#Sargon ii

[ancientorigins]

The origin of “I was here” type tagging has just been traced as far back as the neo-Assyrian Empire! New research on Assyrian temple images reveals how they seem to spell 'Sargon' and align the king with the cosmos!

[bagdemagus]

Repoussé door pole bands, depicting the king holding the horns of two bulls, a bird, a fig tree, and the tip of a plow

Shamash Temple, Dur-Sharrukin (Khorsabad, Iraq)

Neo-Assyrian period, reign of Sargon II (721-705 BCE)

Oriental Institute Museum, University of Chicago

[retrocgads]

UK 1985

[craigtowens]

Links & Quotes

Some links and quotes that caught my eye this week.

God’s blessings are not primarily for me, but they are through me for His glory. This is a short clip from an exclusive video I shared with my Patreon supporters. Become a supporter today! I have lots of new content every week, which you can check out on my YouTube channel. “What to do with a mistake: recognize it, admit it, learn from it, forget it.” —Dean Smith Until the mid-1800s, the…

[shamsaddinmegalommatis]

Ashurbanipal: the Righteous Suffering - Part I / Ασσουρμπανιπάλ Πάσχων – Α' (1987)

Ashurbanipal: the Righteous Suffering - Part I

In this 2-series article (published back in 1987), I present a brief diagram of the Messianic Assyrian dynasty of the Sargonids (722-609 BCE), who ruled Nineveh as the exemplary universal empire of the World History; accepting Jonah's preaching, Sargon of Assyria (722-705 BCE) and his son and grandson, Sennacherib (705-681 BCE) and Esarhaddon (681-670 BCE), ushered the world to the Messianic Era of Ashurbanipal (669-625 BCE), who lived a first life as the Suffering Messiah, on the basis of contemporaneous historical texts and personal declarations, only to leave to posterity the claim to his exulted return and celestial reign. All posterior adaptations and identifications being fraudulent, the Second Coming of Ashurbanipal is instantly corroborated by the nature of his magnum opus. The two titles of the series are: "Ashurbanipal: the Righteous Suffering" and "Ashurbanipal: the Coming King". 

Ашурбанипал: Праведный Страдающий - Часть I

В этой 2-серийной статье (опубликованной еще в 1987 г.) я представляю краткую схему мессианской ассирийской династии Саргонидов (722-609 гг. до н. э.), правивших Ниневией как образцовой универсальной империей Всемирной истории; приняв проповедь Ионы, Саргон Ассирийский (722-705 гг. до н.э.) и его сын и внук Сеннахирим (705-681 гг. до н.э.) и Асархаддон (681-670 гг. до н.э.), открыли миру мессианскую эру Ашшурбанипала (669–625 гг. до н. э.), который прожил первую жизнь как Страдающий Мессия, на основании современных ему исторических текстов и личных заявлений, только для того, чтобы оставить потомкам притязания на его ликующее возвращение и небесное правление. Все последующие адаптации и отождествления являются мошенническими, и Второе пришествие Ашшурбанипала немедленно подтверждается характером его великого произведения. Два названия сериала: «Ашурбанипал: Праведный Страдающий » и «Ашурбанипал: грядущий царь».

Ασσουρμπανιπάλ Πάσχων – Τμήμα Α'

