#So awkward lmao-

[hinamie]

"I'll show you every day that choosing to live was worth it"

some of my favourite scenes from @hijinks-n-lowjinks' fic things i would miss from the other side . this fic tore my heart out fr but like in a good way and i wanted to pay it homage the only way i know how <3

[forgettable-au]

FORGETTABLE-AU (Page 36-39)

* To note. Her hands are scaly. * And...unexpectedly wet?

[BEGINNING] [PREVIOUS] [CONTINUE]

[ventique18]

🐉: "Lilia, as per your advice, I've been trying to rekindle my relationship with the man who contributed his sperm to Mother."

🐉: "Just recently I've been pulling a prank on him."

🦇: "Contributed his-- at least call him by his name. My goodness. What happened in the past was not his fault."

🦇: "So? What kind of prank?"

🐉: "I have been hiding things that are important to him these past few days. Just so he could feel a fraction of what Mother felt when he disappeared without warning."

🦇: "Oooh that's a good one! You should try hiding yourself too just to amp it up!"

🐉: "Lilia, you do not understand. It has to be something he would look for."

🦇: "Oh that's... That's... Sigh."

[aurorangen]

I was inspired by this picture and ended up building a bistro

[spoiledskullz]

Messy ref of Whimsy's younger designs so I could add them to art fight LOL

[mikichko]

john price is a man incredibly high up in the chain of command of your company. he does a little walking tour of the buildings during crew appreciation weeks. helps humble down his image and he gets to have some meaningful conversations. sometimes even gets to meet particularly wonderful people.

he spots you, the sole person whose eyes are glued to their computer screen, in a sea of employees who are gawking at him. can hear the steady typing from your mechanical keyboard, your eyes flittering across the screen. he pauses a little too long, prompting laswell to repeat herself to the group before they move along.

but he makes sure not to be too far away, keeping you in his peripheral. notices how you don't even bother to spare a look in his direction. even when talking to team members that would place john directly in your sight, your eyes only focus on them. not him.

you were damn good at your job. the color-coded whiteboard behind you, filled with deadlines and application information, confirms it. funny too, if the little bouts of laughter that escape your team's cluster are anything to go by. he wonders what pitch your voice carries, just out of reach for it to bless his ears. wonders what it'd take for you to look and grant him a smile.

he doesn't have to wait long. your mouth splits into a bright smile and for a second john wonders if you're glowing. but the smile's not for him. it's directed at a coworker, who, for john's sake, is anything but quiet. he can hear just how thick he lays the praise for a job well done.

john watches the transformation that takes place as his words land. your soft easy-going smile widening, pushing your cheeks further up. you immediately perk up, back straightening, shoulders pushed back, and leaning forward in the direction of your coworker.

oh. oh.

john can feel something warm beginning to pool at the bottom of his stomach. he cracks a knuckle before shoving his fists into his pockets, lest he does something that lands him in HR.

he'll keep this tidbit with him for the next time he sees you. just so he can let you know how much of a good job you're doing.

maybe even get a reward.

a/n: silly little idea that came to my head while I was at work of course :') still trying to get out of my head when im writing but we're making progress

[humbuns]

natsumugi save mee......sav..

[barissoffee]

HUNTER AND CROSSHAIR IN STAR WARS THE BAD BATCH | 3.09 THE HARBINGER

[lokh]

so ive been thinking so hard about that transfem butch zoro au.

i feel like at the Very beginning (after kuinas death) she does try to present real feminine like but it doesnt feel like Her and eventually she stops doing it (and in any case its not like kuina was super feminine so why would she try to be like that??)

on the other hand she HAS to make sure everyone knows shes a woman when she beats their ass and becomes the worlds greatest swordsman. so sports bras (or equivalent whatever) and open shirts are a staple

i think she would do hrt (or equivalent Whatever) because again she wants to prove that kuina could have done it. unfortunately i do also think this means she trains about 1 million times as hard

trans sanji............. coming to the realisation that maybe she Wants to be taken care of by a hot butch........................ as a pretty femme

