#also im not the one to usually say this but. the sketch WAS better

[jitterbugbear]

how very grandpa chic

[elliebell77]

rough germaphobic dust sketch inspired by this post. idk if i cooked here but i did have fun. concept art/ideas under the cut

[moonieandi]

snapshots pt. 7 | stanley pines x f!reader 

summary: the fourth year of your life “married” to stanley pines, particularly concerning helping one another

warnings (TW): swearing, sexual themes (mdni 18+)

tags: fluff, affection, mutual-pining, sexual-situations (in act i), good ol’ protective-stan <3 

notes: me thinks me has big chapter coming up (pt. 8), me thinks i like to do things in fours (the last big chapter was 4). also did anyone notice that my sorry ass had to go back and change some dates/years womp womp but extra points if u didn’t notice my dumbass mistake. 

i think relationships are about being a total hypocrite at times also, like you are constantly trying to fight biases you have over yourself, and also trying to fight for the betterment of your partner also. like im a total hypocrite when it comes to my partner so i think this is another good chapter of what i like to call “flesh” 

that being said i have it sketched out in my journal that next chapter will be… important. hope you all enjoy, and as always love love love all the comments and notes and reblogs! thank you all so much, lots of love <3 (again, masterlist with the other chapters is linked down below!) 

word count: 5.1k

| masterlist | part viii |

“The kids will be gone for a while,” he says, hand slipping warm up her thigh. “How about we pretend it’s 1995, doll?” That slick smirk on his face, glasses drooping on his big hooked nose. 

She laughs. “1995? More like 2012, baby. It hasn’t been that long since you’ve tried to seduce me in the car.” 

He laughs too, hand pushing through his gray curling hair. Shifting in his seat to get closer and share his warmth. His covered thigh was hot against her own. She had laid out short sweatpants for him to put on that lazy Saturday with the kids when he made to walk out the front door in his boxers. Something she found endearing at their older age, the slip of his mind when it came to spending time with the kids. 

It’s darker out, their car the only one in the closed parking lot they had busted into. Mabel had been upset that day, after an altercation with another girl at the mini golf course. Her brother and Stan had almost been more upset for her, and they had rallied behind her in her need for revenge against her blonde foe. She had been upset as well and had a swell of choice words for the little rich girl's parents before Stan pulled her away.

So she had let it slide, the breaking and entering she was currently allowing the kids to do. That and Soos was with them. She trusted him more than he knew. 

They hadn’t been alone in a while, well except for their typical midnight trysts. They had to be more quiet, as of recent though. 

“Feels like a long time,” he hums, bringing his warm palm from her thigh to his cheek. “Come on… we have a bit here.” 

She looks up at him through her lashes, a flush to her face. “I wasn’t protesting.” 

He moves to her like he always does, distracted by the closing space between them. Curling his large palm around her cheek, kissing her like he knows her. 

He’s slick like usual also, smiling against her lips, creeping his hand to move her seat down so he has the high ground between the two of them. Something he loves to do. 

She’s laughing now, lounging back in the reclined seat. When had he reclined his own also?

But she’s pushing at his insistent chest, smiling at his slyness. Flushed below him, his torso hot against her front as his hand made itself comfortable on her cheek again, another on her waist. 

“No funny business Stan, the kids will be back soon and you know it.” 

“No funny business.” He says, pulling back to look at her soft face. His eyes drifting back to her lips once more. There's a breath between them, as they surge back and forth in the connecting space. Breathing heavy in the stretch between their lips, as she tries to chase him forward and he pulls back. His hand caresses her cheek, playing with the hair around the nape of her neck with his pinky. 

“Beautiful.” He whispers between them finally, breaking some spell he’s cast in the space amongst their breaths. It breaks something, when he finally surges forward, meeting her in the middle, at her insistence. 

It’s slow and building and grows hot between them. She tries to focus on many things at once about her lover, how his large hand cups her cheek, and jaw, and neck all at once. How he breathes heavy on top of her, warm against her front, but not against the most intimate part of her. How his lips move, move her, force her open and closed again. How his hand creeps up her waist to the sides of her chest, trailing hot upwards. 

Suddenly it’s not slow anymore, not after the noises she unconsciously makes, and not after his hand trails back to the seem of her shirt to pull it up, his palm warm against her chest now. She’s gasping now, nodding her head at his insistence. He moves instinctually, like how he does every time, but how it feels brand new and different also, when he shoves her bra down, cupping her exposed chest now. How his fingers are slight against the sensitive skin there, it all feels new each time. 

It has her moaning again, mouth open against his to create space, to create noise that bubbles at the base of her throat and sprouts between them. It has him throwing himself forward again, his hand tight against the junction of her jaw now, as he moves her lips and face to meet him again. To move against her again. 

His hand is warm on her front, slipping against her chest, his palm moving to massage her, twirling her bust between his large hot hand. He’s so warm and whole against her, that it has her moving, adjusting along the reclined seat sideways so more of him could be a part of her. Creating space, and area, for him to manipulate as he pleases. And it does please him. 

He’s fast along her lips now, and she does her best to keep up. Her hand gripping his hair, the other digging into the muscle of his broad shoulder, trying to bring him impossibly closer. But he wants to hear more of her, more from her. And he knows how to do it, moving from her mouth to her jaw to her throat, his mouth just as warm as the rest of him. Open mouth, breathy kisses follow in his wake until he makes for the junction of her throat and her shoulder. Kissing there just to hear her react, just to watch her squirm below him. Biting and kissing and lingering by her ear, groaning in her ear as she unknowingly cants into his lap at the tweak of his finger at her chest. 

“You’re so good to me.” His mouth hot over the junction of her throat, his hand heavy on the curve between her jaw and her pulse. “Always so fucking good for me, angel.” 

It serves to always rile her up more when he’s so honest with her like this. Something so simple as the truth has her disregarding her words from before, has her parting her legs and pulling him against the entirety of her as she searches for his lips again. He meets her in the middle of the heat of them, just as taken by her insistence, just as riled up by her enthusiasm for him to this day. 

It has him slightly pulling back though also, swearing as he pulls his button-up off his body. Smirking as he crumples it up to wedge under her hips, to have her pressing up against the heat of his lower body correctly. To ensure he could angle his own hips to meet her where she needed him. 

She’s flushed below him when he glances back up from his handy makeshift substitution for their usual orthopedic pillow. Breathing heavily against the seat of their car, her head almost leaning off the back of the reclined long bench. Her hair haloed around her head as she reached her hands back in front of her to drag him against her again. To feel his weight against her parted legs, her neck already crooked to allow his lips resurgence, her shirt around her chest crumpled from shifting her bra around his large palm. 

A knock. 

It shocks her awake, groggy in her bed, but not on her usual side. 

The wall is cold behind her, but the shoulder she's nestled into is hot beneath her cheek. Stanley slumbering, a slight snore building up in the back of his throat as his chest rises and falls under her hand. 

Right, Stan. 

She had taken to sleeping next to him, some nights. After the appearance of the shocking dream just last October, she continued to have flashes of odd frightful nightmares interspersedly between then and now. It had shocked them both awake several more times in those following months, as she called for him when she was deep within her subconscious. He never protested, never really asked before he would crawl into her bed during those occasions, shuffling her to her spot furthest from the door. 

Now they stuttered each night in the hall, held themselves together in the shadow of each other's doorways before bed. He’d look down at her those nights, at her dark circles and wrinkled pajamas. A question on his tongue every night. A silent ask, if she would need him that night. He would come if she called. 

She could almost sense when one would creep into her mind most nights now, like an instinctual correlation to her overworking herself. So some nights she’d grasp his hands in the shadows in the hallway and drag him to her room. Something he didn’t comment on, the one thing between them he didn’t joke about. 

On other nights they would separate, his lips would linger on her hairline after whispering goodnight to her to leave for his empty room. But those nights seemed far and few in between her need to have him close now, because the dreams were all but fleeting with him close for some reason. She listed off the benefits of co-sleeping somewhere in the back of her head before slipping away most nights, reasoning out her need for him. 

It explained his presence below her now, how she was folded into the junction of his shoulder and his outstretched arm. How her hands had made a home in his warm chest. But it didn’t really explain the dream, one that she had never had of that nature. 

It made something stir in the back of her mind, made her think of his lingering breath now and how it felt so real in the dream, shepherded in the crook of her neck. How he felt on top of her, the way he fell into the junction of her parted legs. How it had her shifting her own legs now, unconsciously trying to get closer to him now. 

She knew he was attractive. There were things endearing about his personality, things that made her think after laughter, and her heart swell when he got close. But he was, physically, quite attractive to her also. The curl of his hair, the smirk of his lips, of course. But also his broad arms, and large palms. The swell of his lower stomach, the patch of hair below his belly button, the parting of his legs when he sat on the couch. It really wasn’t surprising that she had such a dream about him, not surprising at all. She quite… enjoyed it. Which is why she let her hands linger on him even now, creeping up his shirt to rest on the rise of his lower stomach. To seep in some of that warmth, to try to remember the weight of him above her. 

