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tinystepsforward · 7 months ago

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autocrattic (more matt shenanigans, not tumblr this time)

I am almost definitely not the right person for this writeup, but I'm closer than most people on here, so here goes! This is all open-source tech drama, and I take my time laying out the context, but the short version is: Matt tried to extort another company, who immediately posted receipts, and now he's refusing to log off again. The long version is... long.

If you don't need software context, scroll down/find the "ok tony that's enough. tell me what's actually happening" heading, or just go read the pink sections. Or look at this PDF.

the background

So. Matt's original Good Idea was starting WordPress with fellow developer Mike Little in 2003, which is free and open-source software (FOSS) that was originally just for blogging, but now powers lots of websites that do other things. In particular, Automattic acquired WooCommerce a long time ago, which is free online store software you can run on WordPress.

FOSS is... interesting. It's a world that ultimately is powered by people who believe deeply that information and resources should be free, but often have massive blind spots (for example, Wikipedia's consistently had issues with bias, since no amount of "anyone can edit" will overcome systemic bias in terms of who has time to edit or is not going to be driven away by the existing contributor culture). As with anything else that people spend thousands of hours doing online, there's drama. As with anything else that's technically free but can be monetized, there are:

Heaps of companies and solo developers who profit off WordPress themes, plugins, hosting, and other services;

Conflicts between volunteer contributors and for-profit contributors;

Annoying founders who get way too much credit for everything the project has become.

the WordPress ecosystem

A project as heavily used as WordPress (some double-digit percentage of the Internet uses WP. I refuse to believe it's the 43% that Matt claims it is, but it's a pretty large chunk) can't survive just on the spare hours of volunteers, especially in an increasingly monetised world where its users demand functional software, are less and less tech or FOSS literate, and its contributors have no fucking time to build things for that userbase.

Matt runs Automattic, which is a privately-traded, for-profit company. The free software is run by the WordPress Foundation, which is technically completely separate (wordpress.org). The main products Automattic offers are WordPress-related: WordPress.com, a host which was designed to be beginner-friendly; Jetpack, a suite of plugins which extend WordPress in a whole bunch of ways that may or may not make sense as one big product; WooCommerce, which I've already mentioned. There's also WordPress VIP, which is the fancy bespoke five-digit-plus option for enterprise customers. And there's Tumblr, if Matt ever succeeds in putting it on WordPress. (Every Tumblr or WordPress dev I know thinks that's fucking ridiculous and impossible. Automattic's hiring for it anyway.)

Automattic devotes a chunk of its employees toward developing Core, which is what people in the WordPress space call WordPress.org, the free software. This is part of an initiative called Five for the Future — 5% of your company's profits off WordPress should go back into making the project better. Many other companies don't do this.

There are lots of other companies in the space. GoDaddy, for example, barely gives back in any way (and also sucks). WP Engine is the company this drama is about. They don't really contribute to Core. They offer relatively expensive WordPress hosting, as well as providing a series of other WordPress-related products like LocalWP (local site development software), Advanced Custom Fields (the easiest way to set up advanced taxonomies and other fields when making new types of posts. If you don't know what this means don't worry about it), etc.

Anyway. Lots of strong personalities. Lots of for-profit companies. Lots of them getting invested in, or bought by, private equity firms.

Matt being Matt, tech being tech

As was said repeatedly when Matt was flipping out about Tumblr, all of the stuff happening at Automattic is pretty normal tech company behaviour. Shit gets worse. People get less for their money. WordPress.com used to be a really good place for people starting out with a website who didn't need "real" WordPress — for $48 a year on the Personal plan, you had really limited features (no plugins or other customisable extensions), but you had a simple website with good SEO that was pretty secure, relatively easy to use, and 24-hour access to Happiness Engineers (HEs for short. Bad job title. This was my job) who could walk you through everything no matter how bad at tech you were. Then Personal plan users got moved from chat to emails only. Emails started being responded to by contractors who didn't know as much as HEs did and certainly didn't get paid half as well. Then came AI, and the mandate for HEs to try to upsell everyone things they didn't necessarily need. (This is the point at which I quit.)

But as was said then as well, most tech CEOs don't publicly get into this kind of shitfight with their users. They're horrid tyrants, but they don't do it this publicly.

ok tony that's enough. tell me what's actually happening

WordCamp US, one of the biggest WordPress industry events of the year, is the backdrop for all this. It just finished.

There are.... a lot of posts by Matt across multiple platforms because, as always, he can't log off. But here's the broad strokes.

Sep 17

Matt publishes a wanky blog post about companies that profit off open source without giving back. It targets a specific company, WP Engine.

Compare the Five For the Future pages from Automattic and WP Engine, two companies that are roughly the same size with revenue in the ballpark of half a billion. These pledges are just a proxy and aren’t perfectly accurate, but as I write this, Automattic has 3,786 hours per week (not even counting me!), and WP Engine has 47 hours. WP Engine has good people, some of whom are listed on that page, but the company is controlled by Silver Lake, a private equity firm with $102 billion in assets under management. Silver Lake doesn’t give a dang about your Open Source ideals. It just wants a return on capital. So it’s at this point that I ask everyone in the WordPress community to vote with your wallet. Who are you giving your money to? Someone who’s going to nourish the ecosystem, or someone who’s going to frack every bit of value out of it until it withers?

(It's worth noting here that Automattic is funded in part by BlackRock, who Wikipedia calls "the world's largest asset manager".)

Sep 20 (WCUS final day)

WP Engine puts out a blog post detailing their contributions to WordPress.

Matt devotes his keynote/closing speech to slamming WP Engine.

He also implies people inside WP Engine are sending him information.

For the people sending me stuff from inside companies, please do not do it on your work device. Use a personal phone, Signal with disappearing messages, etc. I have a bunch of journalists happy to connect you with as well. #wcus — Twitter I know private equity and investors can be brutal (read the book Barbarians at the Gate). Please let me know if any employee faces firing or retaliation for speaking up about their company's participation (or lack thereof) in WordPress. We'll make sure it's a big public deal and that you get support. — Tumblr

Matt also puts out an offer live at WordCamp US:

“If anyone of you gets in trouble for speaking up in favor of WordPress and/or open source, reach out to me. I’ll do my best to help you find a new job.” — source tweet, RTed by Matt

He also puts up a poll asking the community if WP Engine should be allowed back at WordCamps.

Sep 21

Matt writes a blog post on the WordPress.org blog (the official project blog!): WP Engine is not WordPress.

He opens this blog post by claiming his mom was confused and thought WP Engine was official.

The blog post goes on about how WP Engine disabled post revisions (which is a pretty normal thing to do when you need to free up some resources), therefore being not "real" WordPress. (As I said earlier, WordPress.com disables most features for Personal and Premium plans. Or whatever those plans are called, they've been renamed like 12 times in the last few years. But that's a different complaint.)