Σε αυτή την σειρά δύο άρθρων (δημοσιευμένων το 1987), παρουσιάζω ένα σύντομο διάγραμμα της Μεσσιανικής Ασσυριακής δυναστείας των Σαργονιδών (722-609 πτεμ), οι οποίοι κυβέρνησαν τη Νινευή ως την υποδειγματική παγκόσμια αυτοκρατορία της Παγκόσμιας Ιστορίας. Αποδεχόμενοι το κήρυγμα του Ιωνά, ο Σαργών της Ασσυρίας (722-705 π.Χ.), καθώς και ο υιός και εγγονός του, Σεναχειρίμπ (705-681 πτεμ) και Ασσαρχαδδών (681-670 πτεμ), οδήγησαν τον κόσμο στη Μεσσιανική Εποχή του Ασουρμπανιπάλ (669-625 πτεμ), ο οποίος έζησε μια πρώτη ζωή ως ο Πάσχων Μεσσίας, με βάση τα σύγχρονα τότε ιστορικά κείμενα και τις προσωπικές του διακηρύξεις, μόνο για να αφήσει σε όλους τους επόμενους την αξίωση για την εξυμνηθείσα επιστροφή του και την ουράνια βασιλεία του. Καθώς όλες οι μεταγενέστερες προσαρμογές του θέματος και ταυτίσεις προσώπων είναι ολότελα δόλιες, η Δευτέρα Παρουσία του Ασουρμπανιπάλ επιβεβαιώνεται ακαριαία από τη φύση του μεγάλου έργου του. Οι δύο τίτλοι της σειράς είναι: «Ασσουρμπανιπάλ Πάσχων» και «Ασσουρμπανιπάλ  Ερχόμενος».

-------------------------------   

Main units:

Introduction

Who were the Assyrians?

Jonah's Sermon at Nineveh

The structure of Assyrian society and power

The transfer of the Ten Tribes of Israel to Assyria

Sennacherib: the destroyer of "nations"

The Assassination of Sennacherib

Esarhaddon and the Tree of Life

The Great Opus and Ashurbanipal

The Particularities of Ashurbanipal

The last conspiracy

Appendices:

Assyrian expansion and obstacles

Ashurbanipal and ... Sardanapalus

in: Inexplicable, January 1987, pp. 212-223

---------------------- 

Основные главы:

Введение

Кем были ассирийцы?

Проповедь Ионы в Ниневии

Структура ассирийского общества и власти

Переселение десяти колен Израиля в Ассирию

Синаххериб: разрушитель «наций»

Убийство Синаххериба

Асархаддон и Древо Жизни

Великий Опус и Ашшурбанипал

Особенности Ашшурбанипала

Последний заговор

Приложения:

Ассирийская экспансия и препятствия

Ашурбанипал и ... Сарданапал

в: Необъяснимое, январь 1987 г., стр. 212-223.

--------------------------  

Κυρίως ενότητες:

Εισαγωγή

Ποιοι ήταν οι Ασσύριοι

Το Κήρυγμα του Ιωνά στη Νινευή

Η δομή της ασσυριακής κοινωνίας και εξουσίας

Η μεταφορά των Δέκα Φυλών του Ισραήλ στην Ασσυρία

Σεναχειρίμπ: ο εξολοθρευτής των "εθνών"

Η δολοφονία του Σεναχειρίμπ

Ο Ασσαρχαδών και το Δέντρο της Ζωής

Το Έργο και ο Ασσουρμπανιπάλ

Οι ιδιαιτερότητες του Ασσουρμπανιπάλ

Η τελευταία συνωμοσία

Παραρτήματα:

Ασσυριακή εξάπλωση και εμπόδια

Ασσουρμπανιπάλ και ... Σαρδανάπαλος

στο Ανεξήγητο, Ιανουάριος 1987, σ. 212-223

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Κατεβάστε το άρθρο: / Download the article: / Скачать статью:

[thepastisalreadywritten]

[sumeria]

i need u guys to see my favorite mesopotamian sculpture btw

[blueiskewl]

Ancient Assyrian Deity Statue Uncovered in Iraq

In a recent announcement from the The Iraqi State Board of Antiquities and Heritage (SBAH), archaeologists have successfully unearthed a remarkable ancient Assyrian deity statue known as a “lamassu” in Kursbad, Iraq.

A lamassu is a special Assyrian guardian deity, usually portrayed as a mix of human, bird, and either cow or lion features. These unique beings typically have a human-like head, a body resembling that of a bull or lion, and bird-like wings.

Guardian Lamassu sculptures in Assyria

In ancient Assyria, they often crafted pairs of lamassu sculptures and placed them at the entrances of palaces. These imposing figures faced both the streets and the inner courtyards.