But she had also dreamed of the kids again. 

She tried to keep note of what she could remember of them. Of pink sweaters and braces and smatterings of freckles that looked like constellations. It faded again though, as she rested against his rising chest. Lulled back to sleep by his steady breaths against her.

June, 1986 

He pulled himself from work that day so they could wander around town and inevitably regretted it once they hit Main Street. 

She had found it amusing that they had stumbled into some sort of reenactment of the 1830s, something he had found joy in, his hands drifting from his pockets to her own hands. But something he was now more than a little frustrated by, watching her giggle every time an old-fashioned dressed-up reenactor passed them by, every man tipping their tophats in her general direction. 

It had him almost fuming, honestly. That they could have his Doc’ blushing and giggling at every turn with ease. His hand had drifted again, pulling her closer to his side as they made their way from booth to booth at this god-forsaken Pioneer Day festival. 

She was distracted by homemade candies at their current booth. Calling his attention and dragging him closer to show him the assortment of sweets she wanted to share with him. Until the booth-keep approached them, his goddamn hat tipped at his Doc’. 

“What can I do for ya miss?” The slightly older gentleman asked politely, taking his tall hat off in the presence of her. 

She giggled again, of course. Glancing back at his flushed form, before glancing back at the clerk about to answer. 

“It’s missus, actually, ya schmuck.” He had to open his mouth. Almost like he couldn’t help it, something bubbling below the surface, his fist clenched defensively at his side, the other still balled up around her waist. 

She seemed slightly shocked at his infringement, flushing embarrassed at his side. He didn’t even think of apologizing, especially when she looked like that. 

“Apologies, sir!” The clerk said, glancing between the assumed couple. “Your lady here needs some assistance, yes?” 

“Wife, pal. My wife.” 

Stuttering, waving away Stan’s charged statement, the poor clerk is crimson in front of them in the July heat and under the scrutiny of a man who is on his last leg with the current fair he finds himself at. 

She seizes the moment, turning back to Stan to push his chest back away and out of the stall, throwing a quick apology over her shoulder in their hasty retreating wake. 

It had been absurdly endearing, how annoyed Stan was all day. It wasn’t easy to derail the man, from what she knew of him. So she had reveled in his apparent annoyance all day. Weirdly protective of the space they took up on the walkway through the fair, trying to shield her from the polite tipping of hats which was custom to do, she figured. Something the reenactors did rather flippantly and without thought. But something that had grated at her partner all day, despite that. So stubbly angry at the gesture that no one else but he thought twice about. 

She had let it continue throughout the day though, and had giggled at how his hand had made for her own, and migrated to her waist sometime during the day when he grew more aptly agitated. A protective hand on her, and when she looked back at him, his face was always a grimace. His usual glare directed solely at the men who would greet her on the street. 

The vendor apparently, had been the last straw. After the poor man hadn’t acknowledged Stan’s presence, in favor of helping and doting on her. Probably a good sales tactic, something Stan knew about also, but something he was blinded by in the moment. Annoyed at being ignored despite bearing down at anyone from her shadow along her back. 

They had enough for today though, she thought, pulling him farther down the street back to the parking lot at the end of Main Street, so they could find their car and head home. She doubted he would want to come back to the yearly Pioneer Days, but she’d try to drag him back each coming year. Reveling at his protective hold, giggling at his flushed face as he declared her as his to everyone who would listen. 

November, 1986

She found him up late, in his office that night. 

He had made a space in a random room on the first floor, close to the kitchen. One of those rooms they had both disregarded and initially put the swell of Ford’s belongings in.

But she had helped him clean it back out a couple of years ago when he opened their home turned tourist trap. Helped anyway he would allow, actually, which was more or less going through old research papers piled high and picking out a nice desk from the flea market to situate in front of the south-facing window. He had moved around just about everything else. 

The walls were still bare in his office, and he had filled the room with some of his old knick-knacks and newspaper clippings he had a tendency of keeping from the comics and punchline sections of the local paper. The ones that made her laugh. That and odd stacks of magazines from jewelers he liked. 

He had been unable to help her downstairs that day, something she did not begrudge him of, especially seeing him now bent over his desk, with his hands catching in his hair. She had called him for dinner, but when he didn’t answer or come within ten minutes she found herself wandering to his office with their dinner in hand. His office door was wide open, as it always was when it was just the two of them. She knocked despite this. 

“Stan?” She asks, balancing steaming plates of food in both hands. “Do you need help with anything?” 

“No, hun.” His head shot up, a smile blooming on his face, but his eyes were weary still from squinting at money margins for the last couple of hours. 

She makes her way closer, plopping his plate right in front of him on the desk, disregarding the odd papers he had spread out all over its surface. She leans herself on the desk, holding her own plate up so she could simply eat where she stood.

“Doesn’t look like it.” She says, pitching her head back to the mess on his desk. 

He’s almost too worked up to eat, not that he’d let her know that. He’d been wrangling around money all day, trying to equate the sum of the last couple of months’ tours into this month's mortgage payment. Something he struggled with last season also, but something he’d gotten worse at hiding from her despite his best efforts. She overworked herself enough as is, he didn’t want this on her plate alongside everything else. 

She did her best to handle the mess he had made downstairs, and he did his best to take care of her. Because she deserved that, after all she’s done for him. Given him four years, put up with his bullshit for four years after his four-second mistake of pushing his brother into another dimension. 

But looking up at her now, watching the darkness from the fall season outside seep in through the window. How she tilted her head down, leaned onto his desk, and basically plopped on top of the hardwood she had picked out herself. She made no indication of regret, in all four years.

Still, something tugs at him, he wanted to be the one to provide in this aspect. Something deep, once hallow in him, something his father had tried to teach him in his old ways. About how to take care of your wife, about how he needed to provide. 

But they were standing in a shell of a house, one that he could not even logically claim as his own. And he wanted to give her more. To celebrate during the holidays without pinching pennies, to give her gifts during these colder winter months, like he remembers his father doing for his mother. To get her those new throw blankets she eyes up at the craft store, to get her that new red pot she says reminds her of her grandmother. It made him feel more like a failure, set something deep in him, that he couldn’t give her some of those things while she so willingly gave him four years.

She wouldn’t relent though, because as determined as he was to take care of her in this semblance, she was just as eager to do the same for him. Something that always made him lean into her, had his hand finding hers instinctually nowadays. Something that no one has done for him since Ford, someone having his back. 

So he tells her anyway because she's smart. Knowing to lean up on his desk like that and bring him food to ply him from his leather desk chair and make him concede in his problems. Something all-knowing about her like usual, something perhaps ingrained in her. 

He leans forward, scooping up food to shovel into his mouth. Maybe he was hungry after all. “I’m having some trouble balancing some books.” 

“What does that mean?” 

“Means I’m short.” Fisting some of his hair in his fist, mumbling around his food. “Holiday season, I’m always strapped for cash.” 

She hums, a fold forming in the ridge of her brows. She takes a moment, leaning farther into his desk, dinner half gone on her plate already. “You?” 

“What?” 

“You, Stan?” She sighs, suddenly looking tired in front of him. Frustrated with something, at the very least.  

He shrugs at her, turning away from her suddenly harsh gaze. But she won’t let him turn from her anymore. She finishes her dinner, discarding her plate farther away on the corner of his desk, reaching over his papers and piles to switch on the shaded desk lamp they also scrounged for. 

She sighs again, situating herself completely in front of him now. Leaning back against his desk again, basically sitting on the papers and books that were causing him strife not even ten minutes ago. His dinner is half cold on his plate now, situated on his own lap as he slumps back in his chair. His eyes move back to her instinctually now that she’s in front of him. The lamp light shining on her frustrated visage. 

“Stan.” She humphs, leaning forward, crowding him into his chair. “You? Just you?” 

Realizing his mistake, his shepherding of problems, continuing to shield them as his own despite him internally admitting he should at least voice them aloud. 

But it’s hard to admit defeat in this aspect, hard to concede control over something she thought so flippantly of as money. It was deeper than that, deeper than the mortgage of course. It was something he had left home in search of, something he still grasped for, and something he had buried asking for help with when he was merely eighteen years old.

His desires had somehow changed and shifted though. The warped image he had of his father, how it had become distorted in the face of his new desires. Desires that looked more and more like her these days. And it was just something he wouldn’t admit defeat to, couldn’t admit defeat. Because then what good was he to her? 

So he stands behind his own stupid idea of self-actualization. Despite it being weak in the shadow of her frustration. “Yes… just me.” 

“No.” 

“No?” He scoffs. “Yes. Just me, only me.” 

“Since when.” 

“Since this was all my fault.” He says, his own frustration pulling him up in his chair. Food forgotten and pushed aside on his desk in favor of getting closer to her. Never yelling, always explaining. And he wouldn’t and couldn’t yell if he was sitting ramrod straight in front of her. He didn’t have it in him, had no desire to watch her crumble like that. “This whole thing, all of it.” Waving his hands around, trying to emphasize the large capacity of the bullshit he had walked them both into. 

