#This is definitely the theme

[canisalbus]

The anon ask reading Machete as Versace and your mention of his subtly elegant style resting along the lines of YSL got me thinking the lad would honestly devour Loro Piana. In stark contrast, it feels like Vasco would be happy to roll with UNIQLO and other lighter fashion, for a more casual, slightly whimsical, less severe look. Either way, you know the boys will be so pretty in their littol outfits :3

Gifting him a 1300€ Loro Piana cashmere sweater just so I can pit him against the forces of static electricity.

[beespaceprogram]

warm

part 1

Alternate last panel (with no blanket) on my Patreon i designed a sticker of these two if you're interested <3

[marisatomay]

thought about this again. kind of amazing how we’re all just chasing ways to duplicate how this scene makes us feel, either in life or in art.

[0fps]

SOUSOU NO FRIEREN ❖ fern vs lügner

Damn you, Frieren. How did you train this girl?

[azurityarts]

LET ME HEAR SOME B R A S S

I am once again praising the 3D PMD games for blessing my ears with sweet strings, woodwinds, and brass

[diana-bookfairchild]

No, but the Hunger Games did need the romance plotline. See, Snow got it all wrong for the cause of the districts' rebellion. He thought an act of love is entirely separate and different from an act of rebellion, that the two are mutually exclusive. But we saw even in Katniss' though process that the two are mixed. And for the districts, the two are the same thing. For seventy-four years they've been forced to watch their children, grandchildren, siblings, niblings, friends die in the Games or through exploitation, are told it's an honour for them to die for the Capitol and are not allowed to grieve. And then suddenly this girl comes up and plants her feet and says 'no'. She survives through illegal hunting, avoiding the miserable death via starvation or the terrible community home. She doesn't stand by to watch her sister die, she volunteers. She doesn't treat her friend's death as one of a tribute to the Capitol, but as the horrible killing of an innocent little girl who deserves to be memorialized. She thanks and humanizes another district's people. She gives another tribute a merciful death. She refuses to give up on the man she loves, repeatedly. Defying all sense and establishment.

That is rebellion, for the Districts. Love, loyalty, grief, kindness, mercy - they're all rebellious sentiments.

And romantic love is an integral part of that. Not the be all end all, but an intrinsic part. We see sisterhood with Prim, we see friendship with Rue and Finnick and Johanna (and Gale and Madge a little bit), we see mentorship and connection with Haymitch and Boggs, so of course we need the romantic angle with Peeta. Of course we need the dandelion that grows after the war, the dandelion that started it all through one act of kindness to the starving girl he loves.

[heartorbit]

can i get a magical girl set please

[thecryptidzenith]

Thinking about. Rizbert. Erizabeth. Rizwalda. Riz has to be short for something because... because why? Is he 'too good' for a short name? (a goblin name?) Isn't he surrounded by non-goblins who cannot think outside their cultural perceptions of what a name is supposed to be? Riz both as a name and as a person seems short & lesser but don't worry, he's really something greater, something larger and longer than can be expressed with his native name. As if something small cannot be powerful and important without secretly being large. As if there is only one way to be great. It's like Sklonda said, his name is Riz. Just Riz, as if there's anything 'just' about it.

[gorgynei]

barbie is not an "anti man" movie at all. it's so obvious to me that the kens were written like idiots not to call all men idiots (well... maybe a little) but instead to show how easy it is for someone to get taken advantage of. it's important to remember that while the barbies and kens are played by and written as adults, they function in the real world and overarching narrative as adolescents that don't know very much about the world.

reading ken as a young boy, he's initially nice to the girls around him (if insecure, lonely, and feeling pretty disrespected) but as soon as he steps into the real world, he sees all these men who feel very secure in their masculinity and self-assured, and he wants that for himself. he falls into the trap of the patriarchy much like a lot of young boys in real life fall into extremist right wing ideologies. but ken's insecurity never really goes away, it just gets covered with faux fur and headbands and country music. it's why he cries and admits to barbie that leading was hard. he never really wanted to hurt the barbies at all, he just wanted to feel confident and accepted by everyone, but especially barbie.

ken was never the problem by himself. he wasn't made into the world hating women. he was manipulated and turned into a misogynist by society.

