#ah yes good music

[skitskatdacat63]

"Bring on The Dancing Horses"(x) - Echo and The Bunnymen × Ferrari Drivers

[you-are-joking]

just finished watching hannibal. quick question why is it LIKE that

[hana-the-ghostieee]

haii!! so um not sure what to post but like all i can think of right now is um the correlations between Dakara Boku wa Ongaku wo Yameta and Elma so um here! have a list of the different ways Elma (the album) references the diary, letters and the album it responds to

(if i miss some let me know please)

and dearest mobile users i will spare you so have a cut

edit: so @just-nonsense-bungaku said some stuff in the replies (thank you so much!) and all the songs after 8/27 (or the Nautilus MV) were written by Elma when her anger lost steam and she started to process her grief. explaining why Ame to, Yuu, Kokoro and Amy sound so different from the style she used (or copied off of Amy) from pre-8/27

and another edit: @teamsavingmyles said some stuff in the rbs, thank you thank you thank you!!! i've been thinking about Yuunagi's references recently cuz i've been working on translating both albums but i never really got around to it so yeah thanks!

edit: i just changed the order of stuff because i forgot well. each song would be written on different days, so for example Koe wouldn't refer to Kokoro, more like Kokoro was inspired by Koe and Yuunagi's metaphor for a hole in the heart

1. 8/31 & 車窓 (Shasou/Train Window)

...they're instrumentals :P (seriously i find no connection)

2. 藍二乗 (Ai Nijou/Deep Indigo) & 憂一乗 (Yuu Ichijou/Only Sorrow)

the concept of i to the power of 2 (and however that relates to Amy's feelings about Elma)

also the first kanji of both titles sound like "i" and "you"

edit: so Ai's chorus' motif is about how blurred the world is, because of Amy's tears, while Yuu's chorus motif is how transparent the world feels to Elma, now that Amy's gone

edit: Yuu takes the phrase "I don't need anything" from Hachigatsu, but for a completely different reason. i think in Hachigatsu, Amy says he doesn't need anything to show his life will ends soon, so like what's the point of anything. in Yuu, Elma says she doesn't need anything besides Amy. she just wants to hear him sing, just one more time (or something)

i mean other than that there isn't much, they sound so different

(like seriously. Ai is like TADA. TADAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA. WHAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAOOOOOOOOOOOOOOOOOOOOOOOOOOOO-- and then Yuu makes suis sound like she's about to cry. dakede *sobbing*)

3. 八月、某、月明かり (Hachigatsu, Bou, Tsukiakari/August, A Certain Place, Moonlight) & 夕凪、某、花惑い (Yuunagi, Bou, Hana Madoi/Evening Calm, A Certain Place, Fireworks)

so first of all both seem to stem from one memory of watching fireworks in the summer (according to a summary of Letters and Diary i read some time ago)

edit: re-reading Diary and it was Memory 17

Yuunagi was the first song Elma wrote, which is why it sounds so similar to Hachigatsu (INTENSE electric guitar, softer at the verses, picks up at the chorus, drops again)

also unrelated note but Hachigatsu is by far the angriest song i can think of. at least by Yorushika

edit: one of the last lines of Yuunagi may be what inspired Kokoro, "In my heart, a hole opens"

Yuunagi also references Ai, in the line "this song has about ___ characters" and the phrase "drowning in flowers" is seen again in Ame to

4. 詩書とコーヒー (Shikaki to Koohii/Songwriting and Coffee) & 雨とカプチーノ (Ame to Kapuchiino/Rain and Cappucino)

...coffee

okay seriously though, both also sound somewhat similar to each other (but from here on out, Elma's developing her own style :DDD)

in both songs they do struggle to keep up with memories of each other, in Shikaki Amy states he forgets things like dreams, things like Elma's mouth and eyes and in Ame to Elma tries not to let anything, literally all of her memories of Amy fade away. (reminds me of the reason why Elma kept a diary for her trip to Sweden)

5. 7/13 & 湖の街 (Mizumi no Machi/Lakeside Town)

...they're also instrumentals

6. 躍ろうぜ (Odorouze/Let's Dance) & 神様のダンス (Kamisama no Dansu/Dance of the Gods)

um the titles have "dance" in them???