Sep 22: More bullshit on Twitter. Matt makes a Reddit post on r/Wordpress about WP Engine that promptly gets deleted. Writeups start to come out:

Search Engine Journal: WordPress Co-Founder Mullenweg Sparks Backlash

TechCrunch: Matt Mullenweg calls WP Engine a ‘cancer to WordPress’ and urges community to switch providers

Sep 23 onward

Okay, time zones mean I can't effectively sequence the rest of this.

Matt defends himself on Reddit, casually mentioning that WP Engine is now suing him.

Also here's a decent writeup from someone involved with the community that may be of interest.

WP Engine drops the full PDF of their cease and desist, which includes screenshots of Matt apparently threatening them via text.

Twitter link | Direct PDF link

This PDF includes some truly fucked texts where Matt appears to be trying to get WP Engine to pay him money unless they want him to tell his audience at WCUS that they're evil.

Matt, after saying he's been sued and can't talk about it, hosts a Twitter Space and talks about it for a couple hours.

He also continues to post on Reddit, Twitter, and on the Core contributor Slack.

Here's a comment where he says WP Engine could have avoided this by paying Automattic 8% of their revenue.

Another, 20 hours ago, where he says he's being downvoted by "trolls, probably WPE employees"

At some point, Matt updates the WordPress Foundation trademark policy. I am 90% sure this was him — it's not legalese and makes no fucking sense to single out WP Engine.

Old text: The abbreviation “WP” is not covered by the WordPress trademarks and you are free to use it in any way you see fit. New text: The abbreviation “WP” is not covered by the WordPress trademarks, but please don’t use it in a way that confuses people. For example, many people think WP Engine is “WordPress Engine” and officially associated with WordPress, which it’s not. They have never once even donated to the WordPress Foundation, despite making billions of revenue on top of WordPress.

Sep 25: Automattic puts up their own legal response.

anyway this fucking sucks

This is bigger than anything Matt's done before. I'm so worried about my friends who're still there. The internal ramifications have... been not great so far, including that Matt's naturally being extra gung-ho about "you're either for me or against me and if you're against me then don't bother working your two weeks".

Despite everything, I like WordPress. (If you dig into this, you'll see plenty of people commenting about blocks or Gutenberg or React other things they hate. Unlike many of the old FOSSheads, I actually also think Gutenberg/the block editor was a good idea, even if it was poorly implemented.)

I think that the original mission — to make it so anyone can spin up a website that's easy enough to use and blog with — is a good thing. I think, despite all the ways being part of FOSS communities since my early teens has led to all kinds of racist, homophobic and sexual harm for me and for many other people, that free and open-source software is important.

So many people were already burning out of the project. Matt has been doing this for so long that those with long memories can recite all the ways he's wrecked shit back a decade or more. Most of us are exhausted and need to make money to live. The world is worse than it ever was.

Social media sucks worse and worse, and this was a world in which people missed old webrings, old blogs, RSS readers, the world where you curated your own whimsical, unpaid corner of the Internet. I started actually actively using my own WordPress blog this year, and I've really enjoyed it.

And people don't want to deal with any of this.

The thing is, Matt's right about one thing: capital is ruining free open-source software. What he's wrong about is everything else: the idea that WordPress.com isn't enshittifying (or confusing) at a much higher rate than WP Engine, the idea that WP Engine or Silver Lake are the only big players in the field, the notion that he's part of the solution and not part of the problem.

But he's started a battle where there are no winners but the lawyers who get paid to duke it out, and all the volunteers who've survived this long in an ecosystem increasingly dominated by big money are giving up and leaving.

Anyway if you got this far, consider donating to someone on gazafunds.com. It'll take much less time than reading this did.

#tony muses #tumblr meta #again just bc that's my tag for all this #automattic #wordpress #this is probably really incoherent i apologise lmao #i may edit it

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catboybiologist · 11 months ago

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So.

Re: tumblr bans of transfemmes.

Let's ignore PhotoMatt for a moment. Manbaby tech CEO doubling down on a stupid decision and making himself look like more of an ass doing so is not a new phenomena.

Tumblr has consistently said, in both public statements and leaked internal communication, that they're essentially running a skeleton crew.

They keep saying that they don't have the resources to moderate, manually review posts, have any kind of appeal process, or anything. So, as people have widely received communications about, they seemed to have automated a significant portion of the moderation to operate solely on the quantity of reports (probably with a basic filter, eg quantity of reports regarding a certain post, within a certain timeframe) to automatically ban or shadowban accounts.

And so, they wipe their hands, both to the users, the public, and their own consciousness, and go about their automated operations.

All of this is likely true. Tumblr, at this point, is essentially abandonware internally, a kind of weird vanity project/dumpster ground for server infrastructure for Automattic. Likely, they don't want the bad press of "shutting down" fully. Or maybe the trickle of revenue they get here just barely exceeds operating costs, so why not keep it around?

Whatever is the case, the bans are a result of an automated process working in the background. I'm giving them some benefit of the doubt here, of course, we can't know anything for certain- but it seems like the individual bans are not based on any specific, manual action.

And that doesn't fucking excuse anything.

Because at some point, multiple people sat down at tumblr, and decided how to cut costs.

And they decided that the bare minimum of report abuse prevention was one of the first things on the chopping block.

Before the boops. Before GUI reconfigures.

They decided to cut something that is necessary to manage online communities.

They decided to cut something that ensures any targeted group will have any kind of community online.

And then, after all of that, the only manual intervention is doubling down on the shitty decisions that the automated systems make, and plucking reasons out of their ass for why they were the right decisions all along.

It's pure silicon valley brain. Blame the computer often and always. Use it to shield the active decisions you made when designing the computer that way. Treat it as a fact of life as opposed to something they actively made decisions for.

Is tumblr staff hitting the banhammer on each transfemme one by one? No.

Is tumblr staff deliberately crafting a system that allows TERFs and other conservative bigots to get rid of the "undesirables" for them? Yup. But they sure as hell are trying to not say the quiet part out loud. If they can always point the finger somewhere else, to the advertisers, to the automated systems, to the TERFs, then they can always have juuusssttt enough plausible deniability.

But being the "queerest place on the internet" requires concious acknowledgement that queer people will be targets of harassment, and you will have to protect against that.

Side note, this is why I do try to keep my blog at least somewhat SFW. Its one of the main reasons why I choose not to reblog all of the posts I'm tagged in- if the post is overtly NSFW, I've probably seen it, appreciated it, and consciously decided my level of interaction with it mostly based on how "tumblr friendly" it is. Is that bowing down to them? A little. It's also my choice. I value the community I have here. The pushes that y'all have given me gave me the strength to transition, and honestly gives me a lot of motivation to research HRT biology as much as I can, among many other things.

Yeah, I post pictures that are clearly meant to be found attractive in ways that are generally not socially acceptable , but never actual NSFW. I would like to think that I'm pretty safe from bans, but hey. Who knows. I don't want to lose my follower base, and the community around it.

And yeah, I'm gonna annoyingly remind you of the other places to find me, make sure to check my pin. If you don't know where to go, just find me on reddit and go from there, I'll post about it if anything happens.

