#Rey mono

[zoecolection]

Black Myth Wukong redraw

Sí es un príncipe azul 😭💖

Qué tal les va a los gamers? Ya están probando el nuevo juego?

[ganeshasahara]

[aroace-poly-show]

(FLASH WARNING ⚠️) hollow ☆ wonderland welcome to the star inn is real!!!!!!!!!!

[fffanii]

08.21.24

[newwavesylviaplath]

new pitch for a saw trap: drink from one of the various cups i have stashed all over my room before the timer runs out or get shot in the head twice.

[pwurrz]

i have such talented oomfs and moots??? some people who draw art so good it just makes me admire them and feel instantly inspired to draw??? others who write fanfiction so good it should be a published new york times best seller???? absolutely insane people who are capable of both???? yall are awesome i love yall so much <333 /p

[linkstem]

We're the LOZ members of our system!

You can call all of us collectively Link and use he/him but we do have our own names and pronouns, we'll be tagging our posts with whoever wrote it :]

Headmate Directory

Rei (he/it, the host + not a fictive)

Blue (he/him, most active fronter)

Red (he/they)

Green (any pronouns, gatekeeper)

Vio (he/they)

^ These four might use a collective "four" tag, but they want to clarify they don't fuse or split into one person like Linked Universe, they're specifically the manga version of the heroes of light and are always four different people

Link (he/they/it, could be called Toon or Rinku to avoid confusion, mute)

Wind (he/him)

Legend (he/bee)

Hero (he/bee, younger Legend introject)

Fable (she/her)

Revali (he/him)

Ravio (he/him)

These three are from Little Nightmares rather than Zelda but they're most comfortable in this space ⬇️

Six (they/them)

Runaway Kid (he/him)

Mono (he/it)

Tags

Link's house - random posting, chatting

Hero's trials - vent tag

Courage tag - comforting things we like

Wisdom tag - resources / things we deem important

Power tag - stuff we think is COOL AS FUCK

Kokiri art club - art tag

Blacklist

Please do not tag our content as these or send us posts supporting them, as they make many of us uncomfortable!

Hero of Legend x Princess of Legend Zelink

Wind Waker Zelink or Telink

Ravio x Link/Legend

Feel free to ask any of us questions about ourselves or opinions on source facts or headcanons, or even just being a fictive!! It's not uncomfortable, if anything it helps us :]

If you like our art consider following our other blogs!

@reisgeis for Undertale

@alchemicalrei for Disney

[morebedsidebooks]

Last Gender Volume 3 by Taki Rei

Last Gender brings a very emotional finale with its third volume. BAR California hosts a gay wedding, some previous characters also make appearances allowing us to see how they’re doing, and readers are finally clued into the backstory of the club’s owner and creation of BAR California. Again, Kodansha USA has a content warning: “references to suicide, child abuse, murder, and depictions of bigotry and violence against LGBTQIA+ people”. Some of this is graphically depicted. Taki’s art remains vivid and intense. I’ll also point out the child abuse includes sexual abuse, discussed more than directly shown on page. As in previous volumes one and two resources are also listed with the addition of Childhelp serving the US and Canada for crisis intervention or information related to child abuse. I’ll add here specifically regarding child sexual abuse the organization Stop It Now! in the US which further has a separate age 14-21 helpline What’s OK in addition to resources for adult survivors, or branches in the UK & Ireland, and Australia.

Last Gender further somewhat breaks from formula in that unlike previous instances where characters (over) speak for themselves, someone else through his past connection reveals the owner’s backstory (!). Along with the reason for the title of the series. But there’s little to reflect the ethical dilemma of the former. Tetsuya (and his relation in all this) is still inserting himself when and where he may not be wanted too. At least when it comes to the subject of people who haven’t found the right vocabulary to describe aspects of themselves, prefer unlabeled and/or, are questioning any aspects of themselves such is viewed as just as valid and worth inclusion as the identities of previous characters. (Since Tetsuya brings up ‘the “Q” that stands for “questioning”’ Q generally is read as queer, but questioning is also folded into, or another added to the acronym.) I only wish the character of the owner held the reigns more so to speak and there was better respect shown. Just as previously when Mao talks about choosing who is worthy to trust with his true self, in the real world survivors also deserve their stories to be told or not on their terms.

Rounding out the volume is a lovely message at the end from Taki Rei that talks about an overreaching theme of the series, perception and judgement. Whether one is part of a minority or not they have probably still encountered the surprise and hurt of others assessing and making assumptions based on simple things. So, while the wider world changes, work on ourselves and how we think of and treat others is also important.

All in all, Last Gender is truly a significant recent comic series both in and outside of Japan.

  Last Gender: When We Are Nameless by Taki Rei is available in English, volume 3 translated by Mishima Kitan, in print and digital (depending on platform/region) from Kodansha USA

Note: I am sad to say some of the printing issues again cropped up in my copy of volume three. So, if possible, check any physical copy beforehand.

[flamingblinglove]

FIRST WORLD (GAMER) PROBLEMS SOBS do i go for daddy aventurine or mother fu xuan.............................................................

[zoecolection]

Sun Wukong Netflix Stile

Este Wukong que no es Wukong todavía, sino que es un alocado Hóuwáng lleno de ambiciones fue el despertar de mi empolvado fanatismo. Yo ya me había olvidado de lo mucho que me gustaba, de que Viaje al Oeste fue mi refugio en primaria, de que me vi las películas de Stephen Chow y de Jackie Chan solo por el Rey Mono. Pero apareció este loco y se volvió mi fijación recurrente. Y ya que estoy intentando aprenderle a esto del digital y el uso de capas, quise probar varias veces a mi estilo como se vería el flaco. La verdad amé el resultado. Sé que todavía tengo mucho que aprender, pero de verdad me gusta mucho como he progresado.

Y bueno, nada... Si todavía no se vieron El Rey Mono de Netflix, háganlo. Yo me la vi en latino mil veces y además en chino mandarín, cantones e inglés. Asi de fan me volví y la amo mucho. La pongo cada que tengo un mal día. La recomiendo al 100% y espero que ese final abierto sea para una buena secuela.

Te amo Mêi Hóuwáng Sun Wukong... Gracias por hacerme recordar la infancia que había olvidado.

[kaalavg]

The King Monkey (Netflix)

Film // Película

[lvpercalia]

Mi hermano me mandó las fotos del bautismo de la hija y en no sé que parte del rito la tuvo que levantar bien alto, el chabón es basketbolista además de ser alto tiene los brazos super largos, limpió todas las telas de araña del techo con la nena jajajaja

[pikahlua]

MHA Chapter 426 spoilers translations

This week’s initial tentative super rough/literal translations under the cut.

1 来なくて大丈夫って言ったのに！ こなくてだいじょうぶっていったのに！ konakute daijoubu tte itta noni! "I told you it's okay if you don't come!"

2 それを言うなら貴方たちもよ冬美　夏雄 それをいうならあなたたちもよふゆみ　なつお sore wo iu nara anata-tachi mo yo Fuyumi Natsuo "If you say that, the same goes for you all, Fuyumi, Natsuo."