What’s unique about these sculptures is that they were carved in high relief. When you look at them head-on, they seem still, but from the side, they appear to be in motion.

While we often see winged figures in the low-relief decorations inside rooms, lamassu were not commonly found as large figures in these spaces. However, they occasionally appeared in narrative reliefs. In these depictions, they seemed to take on the role of protectors for the Assyrians.

Ancient Assyrian deity statue in Iraq was discovered and then reburied

This discovery took place during their excavations at the 6th gate, situated in the western part of the ancient city of Khursbad.

Khursbad was originally built as a brand-new capital city by the Assyrian king Sargon II. He started this ambitious project shortly after he became king in 721 BC.

However, after Sargon II’s reign, his son and successor, Sennacherib, decided to shift the capital to Nineveh. This move left the construction of Khursbad unfinished, making it a fascinating historical puzzle.

As per the press release, the statue was originally discovered in 1992, when a team of Iraqi archaeologists stumbled upon the Assyrian deity statue. After the initial discovery of the lamassu, its head was unfortunately stolen in 1995. However, it was later recovered and is now safely preserved in the Iraqi Museum.

The main body of the Assyrian deity, was reburied to protect the statue and the surrounding architectural remains, a decision that likely saved it from destruction by ISIS, which systematically looted and destroyed the remains of Khursbad.

Collaboration between Iraqi and French archaeologists

In a remarkable collaborative effort between Iraqi and French archaeologists, Professor Dr. Ahmed Fakak Al-Badrani has spearheaded a mission that recently re-excavated the lamassu. This event marks the first time in thirty years that this ancient wonder has been unveiled to the world.

As stated by Dr. Layth Majid Hussein, the Chairman of the General Body for Archaeology and Heritage, the team is presently evaluating the condition of the lamassu to chart their forthcoming actions.

By Nisha Zahid.

[frostfire-17]

What is cuneiform?

@ipsomaniac asked if I could explain the cuneiform system, and so I am going to give it a shot. Here goes! (Update: it got long! But there's pictures!)

Part I: What does it look like? How do we work with it?

This is the cuneiform script:

This is a first-millennium BC text of Sargon II, in Akkadian (specifically Neo-Assyrian). My user icon is a much older Sumerian text. In a second we'll see some Hittite. Just like the Latin script is used for English, French, Turkish, and many other languages today, the cuneiform script was used for lots of languages in the ancient world. It changed a bit over three thousand years of constant use, but it remains pretty recognizable because of the wedges. "Cuneiform" is just Latin for "wedge-shaped," because scholars love giving things banal names and then translating them into Latin or Greek so no one can tell.

This is a Hittite tablet:

This particular tablet is part of the royal funerary ritual (which has many many MANY tablets, many of which are way more broken than this one, and/or missing entirely). It's been pieced together from lots of fragments, all excavated separately. (You can see their excavation numbers written on the fragments, e.g. 39/c.) It's written on clay, like most of their texts were. This is a pretty good amount of preservation for a tablet this size - many are more fragmentary. I wish the picture were better, but tablets are not catalogued by how good the pictures are and it would have taken a million years to find a really hi-res one suitable for our purposes.

You can see that each symbol is made up of a bunch of wedges. These were pressed into the clay with a stylus while it was still wet. If you look closely, you can also spot spaces between words (more obvious at the end of a paragraph).

Here's a little slice of our tablet:

And here's a drawing of that same little slice. This is how scholars usually interact with texts on a day-to-day basis, because taking readable photos of tablets is difficult and going to see the tablets is more difficult. Drawings are made by experts in the presence of the tablets and published so that everyone can look at them.

Here the scholar who did this drawing (published in Keilschrifturkunden aus Boghazköi vol. 39, text no. 4) was working with only some of the fragments, and so has written in the transliteration of the left half, which they weren't copying. So you can see how each cuneiform sign corresponds to a written syllable, sometimes in lowercase, sometimes in all caps, and sometimes in superscript.

