#also the this is the second time i'm writing developing romance and while the first was a shitshow that made me scrap the whole fic

[maranull]

Most of the time I write like 350-450 words per day, but some days something clicks and I go in a 1000+ words rampage and you have no idea how good that feels

[catt-nuevenor]

The Future

Time to establish what's going to happen from this point forwards.

The vast majority of you have been exceptionally patient this last year, and for that you have my deepest thanks. You've given me the time to not only write a book, but edit it, and send it off to literary agents, something I would have long given up on doing without the continued support of those who enjoy my writing.

Now that the book is off doing the rounds independently, it's time I got back to Myrk Mire.

Originally Myrk Mire was built in ChoiceScript, a scripting language created by the Choice of Games company. Choice of Games control what is done with their script, understandably, they own it. This does pose some restrictions. I can't, for example, release any paid material built using ChoiceScript unless it is directly through their publishing label. If I do publish under their label, I maintain IP or Intellectual Property Rights, however I also grant them the exclusive rights under perpetual license to publish the multiple choice game 'electronically'.

Source: Choice of Games.com

As you can see from the outline above, they do make exceptions for stories published in non-competing formats, and for sequels, prequels, and spin-offs. However, traditional publishing houses might require stricter control over IP, distribution, and exclusivity. It will only become more and more complicated as things progress, and being locked into a perpetual license agreement of any nature is not a decision to make lightly.

As some of you may be sensing from the tone of all this so far, I'm going to be moving Myrk Mire away from Choice of Games and ChoiceScript, and into a new medium/format.

After tinkering, and trialling with a few alternatives, I've decided to go with Renpy. Renpy, while largely used for visual novel style games and stories, provides a very workable framework for interactive fiction, and is an Open Source script, it isn't beholden to publishing contracts, licence cost, or exclusivity.

I'm not going to be diving into transferring Myrk Mire right away, it's a huge piece of writing, in an entirely different scripting language, and as previously stated, there are a lot of changes I want to implement with the cast. Instead, I'm creating a trial story: One Háḟest Day. My Patrons have been aware of all this for about a month or so, and have already seen some previews.

One Háḟest Day takes place in Aldmirham before the events of Myrk Mire, around the time the Main Character and the Wanderers first arrived in town. The reader will have the choice to follow one of the romanceable characters through a single day, with opportunities to explore their lives and relationships before the Main Character and Child come along. I hope it will provide a proving ground for the changes that previously caused debate, and an opportunity for people to try out the new format and interface.

My plan is to distribute One Háḟest Day through Itch.io, working with their early access framework and voluntary payments for such as soon as one of the character routes is ready to play from beginning to end, updating regularly with the other characters as they too are completed, and with additional features as required. Once the full game is complete, I will release a separate full build with a set minimum price that can be discussed with the community as we move forwards.

At the second, I'm aiming for a web hosted format and a desktop/laptop downloadable format, with phone compatibility to come later down the line once things are stable.

I will post production updates and info when I can to tumblr, though a lot of what I'm doing now is very python coding heavy, so perhaps not that interesting?

I've included some screenshots below of very early development, featuring a Character Log and Word Log that I hope will allow readers to more easily navigate the story. I'm toying with the idea of having a Mysteries Log as well that will keep track of snippets of information gleaned from each character's route, but that can be a tinkering feature for now.

Let me know your thoughts, concerns, or excitement, though do keep all messages objective and polite.

[dracobrooklyn]

Call of Duty Recommending Writing.

These are my recommendations on these amazing COD x Reader or Oc x Cannon Writing. These are the best of the best :D Light on by @peachesofteal

Simon has a new neighbor. His new neighbor has a baby.

|| MDNI|| 18+

This anthology is just so damn beautiful, when I jumped into the COD x reader train this one was the first one, and I LOVE IT! the writing is so in character of Mister Simon Riley and by god, he still his grumpy self but still minds his manners towards the single mom reader with her baby <3. The relationship between Simon and the neighbor is a slow burn romance and by god it's so good, the way he is soft towards her. Fighting his feelings but letting them go. How he treats the little baby, as if he was father the whole time, god damn it, it's so sweet. There is very much Smut in this, the kinks are just fabulous. I will not spoil much but please read read!! Worth the love and the time spent onto this!!

FATUM NOS IUNGEBIT by @kneelingshadowsalome || MDNI || 18+

{Historical AU. Roman Auxilia soldier!König with his spoils of war gf. Slow burn, romance, violence, fluff, eventual smut, 18+}

König x F!Reader | The soldiers behind him shift with lust – their gear clinks as they devour you with unbridled hunger. The Titan is the only one who looks at you like you’re simply a cute little squirrel who happened to fall from a tree right there at his feet. Then his eyes drop to your breasts, and the familiar hunger that lives in men gives the ocean of his eyes a clouded look. When his stare finds yours again, he's a different man: the treacherous beast of your dreams.

Man on Man... where do I start with this. This is a four Part Story so there is more slow burn romance to eat. Breakfast, Lunch, Dinner, and Dessert. The writing in this is so good! It's the right amount of character development, the way they use the language barrier in this is so creative and fun! Konig in this is just a treat, brash but loving, he's a man, course he's not gonna be a total prince charming. His interactions with the reader is very spicy and also sweet. The detail into the interactions *chef kiss*. Give me more! The Kinks are real good in this, reading this while curled up in my burrito blanket oof. Please do give this a chance, well worth it!

mafia!John Price x fem!wife!Reader by @cordeliawhohung || MDNI || 18+

All you wanted was to be able to see your husband after a long week at work, but when he stands you up at dinner, that's the last straw. You hunt him down and find him at a club that he owns, where you very quickly learn why he told you to stay very far away from the place. - Or, mafia!Price defends his wife's honor then fucks her in the VIP room <3

you want a fun horny but sweet/steamy Price x Reader one shot. Here have this wonderful snack, it's a big one :3. Just the way the reader was concerned for good ol Mr. Price with being a mafia boss. But then then smut goes in, yis :3. It's dirty but a good dirty! you want a man like John to treat you like a gentleman, this is it! <3

Price x Young Reader by @luvit || MDNI || 18+

This is short but sweet! Just a fun headcannon that the reader who is in their mid/late 20's so this is an age gap headcannon. It's not off portions with the age gap. The description talking about the reader having more energy than him onto their second or third round and he is milked dry oof, and then the reader becomes bratty and he takes the reigns despite his low energy <3 it's good :D.

Fae!Price x Witch!reader by @ghouljams || MDNI || 18+

Hear me out hear me out... fae!price... cool? Cool! The writing in this is so good! Price teasing the reader when the fae try to give you a gift and you know better to. Not giving out their name, or even your name. The Fae know how to be tricksters. And the smut in this, oh it's so spicy! I love it! I'm a slut for magic based writing. especially AU's like these!! Please give them a shot! I know I LOVED.

WICKER PYRE | Dragon!Price x Reader by @yeyinde || MDNI || 18+

All things considered, you should have expected it. You know better than to make deals with dragons.

Ah Ha, you see if you know me (or don't) I LOVE dragons!! Dragons are my favorite creature! I love them, and what's better when you can romance a dragon! I mean come on! Good shit my guy! And I love and accept the headcannon that Price would be a dragon 100% not because of the smoking of a cigar that's the 5%, it's the personality, the vibe, and the voice fits so perfectly. The writing in this is so damn spicy!! How rough and hot it is (no pun intended). The way he teases the reader, ah. Very nice~ please give his a read!

woe to the deer who is courted by the wolf . . . by @toshidou Vampire!Konig x reader || MDNI || 18+

You want Vampire!Konig in your pallet, say no more. Here have this damn meal! The beginning is very silly in a good way! But when you finally come across the man himself, it get's good. I love it when Writers use his German language in the writing, it's adds the mystery where I have to look it up and I go "OH!?". It's so good! I love it! It got that size difference and the a little blood play cause of the vampire thing but please read this! indulge thyself!!

Faint Jingling Brass by @cowyolks || MDNI || 18+

Prompt: There was something about you, something that urged the beast to enter your cottage. It was intrigued, sniffing the anguish of your very soul- and it wanted you.

Krampus!Konig... yeah uh give me the eggnog with the cookies please, this was a joy to read. Totally wouldn't bang Krampus, I don't know what you are talking about. The fact that the reader was totally willing to get punished, you know it's good. Spanking? Predator/Prey dynamic? Yes Yes!! Please read this!!

Your Grace by @cowyolks Prompt: As a loyal soldier to your King, you follow orders without question. So when the King asks you to kneel— you do as told. || MDNI || 18+

Fun fact, if I am correct Konig means king in German. Why not have an AU where Knoig is the king and you are def his favorite. The writing is so damn hot oof! It is in two parts though! And the reading is so worth it. Made me blush and curl up in my blanket as well! Please please read!!

[ladyluscinia]

Ok, I think I might be exiting the "are you fucking kidding me?" period and ready to make a real argument, so lets talk about Three Act Structure!

Is OFMD S2 just the "Darkest Hour"?

A very common explanation I've been seeing for some of the... controversial... aspects of S2 is that it's meant to be that way. That the middle act is where the protagonists hit their lowest point. Where we get the big failure point. Where everything looks kind of shit.

S2 is supposedly just that point. It's The Empire Strikes Back. People have been making that comparison since before the first episodes even dropped, telling everyone to expect something that could be disappointing or unsatisfying - it's just a matter of needing to wait for S3 to pull it all together.

It's not a baseless framework to consider the show through - I'm pretty sure David Jenkins has mentioned it in interviews (or at least mentioned he planned for three acts / seasons) so it's certainly worth asking how he's doing at the 2/3rd mark.

So - quick summary of Three Act Structure:

Act 1 introduces our characters and world. It includes the inciting incident of the story and the first plot point, where a) the protagonist loses the ability to return to their normal life, and b) the story raises whatever dramatic question will drive the entire plot. Act 2 is rising action and usually most of the story. The protagonist tries to fix things and fucks them up worse, in the process learning new skills and character developing to overcome their flaws. Act 3 is the protagonist taking one more shot, but this time they are ready. We get the climax of the story, the dramatic question gets an answer, and then the story closes.

If you want examples, the Star Wars Original Trilogy is a very popular template. And, hell, he said it was a pirate story... the main Pirates of the Caribbean trilogy also does a solid job with their three acts.

Let's compare. (Spoiler: I'm not impressed 🤨)

---

First thing I need to establish... Wait. Two things. First is that Three Act Structure is flexible, so we can't really analyze success or failure by pulling up a list of necessary plot beats that should have been hit in X order. Second is that if you tell me you are writing a romance with a Three Act Structure - where "the relationship is the story" - the first thing I'm going to do is ask you how you are adapting it. Because while there's not necessarily anything preventing you from applying this to a character driven plot, most people are familiar with it as plot structure for externally driven conflict.

Unless there's a reason the status of the main relationship is intrinsically tied up in the current status of the war against the evil empire, a standard Three Act Structure is going to entail either an antagonistic force that absolutely wants your main couple apart being the main relationship obstacle OR the romance aspect being a subplot to the protagonist's narrative adventure. None of those sound like how the show has been described.

So how is OFMD adapting it?

---

Act 1

(Can't figure out how well Act 2 is doing if we don't start at setup.)

Right out the gate, OFMD breaks one of the main "rules" for a story where the Acts are delivered in three parts. Namely the one where the first Act is treated as an acceptable standalone story, with it's own satisfying yet open ended conclusion.

In Star Wars, A New Hope ends with the princess rescued, Luke finding the Force, Han finding his loyalty, and the Death Star destroyed. The Empire isn't defeated, the antagonists still live... the story is not over, but this one movie doesn't feel unfinished.

Similarly, Curse of the Black Pearl gives Jack his ship back, Elizabeth and Will get together, and Norrington has the English Navy let them all off the hook and give Jack and the pirates one day's head start.

OFMD's final beat of S1 being Kraken Arc starting is not that, even if Stede returning to sea is still a pretty hopeful note. Now... I don't necessarily think this was a bad call. At least, not if the story is the relationship. It's easy to close on a happy ending and then fuck it up next movie if the conflict is external and coming for them. Not so much if you're driving the story with your protagonists' flaws, in part because it should be really obvious at the end of setup that your main characters need development and can't run off together right now. I actually like that they were risk-takers and let S1 look at the situation clearly vs doing a fragile happy end, because it takes into account the difference between a character-driven and plot-driven narrative.

I think OFMD's Act 1 actually ends at maybe the Act of Grace? Well, there through the kiss on the beach, counting as our "first plot point" before everything goes wrong, basically.

At that point, they have setup the story and characters. We've been introduced to Edward and Stede's current issues. Signing the Act of Grace does make the intertwined arcs between them real - it's no longer a situation that either one of them could just walk away from like it was in 1x07 - and we narrow in on the (alleged) driving question of the show:

It's not about "Will Stede become a great pirate?" or "Will we develop a better kind of piracy for the crew?" - the show is the relationship and the big question is "What is Stede and Edward's happy ending?"

Act 1 ends on their first solution, being together and making each other happy and admitting it's more than just friendship. Act 2 starts, appropriately, by saying both of them are currently too flawed for that to go anywhere but crashing and burning.

Now... looking back, what does Act 1 do well vs poorly?

I think it's really strong on giving us the foundation for BlackBonnet's characters and flaws. We aren't surprised Stede goes home or Edward goes Kraken (or at least... we weren't supposed to be surprised. There are still a lot of holdouts blaming Izzy for interrupting Edward's "healing" despite how at this point in the story it doesn't make sense for Edward to have the skills to heal... but I digress). The relationship question is compelling at the end of S1, the cliffhanger hooks, and the fandom explosion of fics did not come from nowhere - the audience was invested.

I also think Act 1 does a great job of settling us in the universe. We understand the rules it abides by, from how gay pirates are just a fact of life to how there's no important organs on the left side of the body. Stede has a muppety force field. Rowboats have homing devices, and port is always as close as you want it to be. Scurvy is a joke. The overblown violence of pirate life is mostly a joke, but we are going to take the violence of childhood trauma seriously.

Lucius's fake-out death, while technically part of Act 2, works well because Act 1 did a good job of priming everyone to go "obviously this show wouldn't kill a crew member for shock value, and we're 100% supposed to suspend disbelief about how he could have survived getting flung into the sea in the middle of the night." And we do. And we get rewarded for it.

