#aang wishes he had what kyoshi had

[punkeropercyjackson]

Trans girl Zuko moments

Her liking pretty things(such as that seashell)because 'girls like that stuff'

Growing out her hair after a buzzcut as visual character development

'The son my father wanted.But i wasn't me'

Being heartbreakingly jealous of her ideallic sister and wishing she could be perfect like her while hating her for it at the same time

And Ozai perfering Azula for living up to standards while Ursa loved and nurtured both of them equally but payed extra attention to Zuko because of all the degradation she faced

Comparing herself to Ty Lee by saying she's not as optimistic or pretty

Misandrist queen(Her instant reaction to a guy getting near Mai was rage at him potentially being a sleaze,her insults to Iroh,her arc culmenating in coming for her abusive dad's entire life including jumping his ass,etc)

Dragon-coded

All her friends pre-Gaang were girls

Her and Aang=Tween dorky boyprotagonist and late teens mean goth older sister who learn to love eachother trope

She's really maternal to him but also in general

Sokka is the Team Dad to her Team Mom and their dynamic is 'Mean hotheaded girl and chill goofy guy start off thinking the other is annoying asf and picking on eachother until they go on an adventure together and now they're sickeingly lovey dovey best friends totally not lovers'

Chose the Kyoshi Warriors as her bodyguards

This panel in general

But also these that make her look like the second girl mc in a Nickelodeon girl power sitcom

Jet talks to and treats her the same way he does Katara and he's got Smellerbee on his team so He Knows What She Is(and is being an annoying cocky bisexual about it)

Had TWO secret identities-First one was pretending to be an ordinary boy to hide her royalty status and her first instinct on picking a name was after her childhood best friend who's a girlypop and the second one was a hero persona that included baggy ass clothes that hid her entire figure

Baby butch(Toph)immediately adopted her as her older sister

Got 1 taste of living as a daddy's boy prince praised by everybody for manliness after months of living on the run and interacting with the Gaang and went 'I need to get my ass outta here,i can't fucking live like this,I WAS WRONG BEING A REAL MAN FUCKING SUCKS,AANG WHERE ARE YOU!!!!!!!!'

[hadesisqueer]

All past Avatars seem to have at least one fuckup or a regret that one or more of their next lives will have to deal with.

Szeto, quite literally, worked for the Fire Lord of his time. Although his work brought peace and prosperity to the Fire Nation, ending the conflicts that were destroying the islands, it also caused a centralization of the administration that would later allow Fire Lord Zoryu and his descendants to centralize all the power, which would end up leading to Sozin and the Hundred Year War. Since he seemed to prioritize the Fire Nation, he most likely neglected the rest of the world, too, which means that Yangchen had to step up more for international issues.

Yangchen was a highly revered Avatar to the point that she was deified; she helped the nations progress and flourish. However, focusing too much on human matters and always favoring humans, she neglected spirits. That led to Kuruk having to deal with the consequences.

Kuruk, unlike Yangchen, focused too much on Spirit World issues—to the point that it cost him his life and died very young—, seemingly neglecting human issues, causing the Peace of Yangchen's era to deteriorate very quickly. His premature death and apparent neglect led to Kyoshi having to deal with a very unstable world.

Kyoshi managed to stabilize the world during her extremely long life—in contrast to Kuruk's short life—and is remembered as a highly effective and respected Avatar. However, her big mistake and regret was the creation of the Dai Li, which would later help with the Conspiracy of Ba Sing Se, help Azula conquer the city or start kidnapping the new airbenders: overall, give Aang and Korra headaches.

Roku enjoyed relative stability at first after Kyoshi's death, though this didn't last that long; he lived through a industrial revolution and the rise of nationalism in more than one nation. He was a very diplomatic Avatar who managed to stop a war between the Northern Water Tribe and the Earth Kingdom, and became a respected Avatar. However, he was indecisive when it came to stopping his former friend Sozin, which was probably the biggest mistake and regret: it led to the genocide of a whole nation and a war that lasted a hundred years, leaving Aang to deal with it.

Aang ended the Hundred Year War and helped create a new nation where people from everywhere could leave peacefully. However, by letting Yakone live and escape prison, and failing to fully give nonbenders a voice in Republic City, caused Korra a lot of headaches with Amon and the equalists. Furthermore, another one of his biggest regrets was running away before the Air Nomad Genocide (although it was not really his fault, he was a child and an untrained Avatar and had he stayed, he probably wouldn't have been able to avoid it: he would have probably died too or been captured), and his biggest wish was to rebuild the Air Nation one day, which Korra did during her life, making up for what he thought was his biggest mistake.

Korra will probably have one of those mistakes/regrets too, and I really wonder what it'll be. We know it likely won't be neglect of neither spirituality or human issues like Yangchen or Kuruk, since she seems pretty focused on both. So far her biggest regret seems to be losing the ability to make contact with her past lives, so maybe it'll be that? The next Avatar will somehow manage to regain their connection with the rest of the past Avatars? Doesn't seem likely to me but idk. Or maybe more Red Lotus bullshit, since in the show they said that there were probably more members and Korra didn't stop them all? Idk

[hypnoticsphere]

just some zukki thoughts

Sokka kissing Suki at the boiling rock, melting into her arms, feeling the way she hugs him so close. She’s alive. Of course she is. Suki is strong.

Zuko is standing behind them, shifting awkwardly when Suki notices him. He hasn’t gotten to talk to her… ever really, but especially not after the whole… burning down Kyoshi island thing. Suki raises her brow at Sokka and he just shrugs. Suki just nods, taking that as the only answer she needed regarding Zuko.

Zuko has never been comfortable with touch or proximity. Lu Ten, Uncle Iroh and Mother were the exceptions, but, they’re gone now. So, he should hate it. He should hate that he’s squished in between Sokka of the Southern Water Tribe and Suki of the Kysohi Warriors, two people that hate him, but. . . he doesn’t. They are currently in one of the coolers, one that Zuko himself was in only a few hours ago.

He doesn’t favor the way Sokka’s elbow juts into his ribs, but he doesn’t mind the closeness. It’s almost nice. Almost.

Hakoda is there too, being the entire reason Sokka and Zuko came in the first place. He eyes him intensely, with a look that Zuko can’t quite decipher. He glances between the three of them, seemingly in thought before nodding to himself. Zuko blinks, clearly not understanding what Hakoda’s thought process could be other than planning to throw him into the boiling lake.

He shrinks down further, avoiding the man entirely, willing himself to disappear.

He doesn’t speak for the entirety of their cruise. He listens as Sokka quietly recounts what happened after they escaped for the first time on Appa. He explains why Zuko is here now, how he will be teaching Aang fire bending. Zuko can only nod, not willing to look Hakoda in the eyes.

“And we’re sure we can trust him?” Hakoda says, not unkindly.

Zuko goes to speak, to ramble about how he’s changed, that he spoke out against his father but Sokka beats him to it.

“Of course. He’s the one that helped me rescue you.”

He says it so matter-of-fact that Zuko wants to scream. He feels the way his cheeks start to burn and prays to Agni that it’s only the steam from the lake.

“Okay.” Hakoda says, trusting his son implicitly. Zuko’s mind blanks, eyes widening, how was this so easy for them. How did this trust without a second thought? A part of him wants to yell that they are weak, gullible and the reason they are in this situation in the first place. The other part of him, however, wishes he had that. Hakoda and Suki trust Sokka, not him.

He doesn’t expect them too, not after what he’s done to them, not after what he did to Katara. She was so willing to help him, to heal his scar, and he was so blinded by the thought of getting his father’s love back, he threw away that chance. That chance of friendship. Of trust.

Katara can’t look at him. He can tell Aang is struggling when looking between the two of them. He wouldn’t blame Aang if he told him to leave and to never come back.

Aang is the Avatar, and he’s focused on making the right choice, thinking in-depth about his options and the risks he’s taking. Zuko admires him, truly. He’s come so far since their first meeting at the South Pole. Zuko winces a bit at the thought, and only hopes that they, and Agni, can forgive him. If not that, trust him not to hurt them anymore.

Although, Zuko doesn’t know if that’s an option anymore after what happened with Toph. He hates it. He hates that he was scared when she came to talk to him. He burnt her. She has forgiven him, but Zuko has not forgiven himself. He has to earn that forgiveness, he knows that.