3 お母さんでも… おかあさんでも… okaasan demo... "Even you, mom..."

tagline 1 No.426　地獄��轟くん家・FINAL　堀越耕平 ナンバー426　じごくのとどろきくんち・ファイナル　ほりこしこうへい NANBAA 426 jigoku no Todoroki-kun-chi・FAINARU  Horikoshi Kouhei No. 426 The Hellish Todoroki Family - Final Kouhei Horikoshi

4 それを言うならおまえもだ冷 それをいうならおまえもだれい sore wo iu nara omae mo da Rei "If you say that, the same goes for you, Rei."

tagline 2 集う轟家の面々向かう先はーー… つどうとどろきけのめんめんむかうさきはーー… tsudou Todoroki-ke no menmen mukau saki wa--... Where are the gathered members of the Todoroki family heading--...?

5 義務感で来たんじゃねぇから！ ぎむかんできたんじゃねぇから！ gimu kan de kitanja nee kara! "It's because I didn't come here out of a sense of duty!"

6 皆そうだろ みんなそうだろ minna sou daro "It's like that for everyone, right?"

1 会話は可能ですが一日に数分が限界です かいわはかのうですがいちにちにすうぶんがげんかいです kaiwa wa kanou desu ga ichinichi ni suubun ga genkai desu "Conversation is possible, but [his] limit is a few minutes a day."

2 緩やかに死へと向かっている… ゆるやかにしへとむかっている… yuruyaka ni shi e to mukatte iru... "Slowly* headed towards death..." (*Note: It's important to note this word for "slowly" does not imply Touya is suffering slowly until he dies but that the wait is a gentle and easy one.)

3 それが今の轟燈矢です それがいまのとどろきとうやです sore ga ima no Todoroki Touya desu "That is Touya Todoroki now."

1 ……………ぞろぞろと ...............zorozoro to "...............One by one."

2 ハハ… 観光名物じゃねぇんだよ……… ハハ… かんこうめいぶつじゃねぇんだよ……… HAHA... kankou meibutsu wa neenda yo......... "Haha... I'm not a tourist attraction........."

3 ゲホッ GEHO (Note: This is a sound effect for a coughing sound.)

4 ガホ GAHO (Note: This is a sound effect for a coughing sound.)

5 燈矢 とうや Touya "Touya."

6 今後の話をしに来たんだ こんごのはなしをしにきたんだ kongo no hanashi wo shi ni kitanda "I came here to talk about the future,"

7 燈矢 とうや Touya "Touya."

8 俺はヒーローを引退するよ おれはヒーローをいんたいするよ ore wa HIIROO wo intai suru yo "I'm retiring from being a hero."

1 元より戦いが終わったらそうするつもりだったが もとよりたたかいがおわったらそうするつもりだったが moto yori tatakai ga owattara sou suru tsumori datta ga "I originally planned to do that after the battle was over."

2 最早自力で立つことすらXXXXX もはやじりきでたつことすらXXXXX mohaya jiriki de tatsu koto sure XXXXX "I can't even stand on my own anymore XXXXX" (Note: This speech bubble is cut off, so I cannot read the full line.)

3 ヒーローエンデヴァーは灼かれて死んだ ヒーローエンデヴァーはやかれてしんだ HIIROO ENDEVAA wa yakarete shinda "The hero Endeavor was burned to death."

4 おまえの炎は おまえのほのおは omaeno honoo wa "Your flames"

5 誰よりも強かった だれよりもつよかった dare yori mo tsuyokatta "were stronger than anyone else's."

6 そっか sokka "That so?"

7 ご愁傷様 ごしゅうしょうさま goshuushousama "My condolences."

8 事が済んでから諂うなよ ことがすんでからへつらうなよ koto ga sunde kara hetsurauna yo "Don't flatter me now that everything has finished."

9 卑怯者… ひきょうもの… hikyou mono... "You coward..."

10 そうだな sou da na "That's right."

11 燈矢は俺のことをよくわかってる… とうやはおれのことをよくわかってる… Touya wa ore no koto wo yoku wakatteru... "You know me very well, Touya..."

12 ずっと見てたんだもんな ずっとみてたんだもんな zutto mitetanda mon na "You've been watching for a long time."

1 XにXてほしかったんだもんな X ni Xte hoshikattanda mon na (Note: Most of this sentence is cut off and thus illegible to me. All I can tell is that he says someone, probably Touya, wanted something.)

2 なのに見なかった… なのにみなかった… nanoni minakatta... "But I didn't see it..."

3 俺はお父さんの子どもなんだから おれはおとうさんのこどもなんだから ore wa otousan no kodomo nanda kara Because I've got you for a father. (Note: This is the official translation of this line from chapter 301.)

4 おまえはエンデヴァーじゃない‼︎ omae wa ENDEVAA ja nai!! You aren't Endeavor!! (Note: This line is from chapter 293.)

5 誰が何と言おうと…… だれがなんといおうと…… dare ga nan to iou to...... "No matter what anyone says......"

6 おまえの炎は俺の「ヘルフレイム」だ おまえのねつはおれの「ヘルフレイム」だ omae no netsu (kanji: honoo) wa ore no 「HERUFUREIMU」 da "Your heat (read as: flames) are my Hellflame."

7 あの告発映像を あのこくはつえいぞうを ano kokuhatsu eizou wo "That accusation video,"

8 毎日見続けている まいにちみつづけている mainichi mitsudzukete iru "I kept watching it everyday."

9 おどおさん odousan Dad,

10 見で みで mide watch me! (Note: The line from speech bubbles 9 & 10 comes from chapter 387.)

11 これからーー… kore kara--... "From here [on out]--..."

1 毎日来る まいにちくる mainichi kuru "I will come [here] everyday."

2 話をしよう はなしをしよう hanashi wo shiyou "Let's have a conversation."

3 あまりに遅すぎたけれど あまりにおそすぎたけれど amari ni oso sugita keredo "It's much too late, but"

4 話そう はなそう hanasou "let's talk."

5 心拍数上昇これ以上は負担が しんぱくすうじょうしょうこれいじょうはふたんが shinpaku suujoushou kore ijou wa futan ga "His heart rate is increased. The burden from any more than this [would be too much]..."

6 冷 れい Rei "Rei,"

7 夏雄　冬美 なつお　ふゆみ Natsuo Fuyumi "Natsuo, Fuyumi,"

8 焦凍が… しょうとが… Shouto ga... "and Shouto..."

9 残してくれた時間で話X のこしてくれたじかんではなX nokoshite kureta jikan de hanaX "With the time we have left, let's talk*." (*Note: This line is cut off at the end, but it would just determine what conjugation the verb "talk" would be, so I'm assuming the conjugation will be "let's talk.")

1 憎いなら…憎いと にくいなら…にくいと nikui nara...nikui to "If you hate [me]...[tell me] you hate [me]."

2 なんでもいい nan demo ii "Anything is fine."

3 ぶつけてくれ…！ butsukete kure...! "Vent to me...!"

4 燈矢兄い私も…！ とうやにいわたしも…！ Touya-nii watashi mo...! "Touya-nii*, me too...!" (*Note: This suffix is an honorific to refer to one's older brother.)