not sure really. in Odorouze, Amy pretends everything's fine when he's still struggling with his memories of Elma and depression and whatever and in Kamisama no Dansu Elma is PISSED OFF about the fact that she decided to follow Amy's footsteps considering his values. i mean i don't blame her i don't feel like being told i'd have about a year left to live and just LIVE AND GO DO STUFF and go to Sweden before realizing "dang. i screwed up. can't talk it back now--" *oofs self on some random dock*

oh also a discussion i had w/ nonsense-bungaku on Kamisama has changed my beliefs slightly; Elma is still mad at Amy (and herself) for following his path and beliefs but she's also kind of done trying to create music with "value" and "purpose", just creating music because it's fun, because the process of creating music is something one can derive joy from

edit: Kamisama does take a line, "名もない花が綺麗とか" ("Nameless flowers are beautiful") and a slightly altered version of the line "そんなのどうでもいいから" ("I couldn't care any less about that", being "どうでもいいことばっかだ" meaning the same thing) from Yoru Magai

Kamisama also references Yoru Magai in the lines "I keep my head down, like I'm scared" because in the verses of Yoru, in the fifth lines, Amy talks about keeping his head down, so he can't see how blue the sky is or so he doesn't understand everyone's feelings.

another unrelated note, Kamisama no Dansu is still freaking good. not that it wasn't good before but like there's something about it that i really like and would talk about until i fainted from loss of oxygen.

7. 六月和雨上がりの街を書く (Rokugatsu wa Ameagari no Machi wo Kaku/In June, I'll Write About the Town After the Rain) & 雨晴るる (Ame Haruru/After The Rain)

first of all, both of them are about rain (astute observation. round of applause.)

i do think it's really cool how Amy says he'd write about the rain in the town he stayed at but never stayed long enough to write about it, so Elma does it for him. also Elma's style has changed from where she was before, like say, Yuunagi or Koe

also Rokugatsu references Ai Nijou and may be what inspired the creation of Parade

edit: both Ame and Rokugatsu talk about this "ultramarine" which, at least to me, in Rokugatsu refers to the whole memories and the window and in Ame Ha it refers to tears

Ame Ha also references Gogatsu with the swaying curtains, and *potentially* references Hachigatsu in the line "my heartbeat rung out". potentially. if i'm looking too deep and they aren't related don't yell at me

8. 五月は花緑青の窓辺から (Gogatsu wa Hana Rokushou no Madobe Kara/In May, from the Emerald Green Window) & 歩く (Aruku/Walk)

again, not sure how these correlate. though i like how Aruku's chorus is a slowed down version of Gogatsu's chorus.

edit: ...how i didn't notice this i will never know. the frikking Emerald Green/tears metaphor.

Aruku also talks about feeling "asleep", where Elma (as she said in Ame Ha) plays dumb and pretends not to know Amy would die early cuz chronic illness and moveth to foreign country (though Amy did grow up there) and unhealthy mental state. this song and Koe also talk about Elma hating herself for doing so, but Elma and Nautilus think that her playing dumb was pretty endearing

both songs also have this feeling of being "trapped", where Amy feels trapped in this life, and the only way out is Emerald Green, while Elma got left behind and is now stuck looking for at least scraps of the person she loves through these streets

Aruku also potentially references Yoru Magai in the way Elma imitates Amy by keeping her head down, the same way as Kamisama

9. 夜紛い (Yoru Magai/False Night) & 心に穴が空いた (Kokoro ni Ana ga Aita/A Hole Opened Up in My Heart)

i think it's cool how Yoru's main and last line is "I want to open up a hole in you" and then Kokoro's is like "That's why a hole has opened up in my heart" like HOWWWWW HOW MUST YOU HURT ME LIKE THAT

also Kokoro's third line references the song it responds to, as well as Letters 6/26, "a false night, like twilight, painted the town"

also another unrelated note KOKORO NI ANA GA AITA IS JUST SO SAD AND PAINFUL. LIKE AAAAAAAAAAAAAAAAAAA LET ME CRY

edit: how none of you said this gets me. um the line "君だけが僕の音楽なんだよ"、 エイミー ("You alone were my music", Amy) is literally from Ai Nijou (i mean i guess it was too obvious but whatever i'll put that in)

10. 5/6 & 森の教会 (Mori no Kyoukai/Church in the Forest)

more. instrumental.

11. パレード (Parade) & 声 (Koe/Voice)

both incorporate the concept of the God of Art which i think is cool

both are lyrically short

Koe references Yoru in the line "this heavy life is like a machine gun" and may have alluded to the metaphor from Yuunagi - in the line "what I want to draw/picture is the time that hollowed my heart" (and maybe a part of a line got re-used in Ame to Kapuchiino?? does the line "when I cry, it overflows” count???)