Regarding antagonists - a big focus of any setup - the show is deliberately weak. The one with the most screentime is Izzy, and he's purposefully ineffective at separating our main couple. Every antagonist is keyed to a particular character, and they function mostly to inform us of that character's flaws and development requirements. The Badmintons tell us about Stede's repression and feelings of inadequacy, and Izzy tells us about Edward's directionless discontent and tendency to avoid his problems. Effectively - the show is taking the stance this will be a character driven narrative where Stede and Edward's flaws are the source of problems and development the solution. No person or empire (or social homophobia) is separating them...

...which leads me to something not present - there nothing really about the struggle of piracy against the Empire. Looking at Curse of the Black Pearl... we see piracy is in danger. The Black Pearl itself is described as the last great pirate threat the British Navy needs to conquer. Hangings are omnipresent - Jack is sentenced to die by one almost as soon as he's introduced to the story, when his only act so far had been to wander around and save Elizabeth from drowning. OFMD tries to invoke this kind of struggle in 2x08, but there's no foundation. Our Navy antagonists are Stede's childhood bullies, and so focused on Stede the crew isn't even in danger when they get caught. The Republic of Pirates is getting jokes about being gentrified, not besieged.

Even the capture of Blackbeard by the Navy is treated as a feather in Wellington's cap but not a huge symbolic blow against piracy... because we just do not have that grand struggle woven into Act 1. You only know the "Golden Age of Piracy" is ending if you google it, or have watched a bunch of pirate shows.

Overall, a solid Act 1, well adapted to the kind of story they've said they were looking to tell - a romance in the (silly-fied) age of piracy, instead of a pirate adventure with a romantic subplot.

---

Now, Sidebar - Where is the story going?

The thing about the dramatic question - in OFMD's case: "What is Stede and Edward's happy ending?" - is that a) there's normally more than one question bundled up in that one + sideplots, and b) while you aren't supposed to have the answer yet, you can usually guess what needs to happen to give you the answer.

Back to our examples... Luke's driving question is "Will the Empire be defeated?" Simple. Straightforward. Also: "Will Luke become a Jedi?" The eventual climax of our story from there is pretty obvious... the story is over when Luke wins the war for the Rebellion in a Jedi way. That's the goal that they are working toward.

Pirates of the Caribbean is a bit more complicated. We're juggling more characters and have a less defined heroic journey, but there are driving questions like "Is Jack Sparrow a good man?" and "Is Will Turner a pirate / what does that mean?" and even "Will the British Navy defeat piracy?" They get basic answers in Curse of the Black Pearl, and far more defined ones in At World's End. Still, this is another plot-driven narrative. They've laid the foundations for the Pirates vs Empire struggle, and when that final battle turns into the trilogy climax then you know what's happening.

OFMD is not doing a plot-driven narrative. To judge how they are doing at their goals, we have to ask what they think a happy ending entails in a character sense.

Clearly it's not the classic romantic sideplot, where the climax is the first kiss / acknowledgement of feelings. They've teased a wedding in Word of God comments a lot, so that's probably our better endpoint. Specifically, though, a wedding where both of our protagonists aren't ready to flee from the altar (big ask) and where they've both grown enough that their flaws / mutual tendencies to run away from life problems won't tank the relationship.

In Stede's case it's still massive feelings of inadequacy and being too repressed to talk about his problems. Also he ran away from his family to chase a lifelong dream of being a pirate - "Is Stede going to find fulfillment in being a pirate captain, or will the real answer be love?" Edward meanwhile expresses a desire to quit piracy and retire Blackbeard, but we also find out he's struggling with massive self-loathing and guilt from killing his father - "Is retiring what Edward wants to do, or is he just running away?"

If they are going to get to a satisfying wedding beat at the climax of their story, what character beats do we need to hit in advance?

Off the top of my head - both characters need to self-realize their flaws (a pretty necessary demand of anyone who runs away from problems). They are set up to balance each other well, but also to miscommunicate easily. They have to tell each other about or verbally acknowledge that self-realization so it can be resolved. Stede has to decide how much being a pirate means to him. Edward has to decide if he's retiring and what he wants to do. They both need to show something to do with getting past their childhood traumas given all the flashbacks. Through all this, they also need to hit the normal romance beats that convince the audience they are romantically attracted to each other and like... want to get married.

Oh, and this is more of a genre-specific sideplot, but once they demonstrate a behavior that hurts the people who work for them, they need to then demonstrate later how it won't happen again. Proof of growth, which is kind of important in a comedy where a lot of the humor is based in them being massively self-centered assholes. Stede doesn't earn his acceptance in the community until he kicks Calico Jack off the ship, making up for causing the situation with Nigel in the first episode. A workplace comedy can get a lot of material from the boss as the worker's antagonist, but if you want the bosses to stay sympathetic you have got to throw them some opportunities to earn it.

All that sounds like a lot, but like - the relationship is the story, right? If we spend so much time on establishing flaws big enough to drive a story, we also have to spend time on fixing them. Which is where the turning point hits.

---

Act 2: How it Starts

This is where the full story reality-checks your protagonist. Glad you saved your boyfriend and embraced new love in Act 1, but his repressed guilt means he's about to completely ghost you, and your own abandonment issues and self-loathing are about to make his dick move into everyone else's problem.

Again, it's a non-conventional choice OFMD has this start at the very end of S1 rather than with a sudden dark turn in the S2 premiere, but it's still pretty clearly that point in the Three Act Structure.

In Star Wars, The Empire Strikes Back opens with a timeskip to our Rebellion getting absolutely crushed and hiding on a miserable frozen planet. The Empire finds them as the plot is kicking off and they have to desperately flee. They get separated. Han and Leia try to go to an ally for help and end up in Vader's clutches. It's a sharp turn from the victorious note that A New Hope ended on.

Pirates of the Caribbean's Act 2 starts dark. Dead Man's Chest opens with our happy couple Will and Elizabeth getting arrested on their wedding day for the "happy end" escape of the last movie. Jack has not been having success since reclaiming his ship, and we'll soon find out he's being hunted by dark forces. As for the general state of piracy, we get a horrifying prison where pirates are being eaten alive by crows, and a new Lord Beckett making the dying state of piracy even more textual. "Jack Sparrow is a dying breed... The world is shrinking."

The key here is making a point that our heroes aren't ready. This is the struggles part - things they try? Fail. The odds do not look to be in their favor.

Now, OFMD apparently decided to go all-in on flaw exploration, especially with Edward. The first 3 episodes of S2 are brutally efficient in outlining Edward's backslide. In S1 you could see he had issues with guilt and feeling like a bad person. S2 devolves that into a destructive, suicidal spiral where Edward forces his crew into three months of consecutive raids, repeats his shocking act of cruelty with Izzy's toe offscreen (more than once!), escalates it with his leg, and finally they state directly that Edward hates himself for killing his dad so much that he fears he's fundamentally unlovable and better off dead.

Stede's struggles are subtler, but most definitely still there. He's deliberately turning a blind eye to tales of Edward's rampage, half from simply being too self-centered to care about the harms Edward causes others, and half from being unable to face or fathom that he had the ability to hurt Edward that much. Upon reunion he wants to put the whole thing behind them, not addressing why he left in the first place. Very "love magically fixes everything" of him, except Stede is no golden merman.

Interestingly, here, BlackBonnet's relationship dysfunction has very clearly been having a negative impact on the surrounding characters we care about. Make sense, since it's the driving force of the story, but that also adds a lot more relationships we need to make right. Like... Edward is the villain to his crew. The show focuses on their trauma and poisoned relationships with him. And then draws our attention even more to Stede taking his side to overrule their objections to him.

For a story where the conflict and required resolutions are primarily character based, and the setup had already given the main couple a good amount to work with, dedicating a lot of S2 to adding more ground to cover was... a choice. Potentially very compelling on the character end, certainly challenging on the writing end... but not a complete break with the structure.

Bold, but not damning.

---

Act 2: How it Ends

Now it is true that Act 2 tends to end on a loss. Luke is defeated by Vader and loses his hand, and Han has been sent away in carbonite. Jack Sparrow for all his efforts cannot escape his fate, and he and the Pearl are dragged to the locker.

But the loss is not the point. The loss is incidental to the point.

Act 2 is about struggles and failure, but it's also about lessons learned. There's a change that occurs, and our cast - defeated but not broken - enters the final act with the essential skills, motivation, knowledge, etc. that they lacked in the beginning.

Luke Skywalker could not have defeated the Empire in Return of the Jedi until he'd learned the truth about his father and resisted the Dark Side in The Empire Strikes Back. (Ok, confession, I'm using Star Wars as an example because literally everyone is doing so, but frankly it's a better example of formulaic Three Act Structure repeating within each movie because on a trilogy level - relevant to this comparison - it is a super basic hero's journey in a very recognized outfit and as such the Act 2 relevance is also... super basic "the hero tries to fight the antagonist too early" beat where he learns humility. Not really a lot going on. So, for the better example...)

Dead Man's Chest has a downer ending with the closing moment of the survivors regaining hope and a plan against an enemy now on the verge of total victory - a classic Act 2. But in that first loss against Davy Jones we get Will's personal motivation and oath to stab the heart, Jack finally overcoming not knowing what he wanted and returning to save them from the Kraken (being a good man), Elizabeth betraying Jack (being a pirate), Barbossa's return, and Norrington's choice to bargain for his prior life back. The mission to retrieve Jack from the World's End is the final movie's plot, but things are already on track to turn the tables back around as we enter the finale.

Now, relevant sidenote - one major difference between Three Act Structure within a single work vs across three parts is that Act 2 continues into Part 3, and only tips over into Act 3 about midway through. This is because obviously your final movie or season cannot just be the climax. That's why both movie examples start with a rescue mission. They have to still be missing something so they can get the plot of their third part accelerating while they go get whatever that something is.

But if you wait until the 3rd movie / season to get the development going at all - you're fucked.

Jack's decision in the climax of At World's End to make Elizabeth into the Pirate King goes back to the development we saw in the Pearl vs Kraken fight in Dead Man's Chest. So does Elizabeth's leadership arc. Will's whole arc about becoming Captain of the Dutchman gets built upon in the third movie, but it starts in the second. Not just as an idle thought - he's actively pursuing it. Already consciously weighing saving his father vs getting back to Elizabeth as soon as he makes the oath. Everyone is moving forward in Act 2. Their remaining development might stumble for drama, or they might be a bit reluctant, but I know that they know better than to let it stick, because they already faced their true crisis points.

I'm not sure we can say the same about OFMD.

S2 does a good job of adding problems, yeah, but there's not really any movement on fixing them. Our main couple stagnates in some ways, and regresses in others.

Stede opened Act 2 by running away in the middle of the night back to his wife without telling Edward anything. We know he did it because of feeling guilty and his core childhood trauma of his dad calling him a weak and inadequate failure. Now in S1 he actually speedruns a realization of his shitty behavior with Mary, but what about S2? Well...

He continues to not talk to Edward about... pretty much anything. My guy practiced love confessions galore but Edward only finds out about going back to his wife via Anne, and it gets brushed aside with a love confession. He seems to think Edward wants him to be a dashing pirate, or maybe he just thinks he should be a dashing pirate. Idk, it doesn't get examined. Regarding his captaincy, they give him an episode plot about Izzy teaching him to respect the crew's beliefs, but this is sideplot to a larger arc of him completely overruling their traumas and concerns (and shushing their objections) to keep his boyfriend on the ship so. That.

Stede kills a man for reasons related to his issues, shoves that down inside and has sex with Edward instead of acknowledging any bad feelings. At least this time Edward was there and knows it happened? Neither Chauncey's death nor his dad have been mentioned to anyone. He gets a day of piracy fame that goes to his head, gets dumped, and ends on a complete beat down by Zheng where he learns... idk. Being a boor is bad? He's still wildly callous to her in the finale, and spends the whole time seeking validation of his pirate skills. He reunites with Edward, kisses, and quotes Han Solo.

Where S1 ended on a great fuckery, his S2 naval uniform plan after they regroup is ill defined except to call it a suicide mission - and we don't get to see what it would have been because it devolves into a very straightforward fight and flee. And gets Izzy killed. Quick cut funeral (no acknowledgement of his S2 bonding with Izzy), quick cut to wedding (foreshadowing), quick cut to... innkeeper retirement? Unclear when or even if BlackBonnet discussed Stede's whole driving dream to be a pirate and live a life at sea, but I guess that got a big priority downgrade. Despite the fact he was literally looking to Zheng for pirate-based compliments in the post-funeral scene.

I guess he's borderline-delusionally dogged in his pursuit of love now - so unlikely to bolt again - but he's also got at least a decade of experience mentally checking out in a state of repression when he's unhappy. And he's stopped being as supportive and caring toward the crew in that dogged pursuit, while arguably demonstrating a loss in leadership skills, so, um, good thing someone else is in charge?

And if Stede is a mess, Edward's arc is so much worse.

As established, they devote the Kraken to making Edward worse. He literally wants to kill himself and destroy everyone around him in the process because Stede left, and this is fixed by... Stede coming back. That's it. The crew tries to murder him and then exiles him from the ship (and Izzy takes the lead on both, indicating exactly how isolated Edward has become), but it's resolved in half a day by Stede just forcing them to put up with his boyfriend again. Like they think he murdered Buttons and still have to move him back in???

The show consistently depicts Kraken Era as a transgression against the crew, but they also avoid showing Edward acting with genuine contrition. He admits he historically doesn't apologize for anything, and then mostly still doesn't. It's a joke that he's approaching probation as a performance (CEO apology), and then the only person he genuinely talks to is Fang - the one guy cool with him - and the only person who gets a basic "sorry" is Izzy - the guy he really needs to be talking to. Edward's primary trauma is guilt, but apparently he only feels it abstractly after all that? He's only concerned with fixing things with Stede, despite Stede being about the only person around who hurt him instead of the reverse.

Speaking of primary traumas, Edward hating himself doesn't really go anywhere after the beat of self-realization. Apparently Stede still loving him is enough of a bandaid to end the suicide chasing, but he doesn't like. Acknowledge that. Edward is maybe sorta trying to go slow so he doesn't hang all his self-worth on Stede again (you can speculate), but they a) absolutely fail to go slow, and b) he doesn't make any attempt to develop himself or another support structure. Just basically... "let's be friends a bit before hooking back up." And then we get the whiplash that is Blackbeard and/or retirement.

