Phoenix Tatooine day trip Goes Wrong™️ (X)
This is a little idea where Luke needs something (don’t ask me what) that he can only get on tatooine, so dinluke adventure ensues. The plan is to get there and leave ASAP, but then nostalgia hits and he needs to hit every shop and place he used to as a kid. But you know, “college kids comes back to hometown” syndrome hits and he realizes he’s changed too much. Think of how the holiday season doesn’t feel the same anymore now that you’re an adult, same feeling. AND YES ITS ALSO DUNLUKE BECAUSE I WANT THEM TO KISS AND TALK ABOUT THEIR FEELINGS AND ALSO KISS.
Heres some extras 🫡
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this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it
and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?
anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode
two hours later edit: you're allowed to reblog this! sorry about the confusion
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DC July 2024 Solicitations - Comics Featuring Damian! 🦇
BATMAN AND ROBIN #11
7/10/24
Written by Joshua Williamson
Art by Juan Ferreyra
Cover by Simone Di Meo
Variant Covers: Juan Ferreyra, Travis Mercer, Christian Ward (1:25)
Bruce and Damian plan the perfect father and son getaway…to DINOSAUR ISLAND?! When the dynamic duo uncovers a deadly family secret, their investigation takes them on a fun-filled adventure to rescue one of Batman’s greatest enemies!
THE BOY WONDER #3 of 5
7/3/24
Written by Juni Ba
Art and Cover by Juni Ba
Variant Cover: Khary Randolph
The cunning Tim Drake has always been the smartest of Batman’s sons…and the most comfortable matching wits with the most sinister geniuses on Earth. Damian Wayne doesn’t like feeling outsmarted—to him, no smugly-written insult could ever be sharper than his sword—so when he’s forced to infiltrate a super-villain gala alongside the sneaky Red Robin, the biggest danger the two of them face might not be Lex Luthor but Damian’s own temper!
*John Timms Variant Cover appearance(?) + potential cameo
ABSOLUTE POWER #1
7/3/24
Written by Mark Waid
Art and Cover by Dan Mora
DC’s epic summer event kicks off with a bang, as the combined might of FAILSAFE and the BRAINIAC QUEEN has at last given Amanda Waller the ability to steal the metahuman abilities of every hero and villain on planet Earth. As chaos erupts in the streets and a massive misinformation campaign sways public opinion to her side, the founder of the Suicide Squad methodically targets each superhero dynasty one at a time, starting with SUPERMAN. But even in this darkest of hours, a resistance is forming…and BATMAN is out for vengeance. It’s a shocking blitzkrieg across the globe that is decades in the making—and will shape the course of the DC Universe for years to come! Brought to you by the superstar talents of MARK WAID and DAN MORA—it all starts here!
*John Timms Variant Cover appearance(?)
ABSOLUTE POWER: TASK FORCE VII #1
7/10/24
Written by Leah William
Art by Caitlin Yarsky
SUPER NO MORE! With the assault on Metropolis’s heroes complete, Amanda Waller’s latest living weapon, the Last Son, sets his sights on the other most powerful supers in the DCU…the Marvel Family! Will their combined powers be enough to survive this terrifying threat? In this biweekly series we'll see the ABSOLUTE POWER event through the eyes of evil—as told from the point of view of the TRINITY OF EVIL!
*Rian Gonzales Variant Cover appearance
NIGHTWING #116
7/17/24
Written by Tom Taylor
Art and cover by Bruno Redondo
Everything Dick Grayson has built is crumbling around him. His life is spiraling out of control and Heartless is at the center of all of it. Now Nightwing must leave his city. Can he take back the power he’s lost? Or will Blϋdhaven and its citizens be lost to Heartless forever?
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bad and tina’s conversation today starting about what it truly means to be ‘okay’, and the importance of perspective. how people who are hurt one way can be okay another, or visa verca, how there are different kinds of ‘okay’, how those who are being asked if they’re okay can not know themselves that they’re not okay, because their sense of self or reality or perception of such can be warped. forever with the reality pills, for example.
bad, in that way that he does, feeling out if he can answer something honestly. asking roundabout questions and dodging those that he gets in return, until dropping the truth in a way that’s earth shattering, before pretending it’s a joke. only it isn’t a joke, it’s really a cry for help, he just can’t ever be straightforward about anything. not with himself, especially not with others.
he tells tina, finally, about what he’s been doing to himself. maybe because she wasn’t pressing to see if he’s okay, but pressing instead to see if he trusted her. and he’s been all about giving pieces of info to islanders lately to see if they’ve been trustworthy. this way he gets to ignore the fact that he’s not okay, gets to drop a truth bomb that is almost a cry for help, and trap tina with a secret so locked up it will definitely expose her as a traitor should it get out. outlandish enough he can pretend it’s a joke or lie to everyone else should push come to shove, because he’s ‘okay’ - of course he’s okay, why wouldn’t he be, it’s the eggs that aren’t okay.
but that’s the thing - being ‘okay’ is about perspective, and his has been terribly warped. he’s been color blind for weeks, he hardly looks at himself in the mirror, his sense of reality has been twisted due to sleep deprivation and grief.
their conversation ends with him, for the first time, acknowledging the fact that he is changing. finally taking tina literally, shocked that he’s physically turning blue. a shift in perspective. an admission, a self realization, however small, that he’s not as ‘okay’ as he thinks he is. he’s not okay at all.
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