#SAT Reading and Writing

[verygardenunknown]

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[nutmeg-on-a-stick]

This is peak old man yaoi

old art from old fandoms :)

[toudan]

The Hand That Feeds

“If being with me only brings you pain, then just put up with this for three more days.” Or, the stages you go through during those three days.

PAIRING.⠀Xia Yizhou | Caleb x Reader

CONTENT.⠀female reader | spoilers for Caleb's story | angst, brief manipulation, drugging is briefly mentioned, implied toxic behaviour (per canon), medical issues (source: i made it up), mental instability, mentions of blood and violence, mentions of suicide and self-sabotage, splitting (reader has BPD), unreliable narrator. | ~6,8k words

A/N.⠀sooooooooo I've been playing Love and Deepspace..... the brainrot got so bad I've written over five thousand words in two days. this is a bit more of an exploration on the emotional/psychological end, so I'm sorry about the lack of romance!

available on AO3 | reblogs and comments are always appreciated!

1. DENIAL

Caleb never breaks his promises.

It’s been that way since you were little kids. In thunderstorms, he promised to keep you safe, and he did. On gloomy days, he promised to be your light, and he did. In the rain, he promised to shield you, and he did. He never lies. He always picks up the phone. He never misses any important dates. He always catches you and never lets you fall. That was the Caleb you knew years ago.

Now, he’s much more different than the scrappy young boy with missing teeth and plasters on his skin that he used to be. This Caleb is tall, imposing, domineering. His uniform puts emphasis on his coldness. He is the embodiment of power, but just like he promised you when you were ten, he’d use his power to protect you. You’d trust him with your life, because deep down, you know that he won’t make you regret it.

You’re more than capable of protecting yourself. Years of training at the academy and another handful of years as a hunter has shaped you to be your own defence. Calluses and scars litter your skin, painting them with texture and molding you into a unique sculpture. With each year that passes, you grow out of the same scared little girl you used to be, but you can never get rid of fear completely. Loud noises still send you jumping out of your skin. You still fear death no matter how familiar it’s become. You worry about growing old and fading out of existence, leaving behind vulnerable people who’ll lose you for good.

The past years have not been kind. Fate has put you in all sorts of situations to test your might and willpower, forcing you to be the fearless woman you were meant to be. You’ve passed turbulent times, cried alone as your mind tells you you’re going insane. You’ve stayed at home for days, hiding away from the rest of the world as you contemplate your self-worth and utility. It drains you, bleeds you dry, but for you, there is no time to rest. Life goes on. You must always keep moving no matter how wounded you become.

With Caleb, it doesn’t feel like it has to be that way.

He’s always taken care of you very well, making sure you get enough rest and remember to eat no matter how stressed you become, but things aren’t the same. You’ve grown and so has he. And yet, he’s still the very same boy you grew up with—one who cares for you, one who loves you for you, and one who’ll always have your back. You’re not familiar with giving yourself a break, having been living in a routine of discipline for over a decade of your life, but you find that it’s a nice change. It’s the instrumental break of a song, it’s the beach on a sunny day. It’s gentle breezes caressing your skin and it’s layers of padlocks broken, letting you out of the cage you’ve built for yourself.

For once, you can let yourself relax and be taken care of the way you’ve always been. But as the storm rages on, it all comes crashing down, and you find yourself falling apart.

The anxiety that had come with your initial arrival at Skyhaven never left. It simmers at the pit of your stomach, creeps into your veins and wraps its tendrils around you, dragging you into a cold abyss of apprehension and fear. Being away from Linkon City isn’t doing you any favours. You don’t know anyone here aside from Caleb. There isn’t a place to go or people to talk to. The likelihood of you being in danger is low, but it’s not impossible, and the storm outside does nothing to help your current state. The power has gone out, leaving you in a wide, dark and empty complex where the only illumination comes from the lights on the skyline. 

The recent events are still heavy on your mind, too. Of him tending to the gash on your leg, of him restraining you with his Evol. You don’t think you’ve been that scared since that day in the interrogation room. You remember it vividly: the dimness of that room, the collar he’d placed upon your neck, or the tension in the air while you struggled to get yourself back to reality. It felt like you were in a dream. But then the lights came on and he spoke, and he was no longer the Farspace Fleet Colonel—he was your Caleb.

Your nails have become brittle from how much you’ve been biting on them. You’ve been pacing around the place, trying to call him time and time again only to get no response. With a frustrated sob, you toss your phone onto the sofa and collapse to your knees, tears streaming down your face in rivulets. As much as you’d like to believe that you aren’t afraid of thunder anymore, tonight proves it all wrong.

All you can hear is the downpour outside. It muffles the sound of the clock ticking, yet it doesn’t tune out the worried voices in your head. It’s nearing midnight—way past your bedtime—but you can’t sleep, not even with the potential ambience of the rain. Your thoughts are racing a mile a minute. Though Caleb usually comes home while you’re asleep, being wide awake now also means you’re too aware—aware that he isn’t home, aware that he’s in danger, aware that he might not ever come home at all. Your phone is nearly dead and the candles have long since gone out. You’re trembling both from fear and frost, his sweater loosely hanging on your frame.

The words ‘lockdown’ and ‘cleanup’ grow more and more distant as the irrational thoughts strengthen in numbers. They say he’s doing this on purpose, that he’s abandoning you for good because of you, that he’s keeping so many things hidden from you because he wants you out of his life. You want to believe they aren’t true, you really do, but your fragility makes you waver in every decision. The urge for violence grows but you do your best to keep yourself grounded, rocking yourself back and forth as your body is wracked by sobs. It’s easier said than done. You don’t know how you can stay afloat when you feel so alone.

