#akai mpk mini

[exterminathan]

you can trip on my synthesizer electronic world for every boy and every girl

[sw4mpc0re]

Hanging with my bb today

[shanecemusic]

My remake of Doja Cat’s Woman using FL Studio. Thoughts?

[mistrustmusic]

Review of 2022

Hello Dear Readers and Happy New Year to you all! Thank you all for reading, following, and sharing my blog over the last year! Now that 2022 is coming to a close, here is a look back at some of the things I did during the year, mainly from a music per

Hello Dear Readers and Happy New Year to you all! Thank you all for reading, following, and sharing my blog over the last year! Now that 2022 is coming to a close, here is a look back at some of the things I did during the year, mainly from a music perspective, but other things too! It’s been a strange year. After coming out of COVID, life has got a bit more back to normal. I’ve made some…

[fleshkrumblezzr]

My track called Adjusted from my beat-tape "The Universe is God's dandruff."

[roaminglocusts]

idk what it is but if someone opens up their video with "ladies, gentlemen, and enbies" they automatically get extra points in my made up good youtuber competition that has no bearing on who I watch

[geqoxasuwate]

Mpk 249 manual

nt: Download the full MPK249 USB Cable Safety & Warranty Manual.

Dur a configurer car le pc ne reconnait pas mon mpk 49, trã¨s bon clavier, bon clavier maitre . Tres bon, bon controleur . N;jhf,kyfj , pas mal du tout,Voir le mode d'emploi du MPK249 en ligne ou télécharger le manuel de service Akai MPK249 gratuitement. User Guide English Manual Version 1.0[]

Box Contents. MPK249. Quickstart Guide. USB Cable. Safety & Warranty Manual. Support. For the latest information about this product (system requirements,

Consulter en ligne ou télécharger PDF (3 MB) Akai MPK249 Mode d'emploi • MPK249 PDF téléchargement manuel et plus Akai manuels en ligne.

Consultez gratuitement le manuel de la marque AKAI MPK249 ici. Ce manuel appartient à la catégorie Equipement Dj et a été évalué par 2 personnes avec une

</p><br>https://dagugoval.tumblr.com/post/693260496209657856/luxman-l3-manual, https://dagugoval.tumblr.com/post/693260610699427840/fou, https://geqoxasuwate.tumblr.com/post/693260837341790208/mobil-emploi-74, https://dagugoval.tumblr.com/post/693260610699427840/fou, https://dagugoval.tumblr.com/post/693260879658106880/samsung-galaxy-s4-zoom-mode-demploi-de-lipad.

[fantastic-bby]

Anyone have any good recommendations for MIDI controllers and keyboards?

[1hoverman0k]

the average edm studio is a large empty carpeted room with nothing but a laptop and akai mpk mini on the floor not even plugged in

[sleepingangelmusic]

AKAI MPK Mini Play3 JAM using Boss RC-3 Looper Pedal LIVE RECORDED into ...

[moment-japan]

帰宅後、毎日、音楽生活。

MIDI KEYのケーブルが短かったので、アマゾンでロングケーブルを買いました。

あと、エビ水槽のカルキ抜きに、テトラ・コントラコロラインも買いました。

（なんだか・・）

地元のお店で買うより安い。

今、気が付いたのですが、AKAI MPK miniのK1ノブを回すと、モジュレーションがかかることを発見！

（いまさら。笑）

DAWではいろんなソフトを使っていますが、それ以外はスタンドアローンで動くKORG・WAVE STASHIONのソフトウエア版で楽しんでいます。

（90年代のシンセ！）

そしてまたまた今気が付いたのですが、クレジットカードの利用限度額が３倍になっておりました。

（もはや車が買える）

一応、信用されているのか？

[gasnewsletter]

