#SUCH A FUN AND SWEET ARC... OBSESSED

[lemongogo]

why do i love the conflict more than anything else . the misery . the incompatibility that spreads like oil slick . wanting so desperately for resolution that never comes . hmmm

[cold-neon-ocean]

One day I'll properly draw my fankid for Baatar and Kuvira, but I've been thinking about him a lot recently lol While the idea of Baatar siring like a $70million racehorse and him and Kuv ending up with a lot of kids (like his own parents) is all parts intriguing, ironic, and funny to me, in my mind I always pictured them with one kid they can pour all their obsession into. Especially with Baatar having grown up feeling lost in a sea of siblings.

I've had him in my mind for years but in two very different genres, one being the very light hearted Spy x Family-esque younger years and then the later idea where he grows up to be the sort of "next gen" villain who is even worse than his parents were. I always felt Baatar and Kuvira lent themselves well to being the start of a generational antagonist family because I truly feel like their DNA combined would create the Homelander of the avatar universe or something. I just struggle to combine those two aspects into a character that feels cohesive~ (though that is what AU's are for I guess lol)

[lovecolibri]

SaL anon here my friend after a very, very long week. This is actually my 3rd attempt at sending you an ask. First, I finally had time and was excited to type up something for the latest episode and then the Buck LI stuff came out and the mood for that was killed. Next I had mostly typed up my salty thoughts only to have my internet go down (yes, I whined at home "what i was going to read??!!" and pointedly ignored my very much filled bookcase because my ships aren't in them). So here let's see if this one works out.

So how is it KR and the promo dept always manage to kill any joy we have when we get fed any kind of Buddie content (the follow-up to the Eddie getting shot, and the 5b and premier come to mind here)?? Seriously Buck and Eddie more or less went on a date and had family night together and almost immediately they came back with "look Buck and Eddie are going to go on dates!!". Its exhausting cause it seems like any time they put out a story that might even be slightly suggestive of them being more than platonic bros they insist on following it up with stories to "prove" they are, no matter how recycled those plots are.

And okay let's take a second here to ask WTF is KR doing with these characters? In 6b alone we've had Buck dying, a coma dream, PTSD, super powers, and now he's getting a crush, and we STILL haven't finished the accursed sperm donor storyline??!! Bobby and Athena investigated had the death of a beloved friend 🙄 plot, HenRen had the nonsensical Denny secretly seeing his Dad which was never an issue before plot, and Madney and Eddie are just kinda there?? The other characters have had at best one storyline where the audience has to either invent or rewrite the backstory for. But for Buck he's had like 50 plotlines, none of which have really gone anywhere? I love Buck but I'd rather have him have 1 good arc and resolution than whatever this bullshit is. I'd easily take that screentime and give it to any of the other characters if it meant we got 1 well thought out and executed storyline. Instead we're just recycling and redressing old plots for everyone else while KR uses a magnetic poetry set to plan what Buck's doing from episode to episode. We have 5 episodes left in the season, 4-5 guest characters that are going to be incorporated (including 2 much beloathed ones 🙄🙄🙄), and nothing really setup for our mains to do (even Eddie dating isn't setup, it literally hasn't come up after Ana and you'd think they could have in 6a while he was watching his son mature).

Anyway, I'll stop the rant here though there's definitely more I could say. I'll close off saying I hope you're feeling better today since this week looks like its been rough on you. Sending you virtual tea, soup, and hugs!!

Long week is RIGHT my friend! I'm so sorry you were foiled in your previous attempts! I am right there with you on the Buck LI stuff just...sucking a lot of the joy out of things for me. Because of course we're doing this again 🙄🙄🙄 I was even writing up notes on a possible fic and you KNOW I haven't written anything since Malex and even that was before s4 started. But alas. That sucks about the power going out! I hate when that happens especially if I was in the middle of something! (Also I am SO with you. I keep buying books and then just...not reading them because my brain says "it's not our blorbos so no.)

I am just...so tired at this point. Like yes these people *may* not stick around, but even so, I don't want to loose out on Buddie scenes and Buckley-Diaz family scenes! I don't want Buck to have 90% of his time and discussions with some new character I do not know or care about instead of Eddie and the firefam! They already tried to do that with BT and it was the woooooorst! I want Eddie to have screentime and arcs but again, I don't want the little time we DO get to be wasted on some random side character! And lets be honest, there is no person they can introduce at this point that can compare with the relationship Buck and Eddie have already built and the ways in which they are the perfect partners for what each other needs. So the options are to a) cut down on seeing that relationship so their new het ones don't look so shitty and lame in comparison, b) have these women be mostly just Blurry Girlfriends in the background with no personality or depth just to have the boys paired off so they don't have to do Buddie while still centering their relationship so people can't call them out for not committing to Buddie because their "friendship" looks basically the same, or c) give them LIs that are basically the other's personalities transplanted into a female body in order to have the relationship be anything close to what Buck and Eddie need in a life partner. These are all terrible options, and I hate them, more than I hate the idea of them ending up single even though it undercuts their own narrative set up for the characters but that's a cop-out too.

ANYWAY

👏🏻👏🏻👏🏻 to everything about Buck's 700 shitty arcs this season while everyone else is mostly twiddling their thumbs. KR is literally the worst at pacing and planning, and constructing a season with any kind of flow. On the bright side, Ravi is coming back and Chim is going to get to do something! I'm so excited! I was really hoping for more of him and Bobby teaming up last week because the little crumbs we got were GOLD.

I did have a very emotionally rollercoaster-y week and the show being Like This absolutely Did Not Help, but I am making it work. Mostly with loooots of fic. Cheers friend, lets see if we can make it through the finale intact, if Buddie dreams can make it through the finale intact, and if the SHOW can make it through the finale intact with how these renewal negotiations are going.

