#don’t even get me STARTED on the dialogue

[moonylouwho]

what’s the best three episode run in 9-1-1 history and why is it this one

[moneymartin]

・❥・- just for you.

summary: kate takes her anger out on you after a hard loss. (more gentle tho cause she doesn’t have the heart to hurt you 😞😞😞) + lil bit of aftercare at the end ;3

warnings: 18+ ASFUCK! SMUT MDNI! strap on use… lol

RPF!

a/n: ik i been lacking recently but i’ve grown some more motivation to do something since i’m kinda stuck at home. also almost broke my arm yesterday hahah 🥸 also not much dialogue tbh i’ve never been good at that cuz i dont talk to ppl 😭 AND i didn’t know how to end sozzzzzz!!!!

it was the toughest lost of kate’s college career, especially considering the fact that it was her last year at UOI. the only thing she wanted was to have the championship title, just once. but the team couldn’t do it.

you saw her put all her blood sweat and tears onto that court. the way she tried to make as many shots, as many blocks as she could, and as many fouls as she could draw. the way you watched her cry while she walked into the tunnel absolutely broke you.

when she got home the air between you two grew extremely thick. you couldn’t tell if she was angry or even over it at all. she wasn’t crying, just real quiet. and being the good girlfriend you were, you didn’t bother to push any of her buttons, no matter how much you wanted to just keep her company.

kate would either be sitting on the couch, on her phone, continuously walking around the apartment, sitting in random spots on the floor, in the kitchen. she’d be anywhere and everywhere. all she wanted to do was get her mind off of it, for a little bit.

“are you okay?” you speak amidst the quiet environment that had been lingering for god knows how many hours. you didn’t try to speak either because it felt like she’d just ignore you or give you a nasty look cause she wasn’t feeling so good about it. “i’m fine.” kate murmurs and looks up at you from the clasped hands on her face. the tone she gives you makes it known that she isn’t.

“yeah, right.” a scoff leaves from your lips and the mood changes almost immediately. your eyes dart towards kate and the look that she’s giving you makes it feel like a million daggers are being dug into your back. her face stiffens up and so does your body when you realize that she’s 100% angry.

you know that it isn’t your fault, but now it really feels like it was. “do you think that’s funny or something?” when you hear that, it’s obvious that you’ve fucked up. you can’t muster up anything in response cause you know that it’ll make it worse. not for her, but for you.

but there’s just something about kate that drives you insane when she’s fired up.

“no.” you swallow.

“exactly! don’t fuckin’ go around and laugh about it, if it isn’t funny! are we clear?”

she grunts and lets out a heavy breath when you stand there all quiet and unresponsive. she hates that. its the one thing that makes kate tick the most, other than losing a game that important to her. “answer me.”

you don’t respond. and the look of anger on kate’s face grows much more apparent. “c’mon!” she groans and quickly slides off of the bed. her fingers grip at the collar of your shirt, her rapid breaths brushing harshly against your face.

she tugs your body up against hers and a small whine escapes from in between your lips. kate is giving those eyes that make you shiver all over the place. “y- yes, we’re clear…” you choke out and look away. you can’t stand seeing her angry but its also the fact that it turns you on too.

your voice makes it seem like you aren’t very sincere about saying that though, and that makes her tick even more. kate’s teeth grit together and a sharp breath makes its way through them, her fingers inching closer towards the waistband of your jeans.

“yeah? you sure?” kate teases and starts to unbutton them. her voice deepens and the cold air that meets your now exposed skin makes the shivers feel more like a billion daggers going through your body. her hands cup your waist, a newfound lust taking over the look in kate’s eyes. “doesn’t seem so sincere…” she husks out.

“i mean it! god, you can’t believe me even when i mean it the most.” you sigh and stare at the jeans puddling around your feet. when you bend over to pick them back up and put them on again, kate’s fingers wrap around your sleeve and she pulls you up, drawing a quiet ‘tsk’ sound from your mouth. “just… let me fuck your brains out until i get you to really mean it.”

she tugs you up against her again, her front subtly grinding against yours. and now you can actually feel it. her stupid fucking strap. your eyes dart towards hers momentarily before they inch away. the embarrassment you feel is incredibly strong. you’re wet, and now you can’t even look her in the eyes.

before you even get a chance to speak, kate’s hand falls on the dip of your back and you’re face first into the foot of the mattress. the side of your head presses against it again to get a breather, the sound of kate unzipping her jeans rapidly, and the tip of the strap making contact with your body.