Sokka is the one person that Zuko can’t quite understand. Sokka should be furious with him, and he was, for a while, but now he’s talking to Zuko, showing him useless things, putting his trust into him.

Zuko isn’t sure why the thought of breaking Sokka’s trust makes him so sick to his stomach. Suki too, for that matter.

[bluespiritshonour]

I started Reckoning of Roku against better judgement and I have to say: does ATLA want me to suspend my disbelief a la monarchy or not?

Like, Zuko being crowned Fire Lord was considered to be a good ending—whereas through real world logic, toppling the monarchy would've actually been more egalitarian.

So I've always suspended my disbelief with regards to that—and now Gyatso actually confronts Roku about it. He also says there have never been female Fire Lords and how the word Fire Lord is inherently masculine (so Izumi becoming Fire Lord is actually very real world equivalent of, say, a woman becoming chairman/woman).

But I'm just really hung up about the monarchy aspect of it: because if we were to apply real world logic to it a traumatised 16 yo being crowned a monarch of a post-war nation that should (again, realistically speaking) take years to stabilize is tragic, not happy.

But if I do apply real world logic to ATLA world as Reckoning of Roku wants me to?—then I'd say I LOVE GYATSO!!! HE'S A RIOT!!!YOU CAN CLEARLY SEE WHERE AANG GOT HIS SASS FROM!!!

And everything Gyatso says about class difference and autocratic governments is so correct and valid of him.

He served cunt.

Also, the Air Nomads being accepting of gender fluidity? Amazing.

While I still think gender segregation of the temples wasn't a good thing let's get this straight: victims don't have to be perfect. We can consider it a flaw of Air Nomad society, that is no justification for Sozin going genocidal on them!!! And you know that's not the reason he did for duh 😒 (as if anyone colonises anyone because tHey'Re bAckWArd) It's very similar to how South Asia has a gender segregation culture, but we have very rich trans history. Which, again, in no way means we're free of transphobia. (Although Air Nomads do not feel transphobic from the text) It's nuanced.

As for Fire Nation culture being so militaristic at this point. It makes sense. (I wish I had read Kyoshi novels first so I'd know what Fire Nation was like during her and Rangi's time, especially because ATLA tried to hammer in how Fire Nation has lost a lot of its real essence to imperialism too).

My reading of this is: Sozin didn't just wake up one day and decided to colonise the world. It must have happened gradually, especially the cultural shift. Roku lived on the precipice of the war. He was the reason it didn't break out even earlier. So it makes sense that we see these tendencies in the Fire Nation already: political atmosphere was already shifting. Gyatso sees it too and he doesn't like it. Remember how the Air Nomad council was debating whether to tell Aang he's the Avatar?

Because they anticipated a war was coming.

Another complain I have is Gyatso using language that, say, in a few years Fire Nation is going to use for Air Nomads after they genocided them. Words like ‘backward’ and all. Because everything Gyatso means to say is RIGHT—making him use that language was a wrong writing choice.

[dukeofdelirium]

This has to quite possibly be the dumbest Anti-Aang I’ve seen on Tumblr. “Aang didn’t go out of his way for anyone”. Like that’s objectively wrong, factually incorrect. Like saying The Earth is flat, you can think it all you want, but it ain’t true. I ask you, I genuinely ask you, how can someone call themselves a fan of this show when they completely misinterpret it and hate the main character this much? This person’s crazy.

Aang never went out of his way for anyone? My god, if this take were true, Zuko would have been dead at the end of season one. Everyone aside from Aang was fine with the idea of allowing Zuko to freeze to death, leaving him to die. Aang was the one that saved him.

Holy shit, the first thing Aang ever offered to do with no expectation of anything in return was to offer Sokka and Katara a ride home before they died themselves stranded in the tundra. He then offered to take Katara to the other side of the world to fulfill her dreams. When he was banished from her village, he left without protest and even said he didn’t want to come between Katara and her family. Even when he was sad to leave because he had just made a first friend in who knows how long (seeing as we know he was ostracized at the temple), he still left.

He then came back not to break the banishment but to save their lives. He offered himself up, LITERALLY sacrificed himself for them, with no expectation of anything in return.

Aang is an extremely compassionate, good natured person. He is the most “altruistic” character in the show, followed only by Katara who comes nearly as close (one of the reasons they are so good together).

He singlehandedly put the fires out on Kyoshi Island that ZUKO SETS, he protects the NWT from invasion in every possible way he can and singlehandedly wipes out their fleet when he gives himself over to the ocean spirit, he demands they search for Bumi NOT because he needs a teacher but because bumi is his FRIEND! He saves everyone in the cave by making sure they don’t get fucking crushed with its collapse, he is willing to sacrifice himself and force himself into the Avatar State to win the war because he is that guilt ridden even when the AS is extremely painful and traumatizing to him, he stops this only when it affects Katara because he loves her, he offers to let Toph run away with them not because he wants to use her as a teacher but because he listened to her life story and wishes to help her feel free, he fucking dies for Katara and sacrificed his own love for her to save her life

he tries to shoulder every burden he feels on his own as a means to protect the other characters

he supports Sokka when he voices insecurities, he is welcoming and friendly to Hakoda and even inquires about how Katara is feeling when he meets Hakoda, he sobs during the eclipse invasion because Katara and Sokka have to be separated from their father again and Aang blames himself for this defeat and is grief stricken because he is so upset they are losing their dad again (and he thinks it’s his fault)

Why the actual fuck would Katara ever “choose” Zuko over Aang?

Katara was never deeply tied to Zuko. She always saw him as an enemy trying to take away the boy she loved. This is why she threatened to fucking kill him.

Zuko helped his sister murder Aang right in front of Katara’s eyes. It was canonically the darkest period of her life.

Katara’s anger and hatred toward Zuko is 100% justified. Of course, Zuko is a self absorbed ass, so he claims her anger isn’t justified and that she’s just projecting. Her anger toward him specifically had far more to do with what he did to Aang and far less to do with what the Fire nation and Zuko’s family did to her mother. Even still, she’s right to be angry about her mother’s murder too, and Zuko’s piece of shit family is responsible.

Why the fuck would Katara magically drop to her knees and suck Zuko’s dick? He’s literally a colonizer for over 2/3 of the show. He didn’t just have a passive role, he was an active player in the war and invaded the NWT with the FN as a means to capture Aang and take him back to his daddy, where Aang would have undoubtedly been tortured mercilessly and kept on the brink of death. He assaulted Katara during this and knocked her unconscious, he taunted her with shitty words and undermined her bending ability and threw some racial/classist remarks as well as some misogynistic ones her way.

When he eventually did get his shit together and join the group, he just used her mother’s death against her and Sokka because that’s all he ever did in regards to Katara and Sokka’s mother. He learned how she died, then had Sokka divulge trauma to then use said trauma to try and force Katara to forgive him by persuading her to go on a suicide mission of revenge and bloodlust. He also literally mocked Aang’s culture and genocided people to his face, when his family committed the genocide. Oh, and he also mocked Aang’s forgiveness despite begging on his damn hands and knees for that very forgiveness like 3 episodes prior.

And then at the end of the episode, Zuko states himself that he legit doesn’t understand Katara or what she needs in life. Cuz of course he doesn’t. He isn’t a survivor of genocide, he hasn’t suffered ethnic cleansing, he isn’t oppressed. For fucks sake, his mother isn’t even dead and he gets reunited with her a few years after the canon shows timeline. Everything Zuko loses, he has returned to him. His honor, his right to the throne, his mother.

But tell me again how Katara and Aang are a bad match when they are the only two who will ever truly understand the other

[yourhighness6]

NATLA Episode 2 Debrief (by yours truly)

Hi again! Here's episode 1 if anyone is interested. This is going to be another outrageously long post, just a tw

I absolutely loved the ominous start and then it's just:

They really captured the Zuko/Iroh dynamic the cartoon had in this scene. I hope they keep this sort of thing throughout the show. Also, side note, but for whatever reason Zuko seems a LOT more violent in this version. This child needs some serious therapy.

I guess this is their version of the map joke, huh? Low-key disappointed but not as mad as I thought I would be.

I'm not sure how I feel about the writers prolonging some of the conflicts that were resolved back in the SWT into this episode. I guess it makes sense that they would have to extend the drama, but I'm a little disappointed these thoughts didn't make it into the first episode. I'm glad they're included, but I think at this point team avatar had started to feel like family already in the cartoon, so it's kind of annoying and misses the mark a bit.