Two Round Robins - Interview & Studio Tour

Gear List

Synths & Grooveboxes

Teenage Engineering - OP-1

Teenage Engineering - PO-33 KO

Teenage Engineering - PO-35 Speak

Teenage Engineering - PO-20 Arcade

Monome - Norns Shield

Monome - Grid

Bastl Instruments - Kastle Drum

Korg - NTS-1

Korg - Monotron Delay

Nintendo - Gameboy Color + Arduinoboy

Recovery Effects - Instrument 01

Alesis - Micron

Yamaha - VSS200

Tape Stuff

Tascam - Porta Studio MK II

Sanyo - Dictaphone

Sanyo - Pocket Corder

DIY Cassettone

Loads of tape-loops

Pedals & FX

Electro Harmonix - Memory Man 2

Boss - DD-7

Boss - Looper

Boss - RE20 Space Echo

Boss - Tremolo

M-One - Effect Unit

Controllers

Akai - MPK mini

Native Instruments Maschine Mikro MK2

Interface & DAW

Audient - iD4

Logic - Pro X

Instruments

Acoustic Guitars

Deering - Banjo

Mandolin

Violin

Lapsteel (modified)

Electric Guitar

Kalimba

++ small musical toys, instruments

----

Who are you and what is your relationship with music?

I live in Ljubljana, a capital of a very small central-Europe country called Slovenia.

I started making music in my early teens. Coming from a non-musical family, it was your usual "Dad bought me a guitar" story that through trial and error and some basic lessons transcended into a music-making love affair, that seems to roll on.

I never really bothered with playing other peoples stuff, like most of my peers did, but I'd rather strum away and try to find my own thing from the very beginning.

From your usual early-teen metal phase I moved on to alt-rock and then it kinda jumped into all sorts of genres. In my early 20s I started doing film scores for smaller movies and various other media. This helped me to become quick in the various technicalities of music composition and production.

After my job at SAE Institute sadly ended, I moved on and did a lot of freelance work within the music field, before getting another regular 9-5 job in another media educational institute, which still provides my main income.

It's hard to survive only with musical output in Ljubljana, Slovenia especially if you come from a rather non-privileged background. So having a regular salary definitely helps that when you focus your creative energy on making music, the output is strictly what you decided to be.

What's the one thing in your studio you can't live without?

It's a hard question since every synth or music making gadget, at some point, is like a little baby that you can't live without. But thinking of it logically...

It's probably my laptop.

Thinking with heart however, I'd probably go with TE - OP-1 or Monome - Norns Shield.

What's your process?

Since I consider myself a newcomer into the intriguing world of DAWless jamming and ambient music, I tend to find my process to be constantly shifting.

However, what I seem to revolve around is texture. I start with texture - may it be a sample, synth or a field recording. The initial sound and colour has to draw me close enough that I can just sit and listen for a few minutes, enjoying the soundscape.

I learned slowly (and I still do) that I need to take time with each new sound element, processing it and still keep enough space within the atmosphere to let the piece breathe naturally. I was guilty (and still am at points) of doing the newbie mistake of adding and adding different harmonic layers, melodic ideas until all that is left is an asynchronous mess.

I still have a long way to go until I'll be comfortable enough to call myself anything close to a sound artist.

How would you explain your style?

I'm drawn towards a sound that sounds nostalgic, innocent and broken so I guess my style would be considered in the brighter spectrum of ambient music.

Taking a lot of ideas from nature and childhood, I try to create something that I would consider warm, beautiful, calm but at times chaotic. A lot has to do with gear that I own (or at least aspire to own) that I just enjoy the sound of and believe that such sound will push this initial style into a firmer ground as well as new territories.

Norns was something that changed my style as exploring. It's scripts forced me out of my comfort zone of quantized based music. It helped me understand that emotion is not grid-locked and my (now more open) mind found ways to conceptualize the uniqueness that came out of that little machine.

A similar breakthrough were tape-loops as well. There is no doubt in my mind that my style will evolve and something I consider now to be groundbreaking will look like a mere happy accident that kind of happened.

Has this journey of building a hardware setup changed the way you think about music or life in general?

Definitely!

The thing I really disliked when my creating was only based in a DAW setup was getting home from work and having to open my laptop yet again, staring at the same screen and making something that seemed I made a million times before. With this typical DAW fatigue I started losing interest in creating electronic music and found that strumming away on an acoustic instruments was a far more satisfying creative session.

But soon enough, the limiting sound that strictly acoustic instruments produce pushed me to search for alternatives. Once I got myself an OP-1 everything kinda changed. I took it to the park and found out that I really enjoy noodling on these portable synth around the beautiful scenery and I just let these droney textures take over.

I always knew that music has a healing effect on me, but making something that seems so naturally slow and evolving really adds it to a new level. Ambient sessions have now become far more therapeutic.