Kraken Era is Blackbeard but way worse, like no one who has known Blackbeard has ever seen him. In the Gravy Basket Edward claims he might like being an innkeeper, before destroying his own fantasy by having the spectre of Hornigold confront him over killing his dad. The BlackBonnet to Anne & Mary parallel says running away to China / retiring makes you want to kill each other - burn it all down and go back to piracy. Stede rightfully points out prior retirement plans were whims. Edward gets sick of the penance sack after a day and puts his leathers back on to go try "poison into positivity". But also claims to be an innkeeper (look - two whole mentions!) when trying not to send children to be pirates after teaching them important knife skills.

Killing Ned Low is a serious, bad thing that prompts ill-advised sex and then going hardcore into retirement mode - leathers overboard, talk about mermaid fantasy, get retirement blessings from Izzy, end up dumping Stede for a fishing job instead of talking about how he's enjoying piracy. The fishing job, however, is also a bad thing and a stupid decision because Edward is a lazy freeloader fantasizing about being a better person. We have an uncomfortable, extended scene of "Pop-Pop" weirdly echoing his abusive dad and then sending Edward to go do what he's good at - disassociate, brutally murder two guys, fish up the leathers, rise as the Kraken from the sea. He continues with comically efficient murder but also he's reading Stede's love letters and seeking to reunite with him so... wait, is this a good thing? Post makeout / mass slaughter he's trading compliments on his kills with Zheng so. Yeah. Looks like it. Murder is fine.

Wait, no, skip ahead and Izzy is dying and Edward suddenly cares a whole lot as Izzy makes his death scene about freeing Edward from Blackbeard. Now being a pirate was "encouraging the darkness" because Izzy - a guy who had little to no influence over Edward's behavior - just couldn't let Blackbeard go. Murder is bad again, and he is freed. Minus the little detail that the murder he explicitly hates himself over was not related to Blackbeard or piracy whatsoever, so presumably haunts "just Ed" still. Anyway he's retiring to run an inn with Stede now, as the "loving family" Izzy comforted him with in his dying moments sails away from the couple that can best be described as the antagonists of their S2 arc. Also Edward implicitly wants to get married. It's been 3 days since making out was "too fast". He's still wearing the leathers.

So most of the way through Act 2 and Edward's barely on speaking terms with anyone but Stede, who he has once again hung his entire life on really fast? Crushing guilt leads to self-hatred leads to mass murder and suicide, but only if he's upset so just avoid that. He's still regularly idealizing Stede as a non-fucked up golden mermaid person (that maybe he personally ruined a bit) because he barely knows the guy. His only progress on his future is "pirate" crossed out / rewritten / crossed out again a few times, "fisherman" crossed out, and "innkeeper ?"

Just.

Where is the forward movement?

It's not just that the inn will undoubtedly fall apart - it's that the inn will fall apart for the near-exact same reasons that China was going to at the beginning of Act 2, and I can't point to anything they've learned in the time since that will help them. I guess Stede realized he loved Edward enough to chase after him, but that was in S1! They should be further than this by now. You can't cram another crisis backslide, all the Act 2 development, and the full Act 3 climax into one season. Certainly not without it feeling like the characters magically fix themselves.

If they just fail and keep blindly stumbling into the same issues because they don't change their behavior, then Act 2 doesn't work. You're just repeating the turning point between Act 1 & Act 2 on a loop.

---

Where Did They Fuck Up?

Actually... lets start on what they did right.

The one consistent aspect of S2 that I praised and still think was done well in a vacuum (despite being mostly left out of the finale) was the crew's union-building arc.

With only 8 episodes and more to do in them than S1, side characters were going to get pinched even if the main plot was absolutely flawless. That was unavoidable. With budget cuts / scheduling issues, we regularly have crew members simply vanish offscreen outside of one scene, meaning cohesive arcs for your faves was not likely. Not to say they couldn't have done better - my benefit of the doubt for the TealOranges breakup and Oluwande x Zheng dried up about when I realized he was literally just her Stede stand-in for the parallel - but something like Jim's revenge plot from S1 was realistically not on the table without, like, turning half the crew into seagulls to afford it.

The union building works around this constraint really well. They turn "the crew" into the side arc, and then weave Izzy's beats in so that they aren't just about Izzy. The breakup boat crew working together to comfort each other and protect him turns them into a unit, and Stede's crew taking it upon themselves to address the trauma vibes while the captains aren't in the way solidifies it across all our side characters. The crew goes to war with Stede's cursed coat and wins, they Calypso their boss to throw a party, and they capitalize on a chance to make bank with an efficiency Stede could only dream of.

We don't get specific arcs, but Frenchie, Jim, and Oluwande are defaulted to as leaders in just about every situation, and Roach is constantly shown sharing his inventions with different characters. Individuals can dip in and out without feeling like the sideplots stutter. Any sense of community in S2 is coming from this arc - even if there are cracks at the points where it joins to other storylines (Stede and Edward, Zheng, etc.)

So why does it work? Well, because it's a workplace comedy, and you can tell they are familiar with working on those. They know where the beats are. They know where to find the humor. They know how to build off of S1 because they made sure the bones were already there - an eclectic group of individuals that start as just coworkers, but bond over time in the face of their struggle against an inept boss who they grow to care for and support while maintaining an increasingly friendly antagonism because, you know, inept boss.

OFMD does its best work in S2 when it's being true to its original concept... and its worst work when it seemingly loses confidence in its own premise.

"The show is the relationship," right? It's a romance set in a workplace comedy. The setup of Act 1 was all about creating a character-driven narrative. So given that... where the hell are we getting the dying of piracy and a war against the English Navy?

That's not a character-driven romcom backdrop, it's an action-adventure plot from Pirates of the Caribbean or Black Sails. It's plot-driven, creating an antagonistic force that results in your characters' problems. Once the story is about the fight against the Empire, the dramatic question becomes the same as those adventure stories - "Will the British Navy defeat piracy, and will our protagonists come out the other side of the battle?"

Forget the wedding. The wedding is no longer the climax of the story, its back to the happy ending flash our romantic subplot gets after winning this fight.

Except, of course, trying to pivot your story to a contradictory dramatic question near the end of Act 2 can be nothing short of a disaster, because either you were writing the wrong story until now, or you've completely lost the plot of the real one. I shouldn't even be trying to figure out if they are doing this, because it should be so obvious that they wouldn't.

And yet.

What do the Zheng and Ricky plots add to the story if not this? Neither of these characters have anything emotionally to contribute to Stede and Edward - they truly are plot elements. It's a hard break from the S1 antagonist model, but it also takes up a lot of valuable screentime. This was considered important, but still Zheng's personality and motivation only gets explored so far as it's an Edward-Stede-Izzy parallel with Oluwande and Auntie, and they only need the parallel for Izzy's genre-jumping death scene. Which follows a thematically out-of-left-field speech about how piracy is about belonging to something good (workable) and how Ricky could never destroy their spirits (um...?). And then David Jenkins is pointing to it and saying things about "the symbolic death of piracy" and speculating S3 might be about the crew getting "payback"??? An idea floated by Zheng right before our temporary retirement, btw.

Fuck, the final episode of S2 didn't have time for our main couple to talk to each other because it was so busy dealing with the mass explosion of Zheng's fleet and Ricky's victory gloat. We get lethal violence associated with traumatic flashbacks until they need to cut down enemy mooks like it's nothing, at which point we get jokes with Zheng. The Republic of Pirates is destroyed outright, and it feels like they only did it because they got insecure about their "pirate story" not having the right kind of stakes. Don't even get me started on killing a major character because "Piracy’s a dangerous occupation, and some characters should die," as if suspending disbelief on this aspect makes the story somehow lesser, instead of just being a fairly standard genre convention in comedy. Nobody complains about Kermit the Frog having an improbably good survival record.

Did someone tell them that the heroes have to lose a battle near the end of Act 2, so they scrambled to give them one?

Just... compare the wholly plot-driven struggle in 2x08 to Stede and Edward's character-focused storylines in 1x10 and tell me how 2x08 is providing anything nearly as valuable to the story. Because I can't fucking find it.

At best they wasted a bunch of time on a poorly integrated adventure plot as, like, Zheng's backstory or something, and just fucked it up horribly by trying to "step up" the kind of plot they did for Jim. In which case the whole thing will be awkwardly dropped but damage is done. Otherwise, they actually thought they could just casually add a subplot like this because they've done something wildly stupid like think "pirate" is a genre on the same level as "workplace comedy" and can just trample in-universe coherency while you draw on other media to shore up their unsupported beats.

Bringing us to the most infuriating bit...

---

"...end the second season in a kinder spot."

If this was the goal, the entire season was written to work actively against it in way that is baffling and incompetent.

The really ironic thing is that the reason that the Act 2 part typically gets a downer ending is because of the evil empire that OFMD did not have to deal with until they pointlessly added it. A plot-driven story has an antagonistic force - a villain - that the heroes need to defeat. Something external working against them. The story ends when they beat the thing, and it's not much of a climax if they do most of the defeating before you get there. Ergo, they have to be outmatched up to the climax. Ergo, the second part cannot end on them feeling pretty comfortable and confident going into the third.

The same rules do not apply in the same way to a character-driven arc.

We already established Edward and Stede declaring their love is not the end of the story. Nor, necessarily, is both of them confidently entering a relationship. Even once they've developed a bunch they will have to show that development by running into the kinds of problems that would have broken them up before and resolving them better.

David Jenkins keeps talking about this idea that S2 is getting a hopeful open ending and S3 will get into potential problems, and like... I don't see any reason why they couldn't have done that successfully. They didn't, but they could've.

If S2 grew them enough as characters and then had them agree to try again in the last minute of the finale, they absolutely could have had a kind and hopeful ending where you were confident they could do it. And then a potential S3 can show that. It's a bit rockier than they were counting on, but they have learned enough lessons to not break up. And then the overall plot can build to proposal (start of Act 3) and wedding (the romantic climax). It doesn't have to be a blow out fight to be emotionally cathartic.

(Hell, the main rockier bit that they overcome in the S3 Act 2 portions could be marriage baggage. I'm sure they both have some. It would work.)

In the same way focusing on our character's long term flaws and character-driven conflict makes an Act 1 "happy ending" more difficult, I suspect it makes an Act 2 "happy ending" easier.

Instead they wrote an Act 2 that failed to convincingly start development and got confused on its direction, and then presented a rushed finale ending in a copy of the predictable disaster from S1 as though it's a good thing. They yanked the story at least temporarily into an awkward place where a romcom is trying to sell me on a bunch of serious drama / adventure beats that it has not put the work into, and inviting comparisons to better versions of those same beats in other, more suited media that make it look worse. The need to portray everyone as reaching happy closure overrules sitting with a major character death and using it for any narrative significance, while still letting it overshadow those happy endings because a romcom just sloppily killed a major character with a wound they've literally looked into the camera and said was harmless.

If I'm being entirely honest, Dead Man's Chest ends effectively at Jack Sparrow's funeral and then cuts to the British Navy obtaining a weapon of mass destruction, and it still feels kinder and more hopeful just because I leave with more faith the characters are actively capable of and working toward solving their problems.

OFMD S2, in contrast, has half-convinced me our main couple would live in a mutually obsessed, miscommunication-ridden horror story until they die.

---

Additional Reading

Normally I link stuff like this in the post, but that requires more excitement than I'm feeling right now. Here's my alternative:

Where I thought they were going with Edward - really outlines the mountain of character development they still have unaddressed

Where I thought they were going with Izzy - touches on a lot of themes that might be dead in the water & also context that's still probably relevant to why Izzy got a lot of focus in S2

My scattershot 2x08 reactions

An ask where I sketched out the bones of this argument, and another where I was mostly venting about the fandom response

This one, this other one, and this last one (read the link in op's post too) about genre shifts and failure to pull them off

The trauma goes in the box but it never opens back up - the whole point of Act 2 is that they needed to start opening shit like that - and also they focus so much on needed character growth and so little on following through

They can't even carry through on character growth that we got last season???

Why Izzy's death feels like Bury Your Gays ran smack into shitty writing

EDIT: Oh and this post is REALLY good for outlining the lack of change in way less words than I did

[brisquad-unit-4402]

Hello it’s me again! It’s been a while, I hope you’ve been doing okay. I recently have been reading through a lot of angst to comfort and I have an idea for a request!

May I request an Ike fic where reader is a liver in NIJISANJI and has a crush on Ike but knows they have no chance with him. Then one day reader accidentally spills their feelings to Ike and Ike comforts them after hearing about readers feelings?

I hope you’re not tired of me requesting Ike fics (ily him to much) and I hope you have a good day/night! <3

-🖋️

stars above your skin

oh 🖋 we're really in it now

how long have i had this request in my inbox? early march? and now exactly one day after blue light dropped, i give you a ~19.5k word ike fic. much love and effort has gone into this one, only seconded by the massive amounts of brainrot.

so yeah, i'm not tired of ike requests. i'm literally a quilldren that writes fanfic. this is the opposite of a problem

in fact this might be one of my favorite things i've written... the second half is such a good bedtime story for me...!

this is going to get NASTY to read on tumblr—as in my site is lagging so hard just typing these a/n notes. so i'm going to remind you all that not only is liking/reblogging recommended to keep track of this fic, but also that i have an ao3 account (same name as url but without dashsince it's much more accessible than tumblr for long fic. i recommend reading on tumblr if you can because of some formatting but to each their own!

here’s a funny story about this fic. i was working on it while a bunch of people sat behind me, you see, and one of my greatest irrational fears is that people sitting behind me will be able to see my laptop screen and laugh at what i’m writing…! and with these requests i usually title them the fandom name and my name, and a short phrase about the request, and this one was “workplace romance”, and i just got so afraid right then and there i changed it to the first thing i could think of, based off a clip i saw of pomu, selen, aia and doppio…!! and that’s why the wip doc is titled “nijisanji 4402 - pliskin”, and why i will always refer to this fic as "pliskin" much more than the actual title

by the way here’s a cover of iris that was pretty fitting for this fic. you’ll know when to play it. enjoy

tags: hurt/comfort, reader is a niji vtuber, gender neutral reader, off-collab, mutual pining, misunderstandings, fluff, angst with a happy ending, friends to lovers, cuddling, everyone in niji is your wingman, implied uki/ren if you squint but it’s mostly because uki will flirt with 80% of the men in this company

cameos: aia amare, alban knox, mika melatika, nina kosaka, ren zotto, uki violeta, vox akuma, fulgur ovid (mentioned)

⚠️ drinking/alcohol (unspecified if reader drinks alcohol)

⚠️ horror/gore mentions (non-detailed), out of context outlast spoilers i guess?

author's commentary here (spoilers) ↣

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

There are dozens of these videos on YouTube, and never have you come across the same one twice. You would know. You have a bad habit of clicking on them. 