Cruel. He’s cruel for leaving you alone for this long. He’s cruel for not responding to you. If he truly cared for you, he wouldn’t make you feel this way. Fear blends into anger as your hands twitch and quiver while you heavily breathe in and out as an attempt to calm down. He promised you this morning that he’ll come home. You just need to trust him. But you’re so scared of everything, feeling like the world is caving in around you as you fall deeper and deeper into the void. The dark makes you feel isolated, suffocated. Briefly, you think of how no one will hear you if you scream in this weather. Not even he can save you. Maybe that’ll be the first and last time he breaks his promise.

You shake your head. You know better than to trust your emotions when the sky gets dark. This will pass, it always does, and Caleb would want you to be strong. With newfound determination, you harshly wipe away your tears with the back of your hand and get up. Your legs slightly wobble from the ache in your knees, but you keep upright. As if sensing your predicament, the rain outside slows down and becomes quieter with each second. The thunder has stopped roaring and the downpour slows to a light shower, its droplets hitting the clear glass of the window panes.

Then, the front door opens. A scream threatens to escape your throat. The emergency lights in the hallway outside show a male silhouette at the door, and when you realise who it is, the grave weight on your shoulders is lifted. Relieved, you run into him, making him stumble for a moment before supporting you more steadily. You wrap your arms around his neck and cry, quiet whines leaving you. He pulls you close and rubs soothing circles on your back before murmuring a quiet I’m home into your ear.

How could you doubt him like that? Caleb is kind. He’s the best thing to ever happen to you. He never breaks his promises. Whatever anger you harboured for him earlier dissipates into the air just like fog. Still shaken from the blackout and his radio silence, you grab him tightly, the fabric of his coat bunching up in your unrelenting grip. You don’t know what’s wrong with you tonight. You were doing perfectly fine before the storm. You’re mentally berating yourself for letting him see you in such a pathetic state, but you’re too drained and it’s too late to try to hide.

(You’ve never been able to do that with him.)

“I thought you left me,” you whimper, “I—I don’t feel good. I don’t know. I was scared.”

You cling to him like a child. You feel like one, with how weak and emotional and volatile you feel. The sobs slow down into sniffles as he carries you over to your bedroom before taking a seat on the bed and placing you on his lap. His gloved hands comfortingly caress you wherever they can. Guilt sinks into his bones, pulling him deeper than his gravity ever could. The explosion had been out of his control, so had his death, but he can’t ever forgive himself for making you feel like you’d been left behind.

An ugly emotion rears its head, holds him in its jaws. He wraps his arms around you possessively, allowing you to calm down at your pace. You let out a heavy sigh and fall into him, feeling boneless after the meltdown you were in earlier. There are many things you want to say, but none ever slip your tongue. Instead, you let him hold you, let him press soft kisses to your hair, enveloping you in the warmth you had been craving.

“I told you I’d always be by your side,” he finally speaks up after a moment of silence, squeezing your flesh warmly. “I promised you that, remember?”

You don’t make a sound. You shift closer to him, desperate to be closer, close enough to feel like you’ve fused into one. He doesn’t force you to speak. You look up at him, tear-stained cheeks glimmering under the moonlight, helpless and afraid yet so loving and elated. He shushes you softly, lulling you into a relaxed state as he wipes away your tears with his thumbs before cupping the side of your face affectionately. 

I’ll always be by your side.

How silly and humiliating of you to have been vulnerable like that. Caleb would never lie to you. He’s right, he always is, and you need to learn to fully trust him again. He never breaks his promises. He won’t start now.

2. ANGER

It started with an excruciating pain in your heart.

Then, it continued with pins and needles striking your limbs, making them feel boneless. Your view blurred and darkened at the sides as static took over your vision, showing you mirrors and streaks of light. Your throat closed up and you clutched at it helplessly, jaw dropping open as you tried to breathe. The world spun and suddenly you collapsed on the ground, motionless and afraid. Waves of panic crashed into you, drenching you in trepidation while your thoughts ran rampant, stacking on top of each other like voices in a crowd.

You hardly registered the muffled shouts and your body being moved as you fell limp. Your head was spinning and you felt like you were falling into coldness—into death—but when you woke up, you found yourself in the medical bay of the Fleet’s aircraft. 

The pain in your heart had subsided enough. It still ached and burned, but clarity had returned to your eyes and your limbs no longer felt numb. Your eyelids fluttered open, revealing the fluorescent lights in the ceiling, and it was only then that you heard muted conversations, presumably from those who were taking care of you. You tried to push yourself up, only to be pulled back by something. When you looked down, you found all sorts of cables attached to you and an EKG monitor on your side. Your heart rate was fast and your blood pressure was high. Caleb had come into the medical bay not long after that.

After dismissing the nurses, he’d taken you to his home and decided he’d take care of you himself. Though you weren’t keen on essentially being on house arrest, there was no point in arguing with him. Even if you doubted him sometimes, you knew in your heart that he would never lead you astray. But the way he’s been treating you like a child irks and suffocates you, making you feel like you’re locked in a cramped room.

He talks to you softly and treats you like you’re fragile. You’re several years into your career as a hunter. You’re well in your twenties and more than capable of taking care of yourself or tending to your wounds. As much as you appreciate his concern, it’s starting to feel suffocating. Maybe years of depending on him have made him think you’re useless. He won’t trust you, but he still holds many secrets of his own.

The only conclusion you come to is that he’s hiding something from you, or he’s hiding you.

It doesn’t make sense. Nothing does. How can someone so familiar feel so distant at the same time? You can’t understand his logic or tell what he’s thinking. He always has an explanation for everything, and yet, they never satisfy you at all. The weariness in your system coupled with days of being under quarantine is taking a toll on you. He’d insisted persistently that you stay put while he takes care of everything. It’s not as if it’s his fault, either. No matter how much you want to get back to work—thinking about the backlog you’re going to have to catch up to puts insurmountable anxiety upon your shoulders—you can’t, because your body isn’t cooperating.

It’s not a fever. It’s not a cold. But somehow, you always feel so out of it. It doesn’t even feel like you’re piloting yourself anymore. Suspicion rises in the back of your mind as you think of the medication you’ve been taking every morning. He never told you what they are. What if he’s—

No. He wouldn’t. Caleb isn’t like that.

