#What is unified scheme?

[targetstudy]

What is New Unified Pension Scheme 2024: Full Details, Calculator & More

What is the New Unified Pension Scheme (UPS)?

In response to opposition to the National Pension System (NPS) and the increasing demand for the Old Pension Scheme (OPS), the central government has provided a significant benefit to its employees.

Who is Eligible for the New Unified Pension Scheme?

Under this scheme, central government employees who have worked for 25 years will receive a pension equal to 50% of their basic salary from the last 12 months of their job.

States will also have the option to adopt this model. If they do, the total number of central and state employees covered by this scheme could reach 90 lakhs.

Read More>>>

[uniqueeval]

Unified Pension Scheme: How does it differ from the Old and New Pension Scheme?

The story so far: Fulfilling a long-standing demand of government unions, the Centre on Saturday (August 24, 2024), unveiled a new ‘Unified Pension Scheme’ (UPS) assuring government employees half their last drawn salary as a lifelong monthly benefit. The UPS, which has been approved by the Union Cabinet, has several other features benefiting pensioners, such as a periodic dearness relief hike in…

[rightnewshindi]

क्या है यूनिफाइड पेंशन स्कीम, कर्मचारियों को कैसे होगा फायदा, कब से होगी लागू; यहां पढ़ें पूरी डिटेल

What is Unified Pension Scheme in Hindi: केंद्रीय मंत्रिमंडल ने शनिवार शाम को यूनिफाइड पेंशन स्कीम की मंजूरी दे दी। सरकारी कर्मचारियों की तरफ से यूनिफाइड पेंशन स्कीम (Unified Pension Scheme) लागू करने के लिए मोदी सरकार की त���रीफ की गई है। न्यूज एजेंसी PTI की एक रिपोर्ट के अनुसार, सरकारी कर्मचारियों ने केंद्र सरकार द्वारा उन्हें सुनिश्चित पेंशन देने के फैसले की तारीफ की। रिपोर्ट के अनुसार, सरकारी…

[anonymous-dentist]

The amount of people who don’t watch any Green povs and entirely misconstrue the characters and their dynamics and treat their perspectives as fact is craaaazy to me

Like, sure, Green isn’t as “united” as Yellow or Blue might seem to be. Green doesn’t have an objective leader; the closest is Bad, and he doesn’t even really acknowledge himself as any sort of leader because doing so would go against Green’s very core philosophy: freedom of choice.

The Green Faction was originally formed to spite Foolish. It was also formed specifically to protest against the monarchy seemingly trying to rule over the entire server. (To this day, we have King Foolish saying that he’d have everyone under his rule besides Bad, sooooo…)

Green Team is made up of anti-monarchists who prioritize their own actions above anything else. They all just kinda do what they want, which is what the faction was specifically created for. They don’t have to answer to anybody, everyone is their own king or supreme leader. Bad can kill the King. Pangi can kill Pili. Hannah can hang out with Aimsey. Pac can steal. Lukey can build an illegal meth alchemy lab.

And yet Green Faction tries to hold elections for important faction business like Owen’s Whole Thing. When Pangi wants to do something extreme, he always goes to Bad for his opinion. Hannah tells Pangi about the secret deals she made with the Keepers. Bad makes sure that everybody is geared up with the most OP stuff possible, and he builds enormous Things for the purpose of bringing the faction together (and making them look cooler than the Kingdom lol.)

Green always tries to keep at least one member of the faction in the loop of what’s going on. While they may only have one common goal, screw with the Kingdom, what lies at the heart of the faction are the individuality of the members and the bonds they share. They’re all friends, they all look up to each other, and they’ll all work together if one member asks for help.

As for Owen, he’s a temporary member. That was agreed upon way back after the End event, he isn’t going to stay on Green. But even he fits in, what with his whole Individuality And Chaos thing. The difference between him and the rest of Green is that the others trust each other and are extremely loyal. Owen, meanwhile, is kinda just hanging out and mumbling to himself as he plots and schemes.

Sure, it might be the least unified faction on the surface, but anybody who watches even a second of any of their POVs can see how unified they really are. They’re anti-authority freedom fighters united in a goal to help the server’s weak and spread the ideas of whimsy, joy, and individuality to a server filled with kings and supreme leaders and Keepers and snails.

(You might say that they can’t be individualistic if they’re in a faction, but it’s easier to think about it like they’re a unified group of anarchists. No government, but a bunch of people with the same ideology.

In short: a near-reincarnation of the Syndicate.)

(And, well. How many people have defected from/been kicked out of/been bullied out of the Green Faction?)

[magnuficentwo]

MARS IM FUCKING VIBRATING IM GOING TO SCREAM FOREVER. THANK YOU SO MUCH FOR THESE

Honestly such a shame we never get to see each corporation's style of robots, it's just Hyperion's and *a tiny* little bit of Maliwan's + Dahls. Well I say no more. I'm going to design them all even if it's the last thing I do

[moineauz]

જ⁀ 𝐀𝐁𝐈𝐃𝐄 in me as I 𝐀𝐁𝐈𝐃𝐄 𝐈𝐍 𝐘𝐎𝐔

side comments: wanted to write for our Nanook and Yaoshi some spoilers of course, violence, Nanook's is kinda dark, reader is known to be the 'arbitrator' or 'mediator.

Whenever a tale, record or paper regarding the elusive and ancient Aeons of the vast cosmos, you, the Arbitrator always weave into each battle, dispute and archive.

You unified and ruled each contestation and difference and have lingered amongst the Aeons yet was never considered one yourself: like a fine mist braiding through the folds of the universe, unravelling and sewing it together.

And by 'it', you meant the Aeons.

While the Aeons were born and bound to the ideologies they arose from with a passionate frenzy, you merely existed- and for what purpose? Historians debated if you were a presence higher than that of Aeons: a mystic authoritarian figure whose one wave or snap of their fingers would bring an undisputed settlement, like a court judge.

However, others consider you to be less of a judge and more of a mediator. A force that ensures the Aeons keep within their bounds and do not screw the universe over entirely. Some reckon that you are an Aeon whose gaze never spared a glance. There are even theories that suggest that Lan is your pupil of sorts. In addition, some pay no mind to you at all in the grand ever-present scheme of Aeons and their ploys.

Regardless of what myriad debates, theories or conjectures rise among devout followers, skeptics, historians and the average being, an indisputable fact remains. No matter the conflict, you are always found amongst the lines in the story or perhaps only mentioned at the very end. A peculiar and reiterating occurrence that even a child could predict.

Alas, only the Aeons themselves will know who you are to them

𝐍𝐀𝐍𝐎𝐎𝐊 - the destruction

Nanook believes you are a nuisance at best. However, you choose your disputes carefully and at times, unpredictably.

Out of every Aeon you have come between, Nanook is by far the one seen most often.

Behind your back, they scoff at mentioning of your name and title and more so at the Aeons who share an ounce of respect for your inexplicable ability or deem you a 'peacemaker'.

However, your trait of never showing favour towards one Aeon or another is like a double-edged sword.

Nanook could hardly recount the myriad amount of times they had benefited from your mediation.

What dumbfounds Nanook is that beings think of you as powerful.

You quite frankly aren't, you're simply a 'good talker.'

And they loathe that.

You know their mind and toy with it, rendering with their plans only for them to alter it. You thrive on their vexations and revel in the might of their aggravation and disgust. Instead of annihilating sparks of life, you force them to cherish it within the palms of their savage hands.

Do you find pleasure in their abhorrence? Seeking it out for laughter's sake?

Nevertheless, Nanook knows you are not shallow or in any resemblance towards Aha.

In addition, Nanook knows you are neither a peacemaker nor a chaos-bringer.

There are moments when you come to Nanook and observe them acutely; having experienced your prying eyes for millennia, they remain steadfast and silent in your presence. Only then can Nanook appreciate you, not for your skill, however, for a delectable and insatiable opportunity to deliver their final gift to humanity: destruction.

For now, Nanook will reign havoc on the planets you grow fond of while quietly vying for a sliver of your attention in hopes of ultimately standing victorious in the eternal game of interastral tug of war.

Perhaps Nanook will then adore you for all the delight you brought to a now, empty universe.

𝐘𝐀𝐎𝐒𝐇𝐈 - the abundance

Yaoshi believes you are in mortal terms: ‘god sent.’

In comparison to Nanook, Yaoshi does not harbour ill will.

On the contrary, they are fascinated by you.

Why do you come between the Aeons? Do you have preferences? What pleases you?

Yes, there are times when you settle disputes and foil the plans of The Abundance. However, it does not matter! Yaoshi will continue to spread the blessings of eternal life and never-ending spings out into the universe while they watch you from afar.

However, the Aeons are selfish, cunning and self-absorbed. They will gladly swallow any opportunity that comes their way. Hence, Yaoshi's 'curiosity' grows beyond the confines of the word itself.

If you can thwart the plans of Nanook- what else can you do?

Yaoshi admires the growth and sprouting of life from their fingertips: how a flower blossoms vibrantly, staying in said form for eternity.

Thus, Yaoshi can only lick their lips and quell their ever-growing hunger.

What wonder would it be to see you bloom and bring waves of life with a mere sway of your arms or snap of your finger? Worlds can be born and no harm shall tread upon the universe- such a reality can now be achieved...

For now, Yaoshi will whisper sweet words of praise in your ear like honey; gradually drowning you in each sugary drop until they can dress you up in whatever they may fancy. You'll be the star of the universe, you'll be the epitome of ardency and everlasting life. Worshiped and praised: the universe will string together songs of your benevolence!

Alas, Yaoshi must limit their daydreaming... work must be done to accomplish their ultimate dream and it has only just begun.

masterlist

I might do a part two with the other Aeons... probably Lan and Xipe. I honestly wanted to get this out of my drafts.

[itstokkii]

rating the new flower pop up outfits as a fashion major

what the title says

Spain

im ngl spains one is actually my favorite, and I think is the best out of all of these. this is because:

he has an established style/fashion sense throughout these pop-up events

the flared train at the back is a unique twist that's nice to look at

the color theme is consistent throughout, shades of similar dark red, and pink and white as accent colors

my only complaint is that the flowers aren't central to his outfit, but this is a complaint I have with all the outfits. if this is about the countries' national flowers, it should go with the design and not as an afterthought.

FINAL POINT: 9/10

China

I love the flower patterns on the inside of his cape! his design is rather nice

this is where the compliments end because now I have issues:

what is up with this color scheme? the white boots throw everything off, both design wise and color. the peach pink could be a little darker as well, like how spain has visibly different shades of red but they work well together because they look similar to each other.

balance in a design is incredibly important. the pieces need to look unified and not like a bunch of different pieces forced on as a single outfit. the color and pattern on the inside of the cape could be used on the blazer replacing the peach pink, whereas the notch collar and lapel could remain as peach pink. this way, the outfit is unified while the peach pink adds a pop of color as contrast. the cuffs could potentially be a different piece cut of the peach pink fabric and sewed onto the end of the sleeve.

his pants are very high waisted, it looks odd. either keep his pants high waisted and make the blazer longer, or lower the pants a little. short blazers can work in certain situations, but it's not doing anything here.

honestly I just wanna know what was the designing process behind this

FINAL POINT: 6/10

France

I love the light blue, white, and cream color scheme here! this is maybe, next to spain's, the best color scheme. the flower placement works and is still a noticeable detail in his design.

additionally, the colors are applied in a way that keeps the design balanced and unified. the bottom is cream, and the top has a cravat of the same color. the dress shoes is a good contrast that still works due to how light the brown is. the cape is blue, which is reflected in his cravat brooch. a small detail, but it works so well. we also have his belt/girdle that's a baby blue and it also works to unify the design, even though it's slightly lighter than the cape and brooch. the cape and pants are light and easy on the eyes, and help keep the design grounded and not washed out. the gold accents are subtle and are placed at the top and the belt.

design wise, I do wonder if there's something more that could have been done to his bottoms...the top gives the perfectly princely feel, the bottom feels so plain in comparison..

FINAL POINT: 9/10

America

since there's nothing good about his design, let's skip to the bullet points already:

the color scheme is atrocious. purple and green...works if you try hard enough. but the blue?? on his shoes?? what?? I assume it was an attempt at unification with the blue pinstripes...an attempt. I would change the color of his waistcoat to match his shoes, since it's much easier to work with purple and blue than purple and green

the pinstripes were certainly a choice. I would've gotten rid of them completely and replaced it with maybe some white or gold trim at the hem and sleeves.

the flowers are placed in such a lackluster way, when it could have maybe been a design detail of flowers spaced out at the top and then collecting at the bottom of his jacket, with a few flowers spaced out at the top of his pants to balance the outfit.

once again, there is no focus or an established sense/style for him. from what I'm seeing across many pop-up events, the idea or "vibe" is a childish, sleazy(??) vibe. but that's very vague, and they would need to further outline common elements/looks they could refer back to when designing anything for him.

FINAL POINT: 2/10 my goodness

Germany

I like his design a lot, it fits his personality well! the gold trim and buttons is a nice touch that helps balance the top and bottom. the color scheme is an unexpected surprise, since in my mind he's wearing green always..? but I guess in the hws anime, he wears a blue suit.

I do wish the suit was a different shade of blue, like a slightly lighter shade, since the stark blue and yellow feel very in-your-face like Ikea, and since the flowers feel like a blue plum, this really deep, dark shade of blue just feels like a bit too much.

my other only issue with this is honestly the flower placement. I see that they were trying to balance the placement on the left and right, but it covers up important design details like the gold trim on the shoulder and the viennese seam.

FINAL POINT: 7/10

Italy

it honestly feels so similar to the sweets parade pop up, so i really don't know how to feel. especially the train/cape detail that was in both. that doesn't immediately mean this is bad, though

I do like the train here because it's such a reflection of his personality!

it's nice how they try to balance the top and bottom through the same patterns on the waistcoat and train. the pants however...

the pants throw it off. they could have gotten rid of the stripe pattern and it would have been fine.

the jacket being white isn't necessarily a bad thing, but I have issues with the lapel and collar having a green stripe. it's very stark and isn't enough to balance the jacket with the pants and blouse. the white and green needs to be swapped, i can't see it working any other way. a white blouse would still work with a yellow waistcoat and orange bow, and the green unifies the top and bottom. the only problem with this is figuring out how well this works with the orange on the inside of the jacket train...

the flower is very tiny despite being in the middle, and would need to be placed in a way that is noticeable. my initial thought was one or two daisies as lapel pins(bigger than the daisy on the bow) connected by a gold chain...perhaps the bow-daisy design detail could be added at the top of his boots?

FINAL POINT: 6/10

Japan

*grits teeth in korean* he's pretty charming here i gotta give him that

the pink-green is ATROCIOUS. different shades of pink and green would have worked. they chose a colder pink with a colder green and it just clashes so hard. this cold pink also clashes with the warm magenta. the pink and green are extremely light, and would benefit from being more prominent and warmer shades.

there is no balance because below that is just white with gold details. the white just eats everything up, especially because the pink and green are extremely light shades. the cuffed hem at the bottom of the pants are fine, but the rest of the pants would work better in pink or green. or fine, keep the pants. but the shoes better be in green or pink.

the inside of the cape is way too light, and alongside the pants and shoes, eats the other colors up. I would make the pattern on the inside a gold trim, and the background a more prominent pink.

again, the flower here is really tiny. cherry blossoms aren't known for their size, but if the whole point of this is highlighting the nations' flowers, the flowers should be a bigger deal that the design works around, not an afterthought. I'd add cherry blossom petals onto the pants, spaced out so it looks like they're falling to the bottom.

