#look how they massacred my boy

[look-how-they-massacred-them]

Round 3

Korekiyo Shinguji submission

Talia al-Ghul submission

[lilimravengard]

[nightingaleflow]

Me during the Bowser sequence: Oh you know what, this looks kinda cool. Maybe I misjudged this.

Me as soon as Chris Pratt's voice comes out of Mario: ...Never mind.

[elitisim]

Ebonix- Deji Locs

All credits goes to@ebonixsims! Original here!

Hair for For Teen ➜ Elder Males

27.5K Poly

2048x texture

Under Hats, 1 channel

Fully recolorable rubber bands at the top and end of each loc

Texture: Ebonix

Custom Thumbnail

includes all LODS and is disabled for random

The rubber bands on the end of the hair cast weird shadows on the face in CAS but they're fine in game.

Larger Pics and color channel breakdown under the cut

tagging: @pis3update, @sssvitlanz, @kpccfinds

[DOWNLOAD]

[sapphic-agent]

Let's Talk About How Book 3 Ruined Aang

If you've seen any of my prior ATLA posts, you know that I don't hate Aang. In fact, I quite liked him in Books 1 and 2. He was flawed, as all characters should be, but the show didn't shy away from those flaws or justify them. He was called out for burning Katara and rushing his firebending, Sokka and Katara were rightfully upset when he hid Hakoda's letter, he willingly owns up to the fact that his actions helped drive Toph away, and his entire arc after losing Appa and finding hope again in The Serpent's Path was beautifully done.

(Hell, even in The Great Divide Katara says what Aang did was wrong and he agrees. It's played for comedy, but the show still makes the effort to point out that what he did wasn't the right thing to do. You're just meant to understand that he was fed up and acted off of that)

Those flaws and mistakes were addressed and improved upon and helped Aang to grow as a character.

But for some reason, that aspect of Aang's character was completely flipped in Book 3.

The best examples of this are in both TDBS and EIP. Both the show and the fandom are too quick to brush off that Aang kissed Katara twice without her consent, one of which after she explicitly said she was confused about her feelings.

(And yes, she is angry in response and Aang calls himself an idiot. But after this, it isn't really addressed. They go on like nothing happened for the rest of the episode. Aang's lamentation comes from screwing things up with her romantically, not that he violated boundaries)

The show never really addressed why what he did was wrong. Not only because he wasn't given consent, but also because both times he isn't thinking about what Katara wants. In both instances, Aang is only thinking about himself and his feelings. This is something that persists through a lot of the third book. And by Sozin's Comet it ultimately ruins any character development he had built up in the second book.

One thing I feel was completely disregarded was the concept of having to let go of Katara in order to master the Avatar State.

For me, the implication wasn't that he had to give up love or happiness necessarily. He was emotionally attached to and reliant on Katara, to the point where she was needed to stop him from hurting everyone around him and himself. This is obviously detrimental to his functionality as the Avatar. And the point of him "letting her go" wasn't that he had to stop caring about her, it was that his emotional dependency on her was stopping him from being the Avatar he needed to be and that was what needed to be fixed. I don't even think it's about the Avatar State itself, it's about being able to keep your emotions and duty as the Avatar separate.

(If you look at Roku, he loved and had a wife. It wasn't his love for her that messed everything up, it was his attachment to Sozin. He wasn't able to let Sozin go and not only did he lose his life for it, the world suffered for it. It's the unhealthy attachments that seem to be detrimental, not love itself)

And Aang realizes that in the catacombs, which is how he's able to easily enter the Avatar State and seemingly control it. He let Katara go.

So then why does it seem like his attachment to Katara is not only stronger, but worse in mannerism? He liked Katara in Books 1 and 2- obviously- but he was never overly jealous of Jet or Haru. He only makes one harmless comment in Book 2 when Sokka suggests Katara kiss Jet.

But suddenly he's insanely jealous of Zuko (to the point of getting frustrated with Katara over it), off the basis of the actions of actors in a clearly misrepresentative play. Katara showed a lot more interest in Jet and Aang was completely fine with it.

(Speaking of EIP, Aang's reaction to being played by a woman was interesting. He wore a flower crown in The Cave of Two Lovers. He wove Katara a flower necklace. He wore Kyoshi's clothes and makeup and made a funny girl voice. He willingly responded to Twinkle Toes and had no issue being called that. And for some reason he's genuinely upset about being played by a woman? Aang in Books 1 and 2 would have laughed and enjoyed the show like Toph did. His aversion to feminity felt vastly out of character)

I guess my point is, why did that change? Why was Aang letting go of Katara suddenly irrelevant to the Avatar State? It felt like him letting go was supposed to be a major part of his development. Why did that stop?