But what if? You don’t understand him. You don’t know him anymore. Why is he hellbent on keeping you locked up here when you’re already capable of handling things on your own? Burying your face in your hands, you let out a scream of exasperation, feeling as though you’re losing your mind. Why won’t he listen to you? Do you mean anything to him at all?

The door knob twists. You swiftly relax your furrowed brows and turn to him with a small smile as he enters your room. The sun is barely rising, but he already looks wide awake. You can’t help but narrow your eyes suspiciously at the small cup of pills that he’s holding.

The question slips past your tongue before you realise it. “What have you been giving me?”

Caleb stops in his tracks, brows raised in surprise. Something flickers in his eyes, but the calm expression remains on his features. He moves closer and places what he’s holding on the table, only to pause in his movements again.

“You didn’t finish dinner?”

“Caleb. What have you been giving me?” you ask again, your hands beginning to tremble. Your thoughts are running rapidly, alarms of urgency ringing in your head and adding on to your anxiety. You need answers. You need to know everything.

He takes a seat on the stool next to your bed with a sigh. “I’m hurt you don’t trust me, pipsqueak.”

“Then what’s wrong with me?” You clench your fists, knuckles turning white from the pressure you’re exerting. “Why won’t you let me go?”

“You had a protocore-induced heart attack. Your body is still recovering,” he replies easily. You can’t tell if he’s lying or telling the truth. “And Skyhaven’s still under lockdown. It’s not safe for you to be out.”

“Do you think of me that lowly?” Aggravation drips off of your tone as your voice starts to waver, a familiar sting spreading behind your nose and tears springing up to your eyes. “Do you think I’m still a little kid?”

“It’s not that. I’m just worried about you.”

Your voice rises in volume. It’s getting harder to keep your anger in control. 

“If Skyhaven’s so dangerous, why won’t you let me go back?”

“Because you can’t. No one goes in or goes out during this lockdown. I’m sorry,” he says. It’s quick and meant to shoot you down. You want to scream, to break something, anything, but you can’t. “I just don’t want you to get hurt. I’m protecting you.”

You gnaw on the inside of your cheek, irritated at his responses. There’s no point in arguing with him, you realise. Caleb’s stubbornness knows no bounds at times. You take your hand back and look away with an indignant huff. You know you’re acting like a child. Grandma would be disappointed if she saw your state now. But you’re frustrated, you’re anxious, you’re alone and you just want to go home—

“Leave. I don’t wanna see you,” you spit, stubbornly staring at the window. Then, an unknown fear seeps into your veins, causing you to soften just the slightest. “I don’t want us to fight, Caleb.”

“We’re not fighting.” He crouches down in front of you and takes your hand into his before giving it a warm squeeze. “But you have to try and understand me.”

You don’t want to. You don’t want to see his face, don’t want to hear his voice, don’t want anything to do with him. Ignoring him, you get up the chair and return to your room, closing the door behind you with a loud slam. The sound makes you flinch. Unwanted memories slowly fade into the reel of your mind. Aggravated, you lock the door and sit down, pulling your knees close to your chest as your jaw clenches.

You don’t know what you want. A part of you wants him to come in and apologise, to let you do what you want. Another part of you wants him to just leave you alone. But when there’s only silence, you find yourself breaking into sobs again, feeling like you’ve been abandoned. He’s mad at you. He’s going to make you leave and say that he’s just giving you what you wanted. Guilt creeps into your heart as the realisation that you’re doubting him dawns on you. He’s been so kind to you since the little stunt you pulled to get yourself here. He’s letting you walk freely. He’s letting you stay in his home. 

But he’s not listening to you, he’s ignoring you, and it makes you feel as though you’re just a speck of dust in his eyes. Your emotions rage as a tempest in your mind that destroys everything in its wake. A scream of exasperation leaves your lips as you hold your head in your hands, trying to catch your breath. 

I’ll always be by your side.

What a liar. 

3. BARGAINING

It feels as though the sands of time are allowing the particles to fall one at a time into the bottom of the hourglass.

Time is moving slowly, almost as if it’s stuck in place, and hearing the sound of the clock ticking every time you’re ‘home’ is starting to drive you mad. It’s hard not to zero in on Caleb when he is all you have here. You’ve contemplated sending Tara and Zayne some messages to let them know that you’re fine, just staying with a friend. For some odd reason, the messages never get delivered. Assuming your phone’s just broken, you haven’t picked it up since. As a result, there’s not much to do in your free time outside of chores or breaking down, and it’s tearing you apart.

Maybe he’ll rethink his choices if you get hurt on purpose, you think with a bitter grimace. It’s hard to believe that his consideration for you, something you used to adore, now felt like chains holding you down. He might as well have left the collar on your neck. Anger, betrayal, guilt, and shame. Your mind has become a tempest of despondence and pessimism destroying every rational thought in its path. You want to scream and punch the wall. You want to hurt something. You need to destroy something. Your self-control is hanging by a thread and the stubbornness is beginning to feel childish, silly. 

Regrettably, Caleb is right. The Farspace Fleet is still working on cleanup amid this lockdown, not allowing anyone to go in or out. Leaving Skyhaven isn’t an option anymore. You don’t know what you feel anymore, either. You’re stuck here with a curfew whether you like it or not, and your unfamiliarity with the place leaves you at a severe disadvantage. Though you’re not exactly a drinker, your mind wanders to how you’d feel if you were too drunk to think of anything. You don’t care. You don’t know what you want anymore.

Some days, you feel angry at him and think he’s the devil. Some days, you appreciate him and think he’s a gift sent by the heavens. The lack of a middle ground constantly leaves you teetering on the verge of falling on either end. But now—now you feel nothing at all. You’re numb, indifferent, and it perplexes you because you still feel so bad. You think you’re a walking contradiction or a ticking time bomb ready to explode. Caleb has dealt with you for years without a single word of complaint. You’re taking him for granted, says the voice in your head. You need to keep him.

