#also its not in this post. but i need you to understand

[jgracie]

I CAN FIX HIM (NO REALLY I CAN)

masterlist | rules

❝ Can you please writhe a one shot with Jason and daughter of Psyche reader based on the song “I can fix him(no really i can)” by Taylor?Like imagine some time later when Jason is finally free from his demigod duties and goes to college with his friends,here he meets reader.Since she is a daughter of Psyche (the goddess of the human soul)she understands him immediately and she help him understand himself,discovering what he likes and to heal from his past and of course they fall in love. ❞ — anon

in which they shook their heads saying “god help her,” when you tell ‘em he’s your man

pairing jason grace x psyche!reader

warnings feelings of self loathing, slight bullying

on the radio . . . i can fix him (no really i can) (taylor swift)

an they r in new rome uni in this !! i feel like jason is a tad ooc but also its 11:30pm as im posting this and im tired

Everything you heard about Jason Grace screamed ‘red flag’. Son of Jupiter, ex-praetor, raised by wolves then sent to camp at the mere age of three or four - what was there not to be afraid of? To add to that, the way he carried himself exuded power in a way that would make anyone cower in fear. His face was inscrutable, crystal blue eyes unreadable in the same way the storms his father made were

However, you weren’t anyone. Your mother was Psyche, goddess of the soul. And as a daughter of Psyche, you could see right through just about everyone, including Jason Grace. Whenever you tapped into his energy, you couldn’t help but feel he was the complete opposite of what he presented himself as. While Jason seemed content with solitude to everyone around him, you knew that deep down, he was just seriously misunderstood and in desperate need for some loving

You were right. Jason’s life had been hell, especially the past couple years. His memory had been taken away from him, making him lose ties with all his friends and a potential lover, Reyna. Then, he’d gotten a new girlfriend and new friends, only for his girlfriend to dump him and his friends to all be too busy to spend a single second with him. Still, Jason had persevered. He applied and got accepted to New Rome University, he attended all his lectures, he got perfect grades, he tried his best to socialise. 

The latter never worked out though. People either saw him as Jason the traitor, the guy who’d chosen to leave with the Greeks instead of fighting for his camp (Jason would stifle a laugh at the phrase ‘his camp’ - if this were really his camp, they wouldn’t have easily found a guy who’s the epitome of everything un-Roman to replace him. They weren’t any better), or as Jason the soldier, the man who’d toppled Kronos’ throne and won in a fight against the titan Krios, absolutely untouchable and worshipped in a way that would make his father seethe with jealousy

Eventually, he gave up. If that’s how they wanted him to be, so be it. He shut himself off from the world, focusing solely on his studies and his plans for shrines for every God and Goddess. Little did he know, a certain someone was formulating the perfect plan to become his friend

Your plan backfired. You’d spent weeks keeping note of all the classes you had with Jason, even occasionally following him to see where he’d go after class (his dorm, immediately), and yet you couldn’t seem to get a single conversation out of him. The closest you’d gotten was when you sat next to him in one of your lectures and dropped your pen - he’d simply handed it to you without a word. For the split-second your fingers brushed, you took on all his pain and felt it pull you apart. How could he cope with all of this baggage? 

Luckily for you, the fates work in mysterious ways that in this case, happened to be in your favour

“Oh, I’ll leave. Sorry.” Someone mumbled from behind you. You had been having a hard time sleeping as it was exam season, meaning everyone’s late night stress as they did last minute cram sessions piled onto you, so you decided to go to the one place you knew would be quiet. It was a small garden you’d discovered as a freshman and dubbed as ‘your spot’, and you’d often come when you were feeling extra overwhelmed

Turning your head, your eyes widened as you saw none other than Jason Grace, who was about to go back to his dorm

“No, wait! You can stay, I don’t mind,” this was a first for Jason. Usually, people would go the other way at the sight of him, not offer to let him sit with them. He felt a gut-wrenching, yearning feeling in his stomach, and you felt it too. Softly, you patted the spot on the bench next to you. It was quiet between you, but with that simple gesture, you had made an everlasting mark in Jason’s mind

After that night, instead of leaving his bag on the seat next to him, Jason would put it on the floor in hopes that you’d see the empty seat and choose to sit there. You, ever the empath, did. The more you sat with Jason, the more words were said between you. You started the conversations, of course, asking him about his day and telling him about whatever minor inconvenience you had that morning

“I ran out of toothpaste,” Jason had said to you one day as you took your laptop out of your bag. This was his first time initiating a conversation. He wasn't sure why he did it, and cringed internally the moment those words came out of his mouth - toothpaste, Jason, really? - but you’d smiled and asked if he wanted to come with you to the shops after class, since you also needed to stock up on some supplies

That was the day Jason’s walls began crumbling down. Suddenly, he seemed to loosen up. His posture slackened and he smiled more often, told more jokes and even engaged in your banter. People gave the two of you weird looks as you walked around New Rome in fits of laughter, but neither of you cared 

Well, not until one fateful day. Jason had been making his way to class with two coffees in hand, one for you and one for himself, when he’d overheard two people deep in conversation. He’d never been one to eavesdrop, but when he heard your name being mentioned, he couldn’t help himself

“That poor girl, she has absolutely no idea what she’s getting herself into,” one of them said. The other hummed in agreement, pity laced in his voice 

“She thinks she’s doing a good thing, being friends with him and all, but he’s just going to break her heart like he did Reyna’s. Jason Grace is no good.”

He nearly dropped his coffees. Suddenly, all the confidence he’d built came crumbling down, being quickly replaced with those walls he knew all too well, the only things he could trust other than you. Since he loved you so dearly, this was for the best. You’d find some other guy to befriend eventually. If all of Camp Jupiter could replace him after years of service, who’s to say you couldn’t after a couple months of being friends?

Coincidentally, you happened to be looking for Jason when you saw him standing there, a blank look on his face - the same one people had warned you about in your first year at NRU. This time, however, they didn’t have a fighting chance in fooling you. Even without your powers from being Psyche’s daughter, you knew Jason was a sweet guy with the kindest heart

“Jason, are you alright?” You asked, reaching to place a tender hand on his shoulder. He pulled away and your face dropped as you tuned into his feelings and realised the old Jason was making a comeback. It’s not like he’d ever been gone, no one ever gets rid of lifelong trauma and horrible experiences that quickly, but Jason’s aura hadn’t felt that self-loathing in a very long time

Looking behind you, you saw a couple give you a pitying look and the pieces clicked immediately. Scowling at them, you took Jason by the arm and dragged him to that garden where you first spoke. The garden that was no longer just your spot

“Whatever they said, I don’t care,” you told him, “they’re wrong, Jason. You can’t listen to them. From the moment I met you I knew they were wrong. Don’t let them win.” His eyes stared into yours, completely emotionless. His guard was up, and you didn’t know why (slight btd ref!!). Didn’t he trust you? 

His voice monotone, Jason replied, “this isn’t just about them, Y/N. You have no idea what I’ve been through. You don’t deserve to have to deal with that, it could affect you too. You could be making so many friends right now and yet you haven’t, because you chose to stick with me.”

The tension rose between you and you knew there was only one thing you could do: succumb to the pull he had on you once and for all. Grabbing him by the collar, you pulled Jason closer to you and kissed him fiercely

When you pulled away, you took a second to take in Jason’s dishevelled look before replying, “I don’t care. I’ll choose to stick with you in every lifetime.”

[raven-at-the-writing-desk]

On the language debate, I personally headcanon that the main language spoken at NRC is a common one. (?) (Like how English is the business language, or like how generally Native Americans had a common language that they spoke when trading with other tribes.) And Crowley or the Mirror used magic so that You was temporary fluent in that language.

After the ceremony, Yuu has to learn the common language and picks it up really fast (as one would in such a situation). Therefore, Yuu can still speak it when away from NRC.

(I also headcanon English as an ancient language akin to Latin, because I heard that Arabic was canonically an ancient language.)

[Referencing this post!]

I’d buy that everyone at NRC speaks the common language to some level of proficiency; it’s like how international students typically need to speak the language of whichever country they hope to study in and need to prove their fluency in an exam beforehand. As I said in the original post, the light novel does mention a translation spell over the school, so maybe that’s part of the “magic” that helps Yuu to understand what the others are saying.

Now, it’s theoretically possible for Yuu to learn the common language of Twisted Wonderland in a year, but I don’t think immersion alone would cut it (especially since the main story is only up to like 2/4 to 3/4 of a year so far) . They’d probably have to put in significant effort outside of everyday conversations to pick up its rules (because remember that language isn’t just vocabulary but also grammar, syntax, and social conventions). Yuu would also need consistent feedback from people since that’s how one usually “fixes” their incorrect language use. It’s similar to how adults would correct a child learning their first language; ie a kid says “wadur” instead of “water”.)

One site I looked at suggested that, depending on the language categorization (I, II, III, of IV), it can take 24-92 weeks’ worth of time to become an “advanced” speaker. Realistically, just getting to the basic conversational level could be hundreds or thousands (700-2500+) of hours on its own—and Yuu has to do this on their own time between homework, going to classes, and managing all the issues that Crowley doesn’t 💀 To me, that doesn’t sound like a lot of free time. Counterpoint to my own point though, we also have to consider that Yuu is... well, technically Yuu can be any age you want, but most Yuus are implied or portrayed to be 16-18. The critical window for language acquisition is theorized to be anywhere from the first three years of life up to as late as 17-18 years. After this critical window, the ability for language development tapers off. So, thinking about that, Yuu's brain could still be very pliable and able to absorb new language (though they'd have to work quite intensely to pack in as much as they can before this ability starts to decline).

Something that I feel would be difficult for Yuu is that the characters often use slang (Cater, Floyd, Idia, etc.) and/or uncommon words (like Vil’s “pulchritude”). The former may not follow the standardized rules of a language or may be idioms (other non-literal meanings for common words), which could make it hard for a non-native speaker to understand. The latter would not be used that often, so Yuu would be forced to guesstimate what the word means. I’d imagine this would make fluency challenging, because as immersed as Yuu is in Twisted Wonderland, less frequently used words are harder to grasp.

