#VERY GOOD FILM VERY VERY GOOD

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[mikimeiko]

Nimona (Nick Bruno and Troy Quane, 2023)

[ihatebrainstorm]

Just watched Nimona and I had to doodle the two moustached fellas

[fluffypotatey]

okay so:

the year is 2021. the month is june. the new season of hermitcraft, season 8, has just started, and everything is great! the hermits are all messing around, having fun, building insane things within the first week of the server being active, and generally having a good time. everyone's collected themselves into little factions, pranking each other, and it's all the fun, lighthearted, mostly-vanilla content hermitcraft is known for.

and then the split between minecraft versions 1.18 and 1.19 is announced. the delay of new terrain, and especially of new mobs like the warden, considerably disrupt several of the hermits' plans. but it's fine, they'll figure something out, they're professionals, and it mostly goes unnoticed.

about two weeks later, on november 9th, grian turns to mumbo jumbo in one of his episodes, and asks the famous question that would seal hermitcraft season 8's fate:

"mumbo, is the moon... big?"

suddenly, the fans panic. they search back through videos and streams, and realize that the moon had been abnormally large and stuck in a full-moon phase since october 30th. the Moon Big event has begun.

this is where the roleplay really starts. once the moon's size has been brought up, the hermits start a weird combination of scrambling to figure out why the moon's growing, and how to stop it- but also of ignoring it, hoping it won't be a problem, hoping someone else will deal with it. the moon keeps getting bigger, more hermits start realizing it's going on, and a creeping sense of dread starts to grow. but it's fine. it's fine, right? they do little plotlines like this all the time. they'll figure something out, the moon will go back to normal, and we'll laugh about it when this is all over. it's fine.

and then, blocks start flying away. just floating up out of the ground, and falling right back down! like for a moment, a square meter chunk of dirt has decided it's a ballerina and leaped out of the ground! but it's fine, right? the blocks are coming back. no lasting harm is done. they're going to fix it all... right?

the moon gets bigger. it's growing every day- local hermit weirdguy joe hills measures it every stream. the blocks start flying higher. gravity starts getting... weird, with players getting the slow falling effect at random, and being lifted off of the earth themselves. the players form cults and rituals and whatnot to try and appease the moon, convince it to leave them alone, making plans to escape. nothing works. things keep getting worse, and the moon keeps getting bigger. but it'll be fine. these storylines never leave lasting harm, or at least they never have before. they'll be fine.

and then the blocks stop coming back, just floating into the sky forever. the players have the slow falling effect more than they don't now. the moon is now so big it's visible even during the day, and fills the entire sky at night. they start planning their escapes in earnest, and say their goodbyes. some hermits jump into a void hole in the overworld (it was the centerpiece of their village). some flee to the End, some to the nether, some just fly with elytras and hope they can get far enough away in time. one brave hermit, tango, flies himself to the moon in a futile attempt to blow the whole thing up before it can crash.

but in the end, the moon crashes into the server, and everything they'd built was destroyed. and the whole time, there'd been nothing any of them could've done. season eight was over, a full six months before anyone had expected it to end, and season nine wouldn't start until about three months later. and im still not okay about it.

(here's a cool animatic of the moon's crash! honestly i dont think you need too much hermitcraft knowledge to get the gist)

(also the moon crash happened on the day before my birthday lmao.)

….

holy shit

[mjulmjul]

Making up

[granlance]

November was hospital ridden month for my family and I'm barely standing from the physical and mental exhaustion.

Here's two Very Very Good Boys as an offering in exchange of no artober drawings in more than a month.

[starlesscitiess]

heyyyyy sooooo i just watched nimona and of course being me i have to get aro about it and i am Still Thinking about the moment where ballister says “she’s my friend” and ambrosius replies “aren’t i more than that” and the thing that’s great about it is that he’s in the wrong. yes the two do get back together romantically at the end but this line, its reception in context, and the subsequent emotional core of the movie reject a hierarchy with romance at the top. like. this is a line in a scene where ambrosius is explicitly antagonising our main character, being manipulated by the main villain, and himself using the relationship between himself and ballister in an emotionally manipulative way, whether deliberate or not. in this context, the romance is not the highest or purest form of love, it is not above criticism, and it is certainly not ranked above the friendship. the relationship at the centre of the film is that of ballister and nimona, the one that bal prioritises — both in this moment and throughout the film — is nimona. they are Friends and Family (and of course evil coworkers) and that is the most important thing in the whole entire world. i love to see it <3

[cinemamind]

Concepts for a fictional remake of John Carpenter's "Ghosts of Mars." (for fun)

Each illustration is an homage to a John Carpenter film.