Music making (at least in this context) is now a far more meditative experience that makes me more relaxed than it used to with just creating a track in Logic Pro and now I come out of it far more satisfied.

What’s your ONE tip on music-production or creativity?

Be bravely slow.

I did a lot of music with a mindset of being quick is the only right way. But now I find that this tends to push me back into making the same stuff over and over again.

But taking time and really enjoying the process is a way more rewarding experience, giving you a sense of yearning for more exploration. You take this feeling and let yourself be hungry for a new session or better yet a new exploration into the whole unpredictable world of sound. This will then make you excited whenever you sit back with your gear just to noodle around and most importantly have fun doing it.

A book/movie/article that fueled your creativity?

Huh, a hard question since a lot of books, movies and music inspire me, but if I'd have to put a finger on it I'd say probably Steinbecks "Grapes of Wrath". I took a lot of themes from that book and used them in lyrics for a folk inspired EP I'm working on.

Another book that greatly inspired my sense of trying to mix emotion with a unique take on creativity is Danielewski's "House of Leaves". I absolutely adore that book.

Do you have a question in mind that you think I should have asked?

 "What is your current dream gear?"

Anything by Ciat Lonbarde

---

Friends, this is a past issue from the G.A.S. Newsletter. Every Tuesday and Friday a new artist is featured.

[burlveneer-music]

Synthetic Villains - Christmas Album - a mix of traditional and original instrumentals, in electro-folk fashion

I like Christmas music. As a small child, it really was a wondrous and magical time, and music sound-tracked that joy and excitement. It's stuck with me. Every Christmas over the years, and whilst making this album (over several months), I've listened to a lot of Christmas music. I don't like all of it, I'm pretty discerning, but I've taken on board everything from old carols up until recent times. I've researched the history of Christmas, including it's various pre-Christian roots, and the history of Christmas music. A lot of Christmas music is basically folk music (that more people listen to). Many of the melodies and some of the words have been sung for centuries, and like folk music, those melodies and words have evolved, been adopted and co-opted over the years – just like mid-winter pagan festivals, Norse Yule, Christian Christmas, and the mostly secular version we currently inhabit. There's probably the need for a good book about it all. But for now, suffice it to say, I've tried to encapsulate the spirit of Christmas (an umbrella term for all of it's permutations) within these 12 tracks. There is no snark here, it's a totally sincere album. My greatest wish would be for it to become part of your Christmas tradition - I hope you like it, and play it every year!creditsreleased December 2, 2022 Tracks 2, 5, 6, 8 written by Richard J Turner. Tracks 1, 3, 4, 7, 9, 10, 11, 12 trad/expired copyright. All tracks arranged and played by Richard J Turner. A Flood of Sound Production. For the gear nerds: Fender Mustang guitars, Fender Musicmaster Bass, Fender Twin Reverb Amp, Korg Volca Beats, Korg Volca Kick, Korg Monotribe, Korg Minilogue XD, Casio MT100, Casio MT45, Casio Rapman, Yamaha PS2, Yamaha MR10, Yamaha DD5, Rakit Metal Synth, Rakit Drum Synth, EHX Crash Pad, MPC Tymp, Akai MPK Mini Play, xylophone, glockenspiel, chime bars, jingles, tambourine, shakers, finger cymbals, bell, bike bell, shekere, samba whistle, party hooter, crackers, siren whistle, cuica, zither, bouzouki, Guild D4 acoustic guitar, music box, effects pedals.

[makemusiconline-ampedstudio]

