#also idk why some links are underlined and others aren't

[elesianne]

Some resources for Silmarillion fic writers, artists, and general enthusiasts, 2023 version

I made a new version of this post since the old one now has some dead links .

The Silmarillion, full text by chapters - the thing itself.

Laws and Customs of the Eldar, full text from The History of Middle-earth: Morgoth's Ring. This essay written by J.R.R. Tolkien, with commentary by Christopher Tolkien, includes information on the elven life cycle and marriage, roles of men and women, Noldor naming customs, the fëa and hröa, death and rebirth, and the complex matter of Finwë & Míriel & Indis. Whether you want to write ‘LaCE’-compliant fic or not, it’s interesting reading.

The Silmarillion Writers' Guild Biographies are great, comprehensive summaries of what Tolkien wrote about a particular character, complete with quotations and references, with some commentary. They’re written by many different contributors so they differ from one another but all are useful when you want to learn about a character. (Older version, characters listed alphabetically)

Henneth Annun character bios contain less commentary but there are lots of them, including for minor characters, from the Silmarillion, Unfinished Tales, The Hobbit and LotR. Bios include facts and quotes about the characters.

Heraldic devices of Silmarillion (and LotR) characters, including heraldic rules among Elves etc. Some are copied from Tolkien’s original drawings while others have been drawn based on descriptions in the books.

Timelines for the events of the Silmarillion on Tolkien Gateway which cannot possibly be accurate for all of Tolkien’s conflicting versions, but they are still a very useful resource

Arms and Armours of the Eldar is a comprehensive list of quotations from Tolkien’s works concerning all things physically offensive and defensive.

Parf Edhellen Dictionary of Tolkien’s languages gathers definitions from multiple other sites. Easy to use.

RealElvish.net Name lists are an excellent resource for finding a name for your OC.

Please note that I cannot guarantee the security or accuracy of any of these websites.

[mourningliliesmorningglories]

"It’s haunting to know that you still cry for something today that you also cried for 15 years ago."

Umm idk if this is too personal but would you break down why you gave each marauder the line that you did?

For some reason, Sirius' really stuck with. Literally I can't stop thinking about it.

If there was an award for best ask anon, I think you would win!!! I love when people ask about the intricacies of my writing because I just feel like everything that I write is so deeply personal to me!

This will be quite long as I think the best way to tackle this is to address each one with its context and then how I relate it to each marauder. So buckle in!!!

Anything underlined is referencing my other writing and will be linked!

See the original post here!

James: Two lives cannot overlap - one must be forgiven to forge the other. 

So I wrote this about the rivers of the Underworld in Greek mythology, in a wider piece of writing on coping with grief. It refers specifically to the river Lethe, the river of forgetting, where souls drink from it to forget their life before being reincarnated. I have mixed feeling about James as a character - on one hand as a young boy he's incredibly privileged to the point of almost ignorance but then is forced into a war he cannot fight and reasonably win. In a way this line can be applied to James in two ways: 1) he had to grow up to cope with the rapidly changing world he'd been basically thrown into and 2) harry could never defeat Voldemort if his parents were still alive. James and lily had to die so harry would have nothing to lose.

Sirius:  It’s haunting to know that you still cry for something today that you also cried for 15 years ago.

Okay so this was written in the same piece as above, in reference to a childhood memory. I cried for comfort but no one could come to me. No one chose to comfort me in that moment. I think we all have moments where we think 'I need my mum' or something similar but at it's core, its a plea for comfort - you want to be held, cradled, for the burden to be taken away. Sirius Black was denied affection as a child, denied love as an adult and then denied his life when he fell through The Veil. He had his friends as support but he also had to stare at James and Effie, Remus and Hope. He had moments where he needed parental love, where he felt like he would die without it. He was denied the chance to make sure Harry never experienced that, and when he did get the chance, it was ripped away almost immediately.

Remus: It is strange to cling onto remnants of someone who is no longer there.

This was written about losing someone and still having to live amongst their things. Everything is normal except the person is gone. It's describing that moment when you walk into a room and you feel their presence, like you're in the living room and it's so easy to convince yourself they're in the kitchen, but they aren't. The space they left behind is empty. I think with Remus, again it can apply in two ways: 1) himself - his whole identity is basically fed to him through the label of 'werewolf', the Order use him as a monster to tame a bigger beast. He is constantly mourning. In Hogwarts, he mourns his younger self. In the Order, he mourns the teenage, full of life, naive version of him. As an adult he mourns every version of himself - they trail behind him like a ball and chain. 2) everyone he loses - Remus outlives his best friends, and even the one he gets back, oh god he got him back but at what cost? Remus is a walking graveyard.

Peter: In every story, someone has to leave. This is not a burden taken lightly, nor is it one that can be shared.

I wrote this about Caesar and Brutus. When Caesar died, so did Brutus. As Brutus lives, so does Caesar. Today when one is mentioned, the other rarely goes unnamed. Brutus orchestrates the murder of Caesar because he fears his ambition and the ruin it will bring to Rome. Peter is both Caesar and Brutus. He fears Voldemort enough to do his bidding only because he's never had such power before. We see exactly how Peter's loyalty is manipulated - he felt more important to Voldemort then he did to his friends and so his loyalty changed accordingly.

Lily: The sunflowers turn to the light, but the sun will never recognise their presence.

Growth is difficult to justify in a non-physical sense. This was inherently about being an observer in my own life. We do things that have unremarkable impacts until one day the fallout of our actions are so grand we cannot outrun them. In terms of Lily, I do think in hindsight this may be more relevant to her characterisation moreso than her character. She is often represented as just a vessel to carry Harry and is overlooked as a complex character and a key member of the Order. James forgot his wand on the sofa - she protected Harry. She was an incredibly smart witch - she was, is, more than just her offspring. Treat her accordingly.