After all, they’re labeled with your name on them, and right next to it, Ike Eveland. You are smart enough to recognize it’s not worth your time and just another compilation of the same moments and fans trying to make a mountain out of a molehill, but your heart says otherwise. To be fair, the compilations were a much more recent development than the one you hid under lock and key. 

When you first joined Nijisanji, some of your senpais sent you messages full of greetings and offers to help you get on your feet as a streamer. Ike was one of those senpais, and whenever you popped into voice calls just to hang out, he was easy to talk to, like an old friend. Naturally, a fast friendship formed, and when you debuted, he was one of the first people you collabed with- and the one with the best reception. Your new fans (‘Bookworms,’ they called themselves, after your name Reader) loved how well your humor bounced off each other, and when weeks passed and you announced another collab on your schedule with Ike, your Bookworms rejoiced. 

Even when you weren’t working, you would still talk to him. He told you about his homeland in the past and his novels, both released and unpublished. He was a storyteller even when he was talking about something as minute as making a sandwich, and whenever you brought up your past and interests, he was an excellent listener. You had your differences, but he always knew what questions to ask so he could understand you better, and you loved the opportunity to ramble. 

It had been nearly three months since you debuted, and four if you count the day you were officially hired and began to build yourself as a streamer. Whenever you look at the endlessly long text history between you and Ike, you have to wonder: is it normal to feel so connected to someone you’ve only known for three-maybe-four months? 

You’re not an idiot. You aren’t about to say Ike is the most important thing in the world to you, but he gets pretty damn close. That terrifies you. You shouldn’t be so attached to someone you barely know. 

But then again, you trust Ike. He’s opened up to you about things he would never say to others, and he keeps your secrets buried in the grave. You’ve lost count of how much advice he’s given you, but you’ve never forgotten a single one, and whenever you feel lost about something you know you can count on him to help you out. 

You grimace, sip out of your drinking glass, and press ‘play’ on the next compilation. 

A cute intro plays with the clipper’s name. Above it are the words Pen and Paper, surrounded by puffy pink hearts. 

That was the duo name between you and Ike, but "ship name" was more accurate among fanwork.

You weren’t exactly unaware about it. Weeks ago, you were surfing Twitter and the site’s algorithm granted you your introduction into Pen and Paper. This was shortly after your first collab with Ike, and after you established your shipping rules with your audience (“I’m fine with anything, as long as the other liver is okay with it!”, you proclaimed, totally oblivious to how soon that would blow up in your face). The fanartist posted a messy black-and-white sketch, but you could make out the pattern of Ike’s scarf wrapped around you and him at the same time, forcing your bodies into close proximity with averted eyes and dusty blushes. 

You appreciated the fanartist’s passion and skill, but the thought of you and Ike as an item sunk in your chest like you swallowed a rock. You swiped past. You went back to your scrolling, found some good thumbnails, and retweeted some cute solo fanart, but before the week ended, you made a private account with a fake name and staked out the tags for Pen and Paper to follow that fanartist.

Damn fanartist. You tried to deny it, and told yourself that you followed their art because you liked the style. But their account was full of ship art, and when Twitter gave you similar users that all worked under the hashtag, you had to face facts. If you wanted to look at it optimistically, at least you figured it out early on before anything had the chance to sour while you were still blissfully ignorant of yourself; even then, that doesn’t make it any harder than it already is.

Besides all the texts, the meetings, the schedules and events, and then including the streams and collabs and the art and the fandom… 

“Why?” You ask out loud in the silence of your room. “Why did I have to fall for my coworker?”

And with audiences of over hundreds of people watching you fall for him, nonetheless!

It’s irritating. You have a job that keeps you motivated to work hard. It’s given you a dedicated fanbase, rare opportunities, and coworkers you all recognize as your friends. Really, finding someone to care for because of it should be a blessing, but it’s such a headache. What if your fanbases get jealous, or even worse, outright hate it? Would you be able to keep up a relationship when you and Ike are dedicated to your careers and streams? Why are you even thinking like this? You scold yourself. There’s no way this would ever work out. It’s all fantasy and smoke and mirrors, because fandoms love love. Shipping is never a reflection of the streamers, just the characters you play. You’re delusional if you think your stupid crush could actually go anywhere.

But fandoms love love. The only comfort you have is being able to pretend something could happen. The ship art is a lie, and so are the fanfics, and the clippers that tag their videos as Pen and Paper are just here for a possibility that never could happen.

The compilation is full of little hints and teases, and if you were being honest with yourself, most of it was more like two friends getting along than actual flirting. But you didn’t trust yourself to see your clumsiness for what it is when Ike’s little laughs are like music to your ears. 

Damage control, you tell yourself. It’s like studying how you play your favorite games. You can pinpoint where you stumble and leave yourself open for attack in Apex, Smash, even Crab Game, and then amend those mistakes the next time you pick up the game. Real life should be no different. Just stop acting so dorky all the time by finding moments of dork in your VODs and avoid them next time you talk to Ike.

This clip was from your second collab with Ike. Captions floated along the bottom of the screen. Ike's captions were in his signature blue.

IKE: You know, there’s a lot of content about us two as a duo.

READER: They call us Pen and Paper, right?

IKE: Yeah, my art tag is flooded with art of the both of us. 

READER: Oh my God, look at the chat. Mine’s full of people saying they love us together. 

IKE: Aww, thanks, Quilldren! I’m happy I can play with Reader too. 

READER: Thank you, Bookworms; thank you, Quilldren. Hey, there’s a lot more overlap than I expected.

IKE: They’re like Bookdren.

READER: Or Quillworms.

IKE: Quillworms, that sounds way better. They’re like our children.

READER: www

IKE: www

Never fucking mind about acting so dorky all the time. You kick yourself for bringing up Pen and Paper, and your giggly laugh. You hate it. A neon sign above your head that says “SIMP” would be less obvious than that stupid schoolkid laugh.

But Ike’s laughter is music, back in the moment and now as you revisit it, and his model’s eyes squint with a wide smile.

He really is an amazing man. If you didn’t know him as well as you do, you’d think he’s perfect. But you’ve seen him in moments of vulnerability, the parts of himself that never shows through on stream and even rarer among his friends. Through it all he manages to keep going, and you admire him so much for sticking to his guns even when he’s expressed all his doubts about himself. The fact that he trusts you enough to let his guard down only adds to how honored you are to know him, and at the same time, the fact that there’s so much trust between you two just makes you feel worse for having a crush on him. You hate keeping secrets like this when you let Ike read you like an open book for everything else, and even just wishing you were something more to him feels like a betrayal of all that trust. You wish you could just be satisfied to know him.

The compilation continues. The next clip is a totsu Fall Guys collab hosted by Fulgur Ovid that you and Ike joined in on. Fuuchan got eliminated early in the match, and spectated on you while the other livers ran around Roll On with players tugging them this way and that. 

You moved around the rotating levels at the perfect sweet spot between two rings, and balanced at the top of the roll as the slime level slowly rose.

A longer wall approached, so you shuffled from one level to another, but another player grabbed your bean avatar and dragged you along to the wall even as you yelled out in panic on Discord. You smashed your keys to struggle, but they had an advantage, and it was clear the wall would push you down to the slime for an impending elimination.

That is, until a familiar Miku bean grabbed the other side of your avatar, and pulled the other way towards the ring that would save your life. Resigned, your attacker backed off and barely dodged out of the way while Ike’s Miku bean brought you back to safety.

The other two livers in the game were too noisy to notice you. Fuuchan was commentating every move you made, and when Ike saved you, he said, “Ike coming in clutch, let’s fucking go.”

Your recorded self didn’t hear him at all, though. You swooned, “Ike, my hero!”

Meanwhile in the present, you wanted to puke. You meant for that to sound like an over-the-top joke, but you crush is getting so serious that it sounds less like a bit and more like how you gush about him in private. 

At least Fuuchan’s audio was louder than everyone else, since he was the host, and the other two livers were preoccupied with their own game to notice your lovey-dovey tone and how Ike laughed music at you. It was bad enough clippers transcribed your words in captions, but you weren’t sure how you would handle it if those three picked up on you and your dumb crush. The less that know about your workplace romance, the better.

.　 . • ☆ . ° .• °:. *₊ ° . ☆

“Reader,” Aia coos. Even with audio only, you could tell her eyes were sparkling. “You didn’t tell me you had a workplace romance!”

Well, so much for that plan. You froze over. “Who told you that?”

Mika answers way too quickly. “It’s Alban’s fault.”

“Fuck off, Mika, you brought it up first!”

“You said it though!”

Man, you were already starting to regret joining VC today. You finished your offline work a lot faster than expected, so when you realized that three of your close friends in the company were all online in VC together while Alban privately streamed a rhythm game, you figured you would join the call while you prepared dinner. 

But if that was your greeting, you needed to mentally prepare for the wild interrogation you were about to experience. At least Aia, despite her love for drama, knew how to navigate these sorts of things delicately. And you don’t mean to call Mika and Alban bad friends—they were the exact opposite, in fact—but they were much nosier than Aia ever came across.

“Okay, but Reader just asked who leaked it, and didn’t deny it,” Aia says. “So that means it must be true!”

Scratch that. Aia is the worst out of all of them.

“I hate you guys. No hello or anything, just gossip about my love life,” you lament.

She gasps, and if her eyes were sparkling before, then roses bloomed around her as she spoke. “It’s love?”

Mika shrieks like a banshee. “Oh hell no, you’re in love and you didn’t tell us?!”

“It’s not love. It’s nothing!”

“Nah-uh, Reader, no running away from it, we know,” Alban says. “Better to just get it all out in the open than pretend like nothing’s up.”

“You’re just saying that because you want to snoop.”

“I’m being serious. Keeping stuff bottled up deteriorates you, especially when love’s involved.” He missed a note. “Shit. And yeah, okay, I want some gossip, but I have a point and you know it.”

“Fuck you.”

“Fuck you, I blew a full combo just to say that!”

“Can I add? In case you forgot, Reader, we’re all in the same company,” Mika says. “Sure, I might be in a different branch, but who knows? Maybe we can help.”

“And fuck you too.” You sigh in defeat. As vitriolic as your shared humor was, these three were still some of your best friends, and you know they don’t mean any harm. “Ugh, I hate this. This is confidential information. Like, CIA levels of confidential. If I tell you guys, you can’t tell a single soul about it. Understand?”

The three all chime in agreement. And unfortunately, you trust them. You take advantage of your coworkers swearing themselves to secrecy to hype yourself up and just rip off the band-aid. “It’s Ike.”

“We know.”

“What the hell do you mean, you know?!”

“It’s obvious,” Aia says. Your heart hammers in your chest. Then she sputters for a moment, like she realized she might’ve hit a soft spot. “Well, you have to focus on it to see it, but once you see it, it’s hard to ignore. You two go well together.”

Alban pitches in. “Agreed. I’m not even gonna be subtle about it, you and Ike have great chemistry. I’m happy for you two.”

“Okay, I guess.” Your eyes drift away from your prepared ingredients to the corner of your kitchen. “But I don’t know. Are you sure? Because I feel like I always act like an idiot whenever I’m around him. And I doubt he’d ever feel the same way.”

“Wait.” Aia pauses. “You’re… not dating?”

“No. Just a crush. Not love, not dating, nothing. And it’s never going to be anything more than that because it’s just a big stupid crush on my coworker, who doesn’t even live close enough to visit, and this is all a recipe for disaster.”

She doesn’t say anything about that. Actually, none of them do. Even Alban pressed pause on his game, and the Discord stream went motionless as your words sunk in. 

Mika is the one to break the silence. “You’re shitting me.”

“That’s the truth. Happy?”

“No, like, you’re shitting me, there’s no way.”

“Mikaaa.” Alban drags out her name as he scolds her. 

“Hey, I’m just saying, that’s crazy, especially since—“

“Don’t tell Reader that!”

“Tell me what?” 

“We thought you were already a thing. You know, dating, in a relationship, whatever,” Mika clarifies. It hits you like a punch to the gut. “Or at least that you had something going on, and kept it secret so it wouldn’t be awkward for everyone else to work with you two. Which, by the way, we’re all chill with, so if, hypothetically, you decided to hypothetically go for it, we would hypothetically cheer you on and set off hypothetical fireworks. I’d rent a food truck.”

Alban resumes his game. “Yeah, what she said. Go get that hypothetical novelist bussy.”

“Don’t hypothetically talk about my brother like that.”

“You’re sure this is okay?” You ask. “Mika, I know you and Ike are close. This isn’t going to make anything weird, is it?”

“You’re fine, Reader. If I had problems, I would’ve cornered you and threatened you over text ages ago when I figured it out.”

“That’s another thing. How did you guys know?”

Aia pipes up first. “I know I said it was obvious, but I think that’s just because we know each other since we’re good friends. You two just go together, you know? It’s hard to explain, but whenever Reader and Ike-senpai are in the same room you think, ‘those two would be cute,’ and then you realize they are cute, right there in the moment. And you talk a lot faster on stream whenever you’re both on the same page. Almost as fast as me.”

 “Plus, it’s really common to see both of you on VC at the same time, and you’re always happy whenever he shows up,” Mika affirms. “Alban says whenever one of you enters the call the other is soon to follow.” 

“It’s true. You talk fast whenever you talk to him on VC too, not just stream. And your laugh kind of changes?”

“Dammit, I knew my laugh was my tell. This sucks. This seriously sucks.”

“It might not be all that bad,” Mika says. “Who knows, maybe things might end up better than you expect. You should tell him.”

“No way,” you fire back. “There no way he’d actually reciprocate. And I know you guys are fine with me asking, but Ike himself is just going to reject me, and it’s going to be awkward, and literally everyone in the company who has ever talked to us will be able to tell something’s up.”

“They won’t be weird,” Aia insists. “We won’t, either, and Ike-senpai is a good guy. Even if it doesn’t work out, he wouldn’t leave you out to dry like that.”

“You don’t know. None of you have ever been in this situation.”

“That’s true, but there’s always a chance.”

“If you ask me, it sounds more like you’re afraid of what you think would happen instead of what rationally would,” Alban says. He’s still laser-focused on his game. “I dunno. If you’re really set on getting over it, then go ahead and ignore it, but that’s just going to eat at you for who knows how long before your crush starts to fade.”

“Well, I didn’t ask.”

“Fine. Forget I said anything.”