one of her hands grabs both of yours and pins them backwards, the other hand trailing up and down your body and towards the waistband of your panties. in one swift movement, they’re off and on the floor. you have no clue where, but they’re somewhere in that room. as much as you’re trying to resist, you can’t

“c’mon, baby. don’t fight it, please.” kate pleads and leans over your body to bury her face into your neck. her teeth dig into the side of it and you let out a wince, struggling to move your hands while she keeps them in a lock. kate’s breath tickles at your skin while she pulls away, the hand she has on your waist moving away to line herself up with your entrance.

she doesn’t even give you a warning before she slides in. the only thing that makes it known that you’re getting absolutely filled up is the groan kate lets out when she goes in all the way. you let out a huge whimper and eventually start to feel it. “fuck!… oh my god.” you babble and feel kate leaning toward your face again, her breathing hitting your skin, leaving behind dark marks on the base of your neck.

the more you moan and whine into the sheets, the more it fuels her to keep going. she thrusts into you as hard as she can, her hand letting go of the two she’s been holding, and yanks at your hair to pull your head up. “you fuckin’ feel that, baby? that’s all for you.” kate grunts, smashing her lips against yours and pulling your hair again. “just for you..” a hurried ‘mhm’ escapes your lips, your voice left limited.

your whimpers mix into the kiss as you constantly punch at the bed the harder she drives into you. her teeth tug at your bottom lip and your head moves away the more you feel yourself start to sweat uncontrollably. hair sticks to the side of your head and to your forehead, kate gently brushing them out of your face to keep that prolonged eye contact.

“you’re so beautiful, i swear.”

“hmphh—! you’re going too-“

you get cut off the second you feel the turns in your stomach and the blood rush to your face. that familiar feeling burns brightly in your belly and the knot that had been there forever finally becomes undone. you end up finishing, the overwhelming sensation dying down almost instantly.

kate rolls off of you and notices the water buildup in your eyes, her thumbs running across the bottom of them to wipe them away. she lets out a small sigh and scoots a little bit closer to you, eyeing down the hickeys she left on your skin. “i’m sorry, baby.” she whispers softly and cups your face with her palms.

her lips connect onto your neck and she peppers gentle kisses all over each hickey. the contrast from her rough nature to eventually turning into that natural soft, sweet woman you fell in love with the second she sees you like this. “let me fix you a warm bath, okay? for the troubles.” she whispers in between smooches, her hand snaking up your shirt, and her nails dragging softly against your back.

“duh. you know just how i like it.”

“why would i not.” she lets out a scoff and pulls away quickly, a small smile crossing her face when you agree. “was that a scoff?” you mutter and raise your eyebrows. hers do too, and her lips narrow into a straight line. “what about it?”

well, that was the small thing that got you here in the first place.

[that-ari-blogger]

Would love to hear more about your thoughts on Mermista being your favorite character from She Ra 👀 if you ever felt like sharing

I’m totally not biased at all but I too think she’s the best character

I think this is really interesting, because a character can be someone’s favourite for a ton of reasons. Sometimes it is aesthetics, or mood, or empathy, but I like Mermista because of how she operates as a vessel for storytelling.

And before I start on this tangent, please be aware that this is, by nature, subjective. If you don’t like Mermista, state your case in the replies. Please don’t take my word as gospel.

SPOILERS AHEAD (She-Ra and the Princesses of Power)

So, I am a fan of wordless storytelling. It’s why I love the traditional mystery films and old western flicks. I like the pacing that comes from characters wandering around and not saying anything, but working things out in a way that the audience can see.

This is partially because writing dialogue is easy, but writing good dialogue is infinitely more difficult than anything, and I am still getting the hang of it, so a lot of what I write is slow and methodical. But I also think that visual storytelling is a lot more interesting and easier for me personally to keep track of.

It's Show Don’t Tell taken to its logical extreme, and while its situational, it really works for me.

Which brings me to Mermista, who I think has less than half the number of the lines as Frosta, despite being on screen for a ton more. That is because no dialogue with Mermista is ever wasted, and instead she takes in situations and thinks.

The only times Mermista ever really speaks are when she needs to communicate information quickly, and when she is annoying one of the other princesses for the fun of it. Even with Shadow Weaver, she finds the quickest possible solution, she interrupts her by calling her a name. She throws her off balance, then gets back to being quiet.