She shakes her head. “No, Stan.” He’s unbelievable at his worst, and charming at his best. But his unbelievable was becoming more mounting with every year. And some convoluted part of her mind had reasoned that it actually all hinged on her now. Thinking of that crumpled paper, and that coded string of words Stanford had left her. How he had been right about her all along, how she hadn’t even been smart enough to drag him out of his own hubris. 

“Don’t say it’s fucking yours.” He scoffs, leaning more into her. Placing his hands on her warm thigh, trying to ground her in her thoughts. 

“But it is. It’s my fault.” Choking around what she had believed to be true for the past four years. “I’m not smart enough to bring him back.” 

He surges in his seat, standing in front of her now. Shaking his head as he reaches for her. Folding her in his arms like he always does, her head balanced in the crook of his neck, humming along to soothe her like always. “That’s the farthest thing from true.” 

“But he’d be back! He s-should be back by now…” Voicing her frustration, it echoed around his chest to his ear. She’s warm in her frustration, her hands curling not around him, but up him. Finding the crook in his chest to rest them in. “And you wouldn’t be so stressed… you wouldn’t have to worry about the mortgage if he was here. We wouldn’t have to be here, it’s my f-fault he’s not here yet. It’s why I’ve been down there so often. W-why I hate when you say that.” 

She had confided herself to the basement almost indefinitely since their second year of cohabitation. More recently, it had kept her up routinely at night. First, it would drag her from her sleep, had her wandering down steep steps in the dark of the night in only her pajamas. Now it followed her into her dreams, seeping into her mind, taunting her of a far-off future she could only conjure up in her sleep. One where she succeeded. One where Stan still stood steady by her side, a gold band on his finger. It made her sick, and she knew she had been troubled by all of it for over a year now. 

He had known reasonably, that the reason for her lingering in the dark basement was for some sort of self-validation, something he could never fault her for. But he could fault himself for not dragging her into the light more often, for not being more worried about her pailing complexion and her dark-set eyes. It did worry him, it tugged him from doorway to doorway at night, made him more vigilante in the dark. But he had been so twisted in worrying about providing as of recent, he had forgotten the object of his adoration was weathering away under the weight of her own self-destruction. 

It was hard to let go of that part of his control, of what he felt was his own duty. But he knew there suddenly, looking down at her dark circles, and the way she curled up, looking so small against his chest. Knew that they’d both have to set aside some ingrained biases because in the end, they were both hypocrites. And he didn’t want her to become a mirror image of him in her grief. 

So he sighs, letting his warm hands cradle the back of her. Letting them run through her hair, letting him continue to hum. “I don’t want you to say that ever again because it ain’t true.” 

She sniffs, still goo in his hands. “You too.” She hiccups. 

He won't ever voice it to her again, he swears somewhere in the back of his mind. But it’ll linger for years, the fault in him. “Okay.”

Another beat, another adjustment from her before he voices anything again. “We both gotta help each other.” 

She nods against him, suddenly looking up at him with a weird amusement in her eyes. “Go team, remember?” 

He chuckles, “Yeah, hun. Go team.” 

She hums, finally pulling away from him and taking her warmth with her. Still folded up in front of him, her hands still in that space along his chest. Fisted in his shirt, wrinkled under her grief. 

“I can help with the money.” She says, a smile beginning to grow on her face. 

“And I can help with the portal.” He nods, his hands finding her shoulders, cupping up towards her neck. 

They congregated on the couch that night, discussing a new schedule between them. Something that would hopefully piece her back together, maybe not back to what she was all those years ago bursting in through the front door. She wasn’t herself then either, he reasoned. And it struck him then, with her curled in on the couch, still folded into the junction of his arm, her fingers tracing his palm as she finally breathed even against him. 

She looks most endearing, most like some glimpse of herself, someone he doesn’t quite know yet when she’s kneeled down talking to those kids on their back-lit porch. Halloween had come and gone again and it struck him, like it does every June and October. 

It twists into an idea in his mind, flips his stomach at the idea. Leaks into visions of her in front of the chalkboard downstairs, how she spoke of complex things in fragments for him to digest. How she paces around her chalkboard, spinning new ideas for him to consume. It came easy to her, teaching him, and he had the thought that she just might be the best he’d ever met in all his years. 

“What about teaching?” He hums, twirling his fingers around for her to continue to play with. 

She hums. “I’d be gone a lot of the day.” 

“And I’d miss ya.” He concedes. “But you need this.” He admits, leaning his chin on her head. She needed to get away from the portal, distance herself, and find a bit of life outside of what he had tied her into. 

“And you.” She glances up at him, a smile on her lips finally. Her breath warm against him. And he did, he’d admit. He needed her help with it all. But only if in doing so it helped her, too. Because he'd concede the weight of what he called duty if it shook that warped image of his father. He wanted to prove himself to her, only.

[burstfoot]

Hello! Here's an update on all of Arknights' currently accessible auxiliary material as of May 2024! There's plenty to check out, so I hope this is helpful for some!

Animation

Arknights Prelude To Dawn (S1) and Perish in Frost (S2): [Crunchyroll]

An adaptation of the main story, up through Chapter 0 to Chapter 6! It's much more fast-paced than the in-game story, so I wouldn't use it to replace actually reading it, but it's very cool to see some of these scenes in full animation. Season 3, Arknights: Rise from Ember, has been announced! Lee's Detective Agency: [Youtube]

A mini-series animated in a chibi style with a comedic tone. Focused on the adventures of the Kuroblood-illustrated Lee's Detective Agency! Distributed by Crunchyroll globally, but entirely free to watch.

Closure's Secret Files: [Youtube]

A cut-out styled series of shorts hosted by Closure which outlines a lot of the game's basic mechanics!

Holy Knight Light: [Youtube]

A short OVA focusing around Penguin Logistics delivering a package, celebrating Arknights' first anniversary. Officially posted to Youtube!

Kay's Daily Doodles: [Youtube]

Another free, comedic Youtube mini-series, posted to the offical Arknights Youtube account and focused around Ceobe! Here's some additional animations! Each event usually also has a 15 second 2D animated preview of the event, but there's so many of those that I can't list them all. Anniversary Event 3D Animations: Zwillingstürme im Herbst So Long, Adele Lone Trail Where Vernal Winds Will Never Blow Il Siracusano Ideal City Stultifera Navis Invitation To Wine Near Light Dossoles Holiday Under Tides Bonus 3D Animated Shorts: Legend of Chongyue Arknights Special - IL Siracusano Lo Scontro Youtube Shorts: Ch'en and Lin's Watermelon Splitting Game Part 1 Ch'en and Lin's Watermelon Splitting Game Part 2 Amiya's Siracusan Food Guide Part 1 Amiya's Siracusano Food Guide Part 2 Amiya's Special Gift Doctor's Gifts in Return 1 Doctor's Gifts in Return 2

Comics, Manga, Manhua

Officially Translated:

Rhodes Island's Records of Originium: Rhine Lab: [Offical Source]

A canon manhua centered around the circumstances that lead to Silence falling out with Saria and joining Rhodes Island with Ifrit, as well as Ifrit's attempt to save a dying infected stowaway on the landship. Essential reading for understanding the Rhine Lab storyline and characters - read it right after Mansfield for when it was chronologically released! One of the characters, Darya, is mentioned in both Ifrit's module and briefly in Lone Trail.

Rhodes Island's Records of Originium: Blacksteel: [Official Source]

A short story focusing on the lives of the Blacksteel operators aboard the landship. While it often gets overshadowed by the Rhine Lab manga which is bigger in scope, this is a great read especially if you're interested in Franka or Liskarm.

Rhodes Kitchen -TIDBITS-: [Official Source]

An anthology story related to the cuisine that's important to a variety of operators. While it might seem unassuming, the art is gorgeous and it's really well-written! The Blacksteel, Rhine Lab, and Rhodes Kitchen manga have all been sold in physical copies, if you're interested in having them in print!

Prelude Suite: Cadenza Virtuosa: [Official Source]

An epilogue to Hortus De Escapismo focusing on Arturia's background, with the second chapter serving as a prelude for Zwillingstrume im Herbst! An excellent read to get better insight into Arturia's character.

Angelina: Sketches of this Messenger's Journey: [Official Source]

A more comedically focused manwha, centered on the adventures of Angelina travelling across Terra as a Messenger! Currently updating, with recent chapters focusing on Sami and Siesta!

Unofficially Translated

The Dagger's Inheritors: [Youtube]

A 15-minute short 3D animated film about W's past and relationship with Theresa, released for the 5th Arknights anniversary. Arknights Comic Anthology: [Mangadex]

As the title says, a series of non-canon anthology stories regarding the cast of Rhodes' Island! Some of the chapters on Mangadex for the later volumes of the Comic Anthology specifically have been machine translated, but the same is not true for the other manga shared here. Chapters are hit-and-miss, but the whole series is generally a fun read! See the original post for specific chapter suggestions.

123 Rhodes Island: [Mangadex]

A series of non-canon gag comics for the CN server, usually updated when new operators or events release!