Yes I'm so glad they put GranGran's blessing back in! I was really mad when they took it out, but this honestly feels more meaningful than it did in the cartoon. It's a precious cultural artifact rather than just a couple of blankets. This is similar to what I was mad about with extending SWT conflicts, but I don't have nearly as much of a problem with it, as it seems like they're carrying a little piece of home with them rather than just extra drama.

The burial scene was very sweet and sad. It gave us a bit more insight into Air Nomad culture, and a sense of closure the cartoon didn't really give us. A+ for Gordon's acting as well (he is perfect for this part, even if he does still need some more acting experience)

Zuko has officially mastered the "my uncle dragged me here and I'm an agnsty teenager" face. A+ to Dallas for this entire scene. I am absolutely LOVING the Iroh and Zuko dynamic. Never change (jk I wish you a wonderful redemption arc)

Suki looks just as beautiful as she did in the trailer. Unfortunately can't say the same for the Kyoshi statue (I wish it had been made out of wood), but there is something to be said for the little shrines to the avatars instead of a few big ones. I actually kind of like that they changed that element, and I hope they explore it more in future episodes, because I assume some of the spiritualism surrounding them would have to be changed. Side note: but I've seen nothing of the spirit world so far and I'm getting a little nervous. I guess I wouldn't mind if they decided it was some long-lost avatar trick or is introduced in the NWT, but if they get rid of it altogether I'm gonna be pissed.

I'm glad they decided to make Kyoshi Island a matriarchal society instead of having a male leader. It just makes sense based on the lore and I like to see more strong adult women than in the cartoon. Also Suki got a mom! Maybe she'll get some development too!

This Aang speech was very in-your-face storytelling, but I feel like the whole show is gonna be like that so I'm just accepting it at this point. I think it stayed true to his character while getting the point across, and it also kind of helped his character compared to the cartoon. He's very emotionally open and has a charming nativity about him, but he's clearly trying to help. Loved it.

He's so awkward I love it. This whole interaction was really cool, because it expanded on their relationship in a cool way. They're both struggling between doing what their parents expect of them to help their respective villages, but are being faced with a pull to the outside world, Suki with her "big heart" and Sokka with his need to protect Katara. Thishonestly gives more depth to their relationship and I don't mind the writers dragging out first episode conflicts if this is how they're choosing to explore them.

Aww look at these cute little siblings. I like that the writers are giving them more time to progress from strangers to besties. Their interactions seem more natural, and Aang's grief more realistic. It's also great to once again see Katara growing more confident and powerful in her abilities. I love the smell of some good character development in the making.

Look at her face! She's like,"I'm so good at flirting. Mother would be proud." Meanwhile Sokka's scared of her. Anyway I'm living for their scenes and they're making me giggle. (Despite Sokka's sexism being toned down it still exists to a lesser level and I love to see her beating his ass while he tries to flex)

I love the new subplot! I love that flashback! I love this conflict! It gives more credence to his fears as a prodigy. Whatever writer came up with this deserves a hug.

AHH the ship is sailing! I love Sokka learning to be more open minded! I love Suki learning to be more open-hearted! I love when characters in romantic relationships learn from each other! This is giving Suki and Sokka development in ways the cartoon did not without trying to play Sokka's sexism off as a joke and also giving us more screentime and when I say I love it I mean I am doing a happy dance right now!

Okay, so just a quick word on shipping besides Sukka because as Zutara trash I am legally required to do this:

It seems like they are keeping the zutara hope parallel intact, with Katara and Zuko both finding hope in the avatar but in different ways. However, I don't think this really changes anything. So far, there's beven nothing to suggest they're going with ZK instead of KA, and I'm a little worried that they're trying to parallel Sukka and KA wwith the way they're setting up both girls as kind of a "teacher" to the boys in a way and giving both ships a huge amount of screentime in the same episode. Also, and I hate to say this, they might be attempting to fix KA by toning down Katara's anger and her "dark side". She didn't get angry to break the iceberg and they're eliminating her entire waterbending scroll plotline. They're trying to make them a better match for each other by watering her down and therefore increasing her connection with Aang and decreasing the chance of a future connection with Zuko over their anger and shared trauma. It's sad news that I didn't want to deliver, and I've seen spoilers that there is another ZK moment later down the line, but at this point, I think KA is a lot more plausible than ZK. *cries*

In slightly less depressing news, they're inserting the avatar state plotline a lot earlier. This makes sense with the condensed timeline, and I think I like the way they're going with it so far. I hope they keep the concept of avatar guide intact, though, and I'm worried that they're going to play into more of a connection to all of his past lives instead of just Roku. I kind of hate Roku but I do think that's a major concept I don't want them to get rid of, and his inaction during a time of adversity mirror's Aang's own challenges with confrontation. Their dynamic is a good one, and I wouldn't be opposed to changed but I really hope they don't entirely throw it out.

Scratch whatever the fuck I said before. I'm back on my shipping bullshit I can't believe we got a BONUS FIGHT! Also kudos to whoever decided Zhao should burn the village instead of Zuko. I was always so pissed at him whenever I rewatched this episode and now I can sleep easy knowing it was that military dipshit instead of him

I love Kyoshi to an unhealthy extent but I kind of wish Katara had been the one to go off on him. It would have seriously fixed things.

COUPLES THAT FIGHT TOGETHER ARE THE BEST COUPLES CHANGE MY MIND

Also, side note, but I love the hair these in fight scenes:

Most action movies hairspray the shit out of them but these actors are allowed to look a little disheveled while they kick ass. Huge thank you to whoever decided that more natural hair is superior cuz they are 100% correct

THE BONUS FIGHT SCENE IS NO LONGER COOL I REPEAT THE BONUS FIGHT SCENE IS NO LONGER COOL

I think this was the perfect conclusion to Sukka (for now)! Sokka learned something so much more valuable and impactful than in the cartoon, in my opinion. His masculinity is handled very well in my opinion, and even if I would have liked to see him wear the warrior outfit, there's something really great about the way he continues to embrace protectiveness, a masculine trait, while having rid himself of toxic masculinity, such as not being able to learn from others. He's leaving a more open minded and humble person and I love the way they portrayed it.

Okay the speech was a little on the nose but I liked it. One of the best things about ATLA was the way they executed Aang's childishness ending up beneficial for the world. I think the new conflict is expanding on that nicely while staying true to its roots. *pats writers on the head*

AHHHHHHHHHHHHHH IS THIS REAL I LOVE IT SO MUCH AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

IM TRYING SO HARD NOT TO THINK ABOUT THIS LINE AND HOW IT COULD BE ANOTHER PARALLEL TO K/A I HATE IT BUT I LOVE IT AT THE SAME TIME LETS JUST FOCUS ON SUKI SAYING SOKKA HELPED HER AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

Also the fan was so cute. That last scene on Appa really wrapped everything up nicely. I like the way they tied in the conflicts between the siblings while engineering growth for Sokka.

Daniel Kim delivered in his two seconds of screentime. Zhao was such a bitch but idk what else I expected. Can't wait to see more of these two bastards in future!

Anyway, to recap:, things I did like:

Aang's new conflicts

Sokka's mini arc

SUKKA

Expanding on Katara's PTSD

Zhao burning the town instead of Zuko

Zuko and Iroh's dynamic

Things I didn't like:

Katara's characterization

Lack of Aang's actual avatar guide

K/A hints and lack of zutara implications

Postponing the Zhao and Zuko agni Kai

Overall, I have to say I think that they're playing into the core themes very well while expanding on the characters. If it weren't for the whole Katara debacle this would be a 9/10 episode, but with the Katara debacle imma give it a 7/10. Still, I can at least understand why the writers made their crappy decisions, even if I don't agree with them. Hopefully certain things are fixed in future episodes, but as it stands I think I'll live (barely)

[alphajasperdimitri]

Ngl the Netflix Avatar: The Last Airbender show was kind of a mixed bag of great and iffy kinda like a delicious food but it’s missing something almost perfect, but still I loved the show so far.

What i didnt like:

*The gaang/ trio doing adventures alone by themselves

*The blended/ mixed episodes

*Pacing

*King Bumi’s new personality, his issues, and how his true identity was revealed very early.

*Sokka and Suki’s fast chemistry, (well I kinda like their love story a little, it was sweet, but i think their rushing it).

