@autistic-puffin Alright, one episode left of season 1 [insert screaming]
So, some of my favourite things about nine:
the way they're clearly relearning how to interact with any kind of person, only really good at conversation at the beginning if there's danger
doctor internal monologue: "what would be the best thing to show rose - a woman I've just met - to make her think I'm so cool? I know, I'll show her her planet exploding!"
the fact that they're really so fragile and learning to be again and scared of rose leaving them on the one hand, but on the other is so scared of getting too close (the "domestics") and opening up for fear of what will happen (and what happens... well, we know...)
but also will have a whole trauma response the second time they ever met ("we're falling through time, you and me, and if we let go...")
in retrospect with the war doctor, the way they interact with the dalek in the last sequence of that first episode almost feels like they can't access those memories, like there's that "version" of them locked in some part that could have been re-released if not for rose, but what's left is these half-spoken sentences that just trail off and into "oh rose. they're all dead." and that sense is there anyway, but as a metaphor with the later war doctor reveal, that performance hurts all the more
the way they smile when they say "fantastic" is like a new person being revealed
nine knew from early on in the episode "father's day" that the way to save everyone was for rose's dad to sacrifice himself, and never even had it as a consideration, never mentioned it to anyone, even said they had no idea what to do (until the tardis key), even though that was an option
"It's brilliant! I'm not sure if it's Marxism in action or a West End musical."
(in reference to wwii) "Beat the Germans, save the world - don't forget the welfare state!"
this is reading into it, because I fully didn't realise all those dancing references in empty child/doctor dances were meant to be sexual (the bits about jack, sure, but all of them? and it doesn't even make sense, anyway) point being, I always read it as a way of showing the doctor coming back into themself, learning to hope and have fun and not always worry about the other shoe dropping. joie de vivre as it were. so I love the bit at the end where nine says they can dance and I will continue to read it as I always have done
nine's very direct way of inspiring people and seeing people once they've started coming out of their shell -- the way they talk to the bride-and-groom-to-be in father's day, to cathica in the long game, to jabe, to gwenyth, to harriet jones, to nancy, to lynda with a y (also so often it's women in RTD's stories). the journey nine goes on is so vast, from rebuffing rose several times in the first episode and thinking the worst of people, to remembering why people are amazing and inspiring better versions of them
I'm always somehow just. sad. and touched. by the way nine talks about the pig that was experimented on and then shot. they were so upset by the callousness of it. nine cares about peoples names as well. they're consciously making a point of life and death mattering
by contrast the conversation with blon in "boom town" about being a killer. nine is doing better, consciously. nine has seen violence on a massive scale and is choosing not to perpetuate that and is learning (also in contrast to "dalek")
by the time "lynda with a y" came into the picture it was like they were ready for a whole family -- rose, jack, the more the merrier
and coming up I know in the last episode: "Coward or killer?" "Coward." and "you were fantastic, you know that. absolutely fantastic. and you know what? so was I."
generally nine was so imbued with a sense of vulnerability that's begging to be seen and coming from being so raw and hurt and closed to the beauty of living because of the violence they've experienced, and then relearning it and re-embracing the classic ethos of dw, as well as that fair play for all idealism that feels quite inspired in some ways by eccleston's own socialism and rtd's ideals (did enjoy the "no third term for thatcher" socialist signposts to indicate the 80s, I feel like we need to bring that energy back into dw again)
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I would be obsessed with a prince!au Sukuna 👁️👁️ him being the cold ruthless prince but then reader comes and he's not to ruthless anymore haha 🤭
Going back to my previous ask with reader eating a finger, that would be so juicy 👀 the angst of it all sukuna and yuji would be devastated 😭
I hope you've been good Mona🩷
-☁️
prince!sukuna's change in demeanor would creep up on you. he's made it clear he's not interested, so you try your best to steer clear of him.
but he watches you from afar. he hears whispers of your benevolent nature, regardless of whether you're interacting with the royal court or the common folk.
even if you avoid him, you still treat him cordially when duty demands you share one another's company. his wickedness is well known, and yet, it doesn't deter you.
he admires that. though it's a secret, even to himself.
one night as you share your evening meal together, a generally new occurrence, small talk passes between the two of you.
when there's a lull in the conversation, you point out. "you're different now."
this confuses him. "because i inquired as to whether you like the duck?"
you nod, doing little to hide the tug at the corner of your mouth. "three moons ago, you'd have been happy to see me choke on it."
"that's... not true."
"oh? were your sharp remarks meant to convey your fond regard for me?"
it's only when he raises his brow at you that you realize you've gone too far. you inwardly scold yourself for displaying such irreverence.
"my apologies, my prince. i meant no—"
"no matter," he cuts you off. "it... pleases me... to hear you speak so freely."
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