Regulus: One day we all realise that the first thing we lose is ourselves.

My earliest memory is a hospital visit and a funeral. We do not realise that the process of growth is intertwined with the ritual of loss. You are allowed to mourn the person you used to be. Death isn’t exclusive to those burned or bombed or buried. Regulus loses his brother then he loses himself. He has a role to play as the prodigal son. He is actively cutting himself open and stitching himself back up to fit seamlessly into the mould his parents have created for him. He watched Sirius fail, so he couldn't. Maybe he did believe in blood supremacy at first or maybe the whole thing was a ploy to try and grasp at the power and autonomy he'd grievously been denied his entire life. Regulus knew himself so well he'd buried the body undetectably.

Pandora: Nobody talks of death lightly. Nobody talks of what it tends to leave behind.

We obsess over death - how to prevent it, how to cope with it, how to be clinical about it. Yes a person dies and we are left with the aftermath - clothes, shoes, pictures, their tea in the cupboard, hair still in the brush. But obviously, a person dies. People are complexes - the most inherent part of death to me is how a person can just end. With Pandora, this sits within the realm of the HC that she is a seer. She must standby and watch the people she loves die twice - once in her head and once in real life. She must watch over her friends and loved ones and grieve them as she lives alongside them. To her, a heart is just a stopwatch.

Evan: He carried on with his journey but made time to be part of mine.

I met an old man who told me that at the end of the day, you do wish you could it all over again. That we are often ungrateful until we lose the thing, then all we want is to get it back. Evan Rosier cherished everything; his sister, his friends, his childhood. But this made him so weary of loss. He was possessive and sometimes cruel. He would do anything to keep what was important to him, even join a blood supremacy cult to keep his best friends and sister safe. When you die, they say you get seven minutes to rewatch the happiest moments. When Evan Rosier dies, he sees Barty and Reg and Pandora.

Barty: You can love something that does not exist anymore. Something that has never existed cannot be loved.

This one is slightly harder to explain. I believe it to be human nature to chase the things that we have only had a taste of. You cannot want something you do not know. Though I do wonder if this is more an act of conditioning than something inherently of nature. To cognise something is to give it a reality, whether this be a thought, an idea or a notion.  Barty Crouch Jr was a waste of potential. 12 OWLs. 4 languages. He could've been whatever he wanted. You can assume he was unsuccessful in fulfilling his potential - unless he wanted to be dead. And who can blame him with a father like that. Barty had to fabricate everything - would lick up his father's approval like a dog until the day he realised none of it actually mattered.

Dorcas: All prior things are made of shards, of tatters. All prior things look different in the daylight.

Past lives are just that. Past, nonexistent. Windows are walls. Shields are not always protective. Dorcas Meadows was hunted and slaughtered by Voldemort himself. She, obviously, was a threat. A smart, cunning, powerful witch who made the Dark Lord himself worry just how successful he'd be if she remained alive. But none of this mattered from the second she hit the floor, heart slowing down, eyes closing. She was not the priest's favorite sacrificial lamb. She wasn't even a sacrifice.

Marlene: One day I will sit in an urn, and I too will be smaller than the day I arrived.

I wrote this about not rushing through life. It was about savoring moments and people and the ephemeral. Marlene was the casanova - wanted by all but touched by few. Her bloodline dies when she dies next to her brother. Filled with potential and life, even the brightest stars will fade away. Sacrifice is often forgotten, drawn over, especially if it isn't grand. Not quite the brightest witch of her generation, nor pretty enough to get the one person she truly wanted.

Mary: I wonder if forgetting is betrayal or if it’s a favour, a privilege of rest.

I was wondering whether remembering people disturbed the process of dying. We don't know of an afterlife or what happens after you die. Does reminiscing drag a soul away from rest? I hold the HC that Mary obliviated herself near and dear. In this way, it's just another person coping with loss. I think because it's so deeply personal, it's very difficult to express in words.

Andromeda: We learn that just because one person escapes the inevitable, the other does not.

I wrote this about Orpheus and Eurydice. It's a story I adore and it's also often misunderstood. This is why it’s a tragedy, and why love often is a tragedy - loss is inevitable. In the case of Orpheus and Eurydice, he loved her enough to try and save her. He loved her so much that he couldn’t. Andromeda is the survivor - survives her upbringing, survives a war, outlives her family. She takes in Teddy even though he's a glaring reminder of her daughter and every moment of a past she tried to outrun.

Narcissa: Love is always a choice, even when we make the wrong one.

Again, this is from me writing about Orpheus and Eurydice. Their story was never about retrieval or righting a wrong. Even if Eurydice had been returned, she was a ghost. This was always a story about saying goodbye. Oh I could lament about Narcissa for days. She is her own greatest tragedy. She was the model child out of her sisters. She lived the ideal trajectory and suffered for it. Obedience and cunning were bred into her. She couldn't save her husband, her house, her sisters or her son. Narcissa lived her life always saying goodbye, wishing she could instead say 'stay'.

Bellatrix: Sometimes, it feels like I have been exiled from my life and no one has thought to tell me.

This was written about nostalgia, and living like a stranger in your own life. It's about the means and ways and things we do to gain some semblance of control back into our lives. Bellatrix has always been a very interesting character to me. She upholds her pure blood upbringing, marries a pure blood and yet she strives for more. She becomes a deatheater and makes herself so valuable to Voldemort, she becomes an intrinsic part of his inner circle. She outshines her husband and sisters - she is the patriarch.

Anon. I hope this answers your question! If you'd like further details on any of these please send me another ask or DM! I'd love to hear your thoughts instead of scribing mine!