#I hope this rant is at least somewhat intelligible #im in lab late night and typing this out as fast as i can in between experiment steps #stay safe out there yall

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hms-no-fun · 1 month ago

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you were on cohost? i guess too late now, how was it for you?

cohost had its fair share of problems and i could often find the community there a bit too tumblr-core fingerwaggy if you know what i mean. but the site's dead now so it's kind of a moot point. what i find myself reflecting on most these days are the positives.

first, no numbers. i think their no numbers policy was probably a bit over-aggressive, but it quelled some of the rat race popularity contest aspect of social media that often makes it so tedious. i liked their tag tracking system, their robust content warning options, and the absence of infinite scroll. what i miss most about cohost is that their text editor supported CSS, which led to people programming elaborate text effects and puzzles and games in-site that harkened back to the days of flash animations. there was something in this combination of elements that drew out a rebellious creativity in users.

cohost came at a time when social media was across the board feeling terrible (and it's only gotten worse hahaha), particularly as someone who makes shit that relies on you clicking links that take you away from the website or app. algorithms hate this and punish it. users also just seem kind of lazy and disinterested in using the internet so much as letting the internet happen to them passively. but when a post of mine went viral on cohost, people engaged with it. it wasn't just likes and shares, it was comments and additions. it felt like a place that (at its best) encouraged actual conversation and the development of new ideas among like-minded peers. when my posts did well and i included a donation link, people gave me money. it felt genuinely like a website that COULD support professional blog work in a way that was more customizable even than substack yet still RSS friendly, and the Following tab which let you easily see posts of specific users was a REVELATION, like a mini RSS reader within the website itself.

but the enterprise was unsustainable for various reasons (not all of them outside the dev crew's control) and the haters got what they wanted. now our big social media alternative is bluesky, a website that dares to ask the question "what if there was another twitter?" the answer is that it fucking sucks. i hate microblogs so much dude, why on EARTH are we still acting like these disambiguited 300-character-limit posts are the most preferable means of social communication online??? why would you set out to make a better twitter and then deliberately choose to replicate literally every aspect of the user experience that encouraged low-information high-drama conflict fabrication? WHY WOULD YOU MAKE A VERSION OF TWITTER WHERE YOU CAN EASILY LOOK UP THE ACCOUNT OF EVERYONE WHO HAS YOU BLOCKED AND IT'S SUPPOSED TO BE A FEATURE NOT A BUG???????? i just don't get it. i don't even get the optimism of the early adopters. i've seen people decry the post-election decay of the platform like "of course the cishets come in to ruin a community that was defined by trans & queer people" i'm sorry HELLO???????? from literally day zero bluesky was aiming to be a hands-off centrist IPO-friendly tech startup, there was never anything structurally embedded within the platform itself to keep this kind of decay from happening, you just happened to be on there when there were dramatically fewer users most of whom were curious tech enthusiasts. seriously, how have we not learned this lesson yet? you can't define a digital culture by the vibes of random user behavior! unless you have LAWS and GUIDELINES whereby you fucking BAN people for being shitheads, unless you enforce an actual code of conduct and punish bigoted speech and design a system that encourages constructive conversation, you are always always ALWAYS going to wind up at unhinged facebook boomer slop!

the death of cohost and the utterly predictable decay of bluesky are a big part of the reason why i've been posting so much more on tumblr. this is like the last bastion of anything even remotely resembling the old web, with its support of longposts and tagging and how easy it is to find random hobbyists doing cool shit you never knew existed before. like, yeah, you have to search that shit out and tailor your feed to not drive you crazy, but that's what i like about it!!! i am an adult with agency who understands that life is complicated and as such i expect to have to put some work into making my experience with a website positive! but in the hellworld of the iphone everything is walled garden apps for aggregating content where the content and its creators are structurally established as infinitely replaceable and uniquely worthless punching bags to be used and cast aside. everyone's given up on moderation and real jobs don't exist anymore especially if you happen to work in the "creative economy" IE are a writer or critic or artist or hobbyist of literally any kind. we've given up on expecting anything from the rich moneyboys who own and profit immensely off of the platforms whose value we literally create!!! especially now with the rise of "AI" grifters, whose work has ratcheted good old fashioned casual sexism and racism and homophobia up to levels not seen in such mainstream spaces since the early 2000s.

i like tumblr because i don't have to use a third party app to get & answer asks at length, and because it is a visual artist friendly platform where i won't be looked at funny for reblogging furry postmodernism or transgender homestuck OCs. it is a site that utterly lacks respectability and that's what makes it even remotely usuable. unfortunately it also sucks! partly it sucks because this place was ground zero for the rise of puritanical feminist-passing conservatism in leftist spaces, so it's like a hyperbolic time chamber for brain-melting life or death discourse about the most inconsequential bullshit you could ever imagine. but it also sucks because it's owned by a profit-motivated moneyboy who has consistently encouraged a culture of virulent transphobia and frequently bans trans women who call this out. so like, yeah, this place is cool compared to everywhere else, but it is exactly like everywhere else in that is also on a ticking clock to its own inevitable demise. the owners of this website will destroy everything that makes it interesting and will EAGERLY delete the nearly twenty years (!!!!!!) of posts it's accumulated the instant it will profit them to do so. this will be immensely unpopular and everyone will agree it's a tragedy and it won't matter. the culture and content of a social media platform is epiphenomenal to its rote economic valuation. i mean, obviously it isn't, zero of these massive tech companies would be what they are if so many people weren't so eager to give their time and labor away for free (and yes, writing a dumb dick joke on tumblr IS a form of labor in the same way that doing a captcha is labor, just because it's a miniscule contribution in an economy of scale doesn't mean you didn't contribute!), but once a tech company reaches a certain threshold its valuation ceases to be tethered to anything that actually exists in reality.

all of which is why i remember cohost with a heavy heart. yeah, it was imperfect. it was also independently owned, made with the explicit goal of creating a form of social media that actually tries not to give you a lifelong anxiety disorder so it can sell you homeopathic anti-anxiety sawdust suppositories. for the brief window of time when it was extant, i was genuinely hopeful for the future of being a creative on the internet. part of why i spend so much time on godfeels, a fucking homestuck fanfiction with no hope of turning a profit or establishing mainstream legitimacy, is that my readers actually ENGAGE with the material. what brought me back to using this website consistently was precisely the glut of godfeels-related questions i got, and the exciting conversations that resulted from my answers. meanwhile i put so many hours into my videos and even when they do well numerically, i barely see any actual engagement with the material. and that is a deliberate design choice on the part of youtube! that is the platform functioning as intended!! it sucks!!!

