floors they've always been! Just more feet messing them up now! The only [new] feet I don't mind tromping around here are Miss Campbell's. She's good to me! I'll make sure I empty her garbage every day just to see how she's doing. Speaking of which, I heard her talking with Sammy the other day. If I didn't know better, I'd say there was magic there. But who am I to judge? I think they saw me looking though… So I just tipped my hat and said: ‘See you later!’ … ‘I'm outta here!’” ~ Wally Franks, Bendy and the Dark Revival teaser audio log dated March 5th, 1933 (emphasis added)

“I thought of Mr. Connor. Gruff, rough-around-the-edges Mr. Connor. Was he the manager? I thought he was, but he couldn't be, could he? Not if this elegant creature was the manager's partner.” ~ Bill Chambers, Bendy: The Lost Ones, pg. 204 (emphasis added)

“‘We aren't in your studio right now, are we?’ replied Tom. There was no way Mister Drew could physically intimidate this man. Tom wasn't burly and bear-like like Bertrum Piedmont. He was more wall-like. Still Mister Drew grabbed him by the elbow and through clenched teeth said: ‘The hallway. Now.’ ‘Come on, Tom, no need to make a scene,’ said Allison with a warm voice, gently placing a hand on his shoulder. Tom allowed them to escort him to the pink lobby…” ~ Daniel “Buddy” Lewek, Dreams Come to Life, pg. 247-248 (emphasis added)

“First week on the job at the Gent Workshop, and I can tell already this'll be interestin’. ‘Think you can lift this still girder?’ they asked me with a smug smile. I didn't even bother to answer. Just picked the whole thing up with one hand. You should have see the wee men drop their jaws. All in all, I've noticed this building just ain't built for someone my size. Every time I walk by the workshop shelves, the tools all fall to the floor. That and I gotta bend down for every doorway in the place. Still, there are some positives to workin’ here. Take that new secretary, the shy little one with the blonde locks, the one who follows around Mister Gray. I'm pretty sure she's been giving me and my muscles the eye. But I ain't no smooth talker. A work-worn man such as myself, ain't got no business with a woman that fine.” ~ Steve McGregor, Bendy and the Dark Revival, “New Job” audio log

“Allison just smiled her dazzling smile that made me melt a little, even though the scene was making me incredibly tense. ‘We'll talk about that in the morning, Joey. Come on, dear.’ She gave Tom a little push on his shoulder, and evidently she could move mountains because once again he gave in and took a step back.” ~ Daniel “Buddy” Lewek, Dreams Come to Life, pg. 248 (emphasis added)

“Who would've thought? Me having lunch with Joey Drew! Apparently times are tougher than I thought. For a moment there, I though I'd be stuck with the check. But I gotta say, he wasn't at all what I expected. Quite the charmer. He even called me Alice. I liked it.” ~ Susie Campbell, Bendy and the Ink Machine, ch. 3 (emphasis added)

“So turns out it's my lucky day! I got to cleaning some of the offices around 2 am last night. And what do ya think I find on one of the chairs? A big freaking chocolate cake. Just sitting there! Practically yelling my name! You know, I work hard! I earn my pay. Every darn dollar. But you know what this company's missing? Little, benefiting perks. And this here cake? It's a perk! Hopefully no one finds out what I done. Cause if they did, I can tell ya what would happen. I'm outta here.” ~ Wally Franks, Bendy and the Ink Machine, ch. 5 (emphasis added)

“The Keepers have taken my friend! Locked him away like some animal! Just cause he's big and strong. But they don't need to fear him! No! If they just make sure to feed him on time, Big Steve won't ever hurt a fly! He loves the food from the ‘Little Devil Lounge’ best. If only someone would take the long road back through the sewers, climb up the elevator shaft, and seek out his favorite thumping delicacy. Then they would see how harmless he really is!” ~ Unknown (heavily implied Heidi), Bendy and the Dark Revival, “Feeding Time” memo

“*Alice voice* …But for now, let's have fun. Plenty of time for a bloodbath later. Ooh! How about a game? Let's all play a game of riddles! *Susie voice* Riddles? *Gasps* Oh, what a wonderful idea!” ~ Susie Campbell/Twisted Alice, Bendy and the Dark Revival, ch. 5 (emphasis added)