What does all this mean? How does it work? Okay. Cuneiform is a really difficult and frustrating writing system to read, for a few reasons. 1) It grew organically from a time before writing existed, so people were just kind of slowly figuring out how to use pictures to represent words; 2) it lasted for thousands of years, so there were all sorts of innovations tacked on without necessarily jettisoning any of the old stuff; and 3) it was borrowed through quite a few languages, almost none of which were related to one another, so it had to twist around and adapt to totally different sounds and word structures. So it's weird! And hard to learn, especially for us, because we are not native speakers of any of the languages that used it, and also we're not a single person existing in a snapshot of time, where cuneiform had a specific form and iteration - we're looking at its whole span of three thousand years.

THAT SAID. I can explain some stuff about it and how it worked! Here goes!

Part 2: How does it work as a writing system?

We start with a picture. Let's use a star. Like this: 𒀭

Or this:

(this is a student text copying the star sign over and over - ignore the leftmost column. I got it from this excellent thread here)

This is the cuneiform sign for the sky, or for a god. In Sumerian, the language that first used cuneiform, the word for "sky" is AN. The word for "god" is DINGIR. So this sign could be pronounced either AN, and mean sky, or DINGIR, and mean god. This sort of usage is called "logographic" - a sign equals a word. It started as just a picture of a star, and came to mean a couple of things associated with the stars.

Eventually, there reaches a point where it doesn't just only mean the word "sky," it also means the syllable "an." That is, you could use it to represent a part of a word, or a grammatical element, that was pronounced "an." (E.g., ma-ah-ha-an: mahhan, which is a Hittite word that means "when," and which is written with four signs, including our an.) This is called the rebus principle: like a rebus puzzle, a picture of an eye can also mean "I" because they sound the same. This usage supplements the logograms rather than replacing them: you could still use "an" to mean "sky." You know which usage is in play based on context. (Or at this stage, maybe you don't. Sumerian is real hard and we don't understand it perfectly.)

You can also use signs a third way, which is designed to make reading easier: as what's called a "determinative." A determinative tells you what type of thing a word is. So if you use the star symbol as a determinative, it comes before a word and indicates that upcoming is a god's name. It's not pronounced when it's used like that. Other determinatives include: male and female markers, plural markers, markers to indicate what something is made of, what kind of animal it is, etc.

So any sign you see could potentially be a word (logogram), a sound (syllable), or a soundless classifier (determinative). In practice, only some signs take on all three of these functions.

When we transcribe signs now, we write them in Latin script based on which function they're serving. That's why, in the above Hittite texts, some of the signs were written in all-caps (for logograms), some of them in lowercase (for syllables), and some of them in superscript (for determinatives).

So then Akkadian borrows the system. They like to spell words out a lot more than the Sumerians do, so more and more signs are used primarily for their syllables, rather than their meaning. The signs also take on more syllabic meanings, because Akkadian has different words behind the logograms, and also has different sounds than Sumerian. A lot of signs end up doing double, triple or even-more-ple duty (e.g. the sign for "ag" can also be read "ak" or "aq" in an Akkadian text). Once again, you know how to read a sign from context, and in Akkadian you usually actually do know, because Akkadian is a Semitic language rather than an isolate like Sumerian, so we understand it way, way better.

Akkadian keeps using the symbols as logograms, though, too. Sometimes they'll spell out a word, but sometimes they'll just use the logographic symbol for it - like how sometimes we write out "two," and sometimes just write "2". Sometimes there are full Sumerian words or combinations of words that have become logograms: that is, they're not loanwords. They're not pronounced in Sumerian. They're written as a symbol (like 2), and the Akkadian word would be pronounced underneath (like "two.") The Akkadians also keep using determinatives.

At this point, most signs at least have a logographic value and a few syllabic values. Also (to make it extra difficult) plenty of syllables have a couple of different signs that could be used to represent them. In total there's a bit over a thousand cuneiform signs, incidentally, but usually only a few hundred were in use at any given time and place.

