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sabertoothwalrus · 5 months ago

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Ace Attorney: Trials in Paradise 🌅

— an AA7 fan concept —

Initial Premise:

Since it’s designed for the Switch 2 (and thus made for a larger screen), the game will almost always have 2-3 characters on screen at a time, and will feature dozens of unique interaction animations between all sorts of character combos.

There has been another 7 year timeskip.

The old judge retired, and the new judge is his granddaughter!

The jurist system is featured.

This concept is heavily based around these designs.

The characters would have multiple outfits throughout the game, which become unlockable costumes, much like the DLC costumes of DD, SoJ, and TGAA games.

While this is way too specific to truly be a "prediction" of what aa7 could be, I tried to keep it (mostly) realistic to what I thought could actually be in an ace attorney game!

📦 Case 1: Turnabout Homecoming

Trucy left the nest and Phoenix doesn’t like living alone anymore, so Phoenix is moving into Edgeworth’s house. Apollo— who recently got his driver's license— was driving the moving van, and was accused because a body had been found in the vehicle. The true killer was one of the movers. I like the idea that you'd have to look through boxes for evidence, maybe the murder weapon was hidden within their belongings.

Defendant: Apollo Defense: Phoenix Weird Girl: Edgeworth Prosecutor: Diana Payne (Winston’s daughter) Detective: (drumroll…) Godot!! Witnesses: Larry (he was helping with the move), Leslie (one of the movers) Victim: Bee(another one of the movers) Killer: Anne(third mover)

(rest of the cases and a lotttt more art under the cut ↓ )

🎢 Case 2: Rollercoaster Turnabout

Maya and Pearl are on vacation at Blue Badger Land. Pearl is accused of murder after a body is found on an unpopular attraction that only Pearl enjoys going on. As an aside, Gumshoe is retired from detective work, and now works as a dog trainer. He trained Armando's service dog, Spot O'Coffee. Wendy Oldbag also serves as a witness, but she's pretty old at this point. Her memory has become fuzzy with age, and her testimonies begin to mix up information from other trials (which will be little references to previous games).

Defendant: Pearl Defense: Apollo Weird Girl: Maya Prosecutor: Klavier Detective: Godot Witnesses: Gumshoe (and his kids, Callum & Beau), Wendy Oldbag, Ride Operator Victim: Ride Safety Inspector Killer: Park Manager

💍 Case 3: My Love, Turnabout

Klavier has arranged a collab performance between Trucy and Lamiroir. Hugh Dini, Trucy's assistant and boyfriend, is accused when his stunt double is found dead. Hugh is very cagey about his alibi, but it's because he was planning to propose and didn't want Trucy to know yet. Franziska takes this and spins it into a jealousy plot, and insinuates he killed his stunt double out of envy. Because Hugh is actually pretty shy, he has a habit of not speaking up, which only incriminates him further. A twist in the case is revealed during a cross-examination when it turns out the "gold band" the witness is referring to wasn't Hugh's engagement ring, but instead about a gold bangle. This immediately puts Apollo under suspicion, until Phoenix drops a hint that someone else (Lamiroir) has a gold bracelet as well. The truth about Trucy and Apollo's sibling relationship is revealed when Athena finds an unexpected emotion in Phoenix's mood matrix, and Lamiroir decides it’s time to break the news.

Defendant: Hugh Dini Defense: Athena Weird Girl: Phoenix, Apollo (← steps in when Phoenix has to get cross-examined) Prosecutor: Franziska Detective: Ema Witnesses: Lamiroir, Trucy, Hugh Dini Fangirl Victim: Hugh's Stunt Double Killer: Jealous Trucy Stan

🏝️ Case 4: The Getaway

This one isn’t a traditional case.

After Manfred Von Karma divorced his first wife, Bianka, he moved to Europe, and his previous home was left uninhabited until his eldest daughter, Karla Von Karma, discovers she has inherited it. She decides to turn the beachside property into a bed & breakfast, and invites her half-sister Franziska and adoptive brother Edgeworth to give the manor a trial run and let her know if it’s suitable for visitors. Edgeworth brings along Wright Anything Agency, because… why not treat them to a break?

But of course, their vacation quickly takes a turn when they find a literal skeleton in the closet.

Not all of the rooms in the estate had been searched. Manfred’s study has a large, padlocked safe, and Karla hadn’t gotten around to hiring a locksmith to open it for her. Phoenix tries “0001” for the hell of it, and the only thing more surprising than that combination successfully opening the safe is the body folded up inside.

They can’t imagine the killer was anyone other than Manfred Von Karma, but— since he’s already been executed— they’re not sure if a trial even needs to be held. They need to investigate the situation to determine with absolute certainty it was, in fact, Von Karma, because otherwise they’d need to find a new suspect. Obviously, the group of criminal justice lawyers aren’t not going to get to the bottom of it.

Except Apollo, who has decided he wants nothing to do with solving the murder. He came on this trip for a vacation, dammit, and that's exactly what he's gonna do. He heads back outside to the beach, and leaves everyone else to the investigation.

The first mystery is figuring out when the murder happened. The police arrive, and Ema estimates that the remains are about 30-40 years old, which is around the time the Von Karma family moved out. Since Manfred & Bianka had divorced in 1999, they start to wonder if Manfred had even still been residing here when the murder took place, but the body is found with a train ticket dated for January of 2002. A time period that just so happens to line up with the one singular vacation Manfred took during his entire career— to recover from a gunshot wound that he couldn’t even trust a doctor with knowing about.