FINAL POINT: 5/10 good lord the white

England

THIS DESIGN. i have the BIGGEST BEEF with it its a designers NIGHTMARE

where is the balance? i'm supposed to expect these dark plaid pants to work with the light red roses? why is this plaid? where is plaid anywhere else in this design? if the top is white what is unifying this design?

to fix this problem i'd burn the plaid pants. but if that's not an option, i'd give him a plaid waistcoat. but honestly, burn the plaid pants. NOW.

there has to be a better way to incorporate the roses into this design. i'm thinking a dark red coat with gold rose trim, and removing the lone rose at the bottom of his top. also the roses gotta be the same dark red as his pants.

the frills are also excessive. cmon man.

FINAL POINT: 2/10 something something like father like son

Russia

*grits teeth in uzbek* he really is a dapper lil man...

so first off this color scheme is wonderful. for a guy associated with winter constantly, the sunny yellow and green matches his sort of...enthusiastic attitude?? however there is one(1) issue I have with it. the yellow would look better as a warmer, slightly golden yellow. because right now it looks more like paint yellow than sunny yellow. some of the light green could benefit from being a similar shade as the forest green at the hem of his pants.

the balance is there in the brown and green pants and the brown waistcoat. the green details are well placed throughout the jacket and looks great. the hat is a nice accessory that ties everything together. I don't know if the yellow jacket is overwhelming the brown bottoms, or if it's just me having issues with the shade of yellow... because if the yellow was warmer, it could work with the warm brown pants?

Instead of the gems on the chain of his pants, it could be sunflowers? there's so many opportunities to incorporate the sunflowers, but it was missed...

FINAL POINT: 8/10

Prussia

i'm sorry to say but oh...oh my goodness this is actually terrible i actually don't know where to start

it's blue everywhere. the shoes are the only breath of fresh air. but then you look at the overall design and wonder why these colors were chosen.

these shades of blue don't unify this outfit. the waistcoat is a colder blue compared to the pants. also, the random flower pattern on the shoulders? nobody asked prussia pack up and go home. there's silver stripes on the side of his pants. that could have been the color of the flower chain instead of?? brown??

I love the flower chain though im ngl

there has to be some sort of secondary color that's prominent enough to balance the outfit properly. there is none here so I'm just very lost like i don't know how to save this outfit.

i'm wondering if a dark blue and red would work(thinking about his military fit from world twinkle).

FINAL POINT: 0/10 (why are you even here? you're just a province now)

Common issues

Color schemes

Balancing outfit

Minimal flower placement(I would personally design their outfits to resemble the silhouette of their national flower in some way, and perhaps use ouji fashion as a base for inspiration)

In fashion school you're taught that customer profiles are important when designing for someone, and to think of key elements in each design to keep it consistent to the profile. they need to start doing that

anyway that's it follow my soundcloud etc

[kindredspiritsandgoodomens]

"Even memory is an act of imagination, you never tell the same story twice, not even to yourself" ~ Michael Burkard

This quote showed up on my dash and reminded me of The Rashomon Job and how interesting I find it that many people can watch the episode and walk away with the impression that we've been told the 'correct' or 'true' version of what happened that night, specifically by Nate.

And I get why. The team certainly lets him have the last word, and structurally we are used to the 'Nate's Eye View' dénouement being the point where we see a complex web of events finally make sense as a designed structure. But the multiple thefts of the dagger weren't part of a unified whole arranged by Nate, or by anyone - so maybe we should approach the usual conceit of revealing the scheme as seen through the eyes of the mastermind rather differently in this episode.

As an audience, we depend on Nate's ability to pull off the impossible just as much as the team do, and even though we (and the team) may roll our eyes at his god complex it's important for our continued investment that we (and they) manage to almost believe he's Just That Good. But the tell that his version of this particular story is not entirely without colour is that it's all just a little too neat.

When the storytelling starts, Nate's delighted. The minute he realises he can scoop them all, and even retroactively be the mastermind who puts it all together, he's just pleased as punch. "Why don't you all come over and I'll tell you what really happened." He says. You know, like a liar.

The first thing of note about Nate's Version is that he never went into the party, but still takes it upon himself to give them an authoritative reconstructed version of what went down based entirely on his own sense of how it would have happened, based on his understanding of the team and his assumptions about their behaviour. Naturally in Nate's Version Eliot and Sophie don't flirt even a little. Naturally in Nate's version it's going to be Eliot who takes Sophie's adulterated champagne glass, intended for Hardison, from Parker's tray, despite nobody else having specified anything about this detail (Eliot - the gastronome - wouldn't remember spitting out foul tasting champagne? Sophie wouldn't have noticed a key part of her plan going awry?). But this way it fits it all together like one of his plans, so naturally it's all going to be nice and neat.

Not content with imagining the entirety of the party sequence, he also entirely constructs a conversation between Coswell and the securty guard locked in the store room. Based on Nate's own description of his movements there's simply no way for him to know what went down in that room. We know from Parker that Coswell made his way into the vents, and we know how he got the climbing equipment, but would the Coswell of Nate's Version really go climbing into ducts? It's neat, but it's thin.

Coswell is really where we have to question the neutrality and authority of Nate's version the most. Not only because - even if we allow that IYS jackass Nate Ford did in fact perceive this security guy (probably most security guys) as an ineffectual irritant - he's clearly reacting to Sophie's contemporary jibe about Coswell's potentially superior intelligence by making the man a buffoon in his retelling. But, also, because believing him about Coswell's buffoonery requires us to accept that Parker, Eliot, Hardison and Sophie all massively overestimated an opponent on a job. Is that really plausible? Even if we allow for a percentage of exaggeration because they're thieves swapping stories in a bar, it doesn't add up. Hardison and Parker, who were young and mostly there for clout, maybe. Eliot and Sophie? No.

When they describe Coswell as brusque, efficient, and suspicious - and they corroborate each other, we should be very wary of Nate's entirely re-written character sketch of the man. Especially the idea that his behaviour could all be explained because he had a crush on Sophie. Sophie Devereaux - who can pick a mark's weakness of a driving license photo - not notice when the head of museum security has a crush on her? Not bloody likely.

Everything Nate remembers Coswell as actually saying could just as easily have been said by the version of Coswell the others describe. For instance, "I don't know much about gold but I know it's not meant to do that." Could be silly - could be sardonic. Nate thinks he's an irritating pleb, so it's recounted as silly. But even in Nate's Version Coswell makes a good point about the dealer running. Again, it's neat, but it's thin.

As for the idea that the dagger fell from a vent directly into his hand? Well, as Hardison says, nobody's that lucky. Nate's showboating. He's embellishing and neatening his recounting of his own (biased) recollections just as much as the others, and he's doing it to reinforce his team's (and maybe his own) perception of him as slightly beyond the laws of chance, reason, and even physics. This episode is also one of the last times he denies that he's a thief - a tell if ever there was one.

Eliot and Sophie both express reservations, but they let him have it, because on some level they know that they need him to be that lucky. The whole house of cards only stays up if Nate really is That Good.

Plus, of course, none of the team's versions are without colour - and they all know it. Firstly, all perception is shaped by biases. So Sophie remembers different details than Eliot or Parker, because they look at the world differently and prioritise different kinds of contextual awareness, reasoning, and value judgements. Secondly, and more importantly, they're not just remembering and recounting what happened that night - they're all thieves telling stories to other thieves, to friends they want to wind up (the accents getting worse and worse, Sophie saying Coswell was maybe even smarter than Nate), impress (Hardison being the centre of female attention, Sophie getting a round of applause), or correct (Eliot and Sophie both claiming the other was the one doing all the flirting, when if we take Hardison's word...) But their descriptions of the sequence of events all line up reasonably well.

Ultimately they're all right about parts of it. Nate's probably right about Coswell being ineffectual by IYS standards. Sophie's probably right about his personality. Hardison's probably right about Eliot and Sophie flirting outrageously. Parker's probably right about her encounter with Coswell in the vents (she's not going to misremember vents). But we, the audience, don't see the One True Version of what happened that night.

That's why it's so nice when the episode ends with them all going to steal the dagger, properly, together. Because that's where the truth is. The truth that they're all thieves, telling stories in a bar. Even Nate. But when they're stealing things together they can defy the laws of chance, reason, and even physics. That's where they'll really see and understand each other, and that's what matters.

[guzhufuren]

New uncensored chinese period BL The Mountains and Rivers Are Forever Silent (山河永寂)

The drama is based on the novel of the same name by Yihanhe (一寒呵)

Won't be broadcast in mainland China, will air through an international platform.

Filming start: beginning of January 2025 Filming period: 20 days Casting call: December 13, 2024

Summary: Thousands of years ago, the mountains and rivers were destroyed and wars started raging everywhere. Sixth prince Xiao Yunze had no hope of ascending the throne to the Southern Kingdom. By chance, he saves Zhao Ziang, who was trying to assasinate the prince. As they get to know each other, gradually feelings beyond mundane develop between them and they fall in love. As the political situation in the Southern Kingdom changes, Zhao Ziang kills the prince to protect Xiao Yunze and let Xiao Yunze succeed to the throne. The death of the prince causes a rift between the two, and Zhao Ziang resolutely leaves and embarks on the journey again. Several years later, Zhao Ziang becomes the emperor of the Northern Kingdom. With his efforts, the Northern Kingdom is about to unify the Central Plains. But when Zhao Ziang faces the last obstacle - king of the South and his ex lover Xiao Yunze, whom he had missed for many years, he doesn't know what to do. Will love win or power win?

Character profiles:

Xiao Yunze Male, visual age around 20 years old. He is slender, loves playing chess, calligraphy and painting, and is elegant in every move. The sixth prince of the Southern Kingdom, with a refined and timeless temperament. He is intelligent and sensitive, talented, and has expanded his music and poetry. He has a gentle personality but is not weak. He has a keen insight into people's hearts, but is willing to stay out of the game and abandon the desire to fight for power. He advocates elegance, likes to live in seclusion in the mountains, and is tired of the whirlpool of power, but he always has a deep attachment to family affection, especially to his brother, the prince, Xiao Yunqian, with complex feelings, respect but also alienation. In the chaotic situation, he became a calm and deep character with his gentle but firm character.

Zhao Ziang (Xiao Yunze's cp) Male, visual age is around 25 years old. A hero in the north, with a tall figure, a resolute face, firm eyebrows, a violent temper, and both wisdom and martial arts. He is resolute and resolute, and is aggressive and enterprising. He is calm and resolute, has extraordinary strategic vision and execution, and is a hero in troubled times. He is informal, but respects the strong and the wise, and always pursues his ambitions. Although he is in the midst of power and killing, he is also sincere and righteous, and has a heart for his country. But when facing Xiao Yunze, he is always indecisive.

Xiao Yunqian (Xiao Yunze's elder brother) Male, visual age around 25 years old. The prince who shines in the court is determined to gain supreme power. He can sacrifice all emotions in pursuit of power, but finally loses in emotions. He has a strong desire for power and has shown extraordinary political wisdom and strategy since childhood. He has a cold temperament and is deeply scheming. Although he looks calm and restrained, he is actually full of ambition. He is not obsessed with sensual pleasures, but pursues power itself with a cold and resolute will, instead of sympathizing with the common people. In the process of pursuing power, he regards all obstacles as stepping stones. He has a complicated relationship with his brother Xiao Yunze. They grew up together when they were young and had the warmth of brotherly love, but they became increasingly alienated in the power struggle. Xiao Yunqian is very oppressive in his dealings with others. He is a strong man who integrates coldness, decisiveness and ambition. In his world, family affection and feelings often give way to power. He is a typical hero in troubled times.

Guo Zheng (Xiao Yunqian's personal bodyguard) Male, 20 years old. The prince's personal bodyguard, who has practiced martial arts for many years and is very capable. The prince's personal bodyguard, who is naturally fond of martial arts, is rough but delicate. Many years ago, he fell in love with Yin Shan at first sight. Although he had no interest in poetry and books, he was subtly exposed to the elegant world because of Yin Shan. Guo Zheng admired Yin Shan's talent and gentle temperament. Although he was not good at speaking, he protected him silently with practical actions. He hides a tenderness under his strong appearance, burying his loyalty and admiration deep in his heart. He is a contradictory combination of cold and hot in troubled times.

Yin Shan (Xiao Yunze's childhood sweetheart) Male, 20 years old. A scholar who has loved poetry, calligraphy and painting since childhood. The son of a civil official in the court, he met Xiao Yunze since childhood because of their similar interests and they have a deep friendship. Yin Shan is well-read in poetry and books, and has outstanding talents. He especially loves the love stories described in books, and is full of idealistic pursuit and loyalty to love. He has a gentle personality like jade, but he has a rare firmness and perseverance, and always accompanies Xiao Yunze. Yin Shan advocates elegance and has no intention of fighting in the world. He only wants to use his talents and sincerity to protect the deep friendship and unknown emotions. He is a touch of peace in the troubled times.

Zhao Jifu (Zhao Ziang's younger brother) Male, 18 years old. Grew up in a temple. Compared with his brother Zhao Ziang, who is heroic and valiant, Zhao Jifu embodies more calmness and strategic precision. He can even be said to be a two-faced person. He is humble and gentle on the surface, and is good at hiding his true intentions. But in fact, he is a scheming man and a master in the political arena. He has shown extraordinary adaptability in complex situations, and is good at making secret plans. He is an important force in promoting the family's hegemony. His temperament is restrained but his edge is hidden, showing a kind of hidden strong style. He is a wise man and counselor who cannot be ignored in troubled times.

Han Zaizhou (Teacher of Xiao Yunqian) Male, 60 years old. An important official in the court, he has a high wisdom in politics and worldly affairs. The core of the prince party, the veteran of two dynasties of the Southern Kingdom, calm and composed, and has a thorough understanding of power and politics. The previous emperor of the Southern Kingdom is old, and Han Zaizhou has to start planning for the next generation of the Southern Kingdom. Faced with prince Xiao Yunqian who has lost control in pursuit of power, Han Zaizhou has to persuade Xiao Yunze to participate in the fight for the throne in order to stabilize the court, because he feels affection for the younger generation of princes.

*text from the informational brochure was converted with image to text online programs, translated through google translator and edited by me with some help of online dictionaries. i do not speak chinese, so there are most certainly mistakes in the text. purpose of this translation is to give you the general idea

[whencyclopedia]

Minoan Civilization

The Minoan Civilization flourished in the Middle Bronze Age (c. 2000 - c. 1450 BCE) on the island of Crete located in the eastern Mediterranean. With their unique art and architecture, and the spread of their ideas through contact with other cultures across the Aegean, the Minoans made a significant contribution to the development of Western European civilization.

Labyrinth-like palace complexes, vivid frescoes depicting scenes such as bull-leaping and processions, fine gold jewellery, elegant stone vases, and pottery with vibrant decorations of marine life are all particular features of Minoan Crete.