[cinemagal]

Bill Skarsgård as Keith BARBARIAN (2022)

[samijey]

on a wrestling weekend with several kisses to choose from, i think this one from cody to sami might be my favorite

[ratuszarsenal]

very funny to me that every polish person who watched 1670 on here is writing posts begging non-polish people to watch it. including me.

[regicidal-defenestration]

Glass Onion had amazing costuming across the board we had Janelle Monáe in a blood-soaked suit and every single one of Daniel Craig's gay little outfits

[askchuuyanakahara]

uhm... chuuya... where's your coat right now? ...wait yoSHIKO-

Chuuya: "Although.. it has gotten a lot colder than before.."

Dazai: "Don't worry~. I wasn't planning on it."

Chuuya: "Let's get to my floor."

Dazai: "I mean.. usually I'd get yelled at for being even 20 metres away from Chuuya. But now I'm getting invited to Chuuya's apartment?"

Dazai: "Even with a 'truth serum' or whatever."

Chuuya: "We're here. Come on."

@suru1990

[noeavoiding]

Adam Nagaitis as Ryan || American Star

[benzedrine-calmstheitch]

Good Omens season 2 referencing Powell & Pressburger films

Crowley's angel hair is modeled after Kim Hunter's hair as June in A Matter of Life and Death (1946).

Maggie's shop is called The Small Back Room in reference to 1949's The Small Back Room.

The red ballet shoes on the door of Give Me Coffee or Give Me Death are a nod to The Red Shoes (1948). (Note : the klaxons sounding in Heaven at the end of episode 1 are said to be a nod to the alarm bells in The Other World in A Matter of Life and Death. Personally, I don't think they sound at all alike; they are only similar in both being alarms. Plus, it's an audio reference, which I don't have the skill or patience to include here. But it's there!)

In The Small Back Room, Maggie has a poster for the film Stairway to Heaven displayed. A Matter of Life and Death was released under this title in the US.

The tartan hills welcoming Aziraphale to Scotland are a reference to the tartan hills welcoming Joan to Scotland in I Know Where I'm Going! (1945). And of course, the third episode is itself titled "I Know Where I'm Going."

Jim drops the book My Best Games of Chess, 1924-1937, by Alexander Alekhine, onto a table in the bookshop repeatedly as he is discovering how gravity works. This book is featured prominently in A Matter of Life and Death.

When Aziraphale enters The Resurrectionist pub in Edinburgh, I Know Where I'm Going! is playing on both televisions (I'm pretty sure I found the right scene to match this screenshot). You can also make out the name 'Pressburger' on one of the posters in this screenshot, but we'll get to that later. . .

The family name on the mausoleum where Aziraphale and Crowley hide out with Elspeth and Wee Morag is Archers. It's never clearly seen in the show, but it can be seen in this BTS photo of the model used for Crowley's embiggening. The Archers was the name of Powell and Pressburger's production company. The interior of the tomb and the urns outside the full-size set also reference the Archers, and Powell & Pressburger individually.

In Mr. Arnold's record shop, one of the posters on the wall is for a UK music tour; either the band or the tour is titled Met By Moonlight. This is referencing Ill Met By Moonlight (1957), the final film Powell & Pressburger made together. (I personally think this one is a reach, as the title of the film is a line from A Midsummer Night's Dream and thus not really clockable to the outside viewer as a direct Archers reference, but apparently the intent was there so we're counting it!)

The Pressburger posters are more clearly visible during the Gabriel and Beelzebub rendezvous scene in The Resurrectionists pub. We can see they advertise 'Pressburger Scottish Lager,' which is of course a nod to Emeric Pressburger himself. (Unclear if Michael Powell has his own label that we just don't get a clear view of. . .)

-- -- -- -- --

I clocked a couple of these myself, but they are all referenced in the X-Ray trivia on the Prime Video player. Would love to know if anyone has clocked anymore that aren't divulged. . .

[kdrobz]

After “I don’t know if he did that, but it was a fast way of saying he took Egypt” from R. Scott, I was hoping to see something like this.

Disappointed.