[gifti3]

I keep thinking about asmo as a dad

Like for several days...

[transingthoseformers]

Gotta deal you in on this one but: @sweetheart-weeb-33 's (and me? How much of a part I am in it is idk) one au, TFEM (Transformers: Emergence. Absolutely filled to the brim with ocs, both skip kids and ones that are just in there for some spice. At one point in the timeline Heartbreaker and Steeljaw have a deal where HB brings Grimlock to the decepticons' side, and in turn Steeljaw finds her mecha (long story, but a lot of this au is a long story that hops around in different points of the timeline) the plotline in relation to this I've been running is Steeljaw exactly trying to do that: find Hearty's girls. So what I've been thinking about is what if he got in contact with a mech who used to work with her, became a decepticon combatant for a long while, and flipped sides somewhere towards the end of the war. So he's getting in contact with this autobot to see if they can be of aid here, as HB was on the Alchemor for a long time— and, for fun reasons, they actually do have a list of who's online, who was offlined, who is MIA, and other status things. Said unnamed oc which was insanely worried about Heartbreaker and is super glad to hear about her again. The catch? The other autobots find out about the UOC'S new dealings with Steeljaw and seriously question UOC's loyalty here as this crew definitely works with the Bee team a fair amount and consider it a dick move to work with his nemesis. UOC gets super emotional because they are filled to the brim with loyalty and this includes both loyalty to this group of autobots and HB, because backstory stuff.

... is this an altered Dynamo and rescue bots plotline? Mayyyybe.

[bokettochild]

Linked Universe Enterence p.3

Okay! So I have thoughts!!!!

First off, does anyone remember when JoJo shared those first snippets? How there was a fun little detail that suddenly disappeared when the comic actually became more than doodles?

Yeah, I'm talking about this guy

(Not the grouchy old man being offended, the owl LOL)

I know there's a chance I'm wrong, a big one at that, but I think it would be really cool if, if only for a short while, JoJo brought him back, even if it's just for this era of Hyrule. Let Time have his owl buddy!

Anyways, to the actual comic!

I noticed that the boys are all still together, so I'm guessing they're waiting until they come to a cross-roads to actually split up like Four advised last time. So we have that to look forwards to in the coming updates!

I love that she's really highlighting the similarities and differences in this arc, showing us who knows what and what they've done, but also the little things; both with owls and the antifairy!

I adore the Owlan reference/appearance!

And Time immediately agreeing about the "long, drawn out lectures part" made me laugh. (His expression, my Hylia!!!)

That is the face of a man who kept accidentally asking to "hear it again" and regrets it with every bone of his being LOL

It's good to see more call backs to the last comics too! Having Hyrule be wary of the statue because he remembers seeing it before, and Warriors agreeing, but also reminding that it didn't cause harm. The fact that Hyrule keeps his sword pointed at it though, wary, does say a lot about how cautious he's being all the same (Wild ought to take notes)

And of course this whole panel

Twilight's awkwardly trying to assure the rest without spilling the secret, Sky laughing and turning to look at Legend, and the fact that the vet is just so entirely done with even just the thought of being a rabbit. (I love his face, omgosh).

Te way I screamed "anti-fairy!" when I saw this, and then was so, so delighted that Legend and I had the same thought (I am unwell about this man).

I'm equally unwell about the fact that Legend just has to say "ouch" (which you only say at inconveniences and not real, actual hurts) and immediately everyone's turning, weapons out and ready to help him face...whatever. Like, he's fine, guys, but it's sweet you care (now Legend, please take note and realize you belong, you idiot)

Love that Time hears "fairy" and immediately is all ears. All the more so at the "anti" part. Man was raised by fairies and he absolutely doesn't like the idea of something that would hurt them.

Meanwhile Legend is just being freaking Haku (Spirited Away) over here!

Tell me you don't see it!!!!!!

Also, his casual use of magic to purify something, to just make it no longer a threat, rather than hurting it. That need to save EVERYONE is really showing through here, huh?

And immediately, everyone is shocked that he did that, but also what it means about fairies. About dark magic. But Time and Wars especially!

Gosh, just Legend's little worried face and Time's offense at the idea of fairies being corrupted and harmed. Shows a bit about them here too I think. Time is maybe slightly obsessed with fairies (reasonably so) and hates them being harmed, but he shows his worry on the matter in anger. legend, meanwhile, becomes more sombre, quieter: it bothers him too (maybe reminds him of a certain predecessor?)

Get this man a tiara, he's a freaking Disney Princess over here, good grief!!!! He's carrying fairy food on what? The slim chance he has time to stop and feed them? Honestly, i know he's probably as attached to fairies as Time (although with a healthier relationship with them), but this is just too cute. this man is going to be the death of me!!!

Anyways, here's the bonuses!!!!

SUN APPEARANCE!!!!!!!! We have a canon Sun appearance!!!!! Like, sure, sleepy student Sky, but it's SUN!!!!

This smile. Oh my gosh I adore him. He's just so glad he got to help the corrupted little one become normal again.

JoJo was having fun with Four I see LOL

Man really said "hang on, let me check my purse, I think I have snacks in here"

Freaking Mom Coded

[preciouslittle-bhaalbabe]

"I hate ascended Astarion but"

"look fuck Ascended Astarion but"

But what? You still find him attractive? You think your avatar getting on their knees for him is kinda sexy? You find the character compelling and interesting to analyse? You find aspects of his arc DEEPLY romantic? Oh but no you'd never do that to him. The man made of pixels.

You know what's so interesting about these people, the ones that ascend him just for the sex scene then reload their save. Or the ones who consume content involving A!A but always make remarks about "oh I could never do that myself BUT".

You do know you're completely allowed and valid in ascending him right?