what the memory of cohost has instilled in me is a neverending distaste for the lazy unambitious also-rans that define the modern internet. i remember the possibility space of the early web and long for the expressiveness that even the most minor of utilities offered. we sacrificed that freedom for a convenience which was always the pretense for eventually charging us rent. i am thinking a lot these days about what a publicly funded government administrated social media utility would look like. what federal open source standards could look in an environment where the kinds of activities a digital ecosystem can encourage are strictly regulated against exploitation, bigotry, scams, and literal gambling. what if there was a unionized federal workforce devoted to the administration of internet moderation, which every website above a certain user threshold must legally take advantage of? i like to imagine a world where youtube isn't just nationalized but balkanized, where you have nested networks of youtubes administrated for different purposes by different agencies and organizations that operate on different paradigms of privacy and algorithmic interaction. imagine that your state, county, and/or city has its own branch of youtube meant to specifically highlight local work, while also remaining connected to a broader national network (oops i just reinvented federation lmao). imagine a world where server capacity is a publicly owned utility apportioned according to need and developed in collaboration with the communities of their construction rather than as a deliberate exploitation of them. our horizons for these kinds of things are just so, so small, our ability to imagine completely captured by capitalist realism, our willingness to demand services from our government simply obliterated by decades of cynical pro-austerity propaganda. i imagine proposing some of this stuff and people reacting like "well that's unrealistic" "that'll never happen" "they'd just use it for evil" and i am just SO! FUCKING! TIRED!!!!

like wow you're soooooo cool for being effectively two steps left of reagan, i bet you think prison abolition and free public housing are an impossible pipedream too huh? and exactly what has that attitude gotten you? what've you gained by being such a down to earth realist whose demands are limited by the scope of what seems immediately possible? has anything gotten better? have any of the things you thought were good stayed good? is your career more stable, your political position more safe, your desire to live and thrive greatly expanded? or do you spend every day in a cascading panopticon of stress and collapse, overwhelmed to the point of paralysis by the sheer magnitude of what it's cost us to abandon the future? you HAVE to dream. you HAVE to make unrealistic demands. the fucking conservatives have been making unrealistic demands forever and look, they're getting everything they want even though EVERYONE hates them for it! please i'm begging you to see and understand that what's feasible, what's reasonable, what's realistic, are literally irrelevant. these things only feel impossible because we choose to believe The Adults (and if you're younger than like 45, trust me, to the ruling class you are a child) whose bank accounts reflect just how profitable it is to convince us that they're impossible. all those billions of dollars these fuckers have didn't come from nowhere, it was stolen from all of us. there is no reason that money can't and shouldn't be seized and recirculated back into the economy, no reason it can't be used to fund a society that is actually social, where technological development is driven not by what's most likely to drive up profits next quarter but by what people need from technology in their daily lives.

uh so yeah basically that's my opinion of cohost lmao

#sarahposts #cohost #social media #politics #long post #political diatribe #i miss cohost #this is what happens when my ritalin kicks in mid-stream #i promise i didn't MEAN to make this a whole Thing #but i've been thinking a lot about this stuff and cohost is a big part of why

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threewaysdivided · 2 years ago

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New Desktop Dash, No Bueno

Okay so, new dash layout on desktop.

As seems to be a common reaction: not a fan.

Let's talk about some of the issues:

1. Really visually cluttered

The new sidebar crowds out the dashboard content and the bright blue popup notifications (now at the side AND top) and create-post bar pull your eyes in different directions. There is no space for the eye to rest on anymore - it's all noise. The end result is that everything flattens - there's no focal point anymore.

It's also pretty overwhelming - even for someone like me - so I can't imagine it would be very user-friendly to someone who was photosensitive or struggled with visual overload (especially when paired with the high-contrast 'true blue' default site palette and animated icons for the changes-on-tumblr/staff-picks/trending buttons).

2. The activity pop-up now covers dashboard content

This is really bad from a usability standpoint. In the old layout the activity pop-up used to drop down over the recommended blogs sidebar. Now it actively gets in the way of looking at core content. The dash is why we are here, burying it like this is baffling.

The search bar now drops down over the recommended blogs banner instead, but where the old design had non-critical space on each side of the dashboard to visually allow both features to pop in, this new layout is way worse for efficiency. And for what? Having a rarely-used former drop-down menu now permanently active? The old banner with quick-links for the key use-features (notes, messages, askbox) made much more design sense.

It also means that the activity pop-up gets now completely covered by the blog pop-up that opens when you click the notification, so double demerit there. 0/10.

3. It's harder to navigate to the activity page, and the new page-stretch means you can't see new notes without scrolling down

That first bit is kind of a nitpick but cramming the 'See everything' link down at the bottom of a browser window isn't a great navigation choice. (Again, the visual signifiers and eye-direction in this new design are incredibly poor.)

That the main activity page now requires you to scroll to even see the top note due to the new display ratio is really egregious. It makes another key site feature just slightly less convenient and accessible in a very irritating way. Bad choice.

4. The new ratio pushes the Radar and Main Sponsored slot completely off-screen

This one is directed the tumblr staff: that's also a bad choice, guys. That's your main ad-slot for people loading into Tumblr so hiding it is going to hurt both your ad-impressions and your ability to promote the ad-free option. The new layout ratio also means that the in-dash ads are going to be a lot more invasively screen-filling - and let's be real most users will either add-block or leave before purchasing ad-free. I have no idea what the new layout is trying to achieve but if ad optimisation is the goal then this ain't it, chief.

To be honest I cannot comprehend the rationale for this change. I guess it's visually a bit more like Twitter... but that site is currently being demolished from the inside by poor management decisions so maybe it's not the best aesthetic to be aping.

Well then, what do?

Okay so, new dash bad. And so, in true Tumblr spirit: we complain. However, to get results we must deploy the art of kvetching productively.

If you want the old dash back (or at least, a better new-dash design that corrects some of these big weaknesses) what you should do is head over to https://www.tumblr.com/support and lodge a feedback ticket pointing out the problems. The more users who do that, the more likely you are to see an effective response.

Remember, tagging @staff and @support in posts won't fix this. There's no guarantee they'll see it among the notes barrage.

Also: please don't be rude or abusive when you lodge tickets. Whoever is manning those blogs and inboxes probably isn't the person who forced through this change. Save an intern, be polite.

Go forth in disgruntlement to keep this hellhole a hellhome.

#tumblr #tumblr problems #new dashboard #yes it's bad #but there is a way #I've already lodged tickets about it

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garniers · 7 months ago

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MOONFLOWER: WRITERBLR PACK

[ live preview ] ♡ [ get on payhip ] From the moment I understood their concepts, reading, writing, and everything related to literature has been an important part of my life. While I've centered my online presence around graphic and web design I discovered those online spaces thanks to literature. And while I've favored working over writing—which is unfortunately very relatable—in my time as a spectator, I've had the opportunity to get acquainted with Writerblr and their incredible community members. From this experience, I fell completely in love with how Writerblr members curate their blogs and communicate their projects to their followers, and the idea of a package made for them became one of my main goals for this blog.

The Moonflower Writerblr pack was made for writers looking for something elegant and uncomplicated. With user-friendly customization options, a contained layout, and strong typefaces, your words are the focal point. This theme package can be as minimalist—or as maximalist—as you wish. Whether you're sharing updates, writing dissertations in response to anonymous questions, or presenting graphics alongside your projects, Moonflower is for you! I fell absolutely in love with it and adapted it to my needs as an RPC content creator. So it's flexible if you would like to use it for something outside of Writerblr. With that being said, I hope you like it! And good luck with those manuscripts!

