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#aang character analysis
sh3nlong-promakh0s · 4 months
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my thoughts on aang, morality and the role of the avatar in atla and korra
i don't think aang is a bad character by any means i really quite love how he's written he has very believable flaws and a lot of complexity/depth to him, i think i'm just personally biased to like 'spiritual' and 'holy' type characters. i am actually so glad that the series and also korra explored the flipside of spirituality with tenzin's character and how spirituality is used sometimes to bypass trauma and as a crutch for one's own personal shortcomings. also how kya II and bumi get to see aang as a more complex and flawed character through the lens of him being a less than perfect father.
the show touched on this a lot with aang's internal struggles with forgiveness vs. justice, and how much it tore him up. as if anything the avatar or any other character faces in the show is morally easy and black and white. and i also think that the caveat is the morality of the show is not easily translatable to real life situations especially real world politics, in which people get killed all the time. we also don't have bending in the real world and we do not have the option to non-violently navigate the world or to not have violence or abuse thrust upon us when we seek justice as aang did with ozai during sozin's comet. one thing aang had to learn the hard way as we do in this world is that you can't just avoid and run away from your problems all the time.
also another thing i think of a lot is how real world history and the world history of the four nations in canon cannot be viewed through a 'great man of history' lens... i.e. you cannot believe that great leaders or the avatar are the sole makers of history without the context of what was going on in society, politics and the economy at the time. idk i kind of think of the avatar as like the nuclear bomb of the world, the spirits' way of having 'mutually assured destruction' against humans who throw the world out of balance. but is just one and not the most important way of achieving balance and stability.
and speaking of balance and stability i just watched beginnings 1 & 2 in lok season 2 and loved the backstory of the first avatar wan, it really shows you how the avatar in general was just like a historically contingent figure who happened to be needed in the context of total world war and domination by vaatu. wan himself didn't want to be above others, and i don't think any avatar wants or claims to be (unless a dark avatar such as unalaq or one who is severely undertrained and unbalanced), however the people tend to see them as such. idk anyway this post is over just wanted to type up some disjointed thoughts i had ab lok and atla
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count-horror-xx · 6 months
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I actually like zutara as a concept, it's a ship I'll casually read fics about them sometimes.
it's just zutara fans are fucking delusional. Stop treating their Canon partners as abusive when it's the complete opposite. Especially Mai.
Aang isn't a misogynistic monk that forces katara to be his house wife. If he did katara would leave him in a millisecond. He actually cares so much about her. It's actually Canon HE cooks and accommodates his cultural food with kataras.
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And Mai was literally ready to die for zuko. Even when they just broke up, she was ready to get electrocuted by azula if it wasn't for ty lee chi blocking azula.
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I'm aware it seems like she doesn't care about him the way she's quiet and aloof but I understand where she was coming as someone who somewhat has similar tendencies of being a little awkward when trying to show emotions and it coming off as being uncaring or rude. But at the end of the day she really shows she loves him, so people saying she's abusive is completely inaccurate to her character.
Her bottling up her emotions was taught by her parents as she explains in the beach episode somewhat where she had to worry about her father's reputation all the the time, forcing her to be quiet as a form of behaving.
Personally I think her quiet personality fits with Zukos loud ass, especially giving him a reality check during the beach episode calling him out for being angry all the time and how he needs to keep it in check.
Zutara is a nice ship I agree but you can ship it without mischaracterizing tf out of thier Canon partners.
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risestarkiss · 3 months
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Rise Ramblings #933
So, this pose:
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Plus this face:
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Equals this:
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...tell me I'm wrong. Go ahead! Tell me I'm wrong!!! 😂🧡
○○○○ 💜 RiseStarKiss Studios on Youtube | My Kofi Tip Jar 💜
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sapphic-agent · 6 months
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Let's Talk About How Book 3 Ruined Aang
If you've seen any of my prior ATLA posts, you know that I don't hate Aang. In fact, I quite liked him in Books 1 and 2. He was flawed, as all characters should be, but the show didn't shy away from those flaws or justify them. He was called out for burning Katara and rushing his firebending, Sokka and Katara were rightfully upset when he hid Hakoda's letter, he willingly owns up to the fact that his actions helped drive Toph away, and his entire arc after losing Appa and finding hope again in The Serpent's Path was beautifully done.
(Hell, even in The Great Divide Katara says what Aang did was wrong and he agrees. It's played for comedy, but the show still makes the effort to point out that what he did wasn't the right thing to do. You're just meant to understand that he was fed up and acted off of that)
Those flaws and mistakes were addressed and improved upon and helped Aang to grow as a character.
But for some reason, that aspect of Aang's character was completely flipped in Book 3.
The best examples of this are in both TDBS and EIP. Both the show and the fandom are too quick to brush off that Aang kissed Katara twice without her consent, one of which after she explicitly said she was confused about her feelings.
(And yes, she is angry in response and Aang calls himself an idiot. But after this, it isn't really addressed. They go on like nothing happened for the rest of the episode. Aang's lamentation comes from screwing things up with her romantically, not that he violated boundaries)
The show never really addressed why what he did was wrong. Not only because he wasn't given consent, but also because both times he isn't thinking about what Katara wants. In both instances, Aang is only thinking about himself and his feelings. This is something that persists through a lot of the third book. And by Sozin's Comet it ultimately ruins any character development he had built up in the second book.
