Read "Suki, Alone". Liked it in general. But can they please, please hire someone who knows both the show's actual events and how to follow through on a character arc? Because guys. Guys. That comic is not implying about Suki what they meant it to be implying, and all because of literally one line.
So like. From a writer's standpoint:
What they meant to do: show Suki as a community-oriented person who cares for her people, and believes in everyone succeeding together.
As opposed to (spoilers): the thief girl they set her up in contrast with, who's pretty upfront and consistent on primarily looking out for herself. She betrays Suki for one (1) corn chip to improve her own life at the prison, no surprise.
But the problem is: they give Suki an inspirational line to the effect of "we're all working together and we'll all break out together"
You know
The thing she does not do in the show
So if both the show and this comic are canon, then instead of setting up a compare/contrast with the thief girl, they've just set up a comparison. One were Suki is arguably worse, because she's been leading a significant number of prisoners on with her "we'll all fight and win our freedom together!" business, only to straight up cut them out of the escape loop and abandon them, whereas the thief is only leading Suki on in the sense that Suki keeps telling her what it's morally correct to think and confuses snide replies with agreement
My dudes. My fellow writers. You people actually being paid for this. There were so many ways to fix those awful implications against our girl's character, the simplest of which would be to not include that line. Or they could have, you know, made it canon compliant with what actually happens in the show, so that this comic doesn't set Suki up as a betrayer instead of a community builder. Like... just send all her good prison buddies off to other prisons in the wake of the warden finding out they're colluding. Have it timed to be right before the next new prisoners arrive, thus setting it immediately before the Boiling Rock episodes, so Suki didn't have anyone left in the prison she'd want to take with her on a breakout. For bonus points, include a page or two of her and her Kyoshi warriors opening up the cell of one of her prison friends post-war, thus implying she's tracking down and actually fulfilling her promises. Maybe even show her doing the same with thief girl, who was established as being imprisoned on false charges anyway, and also showing that Suki is A) the bigger person, and B) willing to acknowledge her own role in mistakes (because I cannot emphasize enough how much thief girl was not hiding her own priorities, and it was Suki who approached HER with all this, not the girl ever doing anything special to weasel her way in) (this would also open up an opportunity for paralleling Suki's earlier in-comic mistake of not listening to one of her friend's very valid thoughts and feeling, which lead to the girl leaving their island alone pre-canon; a "seeing people as they are, not what you want them to be" moment)
Anyway yeah enjoyable enough for a quick read but another one for the "this can't be canon or the characters are So Much Worse than they were in the actual show" pile
At least Aang didn't promise to murder anyone in this one
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Why are there wraiths in my gardening game?
A Wildmender review
The point of Wildmender is that you are given a big ol' desert, and some plants and gardening tools. The plot is superfluous.
So why do the wraiths keep attacking me?
I beat the game! I murdered their leader! Why are they still staging attacks at regular intervals!
Okay, that said, the difficulty settings are super easily configurable in many different ways, so you can turn wraith damage off, etc, to make the game fit your needs and desires. I haven't actually messed with this because I'm cool with smiting a wraith every so often. Also, on standard difficulty you can just surround your home base with tower defense sigils and they will literally take care of everything up to and including the final boss for you. With the teleportation system, all you have to do is go home when a wraith attack occurs, and then lead the attackers to their doom. So the wraiths don't have to be a problem.
I really like climbing around a 3D world building my garden. I think there's a lot of end game potential - I really want to see if, if I upgrade all the springs fully, I can fill the channels of the salt flats with water, for example. (In which case I will need some sort of swim mechanic to get more pearls to upgrade the rest of the springs in the game.)
I liked how you can just garden your way past the game's obstacles. You're supposed to have a special bracelet for the salt flats to keep them from draining your water, but if you just fill your inventory with acorns and revive every spring you come across, the water drainage is manageable without that.
I think there should be more plants. There are a lot at the beginning of the game, and then toward the end it starts to feel kind of repetitive, you've got some half dozen base plants that come in different skins and all the loot is the same. You could get some really cool DLC in there by adding end-game quests to revive old strains of plants, explore seed bunkers, etc.
It's also a very lonely game. You are literally the only living creature in the world when you start. Oh, there are the gods, and your tutorial leader, but once they run out of tutorials it's just... you and the plants. Which is great! It's exactly what I'm looking for! but the loneliness creeps on you. Maybe I'm not hugging my frogs enough.
(Pro tip: Collect pearls from the salt flats and feed them to your frogs not for the upgrade capability but so that they glow purple and you can find them more easily.)
I had a lot of fun, but it would be more fun in co-op. I really want to play with Tea, but Tea cannot handle combat at all - I was hoping for a combat-free game, and then I was working on my save to beat the final boss so that the wraiths would go away so I could get Tea to come garden with me. So that's really why I'm upset about the continued wraiths. (Mind, Tea doesn't have a Windows operating system to work with, so the day is far anyway.)