Maybe Crowley cast a translation spell ON Yuu so that they can still converse with people in the common tongue whenever they leave NRC? Or, since the events basically occur in an AU, more than a year has passed so it has allowed Yuu more time to absorb the language. Language in TWST and how it works… It’s really interesting to think about!

[houseki-no-suffering]

Hey! I found a post of yours (specifically a phos analysis) from a looong while ago. Just curious to hear what your thoughts on the last chapters and the conclusion of the story are!

I recently finished the manga after putting it off for 4 years, and it was an incredible but such a bittersweet read. Maybe it's just me being a sucker for happy endings, but man, it really did not get happier </3

And you probably already know this, but did you know that Ichikawa released the last chapter the same day a comet flew by that looked exactly like the comet from the last chapter? Really cool stuff but I am emotionally destroyed haha

I suppose it was the only kind of happy ending HnK could have, and I don't think I mind it as much as other things that have happened in the last few chapters. It reads more HnK than anything that has happened in the past 1-2 years of serialization.

I appreciate the bittersweet notes (always have) and Ichikawa's words that this is how she wanted the story to end, it doesn't happen to every mangaka. Also, the comet bit is such a nice touch.

As for Phos (I suppose this is the post you meant?), I do believe that they got a happy ending.

If you think about it, instead of becoming a lunarian and being prayed away like the others, Phos' journey gave them the power and knowledge to rise above them. Thanks to their flaws (being brittle, having special inclusions, maybe being the most human of all the gems) they became human, the most flawed of creatures, and basically reverted to the purity of a child, a god, sin-less (even if this is a Buddhist story, so idk if I can actually speak of sin) and therefore free of everything that made humanity always dissatisfied, dangerous and unhappy. The others renounced existence, Phos found a way to reach paradise.

Humanity doesn't come out of this looking like a nice bunch of people to hang out with, and neither do the lunarians (gems included at this point). And yet, there's so much compassion in everything Phos does: a kind child, up until the very end.

I always speculated (and was not alone in this) that Phos' job would become to pray the lunarians/everyone away, find Cinnabar the job to kill them, become a Bodhisattva... in this, I believe, the story remained true to itself. What I believe no one saw coming was how shallow(?) it all seemed in the end.

Everyone came back, making Phos' sacrifices and suffering basically meaningless, everyone started getting along and solving centuries-old problems in seconds. Then, Ichikawa introduced so many new changes abruptly... It felt rushed, lazy and overly simple, when most of us loved HnK for its complexity and depth.

Maybe it was because Ichikawa wanted (or needed to) end the series with ch 108. Usually, when mangaka put a limit to the chapters they want to write, it really damages the story and I wasn't a fan of this even in this situation.

Aside from these issues, I appreciate how Ichikawa seemed to care about the character of Phos.

Maybe this all happened so that Phos could be happy, maybe this was the only possible way for Phos to be happy? It would be a little bit like in Devilman, where the world basically ends only so that Satan can understand love. Idk, little old Phos didn't seem that desperate a case, they just wanted truth, yes, this did cause some... issues, but other than that they're a sweetheart.

This is the leitmotif of the series, after all: Phos is a kind, selfless gem who cultivates a deep sense of self-hatred.

They internalize a pressure and a need to feel useful (coming from gem society) and turn them into a necessity for change (unlike in gem society). Initially, they want to find a job. Then, they want to help Cinnabar find a job, then they want to help Ventricosus, then then want to become a fighter, then they want to help sensei, then the gems, then the lunarians...

Contrary to most of the other gems, Phos loves and loves openly and unconditionally. They start off as a self-less creature who believes that their life isn't worth anything. Therefore, they put it on the line time and time again and, eventually, lose it time and time again as they change form.

It's their journey towards truth and happiness: they change and lose pieces of themselves, forget things, renounce gem-ness in favor of humanity and then humanity for god-hood.

Phos changes until they find the form that makes them happy. Their purest, happiest form. They change so much that they come back to square one almost: they become pure Phosphophyllite, with no inclusions at all. Still fragile, still small, but selfless and cheerful. Carefree.

In a sense, HnK ends with Phos becoming Phos.

[rosietrace]

This is a personal rant about my thoughts on Greek mythology retellings, and just the way Fantasy books and the publishing industry is at this point 🧍‍♀️

I have nothing against Greek mythology retellings, or just anything Greek mythology related in fantasy in general!

However, I have certain gripes about the way Greek mythology is portrayed in media, specifically in the way its interpreted in Fantasy.

[ More under the cut! ]

I love Percy Jackson, and I think that Uncle Rick did a wonderful job at expanding the world and making Greek, Roman, Egyptian, and Norse mythology entertaining and easily digestible for young audiences. Genuinely, he does a better job at writing children's books than R*wling could ever be capable of.

However, as much as I can love PJO as much as I do, I still find certain bits of the world building and character writing as... Very hit and miss.

To start, I don't like the way Ares was written in the series. I can understand that it would make sense for his personality to be that way, because he's the God of War and it helps with Clarisse's character development; but I find fault in it because Ares in the myths is nothing like PJO Ares. (He literally killed one of Poseidon's sons because he raped his daughter, Alcippe, and he's one of the only gods who doesn't hump anything that can breathe in air. At least Ares has the courtesy of asking for consent 💀)

The Gods being the reason behind WWII and Hitler being a child of Hades. All I must say.

The portrayal of the Aphrodite cabin

The fact that Athena can have children. Annabeth, pjo fandom at large, I love you are, but you gotta admit it must've felt weird when you first read the books and you find out Athena — the maiden Goddess of Wisdom — can have offspring. Regardless of the reasoning, I still find it weird 😭 (EDIT: I've now just remembered that it was a reference to how Athena herself was created 🤡 I'm a clown)

I get that the Hermes cabin is also the cabin for the unclaimed, but couldn't have Hestia's cabin worked too? She doesn't have offspring, sure, but it probably would've made more sense for the unclaimed to go to Hestia's cabin so that the Hermes cabin wouldn't be so crowded

This isn't really a world building issue, but I think I should bring it up: I'm not saying this against the Kane Chronicles fandom, but... Sadie and Anubis. Why. Like you can't convince me that no one WASN'T weirded out by that.

Less of a complaint and more of a question because I can't remember if the question was answered in HoO or not, but when Percy told the Gods to start claiming their unclaimed children and be more decent parents (as he should, go off king), did that request apply to the Romans at Camp Jupiter too? Because that's gotta have been confusing when the unclaimed kids at CP suddenly started getting claimed 😭😭

I could go on a whole ass tangent about PJO, but that would make this post longer than it needs to be 😭😭 and any of the points might not make much sense, since I haven't read the books in a LONG time

Off to the YA Fantasy segment... Hoo boy.

The oversaturation of Hades/Persephone retellings makes me SEETHE. Why is it always Hades and Persephone why can't it be something else 😭

I just don't like the “modern feminist” retellings of Greek myths in the YA Fantasy genre, in general. They tend to completely miss the point of the original myth, and it's the case with a lot of Hades and Persephone retellings where they try to paint Hades as the good guy taking Persephone away from her control freak mother, Demeter.

Because that wasn't what the myth was about. The myth isn't a love story, at least, not a romantic one. It was about Demeter's love for Persephone and how much she wanted her daughter back after Hades stole her away. Keep in mind, in the historical context of the myth, the daughters of women in ancient Greece never really get to see their mothers after their engagements are solidified.

If they wanted to make a “feminist” retelling of the myth, they'd have it centered around the love Demeter had for Persephone to almost doom the mortal realm to an eternal winter to get her back.

I love the myth of Hades and Persephone, truly, I do. I understand the appeal it has on people, the appeal it has one me. I can see why people adore the myth in the way they do because Hades is one of the better husbands in Greek mythology (a low bar, but my point still stands).

Personally, I blame Lore Olympus and especially the video of the myth by Overly Sarcastic Productions for the way the myth is portrayed in mass media. And I say this as a former LO fan and a fan of Overly Sarcastic Productions 😭

I'd also want to go into my many, MANY gripes about “Crown of Starlight” by Cait Corrain, but in all honesty? I don't think I can properly convey how much I DESPISE Cait and their book. So I'd highly recommend y'all to check out the videos about Cait Corrain by Reads With Rachel, WithCindy, and Xiran Jay Zhao on YouTube if you're interested in going into more detail about the controversies, especially for those who weren't made aware of it.

I feel like the publishing industry just... Isn't good anymore, after Booktok went viral. Reading has been “hot girlified”, and all Booktok seems to ask when they get recommended a book is: “Is it spicy??”

Reading is like fast fashion, now. It's all based around certain popular tropes that that's how books are promoted now. Not for the plot — or sometimes lack thereof — but for the tropes the book has.

The only thing I can thank Booktok for is that they helped me discover The Cruel Prince. And even then, it's marketed as romance on there, when it's a political fantasy with a romance subplot.

‼️ Woah! A secret bonus section! ‼️

I, personally, don't read — nor do I like — Sarah J Maas. (Especially considering the problematic aspects of her storytelling, character portrayals, and is (apparently, correct me if I'm wrong) a Zionist)

However, that isn't to say that I don't like some of the characters she makes. A lot of them have potential, actually! From what I've seen, I think Nesta, Gwyn, Azriel, Eris, Tamlin and Lucien from ACOTAR are the only characters I actually like, based on what I've heard — and seen — on anything in the SJM critical tag on this hellsite.

And while we're at it, let's discuss the elephant in the room with ACOTAR, right? Rhysand.

By all that is good and holy, I hate Rhysand so much and I think I'd hate him even more if I actually READ the books. I don't get why Booktok is so invested in him when Maas retconned Tamlin's character to make him look better as Feyre's love interest.

Also, from what I recall, didn't Rhysand sexually assault Feyre? And he didn't bother to apologize for it, and justified it with his sad tragic backstory??

I can't with y'all, istg 😭 the fact that “Feysand” is apparently a Hades and Persephone retelling too makes me even more mad about it because it isn't even a GOOD retelling. It just takes away what ACOTAR originally was— a Beauty and the Beast retelling, with Feyre and Tamlin as the leads.