Arthur Evans & Discovery

The archaeologist Sir Arthur Evans was first alerted to the possible presence of an ancient civilization on Crete by surviving carved seal stones worn as charms by native Cretans in the early 20th century CE. Excavating at Knossos from 1900 to 1905 CE, Evans discovered extensive ruins which confirmed the ancient accounts, both literary and mythological, of a sophisticated Cretan culture and possible site of the legendary labyrinth and palace of King Minos. It was Evans who coined the term Minoan in reference to this legendary Bronze Age king. Evans, seeing what he believed to be the growth and decline of a unified culture on Crete, divided the island's Bronze Age into three distinct phases largely based on different pottery styles:

Early Bronze Age or Early Minoan (EM): 3000-2100 BCE

Middle Bronze Age or Middle Minoan (MM): 2100-1600 BCE

Late Bronze Age or Late Minoan (LM): 1600-1100 BCE

The above divisions were subsequently refined by adding numbered subphases to each group (e.g. MM II). Radio-carbon dating and tree-ring calibration techniques have helped to further refine the dates so that the Early Bronze Age now begins c. 3500 BCE and the Late Bronze Age c. 1700 BCE. An alternative to this series of divisions, created by Platon, instead focuses on the events occurring in and around the major Minoan “palaces”. This scheme has four periods:

Prepalatial: 3000 - 2000/1900 BCE

Protopalatial: 2000/1900 - 1700 BCE

Neopalatial: 1700 - 1470/1450 BCE

Postpalatial: 1470/1450 - 1100 BCE

Both of these schemes have since been challenged by more modern archaeology and approaches to history and anthropology in general which prefer a more multilinear development of culture on Crete with a more complex scenario involving conflicts and inequalities between settlements and which also considers their cultural differences as well as their obvious similarities.

Continue reading...

[signalburst]

Shōgun Historical Shallow-Dive: Part 1

Does everybody else's heart hurt? Good! Let's get learning. These characters and the people that inspired them all deserve their own post, but here's a quick one if you're wondering what happened. This is a shallow-dive because the history is extremely complicated, and a condensed version of just the events leading up to Sekigahara (the battle depicted in the finale) take up entire volumes of history. I'll do my best to answer questions about what happened to our three protagonists, in the show, as well as real life.

One note: given I'm not a professional historian, I've got no obligation to not have biases and favourites. I've tried to keep most of them out of this, but if you want to punish yourself by trying to keep track of who's who in the Azuchi-Momoyama period, this book is the best English-language overview.

What happened to Toranaga (Tokugawa Ieyasu)?

Gif: @yocalio

I am not as strong as I might be, but I have long known and practiced patience. And if my descendants wish to be as I am, they must study patience. - from The Legacy of Ieyasu Tokugawa

In the book, Toranaga reveals that it had been his aspiration to be Shōgun from the very beginning. That was what drove his alliance with the Taiko, that was what drove his feigned alliance with the Heir.

History follows a very similar path. I re-read some chapters on the battle of Sekigahara last night, and there is no easy way to explain it, but: the result of Sekigahara (an enormous, two-day battle with 200,000 samurai and ashigaru warriors in the field) was an enormous victory for Tokugawa, Toranaga's real-life counterpart.

Years - sometimes decades - of scheming by Tokugawa had made Ishido/Ishida's Western Alliance completely fragmented. In the months leading up to the period displayed in the show, Toranaga was calling in a lifetime of marriage alliances, diplomatic advantage, defensive pacts and childhood friends who'd risen to high status. Re-reading the sources, the names of all the lords of all the important fiefs and castles makes my head spin, let alone the ones that turned out to be pivotal to Toranga/Tokugawa's victory. But it was a resounding victory, and by both the numbers and the disposition of forces, he should have lost.

Historians have a consensus that if the 'Western forces' of the Heir had have fought together with a unified command structure, they would have won, easily. But they didn't - orders from Ishido/Ishida were ignored, Toranaga/Tokugawa endured onslaughts, and the Regents' opposing armies eventually fractured and melted away. This was a last-of-an-era battle. Families were fighting on either side, every single unit that could be brought to bear was on the field. It is no exaggeration to say Sekigahara is one of the few, unambiguous battles upon which the beginning of a historical era came down to.

Toranaga/Tokugawa triumphed because he spent decades building unity of purpose and strong alliances, simultaneously sowing division amongst the Regents, who ultimately balked at being commanded by a bureaucrat like Ishido/Ishida. Whilst there was no one decisive moment of an extremely bloody, rainy, two-day battle, the fact that Ishido/Ishida's forces refused to be told what to do by someone of lower status was the main theme of their defeat. A crucial army stationed on the hill stayed still, refusing to commit to either side, until Toranaga/Tokugawa fired muskets into their ranks. They made up their mind, and attacked Ishido/Ishida's Western army. Ishido/Ishida's one trick of firing a flare to commit the reserve army didn't work. The commander ignored it. Instead of being there to fight for something, Ishido/Ishida's coalition was there to oppose someone. They all had different reasons. And ultimately, the man that brought them together didn't command enough respect to command a battle.

As our show Toranaga said, the Regents fell upon each other. He might have been a bit optimistic about how and why this would happen (they fell over each other in retreat, and it took two days of horrific combat), but it happened. Tokugawa Ieyasu was famous for richly rewarding former enemies, and most of those he defeated kept their heads. This reputation is a strong incentive for leaving the field when things start going Tokugawa's way.

The two exceptions were Ishido/Ishida, and Kiyama/Konishi, both beheaded in Osaka (Ishido, bizarrely, was upbeat about his fate, until seconds before the sword came down). Killing Ishida was the obvious move, as the man schemed and bitched so much he caused a civil war. Killing Konishi was more calculated - it opened up his trade-hub in Kyushu to being ruled by a fervent Buddhist daimyo and ally of Tokugawa.

Toranaga/Tokugawa forces soon captured Osaka Castle after the battle of Sekigahara, and with it, the Heir.

Toranaga/Tokugawa 'reluctantly' accepted the Imperial appointment of Shōgun three years later, in 1603. In 1605, he abidcated, passing the title to his most malleable and competent son, Hidetada. He was the real power behind the throne and ruled until his death in 1616.

The year before he died, he was able to fully secure his legacy. The Heir (in real life, Toyotomi Hideyori) had begun to gather daimyo to Osaka castle who were opposed to Tokugawa. Tokugawa used the flimsiest of pretexts - the opening of a shrine - to order the Heir out of the castle. He refused, Tokugawa forces besieged the castle - twice. The first one was called off because cannon fire nearly killed Ochiba no kata, and she pushed her son to sue for peace. By the second siege, there would be no peace: the Tokugawa forces defeated all oppoosition, and secured the legacy.

Toranaga/Tokugawa's descendants would rule for 250 years of internal peace and external lock-down of the country from barbarians (and Christians), except for limited trade.

The big question: did Toranaga/Tokugawa really want to be Shōgun from the start? History tells us, rather unambiguously, yes - before the campaign, he was writing his 100 Articles for ruling Japan, which would be instrumental for his family holding on to power and preventing internal strife. His plan may well have gone back to his formative, teenage years. At the very least, it is highly likely it was solidified when Toranaga/Tokugawa was a vassal of the Dictator Koroda/Oda Nobunaga - the man Mariko/Hosokawa Gracia's father assassinated, who was brutal even by the standards of the day. We don't have time for him, the Taiko, and Mariko's father today - but my opinion is that the motherfucker firmly deserved to be assassinated, and the only amazing thing is that the inspiration for Mariko's father was able to hold off for so long.

But that killing set off a chain of events that would lead to Toranaga/Tokugawa becoming sole ruler of a unified Japan. So much of history is contingent on individual actors and random events. It didn't have to happen. It was extremely unlikely. But, through patience (and by my reckoning, a lot of luck), he made the world he wanted to see. Whether that was worth the price in lives is for the reader to decide.

But by all accounts, Toranaga/Tokugawa died very satisfied in the knowledge that his legacy was secure, his realm was unified, and, finally, at peace.

What happened to Mariko (Hosokowa Gracia)?

Gif: @yocalio

As is probably obvious, Mariko's purpose was fulfilled before the conclusion of the show. As is also probably obvious, her historical counterpart - Hosokowa Gracia - did not have an affair with an English sea pilot (😢). She did, however, change Japanese history, and tipped the balance of noble support towards Toranaga/Tokugawa. Her death had meaning.

The framing of her marriage to Buntaro and exile after her father's successful assassination of a brutal dictator is almost exactly correct. She was one of the most desirable, valued and accomplished young noblewomen of the day. The stain of the name Akechi would haunt her for the rest of her life. Real life Buntaro, Hosokowa Tadaoki, genuinely sent her away for two years to save her life. The Hosokowa family even went so far as to pretend that she had died, to save her from the Taiko's vengeance. Whilst her marriage was an unhappy one (though not, as far as is known, abusive), she was beloved by the head of the Hosokowa clan, the show's Hiromatsu. They went to extraordinary lengths to keep her safe.

Her main comfort in her life was her faith. It's perhaps here that we get the strongest through-line from Hosokowa Gracia to Mariko - unafraid, intelligent, and fierce.

She first came to learn about Christianity from her Christian maid, who extolled the virtue of the faith, and the opportunities for intellectual stimulation theological discussion could bring. In 1587 (five years after her father assassinated the dictator, three years after she returned from exile), she decided to take action on it. She snuck out of Osaka Castle and visited the main church in Osaka - she had lively conversations with the elderly Father-Visitor, and was an excellent pupil of both Portuguese and Latin theological texts. I don't know if you guys have ever tried to read those things, but even in translation, they are torturous. This woman was extremely intelligent.

As a noble woman of the Taiko's court, she knew he was about to issue an edict outlawing Christianity. Being the (excuse the language) absolute fucking badass that she was, she had her maid (baptismal name Maria) baptise her before the edict was issued, transforming from Hosokowa Tama to Hosokowa Gracia. Even though she had to keep her faith a secret due to the Taiko's edict, she found a way to hold on to it. She had a special sake cup made with the Hosokowa mon emblazed on the lip, which, on very close inspection, was actually a Christian cross.

During this time of her religious conversion and education, a primary source from a Jesuit priest says that 'I have never disputed with a woman of such clear judgement, and such definite knowledge.' She was known for being fiercely intelligent, and this is commented on in many European letters and journals that have remained from the Catholic church's time in Japan.

Her relationship with her husband - like Buntaro, a senior retainer of Toranaga/Tokugawa - was frosty. They never reconciled after her father's (Akechi Mitsuhide) rebellion, but her husband did recall her from exile when it was safe to do so, and she lived to serve a very similar purpose to Mariko in the book and show. By virtue of not being an interpreter, she was less close to Toranaga/Tokugawa than in the book and show, but she was still dedicated to her clan and her clan's overlord, as will become clear.

Just as in the show, Hosokowa Gracia agonized at the thought of seppuku putting her soul in mortal danger. But she perceived her duty to be to ensure death before being captured or otherwise dishonoured.

To put it bluntly, Ishido (Ishida in real life) fucked up. Before any military manouvers had begun, he went to seize hostages of friends and enemies alike throughout Osaka castle. His forces tried to forcibly seize Hosokowa Gracia from the family quarters. She gave orders for her senior retainer to kill her, her daughter, and set fire to their section of Osaka Castle, so that none could be taken and subjected to dishonour. She arranged with this samurai to stand on one side of a shoji screen, facing him. He stabbed her through the heart with a naginata. She died, satisfied in the knowledge that:

...the death was not suicide, and her soul would doubtless be spared from the torments of Hell.

Although not doing this directly on the orders of Toranaga/Tokugawa, it's highly likely she knew that she was making a statement (many of the other hostages went quietly). This furthered his cause immensely. Inspired by Hosokowa Gracia, families streamed out of Osaka Castle and other Regent-held castles by any method they could. Her example ignited a firestorm of controversy surrounding the gall of a jumped-up bureaucrat (a reputation Ishido/Ishida would never escape) forcing the death of one of the era's pre-eminent noblewomen. Although her husband was relatively unbothered by her death, her father-in-law - the book/show's Hiromatsu - was furious. Because of Hosokowa Gracia and his granddaughter's death, he immediately fortified his border castle.

He defied a large [Ishido/Ishida] army of 15,000 men with only 500 men of his own.

Many of [Ishido/Ishida's] commanders held [Hosokowa Fujitaka/Hiromatsu] in such high regard that they went through the bare motions of laying siege. On a regular basis, gunners 'accidentally' forgot to load their cannon with iron shot, and so Tanabe Castle's walls reverberated daily to the harmless booming of blank gundpowder explosions. [Ishido/Ishida's] military offensive had launched to a disastrous start.

The siege only ended because of an imperial decree (it's a long story - Fujitaka/Hiromatsu knew an oral tradition special imperial poem that risked dying with him, nobody could refuse the Emperor). More than this, any chance Ishido/Ishida had of convincing skilled and respected generals to commit to his side ended with Fujitaka/Hiromatsu's defiance. Such was the respect that he commanded, and such was the rage he felt at the death of his daughter-in-law, that he worked tirelessly to gather support for Toranaga/Tokugawa, despite his advanced years.

Mariko/Hosokowa Gracia's contribution was an inflection point to what many samurai, busho and daimyo were suspecting - that Ishido/Ishida was a snake bitch who couldn't be trusted (I believe that's the correct historical term). Her actions galvanized resistance against him, and continued to spread the wildfire that would seal his defeat on the battlefield of Sekigahara: 'Why are we taking orders from him?'

Importantly, Hosokowa Gracia's remains were gathered by a Catholic priest, and given a Christian burial in Osaka. From everything we know of her, this would have been very meaningful indeed. Just as with Mariko in the show's depiction, Hosokowa Gracia's death was not senseless or without meaning. It meant something, and continues to resonate through the centuries.

What happened to John Blackthorne (William Adams)?

Gif by @cinematic-gif-archive

The short answer: imagine an alien landed in America. It was smart enough to avoid death. It ended up chief special advisor to Obama, and they became bros. That is William Adams's life.

First things first: Blackthorne stays in Japan. 'Old Rich Blackthorne' scenes are basically fever dreams. I was worried when the episode opened with a flash-forward to an old man living in Tudor comfort. This would be a huge change from both the book, and history. The novel ends with Toranaga confirming that his plan is for Blackthorne to never leave Japan. Blackthorne finds his place there. In history, the same is true of William Adams.

In episode 10, the 'is this a flash-forward?/is this a dream?' question is answered halfway through the episode. Blackthorne drops Mariko's cross over the side with Fuji's family ashes. As soon as that's done, the aged visions of Blackthorne disappear.

For those who are more textual than visual: the episode is titled A Dream of a Dream (a play on the title of the Taiko's death poem). Concussed, grief-stricken Blackthorne is dreaming of the dream he used to have - returning to England with riches and glory, his family name secure, with every comfort Queen Elizabeth the First can offer a pirate-explorer like Sir Francis Drake or Sir Walter Raleigh. But as soon as he lets go of Mariko's cross into the water (earlier, actually, when he sincerely attempted seppuku to try and save the people of Ajiro) that dream stopped appearing. The dream he had of exploiting Japan for riches and glory was gone, replaced with the reality of the life he is left to build.

In the show and the book, Toranaga is explicit about never letting Anjin-sama/Blackthorne leave Japan. If he builds new ships, Toranaga will burn them again. He needs Blackthorne's knowledge, expertise, and - in a bizarre twist of fate - friendship. We leave him hauling his wreck from the harbour, ready to salvage the keel and spars, to build a new ship in Japan.

So how does this marry up with history? Extremely accurately. As far as we know, the historical William Adams was slightly less of a pirate/privateer than the book/show's John Blackthorne. His hatred of Catholicism was more driven by their fervent desire to kill him, which they kept up for nearly a decade. His interest in exploration, in the show and in the historical record, was genuine.