Case and point, at the end of No Princess Left Behind, Mermista doesn’t give a speech, or tell anyone that she is feeling sad. She just turns away from the camera and acts out her emotions subtly.

But the show doesn’t write this as just a strength for Mermista, it’s core to what I keep saying about how the series writes tragedy. Each character’s greatest strength is their greatest weakness. Mermista is detached and methodical, but that’s a façade, and it means she is totally unequipped to handle big emotions. She doesn’t know how to respond to Entrapta’s death, and she is totally unprepared emotionally to cope with the fall of Salineas later on.

In that way she acts as a counter to Perfuma, who is all about those big emotions and big connections. But there are other things that show them as opposites.

For example, Mermista is dynamic as hell. Part of her water theming is that she is able adapt to almost any situation and work through a problem. She can fit any shape, and fill any role in the team. She’s a bruiser, or a scout, or a tank, or a saboteur. But she’s also dynamic ethically.

You may notice that Mermista has the single most flexible moral compas in the team. Not in the sense that she is morally grey, (or morally pink like Glimmer), but in the sense that she applies a different framework to each problem she is faced with. She doesn’t have a thing against deceiving, trickery, or even killing if the situation calls for it, but she never strays into that dubious territory because she knows when to implement it and when that fails, she tries something else. Mermista perseveres and adapts.

Perfuma, however, is the She-Ra equivalent of Batman. I’m not joking about this, and I will talk about it in a later post. In short, however, Perfuma’s greatest strength is her uncompromising moral code. That’s how she gets through to Scorpia at the end. But it also means she is utterly inflexible, hence why she can’t work with cacti or Entrapta.

The reason I bring both of them up together is because their balancing out of each other leads to character development over the course of the story. Perfuma learns to widen her understanding of the world, and that she doesn’t realy have to subvert her morals to do so, and Mermista gains a healthy framework with which she can interact with people and form meaningful relationships.

For example, she can’t really react to Sea Hawk at the start of the series because she doesn’t know how to. She thinks in problems to be solved, but people aren’t that. At the end of the series, they become a couple because of the development seen above.

Essentially, I like Mermista because I like the story that is being told about her, and the way in which it is told. She's also just a big ol' nerd, which is just a joy to watch.

Just stop giving her one liners. I’m talking to the show and a few fanfics I have read. They’re jarring. Please, let my girl brood.

[doomzidle]

What is the canon route for DSaF 3?

There's been a lot of confusion on what is the canon route for DSAF 3, and for good reason. Direct Doggo says that no single route is canon, which originally didn't make any sense because the start of DSAF 3 looks like it follows DSAF 2's 'Perfect ending' (The ending where you and Peter rig Dave's suit, and springlock him, effectively turning him into Davetrap.) But, if you follow any 'Dave' route in DSAF 2, Dave never becomes Davetrap, which doesn't make any sense with Doggo's claim, because in the third game you will ALWAYS find Dave as Davetrap.

How ELSE would Dave become Davetrap? Fortunately, we've found the replacement for the perfect ending, and how Dave becomes Davetrap even when you side with Dave There's a DSAF spin-off, not many people know about, called Project: Save the Kiddins. Doggo made it as a fundraiser. It takes place after the events of DSAF 2, and before DSaF 3. It's canon. basically FNAF 1, but with DSAF characters, and you have the ability to wander around the map freely.

(look at the lil guy.) Jack has gone to work the nightshift under a false name, and it seems like he’s doing this to fix what he’s done, hence BJ’s deciphered dialogue. We also know this HAD to of followed a Dave route as well, meaning Jack had killed kids before this.

Dave's tapes.

Here's more evidence this is a former 'Dave route', he's literally alive and NOT springlocked, and just look at the way he's talking to Jack. This also takes place a few years AFTER dsaf 2. The fact Dave's not already davetrap itself tells us it that DSaF 2's 'Perfect ending' ISN'T the canon route the third game follows. (these are 2 of the nightly messages Dave leaves for the nightguard)

``Old sport! It must be you. Nobody else could just lob their ass down and survive four nights like it’s nothing at all. Old sport oh, how I’ve missed you. You came back. You Always come back. Have you come back for me, Old Sport? Have you come back for ol’ Davey? I knew it! I just knew that you really loved me! Look, I have to go, Old Sport, but, I’ll be right back tomorrow night. Okay? Stay alive, old sport. I’ll speak to you tomorrow, Sportsy.``

And the following night, Dave sill say this;

''Old sport! I can’t believe you’ve come back. You have no idea how much I’ve missed you. How much WE’VE missed you. We’re a family, Old Sport. Freddy’s is a family, I thought you had abandoned us, Old Sport. But now it’s clear to me. You can be part of us again! You don’t have no idea how lonely these last few years have been, Old Sport. My life was dead without you, but you were lost and now you are found. I’m coming back for you, Old Sport. I’m going to come back and find you, I’m going to come find you, I’m going to come find you.``

Dave's still kicking, and Jack's trying to makeup for his wrong doings.

