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descendantofthesparrow · 3 years

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Before Rewrite - Hades

*Spoilers for D3 rewrite~!!!! takes place from when Hades gets to the isle to the scene where Mal takes the ember from Hades!*

Hades cursed the rulers of Auradon every hour of every day for putting him on this wretched isle of filth and trash. He was a god! The god of the undead, the underworld! He was a crucial player in the mortal's circle of life; without him, there would be no place for souls to go, Thanatos would harvest them but with no one to claim them; they would wander around the lands forever.

He could already sense the disturbed souls, miserably watching their families walk by, or through them. All alone with no one to turn to and nowhere to go.

He had only been here for two weeks and he was already sick of it; he may have never liked it but his job was important and he needed to get back to work

Two weeks and four days…that's all it took for the gods to replace him. He didn’t know who it was but they seemed to know what they were doing, claiming souls so fast Hades could hardly sense when one had left the mortal world to live in the underworld.

Hades perked up at the sound of crying

Oh, Hadie.

He turned on his heel and speed over to the makeshift crib of his son, rubbing the top of his fuzzy blue hair and picking him up; gently rocking him as Hadie continued to cry, Hades didn’t know from what but he would try to find out.

Like the little god he was, Hadie unexpectedly thrived on the barren isle of the lost; with what little food he got and with little sun, Hadie grew quickly and strong. At four years old he was already growing into his namesake; though Hades couldn’t ever resist being a dad over his little gap tooth in the middle of his teeth.

Hades just wished Persephone could see Hadie grow, and Hades wished he could see his little flower, Melinoe, grow into the headstrong warrior she was meant to be.

Whaaaaaaaat the fuck did he do….what in the actual fuck did he DO?!

He had stupidly gotten black out drunk at Gaston’s bar and somehow ended up with Maleficent! Of all people on the isle?! No-not out of all people, just with someone in general!?

He had prided himself in being the most loyal husband of his brothers, Zeus who had slept with a woman every time Hera blinked, and Poseidon; who wasn’t any better.

Hades had always been loyal and true to his wife…well there were those two times BUT compared to his brothers; he was loyal.

AND NOW HE HAD TO GO AND FUCK UP THAT STREAK; over 1000 years, 1000 years! And some bad whiskey had to ruin it.

He left that bed without a word, rushing home to his 4-year-old son who luckily hadn’t woken up yet from his sleep; and Hades swore if nothing came from that mistake, Hadie would never know about it.

Welp…that was something that came from the mistake. 11 months after the incident with Maleficent-

-There, right in front of his gates to his underground lair; was a little baby girl, halfheartedly swaddled in a green blanket and set at his gate, a little note taped to the front.

‘your problem now -M’

Hades leaned out of the gates, looking around for any goblins or any sign of the mistress of evil herself. But there was nothing. Hades sighed and crouched down, gently picking up the baby girl and holding him to his chest, her cries quieting as her cheek pressed against the fabric of his shirt.

She opened her eyes, vivid green with sparks of gold and yellow. She laughed, reaching up to his hair with a gummy smile. Hades sighed again and turned on his heel, closing the gate with his foot.

At least he got another chance at raising his daughter, and he would do his best to do as he would’ve with Melinoe.

Hadie had asked a billion questions when Hades placed the new baby in Hades old crib, leaning over and peering down at his little sister. Hades had explained it the best way he knew how to a child; but Hadie miraculously understood, didn’t blame him. All he did was reach down towards his sister and grin as the baby took his finger.

“I like her! Are we keeping her?” Hadie had asked, his gap tooth making his little grin seem even bigger.

“she's not a dog Hadie, but yes that’s the plan. I don’t think her mother’s coming back.” Hades rubbed Hadie’s fluffy blue hair and then reached out to rub his daughter's bluish-purple hair gently, her two-month-old hair curling around his fingers.

“What's her name?” Hadie continued to babble off questions, his yellow eyes staring directly into his sister's emerald eyes.

Hades thought for a moment, pursing his lips as he looked at the note and turned it over. Nothing other than Maleficent's writing and initial. Either the fae hadn’t given the baby a name or didn’t care enough to tell him.

“Morana“ the pagan Slavic goddess of winter and death; he had met or once or twice, not enough to know her but the name matched the baby girl before him well enough. (in this world, gods of all religions/beliefs exist in the same universe, they usually keep to themselves and rarely interact.)

Hadie repeated the name, pulling his finger around with Morana still holding onto him. “I like it!”

Three months later, Maleficent returned and took Morana from him; not even letting him give her a damn thing to remember him by. “I need an heir, that evil queens been bragging about her little rat and I won't let her get the upper hand with it” Hadie watched from behind Hades legs as the fae walked away with his little sister, her blue-purple hair stark against the black of Maleficent's sleeves.

Morana cried the entire time, reaching out for her father with tears streaming from her sparking yellow-green eyes, her face red with the flurry of confusing emotions she was feeling.

Hades took a step forward, going to take his daughter back but was stopped by Maleficent's goons, all glaring at him.

He was outmatched.

He stepped back, glaring at Maleficent's back as she took back their daughter she had abandoned so heartlessly three months ago.

Mal. That was her name now. He had heard many talk about the newly revealed daughter of evil; the daughter of Maleficent. Mal.

Hades clicked his jaw at the thought of her name, Maleficent had been shellfish and named her own daughter right after her; Hades would bet his stash of chocolate that Mal’s full name was just Maleficent.

At least Hades had been original.

Throughout the next couple of years, as Mora-Mal. Grew up, Hades kept out an eye on her; just out of sight from her and just barely stepping in if any of the older people of the isle, who had…less than ideal moral compasses, got any ideas about his daughter.

A few times he tried to go up to her, but each time she saw him she either ran away in fear, or stared him down with no spark of familiar want or recognition.

So he kept away, respecting her non-verbal wishes and leaving Mal to herself.

It didn’t stop him from trying to keep her safe. He left her food on the nights Maleficent or her goons forgot, never charged her when she came into his restaurant, was never harsh with her. Some of the other villains got curious at his gentleness with Mal but quickly shut up with a spark of red in his eyes. He might’ve lost his magic but he was still a god.

Hades watched from the shadows as Mal and her three ‘friends’ climbed into the limo, the son of Hook and son of Gaston climbing in alongside them. Mal looked up at Maleficent, who did an odd gesture and Mal nodded, sliding in and closing the limo door behind her.

He followed the limo all the way to the bridge, watching his daughter leave the isle for the first time and go to Auradon. If she didn’t end up burning it down; he hoped she would have a good life away from her mother.

Over three years later, his son was chosen to go the Auradon by his sister, and Hades watched melancholy as Hadie packed his things; fiddling with the dull ember between his fingers. Hadie hefted his bag over his shoulder and grabbed his duffle bag, nodding at his dad; who stood and walked over to his son “stay safe” Hades muttered, pulling Hadie in for a side hug, his hand resting on the back of Hadie’s head. “say hi to your mother and sister for me?” Hadie nodded against him, using his free arm to squeeze Hades back, and turned on his heel, walking out of the mines.

Only an hour later Hades stood at the bridge plaza, ember in hand; pointing it at his daughter, who cried out in pain against the embers draining powers. He pulled back as much as he could, he needed to get out; he just couldn't do it anymore, the isle was hell and he needed to leave.

Mal screamed in pain again and Hades faltered, remembering her cries for him when Maleficent took her oh so long ago. But the girl besides Hook took his falter and rushed at him, slamming him back behind the barrier and walking back through it a moment later.

Hades growled to himself, he had failed his attempted escape and hurt his kid. He stood and walked away from the plaza, planning to stay in his lair for the rest of the week in shame.

It was just the next day when he saw his kids again, Hadie and Celia standing in front of him; giving the excuse of a forgotten bass and some delivered goods. But Mal wasn’t as quiet as she should've been, he grabbed her hand just as she grabbed the ember and pulled it from her grip, staring her down behind his sunglasses.

She meekly asked for the ember multiple times, and on the third time, he raised his brow, holding up the ember in the air as he looked down at his daughter “You’re only half Hades, the ember won't do everything for you that it does for me” Mal huffed and gestured to Hadie.

“Hadie’s gonna be the one to use it anyway, I just wanted-to…” Mal looked up at him wide-eyed and shocked, and Hades had a startling realization that Mal might have not known about him at all.

After a few minutes of Mal screeching about her mother’s lies and her not being able to understand how ‘she’ happened, she demanded the ember once more “if you wanna make up for being a lousy dad” ouch that stung, he didn’t mean to be one; he just was forced into that position “gimme the ember”

Hades gave Mal the ember and watched her walk out, sighing sadly as he realized he could’ve been there for Mal a long time ago if not for his stupid assumption. He warned her about the ember getting wet and she just pushed past him, Hadie sharing one last glance with him before following after her.

Hades sighed, collapsing back in his minecart turned chair and leaning his head back. So much for respecting her wishes as a child, she hadn’t even known he existed as her dad.

-end-

people who i want to read this cuz ahhhh ya know?

@disneyfan50

permtaglist!

@queer-cosette @sephiralorange @lunanight2012

@daughter-of-the-stars11 @musicarose @random-thoughts-003

@remembered-license @imtryingthisout @rintheemolion

@thecaptainsgingersnap @jatp-rules-my-life @verboetoperee

@saryguerrero

#disney descendants #d3 rewrite #hades descendants #POYW #rewrite part of your world #Descendents #mal daughter of maleficent

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duggardata · 3 years

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Were Jed + Katey “Betrothed”?

There’s a bit of a rumor going around Fundie Tumblr, saying that Jed Duggar + Katey Nakatsu’s Relationship followed a procedure known as ‘betrothal,’ rather than the Duggar–typical ‘courtship.’ Ultimately, I think the distinction is more–or–less meaningless... Either way, it’s a parent–supervised, chaste, patriarchal method of ‘dating,’ as much as the Duggars despise that word. But, honestly, I’m intrigued by the Duggars’, etc., odd relationship practices—and, I’d like to discuss the possibility that Jed + Katey were, indeed, ‘betrothed.”

After the jump...

First of all...

What is Courtship?

As Duggar Snarkers, we’re probably all familiar with the concept of ‘courtship.’ The Duggars (and Bateses, etc.) often discuss it. Basically, they like to say it’s ‘dating with a purpose.’ You don’t date for the sake of dating; you only date if you’re ready for marriage and believe your partner is your intended spouse. A Duggar–style courtship also differs from ‘secular dating’ in that there is a lot of parental involvement: The man pursues the woman only after getting consent from her father, and both partners are expected to seek their parents’ counsel as the relationship progresses to determine if marriage is appropriate. There’s also a slew of rules, which vary somewhat, but often include—

Strict Limitations on Physical Contact Sex is always off–limits, as is kissing in most cases. Certain types of hugs might be banned. Hand–holding might be banned. ‘No Touch’ courtships aren’t unheard of.

Constant Supervision / Chaperoning Usually, the couple isn’t alone together, ever, until marriage. Chaperones tend to be ‘provided’ by the woman’s family. Sometimes phone calls and texts are monitored.

Entrenched Gender Roles Generally, the man is in control. He asks the woman to court, decides when they get engaged, etc. His partner begins a sad transformation, wherein she starts looking to the male as her absolute ‘headship’ and leader.... It’s creepy.

Lots of Praying Everyone involved prays a lot and tries to figure out if the pairing is ‘God’s will,’ or not.

Courtship is a commitment, but it is not unbreakable. Sometimes courtships fail, and that’s by design... The whole point is to figure out if you’re meant to marry one another. You haven’t decided yet. You’re trying to decide.

What is Betrothal?

So... How does ‘betrothal’ compare? First of all, I need to say: There isn’t a 100% agreed upon definition of ‘betrothal,’ here, since the Duggars have not ever publicly discussed it or publicly engaged in the practice. With that said, I’ve done some research about ‘betrothal’ in Duggar–y circles, and here’s the gist...

With betrothal, there’s no trial period. From the start, the couple vows—often literally—to eventually marry their partner. There’s no backing out. (If you do, you’re breaking your vow to God.) Basically... You go from zero to engaged. (And, really, it’s more than engaged. With a typical engagement, there isn’t a solemn vow before God; with betrothal, there is.) After the betrothal, the new couple spends a period of time getting acquainted and planning the wedding, and then they get married. As with courtship, the rules of betrothal vary a lot; however, in my research, I did see some trends. Here are the ways that, IMO, betrothal notably varies from courtship—

Solemn Vow to Marry w/ Little to No Trial Period See Above.

Ceremony / Ritual Aspect Often, the betrothal itself occurs at some sort of ceremony. It’s solemnized. Often, there’s a literal exchange of vows, similar to a wedding ceremony. Contracts aren’t unheard of.

More Extreme Parental Involvement Often, the parents—the father, specifically—is even more involved than is typical in a ‘courtship.’ He often takes on essentially the entire responsibility of vetting the young suitor for his daughter, since there’s no ‘trial period’ where she gets to know him before being betrothed. Basically, the father picked out his daughter’s husband for her. That’s the whole point.

“Arranged” Feeling See Above. It’s not unheard of for the man and woman to meet for the first time on the date of their betrothal.

(Note—I’m talking about fundie–style betrothal, here. Betrothal is actually a long–standing practice of various groups. Notably, it’s part of Judaism, and discussed in the Torah. We’re not talking about that sort of betrothal or any other sort of betrothal, here. I’m strictly talking about the bizarre concept of betrothal occasionally practiced on the fringes of the Duggars’ circle.)

More About Fundie Betrothal

What’s clear, at least to me, is that fundie ‘betrothal’ is a way to ‘one–up’ the more typical practice of ‘courtship.’ Apparently, rejecting dating isn’t enough for some families. They’re not satisfied just to ‘court,’ like everyone else. So, they take things one step further with ‘betrothal,’ which they claim is better—more biblical, etc.—than mere ‘courtship.’

Digging into this, Duggar Data learned that a few fringe fundies really pushed this ‘betrothal’ concept. One was Vaughn Ohlman. Ohlman previously ran a website called ‘Let Them Marry,’ which creepily encouraged young marriage. Basically, Ohlman’s whole schtick—which he sums up in “True Love Doesn’t Wait,” an article that is basically his manifesto—is that young fundies should marry as soon as possible, since supposedly the Bible says so, and God. In pushing this strange agenda, Ohlman naturally got to the topic of the proper way to select a spouse... His answer was ‘betrothal.’ (See Also.) Eventually, Ohlman traveled the country, teaching about betrothal and how it’s the ‘right’ way to find a mate. Courtship is ungodly and unbiblical, yada yada yada. (If you’re wondering... Yes, he was nuts. Absolutely nuts. Thankfully, he ended up shutting down his ministry after receiving a lot of well–earned criticism.)

Vaughan married off his son, Joshua, via a betrothal. Here’s Joshua + Laura’s Story, which is one of the best–known fundie betrothal stories. Another well–known, and highly disturbing, betrothal story is that of Matthew + Maranatha Chapman. (See Also. See Also.) Also, here’s a chart comparing betrothal to secular dating and courtship, which I thought was pretty interesting.

So, What About Jed + Katey?

Why, exactly, do people think Jed + Katey were betrothed? A few things drive the rumor—

The ‘Biblical Betrothal’ Post There’s a mysterious, password–protected post on the Nakatsu Family Blog, entitled ‘Biblical Betrothal.’ Kory made the post in June 2018. Its contents is unknown, since it’s password–protected.

The Vows at The Proposal On the video documenting Jed’s proposal, which was posted on the Nakatsu Family Blog, Jed and Katey apparently exchanged vows when they got engaged. These vows somewhat resemble the vows that might be exchanged at a betrothal ceremony.

Kory’s Speech At The Wedding At the Wedding, Kory made a speech when he ‘gave’ Katey to Jed, in which he sort of implies that he personally selected Jed for her, and Katey had agreed to this.

The Wedding Vows Overally, Jed + Katey’s Wedding just seemed very, very fundie, if that makes sense. Their vows hammered on the wife’s submission, yada yada yada. Gives the impression that this was a very strict relationship, and they’re deeply committed to the disgusting notion of biblical patriarchy—which is the exact sort of idea that betrothal advocates are into.

That said, there’s also...

Evidence Against A Betrothal—

During the wedding, the pastor referred to their ‘courtship, and made no mention of betrothal whatsoever. (And it’s not like he held back, at all, in talking about those fringe fundie beliefs... Just read their vows!)

According to Reed Roberts, and also Jed, Jed + Katey were together for about a year, prior to marriage. So, if those vows at the proposal were a betrothal, it clearly wasn’t a ‘traditional’ betrothal... Since they’d already been together for awhile, at that point.

Reed Roberts denies that Jed + Katey were “arranged.” (Though, I think it’s also worth mentioning... He didn’t actually say how they met. Which I think is kinda weird. It seems natural to tell the ‘how they met’ story, in attempting to dispel rumors of an arranged marriage. But he doesn’t.)

Final Thoughts

Duggar Data doesn’t think that Jed + Katey had a ‘true’ betrothal, thought I do suspect the courtship was probably stricter than most, and that Kory probably played a larger role than is ‘typical.’ I think it’s possible that Kory read about—or perhaps, even attended a seminar—about ‘biblical betrothal,’ which led him to making that post on his blog. As for his comments at the wedding... I take them to mean that Kory urged Katey to allow him to guide her in choosing her partner, and she agreed. Maybe he even set her and Jed up. But... I’m not at all convinced that he chose Jed without her input, or that she and Jed actually agreed to a ‘betrothal,’ in the sense of vowing to marry as strangers.

Also, one last thing... Regardless of what Jed + Katey called their relationship, I’m of the opinion that, honestly, it’s basically the same nonsense the Duggars have always practiced. Betrothal or courtship... It’s really not that different, in my view. It’s all based on the same bullshit—namely. twisted gender roles and so–called ‘biblical patriarchy.’ Whether they were ‘arranged,’ or ‘betrothed,’ or whatever, we know the fathers always play a major role. We know the women always defer to their ‘headship.’ Perhaps Katey + Jed (and Kory) were slightly more overt about it, but that’s it... Call it Kool–Aid or call it Tang, it’s the same sugary nonsense.

#jed and katey #betrothal #courtship

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renegadewangs · 3 years

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Van Zieks - the Examination, Part 1

Warnings: SPOILERS for The Great Ace Attorney: Chronicles. Additional warning for racist sentiments uttered by fictional characters (and screencaps to show these sentiments).

Disclaimer: These posts are not meant to be taken as fact. Everything I'm outlining stems from my own views and experiences. I am a 30-something European woman, and therefore may not view the matter from certain angles. That said, I'm always open to more input from others. If you believe that I've missed or misinterpreted something, please let me know so I can edit the post accordingly. If we can make this a team effort, I would love that.

The purpose of these posts is an analysis, nothing more. Please do not come into these posts expecting me to either defend Barok van Zieks from haters, nor expecting me to encourage the hatred. I am of the firm belief that characters are no more than a tool created to serve a narrative purpose, therefore the question I'm posing is whether or not Barok van Zieks serves this purpose. That's all I'm doing here.

I'm using the Western release of The Great Ace Attorney Chronicles for these posts, but may refer to the original Japanese dialogue of Dai Gyakuten Saiban if needed to compare what's said. This also means I’m using the localized names and localized romanization of the names to stay consistent.

It doesn't matter one bit to me whether you like Barok van Zieks or dislike him. He's not real anyway, so he can't suffer from it. However, I will ask that everyone who comments refrains from attacking real, actual people. If you know you're morally in the right, there should be no need for insults to begin with. Let's keep this conversation civil and constructive! As the first post in a series, let’s first start by examining the expectations we would have for a character like this. The purpose he was meant to serve.

1: Expectations

As I said in a different Barok-related essay, the main prosecutor of any Ace Attorney game has been, and always will be, an antagonistic force. Not a villain, not even necessarily someone who exhibits immoral traits. (Hi Klavier!) Just someone who impedes the protag’s goal of getting a not-guilty verdict. In order to have an effective antagonist, they need to mirror the protag's weaknesses back at them. Ace Attorney does this quite well, as the prosecutors represent the obstacle/turmoil that the defense needs to overcome. Often times, the prosecutor is also tied to a pivotal moment in the attorney's past, making sure the strife is quite personal.