Arknights: Operators!: [Mangadex]

A compilation of shortform manga posted on the official ArknightsJP twitter account! Thank you to @sleepywoodscans for their work on personally translating these!

Arknights: A1 Operations Preparation Detachment: [Mangadex]

Part of the Terra Historicus website and not yet officially translated, focusing on Fang, Kroos and Beagle before they join Rhodes Island, and a catastrophe striking the Columbian city of Tkaronto. Thank you to @pooce-art for their translation work!

Other:

Arknights Ambience Synesthesia: [Youtube]

A series of concerts (4 so far), focused around Arknights' music! A live performance has been done every year, with skins released in-game for the concert's theme & 3D animations produced featuring the skin's cast in 2022, 2023, and 2024.

Monster Siren Records: [Spotify] [Official Website]

Arknights' official (and-in-universe) record label publishing game OSTs, themes for almost every 6 star operator that releases, and occasional bonus songs.

Arknights: Endfield: [Twitter]

An upcoming 3D action gacha game from Hypergryph, set in the far future of Arknights' universe on another planet. Currently in closed beta testing for both EN and CN servers!

UNOFFICIAL:

Some fandom-developed tools that might be of use to you are: The Arknights Terra Wiki. While it is a very accurate source for in-game data, take the explanation of in-game story and some specific claims with a grain of salt. The FANDOM version of this wiki is currently no longer mantained and subject to vandalism! Given you can translate or read Chinese, PRTS.wiki is the current best resource for game assets!

As well, the Arknights Story Reader can help you catch up on stuff you don't want to or can't read in game! Jacob Moreau on Youtube provides voiceover readings of many in-game stories as well.

Finally, Aceship's Toolbox provides access to a variety of tools, including a levelling calculator, a calculator to ensure the best recruitments, and all the CGs, backgrounds and character sprites that are available in-game as of So Long, Adele (as far as I'm aware, the sprite/cg gallery is no longer being updated.)

Conclusion:

Thank you for reading! I hope this provided some new information to you or is an easy reference source in the future. Some things, such as merch (i.e. board games) or the official lore book have not been included due to not being accessible or translated for EN players. I'm happy to continue to provide more information like this to make the art surrounding this series more accessible! If you have any questions, feel free to send me an ask.

[dailyhatsune]

hi! not exactly a request but i do wanna ask, whats your process when you're rendering more paint like art? (if that makes sense, English isnt my first language so apologies hdskhsjdbd) i really love how you use the colors and im curious how you do it :0

i’ve been meaning to answer this one for a while so here’s how i painted miku in today’s post (put under the read more because yeah prepare for a long post

i’d also like to preface this by saying that i never follow a set way of doing things, so in terms of what my personal process is like, these are only broad strokes of what i do! sometimes i’ll combine or skip parts entirely, depending on how i feel. also, this is not a tutorial, just how i do things, so please don’t treat it like one :’D this will read like the ‘how to draw an owl’ picture if you do

first, like every artist, i sketch. more specifically, i’m getting an idea of what i want to paint later on. this could be how a scene is set up or in this case, how a character is posed. here i’m not concerned about details or getting everything perfectly, i’m only planning how the thing will be composed. maybe a lot of canvas size changing, or adjusting what miku’s doing (note how busted miku’s right hand looks from all the transforming!) however, i still have to be concerned with how clear the sketch will be to future me, because the sketch won’t be any good if i can’t read what miku’s doing

after that, i lay down a flat gray under the sketch, mainly focusing on giving miku a clear silhouette. this is also a good time to make adjustments to the composition on the fly if i suddenly feel like something can be improved upon, like shortening miku’s left arm from the sketch!

after painting a flat silhouette, i start shading in grayscale, focusing only on lighting. i usually do it in two passes, one for the lightest and darkest tones i’ll use (not black and white) and then a second for midtones to blend them better with the base gray but i forgot to screenshot the result of the first pass 🗿 nevertheless, here is where i can start adding some amount of details. i’m not including any extra accessories yet, just focusing on the base design of the outfit and the character herself (for anyone wanting to draw characters from That Gacha Game, this is how i personally make the process more bearable for myself.) i still use the dark gray to separate where certain details (like the facial features and fingers) begin and end, mainly to make colouring more bearable later.

now here’s where i get the Good Colours. it’s a cheat lol. i put a gradient map layer over the grayscale painting so that there’s a little bit of color to start. some gradient maps can be applied as is, some need the layer settings adjusted to make it look good. this one, for example, is a (free) gradient map set from the csp assets store that needs you to set the layer opacity to 20% and to set the blending mode to color to achieve this result. in general, i tend to pick which gradient map i want to use based on vibes, or basically whether i want the work to be warmer or cooler, colour-wise. but this does do quite a bit of lifting for the colors in my stuff.

and then, finally, i add the colours. i add flat base colours in an overlay layer. at this stage, i’ve made the character silhouette clear enough that i don’t need to refer to the sketch anymore for what miku looks like. also, the gradient map layer does its magic by making the shading a bit more vibrant than it would’ve been without it. after that i paint over with a new layer to add details like the lace.

and then i put some extra shading on top. basically this is where the ‘better lighting’ happens. again, this isn’t a tutorial, so i’m not here to say what each part of the lighting is, but i’ve labeled which layers do which job. in other works where the lighting within a scene is more defined (from a window, from a small crack in the walls, etc) the glow dodge layer may be more opaque and sharper, but since this isn’t a work with that, the lighting was applied using an airbrush. the linear burn layer is also there to make the whole thing darker so the glow dodge doesn’t end up oversaturating miku. i also usually match the lights to the vibe i want, and use a complementary color for the shadows. so here you can see i have warm colors on the glow dodge layer, but light purple on both the linear burn and multiply layer.

and that’s it for the character—here’s a gif showing how each layer adds to miku! (sorry it’s so toasty)

as for the background, depending on the complexity, it may go through a similar process, or if i can settle with flat image backgrounds, i just go for that. it’s ok to use external image materials. i didn’t have a background in mind for this miku in specific, so i got some default csp materials and threw together something

and that’s about a rough overview of what my process for more finished works looks like! again, art is a fluid process so i never specifically stick to certain steps all the time, and you shouldn’t either. i can probably answer why i’d pick this colour over another in one particular work, but it’s something that kinda has to be learned on a grander scale. i think everyone can already feel what colors work with what atmosphere or what setting, even if they can’t immediately explain why. colors and composition do take some level of experimentation to find what works best!

[p-oisn]

let's get positive ! (⁠ʃ⁠ƪ⁠＾⁠3⁠＾⁠）

(the content below the cut contains mentions of sensitive topics such as implied su*cide & sh so pls scroll if you're uncomfortable w those !)

this is a long rant about life basically .. 💩💩

i was going to make a post like this sometime later anyways bc i felt .. like a nice person ... but i made it a bit earlier than i expected bc i saw a post from oomf that really made me think .. so here u go

this comes from my own PERSONAL experiences and this is js my point of view yk !!! im no expert on any topic HSHSJ this is js the way i cope plz dont come for me in my asks ... i am aware that it isn't the same for everyone but , i hope this message can be helpful to some extent </3

if you feel like like life is leading nowhere n you feel like giving up I PROMISE it will get better bc i felt the same for two whole years n i will say that i have improved a LOT since . yes , it took me longer than i expected but i didn't give up and you shouldn't either ! it was hard n there were times i felt like i wasn't making any progress / improvement but in the end , it still got better

be kinder (to yourself, first) ☆

i think the first step to loving yourself is to forgive yourself .. its okay to try over n over again , you're still human n i think ppl tend to forget that often bc they're so tough on theirselves . let's not forget that your body is actively trying it's best to keep u alive , your WBCs for example ! (let's appreciate these little guys for trying their best 🎉🎉) your body too , deserves to be loved back , for fighting so hard just for YOU! so pls don't hurt yourself in any way </3

appreciate yourself for achieving even the smallest of tasks because even if it wasn't something big , YOU DID IT ANYWAYS ! every small achievement of yours deserves to be appreciated . even if it's momentary happiness , appreciate yourself while it lasts . i understand that sometimes even small things could be such a hassle but you can always reward yourself later ! i personally like to buy donuts everytime i finish something (this could come in handy when you're really craving something if you get what im saying ..)