One thing I feel was completely disregarded was the concept of having to let go of Katara in order to master the Avatar State.
For me, the implication wasn't that he had to give up love or happiness necessarily. He was emotionally attached to and reliant on Katara, to the point where she was needed to stop him from hurting everyone around him and himself. This is obviously detrimental to his functionality as the Avatar. And the point of him "letting her go" wasn't that he had to stop caring about her, it was that his emotional dependency on her was stopping him from being the Avatar he needed to be and that was what needed to be fixed. I don't even think it's about the Avatar State itself, it's about being able to keep your emotions and duty as the Avatar separate.
(If you look at Roku, he loved and had a wife. It wasn't his love for her that messed everything up, it was his attachment to Sozin. He wasn't able to let Sozin go and not only did he lose his life for it, the world suffered for it. It's the unhealthy attachments that seem to be detrimental, not love itself)
And Aang realizes that in the catacombs, which is how he's able to easily enter the Avatar State and seemingly control it. He let Katara go.
So then why does it seem like his attachment to Katara is not only stronger, but worse in mannerism? He liked Katara in Books 1 and 2- obviously- but he was never overly jealous of Jet or Haru. He only makes one harmless comment in Book 2 when Sokka suggests Katara kiss Jet.
But suddenly he's insanely jealous of Zuko (to the point of getting frustrated with Katara over it), off the basis of the actions of actors in a clearly misrepresentative play. Katara showed a lot more interest in Jet and Aang was completely fine with it.
(Speaking of EIP, Aang's reaction to being played by a woman was interesting. He wore a flower crown in The Cave of Two Lovers. He wove Katara a flower necklace. He wore Kyoshi's clothes and makeup and made a funny girl voice. He willingly responded to Twinkle Toes and had no issue being called that. And for some reason he's genuinely upset about being played by a woman? Aang in Books 1 and 2 would have laughed and enjoyed the show like Toph did. His aversion to feminity felt vastly out of character)
I guess my point is, why did that change? Why was Aang letting go of Katara suddenly irrelevant to the Avatar State? It felt like him letting go was supposed to be a major part of his development. Why did that stop?
Myself and many others have talked about The Southern Raiders. The jist of my thought process about it is his assumption that he knew what was best for Katara. And the episode doesn't really call out why he was wrong. Maybe sparing Yon Rha was better for Katara, maybe it wasn't (the only one who's allowed to make that choice is her). Pushing forgiveness? That was wrong. But the episode has Zuko say that Aang was right when the course of action Katara took wasn't what Aang suggested.
Katara's lesson here was that killing him wouldn't bring back her mother or mend the pain she was going through and that Yon Rha wasn't worth the effort. That's what she realizes. Not that she needed to embrace forgiveness. How could she ever forgive that? The episode saying Aang was right wasn't true. Yes she forgives Zuko, but that wasn't what Aang was talking about. He was specifically talking about Yon Rha.
And that was wrong. Aang can choose the path of forgiveness, that's fine. That's his choice. But dismissing Katara's trauma in favor of his morals and upbringing wasn't okay.
I know it sounds like this is just bashing Kataang. But it's not simply because I don't like Kataang, in my opinion it brings down Aang's character too, not just Katara's. But let's steer away from Kataang and Katara for a minute.
The one thing that solidifies Aang's character being ruined in Book 3 for me is the fact that he- at the end of the story- does the same thing he did in the beginning.
He runs away when things get hard.
Aang couldn't make the choice between his duty and his morals. So he ran. Maybe it wasn't intentional, but subconsciously he wanted an out. And this is really disappointing when one of the things he was firm about in Book 2 was not running anymore. His character went backwards here and that's not even getting into the real issue in Sozin's Comet.
There's been contention about the Lion Turtle intervention. For many- including myself- it's very deus ex machina to save Aang from having to make a hard decision. And that in turn doesn't reflect kindly on his character.
Everyone- Sokka, Zuko, Roku, Kyoshi, Kuruk, and Yangchen (who was another Airbender and was raised with the same beliefs he was and would understand which was the whole point of him talking to her)- told him he had to kill Ozai. They all told him it was the only way. And he refused to listen to any of them, rotating through his past lives until he was given the answer he wanted.
And before anyone says that I'm bashing Aang for following his culture, I'm not. Ending the war peacefully, in my opinion, wasn't the problem. In a way, I think it allowed the world to heal properly. However, that doesn't make up for the fact that Aang refused to make a choice and face the consequences of that choice. Instead, he's given an out at the very last second.
Even if he couldn't kill Ozai and someone else had to deliver the final blow, that would have been better than the Lion Turtle showing up and giving him a power no one's ever had before. It would have been a good compromise, he doesn't have to have blood directly on his hands but what needs to be done needs to still get done. It would also show that being the Avatar isn't a burden he has to bear alone. That when things get hard, he can't run away but he can rely on the people closest to him to help him through hard decisions.
