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#ade rambles
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im not dead btw just making a gay little prickcest animatic
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also sorry to send two asks in a row but do you ever consider the moral dilemma ricks have if they genuienly develop feelings like (prepare for a ramble i am SO sorry)
"i fell in love with myself, from another universe" THATS GOTTA POSE AT LEAST SOME MENTAL INSTABILITY. how would you feel if the most beautiful person youve ever met (personality wise at least) was a slightly different version of yourself, or if you were cloned and suddenly you developed feelings??? how would that even work??? imagine the judgement too bro that would be insane
AUTOSEXUALITY???? does it even matter if your partner looks ridiculously similar to you or not??? i think part of the reason why opposites attract a lot of the time is because genetic diversity gives an evolutionary advantage but in a scenario when thats completely thrown out the window how does that work? would prime and c137 rick have the same genetics??? Hefhv.dnbabmvvjdk
i think too much my thinking has thonked its last thunk
DUDE WGAT NO WAY YOU FUCKING HIT ME WITH A CRISIS AFTER MY DAY COSPALYING @ SCHOOL 😭😭/lh (<= written when I first red that)
I THINK ITS PART OF THE APPEAL like Ricks find the world around them so futile and disgusting they resort to settle with the only people who share the same hyper specific views of the world as them. In my opinion, it’s where most of Prickcests conflicts comes from, Prime likes C137 for his brains and his ability to solve problems in a way that’s different enough for him to not have considered it but can’t possibly understand why he cares so much about anything else than their relationship and it’s kind of the same for C137, he’s extremely smart and autistic so being understood and feeling seen is kind of his grail. Prime gives him just that plus the thrill of being a little bit fucked up in the head.
But we’re talking about general rick4rick relationship not… Their frustrating particular case lol although I can’t help but mention them since Prime (in the garage talk) explained so well the perks of only being around other version of himself. As a Rick the things you love and hate the most are yourself, it makes up for such interesting conflict because trying to ignore someone’s toxic traits is impossible and trying to mold them into the idealized version of them you got in your head is straight up manipulative. The vicious circle of stubbornness and love and hope and escapism leading to rick4rick relationship always violently falling apart is so fascinating to me and you completely understood one of the key elements for why it’s this way…
THANK YOU cinna, thank you for sending this ask it literally rearranged some of my atoms, shook my whole world and bursted a door open in the back of my mind
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lazaruspiss · 1 year
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People know that the whole "don't portray [harmful action] because viewers might recreate it" thing is a rule for children's shows right? It's supposed to be shit like "don't show peppa pig playing with fire so we don't get sued if a kid watches it and burns their house down." Not like, fanfiction for adults.
Edit: this was me venting about fandom cops. not me making some nuanced hot take. don't be weird in my comments.
Edit 2: turning off notifications. PSA: do not use pet names for strangers, especially not without asking. it's creepy.
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kirnet · 10 months
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LOVE when a video game protag is called a title. The Warden, the Watcher, the Exile…. Yessss be defined by a concept greater than yourself that will ultimately overtake your life
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whatafuckinnerd · 10 months
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I find it unfathomable and astounding that Tumblr isn't more obsessed with Sam Reich. You're telling me there exists out there a man who was born into the aristocracy of our country—with every privilege of modern society at his fingertips—who didn't complete high school (due to his mental health) and instead chose to devote his life to making strangers laugh and raising awareness on mental health. A full-bearded short king who is so committed to being the change he wants to see in the world that he decided to take the company he worked for into his own hands so that he could make sure all the people who worked under him could keep their livelihoods.
How many other CEOs are out here being as honest and transparent with their target audience/market as Sam Reich is? How many of them acknowledge when they fumble and continuously strive to be better than they were? How many of them actually seem like they respect their talent, both in the cast and crew? Sam Reich is the standard we should be holding other CEOs to.
But forget about all that (I could talk for a long time about the respect I have for Sam Reich)—ignore just how respectable he is as a businessman and a person. Ignore all the wholesome reasons for obsessing over Sam Dalton Reich.
The man is a stone-cold fox.
He's a little chaos gremlin and an absolute evil mastermind all rolled into one classy suit and well-groomed beard. Whenever Sam is on the set, you can guarantee he is going to make you crack a smile. And for someone with such natural authority, he's never afraid to be the butt of a joke and show himself being embarrassed. Go ahead, watch any clip of him trying to improvise in No Laugh Newsroom and just try to resist that blush.
You're sleeping on a goldmine of a man, here, damnit! And I will NOT let this go ignored any longer!