Then Hittite borrows it! They actually overall reduce the number of signs used, and the number of signs doing double duty, so it's generally simpler to read. Hittite's sound system is totally different from Akkadian's, though - which is totally different from Sumerian's - so they do some weird stuff with which signs represent which sounds. (The result of this is that our understanding of Hittite phonetics is somewhat imperfect.) They do use a ton of logograms whenever they're talking about physical objects, especially ritual offerings. Ritual texts are A PAIN IN THE ASS to read because they're full up with obscure logograms, and so you pore over a signlist trying to work out what the bonkers twelve-wedge sign you've never seen before is, and then when you finally find it you're like, "oh ANOTHER kind of bread. cool cool."

Part 3: Let's Read Hittite! (This is probably excessive.)

So finally, let's read some together! This is two lines from the Ten-Year Annals of Mursili II, an account of the first ten years of that king's reign. It's mostly conquering, but this bit is calmer.

(ANNOYINGLY, Tumblr will not do superscript, or I cannot make it anyway, so I will put determinatives in parentheses.)

nam-ma (URU)Ha-at-tu-ši ú-wa-nu-un nu (URU)Ha-at-tu-ši

gi-im-ma-an-da-ri-nu-un nu-za EZEN4.HI.A ŠA MU.6.KAM i-ya-nu-un

That's the text rendered sign-by-sign. Everything that is separated by a dash, a period, a space, or a parenthesis is a separate sign. Words are separated with spaces. Here's a more normalized rendition of the words (still with the logograms, though).

namma (URU)Hattusi uwanun nu (URU)Hattusi gimmandarinun nu=za EZEN4.HI.A ŠA MU.6.KAM iyanun

"Then I went to Hattusa, and I spent the winter in Hattusa and performed the festivals of the sixth year."

The ú in uwanun in the first line is written with an accent because there are several signs that can mean "u" and this is the second one. Similar for EZEN4: there's more than one sign for EZEN, and this is the fourth. Scholars always write logograms and determinatives in Sumerian, because that's where the meanings were fixed. URU, used before Hattusa, is both the determinative for "city" and the Sumerian word meaning the same. ŠA in the last line is italicized and capitalized because it's a logogram that comes from Akkadian: "ša" means "of" in Akkadian, and the Hittites used Akkadian words as logograms just like the Akkadians used Sumerian words.

Anyway, that's how cuneiform works! If you made it this far you're a hero! <3

[nemfrog]

"Standard of Sargon II, King of Assyria, 722-705 B.C." Ancient calendars and constellations. 1903. Cover detail.

Internet Archive

[mindblowingscience]

Ancient symbols on a 2,700-year-old temple, which have baffled experts for more than a century, have been explained by Trinity Assyriologist Dr. Martin Worthington. The sequence of "mystery symbols" was on view on temples at various locations in ancient city of Dūr-Šarrukīn, present-day Khorsabad, Iraq, which was ruled by Sargon II, king of Assyria (721–704 BC). The sequence of five symbols—a lion, eagle, bull, fig tree and plow—was first made known to the modern world through drawings published by French excavators in the late nineteenth century. Since then, there has been a spate of ideas about what the symbols might mean.

Continue Reading.

[whencyclopedia]

Kaskians

The Kaska or Kaskians were a tribe of the Pontus, northern Anatolia (today's Turkey), around the Kizil Irmak river mouth, bordering on and constantly harrasing the Hittite empire. That area is mostly mountainous in nature, and there the Kaska occupied simple settlements which presumably formed a loose confederation.

The first recorded appearance of the Kaska in history was during the reign of Hantili I (c. 1590 BCE - 1560 BCE), when they conquered territory including the holy city of Nerik. The city could not be put back under Hittite control until two centuries later.

The Kaska repeatedly penetrated Hittite lands, but never with a permanent occupation, except for the area around Nerik city, which was the gateway between Kaskan and Hittite territories. During Tudhaliya's reign, a major Kaska invasion -maybe concurrently with attacks from other Hittite enemies - led to the brief occupation of the Hittite's capital city, Hattusa, which was burned to the ground (c. 1380 BCE).