Didn't Maas dedicate ACOTAR to her husband because “He would go under the mountain” for her??? BECAUSE IT CERTAINLY WASN'T RHYSAND WHO SAVED FEYRE FROM UTM, I'LL TELL YOU THAT

I think, out of all the series Maas has made thus far, Throne of Glass is the only one I ACTUALLY kind of like, based on what I've heard. Crescent City seems to be too complicated to understand, and even though I've never read it myself, I miss what ACOTAR could've been. (My hope lies with Nesta, Elucien and Gwynriel, at this point)

[raspberrii-soda]

i was rechecking the sugar rush race storyboard and it turns out jeff diffenderfer updated the wreck it ralph page, now it has more concepts and a small explanation of how the actual track was designed and all that thingamajin. i couldn't not post a few of the things i thought were interesting!

vanellope with racing clothes instead of her hoodie, also king candy giving a death glare at poor ol vanny for the crime of being fast and cooler than him

in one of the alternate storyboards, king candy is using a game genie cartridge what

love it when small 8bit characeters. that's not a guy who destroyed two games and took over another letting a child be bullied and ostracized for fifteen years, that's a fuckimg crecher with no thoughts in head. literally 🟥👍

uh oh

vanellope silly be carful :3

the rest of the sugar rush section is full of concepts and ideas for track design and how they worked with vanellope's glitch, i posted this one bc it seemed really cool. but of course i dont wanna repost his entire work here lol. go see it yourself its cool

i cant believe we missed sugar rush rainbow road 😭😭 like its understandable not all ideas can fit without dragging the story but i can and will cry over the fact that there where so many concepts for tracks and obstacles and yet disney is never gonna use them for anything (and by anything i mean a real and true and good sugar rush game)

also special mention to

the first person shooter's first design.

and thia bug. god he looks so stupid here lol. i need a carboard cutout of this to use one of those tiny water guns on. its like booo i scared you im gonna bite you

[anemoiashifts]

mental health check-in for reality shifting.

⋅˚₊‧ ୨୧ ‧₊˚.

as we all know, reality shifting is generally neural thing but tends to be glorified & romanized by a select few due to people wanting to have a better situation or a more desirable life.

that in itself is totally fine but this post is created with the intent to make sure the community has a healthy relationship with shifting & if not possible solutions.

if mental health is left unchecked it can lead to destructive behaviors & can worsen preexisting mental health concerns. for me personally, that’s not what shifting is about. you can learn about yourself & grow without even shifting. the expansion of your perspective & becoming more empathetic to yourself is something i believe is extremely important.

⋅˚₊‧ ୨୧ ‧₊˚.

♡ how often do you think about shifting ?

while it’s fun to daydream & think about your desired reality — does it consume your life or take away from other tasks that need to get done in this reality? if you’re somebody who has maladaptive daydreaming disorder (like myself!) it can exacerbate the fantasy-like aspect of thinking about shifting.

if you’re someone whose mind wanders a lot do something productive. this could be finishing some homework that you’ve been putting off for a long time or rearranging your bedroom. stuff like partaking in hobbies while listening to youtube videos in the background may help too.

⋅˚₊‧ ୨୧ ‧₊˚.

♡ why are you shifting ?

is it because you’re searching for something bigger ? maybe you’re looking for friends ? while you probably aren’t going to be able to meet your favorite characters here, you can meet lots of other people & make new connections at anytime. if it’s in person or even if it’s in an online space , i bet there are lots of people in this comment section or any shifting video who would love to be your friend.

defining why you want to shift can do wonders for uncovering more about yourself. 90% of the things people want to shift for are & can be found here & you’re more then worthy of them. just because you want something like love or a sense of belonging doesn’t mean you have to travel the multiverse for it.

⋅˚₊‧ ୨୧ ‧₊˚.

♡ “i want to k!ll myself because i can’t shift.”

while i understand frustration, extremes that result in life altering & ending choices are never good and quite frankly, frightening for a creator to see in their comment sections. most sv!c!des are committed on impulse. we go through so many emotions on the daily & process so much information a day. taking a moment alone to think & break down thought process & long term effects your actions will have is a nice way to come back down to earth.

meditation is also a great tool to calm down. you can even use shifting guided meditations without the actual intention to shift. breath work has also been helpful to me.

i understand these suggestions aren’t long term fixes but if you’re someone who has echoed these words & truly meant it then i cannot recommend therapy & possible taking a break from shifting even more to focus on yourself right here where you are. this may not be the answer you’d like to hear but it’s the one that is possibly needed.

⋅˚₊‧ ୨୧ ‧₊˚.

♡ timing.

there is no specific time frame that you have to shift. both children & adults do hold the capability to shift. if someone tells you, you can’t shift because ___ or that you’ll age out of something its simply not true. things take time & it’s okay if your journey doesn’t look like everyone else’s. there’s no need to stress yourself out. try to enjoy the journey as well as being excited for the outcome. essentially, a large part of the shifting journey is meditation & affirmations which are both beneficial to your mental & physical self. try to sprinkle in some self love affirmations or general positive thoughts too. even if you need to take a step away from shifting & pick it up at a later date, i encourage you to do so if it’s stressing you out or you’re only focusing on shifting or neglecting your life / responsibilities here.

⋅˚₊‧ ୨୧ ‧₊˚.

♡ shadow & trauma work.

answering questions that are meant to make you think & deeply reflect are tools that hi light some issues you may not even realize you’ve had. i have a tumblr post here with some, but for tiktok, ill list some on the next side. these ones are specifically for shifting but i encourage you to venture out to discover some more personal ones to expand upon your answers to these.

⋅˚₊‧ ୨୧ ‧₊˚.

i should also mention, i’m not a therapist so take what i say as non-professional advice & mere suggestions & a starting point to truly expand what shifting has done for you, negatively & positivity. im a huge advocate for therapy & if you feel comfortable enough expand upon these conversations in sessions if you feel comfortable.

i understand my audience is varied in age but i do notice a lot of you are younger then myself. it’s hurts to see people who are so young stress themselves out this much over trying to shift. i really do care about you & want to see all of you happy — with or without shifting.

⋅˚₊‧ ୨୧ ‧₊˚.

[unoriginal-and-dumb]

heello do you have any tips for noobie artists? ur art is just so very neat to me :) plz never stop arting

Never do what I do unless it is drawing all the time

Use references!! Always use them!!! Seriously please use references never let a stupid little rat in your ear take that away from you, they are always so valuable

If you see art you like, don’t be afraid to basically try recreating the same exact thing. All you have to do is not claim it as youre own, and better yet don’t post it online! It’s for practice, people don’t need to see practice in the end it’s only for you

Tracing is NOT wrong. I’m tired of people saying ohhh tracing is bad don’t do it ITS LITERALLY NOT!!!! Just don’t trace over someone else’s work/images and claim it as your own it’s that easy. If youre struggling with hands take photos of your hands and trace over it! Break them down into simple forms until you have an understanding of them in a meaningful way!

Do some studies of specific things. Struggling with leg anatomy? Draw a page full of legs, just push and pull and scribble and see what works, study images and see how you can reproduce it or stylize it

Never feel like you need to find your own art style immediately, that task is practically impossible. Everything comes from something, be inspired by others take little art bits from styles you like and only then can you create your own style!! (I mean dawg my style can be broken down into adventure time, owl house, invader zim, gooseworx, eddsworld, sr pelo, a few others im probably forgetting)

Don’t worry about broadcasting your work, not everyone needs to know all that you draw, the internet can be a hateful place and it really does suck a lot but also try not to rely on strangers online for support on everything you do, I know it is hard and that approval feel good I cannot deny it but remember to keep some stuff for yourself, a little treat where nobody can criticize you :)

Try to draw everyday! Or having a sketchbook where you make it a goal to completely fill 2 pages a week, and if that’s too much then just some doodles! Art takes a lot of constant practice, and there’s really nothing more fun than just having a little sketchbook with you where you draw random stuff all the time. When I was doing that I would make 2 page mini invader zim comics

I feel like a bit of a hypocrite because I do maybe 1 of these things but i know they are really good, I have done them before and they were super helpful! But in the end I think the best you could do is just keep at it! Don’t let people get you down, do your own thing, break rules if you want, it’s all art and art is AWESOME!!!!!!!

[aestheteangel]

Synastry aspects that I personally don’t like.

before i start please read that I am not an official astrologer so take this with a grain of saltttt too haha. Just for fun.

North node square north node ( I’m sorry but everyone lives in a whole different worlds, completely different perspectives, mindset, somehow not letting each other move to the next step)

Chiron in 7th house overlay. ( now Chiron isn’t always bad, but there’s kind of.. pain it gives , it’s not any better in other houses, but I’m saying romantically, there could be hurt during the marriage... if you want Chiron overlays in synastry please lmk)

Pluto/Uranus in 12th house overlay. ( now Mose of y’all know 12th house overlays arent so good eventually, but i think Pluto or Uranus being there could be harsher than any other planet , could indicate so many things, one of them unpleasant endings in the relationship, finding truth about something suddenly, betrayal..in worst cases you won’t be able to forget each other )

Saturn 8th house overlay. (Sure y’all know why..)

Mars conjuct Mc/10th house. ( uhhhh it just don’t give me nice vibes when both are seen in public eye. Could be arguing in public a lot, the mars person makes it hard for the 10th person to forgive them. Works even in composite chart )

Mercury square Saturn. ( a lot of judgements and misunderstandings)

Chiron opposite asc/Venus.