“But… but first! May we play a game? Oh, I love to play games! I like hide and seek best.” ~ Heidi, Bendy and the Dark Revival, ch. 4

(…Anyone notice this ink message we see right before we hear Freaky Teeth Bendy's voice for the first time? 👀)

My gosh, no wonder Heidi and Steve are so flipping cute (I may actually have a new romantic ship, that's rare for me), roflol. Also, remember what I said about ghosts gravitating to ghosts who complement/complete the part of their parent they embody to form new souls with? *Stares at my notes on how it seems like Nathan Sr. was secretly driving a wedge between Tom and Wally the exact same way he secretly drove a wedge between Henry and Joey: through lies and sabotage* Something tells me that Nathan Sr. could tell our dear Mr. Inventor and Mr. Janitor would be a good team and too difficult to control if he allowed them to get along.

Anyways, now that I'm excitedly vibrating over all those prospects, let's return our focus to Allison's so-called “story retcon.” I really, really, really dislike how the Memory of Joey seems to be trying to convince us that one of the most critical pieces in noticing the similarities between the story of Joey, Allison, and Susie and the story of Walter, Arthur, and Isabel, and therefore in arousing suspicion that Nathan Sr. had orchestrated both situations was never involved in any of the previous stories she appears in at all except for BATIM, specifically, in a completely different way as just a character that Joey edited in decades after the fact, based on someone he'd just recently met; that's suspicious as heck and very reminiscent of Nathan Sr.'s erasure of Lottie's existence in TIOL. And, especially after my further thoughts on TLO inspired by The Mug and the Maiden, I wonder if not only was I right about Henry being murdered to punish Joey for contacting him (and him for responding like the good friend he is), but there's also another story that hadn't occurred to me despite noticing that Allison seemed to have started waking up from Nathan Sr.'s trance in between DCTL and TLO… Did Allison and Tom also get murdered, as punishment for Allison's deciding to try and be a proper friend to Joey rather than continuing to be Nathan Sr.'s pawn in the aftermath of Henry's murder (I wouldn't be surprised if it was straight-up the last straw for her… Nathan Sr. certainly could've used her as a spy in whatever other animation studio he worked at after he left JDS when he realized Joey was thinking about calling him for help, so maybe she knew Henry and liked him like everyone else – minus Nathan Sr. lol – who knew him seemed to… Now, he was gone, and she was just as devastated as Joey)?? Was she, indeed, able to see the good in Joey that even he couldn't see (because he was being eaten alive by guilt in his old age), as a fellow reformed abuse-victim-turned-abuser (when I first read DCTL and TIOL, not yet having read TLO, I thought the way she said “we’ll talk about that in the morning, Joey,” when he tried to fire her sounded like she knew full well about the true nature of her Pretend Boss and True Boss' relationship and really meant “we'll talk after Nathan Sr. puts you in your place, tonight…” Maybe I was right 😬)? She certainly tried to do that for Susie Campbell/Twisted Alice…

“Dear Alice, I don't know if you will read these notes, but I'll keep leaving them for you. I hope someday you'll understand my words and the madness will fade from your mind. In this strange and dark place, we can find light and purpose. We are not left to just wander alone, craving beauty, power, and other meaningless things. Even the heart of someone feeling incomplete, can discover joy. We're not lost. We're merely waiting to be found. We are so much alike. Formed from the same mold. We're like sisters, you and me. I wish you comfort and the wisdom to let your heart melt into happiness. I won't give up trying to reach you before it's too late.” ~ “A Friend” (heavily implied Allison Angel), Bendy and the Dark Revival, “Two of a Kind” memo

…so why not for Joseph Dempsey/Joey Drew? In fact, why not for Wilson, yet another abuse-victim-turned-abuser?

Allison: Are you crazy? Wilson's our enemy. Audrey: Do you even know him? Have you even talked to him? Allison: I've seen what he's done. That's good enough for me. Audrey: Look, it sounds like he has a plan to kill the Ink Demon. I think he can help us all! I just… I just need to go back and hear him out. Allison: Well, if it's true. You'll both need as much help as you can get. The Ink Demon won't go down without a fight. Tom and I will gather some of our friends. Anyone who's left. Good luck, Audrey. Audrey: Thank you, Allison.

