For a while now I’ve been considering the option of, like, what if… There’s a new DHMIS season or like a whole new version/adaptation - and they’re not not gonna follow up in any way on the stuff with Lesley from the first season in DHMIS TV. And the final few episodes of that new season are gonna have, like, Duck or something come face-to-face with some totally different ominous secret about how the World of DHMIS works that seems to totally contradict both the stuff with Roy and the machine in ‘Dreams’ AND the shit with Lesley and the stairs in “Electricity”.
Like, I’m not just thinking about it as a ‘haha funny troll!". My thoughts are… So, one of the recurring themes of “Don’t Hug Me I’m Scared”, especially in the TV Show, is like the Existential Horror of Being a Fictional Character. And Creativity has been a theme since, well, the very start. And DHIMS always loved its 4th-Wall-Break, always loved to remind us that this is a show.
So what if the Hidden Truth about why their world is so Wrong is just… the real actual truth? You know, that they are a bunch of fictional puppets for a show created by Becky Sloan, Joe Pelling, and Baker Terry?
And for the characters that would be just as much of a horrifying eldritch revelation as anything we could dream up for them, y’know? That they’ve been created basically just to entertain strange unseen beings via their misery, that they are being watched 24/7 in the sense that when they are not watched they basically don’t exist, that their life and wills are totally controlled by these unknowable strange beings who possess a level of free will they can’t even conceive of.
And they can’t even really perceive this truth fully or reach the actual real world cause, well, they can’t exist in the actual real world or interact with their real creators. Because once you take them out of the context of the show, they just go back into being puppets and costumes. The DHMIS creators could probably pretend to have a conversation with their puppets, or hypothetically the DHIMS characters could talk with a fictionalized version of their creators - but a real interaction between them is metaphysically impossible.
So the climaxes of both the Webshow and the TVshows are, like, Red Guy and Yellow Guy (respectively) coming as close to understanding the nature of their reality as their little fictional brains can bare - which they process as these weird surrealist metaphors because that is as far as they can grasp it before their brains literally become felt and cotton.
Red Guy, especially in the Webshow, was always the one most exacerbated by having to deal with the Teachers. He very much does not enjoy being the Main Character in a story. And he’s generally kind of a cynical pessimist. And so for him, Reality - the DHMIS Webshow - seems like some sort of ominous and impersonal machine that exist for nothing but tormenting himself and his friends.
Roy might be involved because, being one of his friends’ parents - that makes him both a sort of authority figure, and a creator of sorts. So for Red Guy’s mind he’s like a stand-in for their actual creators (since Red Guy doesn't know his own parents - he's at least the closest he's got. Plus it is Yellow Guy that has become the target of the torment by the final episode. That whole thing with Yellow Guy and Roy really is a creator tormenting his creation) . Or maybe it has something to do with Roy being credited on all of the episodes?
Implying he’s some sort of liminal being with connections to both the real and fictional world?
Meanwhile, Yellow Guy is a lot more willing to play along and try to enjoy the Lessons he is given. He’s not as stressed about being free as Red Guy is most of the time. And we know his sense of imagination can be very sweet and adorable.
But at the same time,Yellow Guy suffers a LOT as a result of the Lessons. And when he is fully charged, he pretty quickly becomes uncomfortable with the teachers’ condescension and the strangeness of their lives. So Lesley’s whole setup showcases his more conflicted feelings about the Reality. On one hand there is something charming and whimsical about Lesley, but she’s also kinda ominous and creepy.
And Yellow Guy’s Enchanted Cyborg Intelligence gives him a… slightly more accurate understanding of the situation. Yellow Guy’s Reality, with the Big and Bigger Boys, shows he has some understanding that this world exist for some sort of edutainment (where Red Guy only saw it as torment for the sake of torment) and his idea for the Person Behind Everything is… at least Mostly a live-action human.
Making her a step closer to the actual creatives working on DHMIS compared to Roy.
And the extra set of stairs might show that, like, Yellow Guy at least has the potential to understand that his Reality is not quite the end of the story. Like that, yeah, there IS another level of understanding above meeting Lesley - and that is the Real World with the real creators, the one he could never actually meet.
And now the question is, what would Duck’s Reality be? What would he see, if he had a chance to peek behind the curtain?
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When Izzy first walked out I was worried that he would be made into a joke that the crew would laugh at
but then he started singing and the dancing began and I realized that he wasn’t meant to be a joke at all. This is the most open and happy we’ve ever seen Izzy and the show treated it that way. Not mocking him but instead celebrating this moment.