Saturn opposite Neptune. (Broo)

Moon opposite moon. (Now tbh Im not really sure of this one since nobody complained about it and it could indicate “slight” emotional understanding difficulties with each other that can also cause attraction. But I’ve seen this aspect with some couple that really can’t stop hurting eachothers emotionally . )

Another moon aspect, ofc moon is the first thing you should observe In synastry s, it simply represents how each other’s emotions play with the other. now moon square moon. Obviously most of y’all know why, literally each one is on different page when it comes to how they view emotions which makes it pretty hard to understand each other’s feelings with the square aspect. ( believe it or no I have this one with my man, even knowing it I’m still with him lol. yes the attraction is definitely there due to other loving aspects and also with this one, it gives attractive energy yes. but still, he don’t understand my emotions and my point of view, struggles with analyzing me sometimes or what I even think , even when I try my best to throw him an obvious sign about something, without me speaking, he don’t get it where everyone else does same goes for me 🤣😭. he sometimes thinks I mean something the opposite of what I meant. Bottom line is with this aspect you need to speak each other’s feelings and what you want to tell the other cause it’s way too impossible to understand eachother with no words spoken. 😓 AAAA THIS IS THE ONLY STRUGGLING PLACEMENT WE HAVE AND ITS NOT EVEN A SIMPLE ONE)

Mars in 5th house, ( Now this is NOT a red flag, bUTTTT i always read about this placement represents a “not lasting relationship “ and tbh every fling I had I had this placement with, literallyyyy very guy I used to dm or talk to even for a couple of days, attraction at first but then boom, you din yourself not talking to them anymore for god knows what reason lol, so there’s something interesting about this placement. 🤔🤣 ( pink for flings 🤣)

Mars 1st house.... ( uhh you know what? Wait for part 2 😛 )

But before part 2 I’ll make my next post positive I promise, I didn’t even want to write red flags placements because it shouldnt be taken seriously haha. So next post will be about .. hmm wait , what you guys want it to be about?

Synastry observations

Natal chart observations

composite observations

Solar return observations

— Y’all literally if u find one of these placements in your synastrys it’s totally okay lol, I have multiple of these w my man and tbh some of them don’t really play this negative way for us, but i just did them for fun , ofc don’t take these TOO seriously 🥰

[curatorofvibes]

Saturn in the 11th House

Saturn in the 11th / Eleventh House natal. Don’t let astrology limit you, you can be who you dream you are!

Saturn in the 11th House. That feeling that you can’t “fit in”, especially with your age group. Yearning for a true connection, people who really love you for you and not how you make them feel, what you can give them, or the idea of you. Wanting to be recognized and given your flowers while you’re still here to receive them (give them their props, they tend to feel really unappreciated). Loving being alone as a result of never really feeling like you connect with others or feeling understood. Just hating surface level shit. But wait... Have you ever had a friendship break your heart? Lol but no seriously!? Like I trusted you and I let you in, I showed you the most vulnerable parts of myself and that’s something I never do. It’s like.. How could you? I understand some people don’t really take friendships that seriously and just go around calling anyone and everyone their “friend” and “best friend”, but that shit means a lot to the native with this placement and it’s not just a title. If they consider you a friend they really mean it. Can I be understood and loved for me? You can’t give that to me, so I have no problem giving that to myself. ~♡CuratorofVibes♡

Saturn in the Eleventh House Perfect Description (in my opinion): Saturn In The Eleventh House : The Atheris hispida Snake

Here’s the link to the playlist:

(…)

(At this point just... leave me alone.)

(I don’t know who to trust anymore.)

(“I’d rather have quality than quantity.”)

(I want to be loved for me.)

(Trust Issues.)

(“I like bein’ alone.”)

("Please don't think I'm insecure.")

(I'm surrounded by so many people, yet I feel so alone.)

(Find myself asking: “Is this really what people talk about and value?”)

(“If you go cost my peace, then I go take my leave.”)

(I’ve decided to remain reclusive.)

(I don’t “fit in”, and that’s fine.)

(Far beyond pretending that I need you.)

(“Me, myself and I. That's all I got in the end, that’s what I found out.” - Beyoncé)

(I choose me.)

(Will anyone ever really see me?)

(♄.)

I originally made this post on December 27, 2021 and then I put it on private for reasons that I do not recall. I'm unable to reblog the original and its moodboard, so I've created this new post. I hope whoever indulges in and with this playlist and post enjoys it. I love reading comments, so if you have anything to say about this placement, playlist, and/or post don't be shy (but if you are, send something in the asks lol)! 🤎💫

I would also like to state that I'm not an astrologer, I created this post because of the playlist that I made in relation to this astrological placement and simply wanted to share it with whoever it finds its way to.

[shut-up-danny-kun]

I've read hundreds of Star Trek TOS fics by now and it never ceases to amuse me how many different ways there are to fuck up Spock's characterization...now hold on just a minute - this post has a more interesting point than “fanfic writers stupid”, I promise you.

Every time, it's a spin on the massacre wheel. It's kind of amazing. Will he be overly emotional to the point where he's not himself anymore? Will he be so cold it's unpleasant and kind of hard to understand how he's lived to this point? Will he be extremely horny for no good reason? Will he speak in a way that sounds complety wrong?

I chuckle and shake my head. Of course, I KNOW what Spock is like, and MY interpretation of him is the most perfect and correct one. Obviously. He's just a very nuanced character, formed by many people in an unconventional way, with traits that seem to contradict each other at first but ultimately form a rich and unique character that so many people fell in love with specifically because he's so complicated...

Or...is he?

Let's entertain the idea that there isn't one correct interpretation of Spock, that all of these messy bits of characterization are not part of a bigger picture, but...just what they are: a product of many people with starkly different visions, working on a show that refuses to properly develop its characters. What then? Well, then Spock is a Rorschach test. Each viewer connects the random dots in their own way, and ignores the ones they don't like.

Let's use an example: me! In my interpretation of Spock (the most correct one, of course) he is, first of all, gay and on the asexual spectrum, reserved, largely uninterested in casual flirting or sex. When he is interested in the aforementioned things, he tends to be quite ashamed of it.

Makes sense, right? I can show you plenty of evidence for why that could be true. However, in the beginning of the first bloody season, Uhura sings a song about how Spock is actually kind of a heartthrob who likes to drive women insane with how hot he is, and Spock smiles. He smiles at her, as if agreeing and being very amused by all this! This interaction goes against pretty much everything I think about Spock. So what do I do? I explain it away in the most bizzare fucking way possible. See, Uhura and Spock are friends (there is no evidence for this), and Uhura knows everything I've just told you about him (through telepathy I guess? Not like he'd ever tell her!) and she's just trolling him (why would she do that? That is NOTHING like Uhura!). I need to do some Olympics-level mental gymnastics here, the opposite of Occam's razor.

“But Danny,” I hear you say, “it's just the start of the show! They hadn't figured out his character yet!”

To which I say: you can say that about anything! You can blame it all on a bad writer for that episode, and ignore virtually any scene that doesn't jive with your headcanons. It's there, and I can't ignore it.

So...how am I different from the people that want Spock to be thar heartthrob Uhura is singing about? That evidence is as much a part of canon as my favorite lines. Well, I'm not any different, that's the thing. And all those writers I complained about also have a point.

It's kind of a nihilistic take, I know, but maybe the reason Spock is such a cultural icon is because he is...whatever you want him to be: just concrete enough to spur on your imagination, yet vague and contradictory enough to let your brain fill in the gaps.

Don't get me wrong: I absolutely do not believe in this. In my mind, it just so happens that I'm one of the, like, 5 people ever who truly understood Spock (and one of them is Jim Kirk himself). But I still think it's something worth thinking about next time you're mad at a fic.

[extralively]

School Stories: In the Closet

Gojo Satoru/Original Female Character Pre-Relationship, Bickering, Teenage Shenanigans, Baby Panda Plays Matchmaker 1,806 words Also posted on AO3 Summary: Yura was just trying to get her chores done at the end of the school day, too bad that a young Panda suddenly decided to take matters into his own hands regarding a certain matter involving her and Gojo...

Hey everyone! I bring you another work in the Satoru/Yura series, and this time I actually plan to make School Stories a series of its own with quick oneshots set during their school days! There'll probably be no plot-related stuff here, mostly just slice of life and early SatoYura shenanigans, because that's fun to revisit every now and then, hehe.

If you just got here and haven't read any of the previous installments of this series, and all you want is some Gojo/OC slice of life shenanigans, then you should be able to read this as standalone! All you need to know is that Yura and Gojo are in the same year, and he was a massive asshole to her at beginning lol. They've since come to a sort of understanding and become friends, but they still bicker a lot.

“Who put the mop behind everything?” Gojo asked, and Yura only crossed her arms with an impatient sigh.

“Hurry up,” she called, watching the white-haired teenager rummage through the supply closet. It was the end of the school day, and they were supposed to clean up their classroom—Yura and Gojo were on mopping the floor and wiping surfaces duties, while Shoko and Geto were left to take out the trash and tidy everything up. However, Yura couldn’t even get started on her own chores until they were able to fetch all the supplies from this closet, which Gojo was taking forever to do.

“I’m trying,” he called, immediately tossing an empty bucket out of the supply storage, and Yura scowled at him making a mess. “But someone decided to bury all the supplies behind a bunch of junk.”

Yura tapped her foot in irritation, unable to help and hurry things up as the closet was way too cramped for two people.

As Yura was about to shoot another retort, a flash of black and white passed by her peripheral vision, and she turned her head to look. It was Panda, peering at them from behind the corner.

“Panda,” Yura greeted him. “Didn’t know you were stopping by today.”

The small, not-quite-a-panda creature would occasionally visit the school with Yaga, and Yura had long since become acquainted with him. She still wasn’t sure of all the details regarding Panda’s existence—something of a mutated cursed corpse created by Yaga that could function on his own, and that had apparently gotten Yaga into a lot of trouble back in the day—but Yura ended up deciding not to worry too much about it and simply view the small panda as Yaga’s sort-of son. He was pretty cute, as Shoko would repeatedly say as she’d try to squish the small-sized not-a-panda in a hug, and surprisingly smart for what was technically a five year old child.

So it was a little weird when Panda didn’t answer her, only stared. He could talk—and sometimes he would talk a lot—but for some reason he only stared at them with his eyebrows-area furrowed in concentration.

“Panda?” Yura called again, as Gojo still fumbled with all the stuff inside the supply closet.

Without a word, Panda suddenly marched up to them, halting his steps right next to her. And he stared.

“Wakatsuki,” Gojo suddenly called from inside the closet. “Don’t just stand there.”

“We can’t both fit in there,” she replied, tearing her eyes away from the small, furry creature to shoot another scowl in Gojo’s direction. “...Mr. Special Grade that can’t even get a mop out of the closet.”

She heard Gojo huff, disgruntled. She bit back a grin.

“Here,” he suddenly called out, briefly pulling back to hand her a mop. “Here’s that damn mop, now I just need to get the other stuff.”

Yura stepped closer to grab the offered item, and that was when the closet door suddenly swung closed, pushing her into the small, cramped space.