This is turning out to be quite the support group, ain't it? Also, hm, sounds familiar, again…

“That big question. Why? The biggest of all the ‘W’ questions, I have found over my years, and often the hardest to answer. Especially when the why disguises itself as something else.” ~ Joey Drew, The Illusion of Living, pg. 21 (emphasis added)

“‘What?’ The most used of the ‘W’ questions, and I think the most useless…” ~ Joey Drew, The Illusion of Living, pg. 33

Speaking of which, it makes zero sense for “Cyclebreaker” to mean “someone who's capable of resetting the loop” as Henry claims when the Memory of Joey specifically said that Wilson, in preventing the resets, was “freezing the cycle.” The time loop cycle is supposed to keep resetting, that's literally the entire reason it's called a “cycle.” Why would all of these characters be potential cycle reset-ers in the way Henry says, anyways? Bertrum's ink form doesn't even have legs or hands like Henry, Sammy, Susie, and Norman's do; he can't even leave where he's supposed to be without being subjected to destructive force like he apparently was in order to remove his head from the octopus ride and put him in the Cyclebreaker prison, forget playing the End Reel. Y'know what all the Cyclebreakers do have in common, if my theories are correct? They could've broken that other cycle I mentioned in my original analysis/theory: Sammy, Susie, and Bertrum all became personifications of different parts of Joey's psyche and by extension are symbolic of how trauma often causes people to cause the same trauma in others, so they could've broken the cycle of trauma/abuse by choosing not to inflict their own trauma on others like Joey did; Norman was a habitual eavesdropper/etc., so he could've broken that cycle by hearing/seeing things he wasn't supposed to and using that knowledge to get the truth out and find Joey help, much like Wilson did in his youth; and Henry was Joey's dearest, truest friend, his Shoulder Angel, who he reached out to for help in the guilt-stricken latter years of his life, so he could've helped Joey to break the cycle himself if he hadn't been fricking murdered as punishment for trying…

…Did anyone notice that, right after telling her all about how they serve and were created by Wilson, the Keepers suddenly decided that Audrey was too dangerous and they needed to just gas her then and there when she asked them to take her to Wilson because he wanted her to find him…?? And how, when she escaped the gas chamber, they specifically sounded an alarm for access to the Cyclebreakers to be cut off…???

Something tells me that:

There's a reason that not only are these creatures referred to as “Wilson's Keepers,” but it's also only safe to be around them when Wilson is: the son may have created them, but the father Arch gave them orders to ensure that the son continues obeying and remove anyone who might genuinely help him recover from what he did to him from the picture, one way or another…

There's a reason that everyone thinks “Cyclebreaker” means what they think it means: to throw everyone off the scent of its true meaning.

The fact that the Memory of Joey wants the cycle to keep restarting and the potential Cyclebreakers think that the resets are a good thing is both A: symbolic of the fact that Nathan Sr. loves perpetuating the cycle of trauma/abuse by orchestrating situations where he can cause his old Murder Puppets to create new ones who are just as or more brutal while still thinking they're in the right, and B: another hint towards the End Reel having been created by Nathan Sr. in his twisting of the Ink Dimension from the heavenly paradise that Joey dreamed of into the hellish prison that he, himself, now relishes; mayhaps the secret Grayscale Ending, if it exists, will also involve destroying the blasted thing?

Frick. You. Nathan Sr. I. Hate. You. So. Much.

Wanna read about some more highly suspicious songs I found and my concluding thoughts on BATDR's default ending? Those are in Part Four!

To Read the Original Analysis/Theory: Part One • Part Two • Part Three • Unexpected Part Four

[robertreich]

This One Thing Made Alex Jones Stop Lying 

Alex Jones will have to pay millions to the parents of Sandy Hook victims.

Fox News might be on the hook for over a billion dollars after making bogus 2020 election claims.

It turns out there actually might be a way to stop the constant stream of lies coming from the right-wing media. How can we do it? Two words:

Sue. Them.

This won’t defeat the right’s media ecosystem overnight — but defamation law may prove to be one vital weapon in the battle against misinformation. Let me explain.

Alex Jones, you may recall, had used his website InfoWars to portray the Sandy Hook school shooting massacre as a hoax involving actors, aimed at increasing gun control. Parents of victim children sued Jones and his media company for $150 million — ultimately winning an initial settlement of $49 million.

Courts in Texas and Connecticut had already found Jones liable for defamation. And as a result, Jones’ parent company, Free Speech Systems, filed for bankruptcy.