When we talk about queer representation it’s usually just focused on queer relationships, but what I love about this episode is it shows other sides of being queer. That moment where Izzy saw Wee John doing his makeup and had a realization that he wanted that too? That is what being queer means to me. The crew singing along and cheering for him? That is what being apart of the queer community means to me.
What i love about this show is that it shows queer joy, not in a sanitized way, but in away that is messy, beautiful, and without any mockery or shame.
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pet names
[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. Vash overhears a conversation from a nearby table at the restaurant they're seated at, the unnamed character saying, "Honey, can you pass me that?" Their partner says, "Sure thing, angel." The unnamed character begins again, "Say, did you hear the news from earlier?" In response, "Haven't got the chance. Tell me about it?" Vash smiles fondly, listening in as the conversation continues, "You'd never guess, babe! The runner--" Abruptly, the conversation is cut in by a "Needle nogging", Vash's expression changing instantly and no longer smiling. The panel cuts to Wolfwood who smiles lop-sidedly, pointing at Vash's plate and says, "If you're not going to eat that. I'll take it." Vash grabs the plate and holds it away and says, "Mine" while Wolfwood clicks his tongue. He pauses for a moment before asking slowly, "Hey, is there any reason you don't use cute names with me?" Wolfwood lifts a cup of water up to his lips, looking confused. He says, "I do though." Vash cuts in, "Spikey and needle nogging aren't cute!"
Vash continues with a shy expression, "Since we're together now..." he trails off and Wolfwood picks up, taking a sip of water as he says thoughtfully, "Together, huh..." Vash pauses in his sentence with a look of confusion before reaffirming, "We are together, right?" Wolfwood nods, "Right." Vash says, "Right", before continuing, his shy expression returning, "Then you can use stuff like... honey or-" Wolfwood cuts in this time and says casually, "You're not a honey though." A panel cuts of Vash's expression changing again, shocked. He asks, "Huh? Then who is?" Wolfwood says immediately, "Milly." Vash exclaims, "Milly?!" Wolfwood continues, "She's sweet, just like honey." A bubble pops up of Milly smiling as Wolfwood speaks. Vash continues, "Okay, true... What about sweetpea?" Wolfwood responds, "Kids. Kids are sweetpea. And pumpkin too." Vash continues, "Okay... What about baby?" Wolfwood says without hesitation, "Meryl." Vash exclaims again, "Meryl?!" Wolfwood explains," Noisy, like a baby." Vash mutters, "Hey, that's a bit mean..."
Vash continues persistently, "Then what about babe?" Wolfwood shrugs with a grin, "You are not a babe." Vash looks at him, slightly frustrated before exclaiming with flushed cheeks, "Then what am I?!" Wolfwood points at his hair and smiles softly, "I told you. You're the one and only needle nogging." A panel closes in on Vash's widen eyes, cheeks still red, pausing before he ultimately resigns, planting his face into the palms of his hands and muttering, "I give up..." At the same time, Wolfwood sneaks and grabs the plate of food that Vash left unattended, saying in response, "You get up cuaght up about the dumbest things, y'know that?"
The comic then picks up again to a jump in time, after they've left the restaurant. Wolfwood muses to Vash, "You said all that about the names earlier, but I don't hear ya using them for me." Vash looks to him excitably and asks, "Did you want me to?" Wolfwood looks at him with an uncertain expression, "Not really, but I guess I am curious..." Vash beams, "Then let's try some, okay... dear?" He fingerguns Wolfwood with a grin, little hearts surrounding him. Wolfwood just looks at him neutrally and says, "Okay," while thinking to himself, "Cute..." Vash exclaims, "So unenthusiastic!"
The next comic picks up at a different time, but on the same theme of pet names. Vash hugs Wolfwood and says to him, "Thank you, my love." A panel close up of Vash steadily opening his eyes before he sees Wolfwood's reaction up close, his eyes glancing away, cheeks flushed, and the smoke out of his cig forming soft hearts as he mutters, "Sure..." In a smaller, cartoonish style, Vash has a comedically exaggerated expression of shock and widened eyes as he grips Wolfwood by the shoulders while Wolfwood still wears a shy expression. He then nudges his head to the side of Wolfwood's with a close eyed happy smile, hugging him close and says, "So, there WAS one you liked!" Wolfwood, still looking away, but now with an irritated and embarrassed expression, grumbles, "Shut up..."
The final image is a short sequence. Wolfwood is working on something, spacing out as he does, while Vash from off screen calls for him, starting with "Babeeee? Babe? Beautiful? Honey? My love?" All of which gets no reaction from Wolfwood. Vash pauses for a moment before piping up again, "wolfwood?" Wolfwood turns around, finally noticing that Vash was calling for him and asks, "What?" A box at the bottom of the page says, "Unresponsive to anything other than his names." END ID]
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