Koe also sounds like Parade, just in the key C#, not D

edit: in Letters 7/13, Amy said Parade was Koe

another edit: Parade is the song about the God of Art, right??? well i read @saikisser 's post on how FREAKING SAD PARADE IS AND LISTENING TO IT WITH CONTEXT MAKES IS EVEN SADDER and well Amy also thinks Elma is divine to him (because she's the one that sings the lyrics the God of Art managed to find in his fingers)

also another unrelated note but listen to Parade it's such a beautiful song i loveeeeeeeeeeeeeee ittttttttttttttttt

12. エルマ (Elma) & エイミー (Amy)

awwwwww the non-depressing songs!!! i love them sm

um they're messages directly to each other

both were the last songs each other wrote in the story

they both sound sweet and Kumo to Yuurei-esque, but slightly more upbeat (basically just similar to each other)

yeah i love those songs they're the only happy ones by Yorushika i can think of besides Haru Dorobou (which is just SPRING :DDD oooo flowers!!! they're pretty!!!)

anyways.

13. 4/10 & 海底、月明かり (Kaitei, Tsukiakari/Seabed, Moonlight)

another. instrumental. (dw this is the last instrumental)

aaaaaaaand the last one. the one we've been waiting for.

14. だから僕は音楽をやめた (Dakara Boku wa Ongaku wo Yameta/That's Why I Gave Up On Music) & ノーチラス (Nautilus)

so they were both featured at the end of their journeys. (Amy oofs himself on the dock, Elma finds his stuff a year later and cries before going home on a ship like a month later but in that month there's like no lore whatsoever so it's kind of an epilogue???)

Dakara Boku mainly is just. looking at whatever happened back then and how much Amy regrets whatever he did in Letters. he wishes he stayed with Elma cuz then he'd have a bit longer to live but well i guess he really isn't going to make it past the summer. also screaming. aaaaaaaaaaAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA--

i will say Nautilus was also written by Amy, because at the literal end (just before he wrote Elma, i think. he doesn't write when he says goodbye in Letters and Diary obviously doesn't state when it was written because well Elma doesn't know) he was going about his day before realizing the day he runs out of ink draws nearer and nearer. and he hasn't even considered how Elma felt/would feel after he's gone so he wrote Nautilus as a way to say "it will be hard, but turn away from me and lift your head to the future" and that makes me cry even harder like NOOOO I DON'T WANT TO LEAVE YOU HERE BUT ALSO I CAN'T TAKE YOU WITH ME CUZ YOU TOOK THE BUS TO THE OTHER WORLD CYA

and that's it for the albums! =w=

*pathetic bowing*

[spectral-honey]

Au where Damian is closer in age to Tim and joins the batfam after Jason dies

bruce has to make himself functional with a new kid dropped in his lap and then has to cut back on the violent outbursts because Damian WILL take it as permission to kill and they're trying to teach him not to do that

tim keeps his stalker tendencies and grows to like Damian's robin just as much as Dick and Jason's, even if this new robin is a bit stabby around the edges

damian is the first robin to notice Tim tho and confronts him on his own without telling Bruce

timmy is like heyyy don't stab me I swear I wouldn't endanger the bats ever & also I can maybe give you info I find sneaking around & also hey wouldn't it be cool to have a secret from bats? You could have your own personal informant wouldn't that be so cool you could impress Batman and everything

dami: fine but you don't have any more secrets right

tim, knows their secret identities: and I said no, y'know, like a liar

so they make a truce that turns into a friendship that turns into Damian hiding the fact that he has adopted a brother, shut up Batman you picked up random children from the street so can damian

bruce and dick: wow it's so nice that Damian has started listening to us about not killing or using excessive violence on people. We're glad he understands now

Damian, who got a 72 slide PowerPoint lecture from Tim about the practicality of not killing as a vigilante in Gotham: yes, that is what happened. I have accepted your perspectives on morality. No other reason

tim’s powerpoint has a lot of graphs and venn diagrams measuring different kinds of criminal activity vs public cooperation vs batman's violence levels vs police cooperation vs rogue activity. The gotham ecosystem is delicate

when jason comes back tim throws a fit because he has to REMAKE his powerpoint and all the graphs to add red hood’s vigilante-slash-rogue effect

Tim at some point: batman is fragile if you kill people it will make his traumatized brain explode

Dami: trauma?

Tim: y'know from martha and thomas being murdered in front of him

Damian, eyes narrowed:

Tim: I mean… that's just a game theory?

but just like generally Tim and Damian being each other's support systems

they bond over having parents who are absent?? Like, damian missing his mom and tim immediately empathizing on how its hard when you love someone who is away a lot or for a long time

they talk about missing them and damian is able to open up about feeling out of place and how difficult it is to adjust or know how he's supposed to act

[that-angry-noldo]

All the prompts are so interesting!! i can't wait to read what you will write !!!

