#about six I expect

[anarchotolkienist]

Three people were arrested for the blockade at Thales in Glasgow this morning and are being held at Govan police station, just opposite Bellahouston Park. All support are encouraged to appear before the station at five - in an hour's time - to show their support for the arrested.

[muirmarie]

jim being canonically the shortest one of the triumvirate is genuinely so important to me lmao, like yesssssss, let that beefy babe be shorter than both his boyfriends!!!!

[raetttriestowrite]

Me, an author, side eyeing my WIP: you're not going to do anything weird, are you? We've discussed this. There's a plan. We're going to stick to the plan, aren't we?

The WIP: *presents subplot, presents additional conflicts, presents character development, laughs in my fucking face*

[catdoingblep]

I really don’t feel like we as humanity talking enough about this Jesper’s smile after “yes, expert!”

[canisalbus]

had the thought of machete with sopping wet neck fluff that wouldn't leave my head

HAH oh no, the sopping wet dog lad. In a bubble bath. In a dusty rose pink bathtub no less ;_;

The expression is so good, he's just zoned out. Is he having a tiny existential crisis or just relaxing? Who can say.

I'm loving the soft dusk/dawn lighting, it looks so warm and atmospheric. And the way it passes through his ears and makes them glow is just *chef's kiss*.

[beneathsilverstars]

now isabeau has major middle child syndrome there's at least one sibling older than him and at least two younger

[panharmonium]

funniest and most heartwarming thing i rediscovered on my rewatch is when karin roasts sakura about poisoning naruto and then kakashi, who loves all of his kids very much and understands their behavior and isn’t upset with them about their choices but has also been under ABSURD amounts of stress for all of season 10, just bursts out laughing ❤️

[skoulsons]

Talking about the sniper section bc it’s. My heart feels like that house.

First, BEAUTIFULLY DONE. absolutely perfect, every part of it. But rewatching, Joel never stops watching Ellie. Not for a second. He’s watching where she’s going and he’s watching behind her for infected. When she’s knocked to the ground after Joel shoots the one clicker, she spots an open window in a van. Joel is watching her and sees where she’s looking and knows exactly where she’s trying to go. You see his eyes move to the left to see the van. And she knows he’ll kill all of the infected in her way. Because she trusts him. And because he won’t let her die.

And once Ellie’s in the van, Joel’s fire ceases except for killing the ones behind it. He is only looking out for her. Anything gets close to that van, he’s there immediately. There’s a shot of him after the bloater surfaces of him just watching. Not firing, just observing the van. Watching for infected. Keeping her safe.

And then one comes up, a young girl in a BLUES CLUES SHIRT, and you see the panic immediately on his face. He goes from completely still to shaking. He fires and he misses. His reload even feels rushed. His breath is shaky, hitching even. His entire face is trembling. And then the clicker is in the car and he can’t see it anymore. He can’t protect her anymore. And it cuts again to him taking two quick, rushed, and paralyzing breaths. He adjusts his grip on the gun because his hands are sweating. And now he, much like she had to minutes prior, has to trust that she can and will get out of this, as much as he wants to be the one to save her from it

Then it cuts to Joel again when she’s outside the van.

This is panic. Fear. This is not knowing what’s coming out of that van. If that clicker ate a hole in her neck and it’s the one escaping. The fear of not knowing her fate and if he just lost her again. Of not being able to protect her because he can’t see her through the windows of the van. The fear of so many uncertainties.

And this is relief. His shoulders have even fallen back slightly, relaxing. When he sees she’s out and closed the door on the clicker. That she’s, in a weird, twisted way, safe again. Because he can protect her again. Because he can, and will, kill every infected in her path.

And then she’s on the ground and they can see each other again. Ellie looks over to Henry and Sam and sees them struggling under the car. She can’t leave them. She reaches for her shiv and she looks to Joel in the house.

She’s determined. And he knows it. He can’t see them under the car, but he can guess what she’s saying. What she wants to do. What she’s asking him to do. To continue to protect her (like he’d ever stop), as dangerous and heart attack inducing as it will be for him to see her do this. And he makes a face that Pedro seems to make in every role he plays.

This face. This face, to me, means a plethora of different things depending on his role. But in this context, it’s more of a ‘fine, I’ll do it. I’ve got you’ one. He even nods slightly. Really slightly. Deep down, he wants them safe, too. It’s dangerous down there. It’s full of infected. And he’d like nothing more than to get out of there with her in one piece. But Ellie has a big heart. She cares about Henry and Sam. And Joel knows that. He’s seen how she’s been with Sam. Laughing with him, reading with him, signing with him, playing soccer with him. How long has it been since she’s been able to do this with another kid? But Ellie’s asks him just a little more. I need to get to them. Protect me.