Considering the game's plot and settings, it would've been difficult for Barok to be tied to Ryunosuke's past. (He is tied to Asogi's past, funnily enough, but that's a matter I also addressed in that other Barok essay.) So instead, Barok represents Ryunosuke's struggle in more of a figurehead capacity. I've seen people dub him the 'CEO of Racism', and I'm not gonna lie, in a way that's correct. Barok was designed to be the mouthpiece of the harmful sentiments Japanese exchange students would have encountered in the 1900s. By extension, since Ryunosuke is an exchange student unfamiliar with the British courts (or even courts in general), the prosecutor would target the fact that Ryunosuke 'does not understand how things are done here'. Which he does- a lot. This makes it all the more satisfying when Ryunosuke proves him wrong by outsmarting him and using Britain's own laws (such as the closing argument) against him. So yes, you may hate Barok for uttering racist sentiments and dismissing Ryunosuke's abilities, but the ultimate goal here is that Barok's defeat is made sweeter as a result. The narrative end-game is Ryunosuke's triumph and validation in the courtroom.

Was there a different personal struggle Barok could have represented? Yes, but also no. Sure, his vendetta could have been strictly with the Asogi family and Ryunosuke could have admitted to carrying Asogi's resolve, not knowing what it meant. Though that would’ve implied very early that Asogi had a history of sorts in Britain and would’ve destroyed some of the surprise we experience in game 2. Alternatively, there was also the 'parallel' antagonist angle. The sort of villain who says the line “we're not so different, you and I.” The antagonist who shows what happens when someone with the same skills or motivations follows the wrong path, which emphasizes the right path for the protagonist. However, I can't see that working in the plot of this game.

A purposeful decision was made by the writers to have prejudice be a central theme of the plot. This is the matter that hits the hardest in an emotional sense. Therefore, having Barok be the centerpiece of this prejudice ensures he leaves the biggest narrative impact.

---

However, another long-running aspect of the AA prosecutor is the redemption arc, so let's turn our attention to that!

I'm not going to put too much effort into explaining this, I just want to talk about the requirements of a redemption arc. We all know these types of arcs, a lot of Ace Attorney prosecutors have them. We see them in fiction all over. Noteworthy examples of redemption arcs done well include Zuko from The Last Airbender, Michael from The Good Place... For argument's sake, let's toss Edgeworth in there too. I'm not saying Edgeworth's arc is done well, but at the very least it is accepted by most as something that served its intended purpose. I've never seen anyone question Edgeworth's transformation.

See, what we have here is a bit of a misnomer when it comes to what people expect to get out of these types of arcs. Redemption in itself is only 'deliverance from sin' or 'being saved from evil'. It's the thought that a horrible person can still see the error of their ways before it's 'too late'. However, when it comes to absorbing media, often a character gaining knowledge that they were in the wrong isn't enough to satisfy the audience. Would Edgeworth have had a satisfying redemption arc if he'd acknowledged his arrogance and dirty tactics, only to retire as a prosecutor? No way. We needed him to return in the following games to give us an update on his status. Standing in court as a defense attorney, at the risk of damaging his reputation, was the moment we knew he'd grown for the better.

What we require for the arc to come to a good conclusion is atonement. The character in question must not only apologize for their actions, but repent in a more active manner to show that they've changed their ways. Following that, the atonement must be acknowledged by others. So for example, Zuko joins the ATLA gang to help them in any way that he can until even the most skeptical of the group, Katara, acknowledges his transformation into a better person. Now add to this the notion that the character's atonement must be virtuous and sincere. The Good Place is a fascinating look into the debate of 'is it ever too late for a person to change?' and the moral complications of changing in the first place. If you're only doing good things because you want to be saved from damnation, are you being a good person or are you being selfish? There's such a thing as corrupt motivation; only doing good because it is expected. For example, does sponsoring a library make Magnus McGilded a good person? It does not, since he's only doing it to boost his own reputation and have people believe he's selfless.

As a final note, I want to ask: Does a redemption arc require a backstory to justify the character's immoral ways? Personally, I don't think that it does. It's good to have, since it allows an audience to empathize with the character and give them more of a reason to root for them. It turns the redemption arc into a tale about overcoming past trauma. However, it can backfire when done badly and lead to frustration. (I'm looking at you, live action Disney movies!) Some characters are evil just for the sake of being evil and even then, they can turn over a new leaf because they realize it is just so much more rewarding to be good. Just look at Michael from The Good Place.

What's more effective than a backstory, in my opinion, is smaller details to humanize a character. Humanization can also lead to empathy, perhaps even relatability, and helps us believe that they're capable of change. We need to be told that a character has their own fears, their own flaws, their own odd little habits which deviate from the norm... Again, I'll point to Michael from The Good Place for this. Another humanization tactic, which we see employed often in Ace Attorney, is to display a prosecutor's likes and hobbies outside the courtroom. Edgeworth's fanboying over the Steel Samurai, Blackquill's love for birds, Nahyuta's willingness to stand in line for hours to get his hands on a delicious burger... I've feel ya, Nahyuta. This tactic is more readily employed in Ace Attorney because it's difficult to place a prosecutor in a position of weakness before the final showdown. You can show them tending to hobbies during Investigation segments, but you can't show them waking up from a nightmare or wondering whether their father loves them. Well, not until case 5 of that game, anyway. By then, it's too late to serve as the sole humanization factor. Did Van Zieks need to be redeemed at all? The way I see it, the only correct answer is yes. What do we want to see in our world? Do we want people who hold racist prejudice to acknowledge their faults and become better, or do we want them to die clinging to their shitty moral compass? Do we want a world where everyone learns to get along, or do we want a world where people continue to be in the wrong and act like assholes until they inevitably get punished by law for something or another? Van Zieks needed to be redeemed in order to teach that valuable lesson that it’s never too late to be a good person and that it pays to be a good person.

So to summarize, what we needed from Barok van Zieks was the following:

1) Present an antagonistic (possibly immoral) force who personifies Ryunosuke's biggest personal obstacle/weakness, in this case racial prejudice. 2) Humanizing traits begin to show. OPTIONAL: A backstory to justify any immorality he has. 3) Over time, Barok has his realization and sees the error of his ways. 4) Barok atones for his immorality, not simply through apology but by taking decisive steps. 5) The cast around him acknowledges his efforts and forgives him.

This leaves us with the question: Does the game deliver on these points? Well, let's boot it up and find out! Stay tuned for The Adventure of the Runaway Room! (as a warning, it’s gonna be LONG)

#dgs #dgs spoilers #tgaa #tgaa spoilers #barok van zieks #oh god here we go #i actually already finished Runaway Room but I need to let it sink in #it was a doozy

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ohnopoe · 3 years

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Alone, Together | Din Djarin

Ship: Din Djarin x Reader Summary: Sometimes it’s the strongest people who just need someone to be strong for them. Word Count: 2.2k+ Warnings: Spoilers for the season 2 finale!! Angst. Author’s Note: This was meant to be hurt/comfort... I failed miserably... enjoy your angst and heartache! I also have not proof read this in the slightest... I am lazy and sorry

The silence echoed through the command centre, holding a weight upon your chest that felt akin to drowning. It seemed as though time itself was standing still as you stood there, engulfed in what had just happened, in the anguish that was threatening to creep in.

Of course, you had half expected something like this from the very beginning, it was the plan, after all. Grogu was with his kind now, with a jedi who could train and protect him so much better than you and Din ever could. You’d spent so long trying to convince yourself not to get attached, to enjoy the moments you shared with the curious child with a safe protective layer between you, but that was never really going to work, now, was it?

From the moment you had joined the Mandalorian on the Razor Crest, the duo had captured your heart, no matter how hard you tried to convince yourself otherwise.

It had taken a surprisingly short amount of time to truly feel apart of the odd little crew. With such a stoic being as Din leading the charge, and a fifty year old child enamoured by his every shiny movement, you had thought it would simply be a job, just another in a long line of careers you had dabbled in throughout the galaxy. But it was so much more.

Looking after Grogu had been so much more than a job, it had been a delight, even in when he was determined to throw a tantrum when you all desperately needed sleep. It wasn’t long before the child became something akin to a friend, albeit a small, incoherent, gnawing on anything that shouldn’t go anywhere near a mouth, friend, but a friend nonetheless.

And somewhere along the line, the Mandalorian followed.

It was in the soft utterances that were barely heard, the gentle actions that weren’t necessary, but were always welcomed with a beaming smile. He wasn’t one for words, but he would show how he cared day by day.

A fruit you enjoyed on a random planet just so happened to be amongst the groceries after you exclaimed your joy upon tasting it. A new pillow was sitting on your bed a few days after he noticed you rubbing your stiff neck in the mornings. And when he found you nervous to be left alone on the Crest on a particularly dangerous planet? Well, suddenly there was time to take a day off to make sure you were comfortable with not only the weapons to defend yourself, but the controls of the Crest should you need to get yourself and the child out of there.

Yes, somewhere along the line, you had forged something of a friendship with the very same man who had unintentionally frightened you silent upon your first meeting. And if at some point your feelings for him had started to slip to something less platonic, well, that was neither here nor there.

Especially now, as you stood by his side in that same pained silence that still echoed through the Imperial ship.

Now, he needed a friend.

His helmet had been removed for the child, he had destroyed his creed, and, as tempting as it might have been, you had kept your gaze firmly on the ground the entire time, determined to respect his beliefs right down to the end.

The pain and anguish you felt at the sight of those gigantic sad eyes as Grogu had left was incomparable, but, even in your pain, you knew it was nothing compared to the hurt the Mandalorian at your side must be feeling.

There were too many in the room, battle hardened warriors each one of them, and you knew words of comfort or sympathy would do little at such a time, so you did the only thing you could think of.

With your gaze still firmly fixated on the floor, you pushed the pain aside, something to be addressed later, when you were alone, when you didn’t have to be the rock for the same man who had unknowingly been the same for you time after time in his own resilient manner.

Your hand barely moved, slow and subtle as you reached across the small distance to him. Unhurried, gentle, as if trying not to scare a wild animal, your fingers found his, curling into his hold in a silent show of camaraderie that had the heartbroken man turning his head towards you.

With your gaze still focused on the floor at your feet, you didn’t see the way those deep brown eyes took you in, savouring the sight, awed by the way you remained diligently refusing to glance his way. You didn’t see the years of pain and heartbreak that swam in that tear stung gaze, didn’t see the anguish that flittered there, fighting against an unwavering affection for you that seemed to have made its home there long ago.

But you did feel the way his hand clasped around yours, large and warm, even through the leather of his gloves. It practically engulfed your own hand, and yet, the desperate hold almost made it seem small, uncertain, as if this one action, your hand in his, was the only thing keeping him together as his world fell apart once more.

Time that had moved so slowly seemed to suddenly fly into overdrive. Boba was back to pick up Fennec, Bo was, begrudgingly, focusing on what could be salvaged from the Imperial ship, Cara was setting off with Gideon, and, while you certainly seemed to be taking in whatever was thrown your way, it still felt a world away.

A decision had to be made, and before you knew it you were walking behind Cara and her new prisoner, still hand in hand with the Mandalorian who hadn’t dared let go of your hand since the moment you had offered it.

Somewhere along the way you had made it clear that you would remain with the Mandalorian, no matter what was to come, although you weren’t entirely certain the words had ever actually been spoken aloud. But any alternative was practically laughable. How could you possibly leave him now? How could you ever?

And then you were on the ship, when had that happened? And Gideon had been silenced once more with a hasty gag that was a desperate plea for what little sanity your little trio had left to not run astray (and possibly to keep Cara from killing him before she could make it to the New Republic). And then? Well, then was now wasn’t it? Alone in the cramped personal quarters of the shuttle, truly alone for the first time in weeks.

There was a time when being alone felt rejuvenating, refreshing even. The quiet solitude a haven from the chaos of so many busy planets, of so many people. When had that changed?

With a sad smile, you almost scoffed at the question the moment it flittered into your mind. You knew damn well when.

Silence had never lasted all that long on the Crest, no matter how tired you and Din might have been, the little green eared monster was determined to run amok, causing a clamouring of sounds in his wake. It was so easy to find it irritating when you were woken from only two hours of blissful sleep after days of being forced awake. It was easy to sigh and grapple with the playful child and remind him that this was sleep time, not play time, and if he wasn’t going to get some rest he had to at least let you get some.

But now, in the eerie silence of the Imperial shuttle you had commandeered in an effort to save the frog eating little bugger, you longed for those sounds. The chaos and cacophony of Grogu was a part of what had become your home, and now, yet another part of it was gone forever.

You couldn’t say when the tears had begun, or when they had slipped from silent streams to harsh sobs that wrecked their way through your body. But, curled up on the militantly neat bunk bed you had claimed as your own, you couldn’t have cared less.

Finally, you were alone, after hours of planning and debating, hours of being the solid rock for the man you had come to care so deeply for. Now was your chance to grieve everything you had lost, in the solitude of the clinically white cube someone had deigned appropriate to be a bedroom.

Visions of green ears and large eyes swam through your mind, memories entangled with daydreams as you thought about what had been, and what was to come for the small child you had grown to love.

But he was gone now, along with the Razor Crest that had become your home, although, thankfully, in a much less dramatic fashion.

Would that just be the way for all the things you loved? Would the same soon follow for Din?

A sound, far harsher than a sob, rattled its way from your chest at the thought. Surely he would be the next to leave, returning to his old life or helping rebuild Mandalore… either way, he no longer had a need for you now, did he? What use would he have for a glorified babysitter with no baby?

The sound of your tears would have been harrowing, were it not for the safety of those Imperial walls that surrounded you. Sobs and groans slipped from one to another as your tears soaked the stark white pillow beneath you. Curled up into the smallest ball you could manage, you let go.

That pain you’d pushed away earlier? Well, it was back, tenfold.

This was why you had never meant to get attached, this, right here, the aching hole that wanted to consume you, yet seemed to echo out from your very chest. It was a pain like no other, grief mixed with fear, sorrow mixed with a loneliness you could never put into words. A profound war of emotions that had your body shaken, and your mind so lost in its anguish, that you didn’t even hear the way the doors slid open, or the heartbroken sigh that followed.

Din was used to being alone. Even with you and Grogu aboard the Razor Crest with him, he would often find himself focused on a job while you distracted the little womp rat in the hull. It was just a part of life, until it wasn’t. Until he found himself working down there alongside you, until he found himself seeking out the joyful sounds of you playing with the child who was somehow older than either of you.

But even still, he was used to your absence, no matter how desperately he wished he weren’t.

So, as much as he desperately wanted to follow you when you claimed to need some rest, no matter how much he wanted to cling to your hand, to the intense amount of comfort such a small gesture had given him, he had let you go.

But that was nearly an hour ago now, and he couldn’t bare it any longer, and a small part of him hoped beyond all things that maybe, just maybe, you couldn’t either.

As the door slid open, and the broken sound of your tears perforated the air, a small sliver of what was left of his heart broke.

You had been so strong, had remained diligent and determined, had been the support he could never ask for, but desperately needed in his dark hour, and here you were, breaking apart alone.

It wasn’t until the harsh mattress beneath you shifted that you even realised you were no longer alone. Turning quickly, panicked and wide eyed, you gazed through blurry eyes at the foreign site before you.

Din still had all his armour in place, his helmet having returned to his head long ago, but his very being looked so different. It was in the way he stooped forwards, his elbows balanced on his knees as if the weight of the world was quite literally weighing him down. It was in the way his head hung low, but still faced you determinedly, as though he couldn’t decide what was worse, watching your broken wails, or turning away from them.

A harsh intake of breath. A desperate rub of your sleeve against your eyes in some plea that it might somehow make you look somewhat put together. You couldn’t meet his gaze, even behind the wall of his visor, but you would do what you had to in order to try and appear composed.

But he was shaking his head, slowly, reassuringly. You couldn’t be certain he was even aware of his actions as his hand found your leg, squeezing gently.

“Don’t,” his voice sounded harsher than usual, as if it had been filtered through sandpaper on its way through his helmet, and the rough sound had him pausing once more, as if startled to hear his own voice.

But he persisted nonetheless, pushing past the way his throat felt dry, past the ache each word brought forward.

“It’s ok to cry,” his voice was quieter now, an attempt at softness even through the pain he felt. “You don’t need to hold it in, not for me, not for anyone.”

#din djarin x reader #din djarin #the mandalorian #the mandalorian x reader #star wars #my fic

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evertriedsoywithyourpopcorn · 3 years