I have two durges, one is for the sweet and wholesome redemption route for both them and Astarion. The other? Evil power hungry bastards who are obsessed with each other and want to watch the world burn. She's ascending him. Cirrus has no problem being a powerful vampires lapdog. When the character matches A!A's energy, it's a VERY fun dynamic. It's no different from the people who want to romance Minthara.

You taking some sort of moral high ground about a video game but then admitting you find the evil route attractive is...Interesting.

Remember, this is a role playing game. You don't have to make the "right" choices every time. Even that is subjective.

[missinconsistent]

The Haikyuu movie is *the* Kenma movie, and I'm living for it. I won't get too into spoilers pertaining to the match, but I will talk about some things in the movie, so if you want to go in blind then stop reading here and go watch the movie!!

I did not expect the movie to explore Kenma and Kuroo's friendship as much as it did, and I love it so much (I didn't read the manga, btw so this was such a surprise). The series already shared quite a lot of flashbacks to their childhood and them playing volleyball together. But, it was always framed in a way that Kuroo kinda dragged Kenma along into playing volleyball with him. I never really expected these childhood flashbacks to mean any more than that. The movie really explored *why* Kenma played volleyball thanks to Kuroo. It really emphasized how important playing volleyball *with* Kuroo meant to him.

Like the scene back to the summer camp when Kenma is thinking he'd rather not play volleyball over playing a video game or watching volleyball, but then Kuroo calls his name and reaches his hand out is just so sweet. Especially considering that Kenma is most likely thinking how this is Kuroo's final year.

I am obsessed with how Kenma's friendly rivalry with Hinata actually parallels his friendship with Kuroo through flashbacks. With Kuroo being the friend that got him to play volleyball, and Hinata being the friend and rival that really pushed Kenma to take a match seriously, and see how fun it can be.

And idk if my take is different, but I really like how Kenma doesn't have a Tsukishima arc. The match doesn't make him fall in love with volleyball, but it just makes him realize that even if he doesn't love the sport, he loves a good and interesting match with his friends. He doesn't care about nationals. He just likes playing against Hinata, in particular (imo). But I think that's what makes the match between them so damn investing.

It's so refreshing to see the movie mostly revolve around Kenma's pov and see this character break out of his shell and push himself. To decode Hinata in an attempt to beat him and have his expectations blown away. Seeing this competitive, smug, and serious side of him is such fan service and I love it lol.

The scene when the match plays out from Kenma's eyes is so (chef's kiss). It's a bit nauseating, but it genuinely is my favourite moment in the movie. The way Kenma's eyes are on the ball before darting across the court, glancing over at his teammates and opponents, and back to the ball again. When it even shows Kenma taking a fall, Lev checking up on him, and Kenma just shouts to focus on the ball, I was just floored with how well it immerses you in the match. It just really has you on the edge of your seat, and quite literally puts you in Kenma's head to know this guy who is seemingly indifferent to volleyball, in that moment, is having the time of his life.

It's such a good climactic moment that's so different from other concluding matches from the series prior. It's not about big final builds up to the final strike, or block, or whatever move the characters are doing. It's just about being in the moment. About Kenma being in the moment. And it's such a brilliant and unique way to end the match.

[books]

Writer Spotlight: Rose Sutherland

Rose Sutherland @rosesutherlandwrites is a Toronto-based writer who grew up a voracious reader with an overactive imagination in Nova Scotia (where she once fell off a roof trying to re-enact Anne of Green Gables!). She's been to theatre school in NYC, apprenticed at a pâtisserie in rural France, and currently moonlights as an usher and bartender—in between writing queer folktales, practicing yoga, dancing, singing, searching out amazing coffee and croissants, and making niche jokes about Victor Hugo on the internet. She's mildly obsessed with the idea of one day owning a large dog, several chickens, and maybe a goat. A Sweet Sting of Salt is her debut novel.

Keep reading for more about character arcs in A Sweet Sting of Salt, Rose's favorite fanfic tropes, and some excellent reading recs 👀

Can you tell us about A Sweet Sting of Salt and how you came to write it?

A Sweet Sting of Salt is a queer (f/f) historical reimagining of the classic folktale of the selkie wife, set in 1830’s Nova Scotia. I call it a “reimagining” because while it draws on the folktale, it’s not a retelling of that tale so much as a story playing out in relation to that mythology. I’d wanted to write something centering a love story between two women for a while, but the initial spark came from a Tumblr post! It suggested the idea of selkies testifying before the UN as victims of human trafficking, which reminded me of all the things I disliked about the original folktale and its inherent darkness that is generally glossed over, starting me down the rabbit hole toward finding my own story.

How did you approach research for A Sweet Sting of Salt, and what is a favorite historical fact you learned?

I joke that I did a lot of research by osmosis: I already had a lot of base knowledge about the location, having grown up in Nova Scotia, and then set the story in a period that I’ve been absorbing information about in a low-key way for ages—1832 is also the year of the student rebellion in Les Mis, so I’ve been gleaning tidbits about this era since I first got into the musical and book back in high school. However, I had to do more specific research into things like British divorce law, period midwifery, and animal husbandry. I also visited some small, hyper-local museums on the South Shore that gave me an invaluable glimpse into daily life. I also did some fun practical research into things like “How long does it take to walk from x to y?” and “How cold IS a plunge into this body of water in March?” (Spoiler: Very.) 

A fact that fascinated me but didn’t make it into the book was that some early European settlers in the area were granted lands by luck of the draw, pulling from a deck of playing cards: Each card was assigned to a specific 50-acre lot, and whatever you pulled, you were stuck with it.

When we meet them, Jean and Muirin are isolated for different reasons. What do you hope readers still searching for their people take away from A Sweet Sting of Salt?