And he does, of course he does. He kills five(?) clickers that touch her or get in her path. And he’s no longer shaking. He’s as stable as ever in firing. He nails every single shot, killing every clicker in her way. Ellie gets to Henry and Sam, killing the clicker on Henry and stabbing the one on Sam while Joel finishes it off. And he watches for any more that come their way. And once he sees they’re in the clear, he leaves and meets up with them immediately

Main point being - protective dad Joel <3

[mastersoftheair]

on the point of including black people in the show (or any period show), a lot of the outrage can sometimes come across as performative to me. it's one thing to feel upset about how little screentime black characters get compared to white characters (a valid criticism, believe me, I Know! give me an hour and i could talk your ear off about how this constantly annoys me as a black person who's damned to enjoy period pieces), but it's another to Only get upset while not actually creating content for said black characters, Especially when fandom (not just hbo war, but in general) is famous for taking Extremely minor characters and creating entire worlds with them, to the point where you wouldn't know they're minor characters at all until you check out the source yourself. richard macon, alexander jefferson, and robert daniels each have only 20 or less posts about them (at the time of publishing this post). in my own fandom experience (within fandoms both big and small and old and new, whatever), i've seen more content (posts, art pieces, analyses, fics, etc) made for minor white characters in less than a mere week's time (it's not a competiton lol i'm just giving a perspective here). so idk. obviously, there's nothing anyone here can do about a show that's already been filmed and released. we got what we got. thas it. at least in the great wide world of fandom, you can actually do something about it, turning the big into small. there's precedent for that. otherwise it just feels like complaining for the sake of complaining

[wizardsix]

i guess i have to say it a million times since people insist on being dense: gale is just as much of a victim as the other companions. this isn't the trauma olympics. everyone has been through shit and deserves healing and redemption.

gale is not the self entitled, manipulative abuser people are painting him as. he's a lot of things, but nothing so heinous. he was groomed by a goddess who has a history of preying on wizards that threaten her power, and as a result, gale's ambition and faith was what drove him to discover the netherese orb. what he did was for mystra - in his mind, it was to prove his love by restoring her missing power - and by extension for the betterment of mortals. his actions were never malicious or selfish, in fact he puts himself so low on the priority list it's pretty much non existent. he was never going to use that power to usurp her, but mystra definitely saw it like that, which is why she didn't hesitate to present suicide as his only solution. he never crossed her personal boundaries in the way people are twisting it, he only wanted to cross the boundaries she put on wizards and their power.

people who insist he's all of these things and more clearly only spoke to him once or lack the reading comprehension to see past how much of an unreliable narrator he is. i can understand first impressions might put some people off, but you can say the same about the other companion introductions. i don't like comparing but since people insist on doing it; gale is one of the easiest companions to get along with just by being a good person, yet his honesty and selflessness makes people think he's secretly evil? while the companions with the capacity to be evil don't even try to hide it? how are people being so backwards about this? it's genuinely baffling and tiring to see people continuously spit out incorrect takes all too confidently.

no one is forcing anyone to like him, but it's unfair to completely mischaracterize him because you refuse to learn critical thinking. i promise using your brain is not as scary as it seems, or you can just. not talk about things you don't understand.

[starset-sarsaparilla]

#1 guy who can’t stop taking Ls

[quarks-pussy]

So I know we here at Startrekfandom love that "came back wrong but from the pov of the wrong" thing and apply it to many different characters and canon situations and I am far from trying to complain about it (I'm "came out wrong" trope myself so I was always gonna obsess over it) but having recently watched a very important episode (you'll know which one) for the first time I think there's a character who hits both tropes mentioned but llike, intertwined, opposite and subverted, and whom I wanna talk about.

Julian Bashir.

From his parents' pov he's "came out wrong but we got him help and he came back better" while from his own pov it's "came out 'insufficient', was destroyed for it, came back wrong and only later slowly came to terms with his new self tho never the process (justifiably so)" and it's heartbreaking because in a way, he's right! Jules Bashir died! His parents had an intellectually disabled child and decided to eugenics him! Julian is not the person he used to be and while I do love the person he is now, that doesn't bring back who he was! Part of me wishes we could've gotten to see Jules at least once and part of me hopes we never do because my heart would shatter.