You regret the acidic tone in your voice the second you said it, but Alban was off in his own world of music. He’d tell you if he had a problem with how you spoke to him, but you still feel gross about your knee-jerk reaction. 

You’re just… defensive. Yep, that’s the word. Whenever you’re this interested in someone, you put your walls up and protect yourself from letting anyone worm through and hit a weak point. 

Aia hums like an analyst. “Just keep it in mind, Reader. Not everything is out to get you.”

You know your friends just wanted the best for you, but things just aren’t as simple as they’d like to imagine it. It’s none of their business, anyways. It was pure coincidence that they figured out your thoughts on Ike, and that means none of them have any real authority to advise you on your love life.

“I think we’re done talking about this,” you assert.

“Well, you heard ‘em. Pack it up, show’s over.” Mika changed the subject. “Hey, did you guys know if you try to break open a freshly boiled egg, it explodes?”

Alban slams his hands on his keyboard so loudly that you hear the switches over his noise suppression. The stream goes from a string of Awesome! notes to nothing but misses as he abandons the game. “YES. Yes, actually, I DO know.”

.　 . • ☆ . ° .• °:. *₊ ° . ☆

“MEAT! WANTS MEAT! WANTS MEAT! MEAT!”

“AAAAAAAAHHHH!”

The stream is to the birds. Fuck that noise. Godspeed to the Bookworms, they’ll need it, but not nearly as much as you. 

When you were settling on a schedule, the last undecided spot for the week was Friday’s stream. That simply wouldn’t do. Friday nights kick off the weekend, and the break from school and work is prime time for a wide audience, so pretty much everyone in Nijisanji reserves their juiciest streams for the weekend. You’re no exception.

…Except for the fact that you didn’t have a clue about what to do for Friday’s stream. One Twitter poll and conveniently timed Steam sale later, you published your schedule with a game your fans voted on: Outlast.

You walked in knowing it would be a horror game, and you figured it would be fine. After all, you’ve played games from Chilla’s Art before, and a few quirky indie psychological releases here and there. You wouldn’t call yourself a stone-faced horror lover that can keep a straight face at anything, but aside from a few creepy moments in those game, you’ve kept your cool relatively well. 

Outlast threw all that out the window. You realized almost immediately that you had no idea how to handle the primal fear of the chase. 

Footsteps pound against a metal floor. You plead for help in the emptiness of your home as you smash the controls, as if that would make your character move the cabinet over the door any faster. Screams resonate in tune between you and the chained man in the room with you, and all the while, the howling of your pursuer grows louder and louder as he gets closer.

You finally uncover the door and dash through. Tremors run though all your thoughts while your heart beats overtime. 

You still haven’t gotten used to all the jumpscares, even though you’re at the edge of your seat and ready to start running yourself. A fork in the road approaches, and when you start off one direction, you’re greeted by a bloodied man in the distance. “AAAHH!”

Faster than light, you slam the key to the other hall and book it. You spot a new storage container to shove in front of the door just in time for text to appear on the screen: Look for pushable objects to block doors.

“No shit, why wouldn’t you tell me that before, oh my God, aaaaah!” The screams—from both the voice actors and your own cries—grate against your eardrums while chase music thunders in-between the gasps for air. 

As you grab the container and start to push, you mash the pause button. When the menu appears, you lean back in your chair and run your hands over your face. Your model pouts cutely while the real you whimpers. The mic barely picks it up.

You take a breath before groaning in fear and pain. “Guys. I don’t think I can do this…” Another groan as you trail off. “This game is so much. Give me a second.”

As you raise yourself back from your chair, it’s with a slump forward. Your chat is full of headpat emotes and hearts in your color, along with some quick words of courage. A few are recommending you take a break. “Thanks, Bookworms. I’m so afraid, but I’m committed and I don’t want to just leave it here.”

Your eyes flutter closed as you take a sip of water to clear your head. The cold drink startles you out of the dingy asylum atmosphere, but the screaming still lingers between your ears. “You know what? Who else is online right now? Maybe I need someone in VC to hold me to this.”

The emojis in chat slowly patter out as your viewers go back to text. Looks like most of your Bookworms like the idea of calling someone else while you stream the game. Some of their messages catch your eye. 

gatamiizuus: you can call ike :ReaderHeadpat: 

messXed-up!: ike!!

lunasmortas: what about ike?

A few more chats mention Ike, and while usually you’d be irritated they mentioned another liver out of the blue, your shoulders still relax at the sight of his name. “Wait, Ike? Is Ike here?”

You scroll back in the chat history, and search for any mod messages. Sure enough, barely a minute ago while you were still being chased:

Ike Eveland 【NIJISANJI EN】 ✓ : GANBARE!

You cling onto that message like a lifeline. Ike is familiar. Ike is comforting. And most importantly, Ike would never call you a pussy.

Chat floods over with his name while you check the official Nijisanji Discord server. Almost everyone in Nijisanji sets their status to offline by default, and Ike is one of them, but you still scan through the member list anyways, praying a little green indicator will light up by his icon.

His status doesn’t change, but before you can even click on his profile, your Direct Messages tab gains a notification. He just messaged you.

Ike Eveland: Watching your stream right now

Ike Eveland: Are you okay?

You exhale. Ike is the most dependable guy you know, even when it’s pure coincidence he was watching your stream while you freaked out. 

With your heart still in your throat, you respond.

Me: uuuuuuugh i guess

Me: the game is really scary

Me: i don’t want to cancel the stream but i don’t think i can play it by myself 😭

Ike Eveland: 🫂    | 🫂 1 |

Ike Eveland: Would you feel better if I called you?

Me: i was just about to ask    | 👌 1 |

Me: you don’t have to if you don’t want to tho!! i don’t want to be a nuisance lol

Ike Eveland: Don’t worry I offered to!

Ike Eveland started a voice call.

“Ikeee!” The second the call starts, all your restraint goes forgotten. “Ike, I was so scared!”

You babble on about everything you’ve endured up to this point: the gore, the grime, and the patients in the asylum that hunt you like animals. 

 “I’m here, it’s alright now,” he assures you. “I’m here, okay? Take your time, you’re safe.”

“Yeah, I know. I’m relieved. But it was so scary.” You sink and bury yourself in the collar of your shirt. “You’ve streamed this before, and kept a cool head the entire time, right? How do you do it?”

“Well, it wasn’t my first time playing, for starters. Everyone gets freaked out at first. It’s a horror game, Reader, it’s okay to react to it. I remember the first time I played it, it scared me so bad I had to quit after half an hour.” He giggles a bit at himself. The sound is comforting. “That was a few years ago. I think I had nightmares about it, until I realized I needed to know the rest of the story. ”

Your voice is small. “That was really brave of you.”

“I avoided it for days. I doubt that’s brave.”

“It’s braver than calling someone just to get the guts to play the game.”

“Hey, don’t put my friend Reader down just to bring me up.” He keeps his tone light to let you know you’re allowed to smile. “Being able to face your fears is plenty on its own, and you shouldn’t be devaluing that. How long have you been at it?”

“A little over two hours?” You glance at the stream monitor, and ignore the chat as much as you can. You still register the hearts in your color and his signature blue. “I don’t know. I did a lot of pausing, too, so it’s probably less than that…”

“But you were still able to stream for that long. Remember, I could only play for thirty minutes during my first time! You’re stronger than you think you are.”

You avert your eyes from your stream setup. You feel painfully seen, but the chat is nothing to you. “Doesn’t feel like it.”

“Then I’ll be here to remind you. Is that okay?”

“I’d like that.” You return to the screen, and in the darkness of the blurred labyrinth, you see your reflection stare back. Your hair is disheveled from how you kept thrashing around in reaction to the game and your shoulders are high with tension, but only now did you realize how the corners of your lips rose after the call started. Ike really got to you. “Thank you, Ike, you’re so considerate. I appreciate you a lot. You’re a really good guy.”

He chuckles slowly, soft like a blanket. Your shoulders ease. Ike’s words are just as soft, and if you didn’t know any better, you’d think he’s nervous too. “Haha, um. Yeah. Thank you?” He doesn’t take compliments well, but they’re true, and you hope he knows it as well as you do. He clears his throat. “Ahem. Um, how are you feeling?”

“Not great, but better. I want to try again.”

“You’ve got this, Reader, you can do it.” Ike is still quiet, but enthusiastic. “You can do it!”

You go shaky. “Okay, okay, okay, okay, okay.”

But you still press Return To Game.

And when you scream barely five seconds later, Ike is still calm, and you hone in on his voice as you persevere.

.　 . • ☆ . ° .• °:. *₊ ° . ☆

Just as you go to bed, you realize that you basically just made a fool of yourself in front of your crush by getting scared at a game he’s already conquered. 

You slam a pillow over your face and groan.

.　 . • ☆ . ° .• °:. *₊ ° . ☆

Ike lands an all-out attack just in time to check the chat and the swarm of viewers that just joined. “Oh, Reader! Thank you for the raid, it’s good to see you! Welcome, everybody.”

Reader 【NIJISANJI EN】 ✓ : take care of my bookworms for me? i’m getting milk

“Of course. They’re our Quillworms, after all.” You go fuzzy. He remembered the fan name! “Have a good break, Reader! Rest well.”

Reader 【NIJISANJI EN】 ✓ : 👍

It was the end of the week, and the stream you just finished was the last on your schedule. You announced a few days ago that you would take a break for a little more than two weeks so you could catch up on offline work as well as rest, and the Bookworms sent you off with a lot of love. It’ll be hard for some of your diehard fans, but you’re sure they’ll manage. You have a feeling it’ll be easier than they expect. 

“Speaking of breaks, I haven’t finished my schedule yet. I think I’ll wait a day or two to post it.” The stream cracks in red and black as Ike’s party in Persona 5 Royal clobbers the enemy Shadows. Monsters bleed out behind the protagonist’s cocky smirk. “I’ll be offline for the next two days, so I’ll have some time to think about it.”

Ike mashes through the battle results, and sets back off into exploring the palace. His stream fades into background noise as you get back to the task at hand. 

You sent a few messages to some of your other coworkers regarding your break. Next was finishing some paperwork for management, and reaching out to others that needed access to the files. Sure, your time off was for offline work, but the work you had to get done would only take an afternoon at most. You wanted to meet even the far-off deadlines as soon as possible so you could be properly free for the rest of your vacation.

By the time you finished your paperwork, your coworkers were able to respond to you. A group chat full of other livers had a new response every minute about the next two weeks, and Aia sent you a QR code that would let you save some time and money on your flight. 

Ike ended yet another super-long P5R stream just a few minutes after you grabbed all your luggage, got to the airport, and made it to your terminal. You had some time to kill, but you were sick of the headphones over your ears.

Not to mention, you were waiting for the fans to catch up on the real reason why you were on break.

Curiously, you log into your private Twitter—you don’t plan to interact with anything but you’re always paranoid about your online presence—and start searching for the code words fans think Vtubers have no idea about. Symbols replace letters and names morph into sounds while emojis speak volumes.  

The Stargazers don’t mention it at all. That’s to be expected, after all. Their oshi goes on break often, so nothing seems too out of the ordinary. Besides, you wouldn’t put it past them to have even more intricate subtweets than what you’re looking for.

Only a few of Nina’s Honeybunnies put the pieces together at first, but then you check Quilldren subtweets. As it turns out, when Ike mentioned he’d be taking a few days off, a few of his fans noticed how Nina was going to be offline at the same time, and a smaller fraction of those compared how Mika had yet to release a schedule. 

Underneath your face mask, you smile. With the career being dependent on both anonymity and your voice, you wore a nondescript black mask through the entire airport in case someone recognized you, just as well as to hide the tiny giggle that always bubbles up whenever you watch your fans scramble around theorizing. They don’t have all the pieces, after all. None of the Aiadmirers nor the Renvaders even considered it.

They’ll figure it out in time nonetheless. Uki and Nina are close to landing, and Aia was the first to disembark her plane. The rest of your friends are set to arrive after you, and besides, Vox should be ending his last stream of the week right now. You’re sure the Kindred will start plotting in the next hour, provided their oshi didn’t give them too big of a hint about his plans for the next week as he’s known to do.

You board your plane and settle into your seat, ready to nap the flight away. You’ll need the rest, after all. It’s about time you join an off-collab.

.　 . • ☆ . ° .• °:. *₊ ° . ☆

Nina doesn’t even get the chance to look away from her phone before she gets a rush of replies on her first voice tweet.

She doesn’t bother to read them anyways. She’s too busy howling out the lyrics to “Wannabe.”

It’ll be hard to discern all the voices. Ike’s high range is always easy to pick out, but Vox blends in as a bass, and you can always hear Mika’s grin through her singing. Ren and Aia are the furthest from the phone, and as loud as they sing, they’re still drowned out along with you, Uki, and Nina herself.

Mika chooses the wrong time to look around the karaoke booth. While Aia sings passionately about what she wants (what she really, really wants), her body language crumples and rises like an electrocuted high school theater kid. The ghost has a hiccuping, sweeping laugh that overpowers half of the singers, and then Aia snorts at herself when Mika covers her mouth, which gets Vox to snort even louder, and before you know it, it’s just Uki and Nina doing their damndest not to break. Even then, Nina’s voice wavers along to the Spice Girls as she resists a laugh, and Uki’s eyes are squeezed shut smiling.

.　 . • ☆ . ° .• °:. *₊ ° . ☆

The bar stool slides out from the counter so quietly that you wonder if the Airbnb owner knew just how handy it would be for a house full of streamers on vacation. You lean forward while Mika tells a story about how she, Aia, Ren and you went out for a coffee run, and crossed paths with some teenagers with matching Iluna keychains on their backpacks. 

Speaking of Iluna, their represents sat together on the couch. Aia set her plate and fork on the coffee table, not a single pool of sauce left over from the pasta dinner Vox and Uki prepared together. Somehow Ren made enough room in his luggage to bring along a teal ukulele, and idly strums along. Uki sits between Ren and the armrest, swirling the last of his pasta between his fork.

Across from them, Vox and Nina took ownership of two plush chairs that could only fit one person each. Each chair was next to a corner table, and they stacked their plates on top of one another to make room for a jug of orange juice and two cocktail glasses. Ike took a bottle of rum and poured it into his soda, then slid it back to the corner table before pulling up the bar stool next to you. 