A garbled cry of surprise escaped her mouth as she stumbled forward, her hands scrambling to grasp at anything in front of her. Anything turned out to be a warm, not-that-soft body, her own body immediately colliding against Gojo’s as she fell into him.

“Wakatsuki, what the hell—” he let out, and she felt an arm wrap around her waist to keep her from falling further and, especially, face-first into the closet’s wall. However, something was pulled from the higher shelves with the movement, a pile of (thankfully) not too heavy stuff immediately falling onto them and pushing them closer together.

And in the middle of it all, there was the distinct click of the lock behind them, and what she could only describe as giggling fading away into the distance.

“Panda!” she called, the only possible culprit for quite literally pushing them into this situation. But it was too late, and there was only silence outside. “Shit...”

Yura’s hands tried to find purchase somewhere, anywhere, but the only solid surface she could find was Gojo himself.

And he was too close.

Yura let out a series of expletives as her feet couldn’t find solid ground, too much junk scattered around their legs for her to actually find somewhere to step. “Stop—Stop that,” Gojo said as she kept struggling.

“You stop—” Her fingers tightened on Gojo’s uniform as her efforts only made her slip further, her weight dropping against him. His arm around her was the only thing keeping her from fully falling on top of the scattered junk.

He grunted. “Quit moving—” he said, and she felt his arm suddenly tighten around her. That did make her more secure in place... but that also brought her even closer.

Closer—way too close.

Yura froze.

For a long moment, all she could hear was her breathing in the small, dark space. Well, her breathing, and his. And not just hear, but feel—her chest was pressed against Gojo’s, so she could feel every time it heaved up and down along with hers. And it was like her mind slowly took stock of every single spot their bodies touched—which was almost everywhere. One of his legs was pushed up between hers, hitching higher every time she scrambled for purchase, his arm firm around her waist and keeping her there.

“...Uh...” Gojo let out. His breath puffed over her face.

Was it getting hotter in here, or...?

“...Door,” she suddenly called. It was dark, but she thought she could see his brows furrowing. “Get the door,” she explained.

Gojo was quiet for a moment, and then he suddenly moved. Yura briefly realized his weight had been leaning against the wall as his upper body surged forward, taking her with him—but she supposed this was nothing for him with his ridiculous strength. She was able to find a little bit of purchase on the ground as he straightened them both up, but not enough, and as his arm unwrapped itself from around her to reach for the door, she was forced to hold on to him tighter.

“...It’s locked,” he said, the sound of a jiggling doorknob filling the closet.

She grunted. “Fucking—"

Gojo let out a huff. “Did Panda really lock us in here?”

Yura also let out a huff. “Yep.”

“I’m gonna tell Yaga that his little experiment is turning into quite the little shit,” he grumbled.

And Yura couldn’t help herself. “...Well, you’re one to talk,” she half mumbled.

Gojo huffed again, turning to look down at her face... and then immediately looking away as they were still too close.

Yura let out a breath as she too looked off to the side. “Now what?” she asked. She was pretty sure she had left her phone back in the classroom with her things, but maybe Gojo still had his so they could call someone to get them out of there. If not... “Do we scream for help or something?”

“I mean, I can teleport.”

Ah. Right.

But then she narrowed her eyes. “Don’t you dare teleport away and leave me here all alone.”

She heard him bark out a laugh. “Scared of the dark, Wakatsuki?”

Yura turned her head to him with a scowl, about to retort—and then her nose bumped his chin and she quickly turned away again. “Just get us out of here.”

-

Yura almost felt relieved at the feeling of Gojo’s teleporting encasing them, the cramped-up space giving way to some actual room to move around. Darkness turned into light, and Yura’s feet finally found their footing, but then she looked to the side and immediately locked eyes with Shoko’s questioning gaze.

...Hold on.

Yura was frozen for a moment, her brain still trying to make sense of the sudden change of scenery. Gojo had teleported them both out of the closet—straight into the classroom they had been using. The one where Shoko and Geto were.

“...Satoru,” she heard Geto’s voice suddenly drawl out, and her eyes shifted to look at him. His lips were tilted up in a sly smile aimed straight at her and Gojo. “You guys been having fun?”

Yura blinked. And her brain suddenly processed the fact that they hadn’t actually moved after teleporting so Gojo still had his arms around her... with their bodies still pressed together.

Something snapped inside of her.

“G-Get off!” she suddenly exclaimed, pushing Gojo away as hard as she could. It seemed to have sent him stumbling backwards, but Yura was too busy to congratulate herself for catching him off guard when her cheeks felt like they were bursting into flames.

“Ow, Wakatsuki, what the hell...” Gojo grumbled.

Yura eventually raised her gaze, meeting Shoko’s eyes again. Unfortunately, Yura did not like the look she found on the other girl’s face.

“You two were supposed to be fetching the supplies,” Shoko said, amusement hiding behind her impassive tone. “Not cozying up together.”

Yura’s cheeks were still burning, and she refused to look in Gojo’s direction. “That’s not—!”

“No!” a different voice suddenly yelled from the doorway. It was the culprit himself—Panda—standing there in shock.“You weren’t supposed to be out so soon!” He paused. “Go back!”

Gojo snapped his head towards the doorway, his eyes shooting glares at the mutated cursed corpse even from behind his glasses. “You pulling pranks now, you little furball?” he gritted out. He took one step towards the young not-panda, who seemed to have sensed what was to come and immediately bolted. “I’ll get ya and teach you a lesson, come back here!”

As Gojo ran off chasing after Panda, the other three students were left alone in the classroom, and Yura tried to get her flushed cheeks back in control. And in the meantime, she refused to make eye contact with neither Shoko nor Geto... who had turned his gaze to her, amused.

“So...” Shoko eventually started. “What just happened?”

Honestly, Yura had no idea.

-

Bonus:

“You locked them in a closet?” Yaga asked, his face incredulous as he stared at his small creation.

Panda only nodded, eyes big and wide and with seemingly no regrets.

Yaga let out a sigh. “...Why?”

Panda didn’t miss a beat. “They need to kiss.”

Yaga raised an eyebrow high up. “They need to what?” he asked.

“Kiss,” Panda replied. “They gotta kiss.”

Now, where the hell had Panda gotten this idea from, Yaga had no idea.

He sighed, rubbing his face with a hand.

“Masamichi,” Panda called, and Yaga peered down through his fingers. There was more? “You need to try it sometime.”

“Try it? Try what?”

Panda nodded. “Locking them in a closet,” he stated. His small face became thoughtful. “Just have to make sure Satoru can’t teleport...”

End notes: My personal headcanon is that Panda is an unusually perceptive person, and hey, it's actual canon that he likes to play matchmaker!! So let's say he started early, echoing the thoughts of a lot of commenters in this series saying they wish they could lock Yura and Satoru in a closet to sort things out lmao. Too bad Satoru can teleport...

(Basically I wrote a mention of Panda locking them in a closet in one of the main story's chapters and I felt like I had to actually write out the incident lol)

Anyway, thank you for reading, and let me go back to writing the main story now ᕕ( ͡° ͜ʖ ͡° )ᕗ

[anim-ttrpgs]

Eureka: Investigative Urban Fantasy, and Themes of Disability, Mental Illness, and Criminality.

Back Eureka: Investigative Urban Fantasy on kickstarter before May 10th if you want to help a disabled person with limited ability to work pay his bills.

Verisimilitude, What Would a Person Do?

To understand Eureka’s themes regarding disability, mental illness, and criminality, you first have to understand its verisimilitude.

“Verisimilitude” is defined as “the appearance of being true or real,” and it is a big part of the core design ethos behind Eureka. It is a very realistic game.

We aren’t necessarily of the opinion that “realism” is a better design choice than stylization overall for RPGs, but it is a better design choice for Eureka, because we want the PCs to be very normal, believable people who make believable, organic decisions in extraordinary situations. No matter what anyone says, the mechanics of a TTRPG strongly influence what kind of stories are told with it, and what characters do in those stories. So if we want characters to make realistic decisions, the world they inhabit and interact with must be constructed of realistic rules.

Even though there is a small chance that they may be a supernatural creature, PCs in Eureka are still not fearless action heroes, chosen ones, or anything of the sort. They’re normal people with jobs, friends, and families who get mixed up in mysterious and/or dangerous situations, often against their will. They are fragile, vulnerable, imperfect, and they, largely, know it.

“Composure” is a mechanic that helps you know it too. I’ve given a deeper explanation of the Composure mechanic in the post linked here, but I’ll give a very very very condensed version in this post. Composure can sort of be thought of as “emotional/fatigue HP,” (and no, it is NOT “sanity”) it acts as a guideline for how well your character is handling the situation, and when it gets low enough, it starts to have serious mechanical effects as well, because a character’s stat modifier can never be higher than their current Composure level. Fear, hunger, and fatigue all lower Composure, and eating, sleeping, and bonding with one’s fellow investigators can all restore it, at least for normal people. More on that further down. All you really need to know for now is that when Composure gets below zero it starts eating into HP, so characters can even pass out or die from loss of Composure, and also one single bullet is enough to permanently cripple a character, and the rate of Composure loss during combat reflects how serious that is for the characters.

Grievous Wounds

It isn’t too uncommon for RPGs to have some sort of “flaw” system, whereby in character creation you can give your PC “flaws” or some kind of penalty, and usually get that balanced out by being able to add extra bonuses elsewhere, and these “flaws” may take the form of disabilities.

Critical Role’s Candela Obscura, the whole document of which is one of the most egregious examples of liberalism and toxic positivity I’ve ever seen in the TTRPG space, takes this beyond just character creation, and makes it so that if a PC receives a “scar” in combat that reduces their physical stats, their mental stats automatically go up by an equivalent amount, and proudly asserts that to make any mechanic which functions otherwise is ableist. I think you can probably tell what I think of that from this sentence alone and I don’t need to elaborate. Getting bogged down in all the failures, mechanical and moral, of Candela Obscura would make this post three times as long.

I actually do think that as long as you aren’t moralizing and patting yourself on the back this hard about it, “flaw” systems in character creation are a pretty good idea in most cases, it allows for more varied options during character creation, while preserving game balance between the PCs.