Text

5 Reasons Roman Is Infuriating (And Why I DO NOT have a crush on him)

Chapter 5: To A Land Of Our Imagination

Read on AO3

Chapter 1

Word count: 3471

Tw: Wounds, food, swearing

~~~

Logan planned the second date two days after the first. A picnic in the imagination, that Roman insisted on helping out with.

It took them quite a while to prepare everything. A red gingham print blanket in a field of many flowers on a hill, the sight of a rather giant disney-inspired castle in the far distance, mountains enveloping the horizons; very picturesque, certainly. He even offered to set up an orchestra off the side for them, but Logan declined. Logan was worried that they would get sunburnt due to the realistic touch that he brings, but Roman insisted that wouldn’t happen. And then Logan insisted that he didn’t know that it wouldn’t.

The banter was probably what took the longest time. It started with the back and forth about the likelihood of a sunburn, and then whether Thomas would typically tan or burn, and then it spiralled into nothingness. Obviously Roman made zero sense, but Logan was still determined to prove his point.

“No, Thomas should not get a surgical beauty mark. It’s pointless and expensive when you could have the same results with the smallest amounts of makeup.”

“But it adds character! All of the glamor girls have beauty marks! And besides, why put in the effort of putting on the beauty mark every day when you can just wake up that way?” Roman rebuttals, and Logan cannot begin to express just how stupid that argument is.

“A few seconds of a makeup pencil and maybe some powder isn’t that much effort. What would be an effort is spending a ridiculous sum of money on something he might regret and want gone. It would be a waste of resources for something thought of on a whim. That money would also go into the beauty industry, the industry that profits off of one’s self-hatred.” He argues, because yes, in a world where hating oneself is so common and so profitable, the most rebellious thing one can do is to learn to love themself.

“Makeup is also a part of the beauty industry.”

“It’s nowhere near as harmful and expensive though. It’s not just about insecurities, but also accentuating features that you enjoy in yourself. It also happens to be an art form, so I’m surprised that you’d even try that useless fact.”

Roman huffs. He’s probably not that interested in the beauty mark, but sometimes impulse can make you do stupid things. He does however look upset, and Logan hesitates.

“You know what you can do with makeup?” Logan asks, and they look at each other.

“What?” He asks, still pouting.

“Make many beauty marks. And change their locations when you feel like it.” He offers, and Roman lights up like that very dangerous chemical reaction Remus and himself attempted on bonding day.

“By the fourth musketeer, you’re right!” Roman touches his own face, lost in thought. “You could switch it up daily!”

It took a while longer for him to acknowledge what they were supposed to be doing, and then they were touching up the flowers (which is when Logan notices Bells of Ireland, sticking out amongst the other flowers, and assisting in integrating them into the green fields, like the flowers just popped up amongst nature. He believes Roman had summoned them around for him, and he can’t help but smile.) and then heading to the exit so Logan could get the ‘object of his affections’.

“Are you going to be in the imagination?” Logan asks him.

“Well, duh. I’ll obviously be out of earshot, but duty calls, and I have quests to attend to! Can’t have a realm without it’s heroes, right?”

“I guess not.” Logan nods. Roman’s going to play immersive make-belief then. Very well. That does usually help with Thomas’s motivation. Logan thinks of asking to join him sometime, and then decides that would most likely end horribly. Maybe Dungeons & Dragons would be a better solution.

He leaves Roman at the doorway, going to retrieve Patton. It isn’t very hard; he finds him in the living room holding a picnic basket and smiling brightly.

“That really, isn’t necessary.” He points to the basket. “We have food at the location.”

“What’s a little more? Besides, I have a little surprise to help with the planning.” He leans in and fake whispers.

Logan blinks. “A planner?”

“No, even better. But don’t guess. You know your old Patton-ership Person can’t keep a secret for very long.”

Logan groans at the pun, and they head back through Roman’s door to the imagination. It isn’t long before they reach the flowery hills (Logan wanted it to be accessible, to avoid an awkwardly long walk), and he sits down on the large blanket. Patton coos at the view, and the enchanting flower fields.

“Is Roman here?” He asks, looking around. He sets the basket down.

“He said he wouldn’t be nearby, and I trust his word, but he is in the imagination.”

Patton lets out a sigh in relief and sits down. “Okay. I just know he’d be mad if he found out, buuut…” He opens the petite basket’s lid, and like the objects from Mary Poppins bag sprouts Janus, arms held out dramatically.

“What is up losers? I’m here to foil all of your plans.” He lightly steps out of the basket, and plops down so they’re all facing each other in a triangle. “By making them better. You’ll thank me later.”

Although Logan is surprised, he isn’t really bothered. He’s quite similar to Roman in the theatrics, so perhaps he’ll prove to add ideas that would give life and a charming flair to his own.

“Very well.” Logan pulls out a notepad from god-knows-where. “Welcome to the ‘date’.” He does quotation marks with his fingers, and Patton leans excitedly to Janus.

“I think that’s what we’re calling it now. ‘Date’, but you have to do the thing with your fingers.” He does the finger quotations.

“What a lame concept. I love it.” Janus smiles. “I’m absolutely dreading spectating this ‘date’.” He does the finger quotations, and adds a little more emphasis on the word. At least he seems to be having fun.

“So. First step: The goal.”

“Find out if Roman really does have legs.” Janus answers at the same time Patton exclaims “Marry a pretty prince!”

“That was not supposed to be a guessable statement. And both of you are wrong. Patton, we do not have legal documents and cannot legally marry. The goal is to ‘woo’ Roman.”

“There may be or may not be a very easy solution for this.” Janus suggests, lounging back and checking his nails despite his gloves.

“What would be that solution?” Logan narrows his eyes at him.

“Oh I don’t know… Tell him how you feel.” He looks at him face-on, dead-serious.

“But… He most likely does not feel the same way. Besides, he wouldn’t like something so… Insignificant. He’s embodied himself after a prince, for Newton’s sake.” Logan argues, heart clutching painfully (metaphorically, obviously. If someone’s heart clutches painfully in real life, he recommends they go to a doctor and get it checked), and looking off into the distance, calculating the odds of rejection. He so far has not detected any signs or repercussions in the romance, and with Roman’s celebrity crushes being people like Adam Driver and Orville Peck, how is he supposed to compare? He can make a schedule planner less important than a social engagement.

“Oh come on, cheer up champ! I’m sure he’ll love it no matter what you do!” Patton encourages, giving him thumbs up. Logan looks at him, unimpressed.

“But will he really? These… Unnecessary feelings have rendered me even less functioning around him, so psychologically speaking, I’ve been even less perfect around him. He lives off the idea of a perfect, film-like life. Disney prince… Disney Relationship, Disney prince partner. Why would he like me? I look like a teacher.” As Logan continues his rant, now up and pacing, Janus shoots Patton a knowing look, and Patton eventually looks at him with an unknowing look.

“What?” Patton asks quietly, as Logan rambles.

“You don’t know?” Janus looks surprised.

“Know what?”

“Roman hasn’t told you about… You know…”

Patton looks at him, attempting to decipher what he means. Eventually, he quizzically does a limp wrist.

“No!” Janus whisper-shouts, exasperated. “Of course he’s gay. I’m talking about something else.”

“I’m lost.” He admits.

Janus leans in and whispers into his ear.

“Oh yeah! He has.” Patton gives him a thumbs up.

“I need a new style!” Logan turns and points at them, and they both display their shock easily.

“Dear god no. You’d look more out of place than Remus during the cosplay phase.” Janus jerks back, appalled. (Besting Remus in being out of place while he was in Thomas’s cosplay phase is nothing to roll your eyes at. Stripper Kermit is only one of many horrendous ideas that Janus has had the pleasure of being scarred by.)

“But think about it. You often see someone in a new light when they go through a big style change, whether they’ve changed as a person or not. When we altered our outfits for the first time, it was like a fresh new start. We were new, and more impressive models of our past selves of just three seconds before.”

“I see your point kiddo, but that just isn’t you! It’ll work against you in the long run if you try to be someone that you’re not.”

“Agreed. Seriously. Not to mention you’d be boring no matter what you wear; might as well be more comfortable doing it.”

Logan considers it. He nods, and sits down. “Alright. Thank you for your encouragement. I’m still not going to tell him outright.”

Patton raises his hand. “I have an idea.”

“Alright, hit us.” Janus looks at him.

“If you are to hit us, do it gently please. And preferably on the arm. I quite like these glasses.” Logan nods, accepting his fate.

“It’s an expression.” Janus side-eyes him, and gestures for Patton to start.

“How about… We leave the idea of telling him directly as an option, but also make a plan? That way, you have many options to pick from!” He encourages, looking like a parent bargaining with their toddler.

“That wouldn't be unreasonable.” Logan takes out a pen, and clicks it on. “Now, why don’t we start?”

By the time they leave the imagination, Logan has notes full of ideas. It’s a little bit difficult to have the best brainstorms without a literal embodiment of creativity, but both of them are bad ideas to invite for different reasons, and not being in charge of creativity doesn’t stop the rest of them from coming up with creative thoughts. (If that were the case, the same concept could be applied to himself, and it would have probably killed him by now if he were the only one with an ounce of logic.)

He steps into Roman’s room. Nice as always, if not looking slightly blank. Maybe he’s just used to the disorder now.

He rips out a separate paper, and leaves it on Roman’s cluttered desk, to notify him in the future that he is no longer in his realm. He catches a glimpse of other papers on his desk, and is that-

“Poetry?” Obviously, Logan does not want to disrespect his privacy, but he does read the line he has seen. It was quite good. It seemed to be about jealousy, but he’s not the best at deciphering emotions, so he isn’t completely sure. He also catches a few typos.

He stands straight again, paces a little bit and just as he's about to sink out, he hears the imagination door open.

Roman stumbles in, heaving and drenched in sweat. He looks dull and lifeless, until he looks at Logan. It’s like a switch goes off, and he looks like his usual self again.

“Heading out?”

“That’s right. The date just ended.”

“That’s wonderful! How did it go?” He asks, strutting over, trying hard but failing to hide a limp.

“Are you alright?” Logan looks at him, and the standard first aid courses that Thomas has taken in his lifetime start kicking in.

"I'm-" And a poorly concealed wince. "Okay. Just a scrape from the dragon witch. Nothing a happy pappy prince can't handle."

"That's not something you usually say." Logan squints at him, taking a step closer. "Did you hit your head? You're starting to sound like Patton. I'm not leaving here until you let me help you."

"Ugh, fine." He flails out his arms, and then jerks them back in pain. "But seriously, how did it go?"

"It went well. Thank you for the Irish bells. We discussed things that one would do in a romantic setting, and then we dispersed. There will be another date fairly soon. I just stayed to drop off a note on your desk to inform you of our departure."

His eyes go wide. "My desk? Did you read any of my writing?" He asks, sounding panicked, with a hint of defensive nature.

"I did, actually. Not on purpose, I'm sorry. It was a poem that I believe is about jealousy. I read the third paragraph. It was quite well done." Logan bashfully admits.

"Oh. Thank you." He offers a small smile.

Logan suddenly remembers the wounds. "Now. Let's get to fixing you up. Do you have any cuts? Scrapes? Open wounds?" As he sits Roman down and checks over his injuries, he can't help but hurt a little bit on the inside. Roman's self preservation seems to have left him a long time ago, and he always gets reckless. He can't seem to let anyone see his weakness, and that's perhaps what he and Logan have most in common; although, Logan hasn't been injured physically in quite a while.

He finds a first aid kit (in Roman's nightstand. How concerning.) and helps patch up his wounds. Thankfully, Roman wasn't fully lying, as his injuries mainly consisted of bruises and mild cuts, but Logan made sure to take care of them all the same.

"I just realized." Roman whispers, eyes closed as Logan puts a band-aid on his arm.

"That's a new concept."

Roman ignores that. "You've done so much for me over the last while. To be fair, you always do things for me, but this week... Teaching me how to bake, leaving out cookies for me, which were heavenly by the way, thank you, helping with nail polish even though it was on your bed, this... It's quite a lot. I feel like I haven't done enough for you."

"Oh come on, don't metaphorically sell yourself short. This whole time, you've helped me set up my dates with Patton. Many of them, in fact. I had been nervous to tell him, and you helped me the whole way along. I am quite grateful for your contributions, Roman." Logan chuckles a little bit, because although expressing your gratitude for something that you don't care about may seem pointless, Roman still put in all of the effort. He did the planning, the setup and design, and wherever he was needed, he'd be. Logan had heard that he even managed to convince Remus to keep the funky business away from the 'dates'. That's quite a lot of work, and Logan appreciates every second of it.

"Nooo but that isn't enough! I want to take you somewhere special to thank you."

"Really Roman, that isn't necessary-"

"Thomas!" Roman screams into his ceiling. "You know how you're free in three weekends!? Yeah, well you're going to a planetarium now! Bring friends so you don't look like a loser." And sure enough, he can feel that Thomas has got the idea.

Logan's heart metaphorically explodes out of his chest with how strong it's beating. Thomas hasn't been to a planetarium in ages. It isn't really Logan's role to suggest activities on the fun side, so he's kept to himself, silently hoping for another side to bring it up. They have spare money for it. And here it is. In three weeks from now.

"That's... I don't know what to say. Thank you." He clutches the first aid kit to his chest.

"Well duh thank me, but it's okay. It's payback." Roman gives him two band-aid speckled thumbs up. "Consider it a date."

Uh-

Hm. Well, there goes Logan. On the floor. Dead.

~~~

"More sophisticated and logical word for fuck."

Logan slams open Virgil's door, just as he's putting the last details on his embroidered spider web jacket.

"Dude, what?" Vrigil turns to him, only to see Logan laying on the floor, malfunctioning.

He goes over to the lifeless form. “Logan… You, like, never come to me with your emotional problems. I can’t help people. Do you want me to tease you? Because I can totally tease you.” He pokes him, and Logan rolls over to face the ceiling.

“It’s because I never have emotional problems, Virgil. I believe in you to keep a secret however.”

“Is this about the planetarium Thomas just planned? Because I can totally see why he shouldn’t go, with all those people around, judging his every step, and the chance of being separated from his friends, or seeing someone familiar and it’s just awkward..”

“No, I agreed to the idea. I had wanted to go for quite a while.”

“Does it… Have to do with Roman?”

“Of course it has to do with Roman. Even now, he is still the largest thorn in my side.”

“Apparently you’re a masochist then. So, what’s up with him and the planetarium?” Virgil circles him, seeming bored but willing to hear the story.

“He was the one who suggested it. In fact he said to ‘a date’.”

“Ahh. So you are here for emotional issues.”

“It’s not an emotional issue. I simply wanted to tell you that I think it is an optimal time to tell Roman about my newfound fondness for him.” He sits up, and Virgil gives him a hand to stand.

Virgil chuckles. “It’s not bad to ask for help, Logan. But that does sound like a good idea, or whatever.”

“Of course it’s a good idea.” Logan says, hand bouncing up and down at a rapid pace. He looks like he’s sweating. Virgil squints.

“But you’re nervous.” He observes. “And you want to talk about it with someone.” He holds up a hand before Logan can protest. “Ah-ah. Don’t lie to me on this one. Sit down.” He takes out a chair, and then looks at Logan. “You know what, maybe not in my room.”

So they go to Logan’s room, and he explains his plans, and some worries, and Virgil nods along and agrees.

“By the way, have you been seeing the way Roman’s been acting lately?” After Logan seems to have finished with ideas, and they were just sitting together, Virgil speaks up.

“No? Perhaps. He did want to make cookies, which is odd for him, and he called me kiddo, if I remember correctly.” Logan recounts the last few days. He’s not completely sure. Roman has always been a slight enigma to him.

“See, that’s what I’m talking about. A few days ago, he came into the living room, and he was wearing a polo! If it weren’t for the colors, I would’ve thought he was Patton. And then.” Virgil stares at Logan, who looks impassively back at him. “Just yesterday, Remus told me that he dumped some of his posters into the trash.”

“Ah, perhaps he’s finally taking advantage of his wall space.” Logan says quite proudly, in a room where there are many cork boards on every left-over piece of wall he has open.

“No, you don’t get it. When’s the last time you’ve seen his room without posters?”

“To be honest, I don’t remember.” Logan admits. Virgil nods along, his eyes staring at him intensely. “Because I barely ever go into his room.” Virgil slumps. “Listen, Virgil, the concern is appreciated, and I support you continuing to collect evidence on this matter, however, it sounds like he’s trying something new out. I have no reason yet to be concerned.”

“Okay, whatever.” He gets up from his chair. “I hope you feel better, nerd. Catch you later.” He salutes, and just sinks out.

Logan continues to stare at where Virgil once was, thoughts jittering. Is Roman really acting that strange? He almost sounds like he’s trying to become Patton. Maybe he’s looking to renew his look for Thomas? He had been rather heart-broken when he misinterpreted Thomas calling him his hero. He also likes costume changes. Maybe he’s preparing something.