*Also Sokka kissing both Suki and Yue kinda feels like hes cheating on Suki, they already had a good time and now Yue?

*The Secret tunnel scene which only happened on book 2, ofc I was happy the first minute they showed it but this was Aang and Katara’s moment, they changed that into love between families or siblings but it’s about love between 2 couples Oma and Shu, wish they just did that on season 2.

*Aang didn’t talk to Hei bai or explain about the forest will grow back in time and just buried the seed.

*Kyoshi teaching Aang a lesson by traumatizing him with her merciless past, (thats not how you teach an innocent child).

*Zuko didn’t saved Zhao at the final episode, (in the original he saved him, because he still has that kindness and compassion in him just deeply hidden)

*Aang didn’t really learn how to waterbend, there was this scene were Aang and Katara were playing with water splashing each other I thought after that scene it was skipped to Aang finally progressing on his practice but he learned nothing at all, (well atleast he learned how to contact the spirit world with his past lives and loved ones). Probably at season 2 he masters it already but is skipped.

*About Katara’s necklace, Pakku didnt talk about that and the past.

*Gordon Cormier/Aang and Kiawentiio’s/ Katara’s acting skills.

What I really liked:

*Cgi, visual effects, the animals 10/10

*Martial arts

*Costumes

*New lessons

*Some of the backstories including the introduction.

*How they interpreted Koh the face stealer.

*Aang’s conversation with Zuko after getting captured by Zhao.

*Zuko’s backstory and the 41st division.

*June and Iroh

*Why Ozai can be evil, “yall remember Evil is made not born” he probably had a tough time when he was little, he just doesnt know what he’s doing is not discipline its abuse. Just like what Iroh said it’s in the fire nation’s bloodline on sometimes being harsh and world dominating.

*Azula’s obsession with perfection and her dad’s approval, I liked how hardworking she was until she reached her classic blue flame, she had to go through alot of pain too.

* Dallas Liu’s acting skills as Zuko is amazing, I could literally feel his emotional state, anger and rage.

*Yue’s spiritual abilities.

*Aang meeting Gyatso at the Spirit world broke me.

*Iroh’s backstory along with Zuko broke me.

Let’s just say atleast it’s better than that movie that never existed.

7/10 Imma say its perfectly balanced.

Also forgive me if my english is bad.

[zeno-zero]

Avatar Roku rant/rambles:

I love him, I love him in such an insane amount. Had me on chokehold since 10 years old like goodness me! What the fuck H-E-🏑🏑 !!

Nobody understood his character and that would've been greatly fine with me but the amount of mischaracterizations, misinterepations, and wishes that he's more like Kyoshi has always made me upset. Roku is a good man whose position as an avatar is poor in terms of writing and expanding his story further.

Roku outside of being Aang's mentor and guide - he was nothing more than just being kindhearted, wise, and pleasant while also acknowledging his indecisiveness, and faults. He even has a flawed perspective on the four nations, that the four nations should always be remained seperated, and still. Yet, I still continue to adore him a LOT. He have so much potential, there are rooms that people could always explore his character than just on the surface/visual level. His airbending and waterbending teachers weren't even named in the late 2010's until some informations were finally out !!

The gene yang comics are not my cup of tea but Roku telling Aang that he should end Zuko's life because he couldn't bare the thought of seeing Sozin? WOW. His friendship with Sozin has always mean something to Roku - so much so, he trusted him to the point it was his downfall. The thought of Sozin's redemption after he left him with the rubble is definitely what Roku had in his mind. But we're talking about the conflict between the Avatar and the Fire Lord, never Roku and Sozin.

His bending abilities are fucking awesome too !! Destroyed an entire palace with airbending + avatar state alone? Created a massive wave in one single move that sent his teacher flying up all the way on top of the chief's palace? He can even be quiet and and silently burrow to the ground to suprise attack enemies with earthbending? Lets not forget that the entire island that Roku was in used to be a huge one until he cut it into a cresent island !! There used to be two super volcanoes !! There's only one remaining !! His firebending shown on the show is also interesting! His fire made Zhao's crew literally run away while incinerating thd metal chains that Katara, Sokka, Shyu, and Zuko were wrapped around with,, unharmed. Him simultaneously bending all four elements at once without the use of the avatar state? Gosh,, people underestimate him sooooo much !!

"But Roku died to a volcano! He should've evacuated-" He was minimizing the effects of it! He died as a hero in that night because no other people held power his power just like he has. The citizens and his wife would've died if it weren't for him, because while it isn't explicitly explained in his wiki and show -  Lava entering the ocean creates a distinctive set of hazards that have seriously injured or killed unsuspecting people eager to see up close the interaction of hot lava and cool seawater. As hot lava boils cool seawater, a series of chemical and physical reactions create a mixture of condensed, acidic steam, hydrochloric acid gas, and tiny shards of volcanic glass. Blown by wind, this plume creates a noticeable downwind haze, known as "laze" (short for lava haze) <- [From "Lava entering ocean" | U.S Geological Survey - USGS.gov] ||And to also answer the dragon part that died with him? I have no answer for that other than the plot has to move on /or the dragon relies on his orders, and to Roku's dying breath, he would rather stay with him.

And nobody talks about how painful and traumatizing Roku's death is - pyroclastic flow is apart of volcano, he either died burning alive, suffocated, or even buried alive! On the margins of pyroclastic flows, death and serious injury to people and animals may result from burns and inhalation of hot ash and gases. Archaeologists have found that some people perished in a pyroclastic surge, a wave of superheated gas and hot ash that literally boiled their blood and caused their skulls to explode, reports Neel V. Patel at Popular Science. <- [Pyroclastic Flows move fast and destroying everything in their path" | U.S Geological survey] AND ["Mount Vesuvius Boiled Its Victims’ Blood and Caused Their Skulls to Explode" by Jason Delay]

But in a summary, I love Roku and I would die to honor his name. Thank you for reading through all of this. Love you guys !! /platonically 

[aangarchy]

Things about the Netflix Live Action that I personally loved

I know i've been pretty negative about Natla in general, so to make up for that: here's a post about everything that i loved!

Dallas Liu and Gordon Cormier's casting. Those two were really good, and while Gordon definitely had some "kid actor" moments, he only has room for growth and i truly believe he'll continue to be the perfect Aang (in looks and general energy, not writing lol)

The scene where the watertribe is staring over an unconscious Aang going "is he dead? What's the mark on his head?" it rlly made me giggle

A bunch of Ian Ousley's jokes were funny. Not all, but a bunch.

Maria Zhang, she also truly was a perfect Suki, i loved her performance and she's just so beautiful in general

Cabbage merchant

The costumes generally stayed true to the original, and while some looked a bit clunky or too clean they were overall really nice

Zuko and Aang's chat after the blue spirit story, it was a very good addition and Dallas and Gordon have great chemistry

Zuko's crew on the ship being the 41st division, aka the soldiers he saved from getting sacrificed by speaking out

Cabbage. Merchant.

June. I have no notes on her and i wished they utilized her more. I know she's coming back in s3 (i hope... *narrows eyes at netflix*) but i still feel like we didn't get enough of her yet

The change in June flirting with Iroh instead of Iroh being a little creepy towards her. You can shout double standards but this definitely felt less uncomfortable

The music

The set design when they weren't using greenscreen was genuinely very good

Casting for the mechanist and Teo was immaculate

Oma and Shu being lesbians

The whole blue spirit sequence

Cabbage Merchant

Yue's character in this version of the story (not her hair though god forbid)

The leaves from the vines motif in the flashback for Lu Ten's funeral, and the song returning when Iroh goes with Zuko on the boat. Got me crying on a saturday afternoon

Lizzy Yu. I know there was rlly no reason for Azula's character to be there yet but i liked Lizzy's performance even though her writing was OOC

The design for the physical weapons like Sokka's club and boomerang, Suki's fans and Jet's hook swords was really nice

The makeup for the Kyoshi warriors was fantastic

Daddy Dae Kim

THE CABBAGE MERCHANT.

[ghanjrho]

A:TLA; how it should have ended.

Recently, I've been on a deep dive into the A:tLA fandom, specifically the Zutara sphere. And that means I've found a lot of long-form meta on the show, it's ending, LoK, script final drafts, you name it. That's all gone in the brain blender, and here's what came out the other side.

Sozin's Comet honestly doesn't change that much; only two real differences.