But in real life, people aren’t balanced. The events that left me injured and disabled didn’t make me smarter or better at anything—if anything, they probably made me stupider, considering the severity of the concussion! Some things happened to me, and now I’m worse. There’s no upside, I just have to keep going by trying harder with a less efficient body, and rely more on others in situations where I am no longer capable of perfect self-sufficiency.

Denying that a disabled person is, by definition, less capable of doing important tasks than the average person is to deny that they need help, and to deny that they need help is to enable a refusal to help.

This is the perspective from which Eureka’s Grievous Wounds mechanic was written.

When a character is reduced to 1 HP, which by design can result from a single hit from most weapons, they may become incapacitated, or they may take a Grievous Wound, which is a permanent injury with no stat benefits. Think twice before getting into a shootout.

Grievous Wounds don’t have to result from combat, they can also be given to a character during character creation, but not as a trade-off for an extra bonus.

“But then doesn’t my character just have worse stats than the rest of the party?” Yes, didn’t you read the above section? There is no benefit, except for the opportunity to play a disabled character in an TTRPG, and this character will probably have to be more reliant on the rest of the party to get by in various situations. Is that a bad thing?

Monsters

Just like mundane people in Eureka: Investigative Urban Fantasy, monsters are playable, because they are regular people. I’ve gone over this in other posts and also you can just read about it in Chapter 8 of the Eureka rulebook, but the setting of Eureka doesn’t have a conspiracy or “masquerade” hiding or separating supernatural people from normal society. They exist within normal society, and a lot of them eat people.

Most RPGs consider monsters to just be evil, they do evil for evil’s sake. RPGs that seek to subvert this expectation often instead make monsters misunderstood and wrongfully persecuted, but harmless. Eureka takes a wholly different approach.

There are five playable types of monsters in the rulebook right now, and it’ll be seven if we hit all the stretch goals, but for simplicity’s sake this post will just focus on the vampire. Despite them applying in different ways, the same overall themes apply to nearly every monster, so if you get the themes for the vampire, you’ll get the gist of what Eureka is doing with monsters in general.

I mentioned Composure above, and how it can normally be restored by eating food and sleeping. Well, vampires can not restore their Composure this way. They don’t sleep, and normal people food might be tasty as long as it isn’t too heavily seasoned for them, but it doesn’t do anything for them nutritionally. Their main way to restore Composure is fresh living human blood, straight from the source. To do what mundane PCs do normally by just eating and sleeping, vampires have to take from another, whether they’re happy with this arrangement or not. They do not, of course, literally have to, and a player is not forced to make their vampire PC drink blood, just like you don’t literally have to eat food, but they do and you do if you want to live in any degree of comfort or happiness, or else they’d eventually just sit at 0 Composure and not be able to effectively do anything.

There’s a reason that this is a numerical mechanic and not simply a rule that says something like “this character is a vampire and therefore they must drink blood once every session,” and that is to emphasize and demonstrate that the circumstances a person faces drive their behavior. In America, there is a tendency to think of criminality and harmfulness as resulting from something of an intrinsic evil, but in my experience and observation, people do not just wake up at like age 16 and decide “I think I’ll go down the criminal life path.” Through their life circumstances they have been barred from the opportunities that would have given them other options. People need food, food costs money, money requires work, work requires getting hired, but getting hired requires a nearby job opening, an education, an impressive resume, nice clean clothes, a charismatic attitude, consistent transportation, and so on. For people without, criminality is something they are funneled into, which becomes harder to avoid the longer they go without consistent access to their basic needs. The choice will be between taking money from others by force or trickery, or running completely out of money.

As the Composure counter ticks down, a vampire, or other playable monster, is going to encounter much the same dilemma. There is little to no “legal” or “harmless” way for them to get their needs met, even if they do have some money. Society just isn’t set up for that. And no your kink is not the solution to this, trying to suggest every vampire get into sex work is like one step removed from telling every girl she should just get an OnlyFans the minute she turns 18, or that women should just marry a man and be a housewife that gets taken care of if they want their needs met.

Playable monsters in Eureka are dangerous, harmful people. They were set up to be.

“Oh well then the vampire should just eat bad people!” You mean those same bad people i just described above? See this post for answers to all the other arguments people are going to make to try and absolve vampires of causing harm.

Society not being set up for that brings me to next reading/theme: Monstrousness as disability, and monsters as takers.

Mundane human characters restore 2 points of Composure per day just by eating food and sleeping, but vampires do not, they can’t. To restore their Composure they have to take from others a valuable resource that everyone needs to live and the extraction of which is excruciatingly painful and debilitating (blood). No one knows what happens to blood after a vampire drinks it, it’s just gone. Vampires are open wounds through which blood pours out of the universe.

This is a special need, something they have to take but cannot give back. Their special needs make them literally a drain on society and the world.

Even in so-called “progressive” spaces, there is a tendency to consider takers, people who take much more than they give back, such as disabled people, as something that needs to be pruned, with the mask over this being the aforementioned total denial of the fact that disabled people take more than they can give.

In this way, vampires and other playable monsters are, inarguably, “takers,” but in positioning them as protagonists right beside mundane protagonists, Eureka puts you in their shoes, and forces you to at least reckon with the circumstances that make them this way, as well as acknowledge their inner lives. You have to acknowledge two things: That they are dangerous, harmful people who take more than they can give, and that they are people. Because they are people, Eureka asserts that they have inherent value, a right to exist, and a right to do what they need to do to exist.

One final point is that of monstrousness as mental illness. Mental illness is a disability, one pretty comparable to physical disability in a lot of ways, so all of the above about disability can apply to this metaphor as well, but there are a few unique comparisons to make here.

It’s not the most efficient, but there are a couple of loopholes deliberately left in the rules that allow vampires to restore Composure without drinking blood. Eureka! moments can restore Composure, and Comfort checks from fellow investigators can restore Composure.

When I was writing the rules for how monsters regain Composure in accordance to these themes, I came to a dilemma where I wasn’t sure if it was thematically appropriate for them to be able to regain Composure in these ways, but ultimately I decided that yes, they can. It works with themes of mental illness, which is mental disability.

People with mental illnesses may have the potential to be harmful and dangerous, but study after study, including my own observation, has shown that mentally ill people with robust support structures and agency allowed to them to handle tasks are much less likely to enact harm, be that physical violence, relational violence, or violence against the self. So that’s why I kept that rule in for playable monsters. Being able to accomplish goals, and having friends who are there for them, makes the harmful person less likely to cause unnecessary harm.

I couldn’t really figure out where to fit this paragraph in so I’m sticking it here right before the conclusion: Vampires are especially great for this because they’re immortal, and because they always come back when “killed.” They can’t be exterminated, they aren’t going away, there will always be problem people in society, no matter how utopian or “progressive.” They’re a never-ending curse, who will always be a problem. The question is how you will handle them, not how you will get rid of them.

In conclusion,

Eureka is as much a study of the characters themselves as it is the mystery being solved by the characters. It is a harsh, but compassionate game, that argues through its own gameplay that yes, people do have needs which drive their behavior, many people do have special needs that are beyond their ability to reciprocate, and failure to meet the needs of even a small number of people in a society has high potential to harm the entire society, not just those individuals whose needs are unmet.

And Candela Obscura sucks.

Back Eureka: Investigative Urban Fantasy on kickstarter before May 10th if you want to help a disabled person with limited ability to work pay his bills.

If you want to try before you buy, you can download a free demo of the prerelease version from our website or our itch.io page!

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

You can also support us on Ko-fi, or by checking out our merchandise!

Join our TTRPG Book Club At the time of writng this, Eureka: Investigative Urban Fantasy is the current game being played in the book club, and anyone who wants to participate in discussion, but can’t afford to make a contribution, will be given the most updated prerelease version for free! Plus it’s just a great place to discuss and play new TTRPGs you might not be able to otherwise!

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

[peachesofteal]

peaches.....do you have ANY idea what the new SM chapter did to my heart???? do you understand the POWER you hold?!?! i CANNOT describe what your fic does to me your writing is the type of writing that leaves the reader speechless breathless (and also heartless cause you steal our heart with your writing) i know that you don't even know any of us and that my words probably don't really hold much value but i need you to know that your writing is my only safe space my only home and the only thing that birings joy in my life.

I hope you have a wonderful year and just know that we will wait as long as it takes for you to post ,you could post after years and years and we would still come and read your work its just that good.

love ya take care of your self

-H

Ahhh I love you, I hope you’re well, I’m honored to bring some joy into your life! I do value you so much, your words are special and cherished by me.

[sawyer-is-eepy]

i like you, here are my favorite awesome and underrated outer wilds fic + comic recommendations in no particular order

interpolation by @tippertot . its got base game spoilers, possibly dlc spoilers? unfinished but it's currently being updated wooooo!!! it's very interesting and i dont exactly understand whats going on but i really like it and am SO excited to see where it goes. keep in mind i've only read up to chapter 9 so idk what comes in the other chapters. but its so so so good, i need to make fanart for it sometime wahh. (and of course. also finish catching lol.)

hearth's shadow by @spitzyyyy . got dlc and base game spoilers - only 2 chapters out but they're decently long(and very angsty) and it was last updated in january and im pretty sure spitzle is still writing other fics so even if they drop this one, im sure they've got plenty of other, very good ones too. this is just the only one that i've read from him (YET) it's very sad though so like. brace yourself. BUT CHAPTER 2 IS ALSO CUTE THOUGH SO ITS FINE

and uh also anything by @crimsonquill-086 is very good ::) i havent finished all their stuff yet but i think(so far) on my own terms is my fave.

also i read like one chapter of the rule of quantum certainty by TimeturnerJay(i don't *think* they have a tumblr? not sure) and i've been meaning to return to it so im gonna read it after i finish this post so there's also that!! chapter one was gut wrenching i needed a break lol /pos

then i cannot recommend elwensa's comics enough. she makes so many and they're all very good, some are sad and some are cute, and some have headcanons that i basically accept as canon now for literally no reason.

here's a whole timeline i found of a bunch of her comics that i *believe* is up to date -https://www.reddit.com/r/outerwilds/comments/18uuy7z/elwensa_ow_comics_grand_timeline/

she's also got an entire au called the legend of outer wilds that's basically just outer wilds but its zelda inspired and it's got a ton of cool concepts so like. its very good it has its own carrd check it out - https://tloow.carrd.co/

and if we're talking comics i of course can't just like, not mention @cobaltbluesu 's "thrill chasing." pretty sure he only recently posted chapter one so im not sure how much there will be in the future but definitely go check that out, their art is so so cool(and a big inspiration for me.)

feel free to reblog with any other recommendations there are so many but if you find something good please tell me

[elffees]

How Fragile Allyship is Portrayed in Frontiers of Pandora

So I really love this audio log from Priya and needed to talk about it. This entire post will be based on this log.