The show's story very closely follows what actually happened in real life (again, sans romance... although he does have love in his life, which we'll get to). His crew were initially imprisoned, he was summoned by Toranaga/Tokugawa, and met with him many times to discuss his knowledge of the outside world, trade, and Christianity's impact in Asia. The Jesuits did pester the Council of Regents, and Toranaga/Tokugawa in particular, to execute him. Toranaga/Tokugawa refused, saying this barbarian had done nothing to harm Japan or its people. The Jesuits would not forget this.

He did train elements of Toranaga/Tokogawa's army in how to work the cannon his ship possessed - a skill he possessed, but no one else was willing to offer. He actually followed Toranaga/Tokugawa to several battles. Recent primary source evidence has revealed it was highly likely he was actually at the Battle of Sekigahara, which is a very recent development in the historiography of his life. It is just bananas insane, but it demonstrates just how useful (and likeable) Blackthorne/Adams was to Toranaga/Tokugawa.

I've read two biographies of William Adams, and he was very, very like the Blackthorne portrayed by Cosmo Jarvis. Other Europeans in Japan complained that he was arrogant and dismissive - historians see this as Adams adapting to his station in Japanese society, and being extremely frustrated with European manners and bearing in Japan.

Once Toranaga/Tokugawa became shōgun, Adams - already a samurai - was made hatamoto, and forbidden from leaving Japan. He was granted many generous cuckoos (250 of them!), an estate in Edo, a fief at the entrance to Edo bay, and rose to become Toranaga/Tokugawa's chief trade advisor. During Toranaga/Tokugawa's remaining life, he built two Western-style ships (which Tokugawa came aboard and was very pleased with - that's nice!), and took over piloting duties of Portuguese and Spanish ships making landfall in Edo, pissing off the Catholics to no end.

On Ieyasu Tokugawa's death in 1616, his holdings and fief were confirmed by the new shōgun, Ieyasu Hidetada. But his relationship with the court wouldn't be the same. My reading of the sources leads me to believe that James Clavell was right here: Toranaga/Tokugawa Ieyasu genuinely liked Blackthorne/William Adams, and wanted him around.

As more and more Europeans arrived in Japan, including the English and the Dutch, Adams served as translator for them, and - for the Enlgish - fixer whenever they did something barbaric and rude that would warrant execution. He seemed to view spending time with the (no joke) drunken, whoring, disgusting-smelling English trading factory members as an extreme annoyance. He seemed happiest at sea, and at his mansion in Edo, where he married the daughter of a merchant in 1613. Whilst her name is lost to the historical record, they had two children, Joseph and Susanna.

He wasn't a deadbeat dad - he wrote to his wife back in England, explaining that he could not return. She was a firebrand, and eventually extracted a form of life insurance from the Dutch company that had contracted Adams's piloting services. Partly she was able to do this because of a proclamation issued by Toranaga/Ieyasu Tokugawa: 'William Adams was dead the day he was made samurai, and Miura Anjin - the pilot of the fief of Miura - was born.' That sounds like a badass quote I've made up, but that's one of the English translations of Tokugawa's proclamation.

Adams kept up his maritime adventures, charting the Japanese coast, going on several trading missions to Southeast Asia (sailing to Thailand and meeting with the King of Siam, furthering his amazing ability to charm and dazzle). He struck up firm friendships with members of Tokugawa's court, fellow Japanese merchants in Edo, and the much more polite Dutch traders, despite the tensions that had grown between their two countries.

There's an important aspect of his legacy that endured for centuries. Toranaga/Tokugawa, suspicious of what he had learned of Catholic conversion and invasion of other Asian states, was already disposed to be wary of the Church. The Church in Japan would not let Adams rest, attempting to kill him, convert him, bribe him, and offer him passage home in 1614 on a Portuguese ship. In the same year Portuguese priests claimed that only Spanish miners had the skills to open up the mineral wealth of Japan. Adams warned the shōgun, again, that this was the Catholic way - first the priests, then the conquistadores.

Influenced by these reports and counsel, and because the Jesuits legitimately were conspiring to do the shit Adams accused them of (always a tough charge to defend), Toranaga/Tokugawa Ieyasu expelled all Portuguese priests in 1614, and demanded all Japanese Christians recant. Apart from this leading to the Dutch being the only nation allowed to conduct trade with Japan, this was the end of Japanese Christianity, until the country was forced open in 1855. Christianity never took root in the same way it would in places like Brazil and the Philippines. Was William Adams the only factor in this development? No. Was he a factor? Yes.

He died in 1620, after twenty contented years in Japan and Asia. His will stipulated that his estates and belongings be split evenly between his family in England and Japan. One of Adams's colleagues recorded that Ieyasu Hidetada transferred lordship of Adams's fief to his Japanese son, Joseph, as well as his katana and wakizashi. His line fell out of the historical record, but memory of and monuments to the Anjin remain in Japan.

Faring Well

Shōgun, the book, was fiction, written by a man fascinated by Japanese history, driven by a desire to bring it to the world. He was overwhelmingly successful. It was an excellent start, and even fired up some fascinating academic discussion at the time that I'd definitely recommend. The 2024 adaptation, in my view, changes many of the elements that have aged poorly, were flat-out wrong to begin with, and - like all great adaptations - adds to the work, rather than cheapening it.

Despite being based on real people, the fictional characters created for the show - Blackthorne, Toranga, and especially Mariko - feel real. That is an amazing achievement.

I hope this opens up an interest in Japanese history for some viewers. Being able to visit the places where these events took place is a truly awesome experience. Like all history, it's for individuals to judge what they think of the players.

Hiroyuki Sanada said that he admires Tokugawa Ieyasu because of his ability to bring forth 250 years of peace out of nearly 500 years of chaos. Was Ieyasu motivated by altruism, or self-interest? Does it even matter?

Anna Sawai saw in Hosokowa Gracia a moving, powerful woman, deeply committed to her faith, and to doing what she believed was right in the context of her time. As a person without faith myself, I found this portrayal of genuine belief extremely moving. The demonstration of her convictions was one of the most amazing performances I've ever seen.

And as for the English pilot, Cosmo Jarvis said he wanted to capture the restlessness of Adams, his slow transformation and growth, and the unique qualities that allowed the man to survive and thrive in an extremely deadly time. One thing he nailed that I think even James Clavell messed up was how deepy strange William Adams was. Not weird, not insane, but just a very singular individual. Biographers talk about his aloof, detached, self-aware nature being misconstrued as arrogance by Europeans who encountered him in Japan. Part of it was his annoyance at their inability to learn how to be in Japan; part of it was that he was simply built very differently. In embodying this, I think Cosmo Jarvis succeeded amazingly.

From what we can find in the historical record, William Adams and Hosokowa Gracia may not be 'great' in the sense that Tokugawa Ieyasu was 'great'. They did not build an era. To borrow a phrase from one of my favourite historical writers, whilst they may not be 'great' people, they were good people. That is vanishingly rare in the history we celebrate, and I think, for that reason alone, it's important to remember them, and the things they lived and died for.

[regular-gnome]

Hey, Kai here, i have a question: do you have a headcannon on why the Archivists wear what they wear? And is it standard to all the Archivists? just this particular group and groups that have interacted with them when they first formed? Or does it depend?

I'd say it depends. Some parts of clothing are their what they chose to wear some are group indicators

The cap and cape are something all collecting star children have. Well.. Not counting those who were never found by any of their kind and could look like literally anything. It's what the first ones wore that helped to hide any abnormal features when walking among mortals. If someone forgot in which direction their elbow was supposed to bend or had limbs that were too long, having a cape would prevent scaring people too soon. Later, it became a common trait that signified them being a collector It's also a reference to their somewhat loose, fabric-like form after being created. In canon I think they would have a much less human-like appearance, more like what the Collector looked like when released in King's Tide.

Their color scheme and markings depend on what they were around when first being formed, whether it was a nebula, a dying star, a distant planet or galaxy. The color from that time stays with them, often seen on their cape and clothing. Later, when they become an archivist, they take on the color common to that particular archive. In the case of this group, it’s blue. While the masks are just a work tool, the trinket symbol resembling the mask they wear is an indicator for the group. It is a thing given by one of the siblings to the youngest when they join them. The change was referenced in this drawing

Also, a fun aspect of them adopting a more unified archivist attire is how they somewhat lose parts of their individuality to their work. Over time, their personal markings become hardly visible on their skin, their colors and clothing choices become more uniform. They become more of an archivist than their own person:D and also why as children they look so much more distint from each other

[justinspoliticalcorner]

Eric Berger at The Guardian:

When asked about Donald Trump’s Easter morning post wishing a happy holiday to “the Radical Left Lunatics … fighting and scheming so hard to bring Murderers, Drug Lords, Dangerous Prisoners” to the United States, Jackson Lahmeyer, an Oklahoma evangelical Christian pastor, said: “Isn’t it terrible that they are wanting to do that?” Lahmeyer, the founder of the Pastors for Trump organization, was not bothered by Trump’s extreme and divisive message on the Christian religious holiday, because, he said: “You cannot unify with evil.” Lahmeyer’s attitude appears typical of many white evangelical leaders who still strongly support Trump despite what – for many – is violent, extremist-laden language that many would see as unsuitable for any religious occasion, let alone one intimately connected to rebirth, forgiveness and peace.

But those leaders in the US say Trump – unlike some past Republican presidents – has followed through on campaign promises concerning core issues such as abortion, immigration, the location of the US embassy in Israel and, more generally, his pledge to “bring back Christianity”. More good things could be in store for that demographic because in a second Easter post on his platform Truth Social, Trump said he would make America “more religious, than it has ever been before!!!”

“He has moved the needle for the Christian agenda unlike anyone else, especially in modern times,” said Lahmeyer, who attended an Easter dinner at the White House. “As a pastor, obviously, that is music to my ears.”

White evangelical voters also turned out in large numbers for George W Bush when he ran for president in 2000 and 2004, but they were disappointed because they felt he did not do enough to oppose same-sex marriage or to ban abortion. Bush also, when compared to Trump, had a more liberal immigration policy, including supporting providing undocumented immigrants the chance to become citizens, according to John Fea, a history professor at Messiah College in Mechanicsburg, Pennsylvania, and the author of Believe Me: The Evangelical Road to Donald Trump.

“Bush wasn’t willing to give them everything that they wanted to be elected,” Fea said. “Trump will do what evangelicals tell him to do for the most part, in order to maintain power.” In addition to appointing supreme court justices who ruled that there is no constitutional right to abortion, Trump also moved the embassy from Tel Aviv to Jerusalem, which previous presidents had said they supported but did not implement. “They all said it to get votes. They never did it. The president did it,” said Lahmeyer, who ran for Senate and lost in 2022. During this term, Trump has signed executive orders to establish a faith office and a taskforce to address “anti-Christian bias” in the federal government.

To evangelical leaders, that emphasis on Christian values stands in contrast to how they perceive the Biden administration’s actions, including in 2024 declaring 31 March Transgender Day of Visibility, the date when it had been celebrated since its creation in 2009, but last year fell – entirely coincidentally – on Easter Sunday. But in a world where conspiracy theories and misinformation is rife, that sparked anger among rightwing Christians. “Easter was barely mentioned,” said Brad Sherman, an Iowa pastor and Republican now running for governor. “In fact, I think it was more about some kind of LGBTQ awareness day or something, if I remember correctly, so I just feel like President Trump is standing up for Christian values.” In actual fact, Biden continued the tradition of the annual White House Easter egg roll and in a statement said: “As we gather with loved ones, we remember Jesus’s sacrifice … with wars and conflict taking a toll on innocent lives around the world, we renew our commitment to work for peace, security, and dignity for all people.” This year, Trump held an Easter prayer service and dinner with Lahmeyer; prominent pastors such as Franklin Graham and Robert Jeffress; and his personal pastor, Paula White-Cain, who now leads the White House faith office, among others.

[...] Tony Suárez, the founder of Revivalmakers Ministries, an evangelical group, said he supports Trump because he is trying to strengthen border security and is restoring “respect for conservative, Judeo-Christian values”.

One of Trump’s most stalwart groups this term is the evangelicals (especially White evangelicals). This is because 47 is delivering key promises to that group, such as focusing on “anti-[conservative] Christian bias”, support for Israel, and plans to restrict abortion and LGBTQ+ rights.

[beatrice-otter]

Time Travel killing Jesus and the religion of empire

There's a post about time travel going around tumblr, and somebody tagged that they would kill Mary before the birth of Jesus, so that Christianity wouldn't exist. Problem is, while that might indeed kill Christianity, it would probably just mean that Constantine would slot Mithraism into his Imperial domination schemes instead. In the late 200s AD there were two mostly-underground monotheistic mystery cults rapidly gaining adherents in the Roman Empire. There were a lot of similarities between the two, at least superficially. For example, there was a lot of emphasis on communal ritual meals. One was Christianity. The other was Mithraism. Constantine was intrigued by both. We know he was involved in Mithraism in his youth. But what Constantine really liked the idea of using religion to unify the Roman Empire. By the 300s, the Roman Empire was beginning to fragment, with regular civil wars. Constantine came to power in one of those civil wars. He thought that if everyone worshiped the same god (instead of different gods worshiped in different places, with the Roman pantheon and emperors as a thin veneer of unity), it would help keep the whole ramshackle edifice together. (Spoiler alert: it did not.) So he picked one of the two monotheistic religions that was rapidly gaining in popularity, and encouraged people to convert to it, heaping power and wealth on (some of) them. And that's how Christianity became an imperial religion. Christianity changed rapidly in response to that. Major parts of the religion were changed or dropped entirely. For example, until Constantine, the vast majority of Christians were strict pacifists. In most communities, soldiers were required to leave the army and find a new trade before they could be baptized. Obviously, this was unacceptable if Christianity was going to become the religion of the Roman Empire. In a straight-up choice between pacifism and Imperial power, the Christian church as a whole dropped the pacifism like a hot potato. 100 years after Constantine you have St. Augustine laying out the "Just War" theory where war is fine as long as you have a good reason for it. That's a complete 180 from everything the early Christians believed. There are many other examples of things that got dropped or changed in Christianity to make it more palatable to Imperial might. There are a lot of toxic things in Christianity as we know it. But the thing is ... many of them come from this process of adapting their beliefs and practices to fit what Constantine (and later Emperors, and the entire power structure of the Empire) wanted Christianity to be. Namely, something tame that affirmed and enforced the existing Imperial power structure. And Christianity has been a partner and tool of the power structures of the dominant culture ever since. This is one of the reasons there's so much difference between Jesus' teachings and Christian teachings, in so many cases. In a straight-up choice between faithfulness and power ... a majority of Christians in the last two thousand years have most often chosen power. But here's the thing. If Christianity didn't exist, that doesn't mean none of this would have happened. It just means that Constantine would probably have chosen Mithraism instead. Do you think the Mithraists would have been any less willing to take the power and wealth on offer to them, in exchange for becoming a lackey of empire? Do you think Christianity was uniquely corruptible? I don't.

comments Comment? https://ift.tt/uspfvE9

[her-satanic-wiles]

Masterlist ⛧ Lost in Translation Masterlist ⛧ Ao3

Words: 12.4k.

Reading Time: 50 min.