5 話たい事たくさんあるの はなしたいことたくさんあるの hanashitai koto takusan aru no "There are so many things I want to talk about."

6 今日は止めにしましょう‼︎ きょうはやめにしましょう‼︎ kyou wa yame ni shimashou!! "Let's stop for today!!"

7 また明日にでも… またあすにでも… mata asu ni demo... "But again tomorrow [is fine]..."

8 最後に一ついいですか さいごにひとついいですか saigo ni hitotsu ii desu ka "Is one last thing okay?"

9 聞きたかったことあるんだ ききたかったことあるんだ kikitakatta koto arunda "There's something I wanted to ask you."

1 燈矢兄 とうやにい Touya-nii "Touya-nii*," (*Note: Again, this is the suffix that denotes an honorific for one's older brother.)

2 好きな食べ物何？ すきなたべものなに？ suki na tabemono nani? "what food do you like?"

3 ……体力の限界ですね ……たいりょくのげんかいですね ......tairyoku no genkai desu ne "......[Seems like] that's the limit of his physical strength."

4 今日は眠らせてまた… きょうはねむらせてまた… kyou wa nemurasete mata... "Let him rest today, then again [tomorrow]..."

5 蕎麦 そば soba "Soba."

1 おんなじだ onnaji da "[Mine is] the same." (Note: This line is spoken with a younger affectation, which adds a bit of charm to this line. It emphasizes that Shouto is the adorable younger sibling here. Thank you @bakuhatsufallinlove for the note!)

2 これ以上は平行線だ これいじょうはへいこうせんだ kore ijou wa heikousen da Running in parallel, but forever apart! (Note: The lines from speech bubbles 2-4 are from chapter 352. I've mixed the official translations from Viz with the official subtitles for the anime episode release.)

3 交わるよ まじわるよ majiwaru yo Our paths will cross,

4 無理にでも むりにでも muri ni demo even if it's forced.

1 焦凍… しょうと… Shouto... "Shouto..."

2 ごめんな… gomen na... "I'm sorry..."

3 俺はここまでだわ おれはここまでだわ ore wa koko made da wa "This is as far as I go."

4 悪いけど気持ち変わんない わるいけどきもちかわんない warui kedo kimochi kawannai "Sorry, but my feelings won't change."

5 俺はもう付き合わなX おれはもうつきあわなX ore wa mou tsukiawana- "I won't associate with you anymore." (Note: This line is cut off, but I believe I have inferred the entire message.)

6 ああ aa "Right."

1 彼女と籍入れたい かのじょとせきいれたい kanojo to seki iretai "I want to marry my girlfriend."

2 式は挙げない紹介もしない しきはあげないしょうかいもしない shiki wa agenai shoukai mo shinai "I won't have a ceremony, and I won't introduce you."

3 ああ…悪かったな ああ…わるかったな aa...warukatta na "Right...I'm sorry."

4 姉ちゃんは？ ねえちゃんは？ neechan wa? "[What about you,] Neechan*?" (Note: This is an honorific used for one's older sister.)

5 仕事やめたんだろ？ しごとやめたんだろ？ shigoto yametandaro? "You quit your job, right?"

6 うんでも un demo "Yeah, but"

7 生徒のお母さんが新しい職場紹介してくれてねサポートしてくれるって せいとのおかあさんがあたらしいしょくばしょうかいしてくれてねサポートしてくれるって seito no okaasan ga atarashii shokuba shoukai shite kurete ne SAPOOTO shite kureru tte "a student's mother introduced me to a new workplace. She said she'd support* me." (Note: I believe this implication here leans more towards the mother saying she wants to support Fuyumi's job aspirations, not that she's trying to support Fuyumi financially.)

8 ……………正直責任は果たしたと思う ……………しょうじきせきにんははたしたとおもう ...............shoujiki sekinin wa hatashita to omou "...............Honestly, I think you fulfilled your responsibility."

9 罰も受けたと思う…もういいんじゃねーの？ ばつもうけたとおもう…もういいんじゃねーの？ batsu mo uketa to omou...mou iinja nee no? "I think you also received your punishment... Isn't that enough?"

10 犯した罪の賠償と謝罪を一生をかけて続けていく おかしたつみのばいしょうとしゃざいをいっしょうをかけてつづけていく okashita tsumi no baishou to shazai wo isshou wo kakete tsudzukete iku "I will continue to make reparations and apologize for the sins I commited for the rest of my life."

11 見ていなくていい みていなくていい mite inakute ii "You don't have to watch me."

12 子どもたちに降りかかる火の粉をできる限り俺が受け止める おまえたちにふりかかるひのこをできるかぎりおれがうけとめる omae-tachi (kanji: kodomo-tachi) ni furikakaru hi no ko wo dekiru kagiri ore ga uke tomeru "I will take* the sparks that fall on all of you (read as: you children) as much as I can." (*Note: This word "take" means to "take a blow." In this case, Enji is saying any sparks that fall towards the children he will receive as blows to his body in order to spare them.)

13 生き延びた意味があるとすればそれだけなんだ いきのびたいみがあるとすればそれだけなんだ iki nobita imi ga aru to sureba sore dake nanda "If there's any meaning to that I survived, it's only that."

14 ………地獄だぞ ………じごくだぞ .........jigoku da zo ".........It'll be hell."

1 ああ aa "Yes."

2-3 ダンスの誘いを受けたんでな ダンスのさそいをうけたんでな DANSU no sasoi wo uketande na "I received an invitation to dance." (Note: This is a reference back to Dabi's invitation to Enji that they dance together in hell in chapter 290.)

4 …初めてだよ …はじめてだよ ...hajimete da yo "...This is the first time"

5 お父さんの事 おとうさんのこと otousan no koto "that [I thought] father" (Note: As far as I can tell, this may be the first time in the manga Natsuo has referred to Enji as "father".)

6 かっこいいって思えたの かっこいいっておもえたの kakkoii tte omoeta no "was cool."

7 焦凍は？ しょうとは？ Shouto wa? "What about you, Shouto?"

8 学校戻るんだろ？ がっこうもどるんだろ？ gakkou modorundaro? "You're returning to school, right?"

9 うん un "Yeah."

10 乗ってけよ姉ちゃんも のってけよねえちゃんも notteke yo neechan mo "[I'll give you] a ride. Neechan*, too." (Note: Again, this is an honorific for one's older sister.)

11 ありがとう arigatou "Thanks."

12 親父 おやじ oyaji "Old man,"

13 お母さん おかあさん okaasan "mother,"

14 俺にはA組いるから大丈夫だよ！ おれにはみんないるからだいじょうぶだよ！ ore ni wa minna (kanji: EE-gumi) iru kara daijoubu da yo! "I have everyone (read as: Class A), so I'll be fine!"

15 俺は自分でなりてえようになれるから！ おれはじぶんでなりてえようになれるから！ ore wa jibun de naritee you ni nareru kara! "Because I can become who I want!"

1 地獄…でも じごく…でも jigoku...demo "Hell...but"

2 おーう早かったな‼︎ おーうはやかったな‼︎ oou hayakatta na!! "Wow, that was fast!!"

3 大丈夫だったかあ⁉︎ だいじょうぶだったかあ⁉︎ daijoubu datta kaa!? "Was [he] okay!?"