You harshly slap yourself on the face to snap out of it, bringing yourself back to the present.

The skyline glimmers in the distance. Red and white lights speed by on the road and the billboards are as lively as ever. Nightlife enjoyers are undoubtedly in good spirits as they travel from bar to bar. Tara must still be awake watching her favourite show, and Zayne is surely still working late at the hospital. You want to hear their voices and be in their presence even if it’s just for a few minutes. There’s a weight pulling at your heart as your mind wanders to Linkon City. To your real home.

The walls of what you thought was a gorgeous home is starting to remind you of the interrogation room you were in. It feels drab, lifeless. There isn’t much evidence within the home itself that there are people living here in the first place. The little OTTO robot he built for you stays in the corner, lifeless as well. You absentmindedly tap your fingers against the surface of the couch as you stare into the glow of the television. Even the commercials that are meant to be fun and exciting feel fake. The programme continues, returning to the scheduled film of the night. 

It’s late at night and you can’t sleep. You’re up later than you’d usually be. Caleb isn’t home yet, rendering you beyond aware of the fact that you’re home alone, and anxiety lurks around you at every corner. Your pistols rest on the spot beside you as a precaution. With what has been transpiring since you stepped foot in Skyhaven, anything is possible. It’s strange how paranoid you’ve become over the past couple of days. You should feel safe here, you should feel safe with him being the Colonel himself, but you don’t.

“—concerned about you. He said he thinks you might try to kill yourself.”

Your gaze drifts over to the pistols. An image of your blood pooling beneath your head as you lie limp on the ground flashes before your eyes. You imagine how he’d react to your death. Will he care? Will it devastate him? Will he regret how he’s been treating you? Strangely enough, the gruesome thought doesn’t bother you as much as it used to when you were younger. Violence comes with your job as a hunter, even if it’s not inflicted upon humans. Death is no stranger. It’s more familiar than you’d like it to be. You’ve been lured by it a couple of times in your childhood, seen mangled bodies and frozen corpses in your lifetime. 

You’ve gone from craving death to being afraid of it, and yet here you are, contemplating it just like you did when you were fifteen.

Tara used to tell you not to believe your thoughts when it’s dark. You desperately want to, but it feels as though your brain won’t allow it. You’re tired and lonely. You miss home. You grieve for a man that is still alive. A long time has passed—people are constantly changing. He’s not the same man you were eating dinner with at Gran’s house. This is a man who has been through death himself, weighed down by his never-ending burdens and responsibilities, and you sink deeper into your guilt as you realise how unreasonable you’ve been.

You try to separate every thought again. Caleb is protective of you because he’s known you for most of his life and you’re the closest person to him. He put you under strict supervision because he’s worried you’ll be in danger without him to protect you. He treated you like a child, making you feel as though he doesn’t trust you. Your outburst halted everything and is slowly destroying your relationship inside and out. It all feels so monumental, so much bigger than you can handle, and you can’t help but feel defeated.

You have two options: continue this game of who can make the silent treatment last longer, or apologise to him and gain his forgiveness. It eats away at you either way. With apologising, you don’t even know where to begin; he’s never been mad at you nor has he ever raised his voice at you. He always tells you that everything is going to be okay, even if it doesn’t feel like it.

It’ll pass, is what he would say to you. And I’ll be here with you.

But when you have already destroyed everything with your bare hands, who will be there to rebuild it with you?

You haven’t prayed to a god in years. Prayers and rituals don’t work on you, you think, and so it’s not worth the time or effort. But as your eyes slowly close, you pray to whatever celestial being listens to you—give him back. You’ll never do it again.

4. DEPRESSION

Another day of silence passes and plunges you further into the pool of fear and helplessness.

Caleb hasn’t spoken a word to you. Not once. He still prepares your meals, leaves you notes, but he doesn’t utter a single word. You grow more restless by the minute. He’s angry with you. He’s just too nice to tell you upfront. Anxiety makes you avoid him, afraid of what he’ll do or how he’ll react. He doesn’t stop you from going out anymore, either. You’ve been spending your time outside his home, distracting yourself with whatever activity you can find on the streets. For the first few hours, the newfound freedom made you feel on top of the world, but it didn’t last.

Him stepping back should make you feel happy and relieved. Instead, the claws of despair pull you in closer and closer to its maw. You return home after a day out to complete silence. The floorboards would creak beneath your feet, waiting for someone to break the stillness, only for there to be nothing. When you wake up in the morning, Caleb leaves behind nothing but the remnants of his cologne in the air, small proof that he was home. The smell used to comfort you. Now, it makes you feel lonelier, because it’s not enough.

It feels like you’re losing him in real time. You’ve retreated so far into the corner that you’re fading into the background as the world continues on without you. You see him walking farther and farther away from you, disappearing into the crowd as he leaves you standing in the midst of it all. The thought of him leaving your life gnaws at you, puts you into a spiral of loneliness. You wanted this, didn’t you? For him to leave you alone?

Then why do you feel like you’ve been abandoned?

The stark reminder of his absence claws at your heart. You barely see him at home and it feels like you’re lost at sea, drifting away from the shore with each wave that the ocean carries. Getting out of bed feels like a monumental task. Your limbs feel heavy as if you’re being held back by a ball and chain. And you’re exhausted, even with the hours upon hours of sleeping and locking yourself away in your room, too tired to live. A part of you tells you you’re overreacting. You don’t even remember what had upset you in the first place, but you know one thing—

You don’t want him to go.

Being an adult comes with doing things you don’t want to do or are too afraid to do. This is just one of them. You’ll apologise to him with low expectations so you don’t break your heart, but you’ll fall into euphoria if he forgives you. He’s looking out for you. It’s not his fault. 

It’s yours.