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tariah23 · 5 months
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Right
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@a-captions-blog
[Image description: Tweet by Marcelo [unicorn emoi] [rainbow flag emoji] [verified] @ CzardoFogo from 18 April 2024 that says, ‘Yeap.’ Attached is an edited political cartoon with two panels showing an anime girl lying on a mat with the covers drawn up to her chin. She has a contented look on her face. Thought bubbles coming out of her head in the panels show the US and Israeli flags on fire. This is a response to a Tweet by Arsen Ostrovsky [yellow ribbon emoji] [verified] @ Ostrov_A that says, ‘If you are anti-Israel, you are anti-American.’ \End description]
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greenieflor · 5 months
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Hey maybe a group of creatives deciding that they want control over their content and don't want to waste time and resources begging for ad revenue is like. A good thing
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starstrike · 8 months
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Mithrun's desire as an SA analogue
TW discussion of SA and detailed breakdown of aesthetics evoking SA. The way I discuss this is vivid in a way that may be triggering, though there is no discussion of actual sexual assault. Just survivor's responses to it.
People relate to Mithrun and see his condition as an analogue for a few different things, like brain injury or depression. And I think all of them are there. But I also see Mithrun's story as an SA analogue, and Ryoko Kui intentionally evokes those aesthetics. I think it's a part of Mithrun's character that a lot of people miss, but I very much consider it text. This is partially inspired by @heird99's post on what makes this scene so disturbing; so check out their post, too :)
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So to start off with, the demon invades Mithrun's bed, specifically. There's even a canopy around it, which specifically evokes this idea of personal intrusion; the barrier is being pulled apart without consent or warning. The way the hand reaches towards Mithrun's body from outside of the panel division makes it almost look like the goat stroking over his body. It's an especially creepy visual detail; similarly, the goat's right hand parts into the side of the panel as well. It's literally like it's tearing the page apart; but gently. So gently.
Mithrun is in bed. It is his bed that the demon is intruding on. He's in a position of intimacy. The woman behind him is a facsimile of his "beloved" that he left behind; the woman who, in reality, chose Mithrun's brother. He is in bed with his fantasy lover, who is leaning over him. While this scene isn't explicitly sexual, it is intimate. And it is being invaded. The goat lifts Mithrun gently, who is confused, but not yet struggling.
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The erotics of consumption and violence in Ryoko Kui's work(remember that the word 'erotic' can have many different meanings, please) are a... notable part of some of her illustrations. I would say she blurs the lines between all forms of desire: personal, sexual, gustatory and carnal, in her illustrations in order to emphasize the pure desire she wants to work with and evoke to serve her themes. Kui deploys sexual imagery in a lot of places in Dungeon Meshi, and this is one of them.
In this case, horrifically. The goat's assault begins with drooling, licking, and nuzzling. The goat could be enjoying and "playing with" its food. But it can also be interpreted as it "preparing" Mithrun with its tongue as it begins to literally breach Mithrun's body. The goat also invades directly through his clothing; that adds another level of disturbing to me. There's nothing Mithrun can do in this moment of violation. Mithrun is fighting, but he is fighting weakly, trying to grip on and push away when he has no ability or option to. All he can do is beg the goat to stop. And it doesn't care. This all evokes sexual assault.
The sixth panel demonstrates a somewhat sexual position, with Mithrun's thighs spread around the goat's hunched over body. In the next, the goat pulls and holds apart Mithrun's thighs as he nuzzles into him. The way the clothing bunches up looks a bit as if it has been pushed up. It has pinned Mithrun down onto the bed, into Mithrun's soft furs and pillows. It takes a place made to be supernaturally warm and comfortable, and violates it. It's utterly and intimately horrifying. To me, this sequence of positions directly evokes a rape scene. I think Kui did this very explicitly. These references to sexual invasion are part of what makes this scene so disturbing; albeit, to many viewers, subconsciously.
This is also the moment the goat takes Mithrun's eye. Other than this, the goat seems exceptionally strong, but also... gentle. It holds Mithrun's body tightly, but moves it around slowly. It doesn't need to hurt Mithrun physically. But in that moment, it takes Mithrun's eye. Blood seeps from a wound while an orifice that should not be pierced is penetrated. This moment, the ooze of blood in one place specifically, also evokes rape. That single bit of physical gore is a very powerful bit of imagery to me.
Finally; it is Mithrun's desire that is eaten. After his assault, Mithrun can find no pleasure in things that he once did. He is fully disassociated from his emotions. This is a common response to trauma, especially in the case of SA. It's not uncommon for people to never, or take a long time to, enjoy sex in the same way again; or at all. They might feel like their rapist has robbed them of a desire and pleasure they once had. I think this makes Mithrun's lack of desire a partial analogue for the trauma of sexual assault.
Mithrun's desire for revenge was, supposedly, all that remained. Anger at his assaulter, anger at every being that was like it; though, perhaps not anger. Devotion, in a way. To his cause. I don't know. But the immediate desire to seek revenge is another response to SA. But on to Mithrun's true feelings on the matter.
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This is... So incredibly tragic. Mithrun feels used up. Like his best parts have been taken away. Like he's being... tossed aside. This certainly parallels the way assault victims can feel after being left by an abuser. Or the way assault victims feel they might be "ruined" forever for other partners. These are common sentiments for survivors to carry, and need to overcome. In the text, it's almost like Mithrun feels the only being who can desire him is a demon who might "finish devouring" him. That that's his only use. It's worth noting that Mithrun trusted the demon. Mithrun's world was built by the demon, and Mithrun, in that way, was cared for by the demon. I think this reinforces Mithrun's place as a victim.