Package Features

theme [ contained npf compatible ]

navigation

works in progress

blogroll

Terms + Conditions

please do not redistribute / claim as your own

please do not remove credit

[ reblogs are appreciated ♡ ]

#rpc #rph #writerblr #rp theme #premium theme #**codesbygarniers #**premiumgarniers #**100notesclub

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historical-fashion-polls · 6 months ago

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hello lovely curator! i would love to know how you find your images? google has been abysmal for finding historical clothing these days

hi dear anon! 💕

thank you so much for this question! ☺️☺️ I'll begin my answer by saying that currently the blog is mostly running on submitted images, which come from lovely folks who have generously sent in images to be used as polls, so I won't be able to speak to those specific sources, but when I source my own images for the blog, here are some resources I use:

the Met has a great collection of digitized fashion plates! however, the search function is not great and they've grouped things into categories that aren't always accurate. so I guess the content is really good but I've found that browsing the collection isn't always super user friendly

the costumes from the 1890s that I've been posting a bit lately are all from the V&A's digitized collection of costume designs for pantomimes! the V&A is another great collection that I personally find easier to browse, although the search function still isn't great

so I guess I'll make this bullet point "museum collections in general" since there are also a bunch of other museums and library collections that have digitized fashion plate images. if you have a favorite museum or even a local one, I'd definitely recommend checking out their website to see if they might have anything!

wikimedia commons also has a pretty substantial collection of mostly 19th century fashion plates. they have a category titled "fashion plates by decade" that is really fun to browse! the one downside here though is that there's not always good provenance info, so if you wanted more details about the plate, they're not always as easy to get as they might be on a museum website

lastly (and a bit unfortunately), is pinterest. this is really not my favorite site to use since it really is a free-for-all out there and there is no verifiable provenance or even dating info, so it's extremely hit or miss. however, I do often have to trek into the wilds of pinterest for mid to late 20th century stuff, since most of that isn't old enough to be in museum collections. the nice thing about pinterest is that it will sometimes link out to other sites that actually are reputable and have good info, but it's still worth treading with caution there lol

I hope this was helpful! ☺️💕 the vast majority of my images come from these sources, so I hope these are useful for you as well! ☺️☺️ additionally, if anyone has other places they like to search for historical fashion images, feel free to drop them in the comments/notes! 💖💖

thank you again for this lovely question, and I hope you're able to find some cool new sites to browse through some fun historical fashion! 🥰🥰

#the curator speaks #curatorial correspondences

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ladytabletop · 1 year ago

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Do you happen to have any resources regarding accessibility in ttrpg design? About design, colours, phrasing of text or anything else that could be helpful!

I spent wayyyyy too long compiling all this - but it's important, and I appreciate you asking!!

Accessibility is a subject near and dear to my heart, and I will say up front that I'm not sure universal (aka accessible to everyone) design is possible, because people's needs can vary even within the same subset of similar disabilities (such as limited vision or blindness). BUT that doesn't mean we don't try to design for and make our games available to as many people as possible. Mismatch by Kat Holmes is a great read on design for accessibility in general, as is Invisible Women by Caroline Criado Perez. You might also check out literally anything Alice Wong has ever done.

To start, I recommend this article on the Lenses of Accessibility.

(for reference, this article is about web/graphic design, so I'm going to try and distill the most salient points for game design)

We are going to primarily focus on a few of these lenses:

Color

Font

Images & Icons

Layout

Readability

Structure

Keyboard

More details under the cut.

Color

Why does color matter? Well, for starters, there's a lot of colorblind people out there. Contrast affects readability. Autistic people and people who suffer from occular migraines might be affected by particular vivid colors. There's lots of reasons to consider color and the work it is doing in your piece, but in general you can provide a black and white, high contrast version of your game to help users.

There are tools out there to figure out if your contrast meets certain readability standards, such as this one.

Font

Dyslexia and other visual processing issues can make font choice really important. Plus, some fonts really affect readability. Additionally, line height, justification, and size of text can affect readability.

Best practice would be to provide a plain-text version of your game (and beware of "dyslexia-friendly" fonts which may or may not actually help - sticking to a basic readability font like Arial, Tahoma, or Verdana, is safest). I like this style guide for reference.

Images & Icons

For visually-impaired people, it's important to use alt-text, descriptions, and/or captions to help screenreaders properly translate images. Tons and tons of details that could go into this, but there are better people than me to describe it.

Layout

We've talked about this a bit, but there's tons of resources for this. There was recently a great writeup about Yazeba's Bed and Breakfast in terms of layout that I highly recommend.

Readability

More of the thing we've already talked about - it really is a combination of all the other lenses that comes down to readability. Audio versions of your game are always a good way to avoid the restrictions of screen readers, but can be expensive to produce.

Structure

This is tables. Tables are a nightmare for screenreaders, but including them as images can also be a problem. The short solution is "don't use tables" but that's not necessarily great for seeing people. The section in this blog is really great when talking about options for structure.

Keyboard

Debated on whether to include this, but given how many games are being read as purely digital files, I think it's important to have workable interactive elements that can be navigated through without a mouse. Some of that is going to come down to the programs being used to open your files. But if there are things you can do on your end (such as labeling form fillable fields on an interactive character sheet), they're worth doing!

Please understand that this isn't an exhaustive list. There's tons of resources out there and technology and standards are constantly changing.

It's also is important to note that even doing one of these things is helpful. You might look at this list and go "wow that's too hard" but I promise you, it's worth it. My games do not all have accessible versions! That's something I'm trying to rectify. The biggest part of that for me is thinking about accessibility from the start instead of at the end! But we can start today, and that's better than not starting.

The most important thing to remember are that disabled people are NOT a monolith - needs will differ from person to person. Accessible design makes gaming better for everyone!

Final Resources:

Accessibility in InDesign

Accessible-RPG

A11Y

Accessible Design for Teams

#ttrpg #accessibility #indie ttrpg #the lady answers

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the-c00l-kidd-of-all · 2 months ago

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C0M3 0UT, C0M3 0UT, WH3R3V3R Y0U 4R3! B3C4U53 1'M G0NN4 G3T'CH4, H3H3H3!!

[Hello! This is a c00lkidd's blog! Where you can talk or ask questions towards the one and only, c00lkidd himself! This c00lkidd is inspired by one of the skin in the Forsaken game with my own headcanon aswell!]

"WhY d0 th3y 4lw4y5 runn1ng 4w4y fr0m m3? 3v3n my 0wn d4d... n0 m4tt3r, 1 w1ll t4gg3d th3m 4nd wh3n th1s g4m3 f1n1sh th3n m3 4nd d4d c4n f1n4lly g0n3 b4ck h0m3!"

What is Forsaken? Forsaken is a Roblox game made by user souldrivenlove. Set as a Survival Horror, the gameplay loop sees the survivors, all based around different roles, trying to run away and stay alive, while a monster hunts them down.