You remember times in your childhood when he’d come get you after school with your favourite popsicle split in half, one for you and one for him. He’d ask about your day and his eyes twinkled with genuine interest as he listened to you go on and on about every detail that happened. The walk back home was always filled with joy. He feels like a distant memory, an echo of the past, and you wonder if he’s the one who changed or if it’s you.

Whoever it is, what was an unbreakable bond had shattered to pieces, and it was all by your own hand.

Self-hatred burns through you. You wish you were different. You wish you weren’t the way you are, so flawed and broken beyond repair. You wish you were like other women, those who are always on top of their game and strong no matter what life throws at them. Without realising it, you’ve already given up on yourself. You’re no longer loved by him; you’re an enemy, a monster, and the thought plagues your being.

The feeling of unworthiness lingers in your chest, a constant ache that wears down the edges of every thought. You remember the person you used to be with him before the explosion. Optimistic, hard-working, hopeful. She feels like a stranger now, like someone you used to know who left your life without saying anything. The weight of it all—the distance, the guilt, the silence—is becoming unbearable. He is slipping out of your grasp, ready to leave you as a memory of the past, and you’re falling further back. He is swimming to the surface while you are sinking deeper into vast nothingness, surrounded by the unknown. 

You wonder what he feels when he looks back at you. Is it pity, or is it resentment?

Or does he hardly feel anything at all?

The door opens, stopping your train of thought. You stagger up to your feet, quietly making your way to the entrance with your hands folded in front of you. Caleb’s eyes meet yours and you falter for a moment, every word you’ve rehearsed in your head going forgotten as time seems to be at a standstill. You muster up a smile, doing a little wave at him.

“Welcome home,” you say, your voice barely louder than a whisper.

He returns with a smile of his own. “Thanks.”

You want to say something, anything, but no words come out; you don’t know where to begin with them. Instead, you stand there and smile awkwardly, completely lost and insecure. Your smile feels fake. You know he knows it is. It’s a façade you’re using to hide the turbulence within you. Caleb’s smile is polite and you want to run into his arms and tell him everything you’ve been feeling. Your heart drops when he looks away from you, ready to leave to attend to his own affairs.

“I’ll just, um, go,” you chuckle nervously. “Sorry, you must be busy. I’ll see you around.” 

Reluctantly, you withdraw and return to your room, shutting the door with a quiet click. Drained, you fall to the ground and bury your face in your hands, frustration oozing off of you in waves. Was that a good sign? Or was he faking his friendliness just to get you off his back? He doesn’t seem angry, but you’ve also never seen him angry. Anxiety harrows you as you stare at the ground, mind racing with what feels like thousands of possibilities. You wish he was easier to read. How can you know someone for so long but know nothing about them at all?

You ball your hands into fists and tremble, tears streaming down your cheeks before you can stop them. You’re falling behind. He’s already on the path to moving on but you’re still stuck in your spot, hopelessly wishing he’d turn back and ask if you want to try again. This fight—the one with him, the one with yourself—feels daunting. You’re but a frail little thing facing off with something grand and monumental. It towers over you, cloaks you in its shadow, emphasising the fact that you are nothing compared to it.

The world is quiet, and as you sit gazing upon your opponent, you start to wonder if this fight was even yours to win at all.

5. ACCEPTANCE

Before you know it, it’s the night before the promised third day.

You were lucky enough to be able to have breakfast with Caleb this morning. It felt tense and awkward, but he still maintained the conversation so effortlessly as if your outburst never happened at all. He left for work with a simple kind smile and told you to stay safe if you do go out. Even while you’re being unreasonable, he still has your best interests at heart, and the fact that your tantrum is lasting this long humiliates you to no end.

You spent the day out at the shopping district. The city was vibrant with the hustle and bustle in its streets and pedestrians. You heard laughter and chatter, joy that was spreading among people and their friends, and you’d never felt more alone. Even in a place swimming with people, you still felt so isolated like you were just a speck of dust. Eventually, your surroundings became white noise, and time went by like a blur. It felt as if someone else was taking control over your body. You numbly went through each stall searching for souvenirs to bring back to your loved ones back in Linkon City, spending away without hesitation. 

When the sun began its descent, you made your way back with several bags of new items in hand. You’d gone over budget, but you couldn’t bring yourself to care. For a moment, you were completely fine, free from the crushing weight of the world on your shoulders. Returning to Caleb’s place took away the momentary lightheartedness and replaced it with something devastatingly hollow. You moved on autopilot, stepping into the shower and taking off your makeup, changing into more comfortable clothes. 

When you were done, you sat in the living room and watched whatever was playing on the television, its audio turning into background noise as you drifted away with your musings. Before you knew it, it was dark outside, and Caleb was back home. You parted your lips to say welcome back, but he had entered his room before you could call for him. Awkwardly, you returned to the television and fidgeted with your hands, nervousness entering your system the longer he was gone.

It seems to be a peaceful time for Skyhaven tonight. The media representative of the Farspace Fleet had come out to answer whatever rapid fire question the journalists had. Reassuring every citizen, he had said that the cleanup they’ve been doing is gradually wrapping up, and that the lockdown would be lifted soon. With nothing else to worry about for the time being, officers were allowed to return home early, including the Colonel himself. 

Caleb reappears in his loungewear and stops to look at you, rolling up his sleeves to his elbows. “I’ll make dinner.”

“Okay,” you reply awkwardly, unsure of what to say. It doesn’t take long before he returns to the living room again, heading for the other end of the couch. Not wanting to disturb him, you leave him to his devices and stare ahead into the television, holding yourself back from looking at him repeatedly. It’s unusual for him to be home early, so you’re equally lost, completely clueless on how to function.

You sneak a glance at him. He’s reading a book, his brows furrowed in concentration as he immerses himself in creativity. He looks peaceful, so undisturbed, and you’re still not sure what to do. Even when you’ve been a brat, he still has your best interests at heart, and the fact that your tantrum has lasted for days humiliates you to no end. His consideration of you nearly brings tears to your eyes but you keep yourself together, not wanting to worry him.