The magic rock is gone. Instead, we get a flashback to Guru Pathik, and Aang realizes that he has to let go of his attachment to Katara.

The Maiko/Kataang victory laps in the last 5 minutes are gone. Mai and Zuko get a scene where they wish each other well, but acknowledge that they're over. Katara and Aang have a nice moment where they choose friendship. There's love there, but it's Philia, not Eros.

@burst-of-iridescent has a delightful essay series on Zutara, and the part that sticks in my head is that in the run-up to the finale, Aang and Katara are at their least unified. To wit:

In "The Southern Raiders" Aang is preachy, condescending, and more than a little hypocritical about Katara's plan to take vengeance for her mother. The episode ends with Katara explicitly rejecting Aang's belief that Yon Rha was forgiven.

In "The Ember Island Players" Aang is distraught at the idea that EIP!Katara's statements, namely that Aang is like her brother and she's attracted to Zuko, are true. When he questions Real!Katara about this, he responds to her statement that she's confused about her feelings by kissing her. The kiss is not returned. Again, no resolution is had.

Finally, in "Sozin's Comet Part 1" Katara is part of the chorus condemning Aang for refusing to even consider killing Ozai, no matter how many people are at stake. He runs off from the group, and from there disappears into the Spirit World to get Lion-Turtled. Yet again, no resolution, and the two don't reunite until the tea shop.

Now speaking of the Lion Turtles, I'm actually not opposed to them. Yes, they come out of nowhere to deliver an 11th Hour Superpower that handily spares Aang from having to actually make a choice he disagrees with, but at the end of the day it is a kid's show. Nickelodeon was never going to approve a script where Aang killed Ozai. Throw in a little bit of foreshadowing, and I'm good. It's worth noting here that the story of Avatar Wan was supposed to be covered in A:tLA, which would handily cover that requirement.

Now, for the post-canon. We'll start with Fire.

Zuko is NOT left alone in the Fire Nation. Similarly, Iroh does NOT fuck off back to Ba Sing Se.

Toph and Suki stick around. Suki in her canon role as commander of Zuko's Kyoshi Warrior bodyguard, while Toph and Mai use Toph's lie-detection and Mai's insider knowledge to purge threats to the new peace.

Toph eventually goes back to the Earth Kingdom to start a metalbending academy, but first she needs to make sure that her Sparky lives to be the grumpy old man he was born to be.

While Iroh is correct that for political and diplomatic reasons Zuko needs to be Fire Lord, he also bows to the reality that Zuko is plain and simply not ready to be the Fire Lord.

Zuko went from 4th in line to 1st in line basically overnight, and the 5-ish years he spent as Crown Prince were clearly not spent preparing him to succeed Ozai.

So a teenager with a fairly surface-level understanding of "how to monarch" has to self-Reconstruction the Fire Nation, while paying reparations, without having been militarily conquered.

This is how idealists get assassinated. New Plan!

Zuko is crowned Fire Lord. Iroh is his Prince Regent. It's very clear to all involved that Zuko is the one charting the course forward for the Fire Nation, while Iroh is there to convert intent to action, while teaching Zuko how it's done.

It doesn't hurt that Iroh is one of the Fire Nation's most successful military commanders, so the civil war route is a lot riskier for anyone to attempt.

Next, Sokka

Sokka honestly has a pretty good arc in the post-canon. Nothing I really feel the need to correct.

Eventually, Suki is able to hand off her duties in the Fire Nation to someone else and goes home to Kyoshi Island

It’s still home, but it isn’t the same. Or rather, she isn’t the same.

She never leaves the island behind, but it’s usually a stop on the journey from Wolf Cove to Republic City.

Then, Aang

Aang divides his time between Avatar duties and Last Airbender duties.

Avatar duties involve a lot of sitting in on meetings and reminding people that the ultimate goal is peace.

Last Airbender duties involve a lot of teaching Air Acolytes everything he remembers from his childhood. He gets lucky here, though.

The Airbender Genocide wasn't complete. More than a few Air Nomads escaped the Genocide, and hid themselves away. Some in small villages built in remote mountain valleys, others blended into Earth Kingdom settlements.

Plenty of quarter- or eighth-Air Nomad kids running around with airbending potential they never had the knowledge to develop. Think very early Book 1 Katara here.

The result is that a resurgent Air Nation is being formed, with a culture woven from the threads that survived through relics, the refugees, and Aang himself.

Airbenders are still rare, and it's over a decade before another airbender earns their mastery, but it's not his son and his grandkids when Korra comes around.

Finally, Katara

Katara spends a lot of time traveling. She spends time in the South Pole, helping to rebuild and learning Southern Style Waterbending from the released waterbenders. She also travels the Fire Nation and Earth Kingdom, doing what she can to solve problems.

There are a lot of problems to solve.

Her travels in the Fire Nation are particularly fruitful; word of the Last Agni Kai has spread, so she is known to be the one that the Fire Lord sacrificed himself for, and who healed his wound.

She and Zuko stay in contact, allowing themselves to have a slow-burn courtship.

After a couple of years she moves to Caldera City and starts getting down to seriously courting Zuko, preparing herself for Fire Ladydom.

The year before Iroh is set to retire as Regent, she and Zuko start thinking about the wedding.

There are a lot of potential traditions to uphold, even just between the Southern Water Tribe and the Fire Nation

This goes double for the daughter of the head chieftain of the Southern Water Tribe, and the Fire Lord himself.

They decide to have fun with it and do everything.

Aang presides over a private ceremony, family/close friends only, that is really just a mutual declaration of love and friendship.

Then come the Southern Water traditions. It's the full gamut, with ice-dodging, sacred hunts and more. In the end, Zuko is an honorary member of the Southern Water Tribe, and he and Katara are wed (again).

There's a diplomatic tour through the Earth Kingdom, stopping at Kyoshi, Gaoling, Omashu, Ba Sing Se, the Foggy Swamp the former Fire Colonies, and ending at the Northern Water Tribe. The language used artfully slides over whether the couple is newly married or about to be married, but overall it works well for the Fire Nation's reputation abroad.

The final act is in the Fire Nation. A full Royal Wedding, a grand affair of state, held at high noon on the day of the summer solstice. When all is said and done, Zuko and Katara now rule alone as Fire Lord and Fire Lady.

Alright, I have more, but I'm tired. Tune in next time for the Fire Nation (extended) Royal Family! featuring Steambabies (Found here)

[sillyfudgemonkeys]

"Honorary Water Tribe member"

Kuruk: I think we should claim Kyoshi as an "Honorary Water Tribe" member. Kyoshi: What the fuck are you talking about? Korra: Yeah Kuruk, I don't really get it. Aang: Yeah if anyone is going to be one, it should be me! I'm at least married to someone from the Water Tribe! Heck, even Yangchen counts. Yangchen: You all keep my private life out of this! Kyoshi: Yangchen, quick, what do we do when we're hit with allegations?! Yangchen: Deny, deny, deny. Blame it on spirits! Kyoshi: No! We take accountability! Yangchen: You stay in your lane, I'll stay in mine. Kuruk, please elaborate. Kuruk: Thank you, Yangchen. As I was saying. I think Kyoshi should be labeled as a member of the tribe! Roku: I mean, as Avatar's we technically belong to all the nations- Kuruk: That's not what I mean! Kyoshi: Then what the hell do you mean????? Kuruk: What I mean is, Kyoshi you've inherited some key features from me, my wife, and Kavik. Kyoshi:............................. Yangchen:.............................. Korra, Aang, Roku: ???????? Kyoshi: Hey Yangchen..... Yangchen: ...... Kyoshi: He's talking about your boy, you want to stop him? Yangchen: My boy? I don't have a boy. Kavick? Who's he? I'm leaving. Leave me out of this. Kyoshi: Damn, denying that poor boy of an existence, the hell do I have in common with him? Kuruk: You're both the subbiest bottoms I've ever met. Kyoshi: ......................................... Kyoshi: Kuruk, what do you want to say to your wife? Kuruk: What- Kyoshi: Kuruk, tell me what you want to tell your wife. Because I will find Koh and relay the message, after I FUCKING RIP YOUR SPINE OUT THROUGH YOUR THROAT- Kuruk, pulls Kyoshi into a one arm bear hug: THAT'S MY GIRL! Look at that bloodlust! You got that from me! Kyoshi: ?????! Kuruk: You also got my amazing game too! Dripping with rizz and you don't even try! Like c'mon! Nyahitha even says we're basically twins! Kyoshi: Kuruk shut- Kuruk: And same taste in the ladies~! uwu Kyoshi: ........................................................ Korra: She's going to kill him. Kyoshi: I'm going to kill him. Kuruk: You also have my wife's face, so I think that qualifies too! Kyoshi: Get off of me. Kuruk: Korra, you also inherited Rangi's wishes for Kyoshi! A castle, guards, people love you! Korra: Heh, so that means they're my great-grandmas? Kuruk: Exactly! Korra: You know what? I kinda feel a kinship with her, esp with Kuvira and Chin. Damn, I didn't realize Kyoshi had so much in common with us. Kuruk: I know! From our looks, to our personality, or our vibe. She deserves to be part of our Tribe! Kyoshi: None of you are making any sense. Let go of me and go do whatever you want. I'm leaving! Yangchen! Wait up!