The body is wearing a housekeeper's uniform, and they identify her as Ophelia Falsch. They conclude that she was killed because she had discovered Manfred’s injury, and he wanted to eliminate the witness. They think they have the case over and done with, but then Ema comes back with the dental analysis. She explains there was no dental record of an "Ophelia Falsch", but the teeth did match Bianka Von Karma.

This raises some questions. Why was Bianka dressed as Ophelia? Was there a more personal reason Manfred could have killed his ex-wife? Could Ophelia have been involved as well?

Since the murder happened so long ago, they don't even know where to begin with finding witnesses. Karla was 18 at the time of the murder, and had just moved out, so she wasn't present. Edgeworth, of all people, is the one to suggest an unconventional idea: why not ask Von Karma himself?

The manor is in a remote location that's only accessible by train or boat, and since it's late, Maya won't be able to get there until the next morning. In the meantime, they check up on Apollo, only to find him getting scolded by a woman about having his chair on the beach. She explains that she's Karla's daughter, Angelika Von Karma, and that she's impassioned about marine ecology. She just discovered the beach had become a nesting site for an endangered species of sea turtles, and is worried about disrupting it.

The next morning, Maya arrives, and Phoenix and Edgeworth hold a mock trial in the foyer. Manfred is channeled, but is uncooperative, so they try... a different method. Phoenix and Edgeworth perform a reenactment of how they think the murder happened, while Trucy and Athena watch Manfred to see if they can glean any information based on his reactions.

Manfred breaks down and confesses to the murder, but is telling the truth when he says that he didn't know the victim was Bianka; he did, in fact, think he had killed a housekeeper who found out about his gunshot wound. After this, his spirit is released.

As puzzling as this is— who was Ophelia, anyway?— they can't do anymore investigating because Karla has become very upset. The whole ordeal has caused long-repressed emotions to resurface. She's always felt a little bit resentful towards Franziska because their father left Bianka for Franziska's mother, Levina, and always felt like she had her family taken from her. On top of that, Manfred had done everything he could to get full custody of Karla in the divorce, and she never saw her mother again. She's angry that that wasn't enough— he'd gone and killed her too.

Karla and Franziska get into a big fight, and the whole trip ends up cancelled.

🚂 Case 5: Turnabout Train Car

They all board the train to head home. The mood is really awkward and it's kind of a bummer. Since the train is only way out of the area, Karla has to board as well, albeit in another car.

And because nothing is ever easy, there’s a murder on the train.

The victim was the owner of the train, Diesel Porter. He was found in his private sleeping room, and the only other room on that train car was being occupied by Karla, so naturally, she is accused.

Since Ema and the police are already on the train, they’re able to take control of the situation until the train makes it back to town. The Wright Anything Agency isn’t allowed to investigate the crime scene much, so they opt to interrogate the other odd passengers.

They get a helpful tip from the train’s bartender that Cole Porter, son of Diesel Porter, had been making plans to build a resort. They also find out that the train company had been losing money, since they weren’t getting many passengers.

The next day in court, Phoenix claims Cole killed his father to inherit the company, but Cole denies it because, why would he want to inherit a dying company? And Phoenix turns it around by bringing up the resort plans and how he wanted to build it on Karla’s property. He couldn’t just kill Karla, because then they’d have to take care of Angelika and Franziska too, so they needed Karla to feel like she had no choice but to sell it.

The trial goes to recess and Cole is apprehended for questioning, but at that moment they get word that someone else has just been murdered on the train— the bartender from before.

Phoenix goes back to the train investigate and boards when it’s stopped on the mountaintop station. While he’s investigating the train’s caboose, Cole’s wife, Electra, detaches it from the rest of the train. Cole and his wife were in cahoots! Phoenix is sent hurtling backwards down the mountain in the runaway car, and manages to pull the emergency brake just before reaching the bottom. He’s ended up back by the manor, and calls to have a boat sent to pick him up.

While he waits, he finds Angelika is still here studying the turtles. She gives him permission to go inside the manor again to investigate. He finds the deed to the house, along with an old photo that has a letter written on the back. It’s addressed to Bianka from Levina (Franziska’s mother).

The case is solved when Phoenix proves that both Cole & Electra Porter were involved in the murders. The land becomes protected by the government in order to keep the sea turtles safe, since they are endangered.

After the trial, Phoenix shows Karla and Franziska the letter he’d found. It turns out Levina hired Bianka as a housekeeper under the alias “Ophelia” so that she could still see her daughter Karla. The photo depicts a teenage Karla playing with a baby Franziska. Levina and Bianka had a good relationship, and had made efforts to keep their families together.

Karla and Franziska apologize to each other, and agree to get along better.

Defendant: Karla Von Karma Defense: Phoenix Weird Girl: Athena & Apollo Prosecutor: Franziska Detective: Ema & Godot Witnesses: Train Conductor, Old Passenger, Tain Bartender Victim: Diesel Porter Killer: Cole & Electra Porter

💃 (DLC) Case 6: Turnabout Runway

Klavier has been invited as a guest judge for a fashion tv competition. He invites Pearl (and Apollo) to the shooting as an apology for accusing her for murder & because of their shared interest in fashion. "Lip sync for your life" but literally.