“It was like, one of them had a clear phone case and held it out to show the others a video,” Mika says. She perched on top of the counter itself, next to her travel microphone and the second-nastiest kitchen stream setup you’ve ever seen. She was no Scarle, but so many wires stretched across the island and along the way that it was just easier for her to climb onto the polished granite to keep an eye on the chat. “Smack-dab in the center was a PNG of Vox. And then a bunch of tinier Voxes around it. And here’s how you know it’s bad, you could see the color of the phone itself through the case because it’s clear, right? It was red. Red! That’s commitment!”

“I’m telling you, Mika, there’s no way they got a red phone just because of Vox,” Aia says. “That’s got to be a coincidence.”

Vox hums into his glass. “No, they absolutely did. You mean to tell me your fans don’t spoil you rotten and buy new phones just because they’re your color?”

“My color is white, Vox, like every phone ever is my color!”

“Still, I’ve never seen Aia go so quiet so fast.” Ren’s ukulele twangs as he grins. His fangs were just as prominent in real life. “It was awesome.”

“It was scary, but funny,” you say. “We saw the Vox case and the Iluna keychains, and all of us just went silent. And we all had masks, too, so it was like, one moment you could hear Ren’s fuckboy laugh, and the second we saw the case, we all put up our masks and went quieter than the grave.”

Ren palms the neck of the ukulele and mutes the chord in mock offense. “Hey! I’m not a fuckboy!”

“Didn’t say you were, but if you want to out yourself like that, be my guest. They’d chop off your horns and sell them like Kyo.”

“One of them had an Aster keychain.” Ren bitterly resumes playing. Uki sets his plate on the table and drapes himself over the alien’s shoulder as he opened up his phone to check the off-collab’s live tag. The stream was supposed to be a live Q&A, but was so easy to talk to everyone that the questions often turned into conversation before someone remembered the stream. “If Aia or I said anything, we’d be fucked.”

“Imagine how fucked we would’ve been if Vox woke up in time to go with us,” you say.

Ike snickers. “Is it bad that I would’ve paid money to see that?”

The two Luxiem members get into a playful argument over who would win in a fight: all the effort Nijisanji and its employees put into protecting their privacy, or one silly phone case. Ren’s riffing turns into a simple rendition of “Iris” and Nina hums along from across the living room. The ukulele is slow and unique enough to not be mistaken for the original, but you wonder if those two would be able to avoid copyright entirely.

Nonetheless, the vibe is comfortable. You’re miles away from home, but in a room with some of your closest friends in the world, it’s like you never left. Truthfully, it’s more like you’ve finally found your place. The music just feels right, like it was written for this moment, and Aia leans back into the couch while Nina sways in her seat to the jaunty little ukulele. Ren looks as cheery as his instrument sounds, especially with a peaceful Uki nuzzled up to him. 

While Ike and Vox go at it, Mika props her chin up with both hands and watches them like a reality TV show. There’s a glint in Vox’s eyes as Ike drums up a snide response, the only sane man to the demon’s goofiness. He brings his rum and coke to his lips like punctuation, a silent so, what? hidden in the boozy soda. 

Vox knows how to run his mouth, and he launches into one of his patented anecdotes. While all eyes are on the demon and the chat hones in on his voice, you focus on how Ike tilts his head up to drink. His neck stretches out from the collar of his black band tee, and with each sip, his Adam’s apple bobs. 

You’ve always thought he was good-looking on stream, but he’s gorgeous in person, all long lines and graceful features, and cameras can’t capture the tiny little freckles drizzled down the back of his neck. You didn’t even know he had freckles. It was only after you saw him for the first time that you noticed pale, reddish dots all over his nose and cheeks, fading out by his temples and the arch of his lips. Spending the day walking around in the sun from place to place revealed more whenever the wind flicked his jacket collar out right. They scatter at his nape, right below the blue tips of his hair, and meet one another further down his back, or so you’d presume. Without the jacket, you can catch marks spread out along his arms with distance between one another, and his shirt sleeve starts right where the freckles cluster together. You can only imagine how far down they go.

You avert your eyes. You can’t think about what’s under the shirt when you’re sitting right next to him, and certainly not while on stream, even if chat can’t see you check him out!

Unfortunately, the side opposite of Ike is the one with Ren and Uki. Those two are idyllic. Without a care in the world, it seems. You envy how easily Uki can act on what he wants, even if you know he doesn’t see Ren like how you see Ike. Ren doesn’t mind it at all, either. He literally lives by the rhythm of his own ukulele. 

Ike lowers his drink with his eyes closed, as if it would make the refreshing feeling last longer. His eyelashes are the same ashen color as his hair. Gold gleams between his ears and on the chain of his glasses.

Possessed by the music, and distracted by the rambling, you become one with the background and lean along Ike’s arm.

It’s an indulgent dip into the waters, but shallow compared to all you feel for him. Ever since you met Ike in person it’s been easier to control yourself around him, and if anything, you’re reminded that this is the man you’ve gotten the closest to in both career and friendship. The only barrier between your cheek and his body is his shirt sleeve, but your arm rests against his forearm, right where the freckles taper off. There’s no resistance at all as you make yourself comfortable in the crook of his arm. 

But you hold yourself back. Even though the off-collab made you feel gutsier than before, you think that you’d pass out if you tried anything else. Besides, you feel so at peace against his arm, but too afraid to look up and see his reaction. 

The blend of peace and fear churns in your heart as it dawns on you: you were wrong to call this a crush. It runs far deeper than you could’ve imagined.

Vox says something with finality. His voice snaps you out of your thoughts, but the words go unregistered. As he spoke, his eyes drifted around with his body language, but he snaps to look at Ike expectantly. You swear his smirk gets a little more mischievous as he does. 

The air stills, even though you know eyes aren’t on you, just the man you lean on. It stays frozen as Ike waits to respond. You still don’t have the heart to look up at him and break your selfish, unrequited fantasy.

You just want to stay here, unresisted.

Ike deadpans. “Anyways.”

Just like that, the moment is over, and Mika laughing at Vox striking out clears the air around you. But Vox’s eyes fall to you for just a split second as he moves in his seat. Frost settles down your back at the thought that he knows, but there’s a solid chance he hasn’t connected the dots. You pray he hasn’t.

Then you see Fox Mom herself right behind him, and she shoots you a shit-eating grin with a hand over her heart and a glass in the other. 

No doubt about it. You’re screwed. 

The frost turns to glaciers and burns into hot shame all at once. You love Nina, you really do, and you’d always consider her a good friend before coworker. However, she’s known for fishing around for any crumb of fanservice, and she gets straight to the point whenever she eggs it on, not to mention how she loves to tease her kids on just about anything. You are never going to hear the end of this if she can help it.

You really don’t know what you expected. It feels like everyone’s staring at you, even the chat. You can’t help but feel bitter. How come Uki can flirt with as many guys as he wants, you wonder, but I can’t even touch Ike without getting eyed up? 

You know the answer, but it doesn’t do anything to help the bitterness and the embarrassment, and how much you want to hide. On instinct, you take advantage of the warmth and nestle yourself deeper into Ike to hide your face, just in time as he curls his head above yours.

Nina makes a sound kind of like a fork stuck in the garbage disposal for the briefest of moments before smashing her lips together and bringing her glass to her mouth like a mute button. As if you didn’t feel seen enough. 

“Find any other questions, Uki-senpai?” Aia’s nose is buried in her phone, and God, you could kiss her for changing the subject. As much as she poked fun about you about Ike, she was still a total angel and a ride-or-die all at once. 

“Oh, I have questions,” Uki says. Luckily, he’s graceful enough to leave it at that. “Twitter wants to know first impressions for everyone that hasn’t off-collabed before.”

Ren speaks. “I think the only person I’ve done an off-collab with before is Nina, so is it cool if I go first?”

Aia gestures for him to go on. She’s still stuck on her phone as he continues.

Your phone vibrates in your pocket, but you ignore it. Then again and again and again, and when you finally check it, you understand why. When Aia, Mika and Alban first heard you spill your feelings for Ike, they made a group chat dedicated to wingmanning—or at least, that’s what they pitched it as. They tease you more than anything else, and as irritating as it gets… you have to admit, it’s nice to confide in them, and nice to know they wouldn’t hold it against you.

Anyways, Alban’s going apeshit. 

Group Chat: 💙 PENANDPAPER REAL 2K4EVER 💕 (4 Members)

Aia Amare: image.png    | 📌 2 |

Alban Knox: AKDHSLSJDKSHSA

Alban Knox: AASDFSDF

Alban Knox: AAAAAAAAAAAAAAAAAAAAAA

Alban Knox: AAAAAAAAAA

Alban Knox: HAAAAAAA AAAAAAAAA AAAAAAA KYAAAAAAAA

Alban Knox: 💕💕💕💙💕💙💕💙💙💙💕💙💕💕💙

Alban Knox: 🥳🥳🥳🥳🥳

Alban Knox: HOW ARE YOU GUYSS NOT LOSING YUOR MINDSA BOUT THIS

Aia Amare: I AM

Me: omfg did you seriously get a picture of us 

Alban Knox: WHAT ARE YOU DOINGGGGGGG DONT CHDCK THIS GC    | 👆 1 |

Me: wtf did you expect you’re spamming 

Alban Knox: YOU AR ELITERALLY CUDDLNG GO FOCUS ON THAY JOT US

Me: we are not cuddling

Alban Knox: YOU ARE

Aia Amare: YOU ARE

Mika Melatika pinned a message.     | 🖕 1 |

Me: mika wth you too? 😭 

Mika Melatika: image.png

Me: did you srsly take a selfie with us in the background

Mika Melatika: YES this needs to be immortalized

Me: you people suck    | 🥰 3 |

Alban Knox: GET THAT NOVELIST BUSSY!!!!

Aia Amare: As if you aren’t about to save that picture yourself~

Alban Knox: NOVELUSSY!!!!!!!!!

Fuck, she got you there. You cast a pointed look at the angelic maiden herself, or at least as pointed as you can be with a man you’re scared to love wrapped around you. She looks as satisfied as a cat pushing a glass off a counter. 

You set your phone on ‘do not disturb’ and placed it behind you on the counter with a huff.

“Reader, honey, how about you?” Nina leans forward, half-lidded and as sultry as ever. She swirled her drink around in its glass. “It’s your first off-collab ever, right? I’d love to hear what you have to say.”

“Oh, well, um.” Your brain struggles to catch up. “First impressions, right…”

Aia slips you a thumbs up. You’re going to rip her a new one after this. Her, and Mika, and definitely Nina; this is the most subtle Nina’s ever been but you can tell she’s fishing for an answer here. You can take your friends figuring it out, embarrassing as it is, but you are not about to expose yourself to thousands of live viewers. 

“It’s kind of crazy actually meeting up with everyone,” you start. “I’ve known them for so long, but all online, and being able to match the voice to the face in real life, I don’t think I can actually describe it. It’s kind of surreal, but it feels so nice to just talk to them in person. Aia, Nina and Uki were the first people I met up with, and man, those three are a sight. I know everyone says it, but Uki is absolutely the most beautiful person I’ve ever seen. Nina and Aia are really pretty, too. Hey, Aiadmirers, did you know when your oshi laughs, she looks just as cute as she sounds?”

Aia yells. “Reader, shut up!”

“Then stop being so cute all the time, you dork!” 

“I’m not a dork! I’m cool!”

You resume, satisfied with your revenge. “Mika and Vox are both really chill. They’re kind of quiet, so if you’re just walking by, you’d think they’re two normal people just going about their days. But whenever we talk it’s always something insane. Vox sounds like a dignified gentleman and Mika is kind of like that cool girl that you want to be friends with, but if you actually pay attention, Mika’s showing Vox a picture of her insides during surgery while he’s reciting something about the Bite of ‘87. And Ren is probably one of the most straightforward people you’ll ever see. He’s so optimistic, and really expressive, too, even though most of the expressions are all different types of smiles.”

“What’s your impression of Ike?” Nina asks.

What does she expect you to say to that one, that screens can’t capture how the sun glitters through his glassy green eyes? Hearing him say your name in-person sends shockwaves through your body? How you want to kiss every little freckle he’s never mentioned before and keeps hidden under long sleeves, even though it’s the beautiful skin he lives in daily?

“Same old Ike. He’s exactly like how I expected,” you say. A total fib. 

She cocks her head. “Really? Even after all the time you’ve spent together?”

“I’m trying to hang out with everyone.”

“You haven’t answered my question.”

Cornered. Nina takes a long, slow drink from her glass as you scramble for a quick answer that won’t immediately out you. “Whenever I talk to Ike, he’s really emotive. You can tell what he’s thinking before he says anything. He also has a good sense of style, so he’s fun to go shopping with, and honestly, fun to do anything with. He’s someone you can always have a good time with, and always makes you feel so comfortable around him. Ike’s magnetic.”

Mika muffles a coo behind you. You’re going to kill her if you survive this stream.

“That’s very sweet, Reader,” Nina replies. “Hear that, Ike?”

“Yes, I did.” He sounds strained.

“Got any feelings about it?”

“Yes? I mean—er, thanks?” You feel Ike’s head rustle. “I, umm. What am I supposed to say about that?”

“I don’t know. I just think that about you, that’s all…”

“Aww, cute. I love that you love each other,” Nina muses. 

Ike spits out, “It’s not like that!” Just as you admit, “Yeah, I guess so.”

You process his words too late, though, and even as you sputter the ukulele music cuts out just in time with Nina and Mika’s unfiltered fangirl squeals. Ren’s palms mute the chord as his eyes go wide. Aia is already on her phone with her jaw to the floor and Uki throws a look at Nina while he mouths, did that just happen? 

“I-I mean!” Your throat goes dry and Ike lurches away from you when Vox gleefully shakes Nina like a rag doll. “I—wh—Ike, I mean, of course I love you—“ Mika screams again— “As a friend!”

When you turn to face Ike, he’s curled up into a ball on the barstool with his shirt collar over his face. Even as you feel the blood rush to your face, you keep shouting. That’s all you have left. You’re live. “Like, we’re best friends on and off stream and I love you!”

He mutters something, but you can’t tell what. Only his neck and the tips of his ears poke out from his shirt. Were they always that red?

You repeat yourself. “I said, we’re best friends and I love you, so much!”

“And I said, I know, thank you, I love you too, Reader!” Ike jerks out to face you as he cries. He looks like a tomato. 

Then he buries his face into his hands and squeaks like how he always does when something’s too cute to handle, or he’s got too many emotions he needs to let out. “You can’t see me, I’m too embarrassed. I’m hiding forever and I’m never coming out.”

You hope the ground swallows you up and you never have to confront this moment again. 