That there’s always hope. It’s valuable and important to keep reaching out to the world around you, to be open, and not cut yourself off—the biggest reason for Jean’s loneliness at the beginning of this story is the way she has come to keep everyone around her at arm’s length, shutting herself away out of fear, and refusing to let anyone truly get to know her because she thinks that’s the best way to protect herself from being hurt again. Reaching out to others can take a real act of courage, especially if you’ve had bad experiences in the past, but “your people” will reach back to you.

Found family elements play a strong role throughout the novel, within supernatural and mundane settings and across species. Was this something you intended from the beginning, or did this grow out of writing the relationship between Jean and Muirin?

I always intended for Jean to have a found family of this type, which is something that a lot of queer people identify with, but those bonds also got stronger and more meaningful as I wrote, especially once Jean and Muirin began growing into their own family unit—their new relationship and the real danger that comes along with it put pressures on Jean’s other relationships that I hadn’t originally considered. Disagreements with Anneke and Laurie over Jean’s choices arise from their deep concern and love for her, and her own love and care for them, reflected in her responses, is a big part of what made them feel like a real family, for me. Jean and Laurie always having each other’s backs while also being the first to call one another out on their bullshit ended up being one of my favourite dynamics in the whole book.

The selkie myth carries an inherent element of transformation. What is a character transformation you most enjoyed writing, and why?

On a character level, the change in Jean’s worldview following a conversation with her childhood sweetheart meant a lot to me—it heals an old wound for her. I love how grounded and self-assured she is afterward, in spite of the daunting task still ahead of her. But my favourite transformation to write was the antagonist’s mask-off moment, where they directly threaten Jean for the first time. It’s so sly and coded so that only she will understand the menace behind it, a real dun-duh-dunnn moment, which was a lot of fun for me—I also enjoy the foreshadowing elements in that exchange.

This is your debut novel. Did anything surprise you about getting it from manuscript to published book?

Oh my gosh, how LONG it took! After I finished the original draft and decided it was worth attempting to publish, I spent over a year revising based on my own thoughts, input from beta readers, critique partners, and my mentor, Maureen Marshall (whom I connected with through the now defunct Author Mentor Match program, and whose book, The Paris Affair—about a young gay engineer attempting to help Gustave Eiffel secure the funding to build a certain celebrated Parisian landmark— is coming out in May). After that came a full year of querying agents and getting rejected. A lot. People loved Salty but weren’t quite sure what to do with her or where the book would fit in “the market,” which was hard to deal with at the time but is hilarious in retrospect: Salty was snapped up less than a month after she finally went out on submission! But that was back in 2022, and the book is only coming out now. Publishing can be painfully slow.

You’ve written fanfic in the past—do you have a favorite fanfic trope?

I’m not sure either of these counts as a trope, but I adore a character that’s “pure of heart, dumb of ass”, and love a truly unhinged Fanon Explanation For Canon Object. As a longtime Les Mis stan, I ship Tholomyes/Getting Punched. If you know, you know.

Do you have any favorite queer retellings of folktales you can recommend?

Right here on Tumblr, I’m a huge fan of @laurasimonsdaughter, who writes delightful riffs on classic folktales, truly inventive urban fantasy spins on old lore, and her own original folktales. 

I’m currently reading Spear, an amazing queer, gender-bent, Arthurian novella by Nicola Griffiths. Anna Burke’s books Thorn and Nottingham are up next on my TBR. Lately, I’ve been reading a lot of brilliant queer historicals that aren’t retellings (I recently loved Suzette Meyr’s The Sleeping Car Porter and Heather O’Neil’s When We Lost Our Heads) and wonderful historical retellings that aren’t queer (I highly recommend Molly Greeley’s beautiful, heartbreaking Marvelous, about the real-life couple that inspired Beauty and the Beast). Queer, historical retellings aimed at adults seem to be considered quite niche, still, and can take some digging to find! So, throwing this out to Tumblr: Do you have recommendations for me?

Do you have a writing routine? Is there a place/state of being/playlist you find most conducive to your writing practice?

My routine is chaotic at best, but I find I do my best work earlier in the day, so I usually scribble in my journal while I have breakfast, and then progress to working on my current project as I drink my second cup of coffee. I’m lucky—my day job is an evening gig, which mostly allows me to write on my preferred schedule… but I’ve also been known to have a bolt of inspiration strike at 10pm and dash home to write until well past midnight on occasion. Nothing quite like the hyperfocus zone!

What’s next for you? Are you working on anything you can tell us about?

No official news yet, but I’m currently working on a story set in 18th-century provincial France based on a true unsolved mystery of the past. It has me delving into a very specific branch of French folklore, and I hope future readers will pick up on common threads with one popular fairytale in particular. I’m really excited about where this one is headed, but keeping the details close to my chest for now!

Thank you Rose for taking the time to answer our questions! If you love queer fantasy and old folktales, grab yourself a copy of A Sweet Sting of Salt, and be sure to share your queer folktale reading recs with Rose on @rosesutherlandwrites!

[nekropsii]

What a about Caliborn makes him so cool in your opinion?

Go keep track of his progression as an artist alongside his development as a character and think about how these are intrinsically linked. Ponder the fact that he is both at his most obnoxious and at his most amateur when trying to ignore his unique style explicitly brought on by his canonical learning disability and mimic others rather than truly be himself. Consider how his explorations of art are genuinely cool, not a bad thing, and how we get some really neat multimedia stuff out of it.

Caliborn may be a shitty little teenage wretch but the way he is portrayed as an artist and as a disabled person is both really good and very real. It comes from a place of love. His learning disability is handled with a degree of gentle care that you would not really expect from Hussie. The place Caliborn's art style ends up in is so fucking sick and I actually unironically love it. The technique he uses is really interesting. It's intentionally reminiscent of an Etch-a-Sketch, and I'm a little obsessed with it.