It's okay if you're going at a slower pace than other people , what matters in the end is that you get it done ! everyone is not the same so it's unfair to put yourself down for such things .. also applies to comparing yourself to someone because in the end you'll still be you .. even if you don't like it .. that makes you unique ofcourse , there's only one of you in this world so embrace yourself for that !! you're one of a kind (⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)

oh, but, life's the same, it's boring ... ☆

yes , a lot of days could end up being the exact same because like , there are 365 days in a year so you can except most of them to be similar .. but as a new year starts , ofc many things change without you even noticing it , you grow older ofcourse , and you could be starting a new year in school , you meet new people and so on ! if you compare your life from a year ago or even a few months ago to now , you'll surely notice a few differences atleast so .. life is not reaaaaally the same right .... everyday is a new experience ! literally anything and i mean anything could happen the next day , you could even win the lottery who knows 🤫

when i felt like everyday was the same , i tried changing my patterns .. (my current favourite thing to do is go on a walk ! sometimes i take my dog w me , it's super fun) i would do small things that i dont usually do like sketch ! or i attempt cooking something new .. but obviously there were a LOT of days where i did nothing , sometimes even weeks , and that's okay ! we all deserve days where we do nothing ESPECIALLY if you're someone who is working or js in school / college everyday .. you deserve that break

i think a big factor is being unproductive ? don't get me wrong , i still am my same unproductive self at times unfortunately , n sometimes they do get so bad that they lead to a terrible burnout .. n i went through a rly bad burnout not long ago n trust me you do not want to get this far :( how do i deal with this ? (let's take studying as an example here) well i always start off with small portions , even if it's just a page or two . n then i slowly keep increasing the amount of pages i read .. n yes ofc , i understand how brutal burnouts can get sometimes n that's why it's important to not overwhelm yourself by attempting to finish a big portion of your studies in one go .. just take it easy , let the information marinate in your head for a bit before you move on to the next topic .. so basically what im trying to say here is don't overwhelm yourself with big tasks especially when you're already burntout

friends .. they're great ☆

the thing that honestly improved my life by a mile is getting good friends .. I've had my fair share of bad friend groups so trust me when I say this , it's better to be alone than with people who drain you mentally because . you deserve someone who treats you the way you actually want to be treated .

"but it's hard to make friends" i completely get this because i am a very shy person myself </3 but i think you could start by trying to make friends online ! its easy to find someone with similar interests on the internet .. so when you feel down atleast you know that there's someone on the other side of the world who cares for you ..

but this doesn't change the fact that solitude is AMAZING too (tbh i could go on for a really long time on how i love being by myself but this is already getting super lengthy ...) you can be your own friend too ! (okay see now this seems insane but if it makes you happy WHO CARES AMIRITE) i personally enjoy my own company like omg .. she can get a good laugh out of me sometimes ... you can do whatever you want when you're alone ! you can dance to your favourite playlist or experiment with a bunch of stuff ! if you get bored you can watch your favourite movie or consume your favourite piece of media that no one gets like you 🤫 so , as much as making friends sounds great , let's appreciate solitude too !!

ah, life can be beautiful sometimes? ☆

one of the biggest reasons i go on walks almost regularly is to remind myself how beautiful the world can be sometimes .. (atp half of this is me convincing you all to go on walks) i live in a beautiful neighbourhood n there are a lot of different flowers and fruits that grow here and that makes me really happy . going on early morning walks especially is soo fun , the world is so quiet then and you can even watch the sunrise 🥹

another thing is buying myself things i like ... especially clothes ... if you think you would look good in something then js go ahead and buy it ! don't mind what other people think because like ... YOU are wearing it and if people around you have a problem with that then i think they should close their damn eyes and not look at you if it bothers them that much 🤦 you deserve to feel confident and comfortable in your own skin , you deserve to dress the way you want to ! so if you feel like dressing a particular way would make you feel better .. GO FOR IT !!! this applies to other things you like, maybe accessories, merch or stationary that look cute .. it's okay even if people judge you for your style because in the end they're the ones who are boring and miserable because they spend soo much time hating on others 😒

life is soo much more fun when you take care of yourself trust me ... you deserve to be taken care of !! so spoil yourself once in a while i promise it's okay as long as it makes you happy <3

to sum it all up .. yes , good times don't last forever but so don't bad times , and you and i both can get through a bad day because life is still going on (⁠*⁠˘⁠︶⁠˘⁠*⁠)⁠.⁠｡⁠*⁠♡ bad times too , will pass . so please believe in yourself and hold on !! i love you

again, this is all how*I* like to cheer myself up so pls don't take anything here in a bad way 😖 all of this was made with good intentions and im so sorry if i still ended up hurting anyone in any way ..

[mngo-jii]

MC's always so happy and cheerful ☹️ i wonder how everyone would react to her suddenly being a lot more gloomy than usual. could be either romantic or platonic hcs!

“ WHAT’S UP WITH YOU ? ”

characters: daniel page, lottie turner, ivy warrington, robyn thistlethwaite, kevin farrell, cassandra vole + frey twins

letter ✉️: good morning (for those who have the same time zone as i do) for some reason this didn't post and remained on queue 😐.. these might be a little ooc im sorry

★ DANIEL PAGE

he’s the first to notice the way you’re acting.

next to his concern is likely astonishment because he had never seen you this... miserable before

he’s like thats my job!!!

eventually he gets tired of seeing you so gloomy like there's a raincloud over your head, he drags you somewhere that would cheer you up, like maybe a trip to hogsmeade or a shopping spree at madam malkin’s robes.

and he’ll pay for it allll. he’ll get a little annoyed if you insist him that its ok

he watches you the entire time and takes note of how slowly the way you react or behave evolves back to your usual self

but if it’s something a simple trip won’t fix, then expect him to force the reason out of you

he doesn’t mean to be a bit pushy, he’s just so worried and can’t stand the sight of you so sad anymore 😭

you never knew he’d be caught in a position like this but here you are sobbing in his arms

he won’t say much other than a few advice here and there, but he shushes you so gently and coos at you while running his hands through your hair

very relieved once youre better 💯 but don’t tease him for cheering you up or he won’t do this ever again (he definitely will)

he tells you a sad expression doesn’t fit a (pretty) face like yours

★ LOTTIE TURNER

she’s also one of the first to notice after daniel

unlike daniel who’d wait when you two are alone, she asks the second she notices, even during a conversation amongst the group that has nothing to do with you

“[MC] are you okay???” she asks, concern lacing her voice. she interrupted someone when she asked that but it doesn’t matter 😭

why?? because youre sad. and its usually you who comforts them

so this is obviously a very serious problem

she’s very sweet and unlike daniel she'll leave you alone after the 2nd time of you refusing to talk about it, and instead would ask what she can do to comfort you

if you don’t refuse but rather completely break down in front of her, she panics and instantly rushes to pull you in a hug

“oh no no no don't cry im sorry-”

“i don't know what to do im sorry :((”

rocks you back and forth in the hug like a small child and wipes your tears with her thumbs :')

hours later she’s presenting you a little sketch of you and her in some flower field with smiley faces and ‘no sad’ written above

★ IVY WARRINGTON

also doesn’t notice AT FIRST until a little while later or when lottie points it out

strokes the top of your head like you're a cat 😭 “what's wrong, [MC]? :(”

brings you things like maybe flowers, small trinkets, biscuits, and pastries in hopes of cheering you up

honestly can’t function properly knowing you're sad

her mood would switch the moment she remembers you during times she'd usually be really happy and go “[MC] is sad right now :/”

nonstop talks about you, rlly worried

kind of tries to guess why you're sad like

“maybe they’re sad because [some random reason at this point because of the amount of times she tried to guess]”

will give you the best hugs if you let her

“we’ll always be here for you :)”

she squeezes you a bit before letting you go

★ ROBYN THISTLETHWAITE

is a bit awkward about it when she notices but shes rlly worried

“hey.. a-are you okay?” she places her hand on your shoulder when she sees how down you are

also a little astonished like daniel and only now did she realize that this was your first time ever being this way

because usually you were the one helping and looking out for them

kind of feels bad when she realizes that 😞 and also a little guilty

she tells the others about this guilt and eventually it kind of spreads

makes an entire plan with the others like “mission cheer up [MC]”

she’s gonna pop up randomly out of nowhere, like constantly, and will show you something you’d probably like

“hey! hey, [MC]! check out what i got! pretty cool, right?”

“yes its cool i guess 🙁”

“😟”

she tries her best 😭 it’s a little overwhelming but u can’t say it isn’t endearing how much she’s desperately trying to cheer you up

★ KEVIN FARRELL

a little too immersed with other things to notice for a while, but he catches on when someone points it out

doesn’t know what to do 🧍🏻‍♀️

kind of just lets the others take care of you but he gets rlly guilty about it 😭😭

robyn would drag him to help her cheer you up, and he’d comply quite easily because its the most he can do

he’s just as desperate as robyn too

doing your own things silently and having to predict which one of them is gonna pop up is like playing fnaf or something

he slowly starts to see that their efforts aren’t working and tries to convince robyn to do something else

he rlly wants to comfort you himself because he knows its the best course of action at this point, but he’s also a little awkward 😭

now he feels guilty about that TOO ☠️

when robyn pointed out you were always there for them he was guilty. when he just stood aside and let the others work it out he was guilty. now he feels guilty because his friend is literally SAD but he’s too awkward to go up to them 😭

he rlly worries about u, he rlly does! pls dont take it that he doesnt 😞

★ CASSANDRA VOLE

side eyes you

“can any of you little rascals tell me why they’re doing that ?”

“doing what...”