[saracastically]

out of reach 🌕✨ a comic about scrolling on your phone and falling in love collected in full below 💕

fin 🌕

[molinaesque]

"What are you?" "Oh, I'm you, sweetie. You just... give it a little time."

[willowser]

really what prompted my double boy dad bakugou post was the idea of his older son — who is six, nearing seven — coming out of his room with messy, sleep-mussed hair and wandering into the kitchen on an early morning when katsuki's getting ready for work.

and your youngest is a little terror. spoiled rotten, katsuki thinks, was too babied and that's why he doesn't listen and has temper tantrums in the middle of the floor and is already throwing punches at three. katsuki's old witch of a mother thinks he'll be bulkier than his older son and twice as mean, prone to pinning his brother to the ground until he's declared the greatest.

(katsuki feels both horror and pride, at the very thought.)

it hasn't always been easy for your oldest; becoming a big brother never is. not that katsuki would know what that's like, but he hated to even share a playground with deku, much less share his one and only mommy, so he can only imagine what his own son went through when his brother arrived.

but he's been great about it, which comes as no surprise because his oldest has always been great about everything. gets his little brother out of bed and reminds him of his manners—even as he's getting whacked—gives up his toys just so the baby won't cry. he's too smart for his own good, acting like a big boy now—and it makes katsuki nostalgic in a way that hurts.

there hasn't been a lot of time for just the two of them. not like there used to be.

so when his firstborn comes to stand beside him in the kitchen, to lean his head against his dad's hip and rub at his sleepy eyes—katsuki just ruffles his already messy hair, before giving his ear a little tug.

"should be asleep," he grumbles to him, "sun's not even up yet."

his son only shrugs, yawns hard; despite this, he says, "'m not tired."

katsuki snorts and continues with his routine: finishes his protein shake, gives the kid a sip when he thinks he wants one (he doesn't really, though he tries not to make a face at the taste as he nods, as if he likes it), makes sure he's got all his work shit in his bag for patrol later. and his son is mostly quiet, content to share in the morning just between the two of them after katsuki sits him on the counter.

and then he asks, "can i come to work with you?"

on instinct, katsuki glances at his shut bedroom door, where you're still fast asleep, on the other side, and then down the hallway to where his youngest is sleeping, too.

technically, the kid probably could because you're off work today, and you could come pick him up later before katsuki has to head out, but—

"your brother won't be happy if i take you and not him."

and your oldest is a good big brother. has more patience than katsuki ever did, knows how to share—but on this morning that the two of them are indulging in, he only shrugs.

"well," he sighs—and he sounds so grown up, sounds like you when you're leveling with katsuki. "if he wanted to go then he should have got up, too."

"that why you're awake?" katsuki frowns, though his son only shrugs again. the idea that he's gotten up way too early, at the ass-crack of dawn just to have some extra time with his dad is too—

"yeah," katsuki murmurs, nodding at him to hop off the counter. "get your socks on so we can go."

there won't be anything for him to do in the agency office, besides get an endless amount of cups of water from the dispenser and all the candy in the receptionist's bowl and attention from the older ladies that thinks he's just so stinking cute.

but at least they'll be together, just the two of them. like old times.

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[skulandcrossbones]

GODZILLA MINUS ONE (2023)

[penny-anna]

Willow: since we're trapped in the Human Realm and have time to kill, we've been thinking that it'd be great if you could show us some of some of the human 'movies' you're always raving about!

Luz: oh man I'd love to show you guys some of my favs! but uh, a lot of my top ten picks are horror movies so maybe we should start with something less scary

Gus: pfft, Luz, come on. after all the stuff we've been through together, what could these 'horror movies' possibly have in them that could scare us?

Luz: yeah, I guess you're right

*cut to the Hexsquad frozen in horror in front of John Carpenter's The Thing while Vee & Luz eat popcorn*

Luz: oh man you guys, this is the best part coming up!!

[babykittenteach]

🌔