This is so fucking good. I mean this seriously. He's right - that is some Pure Art Skill.

I just love the way art is employed as a necessary component of his character arc. It's so neat. You don't see visual cues that intricate too often. Usually it's just in character design, but watching his entire art style and even his medium of choice change several times over is fascinating. You can really tell Hussie had a lot of fun with him. He's also just really, really fucking funny. Just about every sentence that comes out of his mouth is Grade A Absolute Fucking Gold, and I'm honestly obsessed with his dynamic with Dirk. This may get me thrown to the wolves, but I personally think Dirk and Caliborn have way more chemistry than Dirk and Jake. Maybe that's because we actually see Dirk and Caliborn interact on screen... Lmao.

Necessary Topic: I don't know why people hate him so much. Like, I understand hating his misogyny and fatphobia, sure, but those are deliberate character points and not just Hussie-isms. I see people act like Caliborn is indicative of Hussie, as if Homestuck-era Hussie wasn't, like, famously really fucking good at writing female characters and absolutely not a misogynist. Caliborn's a parody of Homestuck Anti-Fans - which is a term we really ought to bring back, god, anti-fans are absolutely still a thing and good lord they're everywhere - who really were just shitty little bigoted haters. Calliope, the opposite side of his coin, was representative of, essentially, "the best kind of Homestuck fan" - an ultimately sweet young teen girl who willingly dedicates almost all of her time to this piece of fiction she loves so, so much, who draws a lot of fan art for the joy of it all, has OCs that don't fit any of the design conventions in Homestuck whom she pairs with the characters in it for innocent fun. Someone who has a lot of theories and analyses, writes a lot of fanfic, and is genuinely just having a lot of fun. Everyone loves Calliope. Even the characters in Homestuck love Calliope. They just think she's the cutest, sweetest little thing they ever did see. Caliborn was the worst kind. He sucks on purpose. No one likes him. He is a total nuisance to characters he is by all means trying to impress. I love them both.

It's also just funny that he's a canonical Intersex Transmasc who is probably Gay and this has, like, no relevance to anything about him, really. So no one really talks about it. Gender Hilarious, Gender Nefarious.

[kristsingto]

Thinking about the Mock-Trailer for The Ex-Morning

Pathapi is said to be the Best Reporter of the Year in the beginning. How. I want to know his career accomplishments so badly? I need to know how he got here!

I’ve been considering why Pathapi acts the way he does in the beginning. Has he always been like, since his university days? Or was it perhaps heartbreak and the passage of time that’s made him more like this? 

Aou is being made to play the exasperated best friend in Be My Favorite and the rival with coffee thrown on him in The Ex-Morning. Someone give both characters a raise. And a boyfriend!

I looooove the trope of the arrogant, whiny jerkass in a successful position who gets humbled. And that paired with him rebuilding his reputation with his ex-boyfriend of all people? I am so ready to see Pathapi’s character arc, and the things Tamtawan makes him do in this trailer makes me think he’ll get more in-tune with the spirit of good reporting and why it’s so important.

How does Tamtawan know and decide to come back? Obviously, he wants to help Pathapi and is still in love with him, but why did he leave? WHY DID HE LEAVE? Later in the trailer, when present-day Tamtawan leaves, it’s after he’s told “Tam. You have two options now.” What are the two options? The way Tamtawan leaves and the look on his face makes him look regretful, but what exactly is motivating him trying to leave here? Why did he leave in the first place? Does Pathapi know? His face looks half confused rather than just heartbroken!

What has Tamtawan been up to? I am intrigued.

The SOTUS reference in their university days flashback? I am obsessed. They were so sweet in that one frame, it makes me wonder how they fell in love. How different were they? How much of the same remains in them? How did they fall in love? Oh my god!

The transition from Pathapi being awkward with shirtless only-clothed-in-a-towel Tamtawan to taking his own shirt off and asking if Tamtawan has an ulterior motive to fluster him is hilarious to me. I love how forward Pathapi is here! And Tamtawan getting flustered is amazing. Oh my god, I love this trailer. It balances a comedic tone, angst, tension, etc all in one show. Can’t help but adore it.

“You’re still the same selfish jerk.” I need to know what happened! I said this above and I’m saying it again. I am intrigued.

Uni Tamtawan pulling Pathapi by his tie? I am obsessed.

The umbrella scene is both so very P’Lit and so very much a SOTUS reference, it delights me. I wonder how many SOTUS references we’ll have in the show proper.

I wonder if the car accident will coincide with the climax of the show.

That! Last! Scene! I suppose this is a scene when they’re hooking up but not properly together, seeing as they’re flirting, shirtless, and probably just had sex, but still won’t admit they still like each other. This sounds great to me.

I’ve mostly not talked about the meta elements here, because I feel it’s less about the contents of the actual trailer and more about the nature of the series as such a KristSingto RPF-type plot. Anyway, I love it. Everything about the meta of this series is perfect to me, and exactly what I wanted. This show is SO fun to think about when you know about the lore of KristSingto in real life. I’m half expecting Tamtawan to have hazed Pathapi at this point!

Side note that is not a side note: I LOVE THEIR ACTING! I love their characters!

Is this vers? I’m going to say it’s vers or Top Krist until proven wrong, because that last scene? Well. Let’s put the KristSingto into the KristSingto.

I love the small cast and the focus on KristSingto! I just need to say this. I am so excited for this comeback, in-part because it really is just Tamtawan and Pathapi’s story.

Tamtawan is supposed to mean “follow” and “sun” whereas Pathapi means earth/soil/ground. Coming off of KongArt, where Arthit is obviously “sun,” and KristSingto, who compare themselves to the sun and moon, this seems so definitely meaningful. Aof and Lit, I need to know what you’re cooking! 