4 おなかすいた onaka suita "I'm hungry."

5 見てる人がいる みてるひとがいる miteru hito ga iru "we have people watching."

phone text 1 ホークス HOOKUSU Hawks

phone text 2 面会どーでした〜〜〜？ menkai doo deshita~~~? How was the visitation~~~?

phone text 3 なんかメンドーあったら言って下さいネ nanka MENDOO attara itte kudasai NE Please let me know if you have any trouble

6 ええ〜〜〜？出ていいって言われてンのに ええ〜〜〜？でていいっていわれてンのに ee~~~? dete ii tte iwareteN noni "Eh~~~? You were told you could leave though."

7 出ないんスかあ？ でないんスかあ？ denainSU kaa? "You're not coming out?"

8 "まだ"ね"まだ"！ "mada" ne "mada"! "'Not yet,' I said, 'not yet!'"

9 まだシャバはこわいまた利用されて繰り返すかもしれない まだシャバはこわいまたりようされてくりかえすかもしれない mada SHABA wa kowai mata riyou sarete kurikaesu kamo shirenai "The world outside of prison is scary. I might get used all over again."

10 色々助けてほしかったんですけどねーーー いろいろたすけてほしかったんですけどねーーー iroiro tasukete hoshikattandesu kedo ne--- "I did want your help with various things---"

1 あの日緑谷出久が世界に示した"モノ"を あのひみどりやいずくがせかいにしめした"モノ"を ano hi Midoriya Izuku ga sekai ni shimeshita "MONO" wo "The thing Izuku Midoriya showed the world that day"

2 社会はどう受け取って変わるのか…そこを見極めてからだ しゃかいはどううけとってかわるのか…そこをみきわめてからだ shakai wa dou uketotte kawaru no ka...soko wo mikiwamete kara da "and how society will interpret it and change... We've still gotta see that through."

3 もうしばらく税金で飯食わせてもらうわ もうしばらくぜいきんでめしくわせてもらうわ mou shibaraku zeikin de meshi kuwasete morau wa "I'll be able to eat my meals off taxes for a while."

4 敵め ヴィランめ VIRAN-me "You damn villain." (Note: This is sarcasm.)

5 うおおおおお uooooo "Ohhhhhhh!"

6 ラブラバァ RABURABAA "La Bravaaa!"

7 ジェントルゥウウウ！ JENTORUUUUU! "Gentleeeee!”

small text うるせえ urusee Noisy.

8 活躍が認められた形だ達者でやれよ かつやくがみとめられたかたちだたっしゃでやれよ katsuyaku ga mitomerareta katachi da tassha de yare yo "This is a form of recognition for your efforts. Be in good health."

9 ジェントルがかっこよすぎたおかげよ‼︎ JENTORU ga kakkoyo sugita okage yo!! "It's thanks to Gentle being so cool!!"

10 ラブラバがすごかったんだよ‼︎ RABURABA ga sugokattanda yo!! "La Brava, you were amazing!!"

phone text 1 エンデヴァー ENDEVAA Endeavor

phone text 2 ありがとう大丈夫だ arigatou daijoubu da Thanks, we're fine

phone text 3 手を借りたくなったらい te wo karitakunatta rai I wanted to borrow a hand

phone text 4 言う iu Say (Note: The text messages are a bit short and lack context for me to understand completely what is being said. I don't know what this line is supposed to mean.)

1 どう変わるか… どうかわるか… dou kawaru ka... How will it change...

2 気丈〜〜 きじょう〜〜 kijou~~ [What] a strong spirit~~

phone text 5 そっちこそ大変だろう socchi koso taihen darou That must be difficult

phone text 6 新公安委員長 shin-kouan'i inchou New public safety commision chairman

phone text 7 わかくしてみこしになるかくご wakakushite mikoshi ni naru kakugo You're determined to become a warm mikoshi (Note: This line is a bit too vague for me to parse, but my guess is that it's directed at Hawks as a compliment that he wants to travel around and give people warmth. I'm not sure of this. The idiom here refers to a mikoshi, which is a portable shrine carried around town by parades at festivals.)

3 どう変えるか どうかえるか dou kaeru ka How will we change it?

4 あ　もしもし目良さん あ　もしもしめらさん a moshimoshi Mera-san "Ah, hello Mera-san."

5 ガチャ GACHA (Note: This is the sound effect for a door opening.)

tagline 一方、スピナーは… いっぽう、スピナーは… ippou, SUPINAA wa... On the other hand, Spinner is...

[zeynatura]

Ranting about Nucani

There is something I want to express and this fandom should know.

Nu: Carnival is a Harem game but unlike most games in the genre the relationships with MC are all canon within the same story, there are no "Routes", no "Alternate Universe/Timelines", it's all 1 Main Story where you get to gradually meet all the Characters who'll be your companions, in this game named Clan members, and all of them one way or another end up falling for Eiden (MC), which makes polyam relationship canon with Eiden as the center:

Like very few games have polyam representation, let alone a positive one, like yes the polycule it's very Eiden central but even then all the Clan Members interact with one another, as we see mainly in the time limited Events but also in the Main Story, and have friendly and amicable interactions, they rely on one another sometimes even without Eiden being involved.

But also, Aster and Morvay have a relationship established too since way before the events of the prologue of the game, Kuya and Quincy have hinted some sort of situationship (idk I don't care about Quincy and my knowledge about Kuya is limited to what happens in the story and events cause I have no limited SSRs nor have I read any of his Intimacy Rooms).

[Also if any of you knows of any other relationship that have been hinted at that i'm missing feel free to share, i specifically ask of you to refer to only canon, i know in fanon anything and everything is possible and sometimes we may be missperceiving some interactions between characters so i ask of you to take those rose tinted glasses off and see unfiltered canon, it's hard for me too ngl so dw]

All this started with some posts I saw about ppl feeling bad for Yakumo and/or Edmond to be "forced into a polyam relationship" when they are the "most romantic members" and "deserve a monogamous relationship", their words not mine, as if mono > poly , but also do you really think they're against it!?

One thing is being Clan Members against their will (which is all Huey's fault btw), having to work together to regulate the Altars' Essence (or their own) and then another one completely is involving themselves in a personal and intimate way with Eiden, which the latter they all did in their own terms and out of free will.

Also i wanna share one of the best and my fav scenes with Karu, which i know not everyone was able to experience it cause it's hidden in the Intimacy Rooms of a Limited SSR, but it expresses exactly why the polycule is consensual.

Context: Eiden has been worrying about forcing the Clan Members to be with him because he is the New Grand Sorcerer, against their will just because of Huey's magic that ties them together and the responsibility of Regulating the Altars and basically maintaining stability in the Klein Continent.