Even though Jones lost this case and finally admitted that the Sandy Hook massacre was “100 percent real,” he’s probably not going to stop making harmful and deceptive videos anytime soon.

But this defamation lawsuit will serve as a warning to both Jones and others in the media who build their business models around spreading lies.

Like OAN.

One America News, a Trump-allied media organization that pushed conspiracy theories about the election, is facing so many defamation lawsuits from those harmed by the start-up network’s lies that its future is now in doubt.

Cable providers have dropped OAN like an extremist hot potato, and the network is now only available to a few hundred thousand people who subscribe to smaller cable providers.

Talk about cutting the chord.

Defamation lawsuits have also been filed against more established right-wing media organizations, like Fox News.  

Dominion Voting Systems, a maker of election information technology used widely across the country, is suing Fox for $1.6 billion over false claims they say the network knowingly made about its software following the 2020 Election.

The case could potentially be a huge financial blow to Fox, and serve as one of the most consequential First Amendment cases in a generation.

Again, to be clear, defamation litigation will not single handedly stop the rampant spread of misinformation taking over the airwaves and the internet. These lawsuits can take years and often end up being expensive, plus some of the media organizations peddling lies are bankrolled by conservatives with deep pockets and a radical agenda.  

It can also be abused, and in some cases, pose potential threats to the free press. Although, if news outlets are alerted to errors and correct them quickly, defamation shouldn’t be a problem.

But at a time when social media companies clearly can’t be trusted to moderate themselves against weaponized lies — and elected officials have done little to step-in — the courts might be the best avenue we have to take on manufactured deception and put it to rest.

Where other methods to counter half-truths and exaggerations being spewed by Fox News and their ilk have failed, defamation law might make companies think twice before they knowingly spread falsehoods — and help stop the vicious cycle of lies, clicks, and profits that further divides our country.

[maaarine]

The tyranny of the algorithm: why every coffee shop looks the same (Kyle Chayka, The Guardian, Jan 16 2024)

"These cafes had all adopted similar aesthetics and offered similar menus, but they hadn’t been forced to do so by a corporate parent, the way a chain like Starbucks replicated itself.

Instead, despite their vast geographical separation and total independence from each other, the cafes had all drifted toward the same end point.

The sheer expanse of sameness was too shocking and new to be boring.

Of course, there have been examples of such cultural globalisation going back as far as recorded civilisation.

But the 21st-century generic cafes were remarkable in the specificity of their matching details, as well as the sense that each had emerged organically from its location.

They were proud local efforts that were often described as “authentic”, an adjective that I was also guilty of overusing.

When travelling, I always wanted to find somewhere “authentic” to have a drink or eat a meal.

If these places were all so similar, though, what were they authentic to, exactly?

What I concluded was that they were all authentically connected to the new network of digital geography, wired together in real time by social networks.

They were authentic to the internet, particularly the 2010s internet of algorithmic feeds. (…)

My theory was that all the physical places interconnected by apps had a way of resembling one another.

In the case of the cafes, the growth of Instagram gave international cafe owners and baristas a way to follow one another in real time and gradually, via algorithmic recommendations, begin consuming the same kinds of content.

One cafe owner’s personal taste would drift toward what the rest of them liked, too, eventually coalescing.

On the customer side, Yelp, Foursquare and Google Maps drove people like me – who could also follow the popular coffee aesthetics on Instagram – toward cafes that conformed with what they wanted to see by putting them at the top of searches or highlighting them on a map.

To court the large demographic of customers moulded by the internet, more cafes adopted the aesthetics that already dominated on the platforms.

Adapting to the norm wasn’t just following trends but making a business decision, one that the consumers rewarded.

When a cafe was visually pleasing enough, customers felt encouraged to post it on their own Instagram in turn as a lifestyle brag, which provided free social media advertising and attracted new customers.

Thus the cycle of aesthetic optimisation and homogenisation continued."