Defendant: Lady Killer Defense: Athena Weird Girl: Pearl Prosecutor: Blackquill Detective: Ema Witnesses: ensemble of drag queens/models, Klavier Victim: Taxi Macabre Killer: Paul Rue

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eowynstwin · 4 months ago

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peristalsis - v

selkie!soap x reader. depression. strangers to "lovers." shower sex. cunnilingus. smut. manipulative soap. oysters as an aphrodisiac. unstable narrator. . Running away from life to the Scottish Hebrides, you meet a man who won't leave you alone. . Masterlist. Ao3.

You watch him over an open book.

It’s an old romance, something from the eighties. Classic bodice ripper, billowing sleeves, tight corsets, mullets and heaving bosoms and all. Naturally, it’s set on a pirate ship, the heroine as the unlucky spoils of a merchant ship raid and the hero a lusty captain able to pierce her virgin’s desire for sexual depravity.

It could only have been more pointed at you if it had been set in the North Atlantic—it isn’t—but you glare at Soap’s back anyway.

He must be able to feel it, because he stands straight at the wheel, shoulders thrown back, occasionally flexing.

The freak.

You’d realized the joke he’d been making, once your heartbeat had slowed. Hiding the pelt somewhere obvious enough for you to see it. You live in the age of the internet—you know what it’s supposed to mean.

And you kind of hate him for it. Now, post-coitus, you can’t shove it away into a box—he is the most attractive man you’ve ever encountered. Rugged and handsome, competent at everything you’ve seen him do, seemingly at home wherever he finds himself. Everything makes him smile. Nothing seems to disconcert him.

And a nice big cock he actually knows how to use. Certainly the best lay you’ve ever had.

What every woman traveling solo, you think, longs to encounter on a solo trip across the world, but will never acknowledge looking for. An answer to an unaddressed desire; proof that satisfaction is out there to find, if it’s searched for.

A lover with no conditions. Someone willing to strip your inhibitions away, knowing your protests are only token.

You had not been searching. You’d given up searching.

And now he mocks you—with every satisfied glance he throws over his shoulder.

“Good book?” he asks, all casual and pleased. “S’ one a’my favorites. Tell me when you get to the naval battle.”

You frown. “You haven’t read this.”

He gives a little huff of amusement. “Read all of ‘em, bonnie.”

No, this is where you draw the line. A good cook, a good fuck, and a romance reader? No. No, you absolutely will not take this.

“Sure you have, Johnny,” you grouse, “you read every single stupid book on that shelf. Sure. Hell, you’ve read books that aren’t on that shelf. You’ve read every new release from the last six months, even. Why not.”

He looks at you again over his shoulder, mouth curled. “Aye. Needed ideas, once a’knew you were comin.’”

He says it matter-of-factly, with only a little bit of pride. As if it was a natural step in the process of getting ready for your arrival—renovate the croft. Stock the fridge and pantry. Plan some island excursions.

Study the erotic mind of the average woman to divine how best to seduce her.

Your frown deepens, and you lift the book higher, making it a barrier between you and him. Loser. Couldn’t he just go to the mainland for a few days if he wanted pussy? Not like it would be hard to find, for him.

You resolve to ignore him for the rest of the trip. A petty endeavor, maybe, but it’s the only one you can make.

But six hours is six hours, and you can’t read the whole time. Periodically you have to get up to stretch your legs, and the windows wrapping around the bridge draw your attention to the sea outside.

Johnny drives the trawler at a remove along the coastline, keeping close enough to the islands for easy viewing. The denizens of the Hebrides are out en masse, enjoying the clear weather, joyfully populating the land- and seascape in the absence of human interlopers.

Porpoises, so much smaller than you might have expected, periodically catch the wake of the boat, swimming alongside, playful and curious. Gulls loop in the air above the dunes, fronds of grass fluttering in the breeze. Gannets, stark white, arrow down into the waves, wings folded back pin-straight as they spear their quarry—silvery fish that boil the surface of the water in their frenzy.

Some removed part of you enjoys their pleasure secondhand. The normally-grey ocean is vibrant in the sunlight, crystalline and sparkling and as blue as Johnny’s eyes.

He seems to be in a good mood, too, although that could just be because you let him fuck you. You feel his eyes on you even as you refuse to look at him, dancing along the curves of your body the same way his fingertips might.

At one point—“Bonnie, I know you’re sulking an’ all, but c’mere.”

He gestures you over to the cockpit, and—embarrassed at being called out—you join him. He brings a hand to the small of your back, stepping behind you and pointing over your shoulder.

A gray wall of passing cliffs, and crags of rock jutting up from the churn at their base. You see ten or twelve grey-and-white seals lounging across every available flat surface, some cuddled in groups of three or four, apparently unbothered by the periodic spray of breaking waves.

“No’ where I’d choose to have a kip, personally,” Johnny says, sounding amused.

You turn your head to look at him, hard. His eyes soften when they meet yours, and he tilts his head to kiss you, undeterred even when you flinch away from it.

His hand tightens across your back, fingers digging in. He sucks your bottom lip between his and caresses it with his tongue, as he edges beneath the hem of your shirt to spread his hand across the warming skin of your back.

“I’m mad for ya,” he murmurs when he pulls away, blush high on his cheeks.

“It’s been two days,” you deadpan.