All these issues aren't necessarily a problem with Aang. Aang prior to Book 3 didn't have most of these problems. This is a problem with the way he was handled
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my most underrated Kataang take is, I think, the inclusion of Katara's epiphany in The Fortune Teller at all. We've talked ourselves hoarse about how it's the clear turning point in how she consciously thinks of Aang (I will always mandate that she was just unknowingly down bad since the pilot because Look at her behaviour dear god) and how it's important that she has this epiphany even after knowing Aunt Wu's predictions 'aren't real' or necessarily set in stone.
What I want to talk about is why I think it's important that THIS is the moment she sees Aang in a new light amid his previous attempts to have her think of him 'differently' than she did at the beginning of the episode.
When Aang is being sweet to her (making her a woven accidental-betrothal necklace that she happily accepts), Katara is appreciative and responsive, but still says "he's just a good friend, a sweet little guy, just like Momo".
When Aang tries to flirt with her under Sokka's aloof guise, it falls flat. When he tries to get her attention in general (and when having parallels with Meng), it likewise doesn't work.
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Finally, he tries the flower but it falls into the lava (symoblism, anyone?) and they have bigger things to deal with, like making sure the town isn't completely wiped out by the volcano. It's also worth noting that after Aang's conversation with Meng:
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He never actively tries pursuing or wooing Katara in the same way. He's still kind towards and supportive toward her, of course. He, at some point (probably after the 2nd cheek or third cheek kiss) eventually starts to think (understandably) that Katara has feelings for him. But as of The Fortune Teller, he's stopped trying to have her see him in a new light or do a big romantic gesture.
And that's exactly when she does, consciously, fall for him.
Not when he's trying to woo her in failed, false personas, not when he's being his sweet romantic self, but when he's being the most himself all episode: Aang, "the bravest person [she] knows, who's done nothing but help people and save lives" since she met him (1x12).
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He's not paying attention, he's not trying to impress her. He's just being a good, determined Avatar. A good, helpful person. A powerful bender, completely in control of himself and his element. Being himself.
Her Aang.
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kacievvbbbb · 29 days
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At its core the most important relationship arc in Avatar the last air bender is the one between Zuko and Aang honestly if you can’t see that then I don’t think we watched the same show.
Aang and Zuko are the true Yin and Yang in the show the push and pull. Fire and Air right down to their personalities.
It is both of them that have to go on the journey of learning that fire is more than just destruction can be used for more than just to hurt.
And that right there is the point it doesn’t matter if Aang defeats Ozai and they bring the fire nation to heel. Without a character like Zuko the fire nation would be lost forever to distrust and unrest, balance would never be reached. Because despite everything they have done all the damage they have wreaked the world still needs the fire nation and to work with the fire nation they need to know that fire can do more than hurt. And who best to show them than a prince who’s been burned himself?
The war started with the fire nation attacking the air nomads in a bid for control and it will end with the fire lord embracing an air nomad and taking ownership of his nations actions. You must first close a book before you can start a new one.
Aang needed Zuko just as Zuko needed him because to get peace a true lasting peace you can’t just cut off the head of a snake you have to change its mind. The world already lost the air nomads the balance is already precarious, it cannot afford to lose the fire nation too.
Afterall Air can snuff out a flame and it can also fan them. But when the two elements are balanced one existing in peace with the other it can also make a warm hearth for the home.
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sirenalpha · 5 months
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I'm not gonna get into it on the actual post because I don't want to start shit after how Aang posts have gone down and it's not like I saw it cuz it was tagged wrong or something
but it is wild to see someone say Azula's downfall was well written in atla and then also say what Zuko should have done and implying he was morally obligated to do so was not fight her and instead offer her love and support so he's in the wrong for accepting the agni kai challenge and fighting her
this blatantly ignores that Azula has manipulated and abused Zuko since childhood even though they also admit that Azula tried to kill him twice recently as a defense of Zuko's actions which is definitely some cognitive dissonance, but it's another instance I've seen of someone acting as if Zuko is incorrect or blinded by his father or otherwise mistaken when he says things like 'Azula always lies' despite the show demonstrating that actually Zuko is seeing her extremely clearly as she can even successfully manipulate him using the truth
Zuko does not owe Azula love and support just because they are blood relatives anymore than he owes Ozai especially not any time before the war has ended and she is still a threat to his personal safety and also to his goal of achieving peace seeing as she tried to kill Zuko twice leading up to the finale and she also came up with the plan to raze the Earth Kingdom
Giving her a hug isn't gonna fix that situation exactly the same as it wouldn't with Aang when it comes to Ozai
except this person thought Aang v Ozai was ultimately a triumph of pacifism over imperialism whereas the love and support vs fear and isolation of Zuko vs Azula is only pure tragedy not a victory of one ideology over another and I really have to wonder how this person came to that conclusion
Aang v Ozai is also a man to man battle same as Zuko v Azula and Katara v Azula which is not exactly pacifism
Aang doesn't kill Ozai in the end, and neither does Zuko or Katara kill Azula (instead she nearly kills Zuko) so again no different on the pacifism front
The major differences between these battles are that Zuko and Katara earned their abilities to defeat Azula whereas Aang relies on two deus ex machina and Zuko and Katara leave Azula upset but a pretty physically healthy state whereas Aang spiritually mutilates Ozai by removing his bending
in order for this interpretation to work that Aang v Ozai is a triumph of one ideology over another and Zuko v Azula is not, you have to ignore the massive narrative flaws in the Aang and Ozai fight that do not exist in the Zuko v Azula fight