Now, if we go to the ending of Project: Save the Kiddins, we see the only other way Dave would've become Davetrap.

The kids trick him into entering the suit, and he dies, right there and then. Bro is DEAD, GONE, DECIMATED. This is also the UTAH location, I believe. The same location you find Davetrap in while salvaging in DSaF three.

This makes Doggo's claim of no single route being canon make sense. Project: Save the Kiddins servers as a replacement for how Dave becomes Davetrap. There's also more evidence in the flipside, you can walk up to any bonnie poster to get the dialogue tree. Jack will say he's seen Bonnie without a face at three locations, Dave will ask 'three? but I only remember seeing you at two locations.'' Jack will reply 'I know, that's because I worked the night shift. You wouldn't of seen me.''

ANYWHO, have this big hunk of lore. I usually have a LOT of lore discussions in several servers, so I'll probably just post stuff I find here, too... because why not?

[roomwithanopenfire]

Six Sentence Sunday

Happy Sunday everyone!! Thanks for the tags @blackberrysummerblog and @artsyunderstudy!!

This week I’ve done the big three: writing, editing, and ignoring my wips, with perhaps a bit more of the last one than I’d like. Most of my writing this week has been for an exchange fic for a different fandom, which I finally finished the rough draft of. Cue the celebration. However, even if I wanted to share anything from that, I can’t, it must remain hush-hush, but I am getting pretty excited to share it (and way more excited about receiving my own exchange fic back, this whole thing is very fun).

I’ve written less than 300 words on my COBB this week, and none of them are good, but I have gotten some editing done of Proof of Life. I can’t share any more snippets of the next chapter though because I’ve shared too much already. So instead, I figured I’d do a bit of a process post this time around, because I always love reading those. Check that out under the cut! (and i'm sorry this is long, i still have not learned brevity)

So my editing process isn’t too crazy, and is brought to you almost entirely by google docs comments. I also use the word ‘editing’ very loosely to encompass rewriting, revising, and proofreading. Sometimes editing means completely rewriting a scene/section, sometimes it just means switching around a couple of words or cleaning up a sentence. 

Mostly, I try not to take everything so seriously, because I know that I could edit something forever and ever and never post it if I let myself get too carried away. So I try to keep everything pretty chill. So here’s my steps I go through for each chapter that I edit. 

Step One: Reread the whole chapter. While I do this, I’ll leave comments on big picture things. “Maybe move this scene into the next chapter” or “The dialogue in this scene feels stilted” but I don’t add a lot of comments at this point. Once I’m done with this I’ll copy over any comments I had on the first draft or the beta reader copy over into the ‘draft two’ document. 

Step Two: COMMENTS. Again, my fics are brought to you by google doc comments. I like to go through from the bottom up, reading scene by scene and leaving comments on pretty much every single sentence. 

A lot of the time (read: most of the time) these are really vague like:

And sometimes these are more detailed like:

And occasionally these are compliments

Step Three: Once the whole chapter is filled with comments, I go through scene by scene (in whatever order speaks to me), and rewrite, edit, or fix sections. This part I find really fun, because I’m taking parts that aren’t good yet and I’m making them better. I love fixing things and getting rid of all the comments. It typically ends up being a lot of  rewriting, but I always finish a scene feeling better about it then when I started.

For example, here’s the draft one vs. draft two version of a snippet from the first chapter of Proof of Life. This is one of the scenes I pretty much rewrote. Others look a lot more similar to their original versions.

Original:

Edited:

Step Four: Then before I post a chapter, I’ll read through the whole thing and sometimes find smaller bits to fix. Then I’ll run it through a grammar checker and ignore half of their suggestions in the name of ✨style ✨.