You part your lips to speak only to close them again, frantically trying to come up with a coherent sentence in your head. He looks relaxed, so the chances of him reacting aggressively are low. You know he’d never raise his voice at you, but the paranoia hasn’t left you yet; everything you do needs a safety plan. Biting down on your bottom lip, you stare down at your hands before standing up, nervously wringing your hands behind your back.

Mustering up all the courage you have, you speak up, meekly, “I’m sorry.”

He looks up from his book, brows raised as he watches you in what appears to be confusion. You want to run away and hide, but he deserves this. It’s the least you can do.

“I’m sorry,” you repeat, eyes downcast. “I’m sorry for lashing out. For acting up. It’s just… I’m just…”

He smiles softly, getting up from the couch and walking towards you. Bringing you close for a hug, he presses a soft kiss to your temple and squeezes your frame reassuringly. You melt into his touch, a burning sensation spreading in the centre of your face as your bottom lip quivers. You whine and hide your face in his sweater, desperately holding on to him as if he could disappear at any moment. You’ve already lost him once. You won’t lose him again.

You can’t.

“Please don’t leave me.” Your voice trembles as you speak and sniffle in between words. You grab onto the fabric of his sweater tightly, trying to keep yourself grounded. “I didn’t mean it. I won’t do it again—”

He sighs, content, and pulls you closer to him, letting you cry in his arms. His hand rubs soothing circles on your back as he hums a comforting tune, the same one he used to when you had nightmares as a kid.

“Silly girl,” he says, rocking you side to side. “I’m not gonna leave you.”

No one else will ever do it like him. He’s kind. He cares for you. He stays with you even with your volatility and your flaws. The resentment you’d been harbouring towards him douses you in guilt as you latch on to him, basking in his comfort. He’s only doing this because he cares. The disaster in your mind slowly unwinds and the grating voices that had been plaguing you the past week quiets down. 

He gently pulls away and brings his hands up to your cheeks before brushing away your tears with his thumbs, lulling you into a calmer state.

“It’s okay,” he coos. “I promise.”

Finally, you trust him, because he never makes promises he can’t keep.

[swallow-wind]

"Recently I was watching the news, like I do every day. It's news at four, then Wheel of Fortune, then Jeopardy! One of the stories on the news was about how anxiety and creativity are linked. There was some big study at a university, and the doctors who did the study said that anxiety and creativity are sort of the same thing: both of them are about dealing less with what's in front of you and more with what's in your head. Listening to what's in your head, especially when you're a person with anxiety, leads to negative emotions. But they're also a form of imagination. If you can worry about problems when there aren't problems around, then you can also think of stories or songs when there aren't stories or songs around. You can make things go from not existing to existing.

I thought about that news report after I turned off the TV. So what if my brain gets worried before I go out onstage, wondering if the audience will like me? Maybe that's because it's the same brain that thinks of new melodies. So what if my brain gets worried before it gets on an airplane? Maybe that's because it's the same brain that can put instruments and voices together."

Brian Wilson, I Am Brian Wilson

[burningcheese-merchant]

Things I would like to see in the Eternal Sugar update (Greek mythology edition)

Just gonna go ahead and write these down ahead of time to see if any of this actually comes true. Note right away that I expect a lot of Greek mythology references lol

Minotaur mini boss somewhere on the map (or as the beast raid boss idk)

Beast Raid boss looks like Medusa/a hydra/the Nemean Lion/a cyclops/the minotaur

Regular level enemies that look like creatures from Greek myth. Like any of the ones listed above and/or others (like... sugar griffins or sugar harpies or sugar satyrs. And so on and so forth)

Something something Holly being implicitly compared to Atlas carrying the weight of the world on his (her) shoulders

Holly and co. (mostly her) going through things that mimic the 12 trials of Heracles (HIS NAME IS NOT HERCULES! IT'S HERACLES! HERCULES IS HIS ROMAN NAME! THE MYTH GOES OUT OF ITS WAY TO EXPLAIN THAT ZEUS PUT "Hera" IN HIS NAME IN A FEEBLE ATTEMPT TO APPEASE HERA BECAUSE THE KID WAS AN AFFAIR BABY (one of ten hundred thousand bc Zeus is a shameless whore)! Disgruntled Greek Mythology Fan Rant™️ over)

Eternal Sugar's lair either looking like the Garden of the Hesperides or straight up like Mount Olympus (or even Elysium ig. It's called the Forgotten Sugar Paradise, after all)

Some sort of food is found that Holly's gang is tempted or tricked into eating that puts them to sleep, drives them temporarily insane, or otherwise incapacitates them, referencing the Lotus Eaters from Homer's Odyssey (this would probably happen to Pitaya tbh)

Eternal Sugar gives Hollyberry a pomegranate to eat during their "in the end, you will become me" scene, insisting that Holly have something decent to eat and then rest because she deserves it after pushing herself so hard for so long. Since this is supposed to be the "Ancient's moment of weakness" part, Holly ends up eating it and either falling asleep or being put under some sort of mind control; submitting to Eternal Sugar's will either way. All of this as an allusion to the myth of Persephone and Hades, where the latter tricks the former into eating a few pomegranate seeds thus chaining her to the Underworld forever, as is what happens upon eating any Underworld food (seed count differs with retellings but it's usually 6 months, autumn and winter, where Demeter makes all plant life wither as she mourns her daughter's absence. The myth is supposed to explain where the cycle of seasons came from)

Eternal Sugar should be an Aphrodite-esque figure with siren powers or something

The "ally of the Ancient" cookie that shows up in ep 10 is an oracle-type figure that predicts the eventual outcome of the adventure (Holly awakens and defeats Sugar). Bonus points if the oracle speaks this prophecy to Eternal Sugar or any of her minions and is punished for it (common motif in Greek myth is oracles and other fortuneteller types being rebuffed or even outright persecuted because their prophecies upset people. "The harder you try to challenge or prevent destiny, the sooner it will arrive" is a common lesson. Every single time somebody tries to subvert a prophecy, they only ensure that it happens. Like trying to bust up a coffin with a hammer, except every hit lands on a nail and drives it further in)