Logan hopes that Roman will be alright in the end. And that he himself will be as well. He takes a deep breath. He can do this.

~~~

Taglist: @crossiantgay

#logince #logan sanders #roman sanders #ts roman #ts logan #sanders sides #whoops i forgot to add the read more #5 Reasons fic #virgil sanders #janus sanders #patton sanders #logince fic #tw food #tw injuries #oliver writes

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valberryy · 3 years

Text

efficacy. — zhongli

hi!! this started out as an oc fic, but i thought i'd convert it to a reader insert!! i tried to change some of the more "explicit" oc info, so hopefully it's fine now!

pairing: zhongli x gn!reader

content warnings: mentions of blood/injury/death, contemplations of/vaguely attempted murder, slight swearing. if these topics are sensitive to you, i'd recommend clicking away.

[Name]'s life would be nothing without order. They found a certain comfort in routines—working at the bookshop with Jifang in the afternoons, working for their less-than-legal clients once night fell. There was an odd kind of safety they found in it, in completed contracts and crossed-out bounties on a board: as they wiped the blood off their blade at sunrise, they found themself glad they no longer lived at the whims of ice, and snow, and migrating deer.

Tonight was odd, though.

A dagger twirled deftly between their fingers, and [Name] raised an inquisitive eyebrow at the informant sitting before them. A mask and hood alike obscured his face, and he seemed almost to hesitate slightly beneath their burning gaze—a newbie, then, or a fool.

"So?" they asked, their voice like a whip-crack in the silence. "Don't waste my time."

"Apologies," he said, and [Name] had to resist the urge to scoff. At another raised eyebrow the informant dug through his things and passed them an envelope.

Gingerly, they tore it open. "...Wangsheng?" they muttered to themself, before glancing back up. "I trust you have the right compensation?"

A stiff, "Of course," was their only response.

The knife between [Name]'s fingers stilled, before it became embedded in the cheap wood next to their now-client's head.

They stood, gave an almost-mocking flourish of a bow, and walked off without another word.

ii.

[Name] did not glance up from the shelf they were restocking when the footsteps of another customer coming up the stairs came into earshot, only saying a gruff, "Welcome," as they grew closer.

Their only response was a content hum, and they resisted the urge to sigh in relief that this particular patron wasn't a chatterbox.

The minutes trickled by in comfortable silence, as the man—for he was a man, [Name] learned, as soon as they looked up and towards his direction—browsed through their selection. The only sounds to be heard were the blowing of the breeze and the idle chatter of people walking past.

"What a fine collection you have," he said, and turned to face the counter they were seated behind. At the sight of his face they were thrust back into two nights ago—an unpleasant evening in a dingy old house, an envelope in one hand and a cheap knife in the other.

Not now, they thought to themself. Not now, when the blood can seep into the floorboards. The smell will hang for days.

"Thank you," they elected to say in reply. "...Will you be buying?"

He nodded, a thoughtful hand on his chin. "Indeed. The entire stock, actually."

[Name] faltered. "The entire…?" They coughed into a fist, regaining their composure and leaning forward on the counter. "That's going to cost you, sir."

They could almost see the excited sparkles around him as he opened his mouth to speak again, and whatever thoughts they had on how elegant and refined he seemed were thrown out to sea.

"Yes, of course," he began, "there truly is no treasure greater than knowledge, after all—there is a subtle nuance to the art to capturing a moment in time so vividly using just words alone…"

As he continued to ramble, [Name] rested their chin on their palm. The daggers concealed beneath their clothes were cool and heavy on their skin—a constant reminder, a subtle threat.

When his voice trailed off they gave a small, polite smile, standing upright again. "If you have the Mora, there should be nothing stopping you, sir."

The faraway, almost dreamy look in his eyes grew lucid at the mention of Mora. "Ah, of course. Mora," he said, and started patting his pockets searching for his wallet.

When neither of them heard the telltale clinking of coins, they glanced at each other almost exasperatedly.

"My deepest apologies—"

"...No, it's okay—"

The knife still burned against their skin, but they brushed it aside for a moment to grab an unwrapped copy of a book under the desk. They held it out to him, their face blank but the faintest, faintest hints of amusement dancing in their eyes.

He was…interesting. Dead men can rarely boast as much.

"Take it," they said, simply.

His eyes seemed to widen in pleasant surprise. "Are you certain?" he asked, and at [Name]'s casual shrug in the affirmative he gingerly took it from their hands.

"Thank you kindly," he said, raising the package in the air and inspecting it. "I'll have to repay you, for this."

They looked at him again, and thought of the envelope from the other night, thought of how they could almost feel his pulse as their fingers brushed just seconds prior.

"I'll hold you to it, then, sir," they elected to say.

Not now, not now, not now.

iii.

On his lips played a gentle smile that [Name] couldn't help but to distrust.

"There's a restaurant I believe you'd like," he had said. "Allow me to treat you for lunch, as thanks."

Their head had thus begun to swim with backup plans and what-ifs. Did he know? Was this some elaborate ruse to poison them? Surely not, right? They had been so careful up until now, too…

They blinked away their initial surprise and canted their head to the side. "Where?"

At that he went off onto another tangent, just as long as the ramble he had gone on a few days prior. [Name] found themself zoning out, glancing at where they knew his jugular was beneath his collar—or perhaps poison during their impromptu outing would fare better?

No, they scolded themself, there would be witnesses at a restaurant.

"...Don't worry, of course, I'll be sure to bring the Mora this time around," he said with a velvety laugh, and [Name] suddenly found themself back in the present.

They leaned forward on the bookstore counter, an eyebrow raised. "I don't even know your name, Mister Philanthropist."

Another smile graced his features, then—apologetic this time, and he outstretched a hand for them to shake. "My apologies," he said. "I am Zhongli, consultant for Wangsheng Funeral Parlor."

Gingerly, they took his hand in turn. They could feel the rhythmic beat-beat-beat of his pulse under their fingers.

Soon, they thought.

"Call me [Name]," they said, and forced themself to smile.

A few days later, it just so happened that both of their schedules were free.

"Would you still be willing to indulge me?" Zhongli asked—he had been visiting more often lately, and it just so happened that many of his visits happened to be on the days [Name] was there, as well. Jifang seemed curious, and honestly they were as well—did he enjoy their company? Was there something about their short, curt responses that didn't turn him away?

Or maybe he was planning something, too?

Nevertheless, despite their raging paranoia, it wasn't like they were in much of a position to complain. Jifang seemed content at their new, distinguished guest, and [Name] took it as an opportunity to learn more about him for the time being.

"...If you so wish," they said, plucking the book he was holding out of his hands to wrap it for him.

"Only if you do, my friend." Damn him and his deflection. "But it is my firm belief that the generous receive what is due to them, in time."

They hummed idly as they thumbed through the book he had chosen—something or other about the natural beauty of Inazuma—and then glanced back up at him.

And that was how they found themself here, they supposed.

Their table was relatively silent compared to some others, but it was by no means uncomfortable or awkward. With the idle chatter of other people and the clear sky above as a backdrop, the two dined in comforting silence—only the clinking of ceramic against each other to be heard, and to [Name]'s surprise, no traces of poison to be found whatsoever.

As the sun began to dip down the horizon, and all their food had been finished and the bill paid, the two found themselves taking a stroll down by the docks. Zhongli's gaze was trained ahead, while [Name]'s flitted about cautiously.

"Forgive me if I'm prying, however…" he began, "...But you're not a native, are you, my friend?"

A jolt, then, a bolt of white-hot fear running through their limbs. Did he know? Did they give themself away?

"I'm not," they said. "I was born abroad."

A satisfied hum was their response, and when they turned to glance at him, they found the smallest of smiles on his face.

"It's getting late," Zhongli said. "Thank you for today. I'd like to do this again, with you."

[Name] took pause at that. They thought once again of the envelope hidden under their drawers, and the knives hidden under their clothes.

They thought about the way Zhongli rambled on about whatever tale it was the storyteller across the street had spun—how "that indeed is one interpretation of it, but in the original text, the author actually meant to imply that…"

There was a pang of what almost felt like guilt in their chest, at that.

"...And I, you," they said, finally, "...my friend."

iv.

Perhaps stumbling into your supposed assassination target's home half-bloody with an arrow sticking out of your side was not the brightest idea, but in [Name]'s defense were two things: first of all, they had no fucking clue it was Zhongli's in the first place, and secondly, they couldn't exactly keep running from their angry former client with an arrow sticking out of their side.

And thus whatever levels of discretion they normally would have had were thrown out the window as they climbed into Zhongli's in the dead of night, and probably knocked something over in the process (if the new bruises were anything to go by).

(To be fair, they had been calling each other friends for a while now. Is this what friends did? [Name] couldn't be sure—their shady friends weren't exactly the best examples, after all.)

They had just sat up and groaned in pain when Zhongli came in, alarmed first at the noise and then at their sorry state.

"...Sorry," they muttered through gritted teeth. "Thought the place was empty—ow, shit! I can—I can do it mysel—"

"Nonsense," he said, his voice and hands firmer than they had noticed before. "...I still haven't repaid you for your favour to me, after all."

They stopped for a moment, at that. "...I thought the lunch was repayment?"

Somehow, Zhongli found it in himself to laugh, albeit tensely. From where they were sitting, they could see his face a lot more clearly than they had before—the tenseness in his brow, the flecks of gold in his amber irises, the way his nose crinkled at the density of the smell of blood.

"No," he replied, "that was a thank you."

They hummed, before hissing in pain again. "Pull the other way; the arrowhead went in at an angle—"

"Ah, yes, my mistake…"

[Name] continued, "I suppose this is your repayment, then?"

They only barely hid their surprise when he shook his head again.

"I'm doing this because I want to, [Name]."

(Somehow, they liked their name better when hearing it from him. Was it the timbre of his voice? Was it the appeal of hearing your name from a man who was supposed to be long-dead?)

"...I see."

As he sealed the last of the bandages and allowed them to adjust their clothes, he helped them over to what they assumed was a guest room, of sorts. He helped them to take a seat on shaky legs, and placed a firm, almost comforting hand on their shoulder.

"Promise me you'll be more careful, my friend."

They glanced away, their face oddly warm. Wasn't blood loss supposed to do the opposite? "I can't guarantee that, Zhongli."

He followed their gaze over to the floor, and then glanced back at them. "If not that, then I'd at least ask you to…rely on me more," he said, and something about the sincerity in his voice struck them as odd.

They almost wanted to burn that envelope in their drawers when they went home.

[Name] glanced back up at him, forcing themself to face his questioning gaze.

"...I'll try."

But only for you.

+1.

In [Name]'s life, there exists a line they do not dare themself to cross. On one side stands sweet Jifang from the bookshop, the tenacious Traveller and their friends, and the ghosts of their loved ones from Inazuma; and on the other stands themself and their other shadowy benefactors.

The first to tread the line between the two was Zhongli—who, despite the bounty on his head, still managed to maneuvre his way into them somehow being able to call him their friend.

Honestly. The Seven damn him and his stupid charisma, and his stupid voice, and his stupid encyclopedic knowledge of silk flowers.

When [Name] woke up, they were not in their home.

Through their shock they failed to register the bandages wound around their torso, and bit back a yelp of pain as the wound threatened to reopen. In the dark they could see their overwear folded neatly on the bed next to them, and Zhongli asleep, slumped over in a chair.

Suddenly, they were acutely aware of the old bone knife under their clothes—their only souvenir from home, unstained by blood for years, and years, and years.

Would Zhongli be its first, then?

Quietly they stood and dug through their folded clothes until they felt it—the uneven blade, the worn-down grooves near the hilt. They skulked their way over to where he slept, and tried to ignore how painfully peaceful his slow, even breaths were.

His eyes fluttered open just as they pressed the blade to his throat. He seemed too calm, though, not even a twitch of his hands or a hitch in his breath to give away any surprise at all. All he did was place a loose grip on their wrist—a stark contrast to their white-knuckled, shaking hand—and ask,

"What are you doing, [Name]?"

They grit their teeth. "...I'm sorry," they said, "but I have a contract to complete."

Something in Zhongli's eyes softened at that. This was his domain, they realised—contracts, and contingencies, and wordplay.

His grip on their wrist tightened, ever so slightly, and he traced his free hand over their clenched jaw. "But so do we," he replied. "I've still never paid you back, after all."

There was a pause, then—a long, pregnant silence.

"May I kiss you?" Zhongli asked, his voice like a whip-crack in the space between them. [Name] said nothing, but the crease between their brows deepened further.

The dagger embedding itself into the floor and the soft, firm press of their lips against his was enough of an answer.

#genshin impact #genshin impact scenarios #genshin impact headcanons #genshin impact imagines #genshin impact oneshot #genshin impact zhongli #zhongli x reader #too many thoughts!!!!! not enough braincells #i ammm just . barking #hoo #bee writes

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flightofaqrow · 3 years

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YOUR CHARACTER IN FIVE QUOTES!

( repost, do not reblog. ) Tell us your favorite quotes from your character. Give us an idea of who they are by five things they’ve said.

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Alright, buckle up, I’m stealing this meme and repurposing it for my own use. Probably more than five, and including some quotes from others about him, though I’m going to try to keep it in groupings, and also not meant to be exhaustive of qrow’s character, but rather, to point out some very poignant lines that have effected my portrayal and... some possibly in an unpopular way compared to what I’ve seen in the fandom? I think Qrow Branwen is more complex than fitting the broody broken boi trope would give credit for (though he at least fits it as an overall stereotype).

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1) I’m absolutely sure Qrow had a rough start and transition from the tribe to ‘civilized society’, coupled with typical teenage hormones and mood swings, but generally, Beacon was a good time, and he sees himself as a good huntsman, and (though we may joke about it sometimes) he absolutely does not have an active nor passive death wish.

Yeah, yeah, I know he has a song all about how he self depreciates and carries shame, but that’s a theme of his attitude, not backed up to be every single aspect of his life by actual canon. Quite the contrary.

I don’t know where fndm gets the idea that he constantly lost his battles (especially to Raven) or was perpetually looked down on or stayed an angsty, broody teenager (who could never possibly have ever even breathed a single happy breath on his own without Summer??) all four years. As if school was hell and he never came into his own until STRQ was a graduated unit or something? If ever?

Leo tells Raven she and her brother are evenly matched. Raven herself - who takes pride in being stronger and more clever than others - describes them as a pair: “we were good.”

“you're talking to a member of the coolest team that graduated Beacon! ...we were pretty well known back in the day. ...hey, we looked good! and I have a number of inappropriate stories to back that up!”

“let me tell ya, these kids are way better than we were at their age. ...well, not better than me, specifically...”

“a professional huntsman like myself is expected to get results as soon as possible.”

The way Qrow talks about his past, as well as carrying a memento of team STRQ around with him, it’s very nostalgic for better times. The way he talks about his work, if not himself, can actually be to the point of being self-aggrandizing, instead of depreciating. He’s even able to admit that his dreaded semblance, Misfortune, “comes in handy in a fight.”

“lots of us thought you were just layin' low. eventually, we just came to accept that you were probably dead. but the stories about you, i based my weapon off of yours. i wanted to be as good as the Grimm Reaper.”

Qrow talks about himself as striving to be better. It seems he never really sees himself as reaching that standard, but it certainly implies he knows he’s not at the bottom - he had an ideal he wanted to reach and likely worked towards. Notice the use of “us” and “we” as well - he talks about himself as part of a group of larger huntsfolk circles. Who knows if this refers to students or licensed professionals or both, but this heavily, heavily implies that he was more than just a sad, outside loner, at least for a time; he chatted with others and traded stories about goings-on and missions and idols.

Somewhat related and leading into...

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2) At least around this blog, Qrow does not have an inferiority complex because of Raven.

Does he have some internalized shame about being soft that he can’t quite shake? A few insecurities about being unwanted compared to her natural leadership and competence? Yes. Does he consciously view himself as lesser than her? No.

Also... he’s not co-dependent on her. To a degree, for while? Yeah, there was probably an unhealthy reliance going on there. But Qrow and Raven establish themselves with their own identities at some point, they’d have to, to chose different paths so stubbornly. There’s a rift there, eventually, if not always having been at odds in some ways and comfort in others.

“Raven's got an interesting way of looking at the world that I don't particularly agree with. [The weak die, the strong live. Those are the rules.]”

“...they were killers and thieves.”

We are shown that the twins were raised with this weak/strong dichotomy. Raven bought into it, but Qrow explicitly separates himself from that belief. Shown again when he mocks Raven with, “because that was your rule, right?”

He believes in true family, he believes in protecting the weak, he believes in doing good, he believes in standing up for what’s right. He may not like being emotionally vulnerable, but he shows softness and kindness to others, and for as much as he likes his flourish when fighting, he also isn’t afraid to look an absolute fool either.

He is shown de-escalating conflict time and again, even if he also falls back into violent, defensive patterns at times, too. He resents Raven for the choices she made, and as far as I interpret, thinks she’s the lesser one for running away and abandoning her family and her mission. (Meanwhile, she thinks the same of him for turning his back on the tribe.)

He all but spits on the tribe’s way of life, is willing to attack them outright to get the Spring Maiden. Why would he judge himself by those standards any longer? No, he lives by his own code, a huntsman’s code, and even has some pride in that. It’s why he can call Clover out on it. It’s why he folds when Robyn holds him to it.

It’s why it hurts when he finds out what gave him more meaning, aligned more with his own heart, than the tribe’s dogma may not actually have any purpose at all...

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3) There’s so much to unpack here:

“No one wanted me... I was cursed... I gave my life to you because you gave me a place in this world... I thought I was finally doing some good... Meeting you... was the worst luck of my life...”

No one wanted him? I believe this means the tribe, maybe even Raven, maybe trying to make friends, but no one until Oz? Does this include STRQ? I have trouble reconciling that one with everything else we’re shown. I still maintain he was part of bigger circles, but we get confirmation that these were probably fleeting or superficial. He knew people and was known, but no one stuck around. Also more confirmation of his values. Gave me a place sounds like so much more than refocusing to me. It’s not gave me a direction, not told me what to do, it’s took who i am and gave that person a place to thrive - despite the bad that comes with - to work towards something better. Just like he always wanted.

But then he backtracks. What is it he regrets? We do know how he likes to go into dramatic hyperbole about these things when he’s upset. [eg. “we’re not family anymore.” “i shouldn’t have come. i shouldn’t have let any of you come.” “we can kill the man who put us here.” “gone. like everybody else.”] (I love that crwby lets their characters do it. we all say things we don’t mean in the moment, give voice to those intrusive thoughts.)

I’ve talked before about how I picture him having flashes of all the lives he could have had instead. Would he have gone back with Raven and at least still had her? Would he just have been a normal huntsman defending people from Grimm without the crushing extra knowledge? Might he have been able to have a relationship or family of his own had he not signed up for the vagabond spy life? Does he just resent losing Summer and Raven because of how things went down? We don’t know, and I think the point is that he probably doesn’t either, but the weight of sacrificing all those alternatives and putting so much faith in Ozpin, stacking so much of his life’s work and identity on being part of the inner circle, comes crashing down on him all at once.

also quite fitting...

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4) "Nice place to raise a family. ...If you're ...into that sort of thing."

This is from his World of Remnant narration, talking about Patch, but it hits so damn hard. The softness and warmth in the first half of the statement, followed by the harsh need to qualify it in regards to his own outlook... We learn all we need to know about his opinion of the subject.

We see the conflict right there - the possibility of such a thing brings a wholesome lilt to his voice, yet he implies that it’s not something he personally intends to pursue. Is that because he doesn’t want it or because he thinks he can’t or shouldn’t have it? I don’t think that’s clear, and he may not know either.

At the very least, I fall into the camp of him believing he doesn’t want it. Combine that with the fact that he does pick up that spy life, which makes keeping his distance a necessity, and makes settling down near impossible, and then he definitely knows it’s not in the cards for him.

So I think it ultimately falls somewhere between. Why would he make the commitment to being a lone spy if he had dreams of love and a family? ...But then why would he resent making the sacrifice of that possibility later if he didn’t?

Having his nieces around probably softened him up to the idea, but he’d already made his decision by that point. He’s also solid and generally happy with his choices at the point it would most matter. He’s married to his job. He’s fulfilling his missions well, in well-suited ways for his strengths and flaws. He has his nieces around as a balm on any sort of biological clock. He has his purpose with Oz. Until he doesn’t.

This is an incredibly long-winded way of restating that one of the headcanon hills I do stand to die on is: Gray-romantic Qrow.

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5) “some people are just born unlucky... my semblance isn't like most - it's not exactly something i... do.”

I am constantly confused by the amount of people trying to do character analysis around Misfortune and Qrow based on standard semblance lore, when he has yet again stated explicitly to the contrary. We all have carte blanche ya’ll. We can do whatever we want with this, because he’s already told us his semblance breaks the rules.

My full headcanon for it is here and my opinion about the direction I hope it takes is here but tl;dr

Unless we learn otherwise, there are very, very few ways I believe Misfortune is a reflection of Qrow’s soul, if at all. This is from the first headcanon, but it’s worth restating, because it’s important to me, aaand fits the theme of pulling in some quotes from other characters:

Everyone likes to quote Ren and his description of someone’s personality being incorporated into a semblance. I don’t buy it for qrow. Here’s the FULL quote: “A common philosophy is that a warrior’s Semblance is a part of who they are. Some say your personality and character can define your Semblance while some claim that it is the other way around. Of course, there are still many who don’t see a connection at all.”

So unless we find out otherwise I will also die on the hill that qrow is an example of the middle part. Qrow’s personality/soul has nothing to do with why his semblance is what it is, but being forced to grow up and live with Misfortune has defined him tremendously.

OKAY, there are some smaller quick ones, but I’ll stick to my five points like I promised at least, and maybe do a lesser version some other time. :]

#qrow branwen #* legends and stories; some of them true; some made up = meta *#* hey don't get mad cause i'm right = headcanon *#long post tw

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murdereraisuha · 3 years

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Classpecting TWST: Savanaclaw

Time to classpect the dorm that deserved better writing-wise. I’m gonna start tagging these “twst analysis” now too cause I am basically using the classpect stuff as a vehicle for getting a better understanding of the characters

Spoilers for chapter 2 and some of the trio’s personal stories. No knowledge of Homestuck required to read.

[Image description: A banner containing a picture of Leona, the symbol for the hope aspect, and the words “Leona Kingscholar: Prince of Hope”]

Before we get to the reasoning, I just want to say, Leona I am so sorry you have to share a classpect with Eridan. Okay now I’ll hand the mic to past me.

Throughout his personal stories, we see that Leona is fine with resorting to underhanded tactics, but he specifically values cleverness and creative use of resources. Leona looks down on those who don’t exhibit those things (ex. the Savanaclaw students in Leona’s dorm uniform story who tried to beat up Jack using sheer numbers).

Leona tends to only expend effort on things that benefit him in some way.

Leona is a powerful and intelligent magic user; he could have easily graduated already if he wanted to, but it seems he doesn’t want to.

Despite Leona’s strengths, those around him criticized him and constantly compared him to his brother due to Leona being the 2nd born prince. No matter what he did, he could not sway those opinions. He could never become number 1.

Because of this, he developed the belief that life isn’t fair and he gives up on things rather easily.

Based on this, I have 3 aspects in mind: rage, hope, and doom.

Rage and hope go hand in hand as opposites: rage is negative emotions, rejection, and doubt, while hope is positive emotions, acceptance, and ideals. For Leona, his story seems to be about him having given up on his hope and dreams of ever succeeding. In its place he has become quick to deem efforts worthless. He acts antagonistic to people like Vil and Malleus, and he seems to disapprove of some of Jack’s honorable ideals. All of these things connect to the parts of rage/hope.

Doom is also a possibility, as it represents negativity, decay, and limits. It is the opposite to life, the aspect that I picked for Kalim. Therefore, I think doom is plausible since Leona shows the opposite side to the luxuries enjoyed by Kalim and Farena as first borns.

Now for classes. I don’t think Leona does much stealing, he doesn’t suffer from indecision, he doesn’t put up any masks, and he’s not a very healing focused person. I think that narrows it down to witch, heir, mage, prince, and bard.

If it’s prince or bard it would have to be hope, in which case prince of hope fits Leona best due to his destruction of hope being focused more than just happening naturally. Though Leona has suffered, it seems to have more hampered his potential than gave him useful knowledge so now I’m kicking out mage. Heir seems to fit best if it’s as a heir of rage. Finally, I’m also kicking out witch since he he doesn’t do much manipulation of any of the 3 aspects.

Between prince of hope and heir of rage... it’s prince of hope. Since Leona says that nothing he did could sway people’s negative opinion of him, we can assume that Leona had hope earlier in his life that he could change those opinions. He did stuff like studying and improving his magic until he finally realized that that wasn’t changing his image at all. Rather than preserve his hope, he choose to destroy it, making his class the active destroyer class, prince.

In chapter 2, he rallies Ruggie the rest of his dorm against Diasomnia, using their hopes as a tool for destroying the other teams. In 2-24 Leona then tries to destroy their hopes once he deems their plan useless. At one point he says 「じゃあ本当のことを教えてやるよ」, translated by Shel_BB on youtube as “Let me give you a dose of reality.” This and the other things he says this episode really connect to the hope/rage themes of reality vs fantasy and stop vs go. Therefore, quite ironically since he is an actual prince, Leona's classpect seems to be a prince of hope.

[Image description: A banner containing a picture of Ruggie, the symbol for the Life aspect, and the words “Ruggie Bucchi: Rogue of Life”]

Ruggie grew up in a poor environment with food insecurity. Many of his clothes are hand-me-downs, he’s fine with eating odd things like dandelions, and before holiday break he raids the cafeteria for food to bring back for the others in his town.

Ruggie’s official hobby is part-time jobs. From working at Mostro Lounge to selling mandrakes, he’s really focused on earning money however he can.

His skillset, which includes pickpocketing and haggling, lets Ruggie pull off plenty of clever and underhanded tricks.

However, like Leona, Ruggie still has standards: in one of his ceremony robe voice lines, he says that he prefers his lot in life over that of a spoiled, rich person without any problems.

His dorm uniform personal story, where he teams up with Trein’s cat to get magic history help and catch rats, is about using the power of others instead of relying solely on himself.

There were 3 paragraphs of stuff here that I deleted because I was getting absolutely nowhere. I didn’t expect Ruggie to be this hard.

Like, Ruggie's problems kinda seem to stem from just poverty and Leona being an asshole. Well, hm, actually if we combine the moral of his dorm uniform story and Ruggie acting like Leona’s maid, perhaps Ruggie’s problem is something like he keeps taking on burdens? Out of everyone who lives in his slums, he’s likely the only one going to a prestigious school like NRC. He’s likely well-known there because of that and him bringing back food a lot. Are Ruggie’s ambitions for a good job not only his own ambitions, but that of the whole community? I’ve always been a bit confused about why Ruggie helps Leona out outside of the magift tournament stuff. Is he... so used to having to help others and constantly take on jobs that his standards for what’s reasonable work are gone? I just went through the chats and in Jack’s one with Ruggie, Jack is telling him about having to find something to draw for a homework assignment and Ruggie immediately offers to go get his warthog piggy bank. Bruh?? Doesn’t that have your money? Why are you just lending it out like that????

Alright, because Ruggie is a guy who needs to chill and have some me-time, I’m narrowing his class down to rogue, maid, or knight. For aspects, I’m thinking life (energy & luxury), time (action & death), or blood (community & responsibility).

On second thought, I’m kicking out maid and blood. Rogue & knight and life & time seem to fit Ruggie better. And now my best guess is rogue of life. First, he obviously fits the stealing aspect of the class through his skill at stealing. Like how a rogue redistributes things, Ruggie obtains money/food to redistribute to the others in the slums. He also injured the people in chapter 2, basically taking life from them, which resulted in Savanaclaw's chances of winning the tournament getting stronger. For the tendency of rogues to have a hard time coping with having their aspect, Ruggie has a hard time accepting luxury/relaxation time. He funnels all his resources into efficient causes and his community. Also, in Jack’s dorm outfit personal story where Jack tries to help him out with stuff, Ruggie is distrustful of him and goes out of his way to avoid him.

I didn’t have any sort of eureka moment with this one like I had with the twins, so I’m still unsure about it. However, considering that TWST characters obviously weren’t meant to get crammed into the classpect system, it makes sense that some might not fit perfectly. So, with what I do have, I think that Ruggie is a rogue of life.

[Image description: A banner containing a picture of Jack Howl, the symbol for the mind aspect, and the words “Jack Howl: Page of Mind”]

Jack values honor, strength, and hard work. He believes that people should accomplish things through their own efforts rather than lowly tricks.

Therefore, Jack disapproves of Leona and Ruggie's method of doing things.

In contrast to how Leona and Ruggie use others, Jack sometimes refuses help, like in chapter 2 when he claims he can handle his dorm by himself.

Jack is quite intelligent and insightful, as shown by his comments throughout chapter 3 and his scary outfit personal story.

Jack respects social/group hierarchies and takes care not to disturb order, as shown in his dorm outfit personal story.