[mothsakura]

hi you mentioned an ancient police chase? what did this person do to deserve this. i must know.

oh hello!!!! i am glad you asked!!! :D the ancient who is on a police chase is Reflections in Last Fracture, Speaks of Mirrors (or bob. stands for big ol' bastard, his iterator gave him this nickname before the...rot incident) Reflections in Last Fracture, Speaks of Mirrors was a part of a council working on an iterator (around early to mid gen 1) that can withstand the rot, this iterator wasn't the final model but was the first prototype however Reflections in Last Fracture, Speaks of Mirrors needed a approval from the rest of the council (especially since his council didn't live atop his iterator as his iterator had no city. regulations and checks need to be done for there to be a chance that the city would be built), he wasn't the best to his iterator :( this has caused the iterator to act distrusting and not cooperative (note: Reflections in Last Fracture, Speaks of Mirrors lived in another iterator city, so therefore his council was merged with the other council) even worse thing that happened is that during one of the checks, Reflections in Last Fracture, Speaks of Mirrors decided that it would be time to initiate the first bit of his plan (give his iterator a bit of rot, install it into the primary core container. its similar to a core except it contains rot, in theory the rot should not spread, and the iterator will suffer minimal consequences, if not no consequences at all). this was an utter FAILURE. not sure what happened next but basically the iterator ALMOST got killed by his stupid business decision, he got a little (a lot) mad at his iterator (RB. short for Rotting Balance), may have yelled at him, and promptly got zapped by a less harmful version of the brain zap pebbles gives you if you stay in his chamber for too long all in front of the other council people. consequences for this is that the iterator had a few new code add-ons installed onto his code. if he is disrespectful or otherwise unkind to any ancient in any way (can range from not cooperating and all the way to zapping an ancient again), he'll get 25% of his water supply taken away, and RB CANNOT be bellow 75% water supply or else he will not be able to keep the rot somewhat under control. consequences for Reflections in Last Fracture, Speaks of Mirrors is that he loses his place in the council, and gets all his permits on working on iterators taken away he wasn't happy that cycle he and the council had a REAL BAD argument, not sure what happened here either but it escalated to him threatening the other ancient with a dagger, he realized what he had done so he ran before the police could be called, threatening a maintenance worker to get the pin to the maintenance staff elevator in the superstructure's leg, then hopped onto the first train car carrying supplies over to an iterator across the mountain range the police did caught up to him eventually when they did, he ran to the nearest void fluid mine and jumped into the void he is now an echo.

[garbagequeer]

Can you help me im so confused how archie (and everyone listening to him) had those memories for his poem i thought everyone but betty and jughead forgot 😭

bobbyjean asked: Wait a second were those the good memories. the serial killer gene and jason’s corpse. and archie playing football in leopold and loeb juvenile detention center……

well imo you can work with different theories so like

they dont remember these things as things they lived themselves but they remember them as things tabitha showed them the first time they saw the riverdale memories (so like if they'd watched themselves go through these things in tv but not as if they happened irl for them)

goodbye riverdale is back to jughead's narration and jughead is unreliable he's just making shit up (this also goes with the theory that what jughead showed betty was not real but was a fabrication he made up for her as her dying wish was to relive those days with everyone as they were + the fake reality had plot holes because to be fair jughead was like 86 when he died he cant keep track of who remembers the serial killer genes and who doesn't he's busy)

narrator jughead seems to be in control of this episode more than he was before (we see him corporeally and there's 2 jugheads in the end) so the characters' lives have been rewritten to fit the narrative jughead wanted to tell so they remember because he does too and the story belongs to him and not to them (to me jughead is always afraid of abandonment and change so he keeps his stories ones where his friends don't leave or grow + he has been shown to find it hard to come up with anything other than stories about his friends in riverdale in s5 and as bunker/god jughead). for me this also fits with the idea of the characters and angel tabitha trying to break free and narrator/god jughead(s) not allowing it -> town won

they loved these memories they love cults and killing and corpses and gay juvie. the bad memories were like archie not getting his high school diploma or something

from a doylist pov (boring) this meant nothing about the story and was just an homage to their most iconic moments in the show for the audience and the crew. you could twist this a bit to be meta and make something up about the characters behaving as characters and talking willingly to an audience because they exist only in our eyes if you wanted

which are all fun ideas to consider and theyre not mutually exclusive (like it could be jughead taking over the narrative but it could be in a world he makes up just for betty so all the other characters are in the real sweet hereafter but betty went to purgatory pop's because she does remember it all and this prevented her from being able to leave it behind. also archie for sure would remember some of gay juvie he loved the gay parts of gay juvie he told me. and fangs probably had god times at the cult i mean he dated human kevin maybe a love for cults is what they had in common)

to me it stood out as a moment where i was like oh jughead is lying to us for sure. awesome. one last jughead lying to us and trapping us in the cycle forever for the road yippee

[subjugatingfeminists]

Introduction

I’m approaching 2,000 followers, so I figured I should add a more detailed introduction and maybe a mission statement of sorts 😏 First of all, this is an NSFW 18+ tumblr. That’s a hard rule. The block button is always there. Now you may be wondering things like, what is this tumblr about and how sexist is he really? Or, why does this guy come off like such a smartass and put so much effort into writing captions for porn reposts?