There's also something to be said about Mithrun as a victim of his own possessive romantic and sexual desire. The mirror shows him his beloved just dining with his brother, and it infuriates him. He doesn't know if the vision is real, nor if she has really chosen his brother as a romantic partner. The goat then creates a whole fantasy world where she loves him. As Mithrun's dungeon deteriorates, she is the only person that continues to exist. Mithrun continues to have control over her. And that is the strongest desire the demon is eating, isn't it? There's something interesting there, but I don't know what to say about it.
In conclusion, I think Mithrun's story is an explicit analogue for sexual assault-- though, certainly, among other things! The way the scene plays out and is composed explicitly references sexual violation and invasion of the body. His condition mirrors common trauma responses to sexual violence. And, at the end, he finally realizes he can recover.
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Let's end on a happy Mithrun, after taking the first step on his journey to recovery :) You aren't vegetable scraps Mithrun. But even if you were-- every single thing in this world has value. Even vegetable scraps.
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OH!!! OH!!!
DO YOU SEE THIS??
DO YOU SEE IT??
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SHE'S TOUCHING HIS SHOULDER!!
Oh mah gawd. He doesn't let anyone touch him unless they're his friends.
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If they aren't his friends, he'll either lean away or wipe off his hand. He hates being touched if he's not the one initiating it, to the point of wiping his sleeve off when Lucifer's hat just BARELY grazed against it.
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He didn't wipe his shoulder off when Charlie stopped touching him either.
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AND!!!
And!!!
Before You Say 'He did lean away', or 'She wasnt actually touching him, her hand was just near him', Take A Look At This!!
Look closely at how he moves when she splits them up. He doesn't lean away, she SHOVED him. She actively MOVED him. That wasn't an 'oh she's making contact with me, guess I should lean away', it was a 'well she's shoving me now, I'll shut up for a minute'.
Which also proves she WAS touching him. She couldn't have shoved him if she wasn't making contact.
He didn't lean away from it, he didn't retaliate. The ONLY people he lets touch him are people he cares for. And not only did she put her hand on his shoulder, she actively pushed him back, and he showed no sign of discomfort towards it. So why am I screaming about this?
Because he DOES care! It proves he cares for her. Don't get me wrong, I still think saying he's her 'dad' is a bit of a strech, but he does care enough to let her touch him. He doesn't dislike or even have a neutral opinion on her. She's his friend, even if just a little bit.
Just an edit to clarify; I know 'friends' is probably also not the best word to use, but it's just the easiest way for me to describe it.
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Hi !! Do you think Miami morty and evil morty know each other ?
I would be so happy to hear ur hc !
Hi anon, thank you for this ask !!
In my little headcanon timeline Mimi and Evil Morty met when, at the time, Miami Morty was a stray Morty in Mortyville, I think this place is fertile ground for young minds to grow hatred against this system builts by Ricks and i think some if not most of the Mortys (Morties?) living there share Evil Morty’s resentment against Ricks and the CFC as a symbol of their need to control everything
I like to believe they first shared their rage against the system together and without really noticing it, it became surprisingly pleasing to spend time around the other. Evil Morty assumed at first Mimi would be nothing but a greedy airhead ready to dog pile on anyone she didn’t like (which he does let’s be real but not nearly as much as he’d expect) and it was kind of the same thing for Mimi whose first impression of Evil Morty was a cold hearted bastard closer to a Rick’s reflection than a Morty/person of his own.
So yes, I like to imagine they do known each other very closely as they met in times of struggle :3
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Creatures my brain won’t seem to let go of
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yyuuraii · 4 months
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i need lizzie ldshadowlady to make a tier list of her husband's minecraft suitors like right fucking now
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one thing about ik is that she will always reach out
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ninja-knox-ur-sox-off · 4 months
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Repress It, Mk!
Mei and Red Son wouldn't be his backup singers (because they support going to therapy) so he had to improvise. He's fine, all good all the time all good
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caramellody · 2 months
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Yall i dont think im gonna be able to stop thinking about usha and g13, actually.
Ushas an old old woman, clueless with tech. Lived long enough to develop various bonds with a LOT of people and relies on them a lot for help. In turn, shes VERY loyal to her close conpanions (a great example would be how she tends to back paula up a LOT, the way she sets up russel and paula to 'fake date' wink and all). She's very warm and very emotionally intelligent even if she's a bit clueless sometimes. Her logic is borderline incomprehensible, but it has heart.
G13 on the other hand, is a hacking prodigy. Hes young, hes sought after for his skills for better and for worse. But in turn, he's essentially lost himself in the process. He may be able to scrape nuke codes, but he'll never make a friend. He lacks any loyalty for anyone and anything except for himself and his interests, and if they dont satisfy those two points, then its worth nothing to him. His logic may be sound, but its cold.
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mblue-art · 8 months
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BAD SANSUARY // [14] tears for owl-bones's event !
"...Killer, it just looks like I have running mascara."
"it's such a look though."
messy kisses and post-nuzzles
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