His worries began (at least that i noticed) in "Eerie Escapade" (Halloween Event), that was also the first time Garu got hurt while protecting Eiden and the first time Karu got mad at him and fronted to yell at Eiden (which is my another fav scene of Karu omg i love him so much i gotta go back and take screenshots of that but that's for another post), the second one being in "Army x Blood x Oath" (which are the screenshots i'll show u)

Because this are the Intimacy Rooms of Garu/Karu's Limited SSR this scene focuses on Eiden feeling guilty because Garu got hurt in the past (Halloween Event) and this time he lost his memory (temporarily, due to this event's story) and Eiden blaming himself for it all and wondering if they would be better off without him, but the same can and is applied to the rest of the Clan Members, seeing how Eiden met and approached Rei while respecting his privacy and independency even tho he's also a Clan Member and the newest introduced in the story, means that the Limited Events are also canon and part of the story because Eiden seems to be growing and learning from previous Events and showing that development in future Events and the Main Story.

Karu also mentions that Garu (prior to losing his memories) was also worrying about the same thing Eiden was, like 'what if Master (Eiden) stays with us just because of the contract with Huey? :c' and he calls them both idiots because they don't communicate and fronts to fix it! (Mighty Karu to the rescue)

And talking about "Eerie Escapade" that is also the event where Yakumo's possessiveness towards Eiden shows, i'll admit i haven't seen the last room but i feel like those people i mentioned before are using it as fuel to their idea, because if Yakumo is jealous of other Clan Members interacting with Eiden and "Wants him all to himself" that must mean he wants a monogamous relationship, right?

WRONG!

That just means Yakumo is a complex person that feels different emotions specially when it comes to the most important person in his life (Eiden) other than his grandparents!

And Yakumo feels guilty for having those feelings, not because of them being in a polycule and he not wanting to be in it, but because he has trauma and sees his desires and wants as selfishness and he would never allow himself to be selfish cause he doesn't want to hurt people, he's a people's pleaser! He lives with constant fear of hurting others like the Great Serpent did when it killed many (but apparently there may be more that meets the eye, because the current event hinted that the Great Serpent actually liked humans and took care of children ???)

And Yakumo dealing with those feelings along with his yokai powers as a descendant of The Great Serpent have been the main topic of his last 3 Limited SSRs, which is great because that means CHARACTER DEVELOPMENT~

Now unfortunately i cannot talk about Edmond's Intimacy Rooms as i'm missing ALL OF HIS SSRs (why do you hate me Edmond if ily) but from what i've seen he's also pretty happy being with Eiden, heck even HIS MOM is happy his son is with Eiden!

That's right, she's the first and only parent of the Clan Members that knows and approves of their relationship, if it weren't because most of them are orphan we could get many more... i wonder if Yakumo's grandparents are aware hmmm ... and we all know Olivine's parents are gonna HATE it xD and maybe Garu's wolf pack will approve of Eiden by the end of this event.

[bnhaobservation]

BNHA Observations, speculations and assorted info: The facts taking place during the year that ends with Rei's hospitalization and Tōya's assumed death

So, in order to write my fic, I spend much time observing canon scenes, comparing the manga and the anime version, take note of details, translations and info in them as well as finding out how are some things called.

Since what I noticed/speculated/found out can be of use for other fic authors I thought to share as well.

Resources:

Chapter 31 The Boy Born with Everything (全てを持って生まれた男の子 Subete o Motte Umareta Otoko no Ko) Chapter 39 Todoroki Shōto: Origin (轟焦凍：オリジン Todoroki Shōto: Origin) Chapter 44 Relaxing Day Off (休め振替休日 Yasume Furikae Kyūjitsu) Chapter 93 One For All's Ember (残り火ワンフォーオール Nokoribi One For All) Chapter 166 Be Proud, License Trainees (ホッコれ仮免講習 Hokkore Karimen Kōshū) Chapter 187 Flaming Roar! vs. Nomu: High-End (燃えよ轟け！VS脳無：ハイエンド Moeyo Todoroke! Versus Nōmu: High-End) Chapter 188 Your Father, the Number One Hero (父はNo.1ヒーロー Chichi wa Number One Hero) Chapter 192 The Todoroki Family (轟家 Todoroki-ke) Chapter 202 Match 3 (第3セット Daisan Set) Chapter 204 Tuning Up (チューニング Tuning) Chapter 249 The Hellish Todoroki Family (地獄の轟くん家 Jigoku no Todoroki-kun-chi Chapter 250 Ending (エンディング Ending) Chapter 290 Dabi's Dance (ダビダンス Dabi Dance) Chapter 302 The Wrong Way to Put Out a Fire, Part 2 (火の不始末 後編 Hi no Fushimatsu Kōhen) Chapter 350 Bound to a Fiery Fate (エン En)

Episode 19 The Boy Born with Everything (全てを持って生まれた男の子 Subete o Motte Umareta Otoko no Ko) Episode 23 Todoroki Shōto: Origin (轟焦凍：オリジン Todoroki Shōto: Origin) Episode 25 Todoroki vs. Bakugō (轟VS爆豪 Todoroki versus Bakugō) Episode 49 One For All (ワン・フォー・オール) Episode 88 His Start (始まりの Hajimarino) Episode 90 Vestiges (面影 Omokage) Episode 95 Match 3 (第３試合 Daisan Shiai) Episode 96 Match 3 Conclusion (第３試合決着 Daisan Shiai Ketchaku) Episode 105 The Hellish Todoroki Family (地獄の轟くん家 Jigoku no Todoroki-kun-chi) Episode 106 The Unforgiven (許されざる者 Yurusarezaru-mono) Episode 124 Dabi's Dance (ダビダンス Dabi Dance) Episode 130 The Wrong Way to Put Out a Fire (火の不始末 Hi no Fushimatsu)

Series 4th Outro2 "Shout Baby" by Ryoku Oushoku Shakai

My Hero Academia: School Briefs I (僕のヒーローアカデミア 雄英白書 I Boku no Hīrō Akademia U.A. Hakusho I) - Part 2 Notice from School My Hero Academia: School Briefs V (僕のヒーローアカデミア 雄英白書 祝 Boku no Hero Academia Hakusho Iwai) - Part 3 Awkward Year's-End Soba

OBSERVATIONS, SPECULATIONS AND ASSORTED INFO:

Fundamentally the year that lead to Rei's hospitalization and Touya's death is narrated into two different moments, chap 31/39, in which we've a retelling of how bad it was from Shouto's point of view and chap 290/302, in which we learn instead of Touya's side.

However, there's a fundamental difference in the two narrations. When the story tackles Touya's side, we can more or less pinpoint the dates of when this is happening, the same can't be said for when the story tackles Shouto's side. There's probably a narrative reason for this, Touya's whole story (which covers much more than just this year) is a progression of things going from good to terrible, while Shouto's story is likely meant to narrate the constant horror in which he and his mother lived until Rei lost it. So there's not really a need to pinpoint when a scene took place because that scene likely kept on repeating in similar variants for days, until Rei became unable to take it any longer.

As a result I'll narrate some fact that are part of Shouto's side first, so as to give the idea they likely repeated over and over through that year, while I'll follow the timeline of Touya's side of the story more closely.

So anyway let's dig on what happened that year.

Warning: as tumblr now has an image limit (no more than 30 per post), I had to turn more images into a single one so as to show the full scene. The result is that the image quality in some scenes is pretty low... Please, use the images solely as a visual reference of which scene you need to look at and, for the text check your own copy of BNHA.

TIMELINE

January 11: Todoroki Shōto is 5.