Best midi keyboards 2022

A MIDI controller keyboard is an essential piece of equipment in any studio. The best MIDI controllers can take your recordings to a whole new level. If you're not sure where to start, we've got all the information you need right here. USB-based MIDI controllers offer an easy and convenient way to play and record software instruments with your computer. They can be plugged directly into your PC or laptop via USB, or in some cases they can operate wirelessly over Bluetooth. This makes them a central performance hub for your studio, allowing you to play and record software instruments with ease. Some MIDI controllers also double up as a control interface for hardware synths, making them an essential piece of kit for any producer or musician. There are a variety of different MIDI keyboards to choose from, depending on your needs. You can go for a smaller, more portable model that fits comfortably in a laptop bag, or you can go all out with a full-sized 88-note keyboard with weighted keys. The most important factors to consider include the number of keys (some models have 88 keys, while others have fewer), the type of action (weighted keys or not), and whether or not you need additional features such as knobs, pads, buttons and faders. When shopping for a MIDI keyboard, it's important to consider what you need in order to make the best purchase. You can get a cheap model for less than $100 if you look around, but if you're looking for a higher quality option with more features, you'll likely have to spend a bit more. In general, MIDI keyboards that cost more tend to be more rugged and able to stand up to travel. So, if you're looking for something to take on the road with you, it might be worth spending a bit more. Finding the right one for you can be a daunting task. With so many options available, it can be hard to know where to start. Our price comparison widgets have found the best deals online right now, so you can be sure you're getting the best possible price. If you need more guidance, head to the buying advice section at the bottom of the page. There, you'll find tips and advice on how to find the perfect product for your needs.

The list of the best midi keyboards - our choice

- Nektar SE25 MIDI keyboard - Novation Launchkey Mini Mk3 MIDI keyboard - Akai MPK Mini Mk3 - IK Multimedia iRig Keys 2 Mini - Native Instruments Komplete Kontrol M32 - Korg microKEY2 Air-25 - M-Audio Oxygen 49 MKV - Novation Launchkey 37 Mk3 - Arturia Keystep 37 - Native Instruments Komplete Kontrol A25 - IK Multimedia iRig Keys I/O 49 - Nektar Impact LX88+ MIDI keyboard - Arturia Keystep Pro - Arturia KeyLab 49 MkII MIDI keyboard - Novation 49 SL MkIII - Native Instruments Komplete Kontrol S61 MkII - Roland A-88MKII - ROLI Lumi Keys Studio Edition - M-Audio Keystation 88 MK3 - M-Audio Oxygen MKV 61 - Nektar Impact GX Mini - CME XKey 25 - Nektar Impact GX49/61 - M-Audio Keystation 49/61 MK3 - NI Komplete Kontrol A49 - Keith McMillen QuNexus - Alesis V61 - Nectar SE49 - Roli Seaboard

MDI keyboard selection criteria

The best piano replacements don't have to strictly follow the 88 weighted key rule. There are many great pianos that don't follow this rule, and can still produce beautiful music. So, don't be afraid to choose a different type of piano if it speaks to you. Ultimately, the best piano for you is the one that you feel most comfortable playing and that makes you happy. What are we looking for: - High build quality; - Soft touch keys; - Pitch-bend and modwheel; - Velocity/pressure sensitivity. Choosing a MIDI keyboard can be a difficult process, especially if you don’t know what to look for. There are a few important factors you need to consider, such as the build quality and playability of the keyboard. This list is short due to those factors, but it will ensure that any recommendation we make will feel well-built and playable. You won’t regret your purchase if you take these factors into consideration. When it comes to MIDI controllers, there are a few different things you'll need to decide on before making a purchase. The first decision is the keybed size- some controllers come in miniature 25-key sizes, while others are full sized with 88 keys. Aside from the number of keys, the controllers are essentially the same. The following parameters will need to be guided subjectively at your own discretion: - Number of Keys. The number of keys on a keyboard can affect its price and bulkiness. More keys mean a higher price and more bulk, which might be unnecessary if you’re not playing classical pieces. 49 keys are good enough for synthesizer-focused players, whereas 61 keys are a good amount for keyboardists who need; - Key Type. Synth-action keys are the most common type of keys found on digital pianos. They are generally more lightweight and responsive than weighted keys, but still provide a sense of resistance that is often desired in piano playing. Weighted keys, on the other hand, offer a heavier touch that can be more advantageous for certain types of music. Semi-weighted keys are a rarer option that falls somewhere in between the two, offering players the best of both worlds in terms of responsiveness and resistance; - Number of Controls. It's good to have knobs and buttons for assigning software functions with MIDI Learn, but most of us don't need a full digital mixing board. If we did, we'd be buying something else. Knowing what you need is key. If you don't need the controls, you can get the same keybed on the Nektar SE49, which is a stripped-down version of the Nektar GX49. Knowing what you need is key to getting the right product; - Number of Controls. It's good to have knobs and buttons for assigning software functions with MIDI Learn, but most of us don't need a full digital mixing board. If we did, we'd be buying something else. Knowing what you need is key. If you don't need the controls, you can get the same keybed on the Nektar SE49, which is a stripped-down version of the Nektar GX49. Knowing what you need is key to getting the right product; - Aftertouch is one of the most unique and expressive features on a keyboard. Unlike typical pressure sensitivity, aftertouch continues to detect how hard you’re pushing down until you let go. This can be used to add extra layers of expressivity to your performances on instruments like organs, where aftertouch can be assigned to control the rotary speaker speed; - 5-Pin MIDI Support. If you're using a MIDI controller that doesn't have a MIDI port, you can use a USB MIDI interface to send MIDI signals through a traditional 5-pin MIDI cable. However, this can be inconvenient because USB ports are limited on laptops. Here's an example of how to connect a USB MIDI controller to legacy hardware: USB MIDI Keyboard -> Computer -> USB MIDI Interface -> 5-Pin MIDI Cable -> Legacy Hardware. Although it's possible to use USB MIDI controllers without a MIDI port, it's not as straightforward; - Pads. Pads are an important part of a keyboard, but they are not a necessary component. They are essentially larger buttons, which can be helpful for playing on a main keyboard. Finger drumming is a popular activity, but I find that keyboard-drumming is more precise. Your own experience may vary; - Pedal Support. When looking for a keyboard, it's important to consider whether or not the model has a pedal jack. Not all keyboards have this feature, particularly the smaller, portable 25-key models. However, it's always better to be safe than sorry, so it's best to make sure that the model you're interested in includes pedal support. This can be either through a proprietary jack or otherwise; - Software Support. MIDI controllers that are designed to integrate well with specific software can be a great option for musicians who want the best possible experience with their music-making tools. By choosing a controller that is specifically tailored to work well with your software, you can eliminate many of the compatibility issues that can arise when using different programs. This can lead to a smoother, more efficient workflow and help you get the most out of your music-making.