The coals scene is sooooo perfect, both for the characters AND KristSingto themselves. Again bringing it back to the meta of it all, but, oh my god? This is perfect? Aof wrote a screenplay that was KristSingto RPF? On that note, I keep thinking about the idea of KristSingto channeling their feelings from the irl work-partner “break up” and it makes me go a little crazy. Especially with Krist talking about all his efforts to bring Singto back, and how he over-thought it when Singto left. And even more so seeing as they say they’re basically playing themselves.

The lyrics of the song used in the trailer are so fitting, I am now looping it and thinking about Pathapi and Tamtawan forever and ever.

I noticed that Tamtawan goes by “Tam” but did I miss it for Pathapi in the trailer, or do we get no indication of his nickname? I’m curious.

The “Begin Again” for the new Peraya Party speaks to both KristSingto and their new characters, and this is again making me go, oh god it’s true they’re just playing themselves.

I said my ideal KristSingto BL was a vers exes-to-lovers that parallels reality. Evidently, I was not alone.

Is it just me, or do the Pathapi + animals and Pathapi + soil degradation water scenes feel a lot like certain episodes of Friendship with KristSingto? Just me? Maybe it’s just Krist. I love him so dearly.

So much is revealed in this trailer, but that somehow makes me more intrigued about what is not being revealed to us?

Krist still goes for the top lip and Singto still goes for the bottom lip when they kiss. This kills me every time. I am so excited to see lovey-dovey Tamtawan and Pathapi!

[dragonselkie]

Bokuto and Kuroo during the training camp arc are so ridiculous ugh I missed them so much.

also I completely forgot Bokuto’s line that’s like “is volleyball fun? I only found it fun recently”, like was he just saying it to help Tsukki (I doubt) or is that true like ik he’s been obsessed with volleyball for a while but for him to find fun (specifically *fun*) in it only recently is so interesting, I never really see that part of his character in fan stuff either. Bokuto is one of my favs and him knowing his main passion but finding the fun in it kinda late is just,,, sweet idk

…. is it because Akaashi’s there now??

[evilios]

What do you think of the new Epic saga?

Hi, hon! 🌻

I appreciate you letting me Epic rant on the main, I'll keep it under the cut for my dear mutuals and followers' mental stability (some spoilers):

I should say: I separate Epic from Homeric texts. If it was loosely based on the Odyssey back in the Troy Saga, it's entirely its own thing now. Which is not bad! It's just different and it handles its own questions and problems.

Overall, I think it was good. It has its downsides (a little below on that) but I do like the hard work put into the musical. It's not exactly easy to put events of hundreds upon hundreds lines of an epic poem into five songs, so I'm not harsh on it.

I presume that everything Jorge showed on the livestream is what is more or less firmly canon within his musical (visually and lore wise) so with that in mind:

I think he nailed Telemachus. I love this boy, he's my everything. He's young, sweet, protective, he's just lovely. Legendary was my favorite when it existed in snippets and cut videos, it is still one of my favorite songs. The "I want" songs are always fun and Telemachus is very much a Disney prince singing from his magical tower. It's fun!

I see what Jorge did with Antinous being older than Telemachus in the musical which is, well, he had to sacrifice something. I'm guessing letting a guy around Telemachus' age sing about planning to wife up his mom would be weird. But! The only reason I'm bringing it up is that the potential ship dynamic/chemistry between epic Telemachus and Antinous would have been insane if they were around the same age. But, again, I understand the change.

Antinous' voice is also everything.

I like Telemachus' dynamic with Athena in the musical. It's a little closer than in the epics, a little more lighthearted. He doesn't really know about the weight on her shoulders but he's hospitable, sweet, and kind. We'll be Fine is a good song.

This is overall an "Athena's character development arc" saga to me. I see she's repeatedly mirrored to Odysseus, regretting her decisions/being too harsh and all. Jorge can't stop making parallels but! I'm a slut for parallel plotlines, so I like that. Myth Odysseus' usual mirror is Agamemnon but... he doesn't really fully exist in the realm of the musical so I see why they picked Athena, it's an interesting choice.

I could be Calypso's love in paradise 😔

No like she's so pretty. I know she's morally questionable (modernity-wise) but. She is so pretty. Her hair is so pretty. She's so bubbly, I'm so obsessed with her.

I don't think the clock-reverse thing needed to be in her song, it kind of messes with the tempo. I can see how it will work out on stage if Epic is ever in theater, but I'm still 50/50 about that part. Overall, Love in Paradise is catchy as hell!

From the visuals Jorge showed, I assume Calypso was physically close to Odysseus in this version too. Which, coupled with Athena claiming he never cheated, brings me to two different thoughts: a). They were physically close but he didn't have intimacy with her b). Athena does not consider forced intimacy cheating and I'm definitely for the second one, Odysseus' S/A is important.

God Games... torn on this one. A bit too short to my liking BUT will work out on stage. I can see how you could use stage lights + physical space to reconstruct it. Song length wouldn't matter as much.

I love short haired dark haired Apollo, it's like Jorge requested his version of the God to be distinct. His argument also IS SO UNSERIOUS. Like he's there only because Daddy asked him isn't he.

I'm glad Helios' cattle was not brought up as some people expected (and as I feared), Jorge knows his source material.

Hephaestus is absolutely too sweet for this world. I'm not sure if his bit with loyalty is about Hera myth or Aphrodite myth or something else... but it was sweet.

Aphrodite can have my heart on a plate. Fully. I don't care. Her bit is my favorite + I love that she's more pissed off about Odysseus "betraying" familial love rather than blaming him for, idk, potentially sleeping with Calypso or something.

Ares has an amazing voice though I keep wondering about his point. We know Odysseus didn't fight Scylla because a). There's no point in fighting Scylla b). He was planning to betray his crew. A part of me wants to think Ares is pissed because he sacrificed his comrades instead of fighting for them, it is cowardly.