January 18: Todoroki Tōya is 13.

April: Todoroki Tōya starts his second year at Middle school - Todoroki Fuyumi starts Middle school - Todoroki Natsuo starts his 3rd year at Elementary school. - Todoroki Shōto attends preschool.

[Preeschool in Japan isn't mandatory but we know Shōto attended to it as Chap 166 shows on its cover the photo taken at the preschool entrance ceremony... the photo might not be necessarily taken in this year as kids can start preschool from when they're 3 but it just confirms Shōto went at it]

Sometime during the year: Endeavor and All Might talked for the last time.

A note on the translation:

‘Chō hisashiburi! 10-Nen mae no taidan furi ka na! ? Mikaketakara aisatsu shi tokou to omotte ne.’ 「超久し振り！10年前の対談振りかな！？見かけたから挨拶しとこうと思ってね。」 “It’s been a long time! It's from the talk/conversation show from 10 years ago, right! ? I saw you and thought I'd say hello.”

Endeavor and All Might's conversation is called ‘taidan furi’ (対談振り) where ‘taidan’ (対談) means “a discussion between two people which is usually set up as a special occasion and whose topic is set in advance”… while ‘furi’ (振り) is “show”. So basically, 10 years ago they didn’t have a casual chat but ended up together in some sort of talk show / combined interview. The anime makes it even more obvious because in it the sentence is:

‘10-Nen mae, media de taidan shite irai ka na! ? !’ 「10年前、メディアで対談して以来かな！？！」 “I think it's been since we had a conversation on the media 10 years ago!?”

During the year: Shōto watches All Might on television when his father isn't around [shown in chap 39 and 206. We see that Shōto's clothes are different in the two scenes and so is his position, meaning he did it more than once which "School Briefs" also confirms]

“You always were a fan of All Might, weren’t you, Shōto? But you had to wait until your father wasn’t around to watch those video clips in secret. Remember?” [Rei from "My Hero Academia: School Briefs I"]

During the year: Shōto's training is so severe it causes him to throw up. Rei tries to get in between him and Enji protesting he's only 5 and gets hit. [shown in chap 39, 202, 204]

Actually we don't know if Chapter 202 & 204 are placed in this same year (Shōto is still small but Rei isn't present and Shōto and Enji are dressed differently so it's not the same time as chap 39... and likely chap 202 and 204 show two different scenes as well since in one Enji has his moustaches on fire while in the other is his beard... never mentioning in chap 202 Shōto already has his scar so this likely happened post him being burn and could as well take place in the following year, though the fact that Enji has long sleeves might imply it's still winter...) but they seems to show other scenes of Shōto's training which still sees him throwing up and crying, which surely confirm an abusive pattern.

A note on the translation:

'Tōya wa oshikatta. Ore ijō no karyoku o sonaete irunoni. Rei no taishitsu o motte shimatte… Aitsu wa… oshikatta' 「燈矢は惜しかった。俺以上の火力を備えているのに 冷の体質を持ってしまって… あいつは…惜しかった」 “Tōya was close/disappointing/something I feel regret for/deserving better. Even though he has more firepower than me. He had Rei's constitution… That guy… was close/disappointing/something I feel regret for/deserving better.”

Oishikatta (惜しかった) has quite a bunch of meanings like to feel regret for, to find something a pity/pitiful, to mourn but also to cherish, to love dearly, to be precious... and is used to express pity/regret of an "almost but not quite" situation, in "a damn it, you were so close" kind of way.

Very likely the emphasis in the sentence isn't that Tōya could almost do it, but that it was so unfortunate Tōya couldn't do it.

This doesn't necessarily mean Tōya was already dead because it was decided Tōya couldn't fulfill Enji's ambitions way prior his death and way prior Shōto's birth.

BTW, Tōya started burning himself before Natsuo was conceived. In order for their age difference to work, it means Enji started training Tōya when Tōya was 3 (yeah, it's possible he started earlier than this age but I find difficult that a child of 2 could pull it out successfully). As a result it's possible he started training Shōto at that age as well. In case someone doesn't remember it, Quirks don't appear when one is 4 but can appear even earlier (luminescent baby anyone?), Shōto could freeze his own snot as an infant and it's implied that Enji knew Tōya had a fire Quirk when they conceived Fuyumi (meaning when Tōya was 2 months or younger) so starting their training before 4 wasn't impossible.

During the year: While Shōto is scared at the idea of becoming like his father, someone who abuses his mother, Rei comfort him saying he can decide who he'll become. [Chap 39... I pieced back the scene for better visual]

During the year: Tōya is desperate because he can't figure his reason to exist and search comfort in Natsuo [Chap 290]

Likely in sprind, anyway prior to July (as Natsuo isn't 9 yet): Tōya, Natsuo and Fuyumi play together while Shōto can only watch them. Enji refuses to let him join them saying he needs to train and they belong to different worlds. [Chap 302 & 39 & 250]

July 1: Todoroki Natsuo is 9.

Likely summer, though it could be still spring: Natsuo refuses to listen to Tōya’s complains during the night, telling him to go talk with Fuyumi. [Chap 302]

August 8: Todoroki Enji/Endeavor is 36.

Likely autumn (Rei's sleeves are longer): Rei tries to stop Tōya from leaving the house and the two have an argument. [Chap 302]

During the year: Rei begins to break starting to cry way too often to the point Shōto will end up remembering her solely crying and will forget her smiling. [Chap 31]

December 6: Todoroki Fuyumi is 13.

Winter: Tōya’s flames turn blue. [Chap 302]

A note on the translation:

'Hayaumare no chīsana karada ni yōyaku otozure hajimeta nijiseichō’「早生まれの小さな身体に漸く訪れ始めた二次性徴」 "Secondary sexual characteristics have finally begun to appear in the small body of the hayaumare.”

'Hayaumare' isn't a premature kid but someone born between January 1 and April 1. In Japan this is relevant because in order to start school you need to be 6 by the time the 2 of April comes around, meaning the Hayaumare are the youngest kids in the class as they're born in the year following the one in which the other kids, or ‘Osoumare’ (遅生まれ "born in between April 2 and December 31"), were born.