“doing that.”

gets annoyed because you dont react at all when she’s there 😭 as in you’re so stoic-faced and miserable it doesnt feel real

is very deep in thought as she stares at you from a distance

she doesnt wanna admit shes worried about you but she definitely could not stand you ‘looking like that’ anymore

glowers at your friends’ ‘useless efforts’ on cheering you up

life gets boring for her because you honestly dont care anymore, and your other friends are too busy with you to pay attention to her or the twins

eventually she just gives in

“i’ll show you all how it’s done”

after classes you return to your dorm to see a gift wrapped in gold on your bed with a letter beside it

when you open it, it’s something that you’ve been wanting for a really really long time but couldn’t afford :') how did she know about it? well it’ll remains mystery

“you look hideous with that look on your face. wipe it off. - C.V”

while the letter could have been nicer, she means well, but she wont admit it

★ bonus: THE TWINS

really REALLY confused and salty 😭 they’re probably the most confused of the bunch

while robyn and kevin desperately try to cheer you up at the most random times, they don’t rlly stop being pricks randomly for a while

it’s not to make you feel worse it’s just to desperately get to see you react like how you used to 😭

life gets boring for them too. like i said, the others are also too worried about you to pay attention to them

fischer will just go “pshh. whatever. let’s go” and marches away

but colby approaches your friends. “aye, what’s going on with them? 😒”

they’re taken aback and go like “why would you care”

he scowls at them and says that he doesnt that he just wants to know

they dont tell him and it makes him more salty

dont expect them to do anything they just keep their distance for a while until you feel better ☠️ you dont know if they do it out of niceness or because theyve gotten bored but wtv

[shibusawaz]

So, your Madoka Kaname drawing looks amazing, and as a traditional artist, I was trying to observe to see if I could learn from your drawing.

One thing that stuck out to me was the shading and outlines.

How do you shade so well? How do you know which colors to use, and where to use them? Same question goes for outlines, too.

hihihihiii!! first of all thank u so much, im rlly flattered that u were so impressed 🫶🫶 im honestly really surprised how much attention my drawing got gyuh

anyways!! the picture i referenced was from the crash fever x pmmm crossover, so it’s by no means completely original. here’s the side by side comparison of the (cropped) og image vs in my sketchbook!!

so, most of the actual shading decisions and placements are from the original work. however, i had to change up the colors a bit because of the selection i had. (please note that my version is also darker because of lighting and iphone picture quality 😭😭)

also, for most of my drawings i follow the call of the wind (make guesses) and fufill the prophecies (keep adding more colors until it looks okay)

that being said, below the cut is a full coloring walkthrough if you’re still interested!!

please note that this is much smaller scale and done in less time (took an hour instead of two days 😨) so the quality will be a bit less!!

alright. so let’s say we wanna draw this image, but we tweaked it a bit because drawing BOTH eyes was too much of a hassle.

after you clean your sketch, the best thing to do is open with an outline that’s not QUITE black but close to it.

now, i have a rule. PLEASE PLEASE PLEASE remember this rule: you can use ANY color. for your outline, shading, whatever. it doesn’t have to match the reference.

if you are using this as a genuine tutorial, please know that i change colors every fucking time i draw. i change mediums too. this is only the process i used for my madoka drawing (as best as i can remember)

cuz, like my art teacher said, you have this thing called artistic license, which means you have the right to change whatever the FUCK you want if you think it makes your drawing better. make her purple, give her one ponytail, whatever. as long as you can make it work, have fun!!

anyways. next, go over that outline with other dark colors of different hues. there’s no rhyme or reason, it’s just fun.

after, place your highlights on the hair. i used cream instead of the pastel pink in the original because i like cream better and it adds more hues.

usually, i start with the darkest value instead for shading as it’s more vibrant, but madoka doesn’t have any really standout dark tones. it’s okay though i love her

then, you gotta go in with base colors. simple pink and peach yada yada

listen, quick reminder: YOUR BASE COLORS DON’T MATTER AS LONG AS YOU CAN STILL ADD ONTO THEM!!!

just pick a light base close to the original. don’t agonize over it. apply lightly and gently in circular motions, and you’ll be okay!!

next, we adjust the tone of the hair. i wanted a cooler toned pink, so i added amethyst. i also added a bit to the stray eye.

after, adjust your tone more as needed. again, any color goes. the means justify the ends, and if you end up adding some blue or yellow or whatever then good!! go bonkers with it. i used vermillion.

next, add shading blocks (referenced from the original image!) in a color that’s light enough to blend in more but dark enough to see (amethyst is my favorite for this, and i use it a lot!!) you can also add extra shading in some areas to give it some personality.

after THAT, blend in your shading a bit more with your base colors. by this point you should be pressing down a lot to get the pigment you want. i think for her skin i added beige instead of peach in this step, but that’s also what i did for the above drawing.

the purpose of this is to mute your colors a bit so they fit together more. however, if you want it to pop, you don’t have to add another base color!!

i also went over the outlines with the base color to lighten them and even out the drawing. i do that with almost every step, as needed. follow your heart on that one

also, i gave her a little bit of blush in that step. just because.

ok, so now is the fun part. for the hair and any accessories/clothes/things of the same texture, add random streaks of random colors.

yeah, go ahead, add orange, blue, yellow, whatever. it’s best if it’s of the same value (aka darkness) so it fits in with the base color, but it can be anything!!

you don’t have to do this, but it’s fun.

also, i shaded the eye too offscreen. same process, because pmmm’s style has a very flat texture on characters. thus, it’s okay to use the same shading technique.

now, we can do the same with accessories!! these are simpler and i honestly got too lazy to even reference for the scarf because the hair was the main focus.

finally, add little details, clean up anything you don’t like, and do whatever you want with it!!

that’s all i do for shading, and i hope it helped a bit. i mainly work with pen and paint markers, but the process is the same aside from tweaking parts.

just remember:

its your art do whatever the fuck you want

LAYER LAYER LAYER fix anything by adding new things

it doesnt have to be perfect yada yada

fun color = fun drawing

it doesnt have to look like the picture because thats boring and you wont learn if you try and carbon copy everything you see

like and subscribe

[wasyago]

how did u get so good at composition:3 did u like to draw background all the time or it came to be after practice how long does one piece usually take:333

hehe well, thank you first of all. second of all... um both? practice yes, no one gets it on the first time. and just. i dont know? doing it over and over again and trying new things and experimenting, seeing what works, what doesn't, where the background is needed and not.

i remember i heard a lot of artists around me saying that they didn't like or couldn't draw backgrounds, and for some reason i decided that im not gonna be like other girls and learn to do it. and i uhhh.... just started? drawing backgrounds? i was trying, and watching tutorials on youtube, and seeing how other people did it and eventually it got easier? i can say that i definitely enjoyed figuring out how to do it, struggling to get the perspective and composition right. like, it was hard but i had a lot of fun doing it, so it felt natural and just like, normal art progression? it didn't feel like i was going out of my way to draw backgrounds, i just did it when i felt like it?

at some point i joined a character ask, you know, when people ask questions and you draw the character answering. and i decided that im gonna draw a background for each answer instead of it being a character on a blank background. and doing this, like, specifically trying to draw backgrounds and tell a story with them, and doing it regularly and coherently, it helped me progress a lot. like, i started with a character sitting on a couch in a room, and then it got better and better, multiple rooms, multiple angles of the same room, different locations and images. it helped me a ton. just, figuring out when you need a background, when its rather i did something simple for one frame and focused on the other instead, where the character needs to be positioned, etc.

i can say i didn't do a lot of proper studies, and if i did maybe it would've been helpful... i only drew things that were in my head, with characters that i liked, with imaginary locations and stuff. never really drew from photos... we did go on plein-airs, or whatever they're called, when i was in art school, so drawing backgrounds from real life probably also helped a little, but i can't remember anything about it so it didn't do as much.

i looked at a lot of art from cool artists and expanded my visual library, i analyzed their art trying to figure out why i like it and how to make my art have the same kind of feeling. and i still do! sometimes something just takes over me and i scroll pinterest for 3 hours looking at pretty art and going to artists' profiles and saving art and using it as inspiration later. and it helps! a lot!

i dont know where this post is going ummm. i guess if you want to learn to draw something, just like, start. scrap it if you don't like it and try again, have fun, don't get attached. and uhh, i felt a little nostalgic so here are some of my pieces that i did throughout the years. definitely feels like i got better at it recently, but there's still a lot of room for improvement

oh and for your second question. one piece takes about ummmm... more than a thousand episodes, thats 20 minutes times 1000 devided by 60 devided by 24... we're looking at about 14+ days of non stop watching?

no but for real. i dont really keep track of time when im drawing, uhh. plus depending on the complexity... my recent jrwi drawings are sketches, so they took maybe one or two hours max. something rendered uhhh, maybe 5 hours? if i don't finish it in one day the chances of this drawing ever getting done are super low, soo yeah

[dreemurr-skelememer]

Hey! I love your art so much and was wondering what brushes and/or art programs you use, I'm an artist myself and am just genuinely curious. Sorry if this is a strange ask or anything... I don't use or get on Tumblr too often. Thanks for reading this ask and have a good day/night. (This is my first ask to anyone I think)

hey!!! i use Paint Tool SAI 2!