He presses up behind you, open hand sliding around to press into the low part of your belly, right at the sensitive crest of your mons; you can’t help your gasp when, at the same time, his erection nestles into the cleft of your ass.

“No’ to this,” he purrs in your ear. “Feels like it’s been forever, for this.”

When his fingers start making their way beneath the waistband of your pants, you grab his hand and wrench it away, scoffing.

“You’re just a fucking horndog,” you sneer, betrayed by the heat spilling through your core.

“Aw, you break my heart, bonnie,” Johnny simpers, but there’s a mocking edge to it. As if he knows exactly what you’re hiding.

You step away from him, folding your arms across your chest and staring out at the basking seals instead. Then—

“There’s one in the water,” you say.

A few meters away from the rocks, a round head pokes up from the surface, bobbing with the rise and fall of the waves. Its eyes are slitted closed, nostrils dilating.

“Aw, he’s bottling,” Johnny says affectionately, when he comes over to look. “Look at his wee face.”

You remember suddenly your encounter of the previous day—another lone seal, resting apart from its fellows.

“I saw one on the beach,” you say, “yesterday, after you dropped me off. A big one. You didn’t say they might show up.”

“Male?” he asks, and you nod. “Peripheral male, then. I’m no’ surprised.”

You sigh. “And that is…”

As if magnetized, his hands find you again, this time settling on your waist. It seems that Johnny’s touch is something impossible to escape, in his vicinity. He drags them down over your hips and back up almost idly, as if he’s not even thinking about doing it.

“There’s dominant males, and then there’s the rest of ‘em. Only the dominant ones get to breed at the rookeries, see? And the rest of ‘em have to wait around for the females to leave to have their chance.”

He leans into you from behind, nose in your hair, and you hear him inhale as his hands tighten.

“Once a peripheral male finds a female alone, separated from the colony, ready to go back out to sea—well, that’s his chance to pounce.”

You frown, mostly to yourself. “No matter how the female feels about it.”

“We’ve been over this,” he chides.

He brings his lips to the curve of one ear, then the soft spot behind it. His nose finds the juncture of your neck and shoulder, where the capillaries that he broke with his teeth still throb whenever you press your fingers to them. He inhales again, deeply.

“Why do you do that?” you grouse, unwilling to give him the win.

“Like how you smell,” he says, doing it again.

His tongue caresses the bruise before he closes his mouth over it—but he goes no further than to kiss your neck twice more before returning to the wheel. It leaves you reeling, half-dizzy with arousal, and when you stomp back to your seat with a frustrated growl, he only glances over at you, smirking, and laughs.

He finds a berth in the early evening to park the trawler, and at that point you’re thankful for any kind of solid ground to set your feet on, as well as enough open air to disperse whatever pheromones have saturated the enclosed space of the bridge.

You’ve been half-tempted the whole time to make him drop anchor and drag him belowdeck toward the nearest flat surface big enough for the two of you to share; as it is, you’ve simply stewed in your own juices instead, hot with angry arousal and ignoring the slick pooling in the gusset of your underwear.

Johnny steps out into the cooling air in his usual kilt and sweater, and you once again huddle in his jacket, aromatic with his musk, as he leads you onward. This time, unlike the last excursion, he insists upon holding your hand the whole way, callused fingers worming their way between yours, the captured air hot and humid between your palms.

Callanish turns out to be a henge of standing stones.

Meters-tall megaliths, squarish and narrow like broken teeth, surrounding a burial site and extending in two directions as if lining a road. Inevitably evocative of its cousin Stonehenge, with the notable exception that you are allowed to go up and touch the stones with your bare hands.

“They used ‘em for that TV show,” Johnny informs you as the two of you circuit the main ring. “Well, no’ these, they probably had styrofoam for that, but they got the idea from these.”

You lay your free hand on the nearest stone; it’s cold, and rough to the touch, a day’s worth of sunlight evidently not sufficient to warm it. Tiny spots of moss and lichen cling to the old stone, green and eggshell white.

“Why are we allowed to touch them?” you say. You think of bronze statues, rubbed to a golden gleam by millions of tourist hands.

“That’s Lewisian gneiss, bonnie,” says Johnny, laying his hand, much larger, next to yours. His thumb teases the side of your pinky. “Doubt you could make much of a mark on it. This rock here? Three billion years old.”

You look at him, seeing his profile. The expression on his face is soft—not unlike the way he looked at you earlier, on the way here. He spreads his fingers over the stone, tendons furrowing down the back of his sun-weathered hand.

“No’ just older than us,” he continues. “Older than what we used to be, a’fore we were us. Was there when we first made fire. Was there when we came down th’ trees. Was there all the way back when we left the ocean for the first time—”

He looks at you, then. The setting sun catches in the dips of his irises, setting jewel blue aflame.

“An’ it’ll be there, bonnie, when we go back.”

The wind curls around the stones with the chill of the oncoming night. Even despite the jacket, despite the walk up to the site—you feel it penetrate beneath your skin, deep into your bones.

You choose derision, to reject the shiver.

“And you have this all memorized,” you say.

Johnny doesn’t respond. He continues to stare at you, mouth in a relaxed, but inscrutable line.

You suddenly remember that you do not know this man; though he’s told you enough about himself to fill out his background—you don’t know him. You don’t know how he feels about most things, what’s important to him, why he may find one thing or another meaningful. Not the way you’d have to, in order to understand why the gaze he fixes on you feels so significant.