Warnings: begging, cock warming, creampie, cunnilingus, dry humping, fingering, hair pulling, marking, mentions of masturbation, mild pain kink, mild salirophilia, moderately underprepared penetration (but no pain), multiple scenes, nipple play, penetrative sex, praise kink, so much whimpering omfg, unprotected sex (cover the bone to slide it home, bro), vaginal fingering, vaginal sex

Taglist: @zombiesnips-blog @da-rulah @teenage-birt-dag @ellenokumura @thew0man @sodoswitchimage @the-real-eggplany @deathmimedream @love-is-all-you-need-13 @kadedoesthings @rosyerato @xshadylady @popiaswife @perpetratorwithaquill @punkiy50 @onlyhereforghost @kaijukimchi @copiaspet622

As the newly appointed Cardinal Copia struggles with the weight of a looming prophecy, a resilient scholar challenges the narrative, uncovering a conspiracy that reaches beyond the walls of the Ministry. The emergence of a forbidden love ignites a rebellion against a power-hungry Sister, whose thirst for control threatens to reshape the very foundations of the Church. Will the revelation of those schemes lead to liberation or plunge the Ministry into chaos?

Previous Part ⛧ Next Part

🔞 MDNI 🔞

One moment you were in the peace and tranquility of the Ministry’s library, the next you were in the Ministry’s personal plane getting ready to land in Heathrow Airport, with Cardinal Copia by your side. The flight from Rome to London was wonderfully short, ticking in at just two and a half hours long. Plenty of time for you to go over the notes you made at school on Hebrew, more specifically the ancient Hebrew that you required in order to translate Abrahamic texts to Ministry-standard levels.

Ancient Hebrew was much more difficult for you to learn, given that it was an entirely different alphabet to the one you were used to. The script used during ancient times, particularly during the First Temple period, had a more pictographic nature, not entirely unlike Ancient Egyptian. During the 1st century CE, the Hebrew language was undergoing a significant transformation and coexisted with other languages in the region. Biblical Hebrew was more akin to modern day Hebrew which allowed you some crossovers in your day-to-day studies, but it was still very different in most aspects.

The Ministry, as it was open to everyone from all walks of life, held so much diversity between its unhallowed walls, it was beautiful. There were languages spoken from all over the world, but in order to unify everyone and make communication easier, Italian was the main language, followed by Latin, then English, then other denominations. The Church revelled in the chaos created by such a diverse cast of characters - and for a long time allowed everyone to just play the conversation by ear. In essence, you’d watch someone open their mouth and pray to Lucifer that they were about to speak in a language that you understood. It wasn’t until Mama Ardens II reigned in the late 15th Century that she introduced the official language of Italian. This was challenged by some members of the clergy as it was “too Catholic”, but there was a reason her name was Ardens and she shut the clergy up pretty quickly.

During the flight, you could feel the weight of the Cardinal’s eyes upon you, burning through you like Hellfire upon the skin of the worst sinners. The majority of the time, you’d catch him looking at your papers, as if he was refamiliarising himself with Ancient Hebrew too. But there was the odd occasion when your eyes locked with his, and he panicked and turned away, pretending as though he was looking at something else behind you. The act itself made you so, very aware of your appearance. What could he possibly be staring at? And why? You found yourself wiping something from your face just to be sure you didn’t have anything on it.

“Scusi, Sorella.” The Cardinal said, interrupting your studying with a gloved tap to your shoulder. You looked at him, the haze of the ancient world fading with each passing second. “This is Hebrew, sì?”

You stared at him blankly for a second before answering. “Yes, Your Dark Eminence.”

He nodded. “It looks like Ancient Phoenician.”

“You know Ancient Phoenician?”

“A little. I went through a phase in my teens where I wanted to be different. Everyone else knew Latin and Greek, I wanted Latin and Phoenician.”

You laughed. “I think everyone goes through that phase when they’re a teen.”

“Probably. The alphabets are the same, no?”

“No, actually. They’re very similar, but they’re not copies of one another. What modern historians refer to as the “Paleo-Hebrew” alphabet was used by some of Abraham’s children. The Phoenician alphabet and the Paleo-Hebrew alphabet were pretty much the same alphabet, despite possible tiny differences in the letterforms, but every language spoken by the Canaanites shared this alphabet. Even the Arameans made use of it. It wasn’t invented by the Phoenicians or even by Abraham’s children. Most likely it was a group of early, unnamed Canaanites that we’ve no evidence for… yet.”

“Does it function the same way?”

“I don’t know enough about Ancient Phoenician to tell you either way, but,” you picked up your sheet of paper that helped translate the Hebrew to the Latin alphabet and handed it to the Cardinal, “you’re more than welcome to figure that out for yourself.”

He perused the sheet in front of him for a short while, getting to grips with the look of it. Every now and then, little hums of understanding would spill involuntarily from his lips, each one making your heart soar with adoration.

The world’s impressions of the Cardinal often exaggerated his behaviour. He demonstrated a sweetness that spoke to his true nature, far from the menacing figure many had imagined.

The Cardinal was an introverted man who took comfort in his own company, just like you. Even though he was capable of being an ambiverted position when called for, it was obvious that he valued solitude over social interactions. It felt as though he was choosing to be alone, and it went beyond simple preference to suggest a deeper, complex side to his nature.

The truth, sadly, appeared to be a little grimmer. Sister Aisha, who was known for her direct and sometimes sarcastic comments, did not hold back when she called the Cardinal “a creepy old man.” And made no attempts to hide any contempt she held for him, but she was one of many who felt exactly the same way.

The daily peeks into his life revealed an odd habit: a Ghoul snatching his meals from the kitchens and slipping them into his office. His life of isolation not only shielded him from the Ministry’s scrutiny but also added to the mysterious atmosphere that enveloped him.

People often treated their future leader with a certain amount of condescension, either not realising his potential or brushing it off completely. They were unable to see his character’s depth and his hidden strength. It was as if they only saw the surface—a man who didn’t fit the Ministry’s stereotypical image of power.

You would see the eye rolling, the dismissive gestures, and the sporadic scoffs aimed at him. The insensitive treatment looked to be the result of ignorance, an inability to realise the importance hidden behind his modest demeanour. The Cardinal had to deal with the disdainful attitudes of those around him in his earlier days, while others in similar positions might have commanded immediate respect.

But there was something about him which you saw that others missed. You had a gut feeling that there was more to this modest person than first appeared. Feeling sympathy for the Cardinal and believing he deserved better than the casual remarks and sidelong looks, you watched the irritating treatment take place.

The Ministry had no idea that hiding beneath that seemingly ordinary man was the potential for a strong leader. The future Cardinal Copia would eventually triumph over the criticism and unpleasant treatment, demonstrating that genuine strength frequently hides in a person’s depths, ready to be revealed when the time was right.

And a different Cardinal showed up in those moments when he wasn’t burdened by the duties of leadership and he allowed himself to converse. His kindness came through; his soft-spoken manner revealed the fragility beneath the surface of power. It became clear that the Cardinal was a complicated person who was oversimplified in the eyes of the world to be a stoic, unapproachable figure.

Being in the background gave you the opportunity to observe the Church’s internal drama, the shenanigans, and the power struggles without taking an active part in them. It was a position of quiet strength, where your biggest advantage became your understanding and awareness of the inner workings of the Ministry.

The Cardinal’s lack of notice meant freedom from unnecessary attention. You could spend your time reading the ancient books, exploring the archaic library, and performing your tasks without having to deal with the spotlight. The shadows offered a certain safety, a place where you could pursue your curiosity without being distracted by people.

In quieter moments, among the centuries-old books and dimly lit hallways of the Ministry, there was a faint longing, a yearning for a relationship that went beyond the pages of forbidden knowledge. There were times when you wished the Cardinal would give you that elusive, uneven smile, even though you cherished the safety of anonymity and the cover of darkness.

Somewhere in the back of your mind, you dreamed that the Cardinal would acknowledge you in a way that went beyond the standard Ministry exchanges. You yearned for some small act that displayed a great deal in the calm language of desire, something that would bring back memories of old-fashioned chivalry.

You imagined a moment when the Cardinal, freed from the restraints of rank, would hold your hand with a tenderness suiting the moment. You’d read about such actions in the romance books that lined the library’s shelves: a gentleman’s kiss upon a lady’s hand, as a sign of affection and a modest declaration of a relationship that went beyond the everyday.

However, these moments remained unattainable since the intricate web of the Cardinal’s ascent to importance and the manipulations of the Ministry. The reality of your job as an archivist at the Ministry’s library clashed regularly with the dreams that danced in the corners of your mind. Your dreams were tucked between the shelves like a bookmark between book pages.

It was enough to send previous incarnations of yourself into a near-coma of shock to learn that the Cardinal was not only aware of your existence but actively seeking your aid for a mission to London. A storm of emotions mixed disbelief and excitement at the thought that your unnoticed presence had attracted the attention of the Church’s leader. It seemed like a strange transition from being a quiet observer to a major role in a clandestine mission—a story arc that went against the expectations of the once-quiet guardian.

As the jet streaked through the sky, carrying you and the Cardinal into to the fascinating depths of London, you found yourself suddenly drawn away from your usual scholarly pursuits. Rather than immersing yourself in the ancient Hebrew texts that waited for you in the city, you were chatting with the Cardinal informally, like you were the closest, lifelong friends that could ever be.

You were sitting side by side in the cramped plane, and you pulled out a notebook with Hebrew idioms and symbols in it. The aircraft’s steady hum provided a unique setting for this unusual classroom, where the Cardinal—who wasn’t exactly famed for his mysterious charm—became a passionate learner.

You patiently explained the complexities of the old Hebrew language to the Cardinal. As you clarified their meanings and intricacies, the characters—each bearing a history and resonance from millennia ago—took on new life. With a mixture of passion and nervousness the Cardinal tried to imitate the characters in his trademark clumsy charm. That was to say, he got things wrong… a lot.

The unexpected language lesson had led to a moment of shared laughter, a welcome respite from the weight of ancient texts and scholarly pursuits. After one particularly amusing mistake, the laughter gradually subsided, giving way to a comfortable silence. In that quietude, an unspoken connection lingered in the air.

As you glanced over your notes, the Cardinal’s gaze shifted, and when you looked up, you found his eyes fixed upon you. The atmosphere seemed to shift, charged with a subtle energy that transcended the boundaries of mere camaraderie. His gaze, softer and more contemplative than before, held an unspoken sentiment that eluded easy definition.

His eyes traced the contours of your face with a newfound tenderness, and there was a momentary pause, as if time itself had hesitated to acknowledge the shift in dynamics. A gentle intensity lingered in the air, and his gaze descended to your lips with a soft, unspoken longing.

Unaware of the subtle shift in the Cardinal’s demeanour, you continued to meet his eyes with an easygoing smile. The shared laughter had forged a connection, and the silence that followed seemed to amplify the unspoken nuances lingering between you.

For the Cardinal, the moment held a depth of emotion that he struggled to articulate. His eyes conveyed a silent contemplation, and in that fleeting silence, there was a desire—subtle, yet palpable. The notion of a kiss hovered in the unspoken spaces between you, a sentiment that had yet to find expression in words.

As the plane continued its journey toward London, the Cardinal’s gaze remained soft, a reflection of the newfound connection forged in the unexpected intimacy of the language lesson. Little did you know that this unspoken exchange would linger as a subtle undercurrent, shaping the course of the journey that awaited you in the heart of the ancient city.

The announcement of the impending landing interrupted the quiet exchange between you and the Cardinal. With a shared understanding, and an awkward clearing of the Cardinal’s throat, you both began the task of clearing away the notes, neatly organizing the scattered papers that documented your linguistic exploration. The air hostess moved through the cabin, her voice announcing the approaching descent and the estimated time until landing.

As the plane touched down in London, the anticipation of the journey ahead resonated in the air. Your bags, along with the majority of the Cardinal’s Ghouls—Swiss, Aurora, Cirrus, and Phantom, as you noted—were efficiently handled and transported to the hotel. The remaining Ghouls accompanied you and the Cardinal, ready to delve into the mysteries held within the Crimson Archives.

Exiting the airport, the chill of the London air greeted you, a stark contrast to the climate you had left behind. The Ghouls maintained an eerie silence as they efficiently guided you and the Cardinal toward the awaiting vehicle. The journey to the Crimson Archives unfolded, the city’s landmarks passing by in a blur of history and modernity.

The Crimson Archives, a repository of knowledge and secrets, awaited your exploration. The Cardinal, his curiosity undiminished, glanced toward you with a glint of excitement in his eyes. The Ghouls, ever vigilant, maintained a discreet presence, their loyalty to the Cardinal evident in every step.

As you approached the entrance, the imposing facade of the archives loomed overhead, a testament to the weight of the knowledge contained within its walls. The building itself was designed in the typical Edwardian Baroque fashion, a classic from the 1600s that had made its way all across Europe to decorate the streets of the well-to-do, adding a sense of grandeur. The white exterior was profanely white, as though someone was out with a toothbrush every single day, cleaning the brickwork and repainting it to hide any and all blemishes.

The monochromatic exterior was interrupted only by the double-doored entrance, a vivid splash of red staining the wood. The crimson hue, reminiscent of dried blood, served as a stark reminder that beyond those doors lay the repository of forbidden knowledge—the Crimson Archives.

As you approached the entrance, the weight of anticipation hung in the air. The Ghouls, their presence silent and imposing, flanked you and the Cardinal, their loyalty a reassuring presence. The red doors creaked open, inviting you to step into the enigmatic world that awaited beyond.

Crossing the threshold, you entered a realm where time seemed to stand still. The interior, bathed in a muted light that filtered through stained glass windows, exuded an air of reverence. The scent of ancient parchment and weathered leather permeated the air, as if the very essence of knowledge clung to the surroundings.

Rows of towering bookshelves lined the expansive space, each shelf bearing the weight of countless tomes. Dust motes danced in the filtered sunlight, adding a touch of magic to the ambiance. The hallowed halls echoed with the whispers of the past, inviting you to unravel the secrets concealed within the carefully preserved volumes.

As you and the Cardinal ventured deeper into the Crimson Archives, the architectural beauty and the solemnity of the surroundings intensified. The knowledge held within these walls spanned centuries, and the building itself stood as a testament to the reverence bestowed upon the pursuit of wisdom.

Every step further into the archives felt like a journey through time, a pilgrimage into the mysteries that lay dormant, waiting to be unearthed. The building, with its timeless design and meticulous preservation, stood as a guardian of the secrets you sought, a silent witness to the ebb and flow of history that had left its mark on every page within.

The interior of the Crimson Archives continued the theme of elegant austerity with a predominantly monochromatic palette. An airy atmosphere that encircled the room in a timeless hug, was created by the towering bookshelves’ shadows dancing across the white walls.

The black accents, whether in the form of wrought-iron railings or the dark frames of portraits lining the walls, added a touch of sophistication to the otherwise pristine interior. The interplay of light and dark accentuated the architectural details, casting a mysterious allure that beckoned those who dared to explore further.

Crimson red, the color that lent the archives its name, punctuated the surroundings like droplets of blood against a canvas of parchment. The rich hue adorned draperies that framed arched windows, lending a warm contrast to the cool tones dominating the space. Plush rugs underfoot absorbed the echo of footsteps, muffling sound and enhancing the sense of reverence.

Wooden furnishings, stained with a reddish tint, added to the overall warmth of the archives. The bookshelves, meticulously organized and towering towards the ceiling, featured rich, dark wood that cradled the weight of centuries-old knowledge. Each shelf, each tome, seemed to radiate history, promising a journey through time with every page turned.