There is a reason people still argue about whether or not Aang should have killed Ozai but even this person who argues Zuko did the wrong thing by Azula doesn't actually disagree with the text of the show, they still seem to want this agni kai to have happened exactly as it did where Zuko did show that love and support worked better than fear and isolation as he had Katara to tag in to finish the fight as well as other concepts like continuing to improve and learn after failure which eventually gave Zuko stability working better than genius perfectionism which caused Azula to spiral
another major facet this person relied on to argue for this position that Zuko was wrong to accept the agni kai was that Zuko could not see beyond the narrow worldview his father imposed on him through the golden child/scape goat dynamic he put upon Azula and Zuko
but the whole point of the show and having Zuko confront his father and leave to join the Avatar was to show exactly that, Zuko is the one character whose horizons broaden the most over the course of the show and only because Iroh's happens pre-series, it is insane to argue that Zuko cannot see past the abuse he suffered or outside the Fire Nation worldview after he has left the Fire Nation for the gaang
This person also claims that Zuko is so single minded about his goals that he even forgets empathy for others despite in season one somehow managing not to burn off Zhao's face in an agni kai and he even tries to rescue him from the ocean spirit despite fighting him literally the moment before so what character are you talking about because it's not Zuko
and then from this, they claim he cannot understand the tragedy of having to fight his own sister
this part is obviously up to more reader interpretation but you can take Zuko suggesting to Iroh in s2 that he forgive Azula is actually stemming from his genuine desire to not have to fight Azula given how quickly and vehemently Iroh shoots this down and that he does express genuine concern for Azula's fall in the southern raiders before she gets herself to the cliffside
I personally would say between the two of them, Zuko is more aware of the tragedy and genuinely sad about it, he is not portrayed as happy or gleeful when it's over whereas Azula has only been expecting this fight so she can secure her position on the thrown because she's second born and female and outright gloats after she's shot him with lightning
I see Zuko as resigned to this fight and trying to keep Katara safely out of it when he notices that Azula is slipping and takes the agni kai
what is not reader interpretation is to claim Zuko is being unfair and cruel to Azula to accept her agni kai challenge, Azula has always been the aggressor in their relationship and Zuko always the loser until the southern raiders where they have drawn even with each other, and as it has already been pointed out, Azula has recently tried to kill him twice!!
where is Azula's moral obligation to not try to mortally wound or manipulate her older brother? how is she not cruel and unfair for treating him this way and following in the footsteps of their father?
then there's an insane bit where they claim Zuko and Katara have a more simplistic view of morality than Aang who lost his shit on Katara in southern raiders who in the end didn't forgive Yon Rha and also didn't kill him and Zuko was there supporting her for the whole thing for her emotional benefit and closure regarding her mother like he had in his confrontation against Ozai whom he also didn't kill and Aang wasn't involved, Katara even tells him he was wrong
this part is just objectively untrue, Aang has the far more simplistic view on morality 
this person also goes on to a lot of reader interpretation for Azula's motives for bringing Zuko back to the Fire Nation, and I do agree I think that on some level Azula does care for Zuko, where I don't agree is that if the result is still harm for Zuko which is what returning to the Fire Nation was for him as it puts him back under the thumb of their abuser, it's still ultiamtely not good or kind to Zuko
Azula's actions are not made better by presuming she had good intentions born out of care for Zuko
The thing that really got me though was this quote:
"he allows himself to stoop to her level, and in fact only redeems himself through his sacrifice for katara"
again, Azula is the aggressor in their relationship and the one who issues the challenge in this instance
Zuko does not stoop to her level trying to stop her via agni kai because a hug is not gonna work, and it is arguably noble of him to try to protect Katara by accepting the challenge and trying to remove her as a target
But it doesn't work because Azula breaks the agni kai by attacking Katara who is a bystander and not a combatant which is never a level Zuko stoops to, it's a rat move Azula takes when she's put on her back foot and realizes she can't win a fair fight and can't goad Zuko into an emotional outburst
But the worst part is reframing Zuko's sacrifice as redemptive in terms of his relationship to Azula or as if he has done something wrong in accepting the agni kai or while fighting it
He hasn't, the poster argues that Zuko betrayed Azula in leaving the Fire Nation which I think you can argue for, but I do not believe that the show has Azula react as if she has been harmed by this action when she is shown as far more offended by Mai and Ty Lee's betrayal and again seems gleeful to be able to attack Zuko in the boiling rock, southern raiders, and finale and therefore could reasonably be interpreted to have expected this
His redemption isn't towards Azula or anything she represents like Fire Nation imperialism, Ozai's abuse, perfectionism 
It's a heroic sacrifice for Katara as a person he harmed personally in the s2 finale and as a victim of the Fire Nation's war by the Fire Nation's prince 
It's an utter and blatant misread of the show to demonize Zuko to uplift Azula and replace Katara as a victim of Fire Nation imperialism which Azula is straightforwardly not and removes those themes from the Zuko v Azula fight which this person praised in the more flawed Aang v Ozai fight
I am with and agree with anyone claiming Azula is a victim of abuse, she is, it is the direct cause of her breakdown
but it's straight up cognitive dissonance to act as if Zuko has done something grossly wrong in terms of ending the cycle of violence by participating in the agni kai with Azula but Aang v Ozai is a narrative master stroke for pacifism and ending violence when they both use the exact same amount of violence to achieve their ends: man to man combat, and Aang actually delivers the worse punishment to Ozai
and you strip away half of Azula's character if you ignore the real and blatant harm she caused Zuko and the rest of the gaang and try to pretend they are all equally victims of the same man because they are not
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Alright kids some Sokka analysis!