Uki hisses under his breath and muffles Ren's ukulele. You don't know what he said, but you realize all too late that the alien prince himself was laying down the first few notes of “Fly Me To The Moon.”

While you slump and fold your arms over your face on the counter in pure embarrassment, Aia stands up and commandeers the mic. She slaps a hand over Mika’s mouth to muffle the scream. “Man, bummer that Ike-senpai is gone from us forever, but you know what else might be gone forever if you don’t get it now? The sponsor for this stream, our current limited-edition Nijisanji voice packs!”

And as much as you could kiss her yet again for changing the subject, you can’t get over how everything blew up in the last five minutes, and groan into your arms instead. 

.　 . • ☆ . ° .• °:. *₊ ° . ☆

The stream passed, luckily, without a hitch after that. No one asked any questions, but it was pretty damn clear everyone in the room had an idea of what just happened, and the impending shitstorm. In fact, it was so clear that when you stalked off to your room to sulk, no one made a fuss, and when you realized ten minutes into your sulking session that you left your phone on the counter, you figured it wasn’t worth it to show your face again until after you finished your pity party. 

The entire time, you laid in your bed with a pillow over your face so you could pretend like you were being absorbed into the sweet embrace of death. Overdramatic, sure, but you figured you were justified. 

Without your phone, you had no way to check exactly how bad the fallout was on Twitter. The poor Pen and Paper tags were sure to be flooded with fans imagining a happy ending to that stint you’d never be able to experience yourself, like salt in the wound. Not to mention, it was a huge seven-person off-collab! It didn’t just end with the Pen and Paper fans. No, it would extend past the Bookworms and the Quilldren, and certainly to the rest of the fandoms with an oshi in this Airbnb. Maybe even the offshoot viewers who don’t regularly watch your content, but made an exception for the off-collab, or, you know, the ones who have no idea who you or Ike are but can’t get enough of the whole accidental-confession-live-on-stream thing. Forget Nina; the entire Vtuber community is never, ever, ever going to live this down. 

Ike sounded so distraught, too. You wanted to kick yourself for it. Not only did you make a fool of yourself, but he got caught in the crossfire just because you didn’t catch yourself slipping. Not like he’d reciprocate anyways. He’s always been bad at taking compliments, but you keep thinking about how embarrassed he was about you loving him. 

All your frustration and humiliation coursed through the darkness under your pillow, and you stew so bitterly that you don’t even dream when you fall asleep. 

You just wake up groggy and exhausted, but too restless to go back to sleep. You look out the window, and the stars have barely come out to play in the early night sky. 

As much as you’d hate to admit it, that impromptu nap made you tired of brooding. Besides, you can’t hide from your friends forever. Hopelessly in love or not, they’re still your friends, and even if you decided to stream during the trip, this off-collab was always about spending time with them instead of worrying over your online presence. 

It takes you half an hour to hype yourself up, but eventually, you open your door and step out into the hall. 

You can already hear voices further away in the Airbnb. You place one of them as Nina, and after her, a baritone that could only belong to Vox. 

“…Fuck Twitter, they’re going to forget about it in two weeks or less anyways.” You overhear as you walk down the hall of rooms and closer to the living room. You’ve heard Vox passionate before, but never this serious as well. “Besides, what exactly did they say?”

A mumble. You can’t place the words, but you bristle when you recognize the voice. That’s unmistakably Ike. 

“See? Again, I’m so sorry. I was out of line, and I forgot my place. I shouldn’t have interrogated them like that,” Nina says. “But you’re overthinking what they said.”

Another mumble. By now, you’re in the kitchen. You lift your phone from where you left it, and hold your fingers over the half of the screen where your notifications appear as you check the time. It’s barely 11 PM. 

The kitchen and living room are connected, with plenty of seating space all around. That was why Mika’s travel laptop was still on the counter and plugged into the wall from the stream earlier, but on the other side of the wall from the kitchen, you noticed an open window and silhouettes from it. Four people sat on the shallow roof overlooking the uneven ground plenty of feet under the building. A pair of fox ears twitch at the night wind as they watched the stars grow brighter in the sky. 

You look through the fridge. You’re peckish, but if you were to be honest with yourself, you’re trying to stay quiet for a reason. 

There’s a huff. “Oh my god, dude. Just tell Reader already.”

You stand up a little straighter. Mika was with them? Were they talking about you?

“There’s nothing to be said, Mika!” Ike huffs back. “I’m screwed anyways. Just drop it, okay? I don’t need this getting in the way of what was supposed to be just a normal trip.”

“You can’t keep running away forever. Just act like an adult and tell them. It’s going to be fine, I swear.”

“And how exactly do you know that?”

“Well…” Mika trails off. “I can’t say. I just know, okay?”

“Uh-huh. And I know I’m screwed.” The wind rustles outside. You stay motionless. “Just two weeks. Can I please just have two weeks where I don’t have to worry about this until the trip is over.”

It’s a question, but he says it with such exasperation that no one can consider any other answers. 

“Fine.” Nina relinquishes. “Have it your way. I’m just worried for you two.”

“It’s going to work out, Ike. But I’m tired.” Vox stifles a yawn. “Tomorrow is going to be better. Let it go for the night and come back to it once you’re in better shape, and just remember. It’s going to work out.”

“Thanks, Vox.”

“Now get in here.”

You hear shuffling fabric before the two men start yelling. Vox cackles while Ike cries through gritted teeth. “Dang it, Vox, I’m going to shove you off this roof!”

“Get ruffled, idiot! That’s your fault for trusting me!”

“I just wanted a hug!”

You snicker under your breath. Vox loves to ruffle Ike’s hair despite the latter’s protests, though he tends to accept it instead of shove him off like anyone else that would dare. Besides, as dreary as Ike sounded during that conversation, he nearly sounded like his old self as Vox and the others laughed.

“I think I’ll go too. Mommy needs her beauty sleep.”

“Mm, I’m still pretty awake. Wanna keep looking at the sky with me, Ike?”

“Sure. Here, Nina, let me move out of the way…”

Shuffling turns to footsteps, and brings you back to reality. You busy yourself looking through the paltry groceries.

The sound of footsteps gets louder and louder, until they become a hollow click on the hardwood floor. Nina crawls through the window, but stops in her tracks with a startled noise.

You turn around and nod as casually as possible. “Oh, hey, Nina.”

Vox is also halfway through the window, and his eyes go comically wide as he forgets how to move. “Oh. Hey. Reader. Fancy seeing you here.”

“Yeah! Um!” Nina coughs long enough to make you uncomfortable. “What are you doing here?”

“Took a nap. Got hungry.” It’s not a lie. You grope around in the fridge and breathe a sigh of relief when you see a stick of string cheese in your hands. “You guys just hanging out?”

Nina nods. “Yeah, we were on the roof. It’s getting late, though. You should get some rest for tomorrow—“

Vox elbows her. “But not after looking at the sky for a little bit. It’s beautiful. Very clear. Romantic, even. The architects did a wonderful job placing this house right at the perfect angle to watch the stars rise. Did I mention it was romantic?”

You act natural and take a big bite out of the string cheese. “Once or twice. Is it the seniors’ bedtime?”

“You got me,” Vox says. 

“I love going to sleep early and giving my kids private time before bed to reflect and hold deep conversations with one another about their feelings,” Nina says. “And also nighttime face masks.”

“Woo, skincare, what she said.” 

“Hey, by the way, Reader, honey, did you hear anything we talked about?”

“No,” you lie.

“Cool,” Vox says. You eat the rest of the string cheese in one bite. “Good for you. And goodnight, Reader.” He dusts himself off before casting his golden gaze down at you. “Be nice, will you?”

Shivers go down your back. You have a feeling he’s referring to something unspoken. “I will.”

“That’s my sweet thing,” he purrs. “Anyways, I’m going the fuck to beddy bye. Honk shoo, Reader, don’t stay up too late.”

Vox struts off with dark hair flowing behind him and the scent of his aftershave in the air. He leaves you to stand awkwardly next to Nina. 

Suddenly, she takes you by your shoulders and forces you in front of her. You blurt out an unflattering startled noise before she gets right up in your face and stares dead into your eyes.  

“Please be good,” she says darkly. Was that a threat? “Please be so, so good to my baby.”

“I will,” you say, more out of fear than anything else.

She blinks once, then she’s back to the doting mother you know and love. She squeezes your shoulders. “Thank you, honey! Sweet dreams!”

And just like the Voice Demon before her, Nina bounds off to her room. 

Huh. That was weird. Nonetheless, you’re alone in the living room, and you can see the outline of Ike and Mika sitting on the roof in silence. 

You lightly knock on the side of the window. They both perk up at the sound. “Cool if I join you?”

Mika responds quickly. “Sure! Watch your step, Reader. The roof isn’t that steep but it would be awkward if you ate shit.”

“Agreed.” You step onto the tiling, and shift your body to match the angle. You feel like a newborn deer learning to walk. Luckily, Nina and Vox leaving meant that there was more than enough space for you right next to the window. 

Ike sits between you and Mika. “It’s pretty, isn’t it?” 

“Yeah…” 

‘Pretty’ is putting it mildly. The stars are so clear tonight, and scatter across the sky like sequins. The Airbnb was located further away from the heart of the city, so the darkness only amplified how bright the stars shone against the stark night. A breeze drags through the air and fallen leaves rustle between the grass. 

“This is so nice.” Comfort settles into you like the breeze in your hair. “I love it.”

Ike sighs. “Right? It’s so peaceful.”

“And there’s so many more stars out here than there are in the city.”

“It makes you want to just zone out and cool down.”

“Yeah, totally.” Mika coughs. “Huh! Cool! Well, I’m tired now. Just keep staying out here and enjoy the sky, I’m going to bed. Enjoy yourselves.”

Mika inelegantly shuffles around your bodies and slips back inside before either of you can properly tell her goodnight. 

Ike cocks his head as he watches her stumble through the window. “She just said she would stay out…”

“Hm?”

“Ah, nothing. Just thinking to myself.”

With the extra space, Ike leans back and lays along the roof. The stars cast a dreamy glow over his soft smile as he continues. “It really is something that just makes you want to have a deep conversation, or just think, you know?”

You hum in agreement. You get what he means, but there’s only one topic you can imagine having a deep conversation about right now, and it’s the very one you brooded over earlier that day. 

But Ike is Ike. He’s rational and calm and kind, and laughs at your stupid jokes, and texts you first before any of your other mutual friends. The night turns the tips of his hair bluer than usual, and the stars remind you of the freckles hidden along his creamy skin. His glasses reflect the galaxy above.

Even though today’s stream was embarrassing, you know Ike trusts you enough to tell you if you’ve ever crossed a boundary. After all, it’s commonplace to discuss limits on and off stream as soon as possible, and your friendship was so strong that you’ve both opened up to one another. He’d let you know if the whole cuddling thing was too much. Besides, he didn’t resist. He even rested his head on yours. That has to account for something, right?

You snap out of your thoughts when you feel a gentle tug on the sleeve of your hoodie. It’s Ike. He asks, “Lay down with me?”

A wave of fondness washes over you like the tide. He’s cute when he’s earnest like this. You get as comfortable as you can on the tiling, and when you still, you hear something shift before your hand grows warm. Ike scooted closer to you, and placed his pinky finger over yours. 

This is bliss. A beautiful sight with a beautiful boy next to you. Your best friend. 

“I do love you,” you say. 

It just feels right to say. 

Ike is silent. He doesn’t make a single sound as you stare up at the stars and the blackened sky. The breeze rocks a tree, and as the leaves part, you see the moon for the first time: one thin, waning crescent that blends into the darkness. 

Ike’s head is turned away from you. You can’t tell what he’s thinking at all. 

“…I don’t know what you mean,” he admits. “You do? As a friend?”

“We’ve always been friends.”

“Just that?”

“I don’t know what you’re asking me, Ike.”

“N-never mind. I’m sorry, am I making it weird?”

“No, you could never make it weird.” The colors of the view gloss together. You feel like a balloon slowly deflating. “Feels like that’s all I’m doing lately, though.”

Neither of you say anything. 

This was a bad idea. 

You swear the rustling leaves mock you. 

“Wait.” Ike practically snatches your hand up. “Wait, Reader, are you saying you like me?”

“Yeah. I’m saying that I love you.”

Ike stares at you, and if you had to choose just one word to describe his expression, it’s stricken. His mouth is slightly parted, and his shocked eyes drive holes through your skin, leaving you exposed. The brief stutter that escapes him sounds like it was dredged out from frozen, murky waters. “I—”

He drops your hand and turns away. 

“I’m sorry,” he finally says, barely audible. “This is… this is a lot.”

“I’m sorry too, this was a stupid idea. What was I thinking?” You get on your feet, but the slope makes what could’ve been a fluid motion into a stumbling, slow rise, as if your legs weren’t jelly enough already. You inch to the window mortified. “I think I should go. Sorry to bother you.”

You don’t dare to glance at him before you step back inside, not even when he calls your name halfway through the window.

Once you’re back in the living room, you cover your face, then drag your hands through your hair. You can’t even begin to describe how exhausted you feel. This is heartbreak, isn’t it?

You blink furiously, and the outline of a figure by the fridge comes into view. 

“Reader?” Mika asks. She has a stick of string cheese in her hand, but walks to you. “Reader, what happened—”

You take her empty hand and pace to your room. You open the door. “Are you okay?”

The second it shuts, your breath hitches. Mika doesn’t hesitate to take you in her arms. She holds you as the first tear falls, and you begin to cry.

.　 . • ☆ . ° .• °:. *₊ ° . ☆

You wake up the next day sprawled in your bed, even though the blankets are tucked comfortably around you. On the floor is a pillow and another pile of blankets, and when you recognize the dark hair tied into a loose ponytail, the memories of last night come rushing back.

What an awful night. Awful decisions all day, really, and all of them ones you made. You really don’t know what you were thinking. You groan at the memory.

“Reader?” Mika perks up. Her phone is in her hands, but she sits up level to your face on the floor. “Good morning. How are you feeling?”

Another groan.

“Yeah, I figured,” she says. “Nina, Vox and Ike went out to do their own thing, and I think Ren and Uki are cafe-hopping. It’s just you, me and Aia in the house right now.”

You rub the sleepy out of your eyes. “That’s cool, I guess.” You cast a downward glance to Mika’s makeshift bed on the floor. “Sorry for being a nuisance.”

“You’re not a nuisance, Reader, don’t say that.” She nudges you. “We’re friends. It’s what friends do. Speaking of, do you want Aia to come by? And Alban’s online, so I can call him, too. If you want.”

