#Slanting

[kaliopashopart]

https://kaliopashopart.etsy.com/listing/1902496345/pink-blue-weave-seamless-pattern-stripe

[absentlyabbie]

no multi option, agonize and choose, no results option, pick one to find out or scroll onward

[franksfishies]

boyfriend treating you like an afterthought? get yourself a closeted necrophile

[the-knife-consumer]

Miscellaneous bugs

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[reunitedinterlude]

history repeating itself (2025 // 2014)

[scuddmudmuffin]

kramers apprentices :p

and adam!!!!!!! cutie patootie .

[wuntrum]

open to suggestions

[maia-beans]

they're my new obsession i fear

[yanoharuhito]

really indecisive about how i want to draw their hair

[kit-screams-into-the-future]

redrew issue 15's cover! idw please hmu

alt version/og cover/explaining the changes under the cut:

i didnt know if i preferred the expressions on the evil martys or not so here's the version without them

the coloring on the outfit marty wears in the og cover is kind of mid ill be real. the purple also kind of blended in with the bg so i made him green instead

also about his coloring almost all of his colors aren't seen in the other martys, just so he stands out a little bit more from the rest of them! yeah theres a little bit of overlap but that's for the color cohesion. the rest of them have warm colors + blue so i would like to think the green and grey is a lot more noticable

i changed the two outer marty's outfits so that all of the Evil Martys are wearing something that marty wears in the movies at moments where he could've died. one could argue that the 2015 fit fits into this criteria but i thought getting shot by buford was a little more significant than getting his lights knocked out by griff seeing as the movie built that one up a lot more than the other

also it's a fullbody shot bc. i wanted to

the original rightmost marty is so funny to me. there's fits from the movies and then just a completely random outfit. why is bro colorcoded like the prowler from spiderman? or even doc from the cartoon which actually is a lot more related than the prowler from spiderman so maybe i should've listed him first. i think maybe this suit was actually supposed to be the one he wears when he almost fades out of existence at the dance but the colorist didn't get the memo so that might explain it. maybe i should've drawn that one instead of the 1955 leather jacket but whatever. we ball

also his fist is just Up. he's trying he wants to be included

[loveletterworm]

This drawing isn't very literal...cuz that wouldn't really make any sense at all...

[fromcold]

you gotta wonder what kind of landlord louis was though. complain about a leak and next thing you're being taken out by his twink boyfriend

[tennessoui]

i keep typing this out and deleting it but i'm thinking of a dark au where like. basically obi-wan is a documentary filmmaker hired to cover a cold case (woman disappeared 9 years ago, husband questioned but released and now raising their twins aged 9 as a single parent) & anakin, the husband that obi-wan meets while filming, definitely without a doubt 100% did it.

and just like. obi-wan realizes this. there's literally no proof but he knows. he knows anakin killed his wife. he doesn't know why but he absolutely knows she's dead by anakin's hands. but the more he studies the case and thinks about it and interviews anakin and talks to the twins and becomes part of their lives--even for just a few months while prepping for filming and filming--the more he...doesn't care the way he knows he should

[torchlitinthedesert]

There’s something very strange about Paul’s usual “how John and I started writing” narrative. Here’s how he likes to describe it:

Me and John knowing each other, the fact that both of us independently had already started to write little songs... I said to him, “What’s your hobby?” I said, “I like songwriting,” and he said, “Oh, so do I.” You know, no one I’d ever met had ever said that as a reply. And we said, “Well, why don’t you play me yours and I’ll play you mine.” GQ, 2020

It’s my impression that this is now in the rotation of Paul Stories - I think he says it in McCartney 3,2,1, and in other interviews. Is it true? The earliest accounts contradict it:

“Paul’s first public performance, as a member of the Quarrymen, was at a dance… later on, after the dance, he played a couple of tunes to John he had written himself. Since he’d started playing the guitar, he had tried to make up a few of his own little tunes. The first tune he played to John that evening was called ‘I Lost My Little Girl’. Not to be outdone, John immediately started making up his own tunes.”

Hunter Davies, The Beatles, 1968

“‘I learned a lot from Paul. He taught me quite a lot of guitar really. He knew more about how to play than I did and he showed me a lot of chords. I’d been playing the guitar like a banjo so I had to learn it again. I didn’t write much material early on, less than Paul, because he was quite competent on guitar. I started to write after Paul did a song he’d written.’”