The Hittites in turn directed many punitive campaigns against the Kaska territory throughout their history, never being able to subjugate the area. Much of Mursili II's reign (c. 1321 BCE - 1295 BCE), one of the Hittite's greatest kings, was devoted to campaigns against the Kaska. Mursili stated that in his time there was a Kaskan leader called Pihhuniya who acted as king of the Kaska, something never seen before in Kaskan affairs. Occasionally the Hittites and the Kaska chiefs were able to settle treaties of peaceful coexistence, as was the case under Hittite king Arnuwanda I.

The Kaska joined other invaders from afar, the Sea Peoples and the Phrygians, in the final collapse of the Hittie empire c. 1200 BCE. After that, and since Hittite records are our main source about the Kaska, we lose track of them; they fade away as the general political and ethnic landscape in Anatolia changed. They are, however, referenced in the neighbouring Assyrian empire somewhat later, who's king Tiglath-Pileser (c. 1112 BCE - 1072 BCE) fought against Kaskan forces. The last reference to the Kaska comes from the time of the Assyrian king Sargon II around 700 BCE, who also fought them.

Continue reading...

[barbariankingdom]

Assyrian King Sargon II fought constantly on horseback throughout his 17-year reign. He was killed on the battlefield during the war in 705 BC. King Sargon; The Urartian Federation struggled for supremacy in Mesopotamia with the Jewish Kingdoms and Bedouin Arab Tribes.

[mneiai]

Jon Snow's Living Situation in ASOIAF

A lot of people take for granted that it was "unusual" for Jon Snow to be raised at Winterfell, so I tried to gather information on as many natural born children mentioned in ASOIAF and related materials to see if that was true.

And it seems not to be, even in the South (outside of Dorne, even). The children born out of wedlock to highborn parents seem to be kept with them or nearby.

This is admittedly a small sample size (around 80 characters, and I didn't go too deep into it so I'm missing at least some), but it's not like this is real history, and the fact that Jon's situation is not unusual seeming from what we're shown in the books just adds to the idea that people's impressions of what is normal are not the truth of what is normal.

Northern Bastards that lived/probably lived with their families (other than Jon himself):

Brandon Snow (Torrhen Stark’s brother, most likely lived at Winterfell)

Sara Snow (Rickon Stark’s daughter during the Dance, if she existed definitely lived at Winterfell)

Dacey, Alysane, Lyra, Jorelle, and Lyanna Mormont (Maege Mormont’s daughters, father(s) unknown and most likely not married to Maege)

Denys Snow (Bastard of Barrowtown, bastard of House Dustin)

Lonnel Snow (Son of Brandon Stark from Daeron II’s reign, possibly the origin of House Cassel)

Timothy Snow (the Bastard of Flint’s Finger, presumably lived with his Flint relatives)

Northern Bastards who were acknowledged and fostered elsewhere in the North:

Larence Snow (Halys Hornwood’s son, fostered with the Glovers)

Other Bastards who seem to have lived with/near their families:

Addison Hill (Bastard of Cornfield during the Conquest)

Alys River (House Strong, a wet nurse at Harrenhal)

Aurane Waters (Bastard of Driftmark, Lord Monford Velaryon’s brother)

Bastard of Blackhaven (House Dondarrion during the conquest)

Bastard of Harrenhal (House Lothston during Daeron II’s reign)

Bryden Rivers (Bloodraven), Gwenys Rivers, Mya Rivers

Cedrik Storm (Bastard of Bronzegate, House Buckler bastard, fought Barristan Selmy)

Daemon Sand (Bastard of Godsgrace, son of Ryon Allyrion)

Daemon Waters (aka Daemon Blackfyre, son of Princess Daena and Aegon IV)

Falia Flowers (daughter of Humfrey Hewitt, though made a servant)