Myself and many others have talked about The Southern Raiders. The jist of my thought process about it is his assumption that he knew what was best for Katara. And the episode doesn't really call out why he was wrong. Maybe sparing Yon Rha was better for Katara, maybe it wasn't (the only one who's allowed to make that choice is her). Pushing forgiveness? That was wrong. But the episode has Zuko say that Aang was right when the course of action Katara took wasn't what Aang suggested.

Katara's lesson here was that killing him wouldn't bring back her mother or mend the pain she was going through and that Yon Rha wasn't worth the effort. That's what she realizes. Not that she needed to embrace forgiveness. How could she ever forgive that? The episode saying Aang was right wasn't true. Yes she forgives Zuko, but that wasn't what Aang was talking about. He was specifically talking about Yon Rha.

And that was wrong. Aang can choose the path of forgiveness, that's fine. That's his choice. But dismissing Katara's trauma in favor of his morals and upbringing wasn't okay.

I know it sounds like this is just bashing Kataang. But it's not simply because I don't like Kataang, in my opinion it brings down Aang's character too, not just Katara's. But let's steer away from Kataang and Katara for a minute.

The one thing that solidifies Aang's character being ruined in Book 3 for me is the fact that he- at the end of the story- does the same thing he did in the beginning.

He runs away when things get hard.

Aang couldn't make the choice between his duty and his morals. So he ran. Maybe it wasn't intentional, but subconsciously he wanted an out. And this is really disappointing when one of the things he was firm about in Book 2 was not running anymore. His character went backwards here and that's not even getting into the real issue in Sozin's Comet.

There's been contention about the Lion Turtle intervention. For many- including myself- it's very deus ex machina to save Aang from having to make a hard decision. And that in turn doesn't reflect kindly on his character.

Everyone- Sokka, Zuko, Roku, Kyoshi, Kuruk, and Yangchen (who was another Airbender and was raised with the same beliefs he was and would understand which was the whole point of him talking to her)- told him he had to kill Ozai. They all told him it was the only way. And he refused to listen to any of them, rotating through his past lives until he was given the answer he wanted.

And before anyone says that I'm bashing Aang for following his culture, I'm not. Ending the war peacefully, in my opinion, wasn't the problem. In a way, I think it allowed the world to heal properly. However, that doesn't make up for the fact that Aang refused to make a choice and face the consequences of that choice. Instead, he's given an out at the very last second.

Even if he couldn't kill Ozai and someone else had to deliver the final blow, that would have been better than the Lion Turtle showing up and giving him a power no one's ever had before. It would have been a good compromise, he doesn't have to have blood directly on his hands but what needs to be done needs to still get done. It would also show that being the Avatar isn't a burden he has to bear alone. That when things get hard, he can't run away but he can rely on the people closest to him to help him through hard decisions.

All these issues aren't necessarily a problem with Aang. Aang prior to Book 3 didn't have most of these problems. This is a problem with the way he was handled

[wejustvibing]

mood

[©James Moy]

[heatherchasesyou]

An horrific concept as if Vincent turned into a SH creature... it was made in 2022 and i FORGOT to post it 😭😭😭

[ofswordsandpens]

just caught up on the pjo show and tbh Grover's interaction with Ares was hilarious but VERY (like, completely) ooc for him, tbh

grover in general just feels like a very different character than he was in the books, I'm a little (okay more than a little) annoyed

honestly as much as I'm enjoying Aryan's portrayal, as the show progresses the less and less this feels like a depiction of book Grover. Like, did I think master manipulator Grover playing Ares was funny? Absolutely. Did it feel like something book 1 Grover would have done? Not particularly.

And I think I would be vibing with these changes more if the show wasn't also removing Grover from scenes where he was either: extremely helpful, made the right call, or actively saved Percy and Annabeth.

Like in the book, Grover made the initial correct call about Medusa and then actively battled her to the best of his ability. In the show, his correct call is given to Annabeth and he can't control the shoes so he's removed from the scenario so Percy and Annabeth can talk about it. Then he accidentally crashes into the boxes which distracts Medusa. This is the extent of his "help" to them.

Then he's removed from the Water Land parts entirely. In the book, he saved Percy and Annabeth from either death or at minimum extreme bodily harm from crashing into the asphalt, but in the show he's forced to stay with Ares as collateral. And then the show did attempt to give him something to do by manipulating Ares and I promise, I do understand the intent behind the scene, but again, since I find it very unlikely that Grover's going to correctly identify the lightning thief in the next episode, he didn't really get anything valuable for the team.

And just to be clear: it's not that I'm upset that show Grover's going to be wrong, because I do think it's important for characters to be able to make mistakes, make wrong calls, etc. It's just that as of now (episode 5) you could have removed show Grover from the quest and it would have hardly made a single difference.... That's not good. And you cannot say the same for book Grover at this same point in time.

