#The Horror Will Not Go Away

[fuckmeyer]

the choice between Edward & Jacob is not a question of which relationship is healthier or which partner is best suitable for Bella. neither is correct. neither is best. neither produces a happy ending for Bella. at the end of the day this is still a vampire novel. any choice Bella could make would yield, at best, a bittersweet happily ever after.

if she chooses Edward, she gets the terrifying Breaking Dawn ending: a girl who rejected her call to grow up has hung her love & her eternity on an emotionally stunted partner who hates himself marginally less than he loves her. she's a teen mom with a kid she never wanted who perpetuates the generational trauma passed down from her parents. by keeping this child, the Cullens have set the stage for an uprising/cold war against the Volturi who are likely to take revenge in order to maintain power. Bella is living in a tenuous "dream come true" wrapped in a nightmare & doesn't realize it.

choosing Jacob is the true coming-of-age ending that rips the stitches out of a wound that never fully healed. even if we ignore the fact that she ends up with a man who sexually assaulted her (we must bear in mind Jacob's character is influenced by smeyer's racism, but it did happen), they can't have a secure romantic relationship. based on the high imprinting rate of the pack, Jacob will likely find his imprint in his lifetime & will lose himself to the imprintee. he will no longer be her Jacob. he will inevitably abandon her (whether he wants to or not), & she must reconcile with the reality that she will always be inadequate to Jacob's imprint. & say he never manages to escape the vampires? he will presumably not age for a long time, meaning the relationship Bella always feared with Edward (her being an old grandmother while he stays forever young) remains a possibility. this is the story of a girl who slaps a Band Aid on an open wound & calls herself healed while flinching every time she sees the shadow of the knife that cut her.

if she chooses neither (team therapy), her healing requires her to lose or be at least partially disconnected from everyone she cares about. Bella must spend the rest of her life shut out from one world while never fully existing in her human world ever again. she must always keep secrets. she can never go back home. even in the unlikely event that she manages to escape the Volturi, the threat of being hunted by vampires will never leave her. in addition, she must face her worst fears (aging, losing Edward) while always keeping in mind the immortal life that could have been hers, if only.

even the "healthiest" option produces scars that will never quite heal.

Twilight is a horror. Twilight is a vampire novel. Twilight is gothic. Twilight is fiction. neither Edward nor Jacob is a "bad" choice because neither will give Bella her happily ever after. the choice between Edward & Jacob is simply a matter of which horror story you prefer to read.

[mirrorhouse]

SAW (2004) dir. James Wan

[torosdottir]

it is funny that some women will be like 'i have to wear makeup and impractical feminine clothing and shave my legs because of Society' and they will say this to a woman who does not wear makeup or impractical feminine clothing or shave their legs and has clearly somehow survived so like. what now

[elesketchii]

every day i’m walten filing

[senblades]

I'm dissapointed in myself for skipping out on such beautiful shadows for so long, because it is quite good

anyways, this is a scene from that fic

[lucabyte]

sorry loop if this looks gay to the viewers

[indigopoptart]

a laughingstock a day keeps the doctor away

[smultronviol]

Ppl going "waaahh unpopular opinion but Alice is kind of annoying and obnoxious and I don't think I'd like be her friend irl" is so funny to me bc like.

God forbid a cast of characters be multifaceted and have actual flaws and unpleasant aspects other than "grr angsty hero" and "whoops i'm so clumsy". Sometimes character dynamics and arcs need to be prioritized above "who would i personally be niceys with irl"

2. bro just WAIT until you hear about season 1 jon lol

[wormboyfriendcentralstation]

heathcliff: i killed cathy...... im a horrible person in every timeline. my revenge killed her. my remorse literally broke through timelines.

catherine who got back at heathcliff by stealing a house to remodel into the Magic Cocaine Labyrinth after draining the financial assets of england's least tragically ill victorian man, making carmen contact her copyright lawyers by sealing her ambiguously dead body into a glass tank while her brain powers a building, and potentially hiring the Mueseumafia of Modern Art because if she pays them with cash she doesnt have to report her Green-Energy-Human-Tank Powered Hydrogen Bomb Basement Factory's earnings to the IRS or whatever the city uses: 'tis what you get for trying to boyfail without your girlboss, methinks 😇😇😇😇😇

[somegrumpynerd]

Killer goes stage 3 when Nightmare isn't around, so the boys have to contain and calm him down themselves. Luckily they know what they're doing and make a good team, so nobody gets hurt.

And, because I can't make anything serious, bonus from the next day:

[b4kuch1n]

siren

[sluckythewizard]

THEY could give me the surgurey i need (inspired alot by evojellys designs for em. GREAT STUFF)

[reds-skull]

Me: damn I feel like painting Soap rn

Me an hour later: but what if I completely fuck him up tho

(inspired by this painting by Zack Zdrale)

[brightlydim]

[SUSPECT IDENTIFIED]

God…?

original version under the cut

and some tags @b0nkcreat @gardnwater @localvoidcat @svturn-exe hope y’all like it :)

[aroaceleovaldez]

once again thinking about the worldbuilding in the riordanverse of "names are power" / "belief is power."

The Tri were only able to become immortal through convincing enough people to worship them that it became true. Monsters and immortals only exist through continued belief, and if enough people believe that they're dead or gone then it becomes true, like Pan. Their varied forms exist and manifest as they're believed in and called upon. Names call attention and epithets summon aspects. They're acknowledgement. Belief. Putting a name to a concept creates it as an individual.

And that's so fascinating when you start applying it to demigods. How much of their abilities are based on belief in themselves, in expectations of each other, in their parents' expectations of them? We've seen mortal figures who became immortal in some form or another because they were remembered. Even the lares - ancestral house gods, who persist because they're remembered. They have a legacy.

At what point does a demigod achieve that status? Rumors and whispers about them so persistent that they slowly become true. "I heard that Jason Grace is the son of two gods, does that make him a god?" "I heard Percy Jackson defeated a titan single-handedly. That he can create hurricanes without breaking a sweat. That he can control blood." After awhile, after enough rumors, does it become impossible to tell where they end and the legends begin? Isn't that what being a demigod is; half-legend?

[foreverppl]

Moodboard for Jinnah Beatty (they/she), lead singer of ethereal wave band Mayday Malady.

@infamous-if

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