Sauron and Finrod with 7

(Honestly this musical is waaay too good, i've been listening to "The Horse and the infant" a lot lol)

(from this prompt list!)

Prompt: "Time to drink your blood over where you stand; your life now is in my hand"

-

His tower had once been beautiful.

Carved out of white stone; built upon a river, standing tall and proud, magnificent and brilliant; a piece of his soul, a child of his creation, a testament of might and hope that has been in his heart then.

He reaches for it in one last, dreadful moment of despair, and he cries whan nothing but dark, malicious power answers, when he's wrestled down and pinned to the ground; he lost, he lost, he lost, and there's smoke in his nostrils and blood beneath his feet, and the waves roar in condemnation - his companions fight around him, fight a losing battle, lost, lost, lost, fight in despair - and Finrod's head is tugged back, sharp steel at his throat - no! - and his companions stop-

And Sauron laughs, and laughs, and laughs.

His laughter is mad, cruel, all-consuming - hot tears run down Finrod's face - blood, blood of his uncle, blood of his kin, his father's pained scream -

"Ñoldor," Gorthaur's voice is a hiss over his ear, a thunder in the sky, a menacing cracking of fire. "Ñoldor!" he laughs, again, and Finrod feels the visions flowing through his mind again, forcing him to gasp for air, to shield from the unwanted memories. "Who else wouldst walk into my realm, wear the skin of my soldiers, and still believe they shall leave unscatched? Ñoldor!"

Finrod hears the sounds of struggle, hears the curses of his company, feels the cold of dagger too close to his skin, hears as they're wrestled to their knees, too; and then, all he feels is a burning, all-consuming fire, power of Sauron coming down on them, and he cries as the voice booms around him, echoes from the walls, seals into his mind.

"Thou hast been foolish, and thy foolishness hast led thee to thy death," it hisses. "Thou hast been foolish, to challenge me, Mairon the Admirable, Gorthaur the Cruel! Thou hast been foolish in thy pride, foolish in thy confidence - for the same blood runs in the veins of all Ñoldor, the same weakness! Thou hast been foolish," Sauron sits back on his throne slowly, those snake-like, amber-golden eyes fixed on Finrod, filled with rage, "and thou wilt pay for thy foolishness tenfold. For thou art in my realm, and thy life now belongs to me, and thy death is in noone's hands but mine." He leans back, eyes satisfied, and burries his hand into the black fur of werewolf at his feet.

Finrod tries to breathe. The smell of smoke is still around him, and tears still roll down his face.

"Guards!" Gorthaur calls, and the orcs' grip on Finrod tightens. "Chain them, and lock them in a dungeon; and then, ready the brands."

Finrod does not hear the last words.

He does not have the strenght to fight when he's led away.

[spill-to-t]

When I tell you this took an hour, then it actually took two hours to create this .-. (sorry if sound is bad)

What I wanted to do... The melody is supposed to have a circus kinda vibe, something funky. It´s a rather happy and joyful mood, but also switched between loud and calmer to show off something emotional. Just like Jimmy who can be super happy and then suddenly he’s raging about something idk...

[sullina]

so much talk about visual storytelling, but what about auditory storytelling?

Music can play an enourmous part in shows and movies if you let it.

And ESPECIALLY if you craft the music for the specific movie in mind, instead of just choosing the current most popular song.

Which is probably why the soundtrack of the first httyd movie is so popular. They left space in the movie specifically FOR the music.

And it is AMAZING.

[horrorknife]

playing persona 5 is really just playing 80 hours you hate and 20 where youre having fun. and im not even the dude playing

[spud-works]

Peeps in the Signalis Discord were looking through to find if someone had figured out the specific stat triggers/requirements for each of the different endings when someone came across this

(spoilers for one of the endings)

I'm fucking hollering

[bookshelfdreams]

naja

wächst einem schon irgendwie ans herz, oder?

[hmmwellok]

i love how, after spending a week with harry's antics and then finding out he used to be a gym teacher, kim just goes for the conclusion that gym teachers are just superhuman like that

[roguelioness]

despite being amongst myconids, Astarion proves he's no fungi

[arunneronthird]

me: *puts a call of duty game as bg noise* why the fuck are my ears ringing

[glitterghost]

At heart, I'm still just a 90s grunge rock gremlin.

[thinkingnot]

Here’s my favorite slide from the google slides presentation I held today

this is poetry to me 🫶

[arolesbianism]

Shout out to my poor poor friend who keeps sending me video game songs trying to pin down my music taste like oh buddy I'm so sorry but Penny's battle theme is so small beans compared to the stuff I listen to