Then the show's also removed Grover's personal stake in the quest from the book: his last chance to redeem himself to get his license, and his consequent motivation to one day search for Pan.

Book Grover also feels exceedingly guilty and perceives himself as a failure, and the show's barely touched on at it at all, and sure, we have a few more episodes to circle around to this but we still should have had more seeds of this sewn by now. It's more impactful for it to be carried through the plot rather than exposition-dumped in the final hour.

So I guess here's to hoping that in the last three episodes, the show will allow Grover to do more in the trio beyond providing conflict management and comic relief. And actually provide concrete and useful help.

[help-im-a-gay-fish]

Before an after.

How do you create one of the worse sequels I have ever seen? Welp, Love Never Dies is probably the perfect example. I could rant for hours about that.

I think my relationship with it is the purest form of a love-hate relationship, as it's so bad it's almost funny. If anyone wants to know, shoot me an ask, and I will explain whyyyyyyy

*takes breath*

Anyway, I drew Nightmare in the Red Death Outfit from the Masquerade scene, and ohhhhhh, I love ittttt. Yet another outfit that the movie didn't do justice, seeing it on stage was fantastic!! And it's actually a reference to another book called "The Masquerade of the Red Death" and it is essentially a huge FU to everyone at the party.

I'm gonna say it againnn anyone who's a fan of the movie should listen to the 25th anniversary sound track, my poor gf has had to listen to me rambling about it lol.

Original cross jakei95

Original Dream and Nightmare by jokublog

Crossover is by me

And @zu-is-here you asked me to tag you, here you go!

[no-face-no-shame]

Seeing that 90% of The Witcher tag is about the Netflix show feels like a blasphemy

[look-how-they-massacred-them]

Hello friends, and welcome to the 'Look how they massacred them!' Poll. A poll to express all the anger you have at the creators and let people decide who the biggest victim of them all is.

What is this poll about?

Are you angry one of your faves was screwed over by the narrative or the creators?

Was your character assassinated, flanderized, or derailed?

Was your character sidelined so another person could shine? Did another character suddenly pop up just to replace them?

Did another adaption (reboot, live action, anime etc.) turn them into a complete joke?

Did their character development go nowhere, lessons constantly looped itself, or was all their character development suddenly erased without any explanation?

Then, your favorite character fits the criteria!

Rules

- character needs to be fictional

- the character needs to be screwed over by canon. Fanfiction and other fan projects are discounted unless they are mentioned to discuss how the fandom embraced how canon screwed them over.

- submissions via asks will not be accepted into the poll

Inspired by:

@controversial-blorbo-bracket @the-robot-bracket @the-worst-bracket @most-mistreated-characters @let-me-date-them-bracket @best-dad-battle @bracket-of-betrayal

Submissions will officially close on June 8th!

[writeouswriter]

Another weird thing about all these terrible changes tumblr is making to supposedly “make it easier” (more profitable) or “more appealing to” new users from other platforms like tiktok or twitter or reddit or whatever is... before they made said abominable changes, most new users I personally saw were actually excited about how different tumblr was? Especially for customization/personalization options for your blog and community collaboration options, which tumblr seems so hellbent on suddenly destroying?? Like this isn’t making anything more profitable, it’s driving away already existing users AND sending up a warning signal to users already fleeing a sinking ship that this ship is sinking too because they decided to replace all their working parts with the damaged parts of the other ship and I’m getting scared.

[belovedgrayson]

The core thing some people misunderstand about Dick (which leads them to mischaracterize him) is that he's not a flamboyant attention seeker or a drama queen(idk where people get this from it drives me up the wall), he lives off of people's affirmation. He was raised as a performer, and then his audience was suddenly ripped away from him.

His earliest memories involve people cheering and clapping for him when he did something good, smiling at him and showing their approval. His parents would say good job, Dickie! when he performed well. That's how he knew he was loved and secure.

So when his parents are killed and all of that is taken away from him and for a while his only audience is Bruce and Alfred, what do you think that would do to him? Do you think he would stop at anything to get Bruce's approval? Do you think in his child's mind he wouldn't make it into a challenge to get any kind of good job from Bruce? Hell, even when he "acts out" it's with the intention to show Bruce that hey! look! I can do it! Didn't I do a great job? Didn't I help?

His whole thing is doing everything he can to make the people around him happy. Of course things change a bit as he grows and matures, but he's still a performer at heart trying to please his audience, and you need to understand all this to please for the love of god stop writing him in fic as a huggy guy who cries at the smallest sign of rejection.

[cheesethunderstormz]

is he... is he alright?

[bi-hans]

[princess-pathetic-112898]

No one talk to me I’m upset.