Bonus to above, it would be funny if this character was specifically like Cassandra (priestess of Apollo cursed to receive visions of the future (specifically disaster) that no one would ever believe no matter how hard she tried to convince them) and an ally of Sugar's that was only trying to help her master, only to be punished for it. And then she eventually sides with Hollyberry, because Holly is a kind person who would probably try to help or comfort her in some way despite being an enemy (Holly would always rather have friends than enemies. She even made a friend out of Pitaya), and helps her win. "Cassandra siding with the one person who ever actually listened to her" sort of deal ykwim

Desperately need Hollyberry's awakened form to be a nod to Demeter like in this post made by this awesome artist (I originally thought of Holly's awakened form looking more "royal" and having a huge assortment of berries all over, as a nod to her uniting the warring houses in her land (which is what earned her her Soul Jam in the first place. Remember that every Ancient's awakening has nodded at what they did to earn the Soul Jam in the first place) and her always preaching friendship and unity. Her taking after Demeter is that but 100x better because of the nod to Greek myth + as the artist says (which I agree with 100%), Demeter is a harvest/agriculture goddess and agriculture (which Holly's kingdom is actually known for, a la the berry fields) takes a lot of hard work and diligence, aka the opposite of sloth, which is perfect for Holly)

These are the ones I thought of off the top of my head. If I think of more I'll reblog this post with them

Also gonna make a separate post talking about more general story beats I'd like to see since that's a whole other ramble lol

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[cloverconsolass]

You said a few days ago that we could send requests if we wanted. In that case…sibling stuff with Lena and Violet, please?

This was Lena and violet at first but like I felt like it was missing something so I added webby. Their having there little book session thing. Thanks for requesting :D

[a2zillustration]

I carried this thing for MONTHS with the EXPRESS PURPOSE of putting Raphael in it (knowing full well Larian wouldn't let me do that, mechanically) and I had one major miscalculation.

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[trannytitties5ever]

[kalied0skull]

Steve who leaves extra cash in Darry and Soda’s wallet in secret even if he needs that money for college. Steve who, other than pony, is the one who’s gonna get out. Steve who doesn’t end up going to college. Steve who ends up going to Vietnam. Steve who didn’t get drafted but went by choice because if he spent another minute in his fathers house he was gonna -. Steve who never come back to Tulsa.

Soda who noticed when Steve helped out in secret. Soda who knew that he’d never make it to college. Soda who was ready to support Steve and pony until they got out. Soda who ended up not being able to support them. Soda who ends up being drafted for ‘nam. Soda who didn’t have a choice but Steve was going anyway and it was gonna be hell but at least they had -. Soda who came back a shell of a person.

ohhhh myyyy GOODDDD??? WHO SENT YOU???

this sat in my inbox for a good minute because it just left me in FUCKING SHAMBLES dude. /vpos

"steve who never came back to Tulsa" GUNSHOT TO THE CHEST, OH MY STARS.

steve who ends up going off the rails, having everything planned ahead of him only to have it crash and burn in a flash, and soda trying to desperately hold on to what he's got left of just about everything only to lose it all.

he just wanted out. steve was so desperate; no one in the gang but soda saw how much he was hurting because he kept it in and zipped his mouth shut because talking about feelings is sissy. and he ain't sissy.

soda did the best he could, being there for him under any circumstances and whenever he needed, he knew steve was being nicer for a reason. he knew he had plans to do something stupid, start talking like johnny used to.

and just like johnny, his final moments are full of regret. he didn't really want to die. he just wanted out. he wanted away from that death trap of a "home", he wanted his anger to stop chasing his emotions no matter how happy he was in a moment, he wanted to be in love with soda peacefully without the burden of a good beating to death looming over their heads because they're fucking fa—

soda got the call for steve over the walkie and dropped just about everything. they told him it'd be dangerous, running back into a field like that. he didn't care. he had to save him. he had to get steve out of there. he had to help him pull through.

steve's last breaths were taken as soda lifted him from the ground, blood pooling out of—fuck, he didn't even know. there was so damn much of it. soda sobbed hard, racing back out of the fields and just barely missing a shot to the head, taking it in the shoulder and collapsing on the floor, on top of steve.

he sobbed, and sobbed, and steve just smiled at him before he rolled over dead underneath him. soda clutched steve's blood-stained uniform tight in his hands, not wanting to let go.

he didn't get to pull through with him. and now soda'd have to do it all on his own. they had each other. but it was never meant to last in the world that they got stuck in.

[sillygoofyqueer]

THIS IS GOING ON MY MAIN BECAUSE I JUST HAVE TO LET EVERYONE KNOW THAT THIS FANFICTION BROKE ME. I'M CURRENTLY VIBRATING. UNABLE TO THINK OR PROCESS ANYTHING. I HAVE SO MUCH ENERGY AND NOTHING TO DO WITH IT. JESUS FUCKING CHRIST. LORD ALMIGHTY. @vinelark, YOU HAVE SINGLE HANDEDLY GRIPPED ME INTO THIS PLOT AND I'M THIS CLOSE TO SOBBING AND THANK YOU SO SO SO MUCH FOR WRITING IT AND I HATE YOU SO MUCH AND I LOVE YOU SO MUCH AND I WOULD WHIP OUT A RING FOR YOU AND I'D LEAVE YOU AT THE ALTER AND AND AND

[lunarriviera]

deadass think that for at least a year before she started writing it, priest just paced around her house and neighborhood, muttered to herself on the street and in the shower and riding the subway: what's the worst thing i can think of. worse than that. no, worse than that. no, worse even than that—until she came up with the plot of mo du

[proffbon]

Ahem ahem

*throws marimae ritual porn at you and runs away*

[raineandsky]

could we get a flirty villain X oblivious cinnamon roll hero please ? I'll give you a cookie 🍪

oooooooo one of my favourite tropes!! i love dumbasses who are just blind to the most obvious things, hope you enjoy :D

“Beautiful evening for it, isn’t it?”