The two of you stood before the unattended front desk, the absence of any library staff adding an extra layer of mystery to the already cryptic atmosphere. The desk, pristine and uncluttered, awaited the presence of a librarian or archivist to assist in navigating the vast sea of knowledge housed within the Crimson Archives.

All was vacant save for the single silver bell that guarded the area. Gleaming like a beacon in the poorly lit surroundings, its smooth surface reflected the surrounding light. Beside it was a plain note with a clear instruction in exquisite script, “Ring for assistance.”

“What kind of cult have we walked into?” You asked, taking in your surroundings.

The Cardinal noticed your unease, and rested his hand on your shoulder. “This sounds like the beginning of a very bad joke, no? Two Satanists walk into a cult’s archives…”

You chuckled, feeling a little calmer. As you reached for the bell, a faint sense of anticipation hung in the air. The Cardinal observed with a mix of curiosity and amusement, perhaps intrigued by the prospect of unraveling the secrets within the hallowed halls of the Crimson Archives. With a gentle tap of your finger against the silver surface, a melodious chime echoed through the silence, resonating with the reverence of ages past.

The sound lingered for a moment before dissipating into the air, leaving a quiet expectancy in its wake. The hushed whispers of pages turning and the distant creak of aging wood filled the void, creating an ambiance that seemed to resonate with the very essence of the written word.

Eventually, a Lord Worthington waddled forward, his ample belly preceding him. He was indeed bald, with a shiny forehead that reflected the overhead lights. His round face was flushed, and beads of perspiration adorned his bald pate. Despite his portly appearance, there was an air of joviality about him. He sported a finely groomed, gray mustache that curled at the ends, giving him a somewhat eccentric air. Lord Worthington was the founder of the Crimson Archives - essentially a personal collection of ancient artifacts and texts belonging to a man with too much money in his bank account.

“Your Dark Eminence!” he exclaimed, extending a plump hand towards the Cardinal. His fingers were adorned with several ornate rings, and he wore a cream-colored waistcoat that strained against the girth of his belly. Each word he spoke seemed to be accompanied by a cough, as if his excitement and his respiratory system were engaged in a perpetual tug-of-war. Lord Worthington’s eyes twinkled with a mix of reverence and genuine enthusiasm as he quickly shook the Cardinal’s hand, hard enough to shake his entire body. “It’s an absolute pleasure to have you here at the Crimson Archives, sir! What a delightful encounter. I suppose you’re here for that Eden book, yes?”

“Sì. If you could take us to it, that would be helpful.”

Lord Worthington beamed, his excitement undeterred by the Cardinal’s succinct response. “Of course, Your Dark Eminence! Right this way!”

He led you and Cardinal Copia, and by extension, the Ghouls, through the labyrinthine corridors of the Crimson Archives. The air was heavy with the scent of aged paper, and the occasional cough from Lord Worthington punctuated the quiet rustle of unseen activity. You couldn’t help but marvel at the vastness of the collection and the meticulously organized shelves that seemed to stretch into infinity.

After what felt like a journey through time itself with the Lord talking to you both about the history of the archives, Lord Worthington stopped before a particularly ornate set of double doors. The crimson theme persisted here, with intricate patterns etched into the dark wood. He produced a set of antique keys, each one adorned with a different emblem, and selected the appropriate one to unlock the doors.

“Here we are, Your Dark Eminence, Sister,” he announced, ushering you into a room that seemed plucked from a forgotten era. The smell of aged parchment was more pronounced here, and the room was illuminated by the warm glow of antique chandeliers. Ornate bookshelves lined the walls, each one crammed with dusty tomes that bore the weight of centuries.

“In this chamber, we keep some of our most prized possessions. May I present to you, Eden’s Veiled Chronicles,” Lord Worthington gestured towards a display case in the center of the room. Inside, under the protective gaze of glass, rested an ancient manuscript bound in cracked leather and adorned with faded symbols.

The Cardinal’s eyes lit up with anticipation. “May we…?” he began, gesturing towards the display case.

“Of course, Your Eminence! Feel free to examine it as closely as you’d like. It’s an honor to have you here,” Lord Worthington responded, his voice filled with genuine reverence.

As you delicately extracted the Chronicles from its protective casing, a sense of reverence settled in the air. The ancient manuscript, veiled in the passage of time, revealed itself in all its glory.

The cover, made of cracked leather with an otherworldly patina, cradled the secrets within. Faded symbols, once vibrant, adorned the surface, telling a story of eras long past. The leather, though aged, retained a certain suppleness, a testament to the craftsmanship of a bygone age.

Upon opening the cover, the parchment pages unfolded like the petals of a timeworn flower. The script, a dance of ink on the vellum, told the tale of Eden’s secrets. The language was fluid, an intricate dance of ancient Hebrew, and the illustrations, though faded, spoke of a world unseen.

The Chronicles bore the marks of countless hands that had touched its pages over the centuries. Annotations in different hands adorned the margins, an ongoing conversation across the ages. Fragments of commentary in Latin, Aramaic, and even Phoenician wove together a tapestry of understanding and interpretation.

The illustrations, a blend of artistic expression and symbolic representation, depicted scenes from the Garden of Eden not commonly known. Angels, serpents, and enigmatic figures danced across the pages, each stroke of ink telling a story lost to common narratives.

As you turned the pages with the utmost care, the scent of ancient wisdom, a mixture of parchment and the faintest whisper of long-gone eras, wafted through the air. The Chronicles seemed to exhale the secrets it held, secrets waiting to be unveiled to those who sought knowledge beyond the veil of conventional understanding.

The Cardinal leaned in, his eyes tracing the ancient words and symbols with a mixture of awe and curiosity. In order to get as close as possible, you felt his hand on the small of your back, then his fingertips dancing towards your waist, pulling you closer to him. Ordinarily, this would infuriate you, but as it was the Cardinal’s hand clutching onto your body, you found your cheeks flushing. Lord Worthington watched, his coughs momentarily silenced in the presence of such historical significance.

“It’s extraordinary.” The Cardinal said, enthralled by its enigmatic histories that he was unable to decipher.

“It’s so well preserved, Your Dark Eminence,” you told him, equally magnitised, “I’ve never seen anything like it.”

“How long do you think it would take you to translate it?”

“I couldn’t say - maybe a few months. But I’m so excited to get started. Look here,” you pointed to a passage that you were the only one able to understand, “it’s the story of Lilith and how she fell from Yhwh’s graces!”

“Straordinario! What’s the story?”

“Well, it starts how we’re used to reading it: created from Adam’s rib, refused to be subservient, was kicked out of Eden. But we never truly learned what happened to Her afterwards. There’s something in here about the Dark One finding Her, reviving Her with water, and taking Her to Hell with Him - but I’ll need my notes to understand the specifics. It sounds more like a love story than anything else. I’m so excited.”

You finally looked up at the Cardinal, whose eyes were fixated on your face again. His pupils were dilated significantly, as he stared at your face - eyes lingering a little to long on your lips. His hand, which was still around your waist, had tightened its grip and subconsciously pulled you closer to him. You could feel his rapid heartbeat through his cassock, feel the heat of his nervousness emanating from him like a radiator. You felt lured to lean in closer, to feel his warm breath on his cheek, to taste his lips that no doubt still tasted like the coffee he drank earlier. Your eyes were searching in his for something, anything - maybe even a bit of confidence to do what you’d been longing to do the moment you saw him. You did. You allowed your head to lean in just a tad. You were so close to him.

His breath.

His hand.

His -

A cough brought you out of whatever spell the Cardinal had put you under, and you both backed away from each other as quickly as you could. The Cardinal’s eyes were shifty and nervous, while your lips were caught between your teeth in disbelief. That was the closest you’d ever been to him, and the pull of something more was so unbearable it almost clouded your judgment.

You were about to kiss your boss’ boss’ boss, in an archive that didn’t belong to you, holding a 1500-year-old text about the creators of your faith. Your cheeks filled with embarrassment at the thought of Lord Worthington watching this happen right in front of him, and being the one to wheeze his way into breaking up the spectacle.

Naturally, a man who held a lot of money wouldn’t let something so valuable go out of the kindness of his heart. The British Aristocracy had no idea what kindness even meant - everything they did was for the good of their bank account. The Chronicles belonged in the Ministry and the Ministry’s archives. It was an important piece of religious history that needed to be with its siblings and on display for everyone to see, not just the obscenely rich. It took a lot of negotiating to get Lord Worthington to agree to a price that didn’t absolutely bankrupt the Church, with a little extra intimidation provided by Mountain in order to sweeten the deal. But, this important piece of history now belonged to the Ministry, the acquisition was finalised, and the next day you’d both be returning back to Rome.

The hotel, an opulent sanctuary nestled in the heart of London, exuded an air of grandeur that resonated with the city’s rich history. As you and the Cardinal entered the lavish establishment, the grand foyer unfolded before you in a symphony of elegance.

Crystal chandeliers hung from the ceiling, casting a soft glow that danced upon the intricately patterned carpets below. The walls adorned with historical tapestries whispered tales of the past, and the subdued lighting added a touch of mystique to the atmosphere.

The concierge, clad in a tailored uniform, greeted you with a courteous smile before he led the way through ornate corridors adorned with classical artwork, creating an ambiance that blended the contemporary with the timeless. You marveled at the seamless fusion of luxury and tradition, a setting befitting the dignitaries and scholars who sought refuge within its walls.

In the quiet solitude of your room, you took a moment to marvel at the view from the window. The city lights twinkled in the distance, a testament to London’s vibrant energy. The bed, adorned with plush linens, promised a night of restful repose.

You took off your veil, rolled up your habit’s sleeves, and combed your hair back from your face. Lying on the polished desk like a quiet oracle waiting to reveal its secrets was the text, a relic of antiquated wisdom, persuading you to get straight to work. Bathed in the soft light of well-placed lamps, the room filled you with the anticipation of discovery.

You didn’t realise that time had passed you by in all the hours you spent hunched over your desk. You only noticed it was dark outside when a gentle knock at the door pulled you out of your work, and you’d already translated the first two chapters. You stood and opened the door to reveal the Cardinal standing there, awkward as ever, holding a plastic bag in his gloved hands. “Ah, Sorella!” He greeted. He was about to say something when he saw your appearance. His Adam’s Apple bobbed as he felt his mouth go dry. There was something so intoxicating about your dishevelled appearance and sleepy, work-tired eyes, he found it difficult to string even the simplest of sentences together. “Y-you had disappeared for a few hours, I assumed you had begun working on the text, sì?”

“Oh, yes, Your Dark Eminence. Sorry, I lost track of time.”

The Cardinal smiled. “I thought you might. And, call me Copia, please. Only if you want to, of course. The last thing I want to do is make you feel uncomfortable. But I would prefer you to call me Copia.”

“Copia.” You said softly, feeling the name on the tip of your tongue and getting used to it. You opened the door. “Please, come in.”

“Ah, sì, grazie. I have brought, uh, Chinese food. I thought you might be hungry. I brought some for myself, too. I was, uh - I was hoping to join you. But, i-if you don’t want me to then I’ll get my stuff and go - nessun problema.”

“No, I’d like that… you to join me, I mean.”

Copia smiled and let out a soft and breathy laugh. “Okay.”

“Okay.” You said, copying everything he just did without realising. For some reason, you felt nervous at this exchange. Your heart was light yet pulsating quickly in your chest as you set up the coffee table with the food.

“After dinner,” Copia began, “I was hoping to see what you’d completed so far. Is that okay?”

“Of course, Your Dark… Copia.”

Copia laughed at the way you corrected yourself.

Once the table was set up for dinner, the two of you began to tuck in on the feast. You didn’t realise until the first bite just how hungry you actually were.

The warmth of the Chinese food filled the room, accompanied by the quiet clinking of cutlery against porcelain. The atmosphere shifted from scholarly concentration to a more casual friendly conversation as you and Copia shared the simple pleasure of a shared meal. The fragrant aroma of the dishes mingled with the heady scent of ancient texts, creating an eclectic symphony that defined this unique moment in time.

Copia, despite his position as a Cardinal and leader of the dark congregation, displayed an endearing awkwardness. His genuine attempts at conversation and the occasional nervous laughter drew a smile from you, making the evening feel remarkably relaxed. It was a side of him that few were privileged to witness, and you found yourself appreciating the authenticity beneath the ceremonial robes.

As you both enjoyed the meal, conversation flowed effortlessly between bites of food and sips of tea. Copia’s inquiries about your progress with the translation prompted you to share the revelations from the Chronicles. The text, a silent witness to millennia, now whispered its secrets to those willing to listen.

After dinner, you guided Copia to the desk where your translation work awaited. The dim light cast a gentle glow on the pages, and as you began to explain the nuances of the ancient script, Copia listened with an attentiveness that transcended his usual awkwardness. His eyes, normally obscured by the dark recesses of Cardinal makeup, displayed a genuine curiosity that mirrored your own.

The Cardinal’s presence brought a new dimension to the room, and the collaborative effort to uncover the mysteries of the Chronicles continued. Together, you and Copia navigated the labyrinthine passages of ancient knowledge, forging a connection that transcended the formalities of your respective roles within the Ministry.

Copia leaned over the desk, his eyes scanning the carefully translated pages of Eden’s Veiled Chronicles. His expression shifted from curiosity to genuine admiration as he perused your meticulous work. The dim light accentuated the lines on his face, adding a touch of vulnerability to the Cardinal’s usual composed demeanour.

“Sorella, this is exceptional,” he exclaimed, his voice a blend of surprise and appreciation. “Your dedication to this translation is truly commendable. It’s not an easy task, and yet you’ve navigated the intricacies of the text with such finesse.”

A warmth spread through you, a mix of pride and the satisfaction of receiving acknowledgment from someone whose opinion carried weight within the Ministry. Copia’s genuine compliments were like rays of light breaking through the shadows of the ancient library.

“I… thank you, Copia,” you replied, a hint of bashfulness in your voice. “I’m just doing my part.”

He nodded, a genuine smile playing on his lips. “You’re more than just ‘doing your part.’ You’re preserving knowledge, bringing to light the hidden narratives of our beliefs. This text could hold secrets that reshape our understanding of our faith.”

The compliment, spoken with such earnestness, made you appreciate the significance of your work even more. The connection between you and Copia deepened, forged by a shared reverence for the knowledge contained within the Chronicles.

The air in the room seemed to thicken, a charged atmosphere swirling around you and Copia. His eyes, a captivating blend of intensity and vulnerability, met yours with an unspoken question. The uncharted territory of desire loomed between you, and the words hung in the air like a forbidden incantation.

“Sorella,” Copia began, his voice a soft murmur, “I want to kiss you. May I kiss you? If not, that’s okay, I’ll understand.”

Your heart fluttered, caught between the pulse of curiosity and the gravity of the moment. A gentle nod from you granted permission for a connection that transcended the scholarly pursuit of knowledge. Copia approached slowly, bridging the gap with a careful reverence.

His gloved hand brushed against your cheek, the touch sending a shiver down your spine. He leaned forward, and the warmth of his presence surrounded you, capturing the silent anticipation of the room. The kiss, tender yet laden with unspoken emotions, sealed a connection that reached beyond the confines of the Crimson Archives.

Time seemed to stand still as you shared that stolen moment, the world outside the hotel room fading away. Copia’s kiss held a delicate balance of longing and restraint, a testament to the complexity of emotions that bound you together. The quiet intimacy unfolded, painting a tapestry of shared desire and the unspoken connection that had blossomed amidst the ancient texts.