[sofusenpai]

it seems people really like woodwarder stuff so have some more (these r oldies but goodies)

[qiu-yan]

MDZS and asshole victims: thoughts on the second siege of the burial mounds scene

this post is not about morality judgments. this post is about reader sympathies only.

one rather clever rhetorical trick MDZS employs is putting all the more background "surviving victims of wei wuxian's actions" into one big angry mob at the second siege of the burial mounds, instead of letting them crop up anywhere else in the story. it's easy for a first-time reader to write off the guy who lost a leg at nightless city, or the guy whose parents died at nightless city, because both of those guys are being dicks. they're part of an angry mob baying for wei wuxian's blood--unfairly baying for wei wuxian's blood, because this time he didn't even do the thing they're saying he did. by putting these two victims into a mob of not just fellow victims but also unaffected individuals (ie. sect leader yao, who just showed up for kicks), the story can effectively equate these victims' grievances (ie. "you killed my parents") with unreasonable mob rule--even if these two things might not actually be equivalent.

the effect of this rhetorical trick, then, is that the reader can at once perceive the themes about mob mentality MXTX wishes to convey, and also effectively write off the victims' complaints. "yes, i did that to you, but i literally died already, what more do you want me to do? shall i walk on my knees repenting?" becomes easier for the reader to accept. and more importantly--wei wuxian's likability as a moral and just protagonist is not impacted.

ngl tho. it would be a bit more difficult for the reader to write off these victims' complaints if, instead of meeting said victims in an angry mob, the reader instead met these victims almost anywhere else. imagine if, instead of meeting mr. "you killed my parents" at the second siege of the burial mounds, we instead met him getting smashed at the local bar and crying about how his parents are dead. imagine if, instead of meeting mr. "you chopped off my leg" as a member of an angry mob, we instead met him begging for alms on the side of the road because his disability rendered him unable to work in a wuxia-esque setting. or imagine--if either of these background characters, overcome with survivor's guilt and trauma from nightless city, hung himself in his bedroom, and the next day his body was discovered by his 15-year-old daughter.

all of these scenarios are entirely plausible. you could easily include any of them into the story without changing the main plot at all. but suddenly shit just got a lot more depressing.

however, no such scene would ever be included in MDZS. the reason is that, as a work of fiction, MDZS's single most ardent goal is for us the readers to conclude not just that "we like wei wuxian as a character," but also that "wei wuxian is ultimately a morally righteous person." when the narrative focus shifts onto the people who were actually helped by wei wuxian's actions (mianmian and her family, lan sizhui, the few months of dignity the wen remnants were afforded) this becomes much easier for us to conclude; wei wuxian does indeed look like a hero. but the more narrative focus is given to the negative impacts of wei wuxian's actions--the more the "victims of wei wuxian" (whether actual victims or not) are given a face, instead of abstracted away by broad summaries--the more the reader might side-eye wei wuxian instead. every new victim given a name, given narrative attention that isn't just focused on making them look like an asshole, arouses the reader's sympathies in the opposite direction--and thus increases the risk that the reader might ultimately disagree with the novel's conclusion of "wei wuxian is a righteous person."

tbh, this does not seem like a risk MXTX particularly wants to take. instead, she's mastered the art of writing Asshole Victims.

which is an entirely valid writing decision, because imo basically every work of genre fiction out there does this to some extent.

[macksartblock]

could you do some gothcleats? pretty please

anyone else haunted by snowballs at school dances? no? just me okay

[gaybuckybarnesss]

CHARLIE COX IMDb Official Portrait Studio At D23 2024

[hinamie]

there was a third picture from that one shoot apparently

rest of my redraws can be found here!

[malakhim]

dream dress

[brianskangs]

chaer: *says something* yk: ???????? 😲😲😲