Whatever you’re supposed to understand in the way he looks at you now, you don’t have the ability to discern. The only thing that occurs to you is that, perhaps, you’ve finally managed to offend him.

It does not satisfy you as much as you might have imagined—

In fact, the thought drops through your belly like a rock.

Again. You did it again.

In the one place you thought you’d never have to face this—you did it again. Here is someone who seems to like even the worst of you, and you somehow found an even uglier side of yourself to show him, a squirming thing that cannot help but sling itself around with no heed for the damage it can cause.

But when you open your mouth to say something reparatory, something that certainly won’t fix what you’ve broken no matter what he might say, his expression softens into something thoughtful.

“Visited when I first came here,” he says. Completely unbothered. “After the discharge an’ all.”

You blink. Sharp heat and the numbness of cold, warring across your face.

“Why?” you ask.

“Dunno.” He shrugs, and lifts his hand from the stone, smiling ruefully. “I was a bastard back then. Didnae wan’ anything’ to do with anyone anymore. Mad at the world, a’was.”

Shucked like an oyster; scaled like a fish. Heat wins out, even in the growing chill. Tender skin scalding itself.

“And what,” you say, reflexively nasty, panic whirring up behind your breastbone, “you thought—you’d get some sort of, magical insight here?”

Johnny laughs. “Naw, a’was just pissing my money away, bonnie. Thought I’d come up here an’ try t’ knock one over.”

Tight chest. Can’t breathe. You step away from him, far away, hide it like you’re looking at another of the standing stones, but a stabbing pain spears upward through your diaphragm.

In—count—hold—out—

“Could you?” you ask, wringing something like a normal tone out of your voice.

“Nope. Paid for it later, though.”

He says it casually. He hasn’t noticed. You reach out to the new stone, drag your fingers overtop of the rough surface, imagine every little bump flipping the friction ridges of each print like pages of a book. Cold—the rock is cold. The wind is cold, and sharp with the smell of rain. The jacket is heavy on your shoulders.

The jacket smells like Johnny.

“I’m sure the park wardens weren’t happy,” you say, feeling your heart slow in your chest.

“No,” he says, and—with the silence of a lightning strike—“I drowned, afterwords, first time I went to sea.”

You look back at him. The wind picks up, ruffling the ends of his mohawk; on the horizon, a rind of darkness splits the clouds from the earth.

“You drowned?” you repeat.

The hem of his kilt flutters and dances. His gaze is intense—the angle of his brow unreadable.

“Aye, bonnie. I did.”

Your ears begin ringing—as you stare at him, you get the sense of dreaming. There’s a distinction to Johnny that contrasts the landscape framing him, a sharpness so focused that everything else lenses around him.

“Why—why are you here?” you find yourself asking, though you’re not entirely sure why. The question leaves you as if surfacing on its own power.

The corners of his mouth quirk—although for once, he doesn’t smirk at you, the way he always does.

“You tell me,” he murmurs.

He holds you in the tilt of his head; in the depths of his eyes, currents pulling you downward. You inhale, and expect, for some reason, water to pour into your lungs.

Then a gust of wind buffets the two of you. Johnny turns, surveying the sky. Breaking the spell, he says, “Come on, let’s get back. I don’ like the look a’that storm.”

Halfway back down the path, the front overtakes you; rain begins sheeting down, ice cold, needle-precise into your hair and down your collar. Johnny grabs your hand again even as you start worrying about slipping, and though the torrent veils the way, the both of you make it back to the trawler in one piece.

Back on the bridge, a red light blinks on the panel by the wheel. While Johnny attends to it, flipping a switch and bringing a microphone on a curly wire to his mouth, you squeeze your hair out over the sink nearby.

“This is Soap on the vessel Sea Ghost,” he says, and waits for a response.

“Soap. Drop anchor somewhere. Looks like a storm’s coming in,” a gruff voice comes in.

“Yeah, Cap, we noticed,” Johnny says with a laugh, turning and smiling at you. “We’re moored, dinna fash.”

“Good. Looks like it’s just for the night. Clear enough in the morning.”

“Barry. You got everything? Shops’ closed tomorrow.”

“Never will understand why. But yes.”

“It’s a holy day, Captain,” Johnny says pleasantly.

Price grumbles something about damn Catholics and their damn rules, which just makes Johnny laugh.

Then, “Gaz is here. Made it in after you left.”

Johnny’s posture shifts. Similar to a dog hearing the turning of a doorknob; amorphous attention coalescing, finding a target to point at. Anticipatory. Tail twitching, winding up to wag.

It’s a new reaction, to you—you’ve never seen it before.

Johnny lifts the transmitter to his mouth. He holds it there for a silent moment, before saying, “And Simon?”

No response from the other end of the line, pulled taut, as if snagged. Then Price responds “Haven’t heard yet.”

Something passes over Johnny’s face. Some flex of the muscle in his jaw. An expression held in check.

That’s—

That’s familiar.

“Alright. Back tomorrow then.”

“See you.”

He replaces the mic on its hook.

Thunder claps somewhere over the distant, open ocean. The trawler creaks and groans as the wind swirls around it. Yellow lamps illuminate the warm, wooden space, but are unable to penetrate the lowering blackness outside.