[quillthrillswriting]

actually crying over this interaction katara has in my fic on kyoshi island where she realizes how nice it is to have girlfriends

⁎⁺˳ ✧༚ ˎˊ˗ ♡ ˗ˏˋയ ✩

“Guess what your brother’s up to…” Ayiti was beaming, barely holding back her laughter now.

“Spirits, I’m not sure I even want to know.” Katara rolled her eyes, carefully curling up the centuries old paper in front of her and tucking it alongside the others in her cloth satchell. “What, did he accidentally get a sword stuck in some important monument after bragging to some poor unassuming villager about his swordsmanship?”

“Better.” Ayiti’s eyes flashed with amusement as she settled into the plush stool opposite Katara. She reached forward, hands resting on the varnished wooden table as her elegantly almond shaped nails drummed rhythmically in anticipation. “I missed his grand entrance, but apparently, he’s been set on helping us poor, untrained Kyoshi warriors! He pranced his way in, going on and on about how he’s the best warrior in his tribe. I got there just in time to see Suki wipe the floor with him.”

Katara groaned in embarrassment, burying her head in her hands as she slumped against the table. 

“No, no, you don’t need to be too embarrassed for him.” Ayiti rested a comforting hand on Katara’s arm as the Water tribe girl looked up, her scepticism apparent in her expression. “He was actually pretty sweet after Suki humbled him. He said he was ready to learn, that he had been overly cocky when he came in.”

Katara wrinkled her nose. “That doesn’t sound like the Sokka I know.”

“We were surprised too! He let us paint his face in the traditional style of Kyoshi warriors, even put on the armoured gown too!” Ayiti giggled again, remembering. “Although he was a little embarrassed when Aang saw him in it. I think Sokka interpreted Aang’s attempt to compliment him as Aang poking a little fun at him.”

“What’s Aang been up to, anyways?” Katara tried to make the question seem thoughtless, throwing in a shrug to accompany her words, but Ayiti’s shrewd expression saw right through her. 

“Wouldn’t you like to know!” She crooned, a teasing grin on her face. “C’mon, you’ve gotta get your mind off of the Avatar, and you’ve had your nose buried in scrolls the whole day. Let me show the future Waterbending master around my little old village.”

Ayiti helped Katara gather the rest of the scrolls and drop them off in the guesthouse, then dragged her between the different stalls, chattering animatedly. Katara had never really gotten to have a girlfriend her age, and she couldn’t believe all that she’d missed out on. For once, she felt her age. Back home, she took care of so many of the village kids whose parents had been lost to fire nation raids. She felt like it was her responsibility, that it was the least she could do, and she did enjoy it.

But perhaps she hadn’t quite grasped what it had taken out of her.

For every hour Sokka spent hunting for food and training to be a warrior, Katara spent parenting children, washing laundry, cooking, cleaning, repairing homes and weapons. She wished for maybe the millionth time that she and her brother had been able to have proper childhoods, present parents to lift that burden from them. She remembered Aang reminding her that she still was a kid. 

Here, walking around the market with Ayiti, she slipped into conversation excitedly, the two’s conversation oscillating between mentions of what the war had taken from them and more lighthearted teasing, and she was beyond grateful for the simplicity of a friend who saw her. 

⁎⁺˳ ✧༚ ˎˊ˗ ♡ ˗ˏˋയ ✩

♥ this will be coming out along with the rest of ch4 on wednesday! check out the first three chapters of this (ongoing) fic & my ao3 here! ->

[mal3vol3nt]

What are ur thoughts on natla?

i definitely have…. thoughts lol

but let’s start with the positives first i guess

i really liked the special effects and cgi. i thought the bending looked pretty neat, particularly the earth and fire bending (which isn’t surprising considering hollywood has spent decades improving the realism behind fire and explosion effects). the water and air bending looked cool too, but definitely didn’t look as realistic in my opinion. which isn’t a bad thing. it didn’t break my submersion or anything. tbh i thought the air and water bending looked more like they came straight out of a really enhanced video game

i liked what they did with the 41st division plot line. having that division be the crew on zuko’s ship was a really nice change from the original and humanized zuko’s character even more in my opinion. though i find it hard to believe that ozai would’ve allowed a freshly banished zuko to travel in such close quarters with a division he literally saved (something something about soldier loyalty wavering and army coups blah blah blah)

the scene of kyoshi possessing aang and getting rid of the fire nation soldiers on her island was honestly… amazing to watch. one thing about me is i LOVE watching the avatars go full avatar mode and give it to people, so that scene had me jumping in my seat cause she looked so damn cool (but i also have other thoughts about that scene and everything that led up to it that aren’t entirely positive lmao so not a complete win)

the casting for aang made me so happy. it’s no secret that aang is my baby, so if they did him dirty in casting i wouldn’t have even made it past episode 1, but gordon actually did such a good job with what he was given and i really wish the writing would have given him the chance to actually be aang. cause he has aang’s adorableness and goofiness (that we see from bts) so idk why it wasn’t utilized, but this isn’t the section for me to start talking about that

aang sending zuko away on the boat after the blue spirit rescue was everything. idk but it was done so gently and in a way that was just so aang that it makes me wanna scream

koh the face stealer. i don’t even think i gotta explain this one, but they did good with koh

so now lemme talk about what i didn’t really fw about this live adaptation. the negatives, if you will

(disclaimer: i have no issue with adaptations straying away from the original source material to make some changes or add some twists. in fact, i love it when they do. but the changes should add to the story and characters, not take away from them!! and that’s a short lil synopsis of my issues with this show)

them getting rid of sokka’s sexism. the reason the show got rid of this was because the creatives didn’t understand that the og show never presented sokka’s sexism as a good thing. he was constantly and immediately humbled when he said something stupid, and his thought process made sense for his character because he’s a boy who has never ventured outside his tribe. all he knows are the gender roles within his own culture and we see that throughout the show as he mets other people, he starts to realize that way of thinking is wrong. them removing this aspect of his character also got rid of the tension between him and katara. sokka undermines katara a lot in the og and it’s clear that that kind of underestimation is one of the fuels firing the burning anger within her. and it’s that anger, provoked by sokka’s sexism, that leads her to releasing the avatar and driving the whole show in motion. because they got rid of this, sokka and katara don’t really have any huge issue to work through, so they had to add in this weak older sibling vs little sibling conflict instead. katara blowing up because he treats her like a little kid does NOT have the same punch as her blowing up because he treats her like she’s incapable. and it also muddies the real dynamic between the two considering they’re both constantly taking care of each other due to them BOTH having to grow up quickly

sokka and suki’s development was done DIRTYYYY. again, because they got rid of his sexism, they had nothing for suki to challenge. he never questioned her legitimacy as a warrior. instead, he was immediately impressed and felt a lil insecure at how skilled she was. and she just immediately liked him cause he’s attractive ig. the whole sequence of them training together (which he didn’t even wear the kyoshi warrior outfit during DINT GET ME STARTED-) is literally just a few long minutes of them stopping to catch their breaths every couple seconds cause they’re so insanely attracted to each other. that’s all it is. suki thinks he’s cute and eyes him up and down (????? literally why), and sokka does absolutely nothing but stand there to attract her to him. SUKI??? the insanely talented warrior who humbles him multiple times, and who sokka literally begs on hands and knees to train under so he can work for her respect, was watered down to “pretty girl who likes pretty boy”