Transcript:

"I ... it's Priya. Obviously. I don't know what day it is. Nothing makes sense... Alma's dead. Alma. Is. Dead.

Oh wow. That's weird. But you know what the really weird, screwy part is? There's this whole other Alma just walking around. Except she's not blue and she's got tiny eyes. Do we all have such tiny eyes? I just ... I feel like good Alma was killed. And we're left with this other one who everyone hates. But really it's the same person. Or is it?

I don't know what to think. I'm not really the one for existential crises, but this is a real brain-breaker. And I'm ... I'm sad. My friend died. No. No. She was murdered. I know she did some bad things, but Nor had no right. I'm glad he's gone. Maybe he's glad too. He never liked it here. Never liked us. Humans.

But we're trying to help. Alma was trying to help. She was protecting them. She tried. Right? Mercer's the bad one. That's all I know for sure. And that other Alma... she wants to hang out, just like old times. But... she's not my friend. Not— I think I hear someone. Signing off."

This audio log can be found in the Resistance Hideout.

I really like this log because it encapsulates the different ways allies & marginalized peoples view and are affected by certain situations.

Disclaimer before I start: I am not saying Priya is a bad person, nor am I saying allies are bad people.

For starters, I can understand why Priya, and likely other Resistance members, have mixed feelings towards Alma. It's a very complex situation. So Priya regarding it as "weird" and being at a complete loss makes sense.

What I want to focus on in this post are the last 3 paragraphs. Where she expresses confusion and hurt because "Good Alma was murdered".

I think this right here is a very well written distinction on how allies and the marginalized communities they assist experience situations differently.

Alma's Reveal

Everyone had their worlds turned upside down when Alma confessed the full extent of her actions in TAP. Alma admits that her avatar was a tool for manipulation. Although she may care for the Sarentu children now, for the majority of their relationship, from the genocide, to TAP, to being frozen and left behind, Alma's avatar was a tool to manipulate and coerce Na'vi into viewing her (and by extension TAP, then later the Resistance) as "one of them". As someone to trust and relate to. The purpose of her having an avatar was to act as a golden ticket into Na'vi society.

Alma was not "murdered". There is no "good" or even "bad" Alma. There is only Alma.

The human who played a role in the massacre of a clan, then manipulated its survivors for years, then left them behind to remain in stasis for nearly 2 more decades.

Who is also the human who founded the Western Resistance and tried to band together several Na'vi clans to protect Pandora, who encouraged the Sarentu to reclaim their culture and customs the ones that didn't expose her ofc, and who helped rid Pandora of cackling narcissist John Mercer.

There is only ONE Alma that has done all of these things.

Alma was not "murdered". Her tool of manipulation was destroyed. The object, the mask, the weapon that gave Alma her power and confidence and that helped her fool not only the Sarentu, not only the Resistance, but also herself into thinking she was something she was not, was taken from her.

Alma was not murdered. She was thrust back into reality.

And so, Priya's last 3 paragraphs interest me. It's completely fine that she mourns the image of who she thought Alma was. In a way I think the Sarentu (sans Nor) do as well. Everyone thought Alma was just a good person who only wanted to help with no ulterior motives. It's painful to realize that was far from the case.

But then Priya goes on to hate Nor. She spits his name out like a curse. Glad he's gone because "he never liked them anyway". That he had no right to "murder" Alma because she only did a few "bad things".

There's a lot to unpack there.

Priya's Blaming of Nor & It's Ties to Fragile Allyship

I want to break down the lines one by one.

She was murdered. I know she did some bad things, but Nor had no right.

For starters, it is EXTREMELY COMMON for allies of marginalized communities to "insert their two cents" on a delicate topic. More often than not when there is inter-community issues, allies have a tendency to say the phrase: "I'm [insert demographic] so take what I'm saying with a grain of salt, BUT I think..." Any and all oppressed classes have heard this phrase from MILLIONS of allies before.

The FOP writers did remarkably well at capturing what allyship looks like when writing the Resistance. Because Priya, as a human formerly part of the oppressive group trying to wipe out the Na'vi and Pandoran wildlife, fully believes she can judge whether Nor had a right or not.

It's not her call.

She cannot determine whether Nor was justified or not because she, as someone part of the privileged class in the world of the game, has never suffered from the harm that Alma's avatar has caused.

She, and none of the Resistance members, were raised by Alma's avatar.

They were not lied to by Alma's avatar for YEARS about the true fate of their families and loved ones.

They were not encouraged to view Alma as a mother-figure or nurturing teacher or beloved caretaker, when she was actually just eager for fame and success.

They were not put into cryosleep and then left behind for 16 MORE YEARS with suspicions that this abandonment was an intentional coverup.

They did not suffer any of that.

They saw her as the leader of the Resistance and as a friend, which does cause an impactful betrayal of course, but Alma's avatar never tried to force them to see her as family. As someone to love.

While Priya only says all this in a private audio log and thankfully doesn't say it to any of the Sarentu or god forbid So'lek, these are her thoughts. The simple fact she believes she can judge Nor, that she has the capacity and authority to scold one of the main victims, is a reoccurring feature of privileged allies who struggle to realize that they cannot relate or ever fully understand how marginalized communities experience oppression.

Priya says Nor had "no right" to "murder" Alma. When truthfully, Priya has no right to judge how the Sarentu feel and respond.

I'm glad he's gone. Maybe he's glad too. He never liked it here. Never liked us. Humans.

After Priya attempts to place judgement on Nor's actions, she then dives deeper.

She is glad Nor is gone. Not ONLY because of what he did to Alma's avatar. No. She is also glad he's gone because Nor was not friendly.

Another prime instance of fragile allyship is that allies tend to believe that marginalized people are only worth their sympathy if they're likeable.

This has a lot ties to the "Perfect Victim" concept.

Because Nor was not friendly, because his trauma caused him to distrust humans and he did not quickly get over it and befriend Resistance members, he is undeserving of as much sympathy as the other Sarentu.

It's seen as a positive that he's gone (despite the fact he ran away in clear emotional distress.) Not just because of what he did to Alma's avatar, but because now Priya and the Resistance no longer have to assist someone that's "ungrateful" and "not as nice" as they should be.

The purpose of being an ally is to help oppressed classes survive against circumstances that would otherwise have them discriminated against or have them dead. Being a truly good ally should not hinder on whether the person is "likeable" or "grateful" for their services. But sadly, in the real world, that is one of the most common "conditions" a LOT of allies have when it comes to offering support. How much they like the person or groups they claim to want to help.

Allyship is more often than not based on likeability, rather than morality.

But we're trying to help. Alma was trying to help. She tried. Right?

Another feature of fragile allyship is the tendency to change sides.

Priya agrees that what Alma did was wrong. She understands that.

But because of the simple fact that Alma is human, Priya not only relates but tries to defend Alma's actions. Seeing herself in Alma is understandable because they are both human and were friends. The problem comes when Priya begins to project and defend Alma's actions.

It doesn't matter that by her own admission Alma's main goals were fame and achievement. It doesn't matter how much the Sarentu are hurt by her actions. It doesn't matter that Nor was outraged. It doesn't matter that even calm and collected Ri'nela was disgusted. It doesn't matter HOW the Sarentu, as the direct victims, feel about Alma's actions. It doesn't matter that intent ≠ impact.

Alma is human like Priya, so from Priya's POV, Alma's 'intentions' hold more value than how the Sarentu were impacted. "We're" trying to help. Alma was trying to help. So her actions can't have been that bad. Right?

Mercer's the bad one. That's all I know for sure.

And finally, this is another feature of how allies tend to respond to things.

Of the two, Mercer is the one who unabashedly committed the massacre and oppressed the Sarentu for years. Mercer is "the bad one" because his actions are overt. They are clear cut, obvious, and maniacally evil.

When real world marginalized groups face microaggressions or covert prejudice, allies have a tendency to step in and defend the offender. "Hm, I don't think that was racist." "Are you sure that's homophobic?" "It's just a word. I don't see how it can be ableist to say." - "It's not like it's really hurting anyone."

When oppression is not as clear cut to allies, they tend to dismiss it entirely. It doesn't matter how the victims feel about the situation. As discussed earlier in the post, allies tend to think they have the authority and capability to make judgements on prejudice they do not face, and ergo believe they can determine how "bad" something really is. Better than the marginalized class can themselves.

In Priya's eyes, Alma is better than Mercer because Mercer's oppression was harsh yelling, explosions, and murder. "Mercer's the bad one" while Alma was "only trying to help."

But in truth, both Mercer and Alma have done and continued to do harmful things. They both played a part in the decimation and continued manipulation of the Sarentu. Both for their own selfish purposes.

Oppression has many faces. It does not always look the same, it is not always a mustache twirling villain. It can be subtle and quiet. It can be hidden behind gentle eyes and smiles. It can be from "good intentions" just as easily as it comes from "bad intentions". It can be subconscious, it can be self aware, it can be secretive, it can be out in the open. It can be many things. There is not only "one bad" style.

Oppression is just as diverse as the communities it aims to harm.

Conclusion

I want to reiterate that I do not dislike Priya and this post isn't a hate campaign against her. I know many dudebros in the fanbase unfairly criticize her.

The point of this post is to applaud the FOP writers. It is very rare when mainstream media is able to accurately depict how fragile allyship is. Priya's reaction to Nor stabbing Alma's avatar is painfully realistic to the many ways allies have reacted to certain situations in the real world.

This is one of the many reasons why I love this game and feel it hits home. Not only can I relate to the Na'vi clans, but my god can I relate to the way allies are written in relation to them. And I feel like this audio log from Priya, while brief and easily missable, is one of the prime moments of realism this game portrays really well.