Also in his dorm outfit personal story, Jack says that he wants to become someone with a single true purpose.

So, I'm already kind of stumped. He doesn't have any big moments in the spotlight during the main story, so there's not much to go off of there.

We have to start somewhere though. So, first off, I’ll eliminate the destruction classes and theft since he doesn’t do much of either. I’ll also eliminate the knowledge classes since I don’t think he holds any special knowledge of anything.

For potential aspects, after eliminating the ones that seem mostly irrelevant to him, I’m left with mind, heart, hope, rage, or blood. The 2 that particularly stick out to me are mind and heart.

Mind is the aspect of logic, unbiasedness, morality, and blending in. For Jack, his strong focus on justice even when it means going against someone he once admired seems very mind-like. His care in not stepping out of line in social situations also relates to blending in. Of course, we should still keep mind’s opposite, heart, in consideration.

Now that I’m pretty confident his aspect is mind or heart, we’re left with 12 possible classpects. I still can’t narrow it down well, let’s go back to Jack’s traits.

What challenges does he face or have to overcome? In the main story, the problem he faces is trying to correct the injustice in his dorm by himself. In his dorm outfit story, the problem he faces is being over zealous about helping Ruggie. Wait, actually, that’s not right. Though that is a problem, it seems like the main growth/realization for Jack is about his motivation for helping Ruggie. When questioned by Ruggie in part 1, he mainly cites the group hierarchy as the reasons for his actions. However, later on, Deuce deduces (haha) that Jack looks up to Ruggie like a big brother. Though Jack denies it, at the end of the story he asks if Ruggie would let him call him big bro.

It’s like he is concerned about justice and social harmony (mind stuff), but in reality he does stuff according to his impulses and emotions (heart stuff). This doesn’t feel like a prince/bard situation though, it isn’t dysfunctional or destructive enough for that. I thought that the pages of the cast might be Epel and/or Sebek, but it seems that Jack may be a page.

Pages, the passive exploitation class, are characterized by a deficit in their aspect that they try to hide and overcome. Like how Jack takes his service of Ruggie too far, pages often overshoot in their efforts to correct their weakness. However, as they grow and learn from their mistakes, pages become masters of their aspect, like in Jack’s scary outfit story where he starts out with a bad idea then at the end develops it into a sound plan to scare the tourists. That also fits well with mind, since smoke and mirrors is another big part of that aspect.

Therefore, with how well this class seems to fit with Jack’s actions and motivations, I think that he is probably a page of mind.

#twst #twisted wonderland #classpect #savanaclaw #leona kingscholar #ruggie bucchi #jack howl #homestuck #twst analysis

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olivinesea · 3 years

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A Mixed Blessing

Chapter List

chapter eight: starting to rust

a/n: Just barely coming in at under a month, oops. I think I’m going to take a break from this one for now, it seems to be a little too much while my thoughts are occupied with school things. When I planned this all out originally, this chapter was a possible ending point but then I got ambitious and there’s quite a bit more plotted out after this. But it might be a while before I come back to it, we’ll see. Anyway, thanks for coming along for all the torture, I know it wasn’t a pleasant time but the hurt can be nice occasionally? I’ll try to write something a little kinder in the future. Warnings for all the same things —substances, abuse, some very dark thoughts and themes. ~5.7k

Aaron tries to keep it all together but the world is indifferent.

He tried to stay away, he really did. As if he could see into the future, he could imagine how quickly he would tarnish her smile, could picture it fading right in front of him. He had nightmares where Haley sat, unresponsive and slowly dissolving. But she was insistent, seeking him out, towing him along with her through her day. She’d find him at lunch and push half a sandwich at him once she realized he hadn’t brought anything to eat. Brought him along after school to loiter in the sun with the other theater kids killing time between the end of class and the start of rehearsals, loudly asserting their presence on the world. Aaron hung back, uncomfortable around such casual chaos, everyone moving too fast, speaking too loudly. Compared to his world, Haley’s life was bright, unrestrained, and viscerally present. He didn’t fit there. He stuck out in his silence, dressed in his dark clothes, still too big on him though he was finally starting to grow.

The other kids eyed him suspiciously, muttering quietly about him when they thought he couldn’t hear. Only Haley’s position at the top of whatever social apparatus they operated by kept them from outright excluding him. He didn’t mind too much, he’d heard worse, what did he care what these kids thought of him anyway? What did they know with their golden lives, their excitement, their expectations for the future? Haley’s people believed that the world was for them, would provide what they wanted when they wanted. He found it odd, watching them as they screeched and tackled each other, a blur of color so jarring he had to squint.

He could feel how his difference was noted, their eyes making the back of his neck itch. More than once he tried to disappear but every time Haley slipped her hand into his, squeezing gently, pulling him back toward the group. She’d smile, encouraging, her belief that it would all work out, that he could assimilate given enough time, was unwavering. Her optimism baffled him, sometimes even irritated him. He would inevitably feel guilty about that. Surely it was ungrateful for him to find fault in this girl who had welcomed him when there was absolutely no need for her to do so.

Not everyone was tolerant of Aaron’s presence. The drama teacher regarded him with suspicion, allowing him to stay but making it clear that she was doing him a favor. It helped that he was able to sing, shoring up the weak lower register of the female dominated cast. He was given a minor role, nothing too complicated, nothing that would embarrass them if he failed, as she assumed he would. Some of the other kids caught on to this disapproval, emboldened by it they became less subtle in the ways that they mocked him. Aaron tried to mind his own business, even skipping out on rehearsals when the attention became too much. But Haley inevitably found him, running to catch him after school as he tried to escape out a side door. She dragged him back again and again, refusing to give up on him. Insisting she had seen something special, something she thought she could coax out if given enough time—like a stray dog, so used to mistreatment that he bristled when people came near but still craved affection.

He followed reluctantly, acutely conscious of the growing dislike, mutiny thickening the air. Everything was too sharp these days, he’d lost his sources for getting high. All he had were his cigarettes, too afraid to steal alcohol from his father. He desperately wanted to go back into the woods, to fall back under the quiet spell of muffled words about nothing, watching the light filter through the branches, sparkling as the leaves moved with the breeze. He hated it here, in the building, surrounded by these people with their constant need to be heard, each louder than the last. The smells of the theater, new paint and old fabrics and so much dust made it hard to breath. The too bright lights, unnaturally hot against his skin, and the way every sound echoed made his head ache. He’d be long gone if it wasn’t for the way Haley’s touch made his heart skip, her fingers lightly brushing across his arm to get his attention. Or the way she looped her arm through his as she caught him in the hallway and insisted on walking with him to class, leading him along her sheltered path.

Aaron wondered at the lightness of her head rested against his shoulder as they sat in the grass, sticking her tongue out at something stupid another kid said, then smiling when she heard his smothered laughter. He let his attention drift, eyes wandering until he saw a group in the distance. He watched as they moved away from school, easily guessing where they were headed. He felt a pang of longing as he watched them leave, wishing he could still be part of that. He wasn’t sure he had been happy with Cole but he had at least felt like he was in the right place, like he had found someone who understood him. No one here was like him, no one less so than Haley. He was attracted to her in a different way, fascinated at how she viewed the world and how the world viewed her. He’d never known anyone who moved so easily through life, who was loved and desired by everyone she met. He couldn’t begin to imagine what that felt like though he agreed with the rest of them, she was something special. He didn’t understand why she wanted him around but he wasn’t going to contradict her. Still, he wished to be gone with the group as they sought out unobserved spaces.

“Aaron?” Haley squeezed his knee, drawing his attention back.

“Hmm?” He had no idea what she had been saying.

“Do you want to come to Mike’s house after rehearsal tonight? His parents are out of town.”

Aaron looked dubiously across the group at Mike, someone who was clear in his dislike of Aaron.

“Please?”

Aaron shrugged a shoulder, shifting uncomfortably and causing Haley to sit up.

“It’ll be fun. And it’ll be good for you to get to know everyone a little better. You’re so quiet all the time.”

“I don’t think he likes me very much,” Aaron murmured, watching as Mike narrowed his eyes in their direction.

“Don’t be silly,” she said as she hopped up. “C’mon, let’s go inside, it’s almost time.”

He looked up at her, now standing above him. Their eyes met and she smiled. She was pleased with how much he’d been softening. It had only been a few weeks and already he seemed more comfortable, at least with her. She congratulated herself a little, privately, on her success. People had gone out of their way to warn her when she started hanging out with him, bringing him places with her. He was bad, he was dangerous, he would hurt her. But she knew, had known from that first time she saw him looking at her, he wouldn’t hurt her, not ever. He wasn’t so complicated, she reasoned, they were all just scared away by his dark features, his perpetual scowl, the whispered rumors about his family. She, Haley Brooks, was better than that, deeper and more sympathetic. He wouldn’t be the first broken creature she’d healed, but he would be her biggest project yet. She didn’t imagine it could be that hard. Everyone was always happier around her, she could fix this.

He sighed, shaking his head and stood up. Sometimes he could see her watching him and he wasn’t sure he liked the look on her face. Like she was assessing him, marking his progress along some scale she had in her mind. Noting when he ate, when he was rested, when he laughed. He felt a little bit like an animal in a laboratory. But then she would smile at him and he forgot all his hesitation, forgot how he disliked being watched, how much he hated people thinking they knew what he needed. No one had ever cared like her before and he wasn’t sure what she expected in return. But he let himself forget all that and follow her where she led for another chance at that smile, another chance to hear her say his name, sounding so different coming from her lips that it might be a different name entirely.

One of her friends, already halfway back to the building, called Haley’s name and she skipped over to her, confident that Aaron would follow. He watched her go before turning back to pick up his backpack. When he straightened up, Mike was standing very close to him. Aaron wondered at how he’d moved so quickly.

“I hope you don’t think you’re coming to my house, loser.”

Aaron stared at him, debating what to do. He didn’t particularly want to go to this party, he’d really prefer not to go. But Haley had invited him and he didn’t like the way this guy was always looking at her possessively, then looking at Aaron like he’d like to strangle him. Not exactly subtle.

Mike stepped in closer. “Did you hear me? Or are you too high?” He turned to his friends and forced a laugh, “Maybe you shouldn’t have fried your brain with your little homo boyfriend.”

Aaron didn’t think, he just reacted, fist swinging up and punching the other boy in the jaw. He stumbled back, holding a hand to his face, eyes frozen wide in shock. Aaron didn’t pause, only advanced on him, swinging again. It felt good, the anger that was always simmering in his chest, the anger he only barely distracted himself from, finally had an outlet. It probably wasn’t a fair fight, Mike had been expecting Aaron to quietly take the insults as he’d been doing, pretending to ignore them as they needled him whenever Haley was out of earshot. But this insult was too far. More of a mean jab in the dark than an actual accusation, his words had hit a nerve and unlocked a force within Aaron.

Once he landed the first punch, his vision clouded over with anger and he continued to swing at the other kid. The other boys quickly jumped in, once the surprise of seeing Aaron actually fight back wore off, once they realized he meant to do real harm to their friend. He already had Mike pinned on the ground, lip bleeding, hands covering his face, before two more of his friends managed to drag Aaron off. He swung at them too, no technique but plenty of experience on the receiving end. He knew what would hurt and he had enough rage to power him through a dozen opponents. One of the others pulled him off balance, using his grip on Aaron’s wrist to fling him to the side. They blocked his path to Mike, who was scrambling backward on the grass, putting more distance between himself and this suddenly rabid opponent. Breathing hard, Aaron glared at the group, realizing he didn’t have enough strength to overpower them all, despite his murderous desire. He spit in their direction, then grabbed his bag and stalked away.

He didn’t have to think about where he was going. There was only one place to go. He’d tried to be a part of the regular world, a part of a world where time continued evenly, where lights turned on when it was dark and spotlights burned brightest on those with merit. He’d tried to fit himself into that space for Haley’s sake but he had only been fooling himself. They’d known he didn’t belong and he’d finally overstayed his welcome. It was time for him to retreat to the unlit corners of the world, return to the margins of society where people could avert their eyes, where it was easier for them to pretend they didn’t see the wrongness of the boy in front of them. He’d go back to the place in the woods and hope there was someone there that could give him what he wanted, could help him disconnect from this too bright reality. He was as sick of it as they were of him. He allowed himself a brief flicker of hope that he might find Cole out there, with his understanding and their shared history he didn’t have to think about his walls so much. But he stomped down hard on that desire, reminding himself how he had still ended up alone. No, it didn’t need to be Cole, it didn’t need to be anyone in particular, as long as they had something to get him high he didn’t care. It wouldn’t matter for very long anyway.

He crashed across the grass, his anger making his steps heavier, his thoughts louder. He didn’t realize he was being followed, that someone was calling his name. He didn’t notice until there was a hand tugging at the elbow of his jacket. He spun around fast, ready to fight. Haley shrank back at the anger in his face, the wildness in his eyes. He clenched his fists when he recognized her, trying and failing to pull back the storm of emotion that had been knocked loose. He never wanted to scare her but she was following where she didn’t belong. He only had so much control.

“Go away.”

“Are you hurt? Where are you going? Why’d you attack—”

She didn’t even have the question fully formed before he turned and started walking again, unwilling to be accused of something that wasn’t remotely his fault. He didn’t like the way it stung him, hearing that she assumed his guilt. He didn’t like that he’d let her get so close, let her have such influence over him. She ran a little to get ahead of him, taking a deep breath to steady herself. She was frightened by his fury, but she wouldn’t let him go this easily. Not after she’d spent so many hours persuading him to join her world.

“Aaron.”

He stopped short when he heard his name, looked at her with some of his anger melting into sadness, feeling betrayed even though he knew he had no one to blame but himself.

“I didn’t start it,” he could barely get the words out, hated how much he wanted her to believe him, hated that he had to explain himself.

She rubbed her face, trying to think as she pressed her palm against her lips. She found she was more frightened of this new emotion than she was of the anger. He looked so hopeless.

“I’m sorry, I just…” she didn’t know what to say now that she’d gotten him to stop, now that she could see past the heated front of anger and could see some of the broken edges he did so much to hide. Wasn’t this what she’d been asking for?

He watched her struggle with what to say, saw the moment the pity started to creep into her eyes. Before she could say anything else, before she could make him feel worse, he started walking again, pushing past her. “Just leave me alone,” he muttered. He didn’t bother to check if she followed.

When he reached the clearing it was empty except for one person stretched out on a broken down couch. At first all he could see was the back of their head, the dirty blond hair sticking up in places. The recognition was a visceral feeling, clawing through his chest. He almost couldn’t believe it was real, that he was getting exactly what he hoped for. Cole sat up when he heard Aaron’s heavy footsteps cracking through the dead leaves and sticks littering the ground. He remained seated, looking at Aaron idly, as if no time had passed, as if he’d only been waiting for Aaron to turn up after class. Aaron felt so many conflicting emotions, had so many things he wanted to say that he could only stand with his jaw clenched against the flood of words he knew he would regret. Cole twitched the corner of his mouth in a slightly mocking smile and Aaron snapped. He grabbed Cole by the collar, pulling him to his feet, unsure whether he meant to strangle him or kiss him. Cole’s gaze shifted to look behind him.

“Why’d you bring your girlfriend with you?”

Too caught up in the charge of the moment, Aaron didn’t understand what he was talking about. Cole pulled away and lifted his chin in the direction he was facing. Aaron turned and saw Haley. She’d continued to follow him, concerned about what he was planning on doing, haunted by the hollowed out look in his eyes. She stood, apprehensive, eyes darting between the two.

He scowled. “Go back to school Haley.”

“But—are you okay?” She stumbled over her words, staring openly at Cole. She’d seen him in the distance, even noticed how Aaron sometimes watched him when their paths crossed. He looked even more menacing up close.

“I’m fine.” His mouth pressed together, biting his lower lip to keep his composure. He didn’t understand why she was being so persistent, why she wouldn’t just go away like everyone else. When she still hesitated he got impatient. There were things he needed to handle and he didn’t need her here getting in the way. He waved his hand at her, brushing away her attention. “I’ll see you tomorrow, okay?”

From behind him Cole fluttered his fingers at her with false sweetness. She hated the way he was grinning at her, his obvious confidence that he was the one in charge of the situation. She glared at him and he laughed.

She looked one more time at Aaron, who was no longer paying attention to her, had turned back to Cole entirely. She shook her head. Fine, if he wanted this it was hardly her problem. What did she even know of his life anyway? Trying not to feel like she’d lost, she retraced the path back to school.

As soon as she was out of earshot, Aaron started in on Cole. His thoughts were disorganized and barely coherent but he’d spent weeks trying to understand the sudden distance. He needed Cole to explain, to know his reasons for turning on him so quickly after all that they’d shared.

“What the fuck—” He hadn’t finished his question before Cole clamped his hand over his mouth.

“Shut up.”

Their eyes met and there was a mental struggle for the upper hand. One thing that had changed in the past few weeks was Aaron’s strength. No longer constantly submerged in a haze of intoxication, he felt everything more pointedly and he was ready to direct that pain elsewhere. He wanted to bite Cole, to scratch at his face, to scream at him for way he’d been abandoned, the sickness and shame he’d had to endure on his own. But the warmth of Cole’s palm, the familiar smell of his skin, the muscle memory of being in this exact position was too much. He relented almost instantly, sinking into the couch, pulling his knees up against his chest and waiting to see what Cole would do next.

Cole watched him thoughtfully, interested by this new spark of resistance but also pleased that he hadn’t made it too far on his own. A little fight kept things interesting, staved off the boredom Cole so often felt. It was probably that girl he’d been with, giving him ideas. He could see he’d have to do some damage control to bring Aaron back completely.

“I’m sorry,” he looked down, measuring drops of sincerity. “My grandma, she saw…she said she was going to report you.”

Aaron was confused, he didn’t know exactly what she could report about him but he heard the edge in Cole’s voice, knew better than to dig deeper. Cole sat down beside him, pulling one of his hands loose from where he’d wrapped it tightly around his legs. He traced Aaron’s palm with his thumb, looking into his face again.

“You know I didn’t mean it right? I didn’t have a choice.”

Aaron recoiled, sickened by the number of times those words had echoed through his life. Worse though was how easily he was willing to give into them if it only meant he could have back a little of that warmth he had found. He ducked his head and shrugged.

Cole squeezed his hand. “Good, cause I think I’ve got something you’ll like.” He let go and dug around in the couch cushions, pulling out a crumpled paper bag. When he smiled at Aaron, that familiar greedy smile, Aaron admitted to himself that he wasn’t here to fight with Cole, that he had never been coming for that. This was all he wanted, was all he was good for: to be lied to and to be led astray. He didn’t mind as long as he didn’t have to be fully present for it. He sat up a little straighter.

“Alright, let’s do it.”

They fell back in with one another but it remained uneasy. Aaron was still not allowed back at Cole’s house and he was afraid to miss too much class. Lately his father had been grumbling about sending him away and he wasn’t entirely sure he meant away to live somewhere else or away from life entirely. There were no peaceful interactions between them, only lucky days where Aaron successfully avoided being seen. A sudden increase in truancy calls would not work out well for him. If he had been a little more mature, a little less caught up in his own teenage drama, he might have noticed the changes in his father’s face, the way the lines grew deeper as his frame grew thinner. As it was he only noticed as much as he needed to know to keep himself out of the direct path of destruction. He once might have cared to notice his mother crying more, even when his father wasn’t there to be the cause of it but he was long past feeling any sort of connection to her. If she was troubled, she could find someone else to support her. She certainly hadn’t done anything to help him all these years. Nothing that he could see.

At school Haley continued to pester him. She stood up for him against the accusations that he had attacked Matt for no reason so he was still allowed at play rehearsals. He went grudgingly, only because he couldn’t shake the way he felt bewitched by Haley. Now he tried even harder to stay out of any social situations, to keep things strictly professional with the group of theater kids. However, he couldn’t help but enjoy Haley’s company at lunch and in between classes. Much as Aaron had disliked her friends, he couldn’t resist the brilliance of her personality. She made him feel like being a whole person was possible, made him forget for a few moments what he really was. She may have made him a little uncomfortable but she was relentlessly kind, and he was more than expert at keeping things hidden so he let her think she was doing some good as she badgered him into eating more and forced him to study. Even if it was only pretend, they were both getting something from it.

Only after the school day was over would he would slink away to the woods where he’d meet Cole. Cole still wasn’t speaking to him on campus, too aware of how their obvious closeness before had been risky. He hadn’t changed in their time apart either, his mood still swinging wildly from affection to disgust. It didn’t feel great but Aaron needed him, needed what Cole could give him. Attention and a steady supply of drugs. He didn’t have to worry about his insufficiencies around Cole, they were too similar for him to care about hiding the difficult parts of his life, didn’t have to worry about being pitied, about someone trying to fix him. They’d dragged more furniture into the abandoned shed, found an old metal trashcan they could burn things in to warm the place as the months crept deeper into the dark end of the year.

By the time Aaron’s sixteenth birthday came and went he felt like he was leading a completely fractured life. At home he was a ghost at best, a target when not; with Haley a treasured curiosity, constantly examined and prodded into a more acceptable shape; and with Cole, he was himself, angry and violent but self-medicated to the point where none of it mattered. Any gentleness that had existed between them over the summer was gone, every interaction was rough and scrambling, followed by a shame that only dissipated once the high kicked in.

It became harder to hold all the pieces together. He would look at himself in the mirror and struggle to remember his own name. He started smoking pot during the day again, just to ease some of the jarring transitions. At lunch, Haley talked and talked and he wouldn’t notice when she asked him a question until she poked him in the bicep and he jumped like a startled cat. When she tried to ask him about it he got annoyed, snapping at her and walking away from school, not caring that it was the middle of the day and that this bad choice was sure to come back to him that evening.

The show opening got closer as he missed more rehearsals. He missed so many that he didn’t know what he should be doing when he was there, very obviously sticking out when he went one way while the rest of the corps moved in the other direction. The drama teacher pulled him aside, giving him an ultimatum that he needed to be present at every subsequent rehearsal or he would be cut. Not so secretly hoping this would be enough to get him to leave. He started to say he didn’t give a shit about her stupid play when he saw Haley anxiously watching their conversation and swallowed his insults, only nodding, looking away so the teacher wouldn’t see his contempt for someone who could think something like a high school play mattered at all.

He made it to all the rehearsals but he was sure to be high, not enough that he would be caught but enough to be clear that it didn’t matter to him if he did. He wasn’t sure why he continued to come, why Haley had such a pull on him. It didn’t make sense that he wanted so badly to make her happy when she was so different, so far removed from everything else in his life. Maybe it was that he knew that without her, there was nothing tying him to the regular world, the place of school and society and jobs and futures. She was the only person that seemed to care if he was around, an emotion he was long past feeling for himself. She was the last reminder that he was a human being, that he mattered to someone. It was the only thing standing between him and completely giving in to the destructive force that had been whispering promises of an easy solution to his problems.

It was just enough to keep him behaved around these people who hated him without knowing anything about him. They hated what he represented, hated the way he forced them to see that the world could be ugly and painful. They were offended that he dared to show himself among the normal people when he so clearly belonged to the underside. He kept quiet and kept close to Haley when he was at school, when he was in the theater. He wore the stupid costume, the silly hat, followed the directions barked at him, sang just loud enough to carry the rest. Then he slipped away as soon as he was able.

The week of the opening performance was a bad one. Cole, having recently gotten his hands on some speed, was off on a manic high. Aaron had tried it once but hated the way the uppers spiked his anxiety, the way he felt every eye on him like his skin had turned inside out. After that first time he had declined, preferring to find oblivion in whatever downers were available. But Cole liked it quite a bit. It made his already unpredictable nature even worse, even more dangerous. He’d spend these highs running all over town, breaking car windows for fun, stealing anything worth a couple dollars. Aaron hated it and did his best to hide from him while he was strung out like that.

The afternoon of the show’s opening he’d gone to an old, private hiding spot after school with the intention of getting so stoned he couldn’t feel anything that might come his way later. He succeeded only to remember belatedly what day it was. Haley had tried to remind him several times during the day but he’d been too high, too distracted to listen. Swearing, he ran back to school, not sure what time it was or what time he was supposed to have been there.

The house lights were already off, the audience quiet as the opening bars played. He raced to get into his costume, having to re-button his shirt more than once as the tiny objects refused to line up properly. He gripped his hat as he stumbled into the wings to the sound of the chorus coming in—the chorus he was supposed to be a part of. He thought he could probably just slide onto the end of the line without attracting too much attention. Unfortunately, he found his path blocked by the drama teacher, her face dark and angry, completely out of patience for this mess of a teenager. She stared at him, his eyes red and glassy, skin pale, insultingly obvious in his intoxication.

“No.”

He looked at her unfazed, barely registering her as more than an object to move around. When he tried to step past her, she blocked him again.

“Go home Aaron,” her voice was quiet but unfriendly.

He shook his head, “I’m going to miss my cue.”

She frowned, surprised that he was aware enough to even know when his part was. “You’re high, you can’t be on school property.”

Aaron glanced into her face now, paying attention. No teacher had ever mentioned being able to tell he was not sober before.

“If you don’t leave now, I will call the police.”

He stepped back, narrowing his eyes, gauging how serious she was, if she would really draw that much attention to the situation. Her expression didn’t change and he could tell she meant it. He looked past her once more, seeing Haley step forward into the spotlight to begin her solo. His heart twisted, thinking about how disappointed she’d be that he couldn’t make this happen for her. He’d tried, tried so hard to keep it together for this. She’d been so excited and even though he couldn’t feel any of that, he liked the way it lit up her face when she talked about the performance, about how her parents and her sister would be in the audience, about how she wanted them to meet him. He’d never planned on staying for that but he’d wanted to at least be part of the show, to at least give her that.

“Now, Hotchner,” she insisted, voice cold and unsympathetic. He shrugged and tossed the hat on the ground by her feet before turning and walking out.

He headed straight for the shed, knowing there were supplies there that he had slowly siphoned away when Cole was too high to notice. He’d been saving them, watching his little stockpile grow larger. He wasn’t sure exactly what he was saving it for, exactly what his intention was but now seemed as good a time as any to find out. He hoped Cole wasn’t there, at least not until he could get his fix. Nothing would matter then.

Once inside he turned on the camp lantern he’d stolen and climbed onto a rickety chair to reach the seam between the roof and the wall. He pulled out his supplies, examining them as he settled back down on the dirty old cushions on the floor and wrapped a blanket around himself. It was an old army surplus thing, scratchy and smelling of smoke but effective against the chill. He considered his options. There was a good amount in there, probably enough for two people if he waited for Cole to turn up. He could maybe ease him out of his frenzy, bring him down to Aaron’s level, to the place where they could float through time without moving, without worrying. He thought about the last time he’d seen him, the way his eyes had moved past him without any real recognition. He thought about the dark purple bruises on his wrist where Cole had grabbed him, twisting his arm and insisting Aaron give him whatever money he had.

Fuck him, he decided.

Cole would probably be angry if he came here and found Aaron high without him, would be suspicious of how that had come to be. He would probably regret not leaving any for him but just at that moment he didn’t care. Hurt and love and shame and desire were all the same to him, all more than he wanted to feel. He just wanted to feel nothing. He set himself up quickly, well practiced and sure of his movements. He glanced around the shed once, really seeing his surroundings, seeing how far he had sunk and he laughed as he pressed the plunger down. Anyone who heard him would have been alarmed, the sound more like an animal caught in a trap than an expression of human joy. His last thought as he sank back into the ground was that it really was too much for one person. Too much to be doing alone. Then he got what he wanted and everything was just black.

#criminal minds fanfiction #aaron hotchner #young hotch #young haley brooks #tw substances #tw abuse #a mixed blessing

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slashingdisneypasta · 3 years

Note

Hi! If you don't mind could you write me some headcanons about being bff with some female cp's? Like Jane, Nina, Clockwork, Nurse Ann...?

One of my best friends is called one of these names so it was odd to write XD Some headcanon’s were totally true about her as well, and some definitely were n o t. XD

Anyway I’m not sure how comprehensive this is since I just kinda spewed it all out so, uh… I hope you like them! 😅