As the kiss lingered, a myriad of emotions played out in the silent spaces between breaths. It was a dance of vulnerability and acceptance, the uncharted territory explored with a shared understanding. When the moment finally released its hold, a soft whimper escaped Copia’s lips.

He tried to pull away for a moment, but you didn’t want to. Your hands pulled at his cassock pulling him impossibly closer, refusing to let him disappear too soon. A desperation filled you, a need that had been bubbling under the surface for years and years until it had spilled over between the walls of a beautiful, London hotel room. Copia’s whimper elicited your own, which in turn, did something to him that he hadn’t felt in years, something he thought he’d never feel again.

His own gloved hands tugged at your waist as his tongue slid into your mouth, welcoming him willingly. Warmth pooled in between your legs when he pushed you against the edge of the desk and trapped you between his plush body and the wood. You could feel him growing hard beneath his robes, his centre now flush with yours and rocking against you slightly. He didn’t realise what he was doing until he was mid thrust, and he pulled back from you as though you’d electrocuted him. “Sorella,” his voice was breathless and low, almost growly, “you have to tell me you don’t want this now. Otherwise I won’t stop until I’ve had you.”

The black of his top lips had been completely smudged off, originally from the grease of the Chinese food, but finished by the friction against your lips. His cheeks were flushed purely pink from the embarrassment of his desperation for you, but also from sheer want of your body against his.

“Please don’t stop.” Your voice matched his, except for the little whimper that punctuated the end of the sentence.

Immediately, he attached his lips to yours, a little rougher than before but no less enjoyable. You wrapped your arms around him like a koala clinging to a tree, eyes closing and whimpering at the feeling of Copia’s clothed cock grinding against your sensitive clit. You gripped onto him stiffly, hair standing on end as you felt his lips travel down to the corner of your mouth, then land on your neck and began to lick and kiss at the sensitive spot there.

Copia’s mind forced him to move, despite all the blood being rushed down south and making it difficult to think. He removed his right glove, and dipped his now bare hand under the skirt of your habit. Naked fingertips stroked against a naked thigh, and travelled all the way up to your panties, now soaked with your need for Copia. Those fingers hooked around the gusset of your panties and pulled them to the side, before running along your folds and gathering up your slick. You were dripping for him. So wet you coated his fingers as if he’d just put his fingers into a lake. He’d pulled his cock away from you momentarily so that he could check to see how ready you were for him, but found himself humping against your thigh in his need for pleasure.

“Mi dispiace, amore. I don’t think I can wait much longer.”

You reached for his cassock and began undoing as many buttons necessary in order to free him. “Please,” you begged, your voice muffled by the kisses you were giving him, “give it to me. I need to feel you, Copia.”

As soon as he was free, he lined himself up and pushed inside. As soon as he entered you, you watched as his eyes rolled back and his mouth hung open. He was slow at first, aware of the fact that he hadn’t stretched you out before hand and curbing his need for you long enough to not hurt you. But even so, it was a battle against his body. Your nails dug into his clothed shoulders, gripping firmly at the pressure in your cunt, and relaxing around the intrusion. He felt divine, as though he were a puzzle piece slotting into the right place on the board. As though he were made specifically for you. He was long enough to hit your cervix when he’d bottomed out, and thick enough to stretch you, but none of it hurt.

As soon as he’d halfway, he stayed still, capturing your lips in another kiss and licking into your mouth like a starved man; borderline crazy and frantic with his actions. It took him a little while to get the wherewithal to speak, and once he did it was through a breathless and strained voice where he was clearly trying to not cum too soon. “Merda!” He hissed, feeling your tight, wet heat comfortably wrap him. “You are the reason men sin.”

The gravity of his words had you clenching around him, earning a delicious whimper to fall from his lips.

“Non fare così!” He exclaimed through pained laughter., dropping his head back to the crook of your neck. “I don’t want to cum too soon.”

“Copia, please.”

Copia pushed the remainder of his cock inside you, slamming home involuntarily and making both of you moan out in surprised pleasure. Your toes curled at the feeling of the tip of his cock kissing your cervix, and you teethed at his jaw.

His hips began pistoning in and out of you, each thrust slow and hard, driving into you with precision and force. His hands moved to your hips for leverage, creating just a little space between your bodies allowing him to fuck into you like you both needed. His cock filled you so nicely, your back arched and your shoulders rested against the cold wall, eyes rolling into the back of your head as you clutched onto his shoulders as though your life depended on it.

The noises Copia was making as he pumped into you were things you’d only heard in your fantasies under the cover of night when you were touching yourself, dreaming of this exact moment. His whimpers; the grunts and groans that escaped him along with the breathy moans and the strings of Italian expletives that made your cunt squeeze around him so impossibly good, dribbles of drool were beginning to spill from the corners of his mouth.

“That’s it, amore.” Copia said breathlessly as he continued to rail you. “St-stretching around my cock. You’re doing so well for me.”

The desk groaned beneath you from the force of Copia’s thrusts and the weight of you and all the desires the two of you harboured for one another. It smacked against the wall repetitively as Copia released all those pent-up feelings and poured them into your soul. His eyes travelled up and down your body, taking in the sinful sight of your clothed breasts bouncing beneath your habit. Your dishevelled appearance that had him blush when he first saw you now had him feral and dying for you with each thrust into the utopia that was your cunt. He could feel himself get more and more addicted to the feel of you. As long as you allowed him, he’d have you every single day.

“Wanted you for so long!” You hurried out, confessing your sins like you were in the booth in the Basilica di Lilith.

“Yeah?” Copia reached down and began playing with your clit. “Is this everything you wished for, amore?”

“Feels so good! Fuck!”

“Pretty little thing, taking my cock so well.” He leaned forward and began kissing and licking at your neck again, pressing himself as close to you as he could without hindering the movements of his fingers against your clit. His bare fingers stroking over your folds sent shivers down your spine. That coupled with the pounding he was giving you and you didn’t stand a chance. It was a matter of minutes before you came all over his cock, seconds if he moved just a little bit faster.

You suddenly became hyper aware of the papers below you, strewn about across the desk messily. Thankfully the Chronicles were safe on the other side of the desk, but your translations were at risk of flooding if you didn’t say something. But the words died in your throat when you tried to ask Copia to move. They couldn’t leave your mouth because the angle he was hitting you at was just so good, it left you gasping for air and loudly moaning into his ear.

“So beautiful.” Copia said, muffled by your skin. By now his words were slurred and his thrusts were erratic, his fingers the only appendage responding to their fullest capacity because your orgasm was on the line. “I want you to cum, amore. Cum on my cock. All over my fingers. You’re already so nice and wet for me. Let’s see if you can get wetter.”

“Fuck, Copia!”

“That’s it - say my name.”

“Copia!”

“Again, amore!”

“Fuck! Copia! I’m gonna cum!”

“That’s it. Such a good girl. Cum for me.”

The knot in your stomach finally snapped and you came harder than you had in Lucifer knew how long. Touching yourself to the thought of Copia turned out to be nothing like the real thing - the way his body slotted so perfectly between your legs was nothing short of a curse, because you knew now that nothing else would ever be the same. Nothing else would make you feel as good. No one else could ever take care of you the way he could. As you came around his cock, he talked you through it, planting kisses on your exposed skin and holding you close to him, all the while not letting his fingers rest until you pushed him away from you.

Then, it was his turn. With a strangled groan that poured into your mouth like the sweetest nectar, he emptied himself inside of you. He whimpered pathetically with each thrust, almost silenced by your tongue in his mouth. The hand that remained on your hip sturdy with its grip and clasped onto you to stop himself from tumbling over with the sheer force of his orgasm. Yeah, he could quickly get used to this.

After a few moments of staying where he was, kissing you just as passionately as he had moments before, he finally pulled away and rested his forehead onto yours.

“Ciao.” He said softly.

You rolled your eyes at the reference to the Black Mass so long ago, but your mouth shaped into a brilliant smile, with eyes that beamed to happily, Copia was almost blinded by them. “Ciao.” You responded, a giggle catching in your throat and distorting the word ever so softly.

“Ah, amore, we have a problem.”

Your stomach sank. “What?” You asked, preparing yourself for the worst.

“I came inside you.”

You sighed in relief. “Oh, it’s okay. The Ministry provides birth control for all those who want it - I wanted it.”

“Ah, sì. That I know. But… my cock is the only thing stopping my cum from escaping. And you’re sat on some papers.”

Your eyes widened, remembering your want to move locations just moments ago. Your mind went blank. “Shit! Oh, no, no, no!”

“It’s okay! There are tissues-”

“On the other side of the room!”

“Okay, I could pull out and-”

“Then your cum would get all over my translations!”

After some back and forth, it was decided that you would awkwardly lift and wiggle your hips so Copia could reach underneath you and pull the flimsy paper out from beneath you. Every time you did, you would accidentally clench down on his softening cock, and he would hiss or scream out in, what sounded like pain, but it was mostly just sensitivity. That, and he knew that one more clench from you would have him chubbing up inside you again, and he was too tired for round two. At least immediately, anyway.

Once you were both certain your hard work had been saved, Copia placed two gentle taps on your thigh. “See? No harm done. All is well.”

“I may have cried if my work was destroyed.”

Copia pulled out of you, causing both of you to whimper at the sensation. But, Copia placed a kiss on your forehead and stroked your cheek with his gloved hand. “I would never be the reason for your tears, amore.”

You leaned into his touch, but removed the glove before you did allowing you to feel his bare skin on yours. You placed a soft kiss to his hand, finding comfort and solace in his touch. You believed him. You knew he would never do anything to hurt you. “Grazie.”

Copia smiled, looking at you with pure adoration in his eyes. “Prego! Now, I think we should clean up, don’t you?”

You nodded and allowed Copia to help you off the desk and lead you into the bathroom.

You had never showered or cleaned up with another person after sex. Your conquests at the Ministry had usually been either ritual-based or so casual, your partner barely stayed after the fact. But Copia was leading you to the bathroom with his own hands, and turning on the water as hot as possible to get it nice and warm for you when you both were ready - and by Lucifer, did that man take care of you.

He started by brushing your hair, picking up each section gently and working out any knots in it until it was silky smooth and primed and ready for washing, all the while making low conversation with you, his tenor, nasally voice reverberating around the bathroom and bringing comfort to your ears as he worked away at your hair.

He then unzipped your habit, and helped you out of it, folding it neatly to place on the counter so that it would be ready for the next time you wanted to wear it - or pack it, he wasn’t sure.

Bras were tricky garments for Copia, usually when he was too horny to function and wanted access to his partner’s chest. But right now, he was able to take his time with the evil thing, and place soft kisses on your exposed skin to distract you from how long it was actually taking. But, once your breasts were freed, your bra joined your habit on the bathroom counter. He took a moment to appreciate your naked form, drinking in the way you looked completely bare to him. He tried not to stare too long, lest you become uncomfortable and ask that he left - which he would, but he didn’t want to.

You were stunning. So beautiful he almost wanted to put you in a museum and marvel at your work. You’d put Michelangelo’s work to shame if you were placed next to it. You would embarrass the classic artists of old with your beauty. He picked up your hand, “One day, amore, I will worship you so well it will make the gods jealous,” and placed a gentle kiss to the back of it.

He couldn’t be real - there was no way that a line like that came out of a man like him in your overpriced hotel bathroom filled with steam, so quickly after getting to know you. It was like he had come straight from the pages of a book, complete with all the right lines and gestures to make you fall in love with him.

The Cardinal’s words, a blend of poetic elegance and genuine emotion, painted a canvas of longing and passion spoken in one of the least romantic spots on Earth yet it had your heart racing violently in your chest. The weight of his gaze and the timbre of his voice wove a spell, binding you in a moment suspended in the tapestry of time.

His own clothes took less time to remove, as though he were that one particular scene of the movie Bruce Almighty, where his clothes are just ripped from him and he’s ready to do… well, whatever task one might need to do when naked. The sheer speed of the man, launching his cassock and robes all around the room and making you laugh with the absurdity of it. His salt and pepper hair, a mess from his hat and his Cardinal’s paints a small mess from the exertion of before.

You both got in the shower and washed away the mess of the day from each other’s bodies, lathering soap and rubbing it all over each other, removing each other’s paints and make up and washing each other’s hair. Copia took extra care around your vulva, making sure to clean you thoroughly but as gently as he possibly could so as not to cause you any pain. A thorough lover in all aspects - you wanted to keep him forever.

You dried yourselves off, being silly with the hairdryer before he gave you a gentle kiss and the two of you headed into the bedroom. He picked up his robes and was about to dress himself until you stopped him and told him to join you in bed.

As you and Copia curled up in the softness of the comfortable cushions, the room’s soothing glow from the bedside lamp created a peaceful cocoon. The blankets, a sanctuary of warmth, held the heat that radiated from your joined bodies. He gestured for you to lie on his chest, where your fingers danced and stroked over his hairy torso, drawing the lines of his tattooed “666” over his heart, his chubbiness acting as the ideal pillow. You had only ever seen it in the Ministry’s stained glass windows and, later, in stage replicas of the same stained glass during his performance in the Ghost Project. You didn’t think it was real, but there it was, faded from years of age and hidden partially beneath brown chest hair. The abs in his stained glass replica certainly weren’t real, but there was something about his jiggly tummy that made you happy.

In your hotel room, a soft calmness consumed the two of you, like your own private sanctuary. The authentic connection that formed between you and the Cardinal seemed to eclipse the problems of the day, the weight of your responsibilities, and the Ministry’s norms and regulations.

As you lay side by side, the vulnerability caused by the openness of the conversation and the tenderness of the dim light highlighting your faces. Copia’s comments resonated deeply with a man who had taken solace in the carefree moment’s simplicity, akin to the lines of a lovely song.

The Cardinal’s unbridled, sincere laughter permeated the room, a soft refrain that broke between the calm discussions and times of mutual delight. The walls that usually covered the complexity of your lives came down during this quiet talk, and you two were able to get to know each other on a level that would never have been possible. He was Copia Emeritus, the youngest son of a man who had once performed the same role as him, and an innocent boy who had grown up in a difficult environment. He was more than just the Cardinal and the Head of the Satanic Church. And you were able to lay your soul bare to a man who could understand your troubles in a way not many people could. A rare connection, but a real one.

The soft rustle of the blankets and the soothing rhythm of breathing created a lullaby of comfort,wrapping both of you in a gentle touch of the night. His arm wrapped around your naked body in a hug of protection, drawing you as near to him as he could, as if you were his own.

A fresh day looming over London, sincere conversation, warmth between you and Copia, and a bedroom filled with the soft murmuring of dreams were the small things that brought you comfort in life. With its gentle wings, the night captivated you both, trapping you in a dreamlike world and a soundless melody of hearts interwoven in the unholy.

The throb of excitement and the rush of unexpected intimacy blended with the ashes of dreams that twirled on the brink of awareness, and you fell asleep hardly comprehending the position you were in, but committing it to memory, nonetheless. In order to get a good night’s rest, you made sure to quell the fear that he’d be gone in the morning, and you’d come to the horror that this was all a dream - a fantasy your brain concocted to cope with the idea that you were so close to him.

The soft glow of morning sunlight filtered through the curtains, casting a warm embrace upon the room. As consciousness gently reclaimed its hold, you stirred, expecting to find Copia’s presence beside you. However, the realization that the bed was empty washed over you, accompanied by a subtle undercurrent of disappointment.