John Lennon to Ray Connolly, unpublished interview, 1970*

"He used to write songs before I even started writing songs."

John Lennon, St Regis interview, 1971

*[The Connolly quote is weaker as a source, because was published after John’s death (and he quotes it slightly differently: “I started to write after Paul did a song he’d written” is in Connolly’s John biography, but not in the version in his collected Beatle journalism). But it fits with the other accounts.]

Still, Paul’s version might have some truth in it. Mark Lewisohn cites a couple of 1971 interviews where John remembers trying to write a calypso song, tapping into a brief craze of spring 1957. I don’t know if he finished it, or told anyone about it. None of the Quarrymen mention it, while Pete Shotton told Bob Spitz that John was “floored” when Paul first played him one of his own songs. But the calypso story does make “so do I” seem more possible.

It’s still surprising that Paul wants to frame it this way. He’d be justified in pointing out that songwriting was his innovation, something he brought to the band. By any measure, he’s the one who started it: when he met John, he’d already written the melody of When I'm 64, plus Suicide and I Lost My Little Girl. And he was always prolific. As John told David Sheff, talking about I’ll Follow The Sun, “he had a lot of stuff”, “written almost before the Beatles, I think.” He was the one pushing to do their own material, whether that’s talking it up to music promoters or suggesting In Spite of All The Danger at their first amateur recording session. (To me, that suggests that Lennon-McCartney was established later than they tended to admit. In Spite of All The Danger, recorded in 1958, has George as cowriter; if Paul had written anything with John, I bet that's what he'd have suggested they record. And if John on his own had written something that was ready to record, they’d definitely have picked that. )

In the 1950s, writing your own material was groundbreaking: it’s part of the huge cultural shift into the 1960s. There were hundreds of skiffle/rock’n’roll bands in Liverpool, but it’s genuinely possible that Paul was the only songwriter among them. Why isn’t that the story he wants to tell?

When Paul started defending his legacy in the late 1980s, he was fighting against specific distortions. First, that he was the middle-of-the-road conservative one - which is why he lays out his avant garde credentials. So you’d think he’d want to remind everybody that he wrote songs first. But second, he’s up against the idea that he and John didn’t love each other, that they didn’t write together, that Lennon-McCartney was a myth. Paul is a rock star, with an ego to match; he’s not given to downplaying himself. But he wants the partnership more than he wants precedence, even more than he wants credit for innovation.

And he always did. Remember the story about John sharing half his chocolate bar? Paul joined the band, and shared half his songs.

He didn’t need to: he was already writing alone. If he wanted help, George was more musically accomplished, and would have been a more logical choice for a songwriting partner. But it's John whose attention and praise Paul needed, John who had the authority to say they’d play Paul’s songs, John who needed to feel like the most important person in the band. Becoming Lennon-McCartney formalises all of that. And Paul is still true to it.

Across decades, Paul has been consistent about promoting their partnership as a partnership, regardless of who did what. (This isn’t true of John, who by the late 1960s was eager to break down who wrote which song, which lyric, which middle eight.) After working with George Martin on the string arrangement for Yesterday, Paul signed the score: “"Yesterday" by Paul McCartney John Lennon George Martin Esq and Mozart.” Even as a joke, you don’t separate Lennon and McCartney. Ken Mansfield asked Paul why songs were “Lennon-McCartney” when John hadn’t been there for the writing process:

And Paul said: “John and I are so close to each other, we’ve been through so much together, we understand each other so much, our relationship is so deep, that when we’re songwriting,” he said, “even if I’m 6,000 miles away, I can be working on something and I can hear John over my shoulder going, ‘No, no, no, that’s not gonna work; why don’t we do this?’ Or ‘Hey, I like this.’” He said, “So, in essence, to me, we’re songwriting together even if we’re not together.”

Ken was asking about Ob-La-Di Ob-La-Da, not realising that John was there for that one: they worked on it in India. But rather than giving a practical answer, Paul chooses to frame the partnership as a profound connection. (Of course there are other times Paul insists on or overstates his contribution, or gets petty about who did what. He’s human, and he’s an egomaniac. But always, always within the framework that this was a partnership.)

Fundamentally, he’s loyal to Lennon-McCartney. “So do I” matters more to him than going first. It might not be literally true, but it's the emotional truth that he needs.

[anoant]

God of Time