Tension—you can feel it drawing tight, see his shoulder blades shifting closer together. It aches in the muscles of your own back. He faces away from you, like you’re not there—

He turns to look at you. He’s smiling, but it doesn’t look quite real. As if he’s forcing the expression on his face.

“Poor bonnie,” he croons, looking you up and down. The tenor of his voice is saccharin-sweet and thick. “How’s a hot shower sound to warm up, hmm?”

Your belly pinches. “Sure.”

He leads you down a steep flight of stairs into the stomach of the boat, showing you into a single bedroom. The space is cramped, wedge-shaped—barely enough room for the double bed shoved into the middle of it, sheets and blankets gathered in rumples across the top. The unique musk of its occupant wars with the smell of lacquer; the walls are lined with orangey planks, evoking the sailing ships of old.

Directly to the left of the entrance, an open door leads into a small bathroom, into which Johnny guides you, hands on your hips.

“Go’ plenty a’ drinking water stored upstairs so take all the time you like,” he says. “Here, lemme show you how the taps work.”

You half-expect him, after the instruction, to stand there and watch, waiting until you undress. And he does hesitate for a moment, hovering in the threshold, before giving you a practiced grin, telling you to enjoy yourself, a closing the door behind him.

You stand in the middle of the tiny room for an uncertain heartbeat. Assumptions lurching. Almost—hoping.

His heavy footsteps climb back up the stairs.

So, you peel off your damp clothes and drop them into a pile on the floor, stepping naked into the shower. It’s far less mildewed than you might have worried of a single man living alone. Hot water chases cold out of your hair, streaming with pressure far superior to the cottage’s installment.

You realize your toiletries are still above deck, in your bag, beneath the two paperbacks Johnny packed that you haven’t gotten to just yet. You could step out after him—

You don’t do that anymore. You promised yourself.

The floor sways as the shifting sea rocks the trawler in its berth. You reach for the bar on the wall to steady yourself.

One version of yourself is sometimes able to fool the other. The truth is, you could have told him to stop at any time. Put your foot down, hard. Just because he owns the house you’re staying in doesn’t mean he gets to decide what your entire vacation is going to look like.

You scoff at yourself, without any humor. Vacation. Like you’d ever believed this was anything more than self-imposed exile.

The truth is, water takes the shape of the container it fills.

There’s a chill still present in your hair follicles. Impossible for you to identify until now; live with an ache long enough and it stops registering, until it’s balmed with a moment of relief. This is where the addicts begin; experiencing, for the first time, a complete absence of pain, as if it had never been there in the first place, and, once that pain is restored, the ruthless pursuit of its elimination.

Cold rain outside, warm rain within. You stand in the flow, listless. Steam rapidly clouds the empty spaces around you, gathering in droplets on the wall, drizzling down again.

That’s where the mistake is. Pain is never defeated—only deferred. Its panacea provides only diminishing returns, until it’s useless. Until you might as well be swallowing sugar pills or drinking seawater to assuage your thirst.

But you keep doing it. You remember too well how it felt. You chase it down because now you know how it feels.

At some point you have to understand that it always ends poorly.

The bathroom door opens again, and then the shower door, spilling yellow light into the shadowed recess—

Johnny.

The expression on his face is inscrutable; mysterious, as his gaze moves down your body, following the streaming water. Your arms curl around your chest in a perfunctory attempt to conceal yourself, even despite the futility of the effort.

He’s naked, and half-hard, a refrain on the previous night. One hand holds the travel-size soaps and gels that he must have dug out from your bag. He steps in behind you—enclosing the two of you in together.

“Sorry, bonnie,” he murmurs soothingly in your ear. “Had t’make sure we were tied up for the storm.”

The space is not even suggestive of being big enough for two people. You hear the squeak of the shower wall against his shifting back, hot skin slipping against yours as his hands draw you back against him by the hips.

“Dinnae want you t’slip an’ hit your head,” he murmurs, massaging the fat of your pelvis, as if there’s any reason to make excuses for what he’s doing.

Half-raised hackles petted down too easily. You relax into his touch, even as you disdain it. Your heart tremors in your chest.

“What’s going on tomorrow?” you finally ask. “Who’s Simon?”

Pathetic. A jealous lover, after less than forty-eight hours.

“Old task force,” he answers, kissing the back of your head. “Little reunion, food an’ beer, mostly.”

You half-expect him to go immediately for your breasts, or maybe your pussy. His cock is stiffening against the small of your back. But instead, he opens one of your bottles, squirts some pearly body wash into the palm of his hand. Rubbing a little to lather it, he puts his hands back on your hips, and begins massaging it into your skin.

Inward, up your stomach. Pressing into the soft parts of it, with the water slicking his way. His mouth touches the back of your neck—softly. Tenderly. With all of the languor you rejected the previous night, and not enough space for you to slap it away again.

His lips press inward, looking for the bite he left, which he lays his tongue on as if in contrition, licking it like a dog with a wound. The comfortable warmth of the shower swelters with his added body heat; the steam pulses in time with the heavy beats of your heart.

One hand slides up your body, fording your thoracic arch, the wedge of his hand ascending the length of your breastbone. He cups your jaw, bubbles between his fingers, one of your breasts nestling between his bicep and forearm.

He tilts your head to the side as he cranes his head further into your neck, lipping at the space behind your ear, kissing delicate, sensitive skin, as his other hand drags soap around your ribs, beneath and over both breasts, up into your pits and back down again.