Who is c00lkidd? c00lkidd is an exploiter with a childlike personality who treats his situation very playfully and game-like, often laughing while active.

Well, well, seems like you wander into this blog, dear lurker, haha! Welcome to a c00lkidd blog, the one and only young killer in the game called Forsaken from Roblox. Having a heavy hyperfixation towards this game and adored the character c00lkidd, especially the angst have made me decided to made this blog! This blog will be contains a bunch of angst, dark-theme and even horror!

But before we're moving on, let's start with the classic rules, shall we? Let's gooo!

The Rules

Please do not send an NSFW (lusty) ask, remember that c00lkidd is a minor and probably too young for that (even though he's the killer in the game) so for this sake, don't.

Truthfully, this blog is runned by my c00lkidd fictive (yes, mod ghost is a system) just a silly but chaotic lil guy but please be respectful.

Do not spam my inbox, please! I want all of you to be patience with the reply as i have a life on my own outside internet, i am not a robot that always needed to 'satisfy' you.

If i suddenly got uninterested with the roleplay, please respect it and don't force me to roleplay it, if i say stop and don't want to continue then please respect it.

Anon Magic is allowed but don't be too crazy.

You cannot kill them but you can harm them a little, just don't kill them.

No OP character, please- this isn't anime or some crap like that.

Don't be a hater or rude people here, be friendly (talking about me and others that's having fun)

Info of the Roleplay

This is c00lkidd speaking

This is c00lkidd thought speaking

" " This is their talking

' ' This is their thought

[ ] This is Mod Ghost talking

This is Mod Ghost speaking

Now that is finish, time for headcanon!

He wears an oversized red hoodie with "team c00lkidd join today!" plastered across the chest, along with dark red baggy pants patched with a lollipop and burger design. His signature rainbow propeller hat spins lazily atop his head, clashing with his monstrous form, while a blue bandana wraps loosely around his neck. A brown bandaid sits on his nose, and more are hidden beneath his hoodie sleeves—souvenirs from frequent trips and scrapes.

c00lkidd's appeareances

C00lkidd is a solid red Robloxian with a grotesque, fleshy body, dinosaur-like claws, feet, and a long tail. His face is dominated by beady black eyes and a wide, unsettling grin, filled with sharp teeth, sometimes playful, sometimes unnervingly sinister. Two demon-like horns jut from his head, adding to his eerie presence.

In one clawed hand, he wields a giant lollipop, sometimes used to smack survivors, other times simply to lick and chomp on. Mischievous yet menacing, C00lkidd is a chaotic force of playful destruction, blending childish fun with a nightmarish presence, always grinning as he spreads mayhem.

Headcanons

c00lkidd's is 10 years old.

c00lkidd's have a problem to grasp what is reality and what is isn't, having thinking he was playing with the survivors but in reality, is not.

c00lkidd's still adored his father, 007n7 but never understand why his father always runned away from him or tries to ignored him, it always ached his heart.

c00lkidd's relationship with the other killers are normal enough, mostly getting along with Jason as he sees him like an older brother figure and he admired him at the same time.

c00lkidd's is afraid of John Doe, mostly because his dad used to tell him story about him, mostly when it was time for bedtime. Would tries to runs or hide away from John.

c00lkidd's like dirt cake! (Not an actual dirt but a cake filled with pudding and oreos.)

c00lkidd's prefer using his lollipop but sometime used his 'toy' sword when playing but rarely.

c00lkidd's used to causes havoc in Elliot's work whenever his dad would be busy with something else, mostly because he wanted those delicious pizza.

c00lkidd's have a rivalry relationship with Bluudud, thinking bluudud is a loser.

c00lkidd's owned a burger hat just so he can matches with his dad.

c00lkidd's would acted like a chaotic cat or a sleepy cat, between both and depending situation.

c00lkidd's would, no, definitely goes towards his dad whenever someone bullied him. He's a kid, what did you expect-

An ankle biters and a gremlin.

Have a black bunny that he called as Mafio.

And that's all about it! Have fun in talking with this little guy. Ghost out *jumps out of window*

#info post #main post #roleplay blog #forsaken #roblox forsaken #roblox forsaken roleplay #forsaken roleplay #c00lkidd #mod ghost talking

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qalaqalnafsi · 4 days ago

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Digital Fairy Tales or Frightful Nightmares? Unmasking Creepypasta and Sprunki's Impact on Young Muslim Minds

Bismillahir Rahmanir Rahim.

As-salamu alaykum, dear parents!

In my previous blog, we delved into the harrowing world of online predators and the insidious schemes of “love-trap” that threaten to sever our children from their faith. Today, I must shed light on another disturbing trend that has crept into the digital realms our little ones frequent – the sinister influences of Creepypasta and Sprunki.

At first glance, these platforms might seem harmless. Creepypasta, with its user-generated horror stories, and Sprunki, with its cute characters and addictive gameplay, can easily lure in unsuspecting children. The marketing is clever; the merchandise – plushies, stickers, hats – makes them seem like just another innocent trend. But beneath the surface lies a potential for harm that we, as Muslim parents, cannot afford to ignore.

The Dark Side of Creepypasta

So, what is the real truth about Creepypasta?

Creepypasta consists of horror-themed stories that can be disturbing and feature violence, terror, and psychological suffering. Prolonged exposure can cause anxiety, sleeplessness, and excessive worry. Some stories contain suicide or self-harm themes, which can be triggering. In some instances, children have been inspired by Creepypasta to commit violent acts.

These stories, often presented as real accounts, can blur the line between fiction and reality, especially for younger, more impressionable minds. The anonymity of the internet allows these stories to spread rapidly, making it difficult for parents to monitor what their children are exposed to.

Creepypasta’s cons are well-documented by psychologists and parents alike:

– Nightmares and insomnia: Children exposed to these horror stories often experience vivid nightmares, causing them to dread bedtime.

– Anxiety and fear: The continuous exposure to scary content can heighten generalized anxiety, making children fearful of ordinary things.

– Addictive consumption: Like a gripping novel, children get hooked, unable to stop reading or watching, which disrupts sleep and daily routines.

– Desensitization to fear and violence: Repeated exposure can numb children to fear, or worse, normalize frightening or violent imagery.

Sprunki: A Seemingly Sweet Addiction

Now, let’s turn our attention to Sprunki.

Sprunki, marketed with cute characters, can be addictive, leading to children spending excessive amounts of time playing, resulting in sleepless nights and neglecting other important activities. While some versions are designed to be kid-friendly, others contain themes that are unsuitable for children.

It’s colorful, fast-paced, and seemingly fun — but the cons are worrying:

– Highly addictive mechanics: Designed to keep children playing for hours, often late into the night.

– Sleep deprivation: Children lose precious sleep, leading to irritability, poor concentration, and weakened immunity.

– Behavioral issues: Parents report mood swings, defiance, and difficulty waking children in the mornings.

– Physical symptoms: Deep under-eye bags, exhaustion, and lethargy become visible signs.