Joy Hill (Gerion Lannister’s daughter)

Lynora Hill (daughter of Ser Jason Lannister, works at Casterly Rock)

Obara Sand, Nymeria Sand, Tyene Sand, Sarella Sand, Elia Sand, Obella Sand, Dorea Sand, and Loreza Sand (the Sand Snakes)

Orys Baratheon (rumored bastard of Aerion Targaryen)

Red Robb Rivers (the Bowman of Raventree, bastard of House Blackwood)

Rolland Storm (Bastard of Nightsong, House Caron)

Ronald Storm (son of Ser Ronnet Connington)

Ronard Storm (House Durrandon, usurped his brother King Morden II)

Tom Flowers (Bastard of Bitterbridge, from House Caswell during the Dance)

Tyler Hill (Bastard of Lannisport, son of Lord Lyman during Maegor’s reign)

Tyrion Tanner (Lollys Stokeworth’s son)

Walda Rivers (great-granddaughter of Walder Frey)

Walder Rivers (Walder Frey’s oldest bastard son)

Walys (Maester at Winterfell under Rickard Stark, while becoming a Maester might normally be seen as sending the child away, he was the son of a Hightower and an Archmaester)

Wex Pyke (son of Sargon Botley)

(I don’t think it’s a stretch to assume if someone is called “Bastard of [seat of their family]” that they lived with their family, as Jon Snow is the “Bastard of Winterfell”)

Other Bastards who possibly lived with their families (at least for a time)

Blackshield (Bastard of Uplands, possibly of House Mullendore)

Ellaria Sand (daughter of Harmen Uller)

Garrett and Garse Flowers (Mace Tyrell’s first cousins, presumably lived with their father)

Harry Rivers (Bastard of Bracken, son of Lord Jonos Bracken)

Shiera Seastar (daughter of Aegon IV, not really confirmed where she lived her early years I don't think, though most likely in King’s Landing)

Bastards definitely not raised at home:

Aegor Rivers (Bittersteel, would have been raised in King’s Landing but Daeron and Aemon forced Aegon to send him away)

Cotter Pyke (Night’s Watch member, most likely did not live with his highborn relatives)

Edric Storm (Robert Baratheon’s son, technically was raised at his family’s seat in Storm’s End, but not at the Red Keep)

Gendry Waters (Robert Baratheon’s son)

Mya Stone (Robert Baratheon’s daughter)

All the rest of Robert Baratheon's kids

Notable bastards whose situations are not at all comparable to Jon’s:

Ramsey Snow (Roose Bolton’s son, a product of a First Night rape)

Benedict I Justman (a Blackwood/Bracken mix, so basically an abomination in the eyes of the gods lol)

Addam and Alyn Velaryon (Lord Corlys Velaryon’s probable sons, most likely purposefully hidden)

Franklyn Flowers (mother was a small folk raped by Fossoways of Cider Hall)

Glendon Flowers (could not prove parentage, claimed to be Quentyn Ball’s son with a camp follower)

Jayne and Jon Waters (Alyn Velyaron and Elaena Targaryen’s children, Alyn died when they were young but had planned to marry Elaena)

Joffrey, Tommen, and Myrcella (obviously)

All of Lyonel Hightower and Samantha Tarly’s children (weren’t allowed to marry, but had children anyway)

Named bastards we don’t have enough information on:

Addam Rivers (briefly a river king)

Humfrey Waters (Commander of the City Watch)

Jafer Flowers (Night’s Watch member)

Mervyn Flowers (King Aegon III KG)

Robert Flowers (former LC of the KG)

Robin Hill (former LC of NW)

Ser Samuel Stone (Runestone master-at-arms)

Tristan Rivers (Golden Company)

[visualpoett]

Winged genie. Detail of a relief from the palace of Assyrian king Sargon II, 722-705 BC

Assyrian

[akkar2]

Lamassu, the relief of the scorching Sargon II at Dur Sharrukin in Assyria (now Khorsabad in Iraq), from around 713-716 BCE.