~~~

Clockwork:

· Natalie stays at your house all the time and eats all your food. Girl has a FAST metabolism so you cannot tell, but she eats e v e r y t h i n g.

· She doesn’t even have a key to your home, you just come home from everyday activities and she’s slumped in your couch cushions watching TV and there’s a pool on your bathroom floor from her shower and- oh, she has also ordered pizza so get your wallet out.

· You just squint/glare at her before flopping on the couch beside her. She hands you the remote and gets comfier by you.

· Even when you have a romantic interest over, she is there at your house, comfortable on the couch playing games on your phone as you walk your ‘friend’ to your room.

· It’s not all frustrating though, she’s always there to protect you. There have been multiple burglaries that she has intercepted and ‘taken care of’. She’s honestly like a guard dog who also has an excellent sense of humour.

· And don’t think she just wants you around for your apartment and money. Nay nayyyyyy nay. She tells you all about the Creepypasta drama and what’s going on at the mansion, even though you aren’t apart of that life.

· And she calls when she’s away. Just calls up to talk to you.

· You two are the kind of friends that don’t need to talk to each other all the time. In fact, you agree that talking to people all the time is annoying and too much trouble, and you could totally go without each other for days (Weeks even) if either of you were busy! But… without either of you even realising, you always end up contacting each other in one way or another every day, anyway. Its easy with you two. No romantic relationship could compare.

· She was the groom and you were the bride in your make-believe weddings and mums and dads games as kids.

· On Toby: “Okay Nat, I like Toby but I hope you know, if he hurts you… well there is absolutely nothing I can do to wreak revenge on your behalf, as he is a duo hatchet wielding psychopath, except maybe give him a stink eye. … When he is looking away and therefore cannot see the stink eye.”

· More on the Toby subject: Clockwork once took you to Slender Mansion (Cuz you were targeted by a botched victim of hers because she cares about you and she wanted you close by to keep you safe until she could, like, finish killing the guy and all. Whatever though, no biggie. Pft, At least that’s how she made it out to be.) and she had to leave you for a moment so she handcuffed you and Toby together because he’s the only one she could trust to watch you.

· It was very awkward for the two of you, but definitely a bonding experience. You were both very happy to see Clocky come back though.

· HORROR. The world of horror is your favourite genre together. Supernatural horror, slashers, basement dwellers, vampires, werewolves, the blob, stalkers, murderers, psychological horror, black and white, colour, movies, tv shows, books- whatever. You two get so excited to experience new fictional horror.

Jane The Killer:

· If you’re into boys, let me tell you right away- Jane is very critical of their actions. She was at a very influential time in her life (Especially concerning boys and girls and romance) when she met Jeff and Liu. She met those boys, thought ‘Oh, they’re cute. Maybe budding crush?’, and then Jeff killed her family, burnt down her home and ruined her life and Liu became an asshole, and now the male species has been, sorta… tainted. She knows there are good ones (In fact, m a n y boys are lovely, of course.), but one’s that you’re in romantic cahoots with are always going to be under her very watchful eye anyway so she doesn’t really bother to hold back her fear (Which translates into dislike… or hate) with them. So if you have boy problems, be careful. Provided you like this/these guy/s, at least. If you don’t like them, then she’s the perfect person to go to!

· If you are a boy, then- of course, none of this applies to you. She loves you. Don’t worry. You’re her best friend!

· Girls are an entirely different situation though of course. Jane drinks that love women juice every single day.

· Jane is really good with altering clothes, so she’s the one you go to when you need help hemming something or taking something in. She likes to do it, too. Quality best friend time while not being lazy.

· Speaking of her hating to be lazy… This does not apply at night. Nighttime is a whole other ballgame. Its bedtime by 7 for her if you don’t lock her into plans a week in advance. If she is braless and in her P.J’s, you will not be able to peel her from her home. Except for snacks, but even if she goes to the grocery store, she’s not getting changed and she’s going to wear her bunny slippers.

· You two watch so many cartoons together. Gravity Falls, Star Vs The Forces of Evil, Over The Garden Hedge, Villainous, Looney Tunes, Ducktales, etc. Any and all that you can get your hands on.

· You two are prepared to get platonically married, for any reason. Like, you need to stay in the country? Married; You’re staying. You’re the only one who can testify against hr in the court of law? Married, so by law you don’t have to. One of you accidentally planted yourselves with a kid and (Cuz you’re ride or die for each other, obviously), you’re gonna parent the child together and cuz of religious beliefs one of your would feel better about raising them together with a wedding band? Married.

· Jane doesn’t drink, so when/if you get drunk she’s always there to keep you safe.

· Jane also gets friend-jealous, a lot. Like, that bitch just called you her best friend, Y/N. Is she your best friend? I thought I was. So who is it, Y/N? Me or her? HM? (She is prepared to turn up to wherever you and this person are hanging, all glamorous and cool as she is, and show off. Prove she’s a way better friend then this new person so they back off).

· When you were little, she was the bride and you were the groom in your wedding/marriage/mums and dads games.

Nina The Killer:

· You have known her for both your entire lives and there have been iffy, and dark times but through hell and high water you have stuck with her. You love her. She’s your girl, you are her person too. You will be with her, and protect her from anything.

· You are the only one in the world that loves her, really. You may not quite understand her weirdness, but you stick with her anyway because you love her.

· Just like- baseline of your friendship is being ride or die for each other.

· You were also really into Jeff, but at a more… healthy? Level? Like, you were still romantically interested in a real-life murderer, but you wouldn’t have done anything about it. You wouldn’t hurt anyone (Except to protect others) or victim blame, or contact the victims (Dear God) or whatever, but you would take peaks at fanfiction and gab with Nina about it. I mean, it’s not grand, but in comparison to Nina, hah… you were harmless.

· Now though, that you’ve met him and he is the reason your bets friend is so hurt and broken, you are not the fondest of him. I mean, you still have a place in your heart for the version of him you and Nina made up in your heads (The version that Nina still believes is real) but that isn’t the real him. Jeff Woods is an ass. You need to keep your friend safe from him.

· And uh… so nowadays… occasionally, you will find out where Jeff is (You keep an ear out) and, you know, just… lie your ass off to Nina. Yep. You tell her you heard that he’s in the opposite direction than he is so that she’ll unknowingly put more distance between him and her.

· Yes. It’s a lie, but… its for the greater good! It’s for Nina’s mental health and physical safety.

· Anyway, moving on to lighter things.

· In your make believe mums and dads/’grown up’ games that you would play together as kids, you were a single parent and she was the dog.

· She will lie for you in an instant. She’s also really good at it.

· You walked into a room once and saw she was drawing something, and it turned out to be your joint tombstone. She has not let this go- you will be buried in the same plot together, if it is the last thing she does. This is slightly concerning, but… also kind of cute. You can roll with it.

· “What if I get married or have kids?”

· “They will need to apply with me to join. There will be an interview process.”

· ‘What about pets?”

· “Oh, they can come in! No fee!”

· Do not underestimate her weight. If she doesn’t want you to leave, she will hold onto your leg and go deadweight, and you will s t r u g g l e.

· Nina talks to herself, but she acts like the person she’s talking to is another person, inside her mind. You both know its not, but you refer to the other girl as Agnes anyway. Super casual.

· Follows you when you go on dates (At least the first one with someone)to make sure all goes well and texts you rapid fire when she smells something fishy. Even the smallest thing.

· You two really love dystopian teen fiction. Divergent? Matched? Hunger Games? Maze Runner? Ugles? Alllllll. You consume them and then watch the movies/tv shows too.

Nurse Ann:

· Live-in medical services! This means you can get really cheap life insurance and not worry about it to much.

· And on the topic of insurance… Ann is super smart, and organised, and just really awesome at practical stuff like that. Insurance, bills, mortgages, any kind of forms and receipts. And she’s happy to sit down and help you go through it- and, as we all know, everything is better when it’s with a friend you feel comfortable with.

· You can tell Ann anything and she’ll just roll with it. No judgment. Either she takes it and lets you talk about it or she just acknowledges it and moves on.

· Like Jane, Ann has very little patience for boy problems. In fact, she has zero time for it. Boys? Girls? No thank you. So if you’re into boys, I have some bad news for you.

· Best friend maintenance. Occasionally, Ann will over work herself (with murder) and you will need to guide her to relaxation. Gently persuade her to sit down at the dinner table and just make idle chit chat with her every now and then as you make her a good, hearty meal (Or as good as you can do XD Anything between Beefy stew and a Cheese toastie will work fine, don’t worry. She’s not picky at all), and then watch some movies with her. No phones, no knitting, no drawing, no… whatever. No other activities except TV watching! She needs to rest. I’m always shocked at how relaxing just sitting and watching TV can be. There’s a big difference between doing that and multitasking.

· Ann will call you to pretend there’s an emergency if you want to get out of social engagement.

· A thing that two enjoy together is science fiction. Star Trek (Including the animation), The War of Worlds, the world of Star Wars, Dune, a Handmaids Tail, The 100, Eureka, etc. She loves the brainy stuff.

· Ann is the logical friend, who tries to give the most practical advice and make pros and con lists and everything. And then you go ahead and do the crazy thing, the thing she said definitely would not work and would probably make things worse, and she just face palms and says she’s never getting mixed up in your mess again. … Until the next time, when she totally does.

· “I love you Y/N, but I am not about to walk into a police office and bail you out of jail so do not do that.”

· You trap her into resting by painting her nails (Hands and feet) in her sleep right before her alarm is about to go off so she has to take the morning SLOW or the paint will mess up. She just wakes up, you hold up a sign in front of her face that says ‘NAILS’ and she stops immediately. “You bitch.”

· As kids, of course, the two of you would play make-believe family games and you were both mums (/ or you were the dad). She was the working mum and you were forced to stay home take care the baby (large container of vitamins with a face drawn on).

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fea-warriorheart · 3 years

Text

Another Life

His heart pounds as he edges around the side of the barn, peeking out into the field beyond. There's no sign of his hunter, yet he's not stupid enough to think he's safe.

He's given odd looks as he sneaks across the gap between the buildings, from people and animals alike. One of the horses gives him an indignant huff as he brushes past, and he's probably lucky there's a fence between them.