A doll in his hands, bent along the shape of his will. He shifts his hips, frotting his erection against you.

“Johnny,” you breathe. “Johnny, this isn’t anything. This doesn’t mean anything.”

“Aye, bonnie,” he hums. “Whatever you say.”

He licks a hollow in your throat.

His other hand dips lower, sweeping down into the crease of one thigh to round the lower swell of your hip; then back up again, fingers spreading.

The stall compresses your arms close against you; the only space you have available to lay your useless hands is on his arms. The dark hair you find with your fingertips is coarse, wiry, plastered to hot skin with water. The spray seeps between the both of you, streams in the runnels of flesh pressed together.

Between your legs, your clitoris heats, awakening even though untouched. You give a small whine, and Johnny huffs a little chuckle in your ear, suckling your neck as his fingers make the descent back, rinsed in the falling water, teasing your pubic hair before nudging your folds apart.

He finds you slick and aching. He only dips lower briefly to wet his fingers, and then, as he settles a light touch over where you’re most desperate for it, relief razes through your nerves in a sudden wash.

You search for the back of his head, slotting your fingers into the ends of his mohawk at the nape of his neck. He hums against you, hand dropping down from your jaw to cup one breast in his palm, weighing it, thumb flicking around the pert nipple in the same tight circle he draws around your clitoris.

Orgasm, usually so obvious on approach, sneaks up on you, quick and quiet, but when it takes you it floods you, rather than knocking you down. You tremble all over, the follicles on your scalp standing on end, the nerves down your back and sides bending like dune grass to a wind.

Your long, breathy cry reverberates against the shower walls, and you lean heavily back against Johnny’s body, grip tightening where you have your hands on him.

He twitches against your back, but he makes no move to chase his own climax. He only turns you carefully, when you recover, and lays his hot, open mouth on yours, tugging your hips close enough to trap his cock against your belly. This time, the wall is cool at your back, the crown of your head moving against it as Johnny angles himself deeper, sliding his tongue between your lips.

“C’mon,” he says, when he finally pulls away. His pupils are huge, black dilation swallowing the blue. The spray fills the empty spaces between the strands of his mohawk, fluffing the hair a little as it courses down the shaved sides of his scalp. “Need to get my mouth on you again, bonnie.”

This time, when he eats you out, he does it at his leisure. Licking honey off a spoon. So lightly that you whine at him, find the energy to bitch at him to do it like he means it, but tonight he does not indulge you.

No—he mouths at you, eyes closed, curly lashes against his cheek as you lay belly-up on the rumpled sheets of his bed. The heat of his tongue in your cleft is the only source of warmth you have as the rain lashes at the outside of the trawler, but the hot shower still lingers in your skin—

Humid. Sticky. Sweat gathering beneath Johnny’s palms where he holds your thighs to his ears, as if mimicking the way your sex will clutch around him when he enters you. Slick and tight and viscous.

When he crawls up your body—nosing at your belly, your breasts, inhaling as if your musk is something he’s trying to get drunk on—he fucks you slow and deep. You stop being able to tell if it’s the storm rocking the boat, or the weight of his hips rolling against yours, one of his hands on the headboard for leverage and the other on your mons, pressing down with the heel of his hand to feel the head of his cock moving in you.

Tacky skin catching on the grind; heart speeding up as he grins at you from above, thumb tapping your clitoris. Enough to wind you up. You reach for his hips with your clawed hands, digging your nails into the meat of his ass—firm, muscle tensed, twitching every time he bottoms out.

“Johnny,” you finally beg, on the edge of a sob, “please, Johnny, please—”

Breath leaves him like a steam valve turned, pressure carrying an uninhibited moan. He ignores your plea, hips rolling slow, forcing you to feel every inch of him in and out of you, every ridge—every vein pulsing on the surface of his cock.

His eyes are closed still; when the widest part of him catches the rim of you around him again, his mouth drops open, lips pink and bitten.

Lost—he’s lost in pleasure, in the feeling of you around him, pulling him in. You watch his chest as it heaves, the flex of his stomach as it tightens—the twitch in the muscles of his arms as the impact of each thrust ripples up his body.

Look at me, you want to say. Look at me. I’m right here. Look at me.

“Again,” he groans, choked, restrained, hands gripping your hips. “Say it again, bonnie—”

“Please—” you whine, on the edge of a sob, “please, please, please—”

Thumb metronoming at a quick tempo where you need it—you seize, back arching, tightening around him so narrowly you could force him out—

He snarls, sharp and hard, thrusting into the resistance, hands falling to fist in the mattress. Breath coming rough and fast, sweat dripping from his forehead into the cups of your collarbones and down between your breasts. Hard and fast now, pushing in as far as your body will let him, and a final, long moan tears from his parted lips, liquid heat flooding you as Johnny goes rigid with a climax following only moments after your own.

Pelvis flush with your thighs. He doesn’t let a drop escape, pushing against you, lifting your hips from the bed.

“Tha’s right,” he slurs, eyes hazy when they open. “Tha’s right, that’s where it belongs.”

He collapses on top of you, almost crushing you with his weight, as he seeks your mouth out with his. He moves his hips against yours with shallow thrusts, whining in his throat.

“Didn’t you—” you pull your lips away, too hot, too cold, buzzing and exhausted, “didn’t you just finish?”