For a fleeting moment, doubt crept in—had the encounters with Copia been nothing more than the whimsical product of a dream? The vividness of the previous day’s events felt like a mirage, and a sense of yearning lingered in the room, echoing the emptiness left by his absence.

You sat up, the sheets cascading in gentle waves around you, and surveyed the room with a mix of hope and uncertainty. The memories of the shared Chinese dinner, the playful banter, and the intimacy of being cradled in Copia’s arms seemed almost too fantastical to be real.

As you rose from the bed, the lingering scent of Copia’s presence surrounded you, a subtle fragrance that whispered of the shared moments. A pang of longing accompanied the realization that, regardless of the dreamlike quality of the encounters, there was a void in the room that mirrored the absence of the Cardinal.

Attempting to dispel the lingering doubt, you moved through the room, still as naked as you were when you fell asleep the night before, half-expecting to find traces of him—the imprints of his presence, a forgotten belonging, anything that would validate the reality of the connection. The room, however, revealed no such evidence, leaving you in a state of quiet contemplation.

In the silence of the morning, you grappled with the uncertainty, a delicate dance between the threads of reality and the ephemeral nature of dreams. The longing for Copia’s company lingered, an echo of the intimate moments shared, and the room retained a faint resonance of the enchantment that had unfolded.

“Ciao, Sorella,” Copia greeted, his eyes brightening as he entered, the subtle rustling of the bakery bag in his hands adding a touch of mystery to the moment. The relief that washed over you was palpable, dispelling any lingering doubts about the reality of the connection forged the day before.

“Good morning, Copia,” you responded, a genuine smile gracing your lips as he approached. The aroma of freshly baked goods wafted through the air, a delightful accompaniment to the morning sunlight that bathed the room. He hung the bag from his wrist and used his free hands to cup your cheeks, pulling you in for a passionate kiss before you had the chance to protest at your morning breath.

“I thought breakfast from a local bakery might make for a pleasant start to the day,” Copia explained, presenting the bag as if it held a treasure trove of delights. His demeanour, a blend of awkward charm and genuine warmth, echoed the sincerity of his actions. “I wanted to surprise you, but you’re out of bed.”

“I’m sorry… would you like me to get back in it?”

He nodded. “Sì. This isn’t my bed or yours, and we’re leaving in a few hours. Let’s be heathens and eat pastries under the duvet!”

As he began to unveil the contents of the bag, an array of pastries and bread emerged, each one tempting and inviting. The simple act of sharing breakfast became a moment of connection, a continuation of the unspoken understanding that had woven its way through the shared experiences of the previous day.

You climbed back into bed, watching your fully clothed Cardinal do the same - paints and all adorned on his face as though you hadn’t already seen his bareness the night before. He was chipper - even more so than before. It was nice to see him so relaxed.

The room filled with the comforting scent of fresh bakery delights, you and Copia began to enjoy the morning repast. The ambiance shifted, the initial uncertainty dissipating in the face of this shared moment of simplicity and warmth.

The conversation flowed effortlessly, a mixture of lighthearted banter and genuine interest in each other’s thoughts. As you nibbled on pastries and sipped coffee, the room seemed to come alive with the easy friendship that had developed between you and the Cardinal.

Breakfast finished slowly, lazily. Your time distracted with continuing your conversation from last night before you both fell asleep. The conversation only stilled when Copia returned to the bed, sitting atop the sheets and stroking the hair out of your face, tucking it behind your ear. Then, his lips were on yours.

He didn’t intend for the kiss to be anything but sweet and chaste, but soon enough, his body was positioning himself over yours and forcing you to lie back against the pillows, one hand propping him up over you, the other roaming over the sheets that covered your body. It was deep and delicious, and made your body tingle with want and your legs spread in anticipation, a silent plea for him to touch you again just as he had the night before.

When he’d removed the duvet from your body, a struggle considering he was on top of them, and had situated himself between your legs, he allowed his hands to wander all over your body as though they were trying to find a destination but kept getting lost. As more and more of your body became exposed to him, he allowed his lips to voyage across your curves, open mouthed kisses leaving trails of saliva in their wake as proof that they’d been there. Your breaths were heavy, allowing your breasts to rise and fall with the exertion. Your lips, kiss-swollen and tantalising, he just wanted to run his tongue over them and taste you in your entirety.

His lips fell upon your chest and worked their way down to your nipples. He tongued the left one, first - fingers pinching the right while he licked and sucked at the bud, groaning as if the taste of you was the most delectable dish he’d ever had the honour of eating.

“I wonder,” he began, lying on his stomach, his hands moving to your thighs and spreading your legs wide enough to slot himself between your thighs, “why Lord Lucifer kept you from me all this time?” He kissed your thigh. “Why he wasted my time on other conquests when the sweetest prize was right under my nose the whole time.”

He groaned at the sight of you; your glistening, taut heat spread and open for his personal viewing, ready and waiting for his tongue to ravish you as you deserved. He kissed up your thighs, and as he did so, you took the opportunity to pick up his hat and toss it across the room. This earned you a chuckle.

One of his fingers ran up and down your folds, catching on your clit once or twice and making you shiver and jolt with anticipation. Then, those fingers that had gathered your slick slipped into his mouth, and his eyes fluttered shut in delight. “Time to make good on my promise and make the gods jealous of you.” He told you, before diving into his newfound faith enthusiastically.

Your hands immediately flew to his hair, digits locking around his mouse-brown strands as your back arched against the wall and completely off the desk. Copia immediately went in, tongue swirling roughly around your sensitive clit and intermittently sucking at it to get those divine noises to spill from your lips. You had no thoughts of quietening yourself, not when his tongue felt like your whole world could collapse at any minute.

It didn’t take long for your hips to start bucking into his face, chasing the pleasure that he was generously giving you. His moustache scratched against your labia as his lips moved, occasionally hitting the right spots and having you clench around nothing. However his cock and his fingers felt last night, was nothing compared to the way he sucked your clit into his mouth, causing loud, uncontrollable moans to spill from your mouth into the cold morning air.

“Copia - fuck!” Your toes curled beneath you as you let out a scream, Copia still flicking his tongue quickly over your folds.

The heat inside the room rose rapidly, making it almost unbearable and causing a sheen of sweat to form on both of you. Copia trapped you in the position he so desperately wanted by firmly pressing your body down and wrapping your legs around his head. He used one arm to keep your hips pressed down while his fingers on the other were sucked into his mouth to wet them with his saliva before they were mercilessly pumped into you.

He adored the sounds you made the night before, but these sounds were entirely different. Brand new. They were boosting his ego and his confidence so much more, allowing him to get a little rougher with his ministrations, stretching you out to fit him beautifully, just as you had before.

Copia moaned as your fingers tugged at his hair, sending vibrations through your heat and throughout your cunt. The sounds that flooded the room were overshadowed by the sinful squelch your wetness made as his fingers worked up and down against that spot. Those fingers reached the parts of you that his tongue was unable to penetrate as he continued to lap at your folds. His fingers felt even better than his tongue, and that fucking moustache was going to send you to an early grave.

As he moved his face, all you could feel was the tickle of prickly hair brushing against your incredibly sensitive spot. You could feel his moustache every time he moved due to his erratic and fast his movements that had your back arching off the matress and your eyes tightly squeezing shut. You were a loud, sweaty mess completely at the mercy of Copia’s actions, and he was fully aware of his actions.

His tongue moved more quickly as you started hitting your high, and his fingers pumped harder, curling to find your favourite and most responsive spots. With his moustache, it didn’t take him long to bring you to your release. Before long, your back arched and you let out a scream as he continued to pump his fingers through your release. You clung to the bedding, needing something to vent your annoyance on. You felt filthy and unholy, Lucifer. It felt so damn good. Copia took his time caressing your folds and surrounding your cunt, savouring every last drop of your exhaled breath as you laboured to breathe. He was enamoured with you. He could never get enough of you.

“Così delizioso,” he told you, pulling back from your core, “could do this forever, amore.”

He crawled up the bed and locked his lips to yours in another desperate kiss, and you groaned at the taste of you on them. As he was on top of you, your hands began working at his robes to get him just as naked as you still were. You needed to feel his skin, needed him against your body otherwise something bad might happen. His robes were a fight and more frustrating than anything else, causing him to stand on the floor and remove everything as quickly as he could on his own, but the whole endeavour ended in a fit of giggles from the both of you as he dived back on top of you, fervently kissing you.

His cock dragged through your folds as he rubbed against you, giving himself just a little respite from the intense feeling and making you shiver with sensitivity below him. “So wet, amore. All for me, sì?”

“Yes, Copia.” You whispered, your breaths ragged and strained. “Only you.”

His cock jumped at the thought. Were you really considering giving yourself to him forever after only one night together? Were you so willing to belong to him so soon? He loved the thought - the idea that you were so enamoured by him that you just couldn’t refuse; that you didn’t want to refuse him.

“Amore, I could tell you all the things I love and adore about you and stuff your pretty cunt with my cock all day and night. You want that?”

“Yes!” Your fingers dug into his shoulders as his cock kept rubbing against your clit, now sopping wet with your juices.

He moved his hips back and, without moving his hands, lined up with your entrance. “Do you want it, amore? Do you want my cock?”

“Yes!”

“Tell me how much.”

“So much, Copia, please. I want your cock to fill me up so fucking good. Please give it to m- oh, fuck!”

He pushed inside of you before you could even finish the sentence, apparently more needy for your cunt than he thought. There was a brief ache from his pounding last night, a twinge that had your eyebrows furrowing, but your mouth hanging open at the pleasure of the stretch.

His kisses traced the same areas they did the night before, burying his face in the crook of your neck as he tried to not cum too soon, especially with the way your cunt was fluttering against him. You were twitching, as if you were begging him to move or do something. But the way he was riled up combined with the way you felt was a terrible combination that would only end in him spoiling the fun before it had even got started. You were truly delectable in every sense of the word - an addiction forming with no hope of relief. Not that he would ever be willing to quit.

“Sathanas,” he whispered into your skin, “this cunt!”

He tested the waters, thrusting once, twice, then three times before deeming his body recovered enough from the initial invasion to pick up the pace and start taking what he needed from you.

“Ah!” Each time those noises fell from your lips was when he thrusted particularly deep inside you, the head of his cock kissing your cervix beautifully and forcing the involuntary sounds to escape.

Copia was draped over you, covering you entirely; pinning you against the mattress with his full weight. There was no way you could move, no way you could think independently of the pleasure that he was putting your body through. You just had to lie there and take it with your legs wrapped around his hips trying to keep him as deep as possible so he’d keep giving you the pleasure you were desperately craving.

“Amore, you’re doing so well,” he panted, “you’re so gorgeous all wet and screaming for me. Merda! Giving yourself to me like this. An honour.”

The position he was in on top of you, and the way he pinned you down with the whole weight of his body, meant that his pubic mound was grinding against your clit, stimulating you with each grind of his hips. Your nails dug into his back and ran down it, creating red welts that Copia knew he’d wear proudly for weeks until they disappeared entirely. The feeling of your nails digging into him did something that drove him to the brink of insanity, and he found himself moving much faster than before.

You were close to cumming, but so was he. A mere few thrusts away before he was cumming deep inside your tight, wet heat, losing himself in your body as he had the night before. You felt divine - like sin itself had come alive just to torment him. He couldn’t believe you’d been there all that time and he’d not noticed you until that Black Mass a mere month ago. Yet here he was, balls deep inside you a second time, fucking you within an inch of both of your lives and needing to just… bite.

“Cumming!” You yelled, your voice high-pitched and straight out of a porno.

“That’s it, amore. Just like that. Cum all over this cock.”

Your second orgasm, just as powerful as your first, had your legs locking around Copia’s hips and forcing him deeper, restricting his wriggle room and making him take the full attack of your fluttering cunt as you spasmed beneath him. Your toes curled, your body arched as much as Copia would allow it to, and your eyes screwed tightly shut from the force of it all.

This triggered his own orgasm, cumming deep inside you and gripping onto your body so firmly, he’d leave a bruise. His face was buried in the crook of your neck, mouth attached to the skin and muffled groans emanating from the area as his hips shook with his own force. His body responded similarly to yours - as in, it was completely out of control. It wasn’t until your legs unlocked him and you allowed him some freedom to pull away, he’d noticed the hickey he’d left on your neck.

“Amore,” he said breathlessly, “I’m so sorry. Are you hurt?”

“Not at all,” you replied, brushing his sweaty hair out of his face.

He poked the hickey - it only hurt a little, as a fresh bruise usually would.

Despite being free, he fell back on top of you, using your entire body as a pillow. He was too tired to move now - too comfortable, too happy. He couldn’t possibly think about the horror that was coming… having to leave this cozy room and soft bed, the warmth of your arms, to get on a cold plane where he’d have to pretend he wasn’t utterly enamoured (and horny) by your presence alone.

But reality called, and work awaited.

This time, however, he’d have you by his side, or even underneath him, whenever he wanted.

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[ficretus]

Major pairings and Ozlem

It's no secret that one can find many parallels between Salem and Ozma and many major characters. When those characters are combined, you also get sort of a re-creation of their relationship, some version straightforward, some positive subversions.

I'll use this little timeline to compare it with some major pairings as well as what I think each pairing represents.

First I'll start with Renora. In this relationship Ren is suppose to be Ozma (green color, righteous idealist) while Nora is Salem (refers to herself as Queen, rode Grimm, her scars are similar in appearance to Salem's dark veins post transformation).

They are meant to represent this part of Ozlem relationship. Just like Ozlem, Renora met each other when Ren saved her life. They adventure together, eventually becoming partners.

Part they are meant to subvert is Ozma's death. After Ozma died, Salem became desperate, eventually becoming cursed. Ren is worried about Nora, what if something happens to her? Meanwhile, Nora is trying to find herself, who she is without Ren. So Ren will stop worrying about what could happen and embrace what he has now, while Nora will find herself and be able to function even if Ren is gone.

Next one is Bees. With Bees Blake is suppose to be Ozma (always running away, shadow clones mimic reincarnations) while Yang is Salem (red eyes, can take lot of damage, traumatic childhood).

They are meant to represent this part of Ozlem relationship. They start as partners, slowly falling for each other. In case of Ozlem, Ozma dies while Blake runs away after being "killed" by Adam. Eventually they reunite, but there is friction between them.

Part they subverted was Salem and Ozma turning against each other due to all the secrets they kept. To subvert this, Yang and Blake face together Adam, ghost of Blake's past and one of her secrets. Even their confession scene is consequence of them needing to reveal everything they feel for each other. There can't be secrets between them.

Finally, Rosegarden. Oscar is Ozma (duh) and Ruby is Salem (black and red color scheme, unifier of humanity against impossible odds).

They are meant to represent this part of Ozlem relationship. Their relationship starts with Ozpin dying and Oscar becoming the next incarnation. They meet each other, both strangers yet familiar with each other.

Part they are meant to subvert is Salem and Ozma becoming nemeses. I think they will turn against each other, not willingly mind you. Salem's goal is to turn Ruby into her Grimm servant, while Oscar is almost completely fused with Ozpin. Salem and Ozma are turning them into new versions of themselves, forcing them to continue their rivalry. Rosegarden will be about breaking that cycle. Yes, they will turn against each other, but they will be able to mend their relationship.

Major pairings are basically happy ending alternate versions of Ozlem. Renora is "what if Ozma didn't die" and "what if Salem moved on." Bees are "what if Salem and Ozma came clean and didn't keep secrets from each other." Rosegarden is "what if despite everything, love still prevailed"