He's in a bad spot. His hunter knows it better than him. He has to get to familiar ground before-

"Found you!"

Jaskier shrieks as strong arms wrap around his waist, lifting his feet off the ground. He can hear the smug grin as the boy behind him adds, "Too exposed, lark."

The hands dart down his sides, tickling him while also letting his feet touch the ground once more. Jaskier shrieks again, but there's no fear this time; laughter and mirth sound in every sound as he squirms in the stableboy's hold.

"Geralt! Stop it! I yield!"

A soft laugh comes from behind him, and the arms around him loosen, releasing him. Jaskier turns, face flushed and split with a grin as he takes in the redhead before him. Geralt's a good head taller than him, despite only being two years older. While Jaskier spends his days studying and being proper, Geralt spends his split between helping at the estate stables and learning medicinal practices under the watchful eye of his mother. He's lean from winter, as most of the village is, but there's already muscle starting to build back up on his frame with the scraps of food he's given by a sympathetic cook.

Laughter sparkles in Geralt's fern-colored eyes, a feature many might call dull compared to some of the other shades sported by humanoid races, but Jaskier was of the firm belief it fit him perfectly. Geralt was a child of nature, just like his mother, and it was fitting for such a prominent feature to reflect that.

"Julian! Get back here!"

The brunette grimaced at the sharp tone. Geralt's expression instantly smoothed into the neutral stance most of the servants took when a member of the house approached, let alone one of Jaskier's parents.

His father stalked over, scowling at him. "You're late for your lessons. I shouldn't have to come out here and drag you around. It's disgraceful."

Julian bowed his head slightly. "Yes, father. My apologies."

An iron grip latched on to his upper arm. His father sneered at Geralt as he started dragging him back towards the manor. "Get back to work, brat."

Julian didn't risk glancing back. Geralt would only get in further trouble; he knew his father already disliked the boy for being friendly with him, but kept him around because of his old friendship with Visenna. The woman had been there for Jaskier's birth, as well as his two sister's. Plus, Geralt had a way with the animals that no one could quite explain - or replicate - and it was too much trouble in his father's eyes to find and train a new boy for the job.

Geralt is one of the few good things Julian has in his life. He won't risk him by being stupid.

A fierce storm is raging against the windows of the kitchen. Many of the servants are fast asleep, but Jaskier paces the room, worry lines etched into his brow. Geralt is making them both a pot of tea; a messenger had arrived in the early evening, stating that Jaskier's father had been ambushed by bandits and that his location was currently unknown. Despite being reassured by his mother, sleep had not come easy to the young viscount.

Geralt rested a gentle hand on his shoulder, bringing him out of his thoughts, and offered him a steaming cup. "Sit down," he murmured. "You'll do nothing for no one wearing holes into the floorboards."

He sits with a flop, tracing a finger along the edge of the cup as he waits for it to cool a bit. Geralt sits beside him, something they're only allowed to do in moments like this; moments of solitude in a life full of company. "You know I worry."

"Yes. It's why I knew you would seek me out."

Jaskier glances at him. Geralt's coat is drying by the fire; he'd accompanied the messenger to the manor through the storm, soaking both of them through, and his mother had insisted the poor boy stay the night. He'd taken a place by the kitchen fire to stay out of the way, and had been waiting when Jaskier slipped inside.

With Geralt, Jaskier is able to be... well, Jaskier. He's able to laugh and tell stupid jokes and not care about being proper, but only with Geralt. With all others, he must be Julian Alfred Pankratz.

It's no wonder why he feels drawn to the boy.

He sighs softly, leaning against Geralt. "What if they hurt him?"

"He's a hardy man, you know. This isn't the first time he's had to fight."

"That doesn't mean I have to be happy about it."

"I know, lark." Geralt gives him a one-armed hug-squeeze around his shoulders. "He'll be alright. Probably just lost his way in the storm, is all."

Jaskier shrugs miserably, sipping at his tea. They sit in silence for a while; Geralt eventually stands to clean their cups and dry them off. He's placing them back in the cupboard when the door slams open, startling both boys and causing the fire to give a threatening flicker.

Two figures stumble inside; one is unmistakably his father, while the other has broad shoulders and wears a thick cloak, obscuring all but the chestnut beard with gray flecks peppering it. The stranger slams the door shut, bolting it against the wind, and Jaskier's father stands there for a moment, breathing heavily as he takes in the two boys.

The stranger turns, then, and Julian's heart clenches when he sees the Witcher's medallion hanging around his neck. He pulls down the hood of his cloak, golden eyes reflecting the light of the fire. His gaze is on Julian, studying him curiously.

He turns back to Julian's father. "I assume you didn't expect either of them to be here. Which would fulfill your payment."

The man tenses, then shakes his head. "No, I expected my son to be here. He always waits up when I'm late. The stable boy, though- bah. You can take him."

Julian feels his world slow to a halt. When he looks at Geralt, he feels like he's moving through pine resin. The redhead's eyes are wide with shock and fear, and his mouth opens and closes a few times, though no sound leaves him.

"Fine. I doubt I have enough rations to bring both of them with me, anyways." The Witcher turns back to them, crossing his arms. "Your name, boy."

"No!" Julian's voice starts working again, and he stands between them. "You can't take him!"

"Julian," his father hisses, storming over to him and yanking him away. "He claimed the Law of Surprise for saving my life. It must be fulfilled."

"No! He can't take Geralt! Please, father, you can't let him!" Tears burn his eyes. Geralt still isn't moving, still hasn't looked away from the Witcher.

Golden and green gazes snap to them as Julian is backhanded. The Witcher is there in an instant, gripping his father's wrist enough to make the man cry out.

"I don't take kindly to those who would abuse a child for caring for a friend," the Witcher says softly. "Touch him again and lose your hand. Your oath has been fulfilled. Leave us, now."

"Wait." A small voice sounds from the corner where Geralt stands. He's trembling, eyes darting between the Witcher and Julian. "Can I- Can I at least say goodbye?"

Something in the Witcher's face softens, and he steps back, nodding. "Do you have any family?"

"My mother, she lives in the village..."

"You can say farewell to her as well and grab some spare clothes. Make it quick."

The Witcher leans against the fireplace, and Geralt rushes over, wiping at Jaskier's tears with soothing motions. "It's alright, lark. Don't cry... It'll be okay..."

"Geralt... Please, you can't leave me..." Jaskier gripped his shirt, twisting the fabric in his grip. A gentle hand brushes through his hair.

"You know I can't just ignore this, lark... I have to go, but we'll see each other again eventually, yeah...?"

Jaskier sniffles. Geralt lifts his chin, forcing their eyes to meet. He smiles gently, and for the life of him, Jaskier can't help but feel the truth in his words. He nods, even as his bottom lip wobbles. "Yeah."

The Witcher steps in again, a hand on Geralt's shoulder. He hands the boy his coat, and with one last look back, Jaskier's best friend vanishes into the stormy night.

He learns in Oxenfurt how few boys survive the Witcher mutations. He does not want to believe it, but part of him mourns his friend. Geralt was strong, but verging on too old for the Trials; his body would be more likely to reject them than to adapt to them. And besides, Geralt was a farmer, a healer, not a monster hunter.

So Jaskier does his best to move on. But there are nights, often dark with storms, where he curls in on himself and wishes things had happened differently.

He graduates Oxenfurt a master of the arts and top of his class, and then he just... wanders. He plays as a bard in taverns and inns, earning enough coin to stay the night and occasionally buy some new clothes. He takes lovers, but never partners; he loves too much and yet too little, flitting from person to person as his very being rejects each and every one.

He's nineteen, playing in some backwater village. The road there had been harrowing; he had been lucky to join a group of merchants at the last town. A nest of monsters - he wasn't sure what, he hadn't paid attention - had been terrorizing most travelers in small groups for weeks. They'd even been so desperate as to put up a notice for a Witcher.

Despite all of the stories, Jaskier hasn't seen another since that night. He's beginning to wonder if they're just a figment of everyone's collective imagination; perhaps the monsters just kill themselves off or migrate elsewhere when the pickings are slim.

He's just finished a song, collecting some meager coin as the door opens. Jaskier is retreating to his table when a hand rests on his shoulder; his mind runs through anyone he might have pissed off. He hasn't been in town long enough to anger any husbands, fathers or brothers, and no one would have followed him through such a dangerous area. So truly, for the life of him, he doesn't know why-

"Lark."

His world goes still in a way that has happened only once before.

He turns slowly. He's no longer a head shorter; his eyes are about level with his nose. His skin is paler than Jaskier remembers, contrasted with dark armor. A wolf's head gleams above it, snarling at his foes, and two swords are visible on his back.

Snow white hair brushes his shoulders, tied back clumsily. Jaskier can't find the strength to breathe as he finally looks him in the eye.

Gone is the green of ferns and grass in the spring; molten gold takes their place, slitted pupils darting in minuscule movements as he searches Jaskier's face. For all the differences, he's still the same boy - still the stable boy Jaskier knew.

He's still...

Jaskier is breathless as he whispers, "Geralt."

A small smile spreads across the boy's - man's, he's twenty, twenty-one now - face. He takes Jaskier's hand in his, squeezing it gently. "I told you I'd see you again."

//An indulgent thing that I came up with out of the blue. Lost steam at the end which is why it sort of trails off, but hey, if anyone's interested in a part two.... (bold presumption, I know.)

#witcher #jaskier #geralt #geraskier #geralt of rivia #fic #what-if

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bokunoheroanalysisforthefuture · 3 years

Text

Sorry for disappearing! Real life stuff. You all know the feeling.

Gonna finish up the battle training arc~

[No. 10 - Breaking Bakugou]

(Technically there could be a Breaking Bad-kugou joke here. Just saying.)

Character sheet! I love how Katsuki’s described repeatedly as ‘explosively X’ for each part of him. Especially him being explosively petty. Also, confirmed canon that the skin on his palms is especially thick - likely from the callouses from the blowback of his quirk! Which means he might not necessarily be able to feel things under his palm or even fingers, depending on just how thick those callouses are.

(Also pfft, Hori telling Katsuki to pull up his pants already.)

In case you’ve forgotten how big the explosion Katsuki just set off was. Man, just look at all the damage, I’m shocked the building didn’t outright collapse. I mean, I guess buildings are a bit sturdier than movies like to show, but still, all those cracks and faultlines, especially on the neighboring buildings…

Anyways, neither Tenya nor Ochako are prepared for how much the building is rocked by said explosion. Ochako recovers faster and decides to take advantage by tapping her fingers to her palms and then running for the bomb.

(Also, the bottom of her shoes squish. How is that at ALL practical to run around in???)

Tenya realizes what she’s doing and moves to intercept, while Ochako thinks about how all she needs to do to win is to touch the weapon. She leaps over Tenya, having made herself weightless with that previous palm-tap technique (as Tenya realizes out loud), and then dispells it on herself in order to let gravity take her right towards the prize. She mentions as she falls that that special move takes a lot out of her.

Tenya, however, has the speed to yoink the bomb out of her way before she can grab it, shocking her and distracting her so that she makes a tumbled landing, her helmet bouncing away as she rolls back-first into the wall. Tenya notes that her quirk is no threat so long as she can’t touch anything, and slides back into his ‘villain persona’ as he tells her to keep struggling as he continues to waste her precious time. She grits her teeth as she mumbles that she’s counting on Deku, likely to come through with another distraction for her to get the weapon.

Yes, Katsuki is totally calm and rational right now. Honest to god, why was he given those gauntlets? Also, just noticed that Izuku’s got a layer of clothing/something under his costume, since that is not his bare skin. Seems to be a bit more explosion-resistant as well? Or perhaps that’s just shounen physics at work.

Katsuki taunted Izuku, and Izuku picks himself up while noting how the explosion was directed forward, thus giving him a ranged attack. Which makes sense considering that he can’t direct the energy of his normal explosions from dispersing in all directions equally in normal situations. Izuku puts a hand to his headset, asking after Ochako, and Katsuki calls Izuku out on ignoring him.

Kirishima asks All Might why he’s not stopping the match, saying Katsuki is crazy and looking to kill. All Might, however, thinks otherwise, considering some of Katsuki’s previous statements.

Ahahaha even his tentative complement of Katsuki’s ‘restraint’ is immediately redacted by the ‘just that petty’ comment. Also, All Might can hear everything all the students are saying, headset on or off, while they’re out there in the field. And you want to know something interesting he heard two chapters back?

I have to wonder how much All Might knows about Izuku’s history versus what he keeps to himself… I can’t imagine Izuku would mention the bullying, so this might have been the first he was hearing about it. :)

Anyways, he calls Katsuki out on using that move, noting that massive attacks like that being used indoors could easily bring the stronghold down around them, and that it’s a bad move for both heroes and villains, as well as a good way of losing points. All Might then thinks about how he should be stopping the match as a teacher, but…

(All Might knows it's the responsible thing as a teacher to stop the match immediately, but he also knows that his successor NEEDS to be able to prove himself as an equal to someone who looked down on him and bullied him before now, especially with Izuku so determined to not lose to Katsuki for once. It was a quiet kind of passion, one he hasn't heard from Izuku before, and he can't take that chance away too quickly, even if he wants to intervene and knows he should be.

And yes, I know his reasoning for his hesitation is more directly mentioned in a bit, but it’s a good place to remind people who seem to think he was thoughtlessly irresponsible here that he knew damn well what he was doing, and that it was for Izuku’s sake that he held back from ending the match early.)

Katsuki complains about the chastisement, while Izuku confirms Ochako’s location in the bomb room and starts trying to plan again. Katsuki leaps forward at Izuku with renewed intent to beat him into the ground, startling Izuku as he realizes he has no way to dodge, only counter-

Katsuki learns FAST from his mistakes in battle, and it shows.

(Also, just realized there wasn’t an underlayer for Izuku’s costume, it was just that scrap of sleeve looking weird in that image. My bad!)

Shouto explains what just happened - Katsuki feinted with his first explosion while using it to leap around back, and then used a double explosion to maximize the force behind the blow to Izuku without being thrown back out the hole he made earlier. Yaoyorozu notes that while Katsuki doesn’t seem like a thinker, his battle strategy is fairly intricate, while Kaminari gripes about how good he is.

While Izuku is recovering from that attack, Katsuki sweeps in with an announced reight hook, Izuku barely having time to turn to look before he gets fucking clocked in the side by Katsuki’s gauntleted arm. He then grabs Izuku’s right arm, spins him around using a series of small explosions to build momentum, and then bodily slams Izuku down into the ground while saying Izuku is nothing compared to him.

Izuku realizes Katsuki’s giving him no time to think, and that he’s just to strong, so he has to use ‘it’, aka One For All. The class is in shock, one saying that his actions are torture and that he could have ended it with the capture tape already, while another notes that it’s not very hero-like, and a third that they thought Izuku was good, but that Katsuki’s battle sense is unbeatable, and that he’s all instinct.

‘A part of him seems calm’ my fucking ass.

Izuku surries away in a panic while Katsuki looms after him. Ashido comments on him running, while Kirishima says that it’s not manly, but Izuku doesn’t have a choice, even if the situation is odd (i.e. probably noting that Izuku hasn’t used his quirk yet, even though he knows how strong said quirk is since he was in the same arena as Izuku.) Izuku slams against a wall, bracing himself for Katsuki’s next move.

Katsuki demands to know why Izuku won’t use his quirk, and whether Izuku is mocking him, like he always has since they were kids. Izuku says Katsuki’s wrong, but Katsuki barrels on, saying how he knows Izuku is looking down on him. All Might thinks more about stopping them, but that he can’t take this from Izuku. Izuku says that it’s because Katsuki’s awesome that he wants to beat him.

The two of them are yelling at each other now (very shounen moment), Izuku about how he wants to win and beat Katsuki, while Katsuki tells Izuku to stop ‘looking at him like that’. All Might is in the middle panel between them, thinking about how he hasn’t seen izuku this pumped since the ‘I wanna be a hero’ thing. The class is looking on, someone noting how confident Katsuki is. All Might continues to think as the two boys move in for their respective attacks, noting that this battle is necessary for Izuku’s future.

Izuku’s right arm crackles with the power of One For All as he begins to shout out his smash, while Katsuki’s prepping an explosion in his right hand. Kirishima shouts how bad this is and is almost begging All Might to stop this, and All Might is shaking with nerves as he holds back. He is just in the middle of telling the two to stop when Izuku shouts at Ochako, startling All Might into stopping. Ochako grabs the pillar, Tenya is confused, and Izuku watches Katsuki while he thinks about how he can’t measure up in a one-on-one fight, but.

Seriously, how did this building not collapse at all during this exercise???

Anyways, Ochako swings the pillar around, slamming all the other debris blown upwards towards Tenya in a ‘Comet Home Run’. Tenya says it’s no home run (which I imagine has to be in the exact same tone as ‘that’s no moon’) while shielding himself from said debris, which means he misses Ochako taking another flying leap towards the bomb until it’s too late.

Meanwhile, down below, Katsuki is looking at the damage done in absolute shock, like, he’s absolutely SHAKING as he repeats his belief that Izuku’s been mocking him from the start.

Izuku’s right arm is in ragged disrepair, and his left he used to block Katsuki’s explosion is not exactly in better shape. He’s quivering as well from the shock and pain as he tells Katsuki that he didn’t want to use his power because he can’t - the blowback messes him up too much. It’s like Aizawa-sensei said, but it was all he could do at that point to win.

This is really just a fantastic way to end the chapter. All Might’s hesitation as what just happened sinks in before he announces the win, Izuku finally collapsing unconscious as his body gives out on him, and Katsuki’s worldview thoroughly shaken as what just happened sinks in for him as well. Like, look at that, that is SUCH a mess of emotions he’s experiencing.

What a roller coaster of emotions. What a good character growth moment for everyone.

I suppose next chapter, then, is the fallout and some stuff from the other kids in 1a. Hopefully that will go up this weekend!

#readthrough #chapter 10 #opening arcs #boku no hero academia #my hero academia #midoriya izuku #bakugou katsuki #yagi toshinori #uraraka ochako #Iida Tenya #katsuki.exe has stopped working #please reboot your system and try again #the next blow to katsuki's flawed and sheltered belief system #which he really needed here and now #in order to have the character growth he needed for later events

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bywordofaphrodite · 3 years

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Book Reviews 3&4: Nancy Drew and the Lilac Inn by Carolyn Keene & Trixie Belden and the Secret of the Mansion by Julie Campbell Tatham

This review’s theme is girl detective books ! Audience age range: roughly 12 and up !

Just as Enid Blyton’s books made me fall in love with magical creatures and faraway lands, detective novels became an obsession during late primary school, with classic lead female characters Nancy Drew and Trixie Belden being my absolute favourites. My school had an extremely small and limited library, and the Nancy Drew books were one of the only decent series there- even with a great chunk of the collection missing. My mother introduced me to Trixie Belden, which she insisted was better than Nancy Drew, though I refused to listen to such a declaration at the time.

Now, though? My opinions have definitely changed.

Nostalgic review

Rating: ★★★★★

From memory, Nancy Drew is a clever, beautiful and well-off girl in her late teens, living with her lawyer father Carson Drew and her housekeeper Hannah Gruen, who has looked after Nancy since her mother’s passing when she was only three. I always enjoyed the dynamic between Nancy and her father, as it was similar to mine with my father, also a lawyer- Carson doesn’t step in unless Nancy needs his help, but he does assist in legal advice when necessary. I also loved Nancy’s friendship with the cousins Bess and George, and liked that her relationship with her ‘special friend’ Ned never got in the way of solving mysteries or hanging out with her friends (‘hanging out’ was practically code for sleuthing in these novels anyway). Overall, my memories of this series amount mostly to exciting searches for missing heiresses, finding beautiful jewels and battling crocodiles in Florida.

On the opposite side of the spectrum is Trixie Belden- rough-around-the-edges thirteen year-old from a poor family living with both her parents and three brothers. Where Nancy has a housekeeper, lives in an affluent suburban neighbourhood and never wants for money, Trixie lives on the outskirts of a small town, both her parents work, and she is constantly reminded of how important it is to work for money as they do not have much of it to spare on mindless things. Nancy is a fairly solitary character, often working alone unless her friends show up, and even then she does most of the legwork; Trixie is also the main sleuth in her series, but her best friend Honey is almost always at her side. While the mysteries were great, the warm friendships in Trixie Belden novels are what I remember best.