Best MIDI-keyboards reviews

1. Nektar SE25 MIDI keyboard

Compatibility: PC, Mac No of Keys: 25 Key size: Mini Key type: Velocity-sensitive Controls: 6 function keys; assignable PB1 & PB2 buttons for pitch bend, transpose, volume, pan & track; assignable ‘Part Two’ button for octave, MIDI channel, transpose, layer & latch; S button for sustain & modulation Connectivity: Micro USB port, sustain pedal input Power: USB Software: Bitwig 8-Track Dimensions (mm): 335 x 100 x 2 Weight (kg): 0.4 A MIDI controller keyboard can be an essential item if you're always making music on the go. The Nektar SE25 proves that features and playability don't need to be sacrificed for the sake of size and portability. This MIDI controller is small enough to fit in a laptop bag, but it still has 25 keys with full-size velocity and aftertouch. There's also a 4-way joystick for pitch and mod control, as well as buttons, knobs, and faders for even more control over your sound. Plus, the SE25 is USB powered, so you can just plug it into your laptop or computer and start making music right away. If you're looking for a small MIDI keyboard and don't want to break the bank, Nektar's new SE25 is well worth considering. It's not the cheapest option out there, but it offers good value for money, and we found it to be thoroughly impressive during testing. It's a simple, compact product, but it does everything you need it to do - no more, no less. 2. Novation Launchkey Mini Mk3 MIDI keyboard

Compatibility: PC, Mac, iOS No of Keys: 25 Key size: Mini Key type: velocity-sensitive Controls: Octave shift, Transpose, Pitch and Modulation strips, 16 velocity-sensitive backlit RGB launch pads, 8 rotary encoders, 10 function buttons Connectivity: USB B port, 3.5mm TRS Type A MIDI out, Sustain Pedal input Power: USB Software: Ableton Live Lite, two months of Splice Sounds, AAS Session Bundle, Softube Time & Tone, Spitfire Audio LABS Expressive Strings, Klevgrand DAW Cassette and R0Verb, XLN Audio Addictive Keys, membership of Novation Sound Collective Dimensions (mm): 330 x 172 x 40 Weight (kg): 0.69 The Launchkey Mini Mk3 is a powerful pocket-sized controller that is packed with features. Many of these features were missing from the previous version, including pitch bend and modulation touchstrips, a hardware MIDI out on a TRS jack, an incredibly flexible and versatile arpeggiator, a chord memory feature, and a great software bundle. The Launchkey Mini Mk3 is a great keyboard controller for Live users, but it doesn't work perfectly with every DAW. If you're looking for the best solution at this price point, the Launchkey Mini Mk3 is definitely the way to go. The Launchkey Mini MK3 is a great choice for a small, velocity-sensitive MIDI keyboard. It has an impressive range of connectivity options, making it perfect for traveling or using in a variety of settings. 3. Akai MPK Mini Mk3