I’ll explain my thinking using the philosophy of Looney Tunes. Your typical MRA/red-pill/incel on here is Daffy Duck: loud, obnoxious, and completely lacking in self-awareness. And then there are men like me who are Bugs Bunny. If you watch closely, you’ll notice Bugs Bunny only fucks with those who have a ‘come-fuck-with-me’ vibe like Elmer Fudd. And I’m sorry to break it to you girls, but some of you are Elmer Fudd feminists. Don’t worry, it’s adorable 😘

I put effort into writing my captions because the brain really is the most important sex organ we have. Fucking each other online with our vocabularies is underrated, don’t you think? Most men on here shamelessly use their tumblr as a shorter route to women sending them titty pics like how those early explorers wanted to find the shortest possible route to Asia (guys, sorry to break it to you, but there is no true Northwest Passage on the internet). This is one of the few porn tumblrs on here that’s centered around an abstract idea: feminism versus patriarchy! It's a never-ending cultural 'tug of war' and this kink is for those with enough intellect to appreciate irony. Because ironically, this blog only works if you girls continue being feminists! However, it also means you have to put your feminism in a box and push it aside for a moment if you want to open up and consider why the pictures and themes of my blog make your panties so damp. Don’t be shy if you want to discuss theories on why your reactions betray your beliefs. We’re all anonymous on here, so how embarrassing is it really? Okay, it is very embarrassing, but that’s what makes it exciting, right? 😉

I’ve also made quite a few pen pals on here, so feel free to throw me a message about any interesting topic outside of sex like movies, music, politics, or history. And if my blog is ever destroyed by the Tumblr gods, then you’ll be able to find it resurrected with the same exact username with a number 1 after it. I’ve reposted less in recent months from being too busy, but I plan to return to the depravity this summer. Now here comes the exciting part!

I’ve been brainstorming on writing a long-term erotica that is based around a Patriarchal America setting, in which three feminist college students have three different, overlapping adventures in this new unexplored terrain. Absolutely no rights are taken away in the story, so no Handmaids Tale nonsense or any Stepford housewife robots. The story will include plenty of plot elements and themes that involve traditional gender roles, but it’s religiously secular. Since it begins with the 2028 election cycle, it will bring in real-life political dynamics and politicians, and briefly explain in the first chapter how a “Patriarchy Party” with a young charismatic JFK-esque candidate could use a unique policy position, effectively design and distribute propaganda, and take advantage of the electoral chessboard to defeat a Democrat and Republican at the polls (a certain orange-haired buffoon will be kicking and screaming out of the White House after losing his bid for a third-term). It will also have a twist ending that everyone might find surprising!

I want to brainstorm on this story with you girls! How well-written and stimulating can erotica potentially be? Can a male author write believable female characters when it involves a plot as strange as this? Let’s find out together. Bonus points if you fit the stereotypical feminist college student model and have any input. Speaking of which, I’ve received a lot of fan mail on here, but unfortunately I still have yet to come across the tumblr feminist of my dreams: the blue-haired, braless, feisty, fire-breathing gender studies major who wants to crush the patriarchy. I've never even met one in real life. Do these girls actually exist?? Maybe one day she’ll roll into my DMs and say “hi.”

[militantinremission]

The Sunday News Shows were pretty interesting...

Sen. Marco Rubio goes on 'This Week' & speaks about a "Pro- Hamas Wing"(?). He's obviously Pro- Israel, but he tries 2 equate 1,200 Israeli deaths (hundreds killed by 'Friendly Fire') & the relocation of 90,000 Israeli squatters w/ over 30,000 dead Palestinians & the relocation of over 1.5 Million Gazans. Netanyahu faces criminal charges when he leaves Office, so he's motivated 2 keep his Campaign of Genocide going. Netanyahu & the Likud Party's lust 4 a 'Greater Israel' has made Bibi determined 2 force the Palestinian Population on Egypt, & Marco Rubio seems okay w/ that.