I like their little fighting sequence, really shows Athena's ready to throw down in a fight if needed.

Hera is gorgeous stunning show stopping etc. I like her bit, it's not really serious, like Apollo's, but I don't see why it would be. Odysseus isn't really her business and he is a notable hero, she doesn't need to test him as one. But she needs to test him as a husband! Which is lovely.

Zeus would never hurt Athena I refuse to believe that part /lh

Overall? It's good. A bit clunky/compressed but good. Thunder one is still my favorite but the Athena Saga was good, gave my girl some more depth.

[teddywesworl]

ok y'all said you want director's commentary so I'm gonna start by saying a couple things about 🪑 since it recently celebrated 2k kudos

🪑DIRECTOR'S COMMENTARY LET'S GO

1.

A fun fact about the poems at the beginning of each chapter is that I took two of the poet's classes in college, and she might be solely responsible for convincing me I was a good writer and should pursue the skill. I don't know how she'd feel about me using her poetry to thematically frame an explicit fanfic, but that's neither here nor there.

As a poet, she (I'm not naming her here in case she might possibly name search on tumblr, lol) is obsessed with transformation and with the discord between the material and spiritual self. Blackberries, Brambles in its entirety goes as follows:

Akhmatova wrote, "O look!—that fresh dark elderberry branch is like a letter from Marina…" And she was right, branches criss- cross, words sharpen. We lop them down, fit them into envelopes. But I forget: you don't do letters: Too much tangled in thickets and desperation. Did I say envelopes? I meant elevators. See, I've snagged favourite sweaters in high rises, snarled hair in hedges, given up skin scrapings for blackberries, tongueburst, the sweet stain, explosion under light canine pressure. Don't you just wish you were a dog sometimes? No panic. Romping through brambles. Even in delirium, near death, Akhmatova remembered. Her bitter friend had been dead a long time. Love. Don't think I'm thinking about you. Anything but you.

Akhmatova here being Russian poet Anna Akhmatova, and the Marina in question is Marina Tsvetaeva. You can go on as much or as little of a research spiral about them as you like; many of the layers of this poem are in the reference to Akhmatova and Tsvetaeva, but I was mostly interested in the commentary on the cost of pleasure. I've snagged favourite sweaters in high rises, snarled hair in hedges, given up skin scrapings for blackberries. What are you willing to pay for happiness? Wouldn't it be nice not to think about it? Wouldn't it be nice not to be afraid to pay?

2.

Obviously the other major literary framing device is A Room With A View. The movie, specifically, but obviously the Forster novel as well. A Room With A View is about the clash between tradition and modernity, familial duty vs. adventure and romance, etc. etc. etc. And like, listen, the Duffers have not put this much thought into Steve Harrington, but his arc, despite them, is that of the ultimate privileged 80s all-American masculine symbol taking a slow, deliberate turn toward Otherness. He was supposed to die a static character. He did not, and now we're all writing fic about it.

I probably didn't need to have Eddie literally whack the point home with a hammer with the you're Lucy line in chapter 2, but here we are.

3.

The other bits of ~Art~ in the Steve chapter are Elton John's The Fox and Bruce Springsteen's The River. As follows:

But if you’re wily, you will leave them lying, snared up in the traps that they set for you, Elton sings. And it’s an evergreen affair— Steve lifts the record out and replaces it with The River. Springsteen sings, you're walkin' tough, baby, but you're walkin' blind and that’s not really better.

The Elton John record, you may recall, was a compromise between Eddie and Nancy. The inclusion of these lines in particular was very vibes-based, but hopefully the vibes are semi-coherent. Snares. Traps. The hunter, the fox. Btw the next lines after these are:

As temptation taunts the fox Into the hunter's waiting lair

Which, okay. Teasing out the vibes just a little. Argyle interprets Nancy as Lucy (and implies, without meaning to, that Steve is Cecil--a character that represents old money and tradition and duty and, like. Being trapped). Nancy would probably also view herself as the titular Fox. And Steve has bought into this line of thinking! He sees himself as the snare! He has internalized the idea of life with him being a trap! He is Bullshit, etc.

Eddie complicates this self-concept. Through him, Steve becomes the Fox and Lucy. Temptation taunts the fox into the hunter's waiting lair, after all. And, you know: 🪑🪢

(The Springsteen lines are just. All Steve.)

Ok I have to go feed some horses. More.... later. eventually.

[baenyth]

First Half of Miraculous Season 2 Done. Here's my thoughts:

The Collector: A pretty good start! They made the teens smart while still being dumb teens!

Despair Bear: Chloe needs a therapist, arguably moreso than a redemption arc and especially a downward villainous spiral. Also Dangit Grandpa

Prime Queen: Wow, this was a lot more chill than expected. Even Cat Noir was left aghast at what Nadja was doing, Nadja seemed to be pressuring Ladybug and Cat Noir more for views than anything else, and I'm not entirely sure Akuma personalities can be trusted.

Befana: Fun fact: This was the episode that got me into Miraculous in the first place because of how shocking it was. And then I discovered even more. In hindsight from watching the other episodes, it was relatively darker, but mostly because it's Marinette's friends and family that are getting G-rated killed instead of random civilians like every other episode.

Riposte: Kagami is here! I don't see too much chemistry with her and Adrien yet, but she's cool and I like her and feel like I could be friends in real life. Also this feels like a relatively uncommon trope, but I wish "X is blatantly a woman but no one notices" was spedran through by someone with brains.

Robustus: Pretty good, all things considered. From what I've heard about Miraculous lore, creating sapient or at the very least semi-sapient AI isn't that uncommon for weirdness hotspots, and I'm putting Max in the list of characters I think should have figured out Ladybug and Cat Noir's identity. (There's four now!)