Compatibility: Mac/PC/iOS No of Keys: 25 Key size: Mini Key type: velocity-sensitive Controls: Eight assignable encoders, eight MPC pads, full transport controls, 4-way joystick Connectivity: USB Power: Bus-powered Software: MPC Beats, Bassline, Tubesynth, Electric, Hybrid 3, Mini Grand, Velvet Dimensions (mm): 32 x 18 x 4 cm Weight (kg): 750g The Akai MPK Mini Mk3 is a great MIDI keyboard for most people, particularly those looking for a quick and easy way to add melodies, basslines and simple chords to their projects. It's small and easy to use, with a ton of features that make it perfect for musicians of all levels. The MPK Mini MK3 is much more than just a keyboard. It also has eight encoder knobs which can be easily mapped to any parameter of your DAW, and eight full-sized MPC style drum pads. This makes it an ideal controller for studio use or live performances. At its heart, the Nano studio is a portable production powerhouse. Its small size makes it easy to transport, while its wealth of features and functions make it a valuable addition to any studio setup. Whether you need to record vocals, guitars, or other instruments, the Nano studio has you covered. Plus, its intuitive controls make it easy to use, even for beginners. So if you're looking for a versatile and portable recording solution, the Nano studio is definitely worth considering. 4. IK Multimedia iRig Keys 2 Mini

Compatibility: Mac/PC No of Keys: 25 Key size: Mini Key type: Velocity sensitive Controls: Volume, Octave up/down buttons, Program up/down buttons, Setup button, assignable data push encoder, 4+4 assignable knobs, Modulation Connectivity: MIDI in/out, micro-USB, 1/8" headphones output Power: USB Software: iOS SampleTank, Syntronik Pro-V Cubasis LE. Mac/PC: SampleTank 4 SE plus one of your choice from seven titles Dimensions (mm): 32 x 14 x 5 cm Weight (kg): 0.58kg The Keys 2 Mini 25 is a small and affordable keyboard that has 25 mini keys. It is one of the smallest and cheapest models in the iRig Keys range, which also features keyboards with 37 mini keys and Pro (37 full-sized key) options. Mini 2 25 is small enough to place on any desktop, and it is sturdy enough to stay in place. It also features direct connectivity to iOS devices. The keyboard has a variety of controls that you can use to customize your sound. These include the standard controls such as volume and pitch, as well as more advanced options like MIDI assignments and editing. The keyboard also has a set of program buttons, assignable rotaries, and a data knob to give you easy access to all of its features. The keyboard is solid and well-sprung, although it may not be the player's dream come true. There are no dedicated pitch-bend or modulation dials, but if this is important to you, there are workarounds that you can explore deeper with Edit Mode. The Irig Keys 2 is a great keyboard controller that is a bit on the expensive side. This offers many of the same features at a smaller size and for less money. Plus, it comes with a decent software bundle. 5. Native Instruments Komplete Kontrol M32

Compatibility: PC, Mac No of Keys: 32 Key size: Mini Key type: Velocity-sensitive Controls: Eight touch-sensitive control knobs, two touch strips, four-directional push encoder Connectivity: USB Power: USB Size: 47.5 x 16.7 x 0.5cm Weight (kg): 1.45kg The Komplete Kontrol A-Series is a USB 2.0 bus-powered keyboard that manages to squeeze 32 mini keys and the full complement of Komplete Kontrol controls into its tiny frame. It delivers almost the same functionality as the Komplete Kontrol S-Series (see below), making it an excellent mobile option for producers on the go. The Komplete Kontrol M32 replaced the pitch and modulation controls with a pair of short touch strips. Also, the controller is equipped with 8 capacitive knobs, a 4d encoder, as well as numerous buttons that are incomparable in their tactile sensations. All this provides a high comfort of control, working with the operating Maschine, as well as using the interface of your DAW. The OLED display and Smart Play features from the A-Series are also in place on the B-Series, allowing you to scale snap, chord trigger and arpeggiate with ease. As a regular MIDI controller keyboard, it also works with any other software. The mini keys were the only downside to this keyboard for us. We found that we could live with them after some getting used to them, so if you can live with them too, this is the best portable and affordable MIDI keyboard you can buy. 6. Korg microKEY2 Air-25