katara. literally just katara. what did they do to my girl? HOW DO YOU MAKE THE KATARA OF THE SOUTHERN WATER TRIBE BORING?? first off, water bending is not a struggle for her?? aang just gives her a very confusing pep talk where he says basically nothing, and suddenly she’s able to make a perfect water sphere without even really trying. nevermind the fact that before aang got there and spewed nonsense at her, she could barely make a ripple in the water let alone pick it up. she was also just handed the waterbending scroll—literally handed—and got insanely good off of that. no master needed, she just picked it all up no problem. the og show makes it clear that while the scrolls can teach you the basics, they do not compare to a real master. in the og, katara fights tooth and nail to get her hands on the scroll and then to later get a master. she’s so determined and works so hard to perfect her element that when she finally reaches mastery level, it feels like a reward. it feels right. but in this show, she literally doesn’t have to work hard AT ALL and only needs to hear a few encouraging words from other characters to become a master. there’s no real development in her skill. one day, she can barely make a ripple. the next? she’s sending ice spears at pakku like it’s nobody’s business. where was the development? it wasn’t there. and because she’s so good at water bending already, she has no real motivation or purpose. she’s not driven by her desperate want to learn how to waterbend under a master. she doesn’t have any real reason to be driven by anger cause what is she so angry of? sokka doesn’t undermine her. she’s already insanely talented at bending with no real training. sure, pakku won’t let her fight but that’s a stupid conflict. a stupid conflict that’s the result of them making her too skilled for a master. cause instead of her frustrated that he won’t teach her, she wastes time trying to get him to let her fight in the upcoming battle. but why does she need his permission to do that in the first place? it’s not like he’s gonna try stopping her? he and everyone else will be too busy trying not to die to care if she’s out there slicing people with ice. so really, katara is just there. she has no drive, no personality, no reason. and it feels insane to even be saying that about katara cause she’s literally katara. but natla fucked up with her and i am not about to forgive them for that

aang. i could scream. natla aang is not aang. it’s literally identity theft. where is the joy? the whimsy? the child-like qualities that make aang aang? he’s so fucking serious all the damn time. he’s 12 years old, freshly out the ice, and already behaving like he’s been at this avatar gig his whole life. he doesn’t play around or get easily distracted like he does in the early books of the show. every pitstop they make on their way to the northern water tribe isn’t the result of aang wanting to have some fun, but because people are literally telling him “hey, you should go to *insert location* because they need help and you’re the avatar”. in fact, their whole reason for going to the northern water tribe isn’t because he or katara need to learn water bending (she’s already so good and he just doesn’t feel like learning??), but because kyoshi took his hand and explained to him that something bad was about to happen and he needed to be there. literally every decision he makes is the result of someone repeating exposition we already know and telling him what he needs to do. the show literally walks the audience through everything that happens. it literally even explains to us countless times that aang is a really goofy kid who likes playing airball with his friends, but we never see it?? he never goofs. he hardly even smiles im not gonna lie. he just introduces himself as a super goofy person and we’re supposed to just take his word for it. why is he already so intense, man? not even book 3 aang was that damn serious all the time. them eliminating his joy and optimism and childishness literally makes him a shell of a character and it PISSES ME OFF. not to mention his dialogue is written like he’s always on the brink of breaking out into song. no shit i thought this show was a musical for a good few seconds cause i fully expected him to start singing when he was venting to appa 😭

aang’s “running away” scene. don’t piss me off. this show was so afraid of giving their characters any actual flaws that they got rid of one of aang’s biggest sources of guilt: him intentionally running away from the air temple. no instead, he was just clearing his head up in the sky “where everything makes more sense” and just happened to get trapped in a storm

kyoshi yelling at aang. this one goes hand in hand with the previous one, but i’m giving it it’s own bullet point. in this scene, she yells at him for running away and tells him that he better not ever do something like that again because now the world’s gone to shit and needs its avatar more than ever, essentially placing blame on him for 1) something that literally isn’t even his fault—unless they get rid of roku admitting his involvement in the war beginning—and 2) didn’t even happen?? aang didn’t run away in this version of the story. he just went on a ride with appa and got caught up in a storm. so why is kyoshi acting like it was intentional when the show makes it clear that it wasn’t?

the death of the moon spirit. the plot point about kuruk’s knife was so stupid LMAO i’m sorry it was pointless to me. and why did nobody do anything while zhao was attempting to murder the moon spirit. everyone just stood there 🧍 like hello??? more importantly, why didn’t aang do anything?? in the cartoon, he tries talking zhao down and zhao plays along like it worked, setting the moon spirit back down into the spirit water before killing it anyways. in this version, zhao never pretends like he isn’t about to kill the koi fish. and nobody makes a move to do anything until after it happens im crying 😭

aang becoming the ocean spirit. my main gripe with this scene is that it’s framed in a way that’s all about vengeance and just pure rage more than anything. but aang becoming the ocean spirit has always been, to me at least, a depiction of grief. it’s pain that the ocean spirit is expressing as it washes away the fn soldiers and ships. it’s done in a way that is, yes brutal, but also graceful and conscious. the ocean spirit is mindful of what it’s doing. it’s intentional and emotional. it’s not just striking anything and everyone out of pure rage, which is how this scene was choreographed and shot in my opinion

[cienie-isengardu]

Zuko’s stealing habits: Additional observation 

I have already talked about Zuko’s stealing habits in second Book and came to the conclusion that, narrative and visually speaking, he stole food and money primarily for Iroh’s sake. Even stealing the ostrich horse from the kind Earth family that fed Zuko and Iroh seen at the beginning of the season (something I did not include in the previous part) was done for pragmatic reasons rather than out of spite or for fun. As in, the ostrich horse gave them additional advantage to avoid or run away from pursuit. Iroh was not happy about Zuko’s choice but he ultimately accepted it and never again scorned his nephew for taking that animal - the later episode showed the ostrich horse was vital for their escape from Rough Rhinos. 

Interestingly, Zuko wasn’t that much prone to stealing and/or appropriating someone’s property in the previous season either. Especially not for a petty reason. The three examples (or as close to stealing it could be) that comes to my mind happened in:

Avatar Return, when Zuko took Aang’s staff that the young airbender used in fight against him and then offered willingly as a token of his surrender in exchange for leaving Katara and Sokka’s people in peace.

On his ship, the Banished Prince said:

This staff will make an excellent gift for my father.

What A) shows he didn’t think of keeping the last airbender’s weapon for himself and B) is a similar gesture done by Iroh, who sent little Zuko a knife of an Earth Kingdom's General that surrendered to him during the siege of Ba Sing Sai.

The Waterbender Scroll, during confrontation between captured Katara and Zuko:

Zuko: Tell me where he is and I won't hurt you or your brother. Katara: Go jump in the river! Zuko: Try to understand. I need to capture him to restore something I've lost, my honor. Perhaps in exchange I can restore something you've lost. Katara: My mother's necklace! How did you get that? Zuko: I didn't steal it, if that's what you're wondering. Tell me where he is.

And yes, Zuko did not steal the necklace, as Katara lost it when she helped imprisoned earthbenders to free themselves and Zuko found it in ruins of the workcamp. But he was willing to use it as a bargain chip and later, to track Aang with the help of June. From this episode he knew the necklace meant a great deal to Katara but for him it was a tool to fulfill his mission. 

The Blue Spirit, we can assume Zuko, as the Blue Spirit, was infiltrating Fire Natin’s stronghold to steal information about Avatar and/or Zhao’s plans, as said knowledge was denied to the banished prince. And mind you, the first time we saw Blue Spirit at the fortress was long before Zhao’s people managed to capture Aang. 

During the first season, Zuko may not have a strong moral opposition to destroying other people’s villages or pursuing Aang from one end of the world to another, or keeping Katara’s necklace but in general he does not steal unless it is necessary. He does not even take trophies from defeated enemies and/or attacked villages (Water Tribe and Kyoshi Island were left immediately once Aang either surrender or escape) with the exception of Aang’s staff that Zuko wished to give his father, no doubt to earn his respect. Which is something fitting the theme of the second Book.  

But the most ironic thing about Zuko’s stealing habits? Iroh’s reaction. Our dear uncle Iroh was not happy that his nephew has no problem stealing - and is stealing to either provide them food and comfort to the level Iroh was used to (book II) or to fulfill his mission of capturing Avatar (book I). I mean, that is a reaction we should expect from a responsible adult and the fatherly figure, right?  However in "Bato of the Water Tribe", Iroh himself was shown stealing perfumes while everyone was busy fighting

just because it smelled nice and there was no one to stop him. And from “Waterbender Scroll” episode we know Iroh had money to buy himself nice things on whim.