as of the moment (which means i constantly change it) here is my main doodling/sketching/lineart brush:

my coloring brush: any hard edged basic brush will do, you can also use the bucket tool or the lasso tool, it's simply for coloring

my blushing brush: i blend this brush out by switching to transparency (making it an eraser) and lightly tapping the outside of the paint! (sai users, do this by pressing C on your keyboard. lifesaver been using this shortcut for years) it's versatile, i love using it for gradients

marker brush (usually for ecto): i use this brush only when i want to paint ecto (which i don't do often) but you can use this for other purposes too! it's not my favorite, not even good enough for ecto imo, because my sai 1 version is much better i blend things out the EXACT SAME WAY as the blush brush so please keep that in mind!

a basic brush im testing out for shading purposes: it has a little bit of texture and is made for baaasically cel shading but slightly softer and has the tiniest bit of color mixing

blending brush i barely use and don't actually really like that much: i'm still testing out blending brushes that i like because i can't find one that i like that isn't just blurring colors together or making them muddy when mixed together. if anybody has suggestions, PLEASE let me know! anything like a procreate or csp blending brush that can be recreated would be great

and finally, my rendering brush: it's basically a basic hard edged brush that can pick up the smallest bit of color i use it to clean up and add final touches by using the drop picker often and over the entire artwork

ofc, change anything to your preferences. that's how it goes these are just the settings that work for me :) this also goes for the program LOL i know sai is not for everyone (but it's my baby my bestie my 5ever so like this is about ME)

i have an in-depth post about my CSP brushes and how i work with them (and i don't really ever use csp unless it's a big piece so it's not changing anytime soon) if that's what you have or prefer

my #ref tag is also a treasure trove of my old settings over the years if you'd like to see those too

[ganondoodle]

I just wanna say firstly that i adore your artwork and takes6on Zelda in general! Secondly, much as I wish you never had to deal with the frustrations of creating (especially when you tack on the stress of being on any kind of social platform), I'm glad you talk about your struggle. I've heard people talk about art block every day since I learned what Art was, but nobody ever mentioned "painting oneself into a corner". It's such an apt description that is so infuriatingly relatable that I had to stop eating to thank you for putting it into words. I really appreciate that you're willing to talk about your setbacks in a place like Tumblr, and still share your arts and thoughts. All the best from US of hellscape A, i hope you're doing well.

Thank you!

i used to call it artblock as well, its the most normalized term i guess; i randomly started calling it painting myself into a corner when i got stuck or frustrated on a painting bc welll, it sure feels like it, you painted the walls all around you and dont know how to get out now

it usually happens when i stop having fun and just draw what i want and instead keep subconsciously forcing myself into arbitrary rules; in my case its usually trying to be too perfect, i try to adhere to the sketch, i try to make every block of color have a perfectly clean edge, separate the drawing into way too many layers and am afraid to delete or erase anything, i tense up my whole body as frustration builds bc of impatience as this method of painting does not work for me at all and in the end lose motivation on it all and my nerves are stretched thin (i work best when i think as little as possible, just kinda loosely letting my hand do what it wants on few layers and no specific plan, after losing that its hard to get it back)

having those low moments with your art is normal as your skill grows, but even knowing so, and having gone through it countless times, it never stops making you feel like shit, and its especially frustrating when it happens when you just got enough time to work on stuff or have alot of ideas but you cant get it to work

(and funnily enough it also tends to happen after another work of mine got more attention than i thought .. even worse when it was just a sketch bc now i got the pressure on me to actually finish it and the fear of it doing worse once done looms over the whole thing- which doesnt mean i dont want people to interact with my wips, bc that also has an extremely demotivating factor to it bc it makes me think no one cares or it sucks and doesnt deserve the time i would need to spend on finishing it; also .. alot of my wips stay wips forever, which is fine, but like .. you cant always expect a finished tm version to happen)

i do find it a little funny you praise me for talking openly about it bc i am notoriously unable to shut up ever and only recently got better at NOT talking as much about it when i feel as shitty as this bc it doesnt really help anyone and gets annoying really fast xD (im also notoriously unable to not post absolutely everything bc i got no one to show it to and otherwise it will just collect dust on my harddrive so i might as well throw it out there no matter how much i might hate it, someone else might still enjoy it anyway)

and greetings back from the -not really much less of a hellscape- that is germany o/

[solei-eclipse]

wait . would solauri have a better chance as working out more romantically in the modern au . ?

( i would say maybe since the age gap isn’t so big and auri isn’t a total sociopathic freak . . if you think so too, id love to hear any silly little headcanons lol . )

( no im not doing this because im stressed about round 1 and really don’t want cirrus or azure to die what are you talking about haha ahaha . . ( sobs quietly in nonexistent corner with face in hands ) )

SOCIOPATHIC FREAK 😭 go easy on her now

I think it would definitely work out better than in the ALNSTverse for the reasons you mentioned but also because solei wouldn't be as stressed and people don't have to fight for their goddamn lives anymore!!!

Some thoughts!!!

Solei's first ever interaction with Auri in the park would be about pokemon. I'm so sorry. They're a loser who loves animals and biology and life so naturally. Pokemon nerd. When little Auri was in the park little Solei came up to them and showed her their pokemon cards. When they walked her home they gave Auri one of their cards: a Seel! (Also I take back what I said about them being 2 or 3 during their first meeting. I realize I was barely able to form any cohesive thought at that age so. I imagine they'd be 4 or 5 instead like what you originally suggested!)

Solei would knock on Auri's door everyday and ask Cas or Nyx if she could come out and play. Since Solei knows where she lives from when they walked together that day.

I'd imagine there weren't many people in the neighbourhood yet by the time Solei moved in (since you suggested the idea that Solei was one of the first). Since there weren't any other kids their age to play with, they stuck to each other pretty fast.

From the point on it was like glue!! Once Solei was old enough to ride a bike they'd visit Auri's every morning to head to school together (sorry I keep mixing the ALNST highschool AU together with the modern au but like. They would go to school right? Correct me if I'm wrong)

I hc they have a lot of matching clothes (matching sweaters, socks, shirts, etc)

Auri was a good star student but Solei was just around average, maybe even dropping below that at certain points. Maybe Auri would tutor them sometimes? (Ivan moment lol)

Auri likes to mess with Solei's hair and put it in ties and clips and stuff (based on one of your very first solauri doodles)! She's pretty good at it, but sometimes she'll do Lei's hair up really weird and stupid if she's feeling cheeky. Solei always keeps that hairstyle for the rest of the day no matter how stupid it looks.

Solei likes to woodcarve things for Auri all the time. It's kind of shitty and blocky and unrecognizable at first though so I don't know if Auri would keep it lol

Physical touch!! Auri likes physical touch, Lei is warm and loves warmth so they're happy with it! If they lie on the floor and Auri drapes herself on them horizontally (they'd be making a plus sign shape basically) then Solei would use their hands to play drums on her back. You know like. patpatpatpatpatpatpat. complete with cymbal sound effect. Because they're a loser.

Auri dresses in nice clothes most of the time (I think, usually in rock's sketches she's wearing pretty dresses) and in contrast to that Solei's fashion sense is just. Pajamas. Not joking they'd literally show up to places in their pajamas. Easygoing but at what cost.

When they do decide to change into something more appropriate, it still carries the vibe of pajamas. They like loose and comfortable clothing, stuff like big sweaters with wide open collars and soft baggy pants. Even their school uniform carries this carefree vibe since they forego the blazer and just wear the white button-up (that isn't even completely buttoned. Imagine till's school uniform with the orange undershirt, that's basically Solei). I'd imagine Aurien would be more clean and put together? Though maybe Solei would encourage her to loosen up and do whatever makes her comfortable.

Solei is (suprisingly) popular? They have a lot of friends at school. Definitely the type to say "okay I'm going now bye guys!" and then spend another 10 minutes yapping with others. Very "mom can we go home now" vibes from Aurien during this time.

If Aurien was feeling upset about something, Solei would take her someplace quiet and encourage her to tell them about it. They'd always make sure to carry something nice in their pocket to suprise her afterward, like candy or another wood carving or a flower they found.