Case Studies: Real-Life Impacts

I’ve seen firsthand the effects of these digital dangers. One young boy, after repeated exposure to Creepypasta, confessed to having intrusive thoughts of harming his parents. Astaghfirullah! Another child, caught in Sprunki’s addictive loop, struggled with severe sleep deprivation, exhibiting dark circles under his eyes and an inability to focus during the day.

These are not isolated incidents. They are warning signs that we, as parents, need to heed.

Why Do Parents Overlook These Dangers?

Many parents think, “It’s just a horror story or a game, like the ones I had growing up.” But the psychological impact today is far more profound. The digital immersion, combined with the addictive nature of these platforms, means children are not just watching or playing — they are deeply affected mentally and physically. Psychological research tells us that childhood is a critical period for emotional and cognitive development. Exposure to fear-inducing content without proper guidance can lead to anxiety disorders and sleep disturbances, which in turn affect academic performance, social interactions, and overall wellbeing.

Islamic Guidance and Parental Responsibility

The Qur’an reminds us: “O you who have believed, protect yourselves and your families from a Fire whose fuel is people and stones…” (Surah At-Tahrim 66:6)

Our duty is clear — to shield our children from harm, both seen and unseen. The Prophet Muhammad (peace be upon him) said: “Each of you is a shepherd, and each of you will be asked about his flock.” (Sahih al-Bukhari) Our children are our flocks entrusted to us by Allah, and we must be vigilant shepherds in this digital age.

Warning Signs: Is Your Child at Risk?

Sudden mood swings or increased irritability

Secrecy about online activities

Withdrawal from family and friends

Difficulty sleeping or frequent nightmares

Decline in academic performance

Increased anxiety or fearfulness

Obsessive talk about certain characters or stories

Strategies for Parents: Reclaiming Our Children’s Digital Spaces

Open Communication: Talk to your children about the dangers of the internet. Create a safe space where they can share their experiences without fear of judgment.

Education is Key: Educate yourself about the platforms your children are using. Understand the potential risks and learn how to mitigate them.

Parental Controls: Utilize parental control apps and settings to filter content and monitor your children’s online activity.

Time Limits: Set reasonable time limits for screen use and encourage other activities, such as outdoor play, reading, and spending time with family.

Prayer and Dhikr: Remind your children of the importance of prayer and remembrance of Allah. These practices can provide comfort and protection from negative influences.

Family Time: Prioritize family time and engage in activities that strengthen your bond. This will help create a sense of belonging and security for your children.

Be Vigilant: Stay informed about emerging online trends and potential threats. The digital landscape is constantly changing, so we must remain vigilant in our efforts to protect our children.

A Personal Dua for Our Ummah’s Children and Parents

O Allah, the Most Merciful, protect our children from the whispers of Shaytan and the shadows of this digital darkness. Strengthen their hearts with Iman, grant them peace in their sleep, and guide their steps upon Your path. Grant us wisdom, patience, and vigilance as we strive to nurture them in Your light. Ameen.

Dear parents, the digital world is full of fitnah, but with knowledge, faith, and firm action, we can guide our children from fitrah — their natural, pure state — and protect their souls and minds from harm. May Allah make it easy for us all.

Sayyida Al Salaam

Muslimah Counselor | Therapist

www.qalaqalnafsi.com

[email protected]

#IslamicParenting #FromFitnaToFitrah #ProtectOurChildren #CreepypastaRisks #SprunkiAddiction #MuslimParents #FaithInTech #ChildSafetyOnline #IslamAndPsychology #DigitalParenting #IslamicGuidance #FitnaToFitrah #ChildrensSafety #Creepypasta #Sprunki #DigitalWellness #MuslimParenting #FaithAndIdentity #OnlineSafety #OnlineHorror #CreepypastaDanger #SprunkilInfatuation

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digitalmarketer-amal · 2 months ago

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cookiethebirddoll · 6 months ago

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i do appreciate the custom themes beings make 4 their tumblrs, and they look cool, but also its hard 2 learn an entirely new and often not very user-friendly ui every time i go 2 a beings custom blog. an example problem i run into very frequently is not having a way 2 separate out likes from reblogs in notes or comment reblogs from tag reblogs. this can make the notes tab basically unusable since its filled with likes instead

my point is that, while they do look cool, u should try 2 keep accessibility in mind when designing them. not saying the default ui is amazing for that, but its better usually

1 accessibility thing that is often overlooked is 2 not have a lot of bright colors. bright colors in general can be really inaccessible 4 beings with sensory issues and/or photosensitivity. theres only so much browser extensions can do 2 mitigate that, and this really shouldnt be on the beings with disabilities 2 make it accessible

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specterthief · 2 years ago

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Definitions and Classifications of Yuri (Third Revision) - yuri315

(This is a translation of a 2018 blog post by the user yuri315 on hatenablog, originally found here. I find this author's system incredibly thorough and interesting, as well as the examples they provide of most of the relationship types, so I wanted to translate it and share it with other yuri fans on Tumblr. I included notes on important information that I thought required additional context, and provided links to all of the manga and anime mentioned, in English when possible and in Japanese when no English was available.)

At present, in order to roughly group together a great variety of relationships as "yuri", the question of where the line is on what can be considered yuri, whether a certain work can be called yuri, and other such unproductive arguments happen frequently. The purpose of this article is to create a general classification of the contents of yuri as a genre, in hopes of shifting the conversation from "is this yuri?" to "what kind of yuri do I enjoy?"

Of course, it can't be denied that the ambiguity of the definition of yuri, combining works following a variety of tastes and trends into a single genre, has been an aspect of the boom that's revitalized the genre. Understandably, there are concerns that clumsily subdividing the classification of yuri will cause a lack of cohesion and lead to the boom stalling and collapsing, when as it is now it hasn't even received a genre code at Comiket.* However, for the general public and new fans who don't share these assumptions, it may be difficult for them to understand situations where it isn't clear whether something is yuri, and they may not be influenced or restricted by those saying "X isn't yuri." Therefore, it is the author's belief that it would be significant for the yuri genre to have some form of comprehensive definition or classification.

Let's start with a provisional definition of yuri. Yuri can be described as "relationships between two or more women, and the genre of works that depicts those relationships." By analyzing what feelings and behaviors these "relationships" are based on, the contents of the yuri genre can be classified. In the following article, we will divide yuri into three broad categories: "Romantic Relationships", "Special Relationships" and "Friendly Relationships", and then establish a more detailed typology of how these relationships form and how they may be portrayed in each category. These designations are for convenience only, and the author is currently experimenting to find a better system.

(*TL note: Genre codes at Comiket—Comic Market, a doujinshi convention and the largest fan convention in the world—are used for attending artists/circles to categorize their work. Circles exhibiting works in the same genre code are grouped together in the convention space; there are currently no genre codes for yuri like there are for BL, even now, five years after this article was written.)

1. Romantic Relationships

Romantic and/or sexual relationships between women. This category includes relationships where there is a clear declaration of romantic love, or the relationship can be clearly understood to be romantic despite a lack of an explicit declaration.