But nope, stealing from people that he helped Zuko and June to attack is all right yet he will be upset that his nephew is desperately trying to please his father by capturing Avatar by any means AND Iroh, by providing him food and comfort the older man was used to.

[jammatown919]

At Last

This is another thing that's been sitting in my drafts basically done for a few months now. Was talking to my friend about how it would be cool if the Spirit World was a legit afterlife and it would be interesting but really sad if the Avatars were kept separate, then I wrote this at 2am and promptly forgot about it.

-----

By now, Kyoshi had been away from Rangi longer than she'd been with her. She'd been here longer than she'd been alive, actually.

Where here was, she didn't exactly know. Some space only accessible to the ghosts of Avatars long past and, on occasion, the current Avatar, who seldom graced them with her full presence. Instead, they watched her life play out like a performance, chiming in where they could, but often serving as little more than her captive audience. How lucky they were. 

It wasn't the current Avatar's fault. Kyoshi actually quite liked the fierce young Korra, for all that she could like someone she'd spoken to once and only once. Korra was mostly Aang's in the way Kyoshi had been mostly Kuruk's, but they were all shackled to her and would be until the end of her life, at which point she would join them as prisoners of her successor. 

It was a miserable fate, one Kyoshi had no idea she'd be subjected to until it happened. Some Avatars carried the burden with grace, as they had in life, but Kyoshi's Avatarhood had been anything but graceful. Why should her afterlife be any different? She hated it here, and she wasn't afraid to let it be known. 

All the Avatars knew how she felt, and still would even if she hadn't screamed it for years upon her first arrival. They could feel each other in some strange way, like they were all part of the same organism that some of them, namely her, would love nothing more than to break away from. 

No one spoke much. Yangchen and Kuruk had entertained her when she was new, as she'd done for Roku when he was new, but when stuck together until the end of time, people tended to run out of things to say. 

So Kyoshi did nothing at all. She simply drifted, lost in memories, wishing and wishing that she could leave, or that her loved ones could join her, or that anything of meaning would happen to her. 

She got her wish seventeen short years into the Era of Korra. The cycle broke and started anew, leaving everyone but the poor soul who hadn't yet joined them behind it. At long last, they were free. 

They were still together when they reappeared, torn from what had been their home for so long and tossed into the real Spirit World, but there was no need to stay that way. Some left immediately, off to find loved ones or just see something new for once, but others stuck around to say goodbye. 

Kyoshi nodded to Roku. Shook Kuruk's hand. Gave Yangchen a hug. 

Then she was running, faster than she ever had in life, toward something she hadn't felt in centuries. It was her own dear heart, beating somewhere far away, still waiting after all this time. Kyoshi couldn't wait to see her again. 

However, it was not Rangi that made her stop. Instead, it was a trio of spirits; a winged snake resting atop a living rock, beside what appeared to be a cloud of sand and pebbles. She recognized them all instantly, and they recognized her. They had become something new, but they had not forgotten what they had once been. 

Her parents, she had no interest in. Perhaps one day - there was all the time in the world, after all - but not today. But Lek... she couldn't just pass him by. 

"Hello, brother," she murmured. The other two seemed to realize she was not here for them and backed away, leaving her room to approach the boy she'd hardly known and yet managed to love and miss so fiercely. 

He changed as she drew nearer, becoming the scrappy young Earthbender he'd been when they were still alive. 

"It's been a while, sister," he replied. He stepped forward and embraced her. 

"I've missed you." She was too tall to even rest her chin atop his head, so she just squeezed him tight. "The others...?"

"Kirima and Wong are always nearby," he said. "Topknot hangs around sometimes. She's not here now, though."

Kyoshi snorted upon hearing Rangi's old nickname. She'd almost forgotten it entirely. She wondered how many things had slipped her mind over the years. 

"I have to go to her," Kyoshi said. "I'll come back to see you again, but I have to go to her now."

"We all understand," Lek promised, and released her. "When you come back, will you talk to them?"

He didn't look at them, but Kyoshi knew he meant her mother and father. 

"I'll think about it," was the best she could give him. He must have matured greatly after being here so long, because he didn't press her. Instead, he smiled and let her move on. 

Beyond him and her parents was a spacious forest, full of other spirits she knew were not the ghosts of humans, except for one. He stood out to her, and she stopped for him, a beautiful white bird that radiated fatherly love. Her true father. Kelsang. 

It hurt so much to see him again, but it was a good pain. He flew to her, changing as he did, and that beloved old face brought tears to her eyes. 

"I'm sorry," they both said at once, yet neither believed there was anything for them to forgive. They embraced fiercely, and a softly spoken "I love you," was their compromise. 

They stood there, together again, for so long that Kyoshi thought Rangi might come crashing impatiently through the forest. It would've been nice, honestly. The thought reminded her of old times. 

"Kuruk is free, too," Kyoshi mumbled into his shoulder, almost as an afterthought. 

"I'll see him soon," Kelsang replied. "For now, you're looking for someone more important. Let me guide you." 

Then, he was the bird again, winging away across a sky far brighter than that of the world from which they'd come. Kyoshi followed him, dazzled by the light in his form. She followed blindly, trusting, and he did not fail her. 

They came to a flowering field beyond a sparkling river, where two bright red felines lay side by side. The creatures were quite literally identical, but Kyoshi could tell them apart easily. One was her mother-in-law, and the other was her very soul. 

They rose together, their bronze eyes wide and waiting. Hei-Ran did not move or change as Kelsang landed beside her, a neighbor checking up on things. 

Rangi was her old self in an instant, sprinting across the field to hurl herself into Kyoshi's waiting arms for the first time in centuries. 

Her glowing girl's weight had been no great burden to her in life, and here they both felt weightless, but Kyoshi collapsed to her knees anyway, holding her beloved wife close with every selfish intention of keeping her there for all of eternity. Rangi didn't seem to mind one bit. 

"How?" she asked through the most beautiful tears Kyoshi had ever seen. "I thought... the Avatars-"

"We're free," Kyoshi replied with a sob. "There's a new cycle and no need for us anymore. I can be with you again." 

Rangi wept freely into Kyoshi's chest. 

"I looked for you," she said. "I looked for you for years, even though every spirit I met told me the Avatars were somewhere else. I never accepted that I couldn't see you again."

"I'm here now." Free of the rules of etiquette, Kyoshi pressed a long overdue kiss to Rangi's scalp. "I'll be here forever."

-----

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[pheasantthebird]

Live action avatar the last airbender

Okay so I loved it

Aang is amazing. I love him. I just wish he had actively been working in his water bending more.

Sokka 8 out of 10 I need more sarcasm, but I love that this version supports katara more and doesn't put her down

Kataras my weak link 5 out of 10 she's not as angry or motherly as she should be but her fight against pakku perfect

I dont like what they did with sokka and kataras dad he's kind of a jerk towards sokka I don't think show hakoda ever felt that way

Love Iroh once agian he's my favorite and they give him more of a back story with his son luten and I like that there are consequences for him being in the war and a general he has to deal with the pain he caused people and HE KILLS ZHAO WHAT! Wild

Zuko is a perfect, great job, and I like how his crew is the division ozai was gonna sacrifice.

Azula, I think it is great we get to see how the pressure is on her to and how she has to earn ozais approval.

Ozai is 8 out of 10 for me he's not as ruthless as the show ozai that ozai dosent care about zuko at all though I do like that he's actively pitting his kids against each other to see who's better.

Zhao amazing fun fact he's in the original as the earth bending general who tries to trick aang into the avatar state.

I didn't mind them combining jet and the mechanist in omashu. i thought it was clever.

THEY SANG SECRET TUNNEL!!

Kyoshi and roku and kuruk were amazing as past avatars.

Koh was terrifying as he should be I don't understand why wan she tong was there, the owl that didn't make sense but was still cool.

I like that they show the attack on the airtemple it shows how evil sozin is and how roku failed as avatar.

The bending effects are amazing, especially fire bending.

Mai and tylee didn't have enough time for me to give an opinion on them

For me, the series is an 8 out of 10, and i really want season 2 and 3