The hero whirls to meet their new foe, fists raised, but the villain only throws them a sweet smile. Almost a smirk, like they know something the hero doesn’t.

“There’s no need for that, is there?” they purr. “I’m only commenting on the view.”

The villain isn’t even looking at the view, as beautiful as it apparently is. The hero slowly lowers their fists. They haven’t seen too much trouble from this villain before, they suppose.

The villain’s heels click against the concrete as they saunter closer. The hero pins their gaze to the sunset. The way their nemesis is watching them is a little too intense for their liking. “It’s nice at night, too, from up here,” the hero says, because the silence is stretching a little too long and they’re getting awkward about it. “The city looks crazy from here when it’s all lit up.”

The villain hums idly, pausing next to them to actually take in the scenery beyond. The hero glances at them and– oh. No, they’re not admiring the view. They’re still staring.

The hero shuffles on their feet and averts their gaze. More silence. The hero opens their mouth to make another painful attempt at conversation.

"You know,” the villain thankfully says instead, “there’s a really cute little restaurant downtown. Italian. It’s on that corner opposite the convenience store.”

The hero’s brow knits slightly. “The Pizza House?”

The villain’s face brightens. “That’s it! I forgot the name.” They finally, finally, turn their gaze out to the city. “I’ve been watching you from the sidelines for a while, [Hero]. You impress me. I thought you might like to join me down there tomorrow night.”

A challenge. Or a trap. The villain’s inviting them to one of their crimes. There’s something going on here—what’s the catch?

“I’ve heard the food is to die for,” the villain’s saying. “The cocktails are supposedly explosive.”

Explosive? God, the villain’s going to blow the place to smithereens. Then again, the hero is being handed the perfect chance to put a stop to this inane plan. Best to go along with it.

“Oh, yeah.” That doesn’t sound believable even to their own ears. “When were you thinking?”

The villain hums shortly, tilting their head in thought. “About seven? I’d like my food to go down before we continue with the rest of our evening.”

They grace the hero with a wink and a confident smirk. Oh god, are they planning to blow up two buildings?

“Where, uh, where were you thinking of taking the rest of the evening?” It’s too obvious a question, but the villain doesn’t seem to mind. They’re amused by it, if anything.

“I don’t know,” the villain says with a dramatic sigh. “Your place?”

The villain must’ve seen the way the hero’s eyes widened at that. They only just hold down the incensed “WHAT” threatening to announce itself.

Did the villain just tell the hero that they intend to blow up their house?

The hero clears their throat for a moment. The villain grins like this is exactly the reaction they wanted. “Sure,” they manage eventually. “Sounds… exciting.”

The villain’s gaze is on them again, striking as ever, and the hero has to once again look away. It’s a little nerve wracking, being studied so closely. They can see the villain’s light smile out of the corner of their eye.

“It will be.” The villain’s fingers brush against the hero’s arm, and the hero shivers. A promise—of mass destruction, by the sounds of it. “I’ll make sure of that, darling.”

The villain throws one last arrogant smirk at the hero before they’re off, strolling back across the rooftop and leaving the hero alone once again.

The hero’s phone is out as soon as the villain is out of sight. No point in wasting time.

“Yeah,” they say quickly. “I’m going to need every hero available honed in on the Pizza House at seven tomorrow evening. I think something big is coming.”

[amvro]

pairing: amuro tooru x reader

summary: he is home late (again) but you love to stay up for him

cw: i would not say suggestive but a lot of kissing implied ? IDK IM SORRY, it’s very short

It wasn’t rare for you to be staying up waiting for him to come home, but tonight he was especially late coming home and he truly did not expect you to still be up. The clock almost ticked 3:30am and he truly wished he didn’t have to stay out so late if he knew you would still be up. He was going to ask why you were still up and tell you about how you should’ve just slept without him, but he knew you would tell him you would be too worried to fall asleep regardless. 

“I’m so sorry I was so late,” he said, apologetically. “But really, next time you shouldn’t mind me. It’s far too late.”

“And it’s far too late for you to be out with no one to greet you when you come home,” you replied with a soft smile. Gosh he was in love with you. “Waiting for you to come home is one of my happiest times, at least let me do this much. Besides, it’s a Friday we get to sleep in tomorrow.”

And you were absolutely correct. Although he’d tell you every single time to go ahead and sleep, it still warmed his heart when he saw you reading a book or scrolling through your phone with a warm tea, waiting for him to come home. The way your face would brighten up when he came home was truly the only thing that could heal him from a long day at work.

“I’ll hop in the shower real quick, so go to sleep okay? It’s still not good to be up this late,” he said as he took off his coat and put his stuff down, getting ready to step into the bathroom.

“Wait,” you said, almost subconsciously.

“What is it, love?”

“Oh, um,” you said, you hadn’t meant to say it out loud. You looked up at him slightly embarrassed. “....kiss?”

A faint blush covered his face as his eyes narrowed and lips pursed. He did not understand how you managed to make his heart flutter from such simple words after all this time, but he did understand that this wasn’t going to go away. He walked right back to you and pressed a kiss on your lips. He was going to kiss you again when he resisted the temptation and kissed you on your forehead instead. 

“Why not?” you asked quietly. You were going to kill him if you kept this up.

“Because I’m not going to be able to stop at this rate,” he said, but you went and kissed him instead.

“But I don’t want you to...” you said. That was it, he was giving in. Saving the country was a whole lot easier of a challenge than the ones you gave him it seemed.

“Okay, now you’ve done it,” he said, kissing you again. 

The shower will have to wait a little.