Compatibility: PC, Mac, iOS No of Keys: 25 Key size: Mini Key type: Velocity-sensitive Controls:Joystick, Arpeggiator button, Sustain/TAP button, Octave Shift buttons Connectivity: USB, Bluetooth Power: USB or batteries Size: 39.5 x 13.1 x 0.52cm Weight (kg): 0.67kg The line of microKey 2 Air midi keyboards is represented by 4 models depending on the number of notes: 25, 37, 49 and 61. Each works via Bluetooth communication. Power is supplied via AA batteries or via USB. If you're looking for a MIDI controller keyboard that's easy to set up and operate, the microKey 2 Air 25 is a great option. It may not have as many bells and whistles as some of its rivals, but it delivers on the basics, and plays far better than many other keyboards in its class. 7. M-Audio Oxygen 49 MKV

Compatibility: Mac/PC No of Keys: 49 Key size: Full-sized Key type: Velocity sensitive Controls: 8 velocity-sensitive trigger pads, 8 assignable knobs, 9 assignable faders, transport buttons Connectivity: USB, sustain pedal Power: USB Software: Ableton Live Lite, MPC Beats, Skoove and Melodics instrument learning, Air Hybrid 3 and Mini Grand instruments Dimensions (mm): 81 x 24 x 9 cm Weight (kg): 2.9kg The Oxygen 49 MIDI keyboard controller is a lower-priced alternative to the M-Audio Pro 49. It has a 3-segment LED display, instead of the OLED display on the Pro, and it has 8 back-lit red pads instead of 16 multi-coloured ones. However, it still provides access to 16 sound sources from the front panel when programming. The Oxygen 49 lacks a dedicated MIDI out port, but it does have other features that make it stand out from the crowd. These functions are mostly triggered via soft keys and via 'secondary modes' from the keybed itself. Read the full article

[mistrustmusic]

New Album "Sunlight" out now!

The new electronic pop album “Sunlight” by Mistrust is out now at https://mistrust.bandcamp.com !! I’m back with a new mini album called “Sunlight”. The album is available as a digital download and limited edition compact disc. It marks my first CD since the release of my single “Yellow and Grey” earlier this year. The album features six songs, all previously unreleased (one of the songs “Yellow…

[osumnulaosum]

OSUM NULA OSUM ZINE VOLUME ONE [GEAR/AKAIMPKMINI]

Akai MPK Mini MK3 je kompaktní MIDI kontrolér a klávesy určený pro hudební produkci a tvorbu. Jedná se o třetí generaci populárního MPK Mini kontroléru od společnosti Akai Professional. Tento MIDI kontrolér nabízí širokou škálu funkcí a možností pro ovládání hudebního software a hardwaru.

Mezi hlavní rysy Akai MPK Mini MK3 patří:

Kompaktní design: MPK Mini MK3 je malý a přenosný, což jej činí ideálním pro mobilní produkci a práci na cestách.

Klávesy a pad: Obsahuje 25 mini kláves a 8 podsvícených MPC-style padů, které umožňují hrát melodie a bicí.

Kontroléry: Kromě kláves a padů má MPK Mini MK3 i otočné knoflíky a tlačítka, které lze přiřadit k ovládání různých parametrů ve hudebním software.

Pitch Bend a Modulation: Obsahuje pitch bend kolébku a modulační kolečko pro expresivní hraní.

Software: Dodává se s řadou hudebních programů, včetně MPC Beats, Ableton Live Lite a Hybrid 3 od AIR Music Tech.

Celkově Akai MPK Mini MK3 nabízí kompaktní a cenově dostupný způsob, jak ovládat hudební software a vytvářet hudbu, a je oblíbeným nástrojem pro začínající producenty a hudebníky na cestách.