Winter (likely in a different day as the black bars on the corner hint at time passing by... possibly because when Tōya came back home Enji wasn't there yet?): Tōya asks his father to come to Sekoto Peak with him his next day off. [Chap 302]

Winter (likely in the same day): Todoroki Enji/Endeavor hits Todoroki Rei for not stopping Todoroki Tōya from training. [Chap 302]

Winter (the morning of another day as Todoroki Shōto has just woken up): Rei snaps and burns Shōto. [Chap 31, 39, 249, 302]

“Shōto?” he said, facing the sliding fusuma screen. No response. Natsuo slid the screen aside, not expecting to find his brother inside, but there he was-fast asleep on the Futon that he’s clearly plopped down onto without much care, all askew. Moving quietly so as not to wake Shōto, Natsuo crept over and peered at his brother’s face. He looked surprisingly young, despite the burn scar that sat heavily on his face like a shadow. Having been abused by Endeavor-who’s been fixated on his own ambition. Todoroki Rei had snapped one day and thrown scalding water in Shōto’s face. Natsuo would never forget the pair of tear-filled screams he’d heard that day. How painful it must have been, he thought. Natsuo caught himself extending a finger toward the scar but quickly curled it away when he realized what he was doing. Shōto’s scar probably wouldn’t exist if only the boy hadn’t inherited aspects of both his parents’ Quirks. Maybe Shōto could have enjoyed a normal childhood, full of carefree days playing with his siblings. And yet I couldn’t do a thing… Natsuo had been in elementary school when it had happened. Their father, Endeavor, had ignored his family well-being in pursuit of his ambitions-ambitions he’d projected onto young Shōto. Even now, Natsuo would beat himself up over how he used to be before the abuse really began, recalling the period in his life that had made him feel pathetic and ashamed. Before Shōto was born, Natsuo had sought his father’s love and care, and when Endeavor was around, he would turn into an excited ball of energy, eager for attention. But that love never came. It was only thanks to his warm and caring mother that Natsuo had survived those early years and learned to cope with rejection from his other parent. But after Shōto was born, even their mother grew distant, though not out of indifference. Natsuo could sense how much energy she had to devote to protecting her youngest, her baby, from her husband’s so called training-which most would label abuse- but at that age, Natsuo couldn’t help but feel that his mother had been stolen from him. After witnessing his mother and brother crying and screaming on that horrible day, Natsuo had been overcome with crushing shame. [My Hero Academia: School Briefs V]

Winter (the same day or the one after it... Shōto's clothes are different but he might have had to change because he got wet... on the other side it's also possible that Rei's hospitalization wasn't done the same day but Enji had to do preparations for it): Rei is consequently hospitalized and put in isolation. After learning about his mother's hospitalization Shōto decides to blame his father for this. [Chap 39]

A note on the translation:

'Omae ni kigai o kuwaetanode byōin ni ireta. Mattaku… daijina tokida to iu no ni…' 「おまえに危害を加えたので病院に入れた。全く…大事な時だと言うのに…」 "I put her in a hospital because she hurt you. Good grief... even though it's an important time..."

Enji is actually more specific in what he says to Shōto about Rei's fate, saying he put her in a hospital and didn't call her a fool but uses an expression of general exhasperation 'mattaku'.

Winter (likely on Todoroki Enji/Endeavor’s day off, Tōya's clothes are also noticeably different from the ones he had when he asked his father to go with him on Sekoto Peak): Tōya goes on Sekoto Peak, waiting for his father. When his father doesn’t arrive and the lights go down he ends up setting himself on fire losing his lower jaw before he manages to enter in a stream. He is then found and taken away by All for One. Enji reaches Sekoto Peak but can’t find his son except for a piece of his jawbone. Tōya is assumed dead even if Enji at first claims he didn't want to accept it. However this will lead him to focus even more on Shōto. [Chap 291, 302, 350]

Winter (after Tōya's death): After Rei's hospitalization Shōto will never visit her until he'll be in U.A. High school. Rei's psychological condition will get worse. Fuyumi, despite knowing about her family's sad situation was and will remain too scared to do anything beyond keeping up appearances. Natsuo will gradually forget things but will keep on resenting Enji for what happened to his mother and to his siblings. [Chap 39, 187, 250, 302]

TIMELINE CONSISTENCY PROBLEMS

Either Horikoshi didn't plan the Todoroki timeline or decided to change things along the way as, occasionally, what the characters say happened in a chapter get contraddicted in another... or make them seem uncaring of Enji's neglect of Natsuo (and Fuyumi) and of how he eventually casued Tōya's death.

Mind you, I'm sure they all cared about Tōya's death and about the neglect Natsuo and Fuyumi suffered because otherwise the characterization wouldn't make sense. This is likely a problem in the narration, not an attempt of the narration to deny the care.

Anyway I'm gonna list the problems in narration now. Do with them what you want. I'm sure plenty of people has headcanons that solve them just fine. This though isn't a page for theories so I didn't list any of mine either.

Not all of the problems are terrible (the only ones really bad are the ones that consistently change the timeline/why things happened) but some of them can undoubtedly confuse a reader about the characters' feelings.

Let's start with chap 350.

For start this establishes that Tōya assumed his father didn't come to him on Sekoto Peak because he was too busy with work... so the fire took place not after the discussion they had (which fits with how the timeline decided Rei needed to be hospitalized before Tōya were to burn) but neither on Enji's free day apparently... unless Tōya assumed his father gave up on his free day to work some more which is something he had already done in chap 301, when Enji left and refused to train Tōya even though it was his day off... and this can be Tōya's own way to excuse his father for not coming to Sekoto Peak.

However, after this the chapter has Tōya say he has to go back home because he did and say some awful things so he should apologize to his mother and the others and shows his father what he can do.

The problem is... we didn't really see him doing something awful. Yes, he argued with his mother but this was PRIOR to his flames turning blue, as for his siblings his argument with Fuyumi dated to PRIOR Natsuo's birth and the one with Natsuo to PRIOR his argument with his mother and wasn't even a real argument. He just begged his little brother to hear him out.

If there was an argument that day before Tōya left for Sekoto Peak... if he did something... well, this is completely discharged by the plot. It won't even be mentioned when he and his siblings will meet again... not even mentioning his mother was hospitalized and put in isolation PRIOR to him going on Sekoto Peak, so if he had an argument with her we didn't see, it still was way prior to that.

And the same goes for whatever he did of awful... as I've hard time thinking he's referring to accidentally burning down the peak.

Even his discussion with his father doesn't seem to fit the description and if he blames himself for how his father hit his mother... well, that just feel messed up especially since he wasn't even shown being there to see.

Going on.

Chap 39 said Shōto didn't visit Rei because he blamed himself, while chap 250 says it was due to Rei's psychological condition worsening after Tōya's death... to go back on chap 302 volume version which said she was put in isolation PRIOR to Tōya's death (and therefore likely couldn't see anyone even if she wanted to) and then, AFTER Tōya's death she got even worse.

In the magazine version of chap 302 Horikoshi had Rei state that Enji basically became abusive AFTER Tōya's death, and this is what eventually lead Rei to snap and be eventually hospitalized... the whole thing was corrected in the volume version so now the volume version too agrees that Rei was hospitalized FIRST and then Tōya died.

While the thing got 'fixed', the whole correction was done in a sloppy manner... it would have worked much better if the dialogues in whose two scenes were swapped because, if Rei was already hospitalized and put in isolation, she wouldn't have known if, after Tōya's death, Enji got worse. It's hard to think she's referring to the time prior Tōya's death because it feels like a non sequitur since they were talking of the time AFTER IT.

Since the narration was changed retroactively it's possible that in the first planning for the chapter Tōya's flames turning blue, him telling his father, his father abusing Rei and him running to Sekoto Peak (instead than waiting for Enji's day off) took place all in the same day... or better all in the same night as it's dark when Tōya's flames turn blue and it's dark when Tōya burns on Sekoto Peak.

This however becomes impossible when it was decided Rei was hospitalized PRIOR to Tōya dying.