1-1. Escape and Compensation

The story depicts indulging in a homosexual relationship as a compensatory act in order for a woman to escape, temporarily or permanently, from a situation in which her right to self-determination is threatened by coercive heterosexuality, such as arranged or forced marriages or betrothals.

1-2. Temptation and Conflict

The story depicts a woman being seduced into a homosexual relationship by another attractive woman, despite the conflict of their "forbidden love." The seducer is typically portrayed as leading the protagonist into an unknown world, often with tragic consequences. This is nearly synonymous with the "Crimson Rose and Candy" archetype defined by Yukari Fujimoto.* *(TL Note: "Crimson Rose and Candy" is an extremely prevalent archetype in early yuri, originally depicted in Shiroi Heya no Futari, what is generally considered the first yuri manga. Despite its origins and association with yuri, due to the overlap in the genres and authors in the Year 24 Group, it's an archetype that was present in contemporary M/F shoujo and BL, notably Gilbert and Serge in Kaze to Ki no Uta.)

1-3. Self-Awareness and Confession

The story depicts adolescent girls becoming self-aware of their feelings and fluctuations in their sexuality, and, through confessing, beginning romantic relationships. Coming-of-age stories in school settings where the girls face problems particular to puberty are especially common. Examples: - Akira Okudaira x Fumi Manjome (Sweet Blue Flowers by Takako Shimura) - Mariko Kumakura x Akiko Oohashi (GIRL FRIENDS by Milk Morinaga) - Tsubaki Kureha x Ginko Yurishiro (Yurikuma Arashi)

1-4. Negotiation and Dialog

The story depicts a romantic relationship between women who are equal individuals. They are typically emotionally mature to some degree, and already aware of their own sexuality. Negotiations between them occur as necessary as the relationship progresses, and if problems or obstacles arise, they're resolved through dialog between the characters. Examples: - Momoko Naitou x Shinobu Handa x others (Shoujo Sect by Kenn Kurogane) - Yukino Miyashita x Setsuko Iwai (Octave by Haru Akiyama) - Tsukasa Shiratori x Mikage Kotooka x Nadeshiko Washio (Nameless Asterism by Kina Kobayashi)

1-5. Continuation and Stability

The story depicts women who are already dating or living together as a couple. The focus is on the continuation of an established relationship and its stability into the future, and concerns such as living arrangements or coming out to those around them. Most yuri of this type features working adults, and typically include sex or similar acts. Examples: - Maya Nagumo x Michiru Amamiya (Ohana Holoholo by Shino Torino) - Arisa Suzuki x Mari Satou (Akarui Kioku Soushitsu by Oku Tamamushi)

1-6. One-sided Love

The story depicts one woman having unrequited feelings for another woman. This includes stories where these feelings remain hidden for the entirety of the work, or where she confesses and is rejected. Examples: Tomoyo Daidouji → Sakura Kinomoto (Cardcaptor Sakura)

2. Special Relationships

Relationships where the feelings between the characters are ambiguous but special, and can't be constrained by the definitions of either friendship or love. Regardless of the nature of the relationship, the common point is a sense of awareness that "this person is special to me." In most cases, the relationship isn't explicitly stated to be one of romantic love, but can still be said to be nearly a romantic relationship, or a pseudo-romantic relationship.

2-1. Magnetic Attraction

The story depicts an intense relationship in which the characters mutually resonate with one another on an existential or spiritual level, and are irresistibly and strongly attracted to one another, as if by magnetism or gravity. The invention of the term "magnetic attraction" is the greatest achievement of Sound! Euphonium and can be considered a major event in the world of yuri. Examples: - Kumiko Oumae x Reina Kousaka (Sound! Euphonium) - Ange x Princess (Princess Principal)

2-2. Partners

The story depicts characters who become involved with one another in a half-formed way through fate or various other inevitable circumstances, and later develop a strong physical or emotional bond. It's a similar concept to "Forced Yuri", the tagline of MekiMeki's Only☆You ~Anata to Watashi no Futari Bocchi Keikaku~. Examples: - Haruka Tenou x Michiru Kaiou (Sailor Moon S) - Papika x Cocona (Flip Flappers) - Sara Ayafuji x Iris Kazari (Vampire-chan x Kouhai-chan by Sakaki Yoshioka)

2-3. Shelter

The story depicts a relationship that serves as a refuge from existential anxiety, miscommunication and societal oppression. There are similarities to 1-1 "Escape and Compensation", but instead of simple escapism, this type has the positive connotation of bonds between women facilitating healing, self-examination, and rebuilding one's way of life and relationships with other people in order to grow as a human being. Examples: - Utena Tenjou x Anthy Himemiya (Revolutionary Girl Utena) - Rakka x Reki (Haibane Renmei) - You Aizawa x Hana Kojima (I Want To Make You Cry by Bunbi Bun)

2-4. Buddies

The story depicts a relationship in which the characters act together to achieve a specific goal, and are connected by a strong bond of trust. Unlike 2-2 "Partners", these are often somewhat passive relationships where the characters' partnership is necessary to achieve their objectives, but over time they may realize their importance to each other and prioritize being together. Aside from truly equal "buddies", this can also include asymmetrical relationships like master-and-servant yuri. Examples: - Mireille Bouquet x Kirika Yuumura (NOIR) - Sora Naegino x Layla Hamilton (Kaleido Star) - Arika Yumemiya x Mashiro Blan de Windbloom (My-Otome)

2-5. Huge Unclear Emotions

The story depicts at least one of the women feeling incredibly intense emotions toward another woman. Specifically, there are three main types: evaluative emotions, such as good will, respect, admiration, envy or worship, obsessive emotions, such as possessiveness, protectiveness, dependence, or sadistic or masochistic desire, and hostile emotions, such as rivalry, jealousy, hatred, or a desire to kill. However, various emotions are often intricately interwoven in a way that is difficult to describe in one or two words. Examples: - Mamina x Roatreamon (Simoun) - Madoka Kaname x Homura Akemi (Puella Magi Madoka Magica) - Chariot du Nord x Croix Meridies (Little Witch Academia)

2-6. Closeness

The story depicts a slow awareness of one another in an intimate relationship. It involves the characters feeling safe when they're together, or having the feeling that they belong by one another's side. Examples: - Shino Kishibe x Nozomi Kishibe (I Live With My Brother's Wife. by Kuzushiro)

3. Friendly Relationships

Relationships that aren't particularly special, but are nonetheless amiable and intimate. This can include a huge range of relationships, from deep camaraderie and familial relationships to simple playful friendship between girls.

Of the above, 1. "Romantic Relationships" can be considered "true yuri", while 2. "Special Relationships" and 3. "Friendly Relationships" could be called "soft yuri."

#yuri #fandom #girls love #wlw #mine #translation #fan translation #fandom academia #maybe???#i hyperfocused on this so fucking hard #i found it last night. got up today. blacked out for 10 hours and now this is here. enjoy the yuri

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