Overall, I feel like I have a pretty basic editing strategy and I’m really pleased with it. Even though sometimes I feel like more robust edits would make everything way better, it’s a good mix of fixing things but not spending too much time on it. I remember I spent like a month on editing the very first fic I posted at that was only 6k words. If I kept doing that for everything, I'd never post anything at all. With fanfiction, I know that y'all will be nice to me even though it's never perfect <333

Tags and Hellos!! (I'm unsure if we still need the spaces, but i've been burned too many times lol)

@you-remind-me-of-the-babe @m1ndwinder @facewithoutheart @run-for-chamo-miles @raenestee

@onepintobean @prettygoododds @noblecorgi @hushed-chorus @angelsfalling16

@thewholelemon @monbons @shrekgogurt @brendughh @hertragedyconnoisseur

@beastmonstertitan @valeffelees @horsesarenotdeer @drowninginships @supercutedinosaurs

@fiend-for-culture @rimeswithpurple @cutestkilla @alexalexinii @ileadacharmedlife

@arthurkko @rbkzz @skeedelvee @bookish-bogwitch @brilla-brilla-estrellita

[you-are-joking]

just finished watching hannibal. quick question why is it LIKE that

[afflatusssss]

It was the weight of guilt that sent Icarus crashing down a second time; he wondered if he was always destined to be punished for loving something brighter than himself, even in death.

[fayeriee]

I love how Astarion’s dialogue on your first long rest changes depending on if you talk to him first, second, (third?), or last.

If you talk to him after already speaking with everyone else he literally says “do you mind? I’m brooding” HE IS SULKING!!! He wants you to pay attention to him and if you don’t he literally pouts

love of my life behaviour

[sarafangirlart]

What is your headcanon or interpretation of Zeus and Hephaestus relationship? Do you think Zeus hates Hephaestus? (but not like the same level of his hate with Ares). Or maybe they just tolerate each other bec Zeus needs Hephaestus talent?

They tolerate each other, Hephaestus doesn’t see the point in being hostile to Zeus (last time that happened he was thrown off a mountain), and Zeus considers Hephaestus useful so he keeps him around. Zeus didn’t like how Hephaestus divorced Aphrodite since he was the one to set them up together and he thinks they’re being ungrateful. Hephaestus is the most like Hera (sometimes she’s considered his only parent so i imagine he’s kinda a clone of her) and bc of that Zeus goes back and forth from liking him to hating him.

Hephaestus never fully got over being thrown off Olympus for defending Hera, so Zeus set him up with Aphrodite to make peace, but as we can see it didn’t work.

[heraldofcrow]

A day may come when I stop developing unhealthy obsessions with characters that have long pale hair and psychological issues…but it is not this day…

[roberrtphilip]

people keep dragging Enchanted into Wish discourse and it’s driving me so crazyyyyyyyy if Enchanted came out today y’all would hate it so bad because you can’t handle when anyone pokes fun at love at first sight/true love

[celestial-toys]

been laying here listening to Lucky by Dermot Kennedy on loop for half an hour while thinking about Everything Stays and crying

[deityofhearts]

ya know it’s honestly funny and weirdly comforting when my friends call me a fake gremlin or green tea bitch because like despite that they still love me and like having me around

[rayliakada]

Re reading Percy Jackson after the show is such a wild experience because now I read it and just picture Walker as Percy and all I can think is that he is going to absolutely kill it when some of the later books get adapted

[nightwardenminthara]

🔥hehehehehe

okay idk how unpopular this is BUT

i like the rivalries (and rivalmances) and think a lot of criticism of them comes from people who havent ever done them or have only watched videos of people spamming the worst possible option lmao

i disagree that they’re hawke bullying their friends because you can have full rivalry without ever saying a rude thing to them. what they DO show is hawke having an opposing opinion to their companion.

which like happens and also it’s fine to play a hawke who isn’t right all the time (but also isn’t necessarily EVIL).

now they ARE broken (hello anders preaching about being anticircle to a blood mage hawke) and I’m not trying to say the rivalmances are all perfectly healthy lol. but having done a h/anders rivalmance even that doesn’t have to be whumpy like it might appear if you watch a video where hawke just yells at a/nders for 40 minutes until they kiss lmao

[yikesola]

"In my defense, I really wanted to."

Rating: G

Word Count: 1.4k

Summary: Dan already knows that Phil is having another dizzy spell not merely because he is laid flat on the couch with nothing turned on— no TV and no music, nothing at all but the sounds of the city coming through the open windows— but also because he is that particular shade of green he used to only get after an ill-advised virtual reality session.

A fic about heads and horizontal.

read on ao3