We all know that ATLA is an amazing show, with brilliant character development, a respect for heavy topics, good plot design and overal enjoyable episodes.
But what is very interesting is the way that both Sokka and Suki are portrayed.
Sokka is a non-bender of the southern water tribe. His sister is a bending prodigy, his best friend is the Avatar, Toph is the best earthbender alive and Zuko is the son of the Fire Lord.
Yet we never ever feel like Sokka doesn't add anything.
In the episode where he learns swordplay, the other characters are bored to death without him He is the tactician, the planner, the jester, the leader of the group in a way, the heart.
And yet he is still a child. He's allowed to be funny, silly, and stupid even while displaying qualities that the others don't have.
And the best example I can think of is when the final fight against Ozai happens.
Sure, Katara and Zuko take down the best firebender of their generation, Aang takes down the Phoenix King ( the most powerful firebender on the planet ) and Toph metalbends whole ships into oblivion.
But it is Sokka's plan that prevents a genocide, prevents devastation. It is Sokka that takes down all the enemy ships, Sokka that plans the attack.
Moreover, he takes down two firebenders amped up by the comet with one hand, lying on his back, while holding Toph up with the other.
The scene shows us brilliantly why Sokka is their leader: both Suki and Toph are utilized to the best of their abilities. And both are allowed to save the day.
He's also the planner of the eclipse attack and the prison escape, although these have varying degrees of success. Once he starts coming into his own as a full member of the team, when he starts to have faith in his own capabilities, there is no one quite like him.
And Suki, a nonbender like him, is treated in the same way. Strong, quickwitted, capable. Saves Toph from drowing in the Serpent Pass, member of the Kyoshi warriors. Able to go toe to toe with Ty Lee, who's been shown to immobilize powerful benders like Azula.
In the final fight, they are seperated, but never once is Suki treated as a damsel in distress. Indeed, she is the one saving Sokka and Toph by commandeering a war balloon.
All in all we love Sokka and Suki in this house
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the-chaotic-christian · 8 months
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Disclaimer; these are just my opinions. I'm not looking to start a fight.
I'm getting concerned about Katara's character in Netflix's show.
In almost every trailer, advertisement, interview-at least the ones I've seen-they've been really trying to drive home the point that she's a warrior. Which she is; there's no disputing that. By the second half of the first season she's a force to be reckoned with.
But that's not what I think of when I think about her.
It's not her defining character trait. Her main goal isn't to become a warrior; at least, she doesn't want to be a warrior just because. It happens out of necessity, because she has talents and abilities that are huge assets when fighting.
But at her core, she's a caretaker. She's a girl who sacrificed her dreams and own desires for people who needed her at the age of eleven.
Having her openly pursue and argue with Sokka over the whole 'warrior' business almost seems to discount that. It adds a touch of immaturity and naivety to her character that just feels shallow. Katara has always understood sacrifice; what it means to give up your own wants for another's-she does this all the time.
It's one of the things I find most admirable about her character.
From episode one it's established that she's the person that makes sure everyone has everything together; she's not, primarily, a fighter. She can fight-and she does-but she's more than that. Katara holds the gaang together, both physically-cooking, repairing clothes, making sure everyone's healthy-and emotionally-calming Aang out of the Avatar State, encouraging Sokka, attempting, albeit unsuccessfully and overbearingly, to curb Toph's reckless antics. Even in season 3, when Zuko shows up, her mistrust and dislike of him is because she's trying to protect everyone else.
When I think of Katara, the first word I think of is 'motherly'. I don't want Netflix to box her into the Marvel-girlboss-power stereotype, scrubbing her of any depth and femininity in the name of making her a warrior. Being motherly doesn't make her weak; being the one who cooks, cleans, and makes sure people are, i don't know, sleeping, doesn't make her weak.
It makes her incredibly strong.
She's a warrior, but that's not her first characteristic. She's one of the few people in the series who truly understands how consequential their actions are. She understands that sacrifices need to be made; she's seen them made first hand. Katara's motherliness is an outward sign of the way that she sacrifices for others; she gives them her time, her energy, and her love. That's different than how her brother sacrifices, how Aang sacrifices, how everyone else in the series sacrifices; but that's okay.