He tongues at your cheek instead, and then down your neck. “Doesnae matter, is no’ enough. C’mon, bonnie, wrap your legs aroun’ me, please…”

After he is finally spent—long after you’ve had enough energy to do more than lay beneath him and let him use you as he pleases—Johnny diverts briefly to the galley, bringing back with him a plate of oysters and a pry knife. It’s his bed, so you don’t complain about shell fragments, but you resolve to make him change the sheets anyway, shifting uncomfortably to find a spot that isn’t soaked.

“Was on this boat,” Johnny says, as if picking up the thread of a conversation only recently dropped. He picks up one of the oysters and shucks it open. “When I drowned.”

The way he says it, you’d think it was a casual thing, something he barely thought about anymore, but the line of his brow is low and serious.

He hands you one half; you bring the shell to your lips and tip it upward. Brine slides across your tongue, flesh smooth and buttery. Johnny watches you with soft eyes before having his own.

“Price was with me. I told him to fuck off, but he said he wasnae gonna let me take it out alone the first time ever. I was a bastard back then, I told ya. We went out in a storm, like this one, even though any eedjit could take a look outside and know it’d kill him.”

You flick at the edge of the shell with your fingernail, looking down at your hands. “Why’d you do it?”

“Dunno. Had somethin’ to prove, I guess.”

“That you could still do stuff like that?”

He doesn’t respond, so you look back up at him. He angles his gaze toward the mess of your hair—the new hickies he’s left on your neck—the bead of your nipples in the cold. The hard angles of his face soften.

“All my life,” he says, measuredly, “all I wanted to be was a soldier. An’ I couldnae anymore. Even though I was better. Hell, I was better than better. But I couldnae go back. That was it. It all wen’ on withou’ me.”

He breaks open more oysters as he talks, hands steady and deft around shells and knife. When he finishes, he slides the plate into your lap, and reclines to face you on his side, propping his head up with his hand.

“We wen’ out when the waves were as tall as a man, an’ us hangin’ onto the railing for dear fuckin’ life,” he continues. There’s a faraway quality to the tone of his voice. “Only life wasnae so fuckin’ dear, was it? I could’ve held on tighter, I think. I fell off.”

“And Price pulled you out?”

That feeling again, meeting his gaze; caught in the arms of a whirlpool, being dragged down. A vial in a centrifuge, constituent parts separating.

“No,” he says, “he didnae.”

“Then…”

“Eat, bonnie.”

There’s a stillness to him that feels unnatural. Johnny is a man who should be constantly in motion, gesturing with his hands, bouncing on the balls of his feet, tapping any available surface with rolling fingertips. Instead, here in front of you, he’s still as a statue. Chest softly rising and falling, but otherwise completely placid.

He gazes steadily at you, down at the plate, and then back up. You sigh, and pick up another shell.

“I don’t remember exactly what happened. I remember getting pushed down deep, real deep, then getting forced up again, on a current or something. Not far enough to get any air, mind. I thought, I’m gonna die out here, an’ I didnae want to.”

He shifts then, a little forward toward you.

“That seemed important, you know? I didnae want to die. Dinna think the sea would’ve given me up f’ I did. It knows. Sometimes it doesnae care. But I guess that time, it did, ‘cause after I blacked out, next thing I know I’m wakin’ up on the shore.”

Something hard shifts in your belly.

“Cap found me a bit later, bringin’ the boat in. Gave him a real scare. Think it turned some of his hair gray overnight. After that…a’was no’ the same. How could y’be, after that?”

You—you don’t want to know any of this. You don’t care. You didn’t ask. His story drops expectation on your shoulders, heavy, custom-tailored, laden with understanding that sands your abraded nerves.

All of this is too much. The damp sheets beneath you, the food, the sex. The fact that you picked the last place in the world thought you could ever meet anyone, let alone someone who—

“And now you have a seal fetish,” you sneer.

Who understands.

Indulgent. This is indulgent, reckless, idiotic in the extreme.

Soap reaches out, and wraps a large, sun-brown hand around your wrist, the one still holding the oyster. Pulling it towards him, he opens his mouth and then tips the flesh from the shell. He slurps it down, noisily, mimicking the sound of his mouth and tongue on your pussy.

“Something like that,” he says, with a sharp, cocky grin.

He changes the sheets. Dims the lights. Plasters himself around you as the storm blows itself out, arm heavy over your waist, thigh and knee nested inside yours.

He’s warm at your back, musky with the mingling aroma of dried sex and sweat.

Sturdy. More real than anything that’s ever put its hands on you.

Johnny, who the sea loved so much it spat him back out. So treasured by the world that a bullet to the brain couldn’t even take him away from it.

Who, by the sound of it, means so much to the people in his life that they would follow him to the middle of nowhere just to keep an eye on him.

Bile churns in your stomach.

next chapter early access

a/n: two chapters left!

#soap x reader #soap x you #john soap mctavish x reader #john soap mctavish x you #john soap x reader #john soap mactavish x reader #soap mactavish #john soap mactavish x you #soap mactavish x reader #soap mctavish #john soap mactavish #mwritessoap #madi writes #selkie soap #peristalsis #'i'm going to write shorter chapters' writes this monstrosity #i am so not happy with this but we forge ahead nonetheless #hopefully I can get 6 up in EA next week. maaaaybe a double posting since the epilogue won't take long to edit. i think.

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