Regardless of whatever my thoughts may be after rereading books from these two series, I’ve never ceased referencing either of them and my love of the mystery genre still holds fast even now.

Nancy Drew and the Lilac Inn Review

Post-read: ★★

Synopsis: girl detective Nancy Drew is called to solve a series of odd goings on at her newly engaged friend Emily’s inn, in what seems to be an attempt to prevent Emily and her fiancé from opening. Disaster strikes when her aunt retrieves Emily’s inheritance of diamonds- Emily’s last hope to cover the costs of fixing up the inn- and they are swiftly stolen within the hour. Nancy vows to catch the thief and the intruder and save Emily’s inn from failure.

I struggled in choosing which Nancy Drew book to reread for this review, and after reading through multiple rankings lists I decided on the Lilac Inn because it ranked highly on every list. I now wish I had just gone with Crocodile Island anyway… at least there was something snappy about it. In between the bomb, the theft, the doppelganger, the underwater fake-shark, the kidnapping, the spear-gun attack- I think I’ve made my point. There’s far too much going on, and if it was well-written I would be okay with it, really I would, but it’s all so blandly articulated that half the time I had to reread just to make sure I’d read correctly what nonsense was occurring at any given time.

Straight out the gate, I just want to say how shocking the writing was- that’s shockingly bad, by the way. If I thought Enid Blyton’s work was stunted, well, this was far, far worse. Especially since it lacks the excuse of being written for young children. It was incredibly difficult to push through in the slower parts, and I must admit I basically skim-read the lead up parts to the action sequences (which were incredibly minimal compared to the gnashing crocodile teeth I longed for, but alas). Sadly for me, Bess (my old fave), George and Ned were not present at all, and I cannot remember if they had actually been introduced that early in the series because they are not mentioned once.

I did really like the concept of the story, and the element of Nancy having a creepy doppelganger posing as Nancy to cause mischief (she has several over the series) was fun, even more so that said doppelganger was an actual actress and quite ruthless in her attempts to steal Emily’s diamonds- I love a morally-corrupt pretty female villain as much as the next person, after all. There is a romance teased between Nancy and a young man staying at the inn, a young man who continuously seems to be in the same room as the diamond thief messing with Emily’s inn, but ultimately both never amount to anything. This hardly surprised me given the book is written in the thirties, and Ned and Nancy never do anything but attend dances together the entire series, but still, come on. He could’ve at least stolen the diamonds to add some spice to his useless appearances.

It’s possible that were a very talented scriptwriter to take this book and make it into a movie it could work out a lot better than it does on paper- provided the casting was done well. The sets would be interesting, and I think the creepiness of the ‘ghost’ in the orchard and the diving scenes would translate a lot better on camera. Normally I’m not one to nominate live actions of novels for no reason, but this thought kept recurring as I struggled to get through the writing.

Characters who aged well: Nancy is smart and weirdly good at everything (they don’t explain why she knows how to do all the things she does, but diving and freeing herself from bonds seems to be easy enough for her. Given male characters are always allowed to be perfect without training, I’ll allow it). For a female character written in the 30s she has plenty of agency and does not once rely on a man’s help to do anything, which is why I always enjoyed her books. Carson Drew also aged well- not present that often, but useful without being interfering, and his trust in his daughter is refreshing. As for the other main characters in the series… they didn’t even show up in this book so I can’t really comment on this.

Characters who aged badly: plot twist- I’m adding Nancy here too. She is a little too perfect, too polished, a common criticism by modern readers, though at the time of publication was her main selling point. Additionally, earlier editions of the series featured racist comments made by Nancy, although those have since been taken out. However, the publisher and creator of the first books was not a very pleasant person, so I find myself able to separate that from Nancy’s character.

Favourite scene/quote: ‘The article went on to tell that Nancy had just completed a course in advanced skin diving in the Muskoka River, and that she had finished first in total points in the twenty student group’.

I find this quote amusing because there is really no need for Nancy to be good at every single thing, and this is a good example of the many times throughout the series that Nancy is the ‘best’ at a very random activity that is often never mentioned again.

As for my favourite scene, though nothing interesting actually ends up happening in the orchard, I did like the eerie setting of Nancy dressing up as a ghost and chilling behind a tree for a while (okay it was partially eerie, mostly just oddly comedic). The actress/impostor posing as Nancy provided a few good scenes, too, but for the main villain of the story she was hardly in as many scenes as she should’ve been in.

After doing some research, I discovered something most interesting: Nancy was written with significantly more character by the original ghost-writer of the series, a woman named Mildred Wirt Benson, who wrote Nancy ‘embodying qualities that she wished she had’- but the publisher Edward Stratemeyer did not want a bold female character, and she was rewritten with similar dialogue but now accompanied with ‘dainty’ verbs to sweeten her words. Stratemeyer was also known for his beliefs that women belonged in the kitchen, and the only reason he created Nancy in the first place was to capitalise on young female readers who wanted their own equivalent of the Hardy Boys.

With all of this in mind, it’s very possible that the Nancy from my memories is a mix of the older and new editions, which allowed Nancy more personality as the series went on, no longer needing to confirm to the sexist expectations of the 1930s. And despite these origins, Nancy Drew aged quite well as an unintended feminist icon: she solves her mysteries alone and rarely needs Ned’s help at all; in fact, most of the time, Nancy is the one doing the saving. It’s nice to think that, almost one hundred years later, Mildred Wirt Benson’s version of Nancy is the one being kept alive, both on paper and onscreen.

Trixie Belden and the Secret of the Mansion Review

Post-read: ★★★★★

Synopsis: energetic teen Trixie Belden’s boring town of Sleepyside is turned upside down when a rich new family moves onto the property opposite her own, an old miser winds up in hospital and his empty mansion is suddenly inhabited by a runaway boy, and a missing fortune is waiting to be uncovered.

Whewww.

This was a massive breath of fresh air after the Lilac Inn! After being so unimpressed by both Blyton and Keene’s writing, Tatham’s writing restored my faith in my childhood judgement. Her words flowed well and the conversation between the characters was very natural. The blank slate characters in the Lilac Inn were showed up by the animated and multiple-dimensional characters in the Secret of the Mansion, and I never once felt the need to rush myself through the chapters.

Unlike my method of choosing a Nancy Drew book, I simply decided on reading the first Trixie book for this review. While I almost went for a later book where all the main characters had been introduced, I couldn’t remember how Trixie first met Honey and Jim, which I felt was pretty important to her character. I’m very glad I did. Even in the first book, Trixie endures so much character development (contrasting very strongly with Nancy’s flawless existence). Longing for a friend, Trixie takes herself up the hill to the newly habited mansion to introduce herself and her little brother Bobby, who she is babysitting to earn money to buy herself a horse. There she meets rich girl Honey Wheeler, a sickly and sheltered but sweet girl of the same age, whose parents pay little attention to her. Things fall into place with all the expected luck of a teen heroine- Honey’s governess is a lovely woman who wants Honey to befriend Trixie and offers to look after Bobby, and of course Honey’s stables are now filled with horses and a stable hand who can teach her to ride.

But for every easy thing comes an opportunity for Trixie to grow: she comes to admire Honey’s bravery after previously being irritated by her fear of trying outdoor activities; she ignores the stable hand’s orders not to ride the stallion and falls as a result, leading to her having to work to regain his trust and also being taught the valuable lesson to recognise her own limits; finally, as much as Trixie hates looking after little Bobby, when he is bitten by a snake Trixie is resourceful and quick on her feet in helping him, keeping him well enough until a doctor and other adults arrive.

Rather like the Lilac Inn, the mystery of the story centres on the hidden will to a supposed fortune of the elderly man who lived in the old mansion not far from Honey’s new home. On a whim, Trixie nags Honey into accompanying her to snoop around the building, leading to their discovery of the old man’s nephew Jim hiding there. By the end of the book, the girls have helped Jim to find the will and safely escape his abusive step-father. Later in the series, Jim is adopted by the Wheeler family, and also becomes Trixie’s primary love interest (I love that this relationship is not at all rushed either).

The reading level for the Trixie Belden series is listed as grade 3 and above, but I had no problems being completely involved and intrigued by the storyline and characters as a twenty-three year old. I think I’ll continue to read the series on my own time, as I always enjoyed the full character line-up developed after a few books in.

Characters who aged well: Trixie! If my praise during this review didn’t make clear enough, she’s a wonderful character with great development. Honey and Jim are also solid characters, and Bobby and Trixie’s parents are well-written too- supportive and kind, but realistic concerning raising Trixie to be a responsible kid. Also going to add that Trixie’s group of best friends- self-named the Bob-Whites of the Glen and consisting of her two older brothers Brian and Mart, Honey, Jim and the later additions of Dan and Di- have a strong presence and very distinct personalities when they show up in the later novels.

Characters who aged badly: nobody! All the side characters were well done, including the villain. He wasn’t over-the-top by any means, his abuse of Jim was both emotion and physical in a realistic manner that concerned the adults around him enough to comment on it without actually taking proper action to help him, as it often goes. I appreciated the author’s ability to write a male character the vulnerable one, to recognise what was wrong about the situation, and to gladly accept help from two girls younger than him.

Favourite scene/quote: “‘serves him right,’ Trixie said, wiping her grimy hands on her rolled-up blue jeans. ‘The mean old miser. You should have left him lying in the driveway, Dad.’”

An earlier quote in the book, this sets the tone for Trixie’s character: she’s messy, no-nonsense and cheeky. For a female character written in 1948 I found this quite amusing. There’s none of the internalised misogyny that often popped up in ‘tomboy’ characters of the time: Trixie just is what she is, and she’s great.

A standout scene would be Trixie sucking the venom from her brother’s snakebite to save him, and the chapters focused on the developing friendship with Honey and Jim while the two teach Trixie how to handle horses is also enjoyable.

Overall verdict:

My mother was right, Trixie Belden is far better than Nancy Drew in every category I can think of. I wish that the series had gained the popularity that Nancy Drew did, because it would make for a fun movie or television show. There is an eighteen year gap between the publication of the first novel from both series, and both heroines saw many more books written after that. Nancy Drew is so persistent, however, that multiple movies and even a recent CW show have been made, though it is not very accurate to the books at all. Even now, modern-day setting Nancy Drew mysteries are still being released under the Carolyn Keene pseudonym, showing her unending mythical status.

I still love Nancy, bad writing and all, but in all fairness, Miss Trixie deserves a cut of the nostalgic hype surrounding the girl-detective genre. I’d also like to bask in the poetic justice of Nancy not only remaining a more iconic character than the Hardy Boys, but also becoming more feminist as time goes on. I’m sure the publisher is rolling in his grave!

#nancy drew #carolyn keene #trixie belden #girl detective #fiction #university project #nostalgia #feminism #female characters

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gingus-doon · 4 years

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pov u just shot your childhood hero, wdyd

i.e. i ramble about keiji post-shooting; his occupation, what he does, how he copes, how he feels, etc. etc.

just putting this little thing here because the post got quite long and i couldn't split it up because it's all somewhat related. it started out as a rant / informal ramble but then it got serious lololol

—

one thing i don't understand is why people hc keiji as still having a job with the police post-shooting? like that just doesn't make sense to me– not only based on his character but like... why would you wanna make him a cop with all the talk of how much the police suck lately? personally i'm a brown bitch so i couldn't be down with thirsting over a cop lol. it's just kinda confusing sjdhd

i've seen the hc of him as a private investigator, though, which i like! it's a very neat way to let him flex his detective skills without being part of a corrupt organization and without forsaking his own personal beliefs and feelings about the police, because i don't think those would change anywhere near easily and i just kinda can't see him going back into the police force because of that.

i have often wondered what keiji would do after the death game, and what he was doing before the death game or after the shooting, because i think he'd definitely quit after the shooting, with all the grief and trauma surrounding the job and his newfound cynicism.

i don't think he'd be doing private investigation before the game, or more specifically, before his character develops into something reminiscent of his old self– as he is at the start of the game, he just doesn't have that faith in protection, so i can't imagine him being an investigator at that point. HOWEVER, in a post death game OR non-death game au where keiji has started to pull himself up from that tar (most likely with the help of others lol) i think that's definitely a plausible option for him and i like it a lot :]

as for other options, though... i really don't know! this is more of a stupid idea but i considered him working in a convenience store like shin lol. i had a whoooole au about him, kai, and shin working in the same convenience store just because they can't hold down any other jobs / don't know what else to do for work. shin is able to actually hold down the job because the last manager was mysteriously taken out of commission (i don't know lol) and they were ridiculously short-staffed already so shin ended up being the "most qualified" for the now vacant position. keiji's had a string of odd jobs since the police and this is just the next one. he's hoping to find something with a better wage but this'll do for now, it's even in walking distance from his apartment. and kai, kai's trying to exercise more independence from the chidouins' after becoming his own person! so he gets what i think would be his first job (well, his first official job, anyway... being an assassin and the chidouins' personal maid were more unofficial gigs lol.) ahh that was a lotta rambling about my dumb little au but i just think it'd be neat, they're three of my favourite characters so having them just vibe with each other at work and become friends sounds nice 2 me :] also Coincidentally i ship literally every combination of those three characters so that may have played a part in my casting decisions lmfao

oh wow that was a really long and uncalled for synopsis but this is just a rambly post so it can't really be uncalled for because this post doesn't have any particular point lol (A/N after writing this— IT HAS A POINT NOW, DISREGARD PAST ME)

SO ANYWAY ! i was just considering what keiji would do right after the shooting. honestly i have noooo idea, it's the beginning of a long road of him burying his trauma in a desperate attempt to avoid facing the pain it brings, and it marks a profound loss of innocence which makes his heart begin to grow cold. it's just hard to see the beginning of the process when where he started and where he ended up are very different places.

obviously, he'd quit his job. i wonder if the hallucinations would start right away? him being naïve in the beginning, i'm sure he'd acknowledge them– cry out apologies and plead for forgiveness until his throat is hoarse. the rule of hallucinations in yttd seems to be that if you acknowledge them, they'll burn themselves into your brain and you'll never be rid of them– implying that keiji has done so, as it's likely been years since the shooting and he's still suffering from the visions despite seeming to ignore them now.

ahh, i'm getting in my feelings about keiji now 😭😭 when i started this, i wanted to be held by him, but now i just wanna hug him like damnnnn

but back to what he'd do after the shooting– this scenario is self indulgent, but wouldn't it be nice if he took some time off and just stayed at his mom's place for a while? help her with chores while she's at work, try to regain a sense of normalcy in his childhood home...

i don't think he'd be able to do this right after the shooting. keiji had shame, once upon a time– the guilt would rack him like nothing else. i can imagine him spending a lot of late nights with alcohol, just wishing it was a dream. his resentment towards megumi slowly building as he feels he's being left in the dark as to why, why he isn't allowed to atone, why she's being so cold towards him about the shooting when he's suffering so heavily from the effects of it.

he wouldn't want to be around his dear mom as a murderer, and as a resentful alcoholic who's coping very poorly with his circumstances.

also (tangent incoming), i kind of wonder about keiji and alcohol a lot. in his fondness events with mishima, he says the following—

the "haven't drank that much in years" part makes me wonder– for how long? did he start to restrain himself before the shooting or after? i would say it's most likely after, considering the "feels like it'll swallow me up" comment he made soon after. and, how he talked about binge drinking when he was still a newbie. perhaps it was fine for him to do so, before the shooting— he'd just get wasted and flirt, have a good time. but after, it morphed into an inefficient coping mechanism which he fell far within the depths of to try and control the worst of his grief and self hatred. after that, heavy drinking couldn't just be for fun anymore.

i assume in the "before it got this way" comment, the "way" he's referring to is how he doesn't drink much anymore? or, he could be talking about the depression drinking, but i think the prior makes more sense.

even though i think, given keiji's example of drinking with megumi, that he could have gotten blackout drunk a couple of times purely for fun pre-shooting, i think here he's referring to the painful side of his relationship with alcohol here, the part that took place when he was trying to cope with his trauma. i think he brings up the story of drinking with megumi immediately after, then, to avoid talking about that part of his past. though he doesn't show it much, i think he's deeply ashamed of himself. not only of what he's done, but how he's handled it afterwards.

on a lighter note, though, it's quite funny to think of Lawful Good young keiji shinogi getting drunk off his ass and flirting with every woman he comes across willing to flirt back. like, what's up with that??? he seems like such a serious dork in the flashbacks, but doing well in his police job, he just... lets loose?? no no, honestly i think he hadn't drank much before going out with megumi and he took her insistence on him drinking a little too far, and with his inexperience with alcohol and the successive lack of self restraint that comes with each new drink, you get casanova shinogi, lmao.

BACK TO THE SERIOUS STUFF THOUGH !! i really like the idea of him going to his mom to help him pull himself back together. i think they'd have a solid relationship, fight me! he seems to adore his mom as a child with a good single parent usually does. i'm sure he appreciates her immensely for all the care and love she managed to give him when he was a kid while also working her ass off to support them financially. this very respect for her is what i think would drive him to isolate himself from her after the shooting– as i said above, he's a murderer now. a disappointing human being in general, and an even worse son. to let down his mother who worked so hard to raise him right... how could he? as his condition worsens and his heart grows colder, i'm sure that feeling would fester inside of him. he'd try to ignore it, as he does with everything else, but it's already wrapped its tendrils around his soul. that particular guilt isn't leaving him any time soon.

now that i'm thinking about it, also, i don't think it's likely that he'd quit his job right right away. it'd be more of a slow descent over the span of a few weeks. immediately after the shooting, he may stop showing up to work for a while. he just can't put on that uniform when it's practically caked in the blood of someone he held in such high esteem for so long. eventually, though, he gets a hold on himself– just a bit. he doesn't want to be cooped up in his apartment with his thoughts anymore, and he doesn't want to lose his job. what else would he do?

so, he takes it easy on the first few days back. megumi tries to make it easy for him. paperwork, whatever job he could do that's not on the field. he clings to her like a wounded puppy, hoping that she'll explain why she's covering it up when he doesn't want her to, what he's supposed to do with these feelings around the incident. he's drowning, and she's made herself a big sister figure to him– she's supposed to help him. but, she shrugs him off when he brings it up. she's so harsh about it compared to how she usually speaks to him. perhaps because of her own guilt around the incident, perhaps it's the family's response and how keiji is now, how panicked and sleep deprived the poor kid has looked since that day.

so he continues to spiral with nothing to hold on to. grasps at alcohol in a futile attempt to stop falling, because it's all he can think to fall back on. he's a wreck at work– he's barely living, much less working. but megumi tries her best to keep him from getting fired. she'll get him coffee and breakfast and try to say something encouraging. "hey. hang in there, shinogi." with a touch on the shoulder. but in spite of her efforts, of course, it hits a breaking point. everyone in the job thinks keiji's too damaged to continue, saying he either needs to see a shrink or get the hell out of the way and let everyone else do their job.

and keiji just stops coming into work one day.

the downward spiral ensues.

#your turn to die #keiji shinogi #yttd keiji #kimi ga shine #i really just wrote this much just about keiji like goddamn. calm down @ me #it's not that much tho i checked and it's like not even 2000 words 😔😔#i got sad writing some of the angstier parts of this. like keiji... my darling.... let me hug him #i feel like there's a lot to be said about ~after the shooting~ and the process of him becoming the man he is now #there's lotsa speculation about that here from me specifically lol #i'd kinda kill to read a fic that goes into this stuff! no ship or anything just keiji. and megumi and his mom #i wonder if it exists 👀👀👀 but there are few things without ships that exist....#anyway i love keiji more now somehow #i am super keiji simp trust #i am tired tho lol i think i'll sleep now. maybe #OH ALSO!!! it's very fitting that the last line mentions the downward spiral #because i was thinking of the nin album by that title earlier today #specifically keiji and a certain track. I WILL NOT SAY WHICH TRACK. YOU DO NOT NEED TO KNOW

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