It doesn't help how Rei in chapter 39 focus especially on how she shouldn't stay with Shōto due to his left side being repulsive to her, when chap 302 magazine version also implied Natsuo's look was repulsive to her and the volume version instead change things and made it all about the way they looked at her (but Shōto never looked at her in such a way though okay, she might have been losing it but she should have still worried more about Tōya who glared at her like Enji and also about Natsuo). Of course the problem of chap 39 is likely that what happens in chap 302 was likely not planned and the story was possibly meant to focus solely on Shōto so, of course, she wouldn't want to be near him and wouldn't be troubled by the other kids.

Shōto is supposed to be kept isolated by his siblings, which is also why Natsuo had no idea Shōto liked Soba as, evidently, they never ate together before. However, when Enji attack Rei from the furniture we see they seem to be all in the same room, the television one.

In chap 291 Enji claims he kept searching for Tōya, unable to believe in his death... but chap 302 presents him as resigned and completely focused on Shōto.

Either because Tōya's storiline wasn't planned yet or to keep the secret, the story in its early stages avoid mentioning him... with confusing results.

Shōto, in chap 39, won't mention to Midoriya how his father might have lead to his older brother's demise. The manga will try to excuse it by saying

'Sotsu-sen shita hanasu mon ja nēdaro' 「率先して話すもんじゃねエだろ」 "I wouldn't take the initiative to speak (about it)."

Only... during his first discussion with Midoriya Shōto:

Asked Midoriya if he was All Might illegittimate son

Told him about his father buying his mother for Quirk Marriage

Told him about his mother's depression and how she ended up burning him

Told him about how he was raised to fulfill his father's expecations and how he hated it and how he'll deny his father by refusing to use his Quirk

That's quite a lot he decided to mention, but the fact he didn't mention how his father also lead his oldest brother to his demise made it seems as if Shōto didn't see Enji responsible for it... which also seems confirmed by how, when Fuyumi asks Shōto how he feels about Enji, he replies he blames him solely for his scar and driving his mother to madness, not a word for his dead older brother or for how his siblings suffered of neglect even if Natsuo made clear he still suffers for it.

Shōto is a VERY caring boy. This narrative choice seems to imply he didn't care about his siblings when it's likely the opposite. He cared for Natsuo and likely for Tōya and Fuyumi too. The way the story is told though, is misleading because it makes him look like he only cares about himself and his mother when I don't think that's the case.

Probably though, back in chap 31 Horikoshi either hadn't planned Tōya's storyline yet or wanted to keep it secret and here he didn't want to repeat the whole narration or give too many hints about Tōya's death so he had Shōto skip it and focus on Rei. It's a choice... but it's not a great one.

Enji also for a long while won't show concern for how he caused Tōya's death.

In chap 93 Enji thinks at how his despair lead him to ruin his family... only again there's no mention of Tōya not even visually, again likely because Horikoshi either hadn't planned Tōya's storyline yet or wanted to keep it secret. Still it seems as if Enji doesn't care he lead his son to death for his own ambition.

Chapter 188 is a little better as, at least, Tōya is shown along with his siblings... but it's still not great because, even though Enji is in the middle of his attempt at being a better person, here he worries about his overheating and seems to focus solely on how he married Rei and with her he had three kids who didn't have the Quirk he wanted and then to a kid who had the Quirk he wanted to fight the over heating, and doesn't concern at all with how, in the process, he also abused his family, lead Rei to madness and Tōya to death, but it can work narratively... even if it's not so great because it remarks something we already knew and doesn't focus on his regret (which would have been more important since Enji is trying to be a better person). But okay, it can work.

Probably the worst part is chap 192 because by then Enji is making clear he plans to atone but when he worries about the lives he had cut short, even though Tōya was mentioned, the visual shows us only Rei, as if she were the only life he had cut short (as she ended up in a hospital), skipping the one of his son WHO DIED.

Yes, this is probably to keep the mystery about Tōya but it's still not a great choice since he doesn't seem concerned.

Also probably because Horikoshi either hadn't planned Tōya's (and Natsuo's) storyline yet or wanted to keep it secret in "Ultra Archive" it was said Fuyumi became a teacher solely because she felt bad about the mistreatment Shōto suffered, apparently not caring about the neglect Natsuo suffered or of how Tōya ended up dead.

Fuyumi is also showed 'not caring' when no changes are done regarding to her in chap 302.

In the magazine version Fuyumi saying "I knew our family was broken" with an image of Enji dragging away Shōto and her mother trying to stop it, can be read as "(After Tōya's death) I knew our family was broken" and this allows her to sound like she's in pain for Tōya, Shōto and her mother.

However when the manga version changes things and have Rei hospitalized before Tōya's death, showing her having a flashback of how Enji was dragging away Shōto and her mother trying to stop it, remarks she knew her family was broken PRIOR to Tōya's death but not her feelings in regard to it. This combines negatively with how it was said she became a teacher for what Shōto suffered and paints her as uncaring for what Tōya suffered.

Again, I'm sure Fuyumi cared. It's just when "Ultra Archive" was written either Horikoshi didn't think about this part of the storyline or we weren't meant to know about it so he skipped it, and in chap 302 he merely adjusted things poorly so they ended up having implications he didn't plan.

Shōto going to preschool, where other children are, but being kept isolated by his siblings because they aren't part of the Hero world, seems a contraddiction in the story. While part of it can be due to Tōya's actions when Shōto was a baby, even after Tōya's death it will be said Shōto was kept apart from Natsuo (it's unclear if the same applies to Fuyumi) but then we see that when Shōto is in U.A. he's free to also go out without supervision so it becomes weird how (or why) Enji managed to keep him apart from his siblings, when he was allowed to spend time with whoever he wanted outside of his house... and even in his house he apparently wasn't controlled.

It also doesn't speak so great of Natsuo never attempting to connect with his little brother even if "School Briefs" tries to excuse it by saying it was due to Natsuo's grief.

When giving the green sign to "Vigilantes" Horikoshi likely completely forgot that All Might and Endeavor supposedly didn't meet for 10 years as, in chap 122, the two will cooperate to stop a Villain attack. Since “Vigilantes” takes place AFTER All Might and All for One’s big fight that injured both, it can’t be more than 6 years at the very best but, much likely, it’s less as this takes place at the end of “Vigilantes”. It’s true they didn’t really talk but still, they met.

Also both the anime and the coloured version of the manga give him red hair when, by then, his hair were while.

Credits when it's due though, I don't know if Horikoshi is behind the coloured manga version or another person does the colouring and that person took the anime as inspiration. In the black and white version Horikoshi's design for Tōya is consistent as his hair aren't coloured (while he colour red hair in black), so this could be not Horikoshi's fault.

The anime seems to confirm many scenes took place during night (except for Endeavor searching for Tōya after Sekoto Peak burned)... clearly no one was keeping an eye on Tōya if Enji never noticed how late his son got home and Rei, despite knowing Tōya went on Sekoto Peak to train, never worried about her son being up on a peak alone till late at night...

That's all I could remember/find for now.

The Todoroki storyline remains my favorite in the manga but there's no deny it was handled in a way that ended up contradicting itself, likely sometimes by mistake and sometimes due to change of plans or plot reasons. It's still a great story so don't think I believe the fact it has shortcoming means it's not enjoyable.