[where-theres-smoak-2]

So I am still stuck here: 'She'll come to understand. I've seen it.' Because like how Paul? How is Chani possible going to come to understand after everything that happened in Dune part 2?

Like she is so angry at the end of the film and it really does make me curious as to how Denis is going to bring her to a place where she understands and is ok with Paul's actions in Dune 3. So I have been having a think about it and I have a few theories on what I think could potentially happen with Chani's character and her relationship with Paul in the third film.

To be clear, I haven't read the books, I know a couple of details from dune messiah that were told to me, but I've mostly managed to avoid spoilers, so this isn't based off clues from the book and is very unlikely to be book accurate, but then I figure Chani not being a believer and choosing to leave at the end wasn't book accurate either so it would make sense that how she comes back to Paul wouldn't be either. Also these theories aren't necessarily things I want to happen more directions I think they could go in. Some have similar ideas and themes but with variations, I think how likely they are to happen is going to depend on just how messed up and tragic they want to go with it.

All of them do have one thing in common though, close proximity. I really do think the only way Chani is ever going to understand is for her to physically be around Paul and see him using his new abilities as the kwisatz haderach and then realising that Paul's motivations are still in the best interests of her and the fremen and that he's trying to lead them down the best path to achieve that. They need to rebuild the love and trust between them through having intimate and emotionally vulnerable moments together as well. So these are more theories on how she'll be brought back into close proximity to him more than anything else. But without further ado lets jump into it.

Chani is Pregnant.

So these first couple of theories centre around the idea that Chani may be pregnant with Paul's baby when she leaves at the end. This is a theory that I've already talked about in this post. As a summary, Chani finds out she is pregnant and not wanting to raise the child alone or for her child to not know their father returns to Paul. Or alternatively Paul finds out she is pregnant and uses it to convince her to come back, its possible Jessica may try and manipulate her into returning as well as she'll see Chani's baby as the future of house atriedes.

But I also had another idea playing into this idea of Chani being pregnant and its a little wacky but could be interesting to play with. For me the interesting part of Paul's line isn't the implication that Chani will return but that she will 'come to understand', suggesting she gets on board with Paul's actions, she fully jumps on the bandwagon so to speak. We know that Paul could dream the future and that these dreams were often vague and full of terror. What if Paul's child can also have these prophetic dreams and through some weird bond between her and the baby that allows Chani to start having these dreams. Seeing all these horrors of possible unclear futures she realises the potential cost of choosing the wrong path and in her fear of these dreams combined with the conflicting feelings of being pregnant with Paul's child, she chooses to return to him now believing that he is at least trying to choose the path that will be best for them all. I also think this could create an interesting parallel between Chani and Jessica in that they both had kind of mystical pregnancies. Obviously it wouldn't be exactly the same because Chani's child wouldn't have awareness more just the link between mother and child in pregnancy allows Chani to take on some of the child's abilities as the offspring of the kwisatz haderach.

So I am going to put a dune messiah book spoiler warning here because I am going to mention something from the books that I learned, so if you don't want to be spoiled skip to the next paragraph. But I just want to be clear to those who read the book that when I say I think Chani might be pregnant I don't mean with the twins who I think will be born but later in the film, I mean with their first son who was born in the first book who is killed in the sietch tabr attack. They took it out of dune part two, which makes sense as they changed the timeline drastically, so I think its possible that they'll instead move this plot line into Dune 3 as an explanation as to why Chani comes back. I think their child will die in some attack or assassination attempt and this will make Chani angry enough to want revenge and their joint grief keeps her at his side.

Chani the Manipulator

So two important details make up this theory, one is that Chani's main resistance to the prophecy is that she believes that the fremen should free themselves and not an outsider, the second important detail is that whilst many will think the emperor is the most powerful person in the universe, the bene gesserit gained a lot of power because they had the emperor's ear. It can be argued that the true most powerful being is the one who can influence the one people think is the most powerful. So here's my theory, what if after some time away and after her anger has simmered down a bit she comes to realise that she could have a lot of power in being the one at Paul's side, the one to have his ear. Maybe being unhappy with some choices he is making in the holy war when it comes to her people she has this epiphany of, I can't change what has happened, I can't change the minds of the fundamentalists who are lost to this prophecy, and I can't stop Jessica's or Gurney's schemes/motivations, but I can manipulate/guide Paul. So she pretends to forgive him and goes back, puts herself close to him and sits in on the councils and when discussing decisions etc she nudges him into the direction she wants him to take, essential becoming the fremen that will help free them by working in the shadows. As I said above any reconciliation I think is going to come down to close proximity and I think as Chani is around Paul as she sees that he really can see different futures she is going to be more understanding and more trusting in Paul when he says he is doing necessary evils to ensure the best outcome for Arrakis and the fremen. I won't lie but I would kind of love this one to happen. Not only would I love seeing Chani embrace her own power and still stay true to her goals of putting her people's freedom first, I think it would be an interesting parallel to Paul in Dune part 2 where at first he works to be accepted by the non believers because he wants to use them as a way to get to the emperor but along the way he comes to genuinely love these people and feel like he's one of them leading to him choosing to abandon his previous path of revenge. I could see this going the same way, Chani at first sets out to manipulate Paul for her own motivations but in being around him begins to understand exactly what happened to him when he drunk the waters and what his motivations are now and decides that actually maybe Paul is what's best for her people and maybe her role/place is to be at his side and help him guide them to that green paradise.

Chani the Spy

These next few theories are going to centre around the idea of Chani either being a part of some kind of resistance against Paul or being the leader of a resistance. I could see Chani not being willing to give up the fight that easily and see her finding others who also still don't believe Paul is the Lisan al Gaib and who aren't happy with their people taking part in a holy war. I could see her using this resistance to become a real political pain in the ass for Paul. Maybe even using his own tactics of disrupting spice production against him, or undermining him in other ways. In a theory similar to the one above I could then see her fake forgiving Paul but to spy on him and feed information to the resistance. But again being in close proximity to him makes her feelings more complicated and she becomes less and less sure about what she is doing and whose side she is really on as time goes by and she realises it isn't as black and white as she first thought, I could see maybe the resistance deciding to plot an assassination attempt and this making Chani more conflicted as I don't think she wants Paul to die.

Let's Beauty and the Beast it.

This one again is based on the idea of Chani being part of/ leading the resistance. Maybe the resistance gets into a fight with Paul's forces and it results in this particular faction of the resistance losing and being taken as prisoners of war. Chani is captured amongst them and Gurney upon recognising her takes her to Paul instead of prison. Then we get a kind of beauty and the beast scenario except this ain't no fairy-tale its much darker. Essentially Chani is Paul's prisoner, but he gives her fancy quarters, real close to his obviously, and he makes a few demands like insisting she must eat her meals with him every day, take walks with him etc. You know forced proximity, she agrees to keep her fellow resistance fighters safe, the promise being they won't be harmed if she complies. Again its her being around him, being reminded of how things used to be between them, maybe she also sees glimpses of the Usul she fell in love with during these meals and walks and ends up falling in love with him all over again. That combined with, as said before, her realisation that he can see the future, him convincing her that he is doing it to prevent the fremen suffering a worse fate etc, keeps her at his side.

Green Green Paradise

So this one isn't particularly well thought out more of a vague idea that past through my head, but it was confirmed in an interview that Liet Kynes from Dune part 1 is Chani's mother. This isn't something that they have actually brought up in the films though, yet. But Dr Liet was a ecologist and was all about terraforming Arrakis and bringing water and greenery, which is very similar to the whole prophecy that the Lisan al Gaib will bring a green paradise.

Whilst Chani may not believe in the prophecy I could understand if she still had a dream of Arrakis becoming a green paradise because of her mother's own dream and her mother's background as a ecologist. Paul tells Liet in part 1 that as emperor he could turn Arrakis into a green paradise with a wave of his hand, well he's emperor now, so maybe he'll begin to deliver own this promise and maybe seeing the way he is changing Arrakis so that it has water and greenery makes Chani go back as she wants to be apart of helping build her mother's dream for Arrakis.

Denial

So another option is Denis could throw us a complete curve ball of a plot twist and actually Chani doesn't come back to Paul. Maybe it was only one, or a few possible futures where Chani came back and Paul was just in denial that it wouldn't happen, he thinks that as he can see multiple futures now he can definitely manipulate the events into ensuring she does come back, only he fails and the Dune 3 we get is one where Chani instead is full on resistance leader, fighting against Paul with all she's got. Maybe she even ends up killing him in the end. I have seen this outcome suggested quite a bit and comments like 'I'd love that for her' which whilst I understand the sentiment, no judgements here, personally I wouldn't love that for her. I think as betrayed as she feels, as angry as she is, it is clear that she still deeply loves Paul and I think sadly she always will, that's the true tragedy of their love story, they're on opposite sides/views but still love each other. I think it was clear from her reactions when she thought Paul was dead after drinking the wol and when he was stabbed during the duel with Feyd that Paul dying is her worst nightmare. I can't imagine how heartbreaking it would be for her to be the one to kill him herself, I think it would destroy her, so its not something I would want for her. But I also can't argue that it is a fairly common troupe, the whole love interests where one goes to the dark side, and it ends with one having to kill the other. I'm personally still traumatised from when Buffy was forced to kill Angel in BTVS and don't know if I could take it again.

I Guess We'll Never Know

This is kind of a theory but also more like my worst fear. So another mild spoiler alert for Dune messiah, but the book actually takes place 12 years after the events of Dune part 2. I did put forward a theory that maybe what they'll do for the third film is spend the beginning part showing what happened right after Dune 2, showing the holy war and what happens with Chani etc and then have the time skip a little later in the film and cover the events from the dune messiah book. But my biggest fear is that they will just stick with the time skip and Chani will just be there and we won't really get any explanation as to why she returned to Paul. Maybe they'll just decide that Paul's one line of 'she'll come to understand' is enough of an explanation. I mean I personally would consider this a huge detriment to Chani's character so I am really hoping this doesn't happen, but I'll guess we'll just have to wait and see.

So those are all the theories I have for now. I would love to know what other theories people have but until next time thanks for reading.