I don't want Katara to be just a warrior. I don't want her arc to be purely about 'fighting sexism' or whatever. She's deeper than that. I'm sick of these copy-and-past boss girls hollywood keeps churning out. A;tla is full of so many complex female characters, they don't need to be changed to be 'strong' or something along those lines.
The greatest thing about Katara is that she was a strong female character before she had the ability to throw grown men across the battlefield; and her arc in the first season was so much more about her growing into her abilities than all oh 'woe is me, a female in a patriarchal society!' and I love that. She didn't just complain; she changed the status quo and proved that the Northerners were just plain wrong.
Her magic abilities aren't what make her strong; her ability to fight isn't what makes her strong; her proving that women can and will fight if necessary isn't what makes her strong;
Her passion, hope, love, motherliness, compassion, desire to impact the world in a positive way, and arc about learning to let go and forgive are the things that make her strong.
C'mon Netflix, don't scrub that for some Marvel copy-and-past.
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ilikepjo24 · 11 months
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There's a post going around Tumblr about the color palette of your name (I saw @prodogg do it) and I tried it but my name has a very boring color palette so I did Atla characters instead.
Aang:
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Okay! All of them are very bright colors that represent Aang's bright attitude and there's a dark shade at the top row which brings to mind the flaws of his character. Personally, I feel like that dark brown represents the guilt Aang feels for leaving. We also have some yellow and soft red, which are the colours of his outfit. There's some light grey that reminds me of his eyes and pretty light blue and beige, breezy light his element. We have some blue, some yellow, some green and some red. True Avatar core right there.
Katara:
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Ohhh~ So many pretty blues! Blue eyes, blue clothes, blue nation, blue element and so on. Once again, I feel like the dark color in the third row represents the more bitter parts of Katara personality. Her small moments of jealousy, spite and harness. I also like how all the blues are different shades, some coming close to grey, others close to green and some being pure blue. The variety of shades really shows what I well rounded character she is.
Sokka:
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Oh my... That's unexpected... There's only one shade of blue! But I can see some pretty browns and greys in there that are in his colour palette. I wonder why there are so many greens... Probably because he's one of the only characters that are grounded to earth 😂 maybe even a bit too much, seeing how he's always suspicious and doubtful. There are also some snow-like colours in here, which is fitting, seeing as he's from the Water Tribe 😎.
Suki:
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That's a very interesting palette... The brown colours remind me of the Earth Kingdom, but there's a snowy white in there, probably because of how close Kyoshi Island is to the Southern Water Tribe. There's also a bit of green in there, even if it's greyish, and I couldn't help but notice those dark shades of red... Is it because she relocated in the Fire Nation after the war, and is currently working as Zuko's bodyguard? I also see a few really dark shades in those top corners, although I'm not surprised. Suki is a warrior through and through, and sometimes warriors have to do some ugly things to protect their homes.
Toph:
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No surprises here! I like how Toph has more dark shades than other characters, since she's more in touch with her "dark side" after participating in secret wrestling matches and pulling all those scams. Many shades of green and brown, like her element and her country. But there's also some very light greens in there, so light that they could pass as white or grey, which is unlike the usual Earth Kingdom greens. I wonder if it's because she uses her bending in a much different way that all the other earthbenders, which makes her special. Or it could be because that's the color of her eyes.
Zuko:
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That palette is an interesting one for sure. There are so many dark colours in here! And as we all know, the Prince of the Fire Nation didn't have a very happy life, or a very bright attitude. There's a dark brown-red in here and a dark blackish green, along with some blues and greys and a brownish gold. I wonder if it's because of his travels to all the four nations during his search for the Avatar. And I'm loving the references to the Blue Spirit with all those blues in there. Zuko's second, secret persona is a big deal for his character, since all the times we've seen him wear that mask, we've also gotten hints for his future redemption and friendships.
Azula:
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Ah, there we go. My favorite girl! Right of the top we have some dark shades, fitting for s true vigilante. There's some brown-ish gold abd black, which brings her hair and eyes to mind. A pretty shade of red, for a true Fire Nation Princess. The lack of blue surprises me, seeing as her fire and her lighting are both blue... I guess the website must believe that she is much more than her bending. And there's quite a lot of green I see... Probably because her peak as a strategist and warrior was conquering Ba Sing Se and bringing the Earth Kingdom to its knees, all while wearing the iconic green Kyoshi Warrior uniform and the even more iconic green Earth Queen outfit.
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sh3nlong-promakh0s · 4 months
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Ursa didn't love Azula
And if she did she never showed it properly which... for a child is felt the same as not being loved at all. I can understand especially in the context of the abusive domestic situation their family was in that it was difficult for Ursa to properly parent both her children, but it's not a stretch to say that Ursa saw too much of Ozai in Azula, and she sure as hell didnt love Ozai lol
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count-horror-xx · 6 months
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I think people hate on Jet WAY to fucking much. Like yall act like he didn't witness his parents get brutally burned alive as well as his whole village go up in fucking flames. He makes like two mistakes and yall go "yeah THATS public enemy #1"
Don't get me wrong obviously I don't condone him flooding an earth kingdom village cus it was invaded by the fire nation that I can agree with was too much 😭 but omg don't you think if your whole life was burned down you'd be a little fucked up in the head??? And be basically blinded by your own hatred for those who murdered your family??? Like I said what he did was absolutely wrong but to call him like evil reincarnated is a little far, bro was just a misguided kid who hated his oppressors more then loving the ones he swore to protect, but in the end he did realize he needed to focus to protect the ones he loved more but he ended up dying for it. And that's why no one really cares about his character growth and it honestly irks me 😭😭
Edit: not to mention when he found out zuko & iroh were firebenders, he didn't know thier intentions. Obviously we did and knew they weren't planning anything but he didn't. In his mind he probably thought they were fire nation spies trying to invade ba sing se and that's why he attacked them.
