#abstract scene

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[lucocurtis]

Abstract night scenes

[technically-human]

Evil spirits, vengeful spirits. At the time, he didn't yet have the words to explain what had happened to him –even though, without a frame of reference, he could still tell something was wrong– They formed when a ghost felt an awful injustice had befallen them, and few ghosts could claim to have been as wronged by everything as Edwin Payne.

He just hoped the boy from the attic wouldn't put two and two together.

[chromafry]

various iwtv experiments!

[pellinni-photo]

seascape with island at night. rippled water surface in full moon light

[tiny-chubby-bird]

some pictures i took during my astarion origin run to use as desktop backgrounds.

[joshuamj]

She just wanted a friend :(

[annt-i]

@actuallytalldumbass suggested the ending scene from Stormbreaker where Alex parachutes into the national history museum

[yarrowdraws]

“They are no longer there. But I still see them.”

[daily-hanamura]

[internationalemeteorologie]

Lorenzo Mattotti

Il sussuro. 2020

[vladstrain]

Fiesta, 2024

Of my rare works in which the composition is organized in a disordered way, especially emphasizing texture and color shimmers.

Despite the celebratory colors you can feel a certain coldness that is familiar to anyone who has been to the art performances.

[clottedscream]

Yearly redraw number 9!!!!!

[Image ID: A digital painting of a girl resting on a ledge. She strikes a casual pose, popping a bubblegum bubble and scratching the back of her head. She's dressed in a 2010s-skater-grunge sort of style with a pair of high waisted jorts, denim vans, mismatched slouchy socks, a black tank top, and a ratty, splatter-painted overshirt that says "PUKE" in bold block letters. In the foreground beside her, a skateboard with the same splatter-paint design, and mismatched wheels matching her socks, is propped against the wall. It's covered in stickers, including some cats, a lesbian flag, and a bumper sticker that says "defund the M****rfuckers" with asterisks. The background is a placid suburban scene in watercolor style, with trees casting dappled shadows over the foreground. The sun is low in the sky, as though it were both early morning and late afternoon at the same time. Her large yellow headphones and pink gum bubble create a visual link between her and the wheels of her skateboard, as though the skateboard were a part of her. END ID]

[7roaches]

thought of this while peeing

[chronicowboy]

everything comes back to the buckley-diaz dinner scene in let the games begin. i cannot stress this enough. everything comes back to that scene. this show always uses its first episodes to kind of outline what's going to happen in the rest of the season like eddie's panic attacks and his breakdown arc or chim's struggles with fatherhood and presence in season four. this is just what they do. so, it all comes back to that scene. its the couch metaphor and buck not wanting to repeat his past mistakes, its the lasagne and the care and effort that went into getting it right on that final try, its the outright acknowledgement that there are excellent options right under their noses that they're choosing not to see. it all comes back to that scene.

[b0lt420]

We’re the Chosen Ones.

🛐🔥🪽