Gigantitan: It turns out my favorite parts of Miraculous are the slice-of-life bits instead of the superhero bits the show is about! We got to see more of Marinette's friends! Alix! Mylene! Julie! The Eeby Deeby herself! Also it was really sweet to see Adrien's bodyguard calm down just by looking at the kid. Adrien's true daddy.

Dark Owl: No wonder these two aren't allowed to know eachothers' identities, considering how much of a loose tongue Marinette has!

Glaciator: Alright, it's finally time to talk about the sins of Marinette and Cat Noir, considering the fan content I osmosed before watching the series was heavy salt stuff, and I wanna see how much it holds up. So far Cat Noir has acted as if he's already dating Ladybug previously, and in this episode he got mad at Ladybug for not showing up at a date when she herself said she might not come due to having other plans. Isn't he supposed to be used to not-showing-up disappointment as Adrien due to his dad? Is it different because he's Cat Noir? Is this a breaking point? No matter, he eventually calms down and is ultimately the less bad member of the relationship. Marinette, meanwhile, doesn't have as many misdemeanors to her name but they're a lot worse. She stole Adrien's phone to get rid of an embarrassing message and got away with it too, what the hell, and also owns the schedule. Although I don't believe she stalked Adrien and made it herself due to how busy she is as both Marinette and Ladybug, that's just weird and wrong. I'm reluctant to call her a stalker, but her actions are still wrong. Ultimately, this relationship is going to need a lot of therapy and counseling to not crash and burn. What were we talking about again? Oh yeah. The ice cream episode. I think the ice cream guy can be wrong and he doesn't understand that.

Sapotis: Silly little fun episode, also it introduces the first new Miraculous holder! I'm honestly fine with it so far if it means more screentime for side characters. I honestly really like seeing Marinette's classmates. They're neat. Also I was this close to putting Alya on the list but she proves time and time again that she doesn't actually know Ladybug's identity.

Gorizilla: In this episode we are introduced to Adrien's deranged parasocial fanbase. I'm starting to understand some of his father's decisions at this point. This is what I was talking about with the schedule, by the way. These obsessive stalker creeps make Marinette look reasonable, and I wouldn't be surprised if the one guy who I'm pretty sure becomes Party Crasher discreetly stalked Adrien to get his schedule. Restraining orders need to be filed.

Captain Hardrock: One of the funniest episodes, up there with Dark Cupid. Also Luka is here! And he already has great chemistry with Marinette! And more Rosie and Julie content even if it's crumbs!

[zvmz]

A few Daring Charming HCs <3

Growing up, anytime he expressed interest in anything considered girly, his father would lecture him on how he needs to be more manly or whatever

For example, He did like rom-coms, and he would sometimes watch them with darling, but got a lecture and told to ‘spend his time on something more befitting of a man’ when he was caught

Since his father considered the guitar a manly instrument, He started learning to play when he was young to impress him

his dad was impressed. And that made daring happier than anything. That’s when he realized he would do anything to earn his fathers approval. So, he worked hard at it, changing things about himself to live up to his fathers standards.

he did, of course, succeed in this goal, but in the process took on many of his fathers flaws, such as his arrogance and sexist ideals

Now at eah, he’s slowly realizing that his father is capable of being in the wrong. He can embrace all the things he likes and still be a man. He can express his emotions and still be a man. He’s realizing his life should not revolve around earning his dads approval, that he needs to become his own person.

character development!!

anyway, he really showed his growth when he finally stood up to his dad for how he treats dexter, and defended darling for everything going on with her and apple.

why am I trying to write a whole character arc rn um anyways

With cerise and darling, he learned that women can be more than just “damsels in distress”.

with Lizzie and Dexter, he learned to put others ahead of himself.

now he can admit he hates the guitar. He loves romance movies, Katy perry, shopping, theatre and acting. he even likes to wear pink sometimes. hes still finding out what he likes and doesnt like without his fathers influence

he LOVES sweet drinks. if hes at a bar hes getting a daiquiri. if hes at a cafe its a frappuccino.

when hes getting drinks with lizzie, the waiter always assumes the fruity/sweet drink goes to lizzie

sparrow makes so much fun of him for it

he doesnt like cerise like that anymore, but they are great friends now. they mostly bond over sports and movies

he excels at history and literature, but has trouble in science and math. apple tutors him.

their tutoring sessions can be really awkward, though. they dont really know how to talk to each other normally.

he never really had a crush on her at any time, but he has always very much admired her for her hard work and intellect.

hes extremely chivalrous and polite. he always holds the door open for people, always offers his seat to someone if theyre all full, never looks at his phone during a date. things like that

hes always over-dressed, no matter the occasion

probably spends at least a third of his time in the gym flexing and taking pictures in the mirror

lets bfr teens in the eah world definitely make tiktok edits of him

daring is obsessed with them. theyre all over his fyp.

understands every one of briars daily mean girls references

he only auditioned for a play for the first time in order to spend more time with lizzie, who got dragged into playing a part. they both ended up loving it.

i am retconning the whole thing with duchess in the books. never happened.

the actual reason daring and lizzie broke up was because daring felt guilty about the bet with sparrow, so he confessed to her. which ended in lizzie yelling at him for half an hour and dumping him

they missed each other SO much. daring basically tried to apologize to her almost every day, and after some months lizzie decided to give him another chance. he absolutely did not waste that chance.

he plays fortnite with dexter and darling once a week

as a kid he used to climb trees with darling all the time. they got caught and lectured on it pretty often

has been to jail for going 50 over the speed limit before. dexter and darling had to bail him out

once dexter and darling tried to prank daring by filling his entire room with merch of himself

it completely backfired bc daring loved it and kept most of it where it was

hes definitely one of those boys who says "im him" about any ryan gosling character and says ryan reynolds is hot