Sen. Rafael Warnock appeared on 'Face The Nation', & pretty much echoed Sen. Rubio on Israel. He called 'The State' of Israel an Ally, but R they? The History isn't lining up w/ the Washington D.C. narrative. AIPAC is definitely getting their money's worth! Warnock then stumbled over the question of Black Voter Apathy. Blackfolk want Freedom of Expression more than the Right 2 Vote 4 Anti Black Racist 'A' or Anti Black Racist 'B'... What's his view on Black Business & Job Development in Georgia? What about Black Home Ownership? Can We get ALL of these bootlicking Ministers out of Our Politics? We need POLICY, not Sermons. How many of them actually LIVE in 'The Hood'?

Following a curious disclaimer by Kristen Welker, she proceeded 2 grill Former RNC Chairwoman & Current NBC Contributer, Rona McDaniel on 'Meet The Press'. Nothing out of the ordinary 4 Kristen, but her Panel took it up a notch. Chuck Todd started by saying NBC owed Kristen an apology 4 interviewing McDaniel(???) He went on 2 slam his 'colleague' & question NBC's decision to hire her. The other Panelists more or less agreed w/ Chuck... I found that curious. NBC has been criticized 4 its Democratic Party affiliation; Chuck Todd came across like a 'Cool Kid' who didn't want Rona McDaniel sitting @ his lunch table. I thought they were supposed 2 B 'Teammates' who agree 2 disagree... I found Myself thinking about The NY Yankees acquiring Roger Clemens. Imagine if the Players shunned 'The Rocket', bcuz of his actions during his tenure w/ the Boston Red Sox? He 'beaned' A LOT of them over the Years... Where R the Adults in The Room?!

It's pretty clear that The Powers That B believe that They have dumbed down & polarized the American Public, 2 the point that Proxies call tell Us anything. Meanwhile, Conspiracy Theories of a Cancelled 2024 Presidential Election R growing. When Alexa & Siri both have it in their Algorithm, that's cause 4 concern. Nevermind the Fact that Joe Biden just signed the 2023 Budget @ the end of the 1st Quarter of 2024. When can We expect the 2024 Budget 2 B passed? Congress is awash in Lobbyist $$$, & Our Elected Officials R actually Corporate Vassals. This degree of decadence destroyed Rome, Mali, & Kongo; America is walking the same path. The Southern Invasion is only speeding up a historical Cycle.

I have said that 2024 is a Year of Affirmation, & it's clear what Politicians R affirming. Lucky 4 Us, Real Change doesn't come from Congress, it comes from The Streets.

-It's gonna B a HOT SUMMER Family!

[stuffymcstuffsworld]

Emotions are high

Humans don't have evil cycles, or at least that's what they say. But given the fact that iruma had one, you had to say that the theory must be wrong. Maybe the more time humans spend surrounded by demonic energy, the more likely it is to occur.

So it seemed like you were also bound to have one at some point. The problem was as a human you were more or less used to pushing aside any negative feelings. So you had a lot buried deep, very deep within you, with nowhere to go. But well, lines do get crossed. And wires tightly strung do snap.

It started out as a normal enough day. You maintained your usual routine, and nothing had made you upset. If anything, everything was going great.... maybe that was the problem? You were so used to things going wrong and having more bad days than good that you weren't really sure what to do with yourself at this point.

If you had to be honest, it scared you. The realization that everything you put yourself through all your struggles were over. And the fact that there was nothing for you to fear aside from getting eaten... well, it stirred up all kinds of thoughts. Clutching your hands over your chest as you tried to breathe, you remembered why you always kept busy and in a rush all the time.

You hated being alone with your thoughts. Your head is playing with your fears and anxiety and always coming up with worse case scenarios. Grinding your clenched teeth, you tried to breathe more air through your noise as a familiar ache weighted down on your chest. 'Heavy,' you thought. Quickly pushing yourself forward and erging yourself to find someone anyone in the house.

You didn't want to share your feelings, but you certainly didn't want to be left alone with them. Distraction, you needed a distraction. The tears bubbled in your eyes, and your throat clenched tighter as you searched frantically in the ridiculously big mansion. "Darling? Is something wrong?" Sullivan, you heard Sullivan's voice calling out to you.