Blooper Reel
It's about impossible to play the game without a mouse. You can't strafe without one, and even climbing the spiral staircases was extremely difficult. (The difficulty level dropped dramatically when I plugged in a mouse. Wraiths were a minor concern compared to getting the timing right to WASD myself around a spiral staircase with no rails.)
The game does not prevent you from going off the edge of the map, it just puts a really big cliff there. So if you want to push your boundaries, empty your inventory of important material first. I do not recommend jumping off the cliff with all the easily-obtained instances of the most difficult resource in the game. Usually you can reclaim your body, but not if it's rolled off the bottom of the cliff into doesn't-exist land.
The game tells you that you can cycle through tools using the keyboard shortcut T. It does not tell you that if you have a mouse with a scroll wheel, you can also use that scroll wheel. For a long time I thought it was the worst glitch in the game (there are others) and also that the game was poorly designed in terms of giving you about a dozen tools that you have to keep jabbing T to get round the circuit of. I still think a hotkey system with numbered tools would work better.
It took me a really long time to find out the cape of winds was useful. I got it to tick off the quest box, and then kept on climbing and using the vine bridge mechanism. Once I figured out the cape holy crap were the salt flats less miserable. up down up down up down infinite umbrella mushrooms...
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WIP Wednesday and Last Line Paragraph + Music Monday
Tagged by @direwombat @adelaidedrubman @inafieldofdaisies @josephseedismyfather and @socially-awkward-skeleton
Tagging @shallow-gravy @strangefable @strafethesesinners @deputy-morgan-malone @derelictheretic @wrathfulrook @voidika @onehornedbeast @josephslittledeputy @josephseedismyfather @neverthesameneveranother @vampireninjabunnies-blog @cassietrn @chazz-anova @a-rose-in-a-garden-of-weeds @snake-in-the-garden @jillvalentinesday @minilev @g0dspeeed @ec-10 @henbased @inafieldofdaisies @ladyoriza and @nightbloodbix
[Update: If anyone saw an @ for ladyofeden’s-blog on this it’s because this WIP was made before the thieves had been exposed. I only just realised her former blog was on it and now has been taken off]
Here's two WIPs (well one WIP + a last line) for Silva's Hope and The True Sinners from Far Cry The Silver Chronicles PLUS some music.
Here's Silva's introduction to Jacob's right-hand man, Alexander Khaos in Silva's Hope. Also Jess is here. Reminder that this is still under a lot of work, so this scene may or may not change in the near future. Enjoy the snippet below:
Silva stood up, giving the Whitetail corpse one last glance up and down, turning to face Jess.
Bow and arrow still in hand, but her focus shifted from the foliage to the deputy, the young and vengeful huntress regarded her with little more than pursed lips and a raised brow as she jerked her head over to the unfortunate Whitetail.
"Is he the one Eli is searching for?" she questioned, looking the mutilated corpse up and down, not batting an eye at the dried blood that soaked the Whitetail.
Silva herself kept a steady face, though the desire to show her disgust towards the barbaric display was no less prevalent. It reminded her of the methods of executions back on the Archipelagos; needlessly cruel to send a message.
"Yeah, he fits the description Eli gave," she looked over to the corpse once more, frown unseen by Jess, "At least from what I can discern."
"You see what we mean now? Jacob's a sick fuck, much like the rest of his asshole siblings," Jess spat out, sneering at the display, "They preach about how they want to "save" people and "free" us from our so called sins. Then they go an pull shit like this, or worse, let psychopaths like the Cook burn families alive. Fucking liars."
Something they have in common with the Congregation, Silva noted, remembering all the propaganda that spewed out the need of servitude and duty of men and women, all strewn around the Overcity and the Minas, all brushing aside the rampant beatings, false persecution and execution of Tumultites and sympathizers alike.
It seemed the more time she spent here, the more unpleasant Joseph and his cult became. She wondered how long it would take until she discovered something truly unacceptable. Would it make a difference if she called Joseph out on it? Probably not, she reasoned, Prophets are only focused on the glory they get from preaching "God's Will". Anything else is just a means to get to that end.
She exhaled roughly, dashing away further thought as her left arm ached. Though her rescue from John's envoy thanks to Jerome was only a couple days ago, the aches from the crash did not cease, her left arm feeling the worst. Her right arm was more lucky, thankfully.
Kamski's scolding was still fresh on her mind. If it was up to him, he would have locked them both in his clinic while the war raged on. Sedate her if he had to. But both knew that as long as one of her limbs was not too damaged, she would still go on to fight.
What a miracle her right arm was just as good with a gun as her left.
"We should head back. Eli and Wheaty would want the news-"
An arrow cut past Jess' hood and struck Silva in the leg. The Deputy could only stare at the arrow protruding from her leg, and looked to the trees.