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sapphic-agent · 7 months
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So, a Kataang fan made a post about a week ago "asking" (rhetorically, of course) why it's a bad thing Katara acts like Aang's mom. And I just-
First of all, isn't that something that Kataang shippers have been trying to actively dispute for almost two decades at this point? That Katara doesn't treat Aang as a younger brother/son? There's literally an entire post about it from The Headband that's made its rounds on almost every single social media platform.
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So which is it, besties? Does Katara act motherly towards Aang or not?
(The answer is yes of course, as The Runaway outright confirms it multiple times. The whole premise of that episode is that Katata acts as a mother to Toph, Sokka, and Aang)
Now, why is it a problem? The fact that I have to explain this is telling for how little a lot of Kataang shippers understand Katara.
Katara was parentified. She took care of Sokka (by his own admission) as well as her entire village after Hakoda left. Even before then really, as she says in the very first episode that she's been doing all the chores around the village since their mother died which was years before that. She was delivering literal babies while basically being a baby herself.
Traveling- and being- with Aang is supposed to represent her freedom and childhood, right? That's what the first episode shows us and what Kataang is built on. But if anything, it has the opposite effect.
Book 1 wasn't terrible. Katara was very free-spirited and joyful in addition to being caring and empathetic. Her and Aang could still goof off together, even if she was doing her best to support him emotionally. You could easily see that as her being a good friend.
But somewhere between Books 2 and 3, that changed. Katara went from being his supportive friend to being his emotional crutch. During The Desert, she bears the brunt of him lashing out (he does yell at Toph once, but he's the most volatile with Katara). He also gets frustrated with her during Sozin's Comet, even though Zuko and Sokka were the ones pushing him. It's always Katara who has to bring him back when he loses control of the Avatar State, risking her own safety.
(This isn't emotional, but it was Katara who healed Aang after Azula's attack. She was the one who stayed by his side, staying awake for hours to make sure he would be okay. I like to look at it as a physical representation of their relationship. Aang's wellbeing is always put on her shoulders. If she isn't there to lift him up, he'll fall. And if he falls, the world falls. No 14 year old should be responsible for that. But it's so easy for the show- and y'all- to shove it onto her because this part of her character is never addressed. It's just used as a testament to her caring nature)
Even without Katara's parentification, this causes a major imbalance in their relationship. It puts Katara in charge of managing Aang's pain and being emotionally unsupported in return. The Southern Raiders is proof that Katara can't depend on Aang emotionally the way he does her. She's been his shoulder to cry on through everything and the one time the tables turned, she couldn't even get that from him.
And the saddest thing about this? Katara says to him, "I knew you wouldn't understand." She never expected Aang to support her. She's become so accustomed to being there for others that she's never once expected anyone to do the same for her, least of all Aang.
(But Zuko does. He's the only one who recognized Katara's pain- admittedly, mostly because it was directed at him- and tried to help her. Without being prompted. I gotta give this one to the Zutara folks)
In what world is this dynamic healthy for a romantic relationship?
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frogwithastrawberry · 6 months
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Sorry but I was just thinking-
How different would Avatar: The Last Airbender been if Aang had sealed himself and Appa in the iceberg a few years later?
What if he had grown to 16 before being told that he was the Avatar, and still survived the Fire Nation attack?
Aang is shown to be a mostly forgiving person, who obviously had outbursts in every emotion. And I think that's because he was 12 when he was sealed away. 12 year olds are still in the realm of "child that copies whatever their parents are doing". So being raised by Monk Gyatso, an old man who had likely seen his fair share of hardship in life and just wanted to live peacefully? Aang would have picked that up. It would have been the last influence he saw, the one that would stick in his mind.
And I know that supposedly the Air Nomads were peaceful people, but I think Monk Gyatso was tame even among them. He saw Aang as a child who was the Avatar. Everyone else saw him as an Avatar who just so happened to be a child. So not only was Aang being in an easily influenced age group important, it was important that he was with Gyatso specifically.
If not, I think he would have ended up like Zuko. Unlike Zuko though, Aang wouldn't have had anyone to guide him. Zuko had incredibly destructive powers and a drive for revenge, but he also had Iroh, who consistently minimized his damage in one way or another.