This isn't a good comparison but nonetheless one I can't help drawing: it's giving similar vibes to anti-vaxxers. "I'd rather risk having a child who is dead than one who's autistic". Obviously this doesn't map over since Julian is still autistic and the procedure his parents subjected him to specifically targeted his intellectual disability and if any folks with id wanna comment on this I definitely recommend you listen to them over me, but it's a similarity I, as an autistic who has encountered anti-vaxxers again and again, can't help but point out. "Give me a normal child or give them death."

This may have been written about already but there needs to be stories about teenage Julian (after finding out and rediscovering who he was) practicing some good ol' recognition of the self through media. I need to hear about how he would encounter a story about someone who came back wrong (I'm gonna assume there's plenty of "wrong" pov stories floating around by the 24th century) and absolutely weep. I need to see Julian mourning Jules, taking years and years to process his feelings, experiencing guilt about how he, the imposter, didn't deserve to live Jules' life.

Came back wrong from the returned's pov but it wasn't an accident. It was done to you deliberately by the people who claim to love you. And now you are here, piloting the corpse of your predecessor.

Jules Bashir is dead. Long live Julian Bashir.

[multi-fandom-bi]

I'm going on another rant, but this time I have a backstroy to it:

I was watching SoC content on tiktok (as one does) and I came across a video and in the comment section of that video somebody said that El Tango De Roxanne is Kanej coded (like Kaz's pov of Inej's time in the Menagerie) and I was intrigued so I went and listened to it and oh my god.

If you want you can go ahead and listen to the song on Spotify so you can draw your own conclusion, but this is my conclusion ( I have basically postponed this post cuz I was shocked at how well this song fits with Kanej)

In this post I wanna focus on two lines from the whole song:

"You're free to leave

Just don't deceive me"

because they are the most Kanej thing I have ever heard

Basically, if we are looking at this song as Kaz's thoughts/pov of Inej's time in the Menagerie (wich it totally is) we are hearing Kaz's thoughts on Inej's time as a slave and basically showing that Kaz is aware how bad that year was for Inej and how bad Inej wants her freedom.

The "You're free to leave me" part shows that Kaz is willing to keep true to his words: "I'm not going to be another person who will mark her (Inej)" (I don't actually know if this is the quote, cuz I couldn't find it). This part is just Kaz saying that he is going to give her the independence she deserves and the means to reach that idependence telling her that she is free from Ketterdam's shady businesses. Free from him. He's trying to tell her that he won't blame her of she chooses to never come back

The next line "Just don't deceive me", is a cousin of sorts to the saying that keeps getting thrown around in the books and that (in my opinion) is very important in Kaz's and Inej's relationship: "Better harsh truths than kind lies". This line kinda reads to me as Kaz begging Inej to just tell him the truth. If she really is going to come back in Ketterdam and that she isn't just saying that and then she never does actually go back. Kaz doesn't want to keep waiting for her, hopefull that she will come back to him and then she never sets foot on Ketterdam's docks again. After all, hope is dangerous. He doesn't want to get his hopes up, he'd rather be told straight up that she hates him and hates that city rather then being told whatever kind lies Inej may come up with. Kaz loves Inej, that's a no brainer, but he will let her go if she says that she doesn't want anything to do with him.

If you ever heard the saying "If you love someone, let them go" then these lines are basically the same thing. Kaz lets Inej go, get her freedom back, not really expecting to ever see her again because he loves her. Yes, his feelings are hurt as hell (even tho he will never admit it), but Inej is happy and when you love someone you put their happiness in front of your own. Letting them go when you know they need to be let go, hopping and praying that they love you enough to come back.

While Kaz might say he's a demon, and while that's true in some cases, as we've seen in the books, his humanity isn't completely extinguished. Especially when it comes to Inej.

[vocaloid-song-of-the-day]

Extra song post because YES THIS IS EVERYTHING I COULD HAVE HOPED AND DREAMED OF THE SONGS FOR THIS COLLAB

Volt Tackle by DECO*27 feat. Hatsune Miku

[give-grian-rights]

can someone tell me why im being abnormal about a character i've barely touched the content of. like yay yippie i watched like 20 hours of you. there's fucking 80 years of content get me OUT OF HERE?

[grinchwrapsupreme]

i'm still reeling at the fact that we got havers back in series 5 like what do you mean he's back at button house??? what do you mean the captain got to see him again???? what do you mean that's his fucking swagger stick???????? ben willbond i'm going to hunt you for sport!!!!!!!!!!!!