She noticed movement from the branches and pointed them out to Jess as she tried to call out. But her voice slurred, no coherent word coming out right, and the familiar sparkles that belonged to Bliss engulfed her vision.
Jess had turned her back to face the trees, bow and arrow at the ready, though Silva stumbled and fell onto her back as the world diluted into a realm of colors and butterflies.
She could barely hear what Jess was shouting, though a massive thud that sounded like an earthquake shook the Earth gave her most coherent thoughts an indication that her companion was out of commission.
Still fighting for consciousness, Silva heard the echoes of crunched leaves and commands.
Above her, a new figure looked down on her, a man with brown hair and dark hazel eyes with flecks of gray. His attire was that of which the Chosen wore, though he lacked the red hood, and his vest shirt was black, with his sleeveless overcoat a dark gray. He smirked, shaking his head as he spoke.
"Salutations to you Deputy, you were quite a struggle to find," he greeted, his imitation of a southern accent quite noticeable even when Blissed, "Thankfully Eli just couldn't let go of a chance to rescue one of his own. Don't worry, that fella was dead before we hacked up his corpse. Unpleasant work but it needed to attract your attention."
He knelt down get a closer look at her, his fingers tracing stroking the healed scratches on her cheek. She shuddered involuntarily from the contact, which felt numb and yet made her stomach recoil from the cold in his hands. He stopped his inspection upon noticing this, eyes softening before becoming stoic once more, thankfully retracting his hand.
"I'm surprised you're still conscious. By now most would have succumbed to the Bliss, which I'm sure you will shortly. Some tolerance you have there," he kept his eyes on her, chewing on his lower lip as he pondered, curiosity clearly piqued, "I'm sure Jacob will be pleased to know."
Silva tried to reply, tell this Chosen to go "fuck off" or some variation, but her tongue felt like weight on her mouth, and her eyes started to shut as the sky got brighter.
The Chosen watched this, his smirk returning as he stood up, then groaned as softly smacked his head, "Forgotten my manners yet again! Now, you better remember this, Deputy, because you're going to see me a lot more than you think. Name's Alexander Khaos."
"And Jacob's been dying for a talk with ya," Alexander's distorted voice revealed as Silva's thoughts were shrouded in the desire to close her eyes. And she found no reason to protest any longer as darkness started to consume her vision.
Here's a Last Paragraph for The True Sinners. View the start of a terrible beautiful friendship between Kamski and Tammy. Paragraph(s) below.
[Kamski] leaned over the small kiddie pool, the water slightly tinted pink from whatever blood managed to get into the water. Untied rope still tethered to the pool's edge, likely to be used to tie prisoner's feet into the water. A wooden chair stood strong in the middle, though Kamski would have preferred it to be something stronger... like metal. Though wood was a step up from plastic. The unused ECT device on the table caught his attention, the face cloth that laid next to it. Tammy stared at him from the doorway, arms crossed as she inspected his movements.
Weary, ruthless and not afraid to get dirty? Where was she on the archipelagos? Kamski thought to himself, thoroughly impressed with her station. Turning to her, he questioned with amusement, "A kiddie pool?"
Tammy blinked at him, unbothered by the question, just shrugged with undeterred confidence. Kamski snorted, and looked back to the what was essentially a large plastic tub. "Quite a humiliating way to go... more than I could ever do back in my homeland anyway," he commented in praise, envisioning an Enforcer tied the very chair Kamski stared at, face covered with a wet cloth as he screamed from the shocks coursing throughout his body. Begging right up until he was completely fried. Oh, what Kamski would have traded to see Lapis in such a state.
And lastly a song for Far Cry The Silver Chronicles. A rather sensual one between John Seed and Nadi Sinclair.
"Use the sleeves on my sweater
Let's have an adventure
Head in the clouds but my gravity's centered
Touch my neck and I'll touch yours
You in those little high-waisted shorts, oh
She knows what I think about
And what I think about
One love, two mouths
One love, one house
No shirt, no blouse
Just us, you find out
Nothing that I wouldn't wanna tell you about, no
Cause it's too cold, for you here and now
So let me hold both your hands in the holes of my sweater
And if I may just take your breath away
I don't mind if there's not much to say
Sometimes the silence guides our minds
To move to a place so far away
The goosebumps start to raise
The minute that my left hand meets your waist
And then I watch your face
Put my finger on your tongue 'cause you love the taste, yeah
These hearts adore
Everyone the other beats hardest for
Inside this place is warm
Outside it starts to pour
Coming down
One love, two mouths
One love, one house
No shirt, no blouse
Just us, you find out
Nothing that I wouldn't wanna tell you about, no, no, no
Cause it's too cold, for you here and now
So let me hold both your hands in the holes of my sweater.
Cause it's too cold, for you here and now
So let me hold both your hands in the holes of my sweater.
Whoa."
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