Aang would have had powers incomparable to anyone alive, and no one in fighting shape would have had the knowledge of how to fight him- believing that Air Nomads had died out. Aang wouldn't just try to go after Ozai, he'd try to go after the whole fire nation. Anyone he saw with fire bending would have been targeted. And I think that if he had left on bad terms, or been a bit older? Aang wouldn't have held back. Ozai would find his armies depleted before he faced Aang himself
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the-badger-mole · 2 years
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I recently saw a post that paired a quote from The Hunger Games: “That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that.” With a Zutara vs. Kataang comparison, Zuko being the Gale in this quote and Aang being the Peeta. I’d be interested to hear your thoughts on this take.
I never got into the Hunger Games series, so comparing Aang and Zuko to Peeta and Gale is not something I'm prepared to do. I will, however, say that anyone who thought Zuko was full of rage and hatred missed the point of his character. Way back in season 1, it was made clear that he was naturally compassionate and caring, but abuse left him scared, confused, and yes, angry, but his entire arc was learning that he didn't need to rely on negativity to be strong, and in the end his passion, compassion and empathy made him stronger than he'd ever been before.
Aang, on the other hand, was less hopeful and more just completely oblivious. He never really had a moment of acknowledging the weight of the war, how it affected people around him, and what it would take to end it (actual planning and consideration, and not just hoping everything would turn out okay in the end). I assume Peeta was at least aware of the messed up-ness of what was happening around them. Aang can't even properly empathize with Katara's loss of both of her parents to the war. He was only a symbol of hope as the Avatar, not the source of it. Katara was the real source of hope. She didn't need Aang to teach her how to hope because hope and a strong desire for justice is what fueled her through the entire series. She carried the banner of hope for all of her friends, even Aang.
So I guess, having only a glancing knowledge of Hunger Games and the personalities of the main characters and the dynamics of those ships, I'd say that Zutara is Katniss and Peeta, but Zuko is Katniss and Katara is Peeta. Mostly, though, any comparisons are pretty arbitrary to me. I love Zuko and Katara because they are Zuko and Katara. Those are the characters that drew me into the story and left a deep impression on me.
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snackleggg · 2 months
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I've been having Thoughts™️ about how nearly every time dragons appear in Atla it has some relation to Zuko. Been thinking about how the dragons are used as representions of Zuko's complicated family history & how that ties into his redemption arc.
First, there's the red dragon. The first red dragon we see is Roku's, immediately creating the association between the two which becomes important in the episode "The Avatar and The Firelord" when we learn that Roku is also Zuko's great grandfather. But the red dragon had also been associated with Iroh, as when Zuko becomes ill and dreams about the two dragons, the red dragon has Iroh's voice. I think it's clear that the red dragon is supposed to represent the good part of Zuko, the peacemaker, the part associated with Roku & Iroh. It makes the scene in "The Firebending Masters" where Zuko is dancing and the red dragon is dancing alongside him very significant, as it represents Zuko finally being in harmony with and accepting that fundamentally good part of himself, which contrasts with his dream in season 2 where the red dragon is trying to warn Zuko but he isn't able to listen. This is also important in Lok as Zuko's dragon is also red.
Then there's the blue dragon. The blue dragon is heavily associated with the bad side of Zuko's family history, with bloodshed and war. Sozin's dragon is blue and the blue dragon in Zuko's dream has Azula's voice. This becomes important when Zuko is judged by the dragons, as even though he danced with the red dragon, he is judged by the blue one, by the representation of all his families misdeeds. He has to face it, in order to truly understanding fire bending he must face the damage his family did to the world, represented in him facing one of the last dragons whose race was wiped out due to the tradition his great grandfather started.
The dragons represent Zuko's roots and in "The Firebending Masters" they represent the roots of firebending and the firenation as a whole. How Sozin began the tradition of hunting dragons despite having one himself is symbolic of the war he started erasing the cultural roots of not only the other nations but the fire nations roots as well, as we see that dancing is an important aspect of firebending yet in "The Headband" it's borderline illegal. The blue & red dragons represent the dual nature of firebending, as it is destruction which we see early in the series through characters like Jong Jong but like the Sun warriors said, it is also life. This dual nature existing in Zuko as well through his heritage. There is also importance of Iroh having claimed to have killed the last dragon but actually lying to keep them safe, which happens before Zuko is born, so long before his son dies and Iroh stops participating in the war. This showcases how even before he stopped participating in the war, Iroh had the capacity for good and held respect for the ancient ways and his roots.
The dragon dream sequence when Zuko is sick feels out of place or strange on the first watch, but with the context of how the dragons represent Zuko's struggle between good and evil, it becomes very important. During this period of time, Zuko is truly questioning his future, his role, and who he wants to be. That's why he has this dream. It represents how these parts of himself are finally clashing now that he is no longer just blindly following his father's wishes.
A lot of people consider Zuko's redemption arc to reach its completion when he confronts his father, but personally, I think it is in the episode "The Firebending Masters" as his redemption arc isn't just about him turning to the side of good but also acknowledging and facing all the damage and pain his family has done, both to the world at large and their own people.
TLDR: The red dragon represents the peacemaking and good part of Zuko, and the blue dragon represents all the damage and war his family brought on the world. His character arc is fully realised in "The Firebending Masters" when he dances with the red dragon and faces the blue dragon for judgement.
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