Auri does her homework on her room desk and when she turns around to look at her bed solei has materialized out of nowhere to sleep on it. you know. instead of doing homework

When they're older, Solei would work at a zoo/animal shelter and would text Auri pictures of animals that reminded them of her

They would probably also have each other as profile pictures

I do apologize for this fact, I know it's an excruciating and annoying character trope, but solei is in fact a dense bastard. I'm so sorry. they'd have no idea. stay strong auri

[draagu]

Teach me the ways of the dragu art

yeah I'll use what I'm currently drawing for this hold on

really long tutorial on how I draw below

step one: sketch

my sketches usually start with a circle for the head and I build from there! generally I just use the circle if I'm familiar with the character and the pose, but it is always good to use more shapes for the rest of the body!

sketches are also a good phase to play around with proportions, the nice part of digital art is that it's really easy to erase or select and stretch/move parts that look funky. play around till it looks right, don't be afraid to use references

step 2: lineart

linearts my worst enemy sometimes, so occasionally I just resort to cleaning up the switch or just making the lineart really sketchy and messy

here though I just follow the sketch to the best of my ability, i don't always do it but I shade in shadows sometimes

also on spots that are like folds or something, I make the lines gradually thinner the farther away from the edge they get. if that makes sense

step 3: color (which is incomplete rn my bad)

I unno what to really say for this one uh

easy trick to coloring everything fast, and if your art program lets you, make a giant square that covers everything behind the lineart, erase or fill any openings in the lineart, select the outside part of the colored square with the wand tool or wtv, and erase/delete. then boom you got a filled color base to go off of, go you!

otherwise if the wand tool doesn't exist, I just draw around the insides of the lineart and fill

step 4: shading

im not planning to shade this drawing so i have to scrounge up old stuff now ouh

shading ! is fun sometimes

i start by picking a bright color that fits nicely with the rest of the art, n choose any spots that would be blocked from the light (i cannot explain this m sorry)

then i put the blending setting on the layer to multiply, set the opacity down until it looks fine

and congrats you've shaded

sometimes i also add a slight blur or like every so slightly softening lines which i do not have an example of right now. i just do this on the ends of the shadows because i think it looks nice

the rest of the art is up to you, color the lines, add a gradient over everything, go crazy.

the best way to get 'better' is practice! doodle whenever ya can, i doodle on homework and notes all the time. find your own little strategies and tidbits to add to your art! just have fun with it in the end!

also when in doubt: add more fluff /j

(my old nightcat design compared to the new)

[rileyclaw]

Your last post about your animatic process was super interesting to read! I've always wanted to get into animatics but they become super intimidating to me once I finish thumbnailing. Do you have any tips on ways to keep from getting overwhelmed with big animatic projects?

Also, how do you decide how many frames a moment needs? Do you just start out with stills and then see what feels stale or is that something you figure out in the planning stages? Sorry for all the questions haha, love your work!

Im glad the post was informative!! and dont worry I love fielding questions like this !!

I'm sorry to say that there really is no big secret or anything about getting to the finish line on an animatic but making sure you keep going. If it's any comfort, if this is something you're doing for fun because you're interested in it and think it could be cool to make, there is no rush to the finish line! It's daunting, but there's no race. and think of how cool it'd be to see it to completion

For me personally, making sure I keep toiling away on it even if it's just refining half a shot per day is a big thing because I'm someone who'll forget his keys are if they are not in my direct line of sight (they are in my back pocket )

I've always had a pretty good grasp of timing (aurghhh 12 animation principles . explodes ) for animation so the framecount always comes naturally to me. I usually determine those timings during a cleaned up sketch stage, or even at the linework stage itself if I feel confident enough in the shot's comp.

I generally do begin with just one panel to span a whole section, then break it down based on 'beats' in audio (or dialogue captions). I like to frame animations based on accents in audio - change the drawing on an aural beat and I find it makes the animation more appealing that way!! (And if you're drawing with OR without audio, I often act it out in real time and get video reference of it, and see how I naturally move and if my timing matches up with that.) Sometimes the original plan changes, too, so don't be afraid to remove or add more frames if you feel like it may be better that way!

[delusionisaplace]

𝙬𝙧𝙞𝙩𝙚𝙗𝙡𝙧 𝙞𝙣𝙩𝙧𝙤

i never actually had a writeblr intro to begin with--i kind of just jumped straight into posting, so im making a writeblr intro now. better late than never i guess 😭😭

𝙖𝙗𝙤𝙪𝙩 𝙢𝙚:

name: alex / sketch

pronouns: she/her

hobbies: drawing, graphic design, writing, listening to music

obsessions: y2k, anime, kdramas, bl, webtoon, bilibili, skz, txt, zb1, brent faiyaz, drake, tyler the creator, steve lacy

hi, my name is alex, but you can also call me sketch (i really don't mind which). i've been writing and drawing ever since i was little, but i never found anyone to share with growing up, so i decided to start a tumblr account where i can post prompts and info about my wips.

𝙖𝙗𝙤𝙪𝙩 𝙢𝙮 𝙬𝙧𝙞𝙩𝙞𝙣𝙜:

i tend to dabble in whatever genres interest me at the moment, which could range from historical to noir mystery, but i typically write sci-fi and fantasy with a hint a romance.

my current wips are 2083: Retribution and Lovers to Strangers. 2083 is a sci-fi dystopia with a romance side-plot and Lovers to Strangers is just a slice of life.

if you're interested, you can read more about them by clicking the link on my pinned post

𝙣𝙤𝙩𝙚𝙨:

my attention is worse than that of a child, so it's really hard for me to focus on anything for more than 30 minutes at a time. i also lose interest in things faster than the flash can run, so whatever interests me today might not tmrw. all this is to say that my blog will probably change pretty frequently.

i'm usually a chill person, and i'm always up for conversations, asks or tag games if you ever wanna talk or interested in getting to know me and my writing more. im also a rlly awkward person, but right now i'm trying to make the effort to find new mutuals and interact more with the ones i have already. if you could recommend some other writeblrs i would rlly appreciate it :)))

and i guess that's it lol

[tpher]

how do you make your oc screencap edits?? i also have a td oc and i dont really know where to start 😭

ok so!!! i use firealpaca which is just my usual drawing program. so i'll keep using it as a reference for my steps but of course im sure whatever similar program u use should have similar features

i'll be long winded for funsies as usual 💕

FINDING YOUR SCREENSHOTS

the key to decent td edits is to flat out trace screenshots whenever possible. stock pics will do, but of course itll be a lot more fun and less obvious if u use a screenshot from the show and put it into your new context

in terms of making your ocs, you will likely have to do what someone once called "frankensteining" your pics. this is where you use pics of other characters for their specific features and put them together since your oc doesnt have official screenshots to trace. this also absolutely comes in handy w canon characters! maybe you have a pose but u need them to be sitting. so try to stitch together two different pics to get what u need

it will look very scary but just trust the process. here is a random example i made using a dawn screenshot (where i removed the background), gwens eyes and eyebrows, and kittys hair

the sketching part is semi-optional. if you think you can freehand the lineart then go ahead but i assume your oc wont be a complete copy of something found in canon and therefore you will have to draw the newer/different features (such as the hair or the outfit) at least a little bit. and sometimes when i frankenstein the pics, my brain gets all overwhelmed so sketching makes me feel better jfbdjdnd

(in terms of my own oc, i screwed myself over bc his body type is so unique i gotta freehand it like all the time 😭

you can see i traced his head from his render (ALWAYS DO THIS BTW!!! TRACE CONSTANTLY), but then the body was freehanded using a canon pic as reference because tracing the pic wouldve been inaccurate)

THE LINEART

yes the iconic td thick, sharp, flat lineart. i achieve this by using a normal pen tool, turning off the pen pressure, and then turning up my pen stability to 40-60 (very high). you could use a curve tool if that works for you! but i would suggest against that for ALL of it bc the tool just wont respond well to rly drastic curves and such

the pen size varies on the pic. if the characters are close-up, itll likely be a bigger one. and then the characters' little details and facial features are usually a slightly but definitely noticeable smaller size. for the most part, ive had the bigger pen size at 13 while the details are around 9. or big size 10 and smaller size 7.

heres my technique:

as u can see, all of my lines go a bit too far. this is so that when im done drawing them, i can go back in and slowly erase where they meet and get them all sharp and pointy. this is just how i personally do it lmao. when it comes to facial features and other stuff that doesnt connect to anything, just get a close look at your reference to see how thick or how thin the edges get and do ur best to erase the edges to the point where they should be

THE COLORING

not much to it! the bucket tool is the best way to go. again just get a good look at your references just in case any parts have the lineart also colored in

THE BACKGROUND

you can find some generic td background pics on google or u could get them from the show and try to erase any character in the way lmao. if ur recreating something like, say, a dunc/ney scene w a different ship, then its very tedious but youll have to do your best to erase the canon characters and piece the background back together.

i like using the smudge tool a lot for this!!! just kinda pulling whats already there towards the characters. to save time, put your drawing visible on a top layer as you do this so that you dont have to edit the ENTIRE background, just what you need

THE RENDERING

ok so heres a big one imo. after youre done, youre gonna have to fuck up the quality at least a little. well not that u HAVE to but like..... to match the standard quality of a td screenshot? ive never seen a td screenshot in perfect hd quality outside of stock art. so u could blur ur drawing just a little bit. maybe add in the teeniest bit of chromatic aberration (just set it to 1 or -1). not ALL of them together but u do whatever u gotta do

my personal favorite is blurring just a little and then saving it as a jpeg (around 65-80%) so that its pretty crunchy and looks all the more real

obviously not a NECESSARY step but just something to point out. especially if ur background isnt the best quality so the characters have to match it

this one from yesterday i didnt even redraw topher bc i was lazy and he looks fine enough. i just put danny onto the pic to cover the other character. so i blurred danny a little bit and then saved it in a pretty low quality so that they match one another. look at those pixels. that crunch.

SO THE TLDR IS just trace and copy your references as close as possible. if you cant find a reference for your character, try finding another character w something close enough