Without thinking without worrying about any kind of reaction, you threw your body into the demons direction. He caught you with no problem and cradled you to his chest. You clung to the fur on his suit and hid your face into his shoulder. No words were shared it seemed that he knew they weren't needed. Your body just trembled as you processed your surroundings now.

Listening to Sullivan's heartbeat, smelling the familiar scent of his pheromones that made your perfume. Feeling his hand gently, he rubbed your back as your body finally started to settle. The pressure is easing a small bit and allowing you to breathe better. Your eyes get droopy as you clung to the fur in his suit.

"Can I just stay with you today?" You voice barely above a hushed whisper, and you're so glad that demons have better hearing than humans as the chairdemon happily humms,"of course you can!" While still holding you close. You could hear him commenting about how cute you were being today and about how he was gonna spend all day cuddling with you.

You relaxed more in his hold. While he wasn't your real father, it was comforting to know that he was willing to give you the contact that you needed as you sorted through your overwhelming thoughts. Keeping you grounded. Out of the corner of your eye, you saw opera snapping a few pictures. You grumbled and turned your face to hide from the camera.

A small price to pay you suppose. A soft smile, painting your lips as your thoughts stop screaming at you, and you begin to feel tired. More tired than you had ever been before. Maybe a small nap might help you. Your eyes finally closing and you just find peace in the safety of your fathers embrace.

*few hours later*

You had woken up feeling different... maybe it was because you had finally addressed all the added weight you had been carrying around, or maybe it was just because you were not used to falling asleep in people's arms, but you just felt raw somehow. Noticing that you had been wrapped up in Sullivan's coat, you realized you weren't currently at home. You frowned.

One hand, you were happy that he took you with him. Even him leaving his coat meant he didn't intend on staying away long. But well... for some odd reason, you were feeling extremely clingy.

Slipping your arms through his coat, you began making your way out of the room. Once in the hall, you recognized that you were standing in the general meeting hall for the 13 crowns. You hmmed your displeasure as you made your way to the noisy meeting room. Loud, they were always so loud. And not in the good and fun way like home was.

You slammed open the door and glared at them, feeling nothing but raw irritation when you realized that your father wasn't in the room. The ones who were attending the meeting today stared at you in silent shock as if unsure about your presence.

Your hair was wild and out of order due to bedhead. Your eyes shone with your emotions. The fact that you who were usually calm and polite to those you met had marched down the halls, slamming open doors was a complete 180 to how they had known you. This must be you on an evil cycle. Course what they don't know is you're usually just grouchy after you wake up.

You spot opera in the corner of the room, and you find yourself speaking out of character. "Tell Papa that I am not happy that he left me to go play with his friends." You're words simply, but the biting hiss seemed to have all in the room on edge. Opera bowed and quickly ducked out a side door, leaving you alone in a room with the most powerful demons.

Henri tried to be the one to find order in this situation and tried to speak. "How dare you bar -" "Shut your mouth. It's not like you were having a private conversation. I could hear you yelling at each other from across the hall." You snapped. Henri's horns twitched, and he shifted uncomfortably. You suddenly had all the crowns' attention at this. You were not to be messed with today, it seemed.

"Sweetheart! Did you have a nice nap?" You tilt your head to the side, eyeing the tall demon as he skips into the room. You could feel your eyes twitching. "Sit" it was an order, a command directed at Sullivan, one of the highest ranking demons in hell... everyone paused with baited breath, waiting to see what punishment you might receive for demanding he submit to you.

There was no punishment. Although the older demon was startled by your personality swap, he figured it was similar to what iruma had gone through. Besides, he would do anything for his precious child. So he sat immediately right there on the floor. Cause several crowns to fall out of their own chairs in shock.

You let out a pleased hum before walking over and sitting in his lap. Sighing once, that raw and irritating feel had died down from the contact. "I'm gonna take another nap. And by the time I wake up, we better be home." The thinly veiled threat making all in the room shudder as they watched you snuggle back into place. Sullivan squealed happily. "Soooo cute!"

Suffice to say you were an emotional cuddle bug that did not like to be left alone during such times. All had better drop whatever plans they had for the day if you deemed you needed affection. And none of the 13 crowns could ever look you in the eye again without remembering that icy tone and those killer eyes.