“It’d be nice…”

Less than ten minutes pass before Aia shows up at your door with breakfast sandwiches and orange juice. All three of you sit on the blanketed floor while Mika voice calls Alban on her phone. A pot of coffee brews over speakerphone as you recount last night. 

“...And to make things worse, we just streamed yesterday,” you explain. “God, I should check Twitter. There’s got to be a million people with eyes on our ship tag, and ugh, I hate thinking about how many weirdos are going to push a ship that can’t work out IRL.”

“I can check it for you,” Aia offers. You hand her your phone. “You remember your Twitter password?”

“Yeah.”

“Cool. Sorry in advance.” She deletes the app off your home screen.

You begin to protest, but she turns off the phone and sets it aside, out of your reach. “You’re off the clock, Reader! Work troubles can wait until you’re back online, and that includes doomscrolling. You can redownload it when you’re in a better headspace.”

“I really hate admitting you’re right.”

“Shit, Reader,” Alban finally says. “He seriously dropped the ball. I’m sorry.”

“I know. I really thought he would get it, but it took him so long to piece it together, like he never thought about us like that before. I should’ve known it was just me. I’m so stupid.”

“You’re not stupid, you’re hurt,” Mika says. “It’s understandable, but that still doesn’t make it hurt any less.”

“Is it wrong that I feel like I deserve it? I mean, I knew day one that this wouldn’t work out. We work together online, and we have fans that ship us with each other and the rest of this company, for fuck’s sake. Getting heartbroken was inevitable and I still went for it. Either I’m a glutton for pain or I’m just plain clueless.”

Alban’s voice is distant from the phone as he messes with his coffee maker. You can’t properly hear him under his breath and over the pot, but if you could, you could’ve heard him mumble, Trust me, you’re not the only clueless one here.

But he returns back at the phone, and you’re totally oblivious. “You can’t choose who you fall for,” he says. “It was really that bad?”

“It took him like a minute to realize I was confessing. And then when he realized it, he apologized to me.”

Aia straightens. “Did he say no?”

“Not really, but why would he apologize if he reciprocated?”

Aia exchanges a look with Mika. Alban grumbles. “No fucking way.”

“Tell me exactly how he reacted,” Aia instructs. She plowed through her sandwich during the conversation, but she left the remaining half on her plate forgotten as she laced her fingers together and leaned forward like a calculated boss. 

“It was like he couldn’t comprehend what I was saying at first. He asked if I meant it as friends, until he asked me if I liked him. And when I told him I loved him in response, he was so shocked that he let go of my hand, so I left.”

“No fucking way,” Alban repeats, and groans as he drawls out his words. You can practically hear him drag his hands over his face. “No fucking way. Ikeeeee. He seriously dropped the ball.”

“I know. I can’t believe it.”

Aia takes both of your hands in her own. “Reader, I’m not even saying this to hurt you, but this is the clumsiest confession I’ve ever heard of.”

You squint. “Right, that makes me feel so much better.”

“I’m really not! You know what this sounds like? Miscommunication,” she declares. “You didn’t get a solid yes or no. So now it’s going to be awkward between you two until you get an actual answer to the confession, or at least some kind of resolution. You wanna know what I think? It sounds like he didn’t even believe what he was hearing before you left. Which, by the way, is a common response to not just confessions but other major news, so chances are you didn’t blow up your friendship as hard as you thought.”

“She has a point,” Alban says. “I believe you, Reader, but Ike isn’t the type of person to just crush other people’s feelings like that. You just woke up, right?”

“I haven’t even left my room yet. Mika says everyone else is out of the house. He’s with Vox and Nina, I think.”

“So then he hasn’t had a chance to talk to you since the confession,” he continues. “And those three are really close. I’m willing to bet they’re helping him manage it, ‘cause it sounds like he’s going through it just as confused as you are.”

You stare at the floor. Hope feels foreign, yet you can’t help but wonder. You struggle to remember the exact way Ike reacted last night, but you really can’t tell what facts were clouded over by the rejection. A rejection that possibly didn’t even happen, mind you. The confusion and regret blurs over everything like water on wet ink.

“You really think so?” You quietly ask.

Aia nods, and Alban agrees over the phone.

Mika pipes up, a glass of juice in her hands. “Here’s my take. We can theorize as much as we want, but none of us really know what Ike’s thinking about, least of all you. Especially since you didn’t actually resolve anything, and that tension is going to eat at you until you get an answer or it actually damages your friendship. You ask me, the next best thing you can do is bring it up.”

She takes a sip of her juice and leaves you to absorb her advice. 

You mull it over along with the memory of last night. “He called my name as I left.”

Alban chokes on his coffee. “He called your name?”

“Yeah, but I didn’t respond.”

“Oh my God. READER!” He shouts so loud that Mika turns the volume down. “I’m going to lose it. I’m actually freaking it right now. Reader!”

“What?”

“Fuck what Mika said earlier, you are stupid!”

“Hey!”

“I’m saying this in the nicest way possible, you are so stupid. He was trying to talk to you!”

Your face goes through a handful of emotions as you sputter. “Are you serious, Alban?”

“Yes! Mika, Aia, back me up.”

Aia crinkles her nose. “I did just say it sounded like a total miscommunication.”

Meanwhile, Mika twirls a lock of red-and-black hair between her finger, distracting herself. She hesitates, trying to figure out exactly how she wants to say her piece, before she simply shakes her head and stills. “Just talk to him.”

“Which is easier said than done.” Your shoulders roll back as you stare up at the ceiling, your hands supporting you as you lean. Even with your friends’ encouragement, the memory of how hard you blew it last night still haunts you. It’s even worse than starting at ground zero; you’ve already tasted failure once, and you’re hesitant to embarrass yourself again. 

That stricken look Ike gave you flashes across your sight every time you blink. What was he thinking when he stared at you like that? You can’t tell if the disgust is true or if your anxieties are getting the best of you.

The best solution to anxieties, however, is looking at the facts—or at least, what isn’t tainted by your bias. Your friends mentioned there was nothing wrong with a workplace romance, and as much as the stream made you want to cringe, no one seemed put off by it. Alban and Aia are set on getting you and Ike to talk, and so is Mika. In fact, Mika spoke with Ike as well as Vox and Nina last night before you entered, and even if you had no idea what those four were talking about, you still picked up your name and that apparently Ike had something to tell you.

Pieces start to fall into place when you consider the three around you, staging an intervention over a late breakfast. Aia always gets you in situations where you can be close to Ike and bails you out when it gets awkward, and as much as he won’t get off your back about it, Alban gave you great advice between all his teasing. Mika was nosy at first when she learned about your feelings, but now that you think about it, she’s been incredibly tactful ever since the off-collab began. 

You can’t help but snicker as you connect the dots. “Is this the first time you guys actually started wingmanning for me?”

Aia purses her lips. “Hey, not the first. Remember when we made that group chat? We’ve always been your wingmen.”

“I know. But you guys are seriously helping,” you say. “Thanks. Though I do wonder, Mika…”

She perks up as you say her name. “Be real with me. Do you know more than you’re letting on?”

She flinches. Alban’s fingers snap over the phone. “Busted.”

Mika holds her hands up like a criminal caught in the act, but there’s a loose, sly smile hanging on her face. “I don’t think it’s my place to say.”

“What do you mean, it’s not your place to say?”

“I’m sorry, Reader, but I made a promise not to spill, and I’ve been doing way too much behind the scenes to break the promise like that. Just do me a favor and talk to the guy, will you? That’s the best I can tell you.” Mika rests her head in a hand, and the smirk looks even more knowing. “And if you can’t figure it out after that, then you’re definitely stupid.”

You bluster. “I’m not stupid!” 

“Still remains to be seen.” Aia gently flicks your forehead. “But you do look a lot better. How are you feeling now?”

Aside from the fading pain on your forehead? You’re surprised at how much lighter you feel now that you unloaded all your worries with your friends. The rejection still stings, and you’re not exactly confident, but, well, you’re smiling. The clean, tangy taste of orange juice lingers between your tongue. Aia and Mika sitting on the pile of blankets reminds you that regardless of your love life, they’d stay by your side until the bitter end, and Alban’s voice keeps you connected with your friends no matter where in the world you are.

You snatch Aia’s half-eaten sandwich off her plate and sink your teeth into the bread. She cries out in protest. “Hey!”

“Better now.” You set the sandwich back where you found it. Even though your future with Ike looks cloudy, the smile doesn’t leave. “Don’t flick me.”

“Speaking of.” Mika picks up the phone and scrolls through her messages. “Nina just texted that she, Vox and Ike will come back in an hour or less. Reader, are you up for this?”

“What do you mean, ‘up for this?’”

“Just seeing Ike again. It was a weird night,” she says. “I stand by what I said, but if it’s going to be too much too soon, then Aia and I can cover for you until you feel better.”

“I don’t know.” That’s what gets your expression to sink from light to thoughtful. “I think I want to take your advice. I just don’t know if I’m ready to talk it out yet.”

“Still wanna hang out with us or take a moment to yourself?”

“I think I’d just go back to moping if I was alone,” you joke.

“Cool. Let me go grab some nail polish Nina gave me yesterday.” Mika rises and strides to the door. “You have a steadier hand than me. And Nina said the color suits me more than her.”

Aia’s face lights up. She happily cries ”Girls’ night!” even though it’s barely noon and Alban is decidedly not a girl, but then he croons something in a valley girl accent so strong you can’t even tell what he’s saying. Scratch that; he’s a girl by association.

When he drawls out one long “Yaaaaaas, bestie!” you can’t help but laugh. Your love life is in shambles, but at least your friendships are solid as hell. You’d give the world for these three.

Mika returns a moment later, travel-sized nail supplies in her arms and a totally unrelated topic on the mind. The sharp scent of the lacquer startles you out of your thoughts as you uncap the bottle and Mika splays her hands out, and Alban and Aia air their opinions on something entertainingly dumb. 

Nina was right: this color is stunning on Mika. You paint Aia’s nails too, and halfway through her second hand, you hear the front door open, the end of an intelligible conversation, and telltale footsteps, each diverting across the house. The girls’ eyes flicker to you. You know they’re trying to read your expression, but you concentrate on how the brushstrokes pool together into one smooth coat. Your thoughts are a storm and you can’t even pick out the emotion commanding it. 

So you keep joking along instead and focus on the nail polish, refusing to give the storm an opportunity to strike. Alban quips off of you, and the moment passes as Mika and Aia return to the conversation. 

That is, until half an hour later when you hear a knock on the door. Mika cocks her head, a silent question, and when you nod she stands. Her nails dried when you finished Aia’s, and dot the doorknob as she cracks it open. A tiny margin of light from the hallway shines into your room, and you realize she positioned herself square in front of the threshold, shielding you from the person on the other side. 

She talks evenly. “Hey, welcome back.”

“Thanks. Is Reader here?”

Your mind thunders as you register the voice. You can only see the leg of his jeans behind Mika, but you recognize Ike’s voice on the other side. 

Aia shuffles by as a second shield. “Need them for something?”

“Kind of,” Ike says. “Do you mind if I talk to them?”

“I don’t know, what’s it about—“

“Aia, you can lay off him.” You call from your corner of the room. “You too, Mika.”

“Whatever you say. Just let me just grab my stuff…”

Mika grabs the nail supplies and deafens on Discord, but doesn’t even think to pick up the blankets along the ground. Instead, she glides to you and whispers under her breath. “We’re rooting for you. Send us a text if you need anything, okay?”

You nod. Aia slips past the threshold, but not without shooting you a thumbs up and mouthing ‘good luck.’ Not even a second later, your phone buzzes, and you catch Alban’s contact sending you an encouraging message in all-caps. 

“See you later!” Aia chirps. “Play nice, you two.”

The scent of the lacquer follows them as they leave, and the sound of their footsteps fade in time. 

Still in the doorway, Ike raises a hand to fidget with the chain along his glasses. “Do you mind if I…?”

“Oh! Come in. Sit anywhere, I don’t mind.”

You stay planted on the floor like how you were with your friends, and Ike sits next to you. You face the wall in front while he gets comfortable.

No words are exchanged as Ike maneuvers around the blankets, and eventually settles down with his back on the floor and head resting on a pillow, staring up at the ceiling. The light is off, but the blinds filter in thin beams of sunlight that cross over the room and the edge of his collar like a grid. 

“Lay with me?” He asks. Then it strikes you like ringing metal; you sit next to each other in the same positions as that night on the roof. 

Suddenly Ike raises his hands like static. “Not that you have to! I just figured it would be good to get comfortable and all, you know?” Ike hastily explains, then clears his throat. “I wanted to talk. About last night, I mean.”

Your chest flutters at the mention of it, but you remember all your friends’ encouragement. Here he is, the novelist of your (heartbroken) dreams, already bringing up the topic you dread to mention. You need to take this chance to face it head-on, now or never. 

You glide down like the ceiling is full of stars. “Okay. What do you want to talk about?”

“A lot, honestly. I don’t know how to go about it, but first of all, I wanted to tell you that I’m sorry.”

You cross your arms. “You said that enough last night.”

“Not like that! I mean I’m sorry I acted the way I did. I think I made every wrong choice once you said that you… that.” He shovels a hand through his hair. “I’m making it weird again. I should apologize for that, too, it’s just kind of embarrassing saying out loud that you, um, you loved me. Not that you should be embarrassed. I mean, I get it if you are, but that took a lot of guts. You should be proud of that. I admire you for that.”

“Slow down. What are you even saying?”

“What I wish I said last night. More than anything else, I’m sorry I got caught off-guard. I must’ve been so standoffish, because my idiot brain just didn’t believe what I was hearing until it was too late and the damage was already done.” Hair the color of ash and ocean falls over his face. “Honestly, I can’t believe it now.”

“I get it. Bad idea from me. Can we move on from that yet?”

“I don’t think it was a bad idea at all. I just had no idea that you liked me.”

“Give me some time and I’ll get over it, eventually. I’m not going to let it get in the way of working with you, if that’s what you’re trying to get at.”

“No, that’s not it either! I—“

Ike’s eyes squeeze shut. His voice is so quiet, you can’t discern what he’s saying. “…Actually, I’m…”

“Repeat that?”

“I’m happy. Really happy,” Ike says. His pitch rises like a balloon floating up into space, struggling to stay composed. “I’m not good at saying it, but I meant it when I said… when I said it during the stream.”

You wave a hand in the air. “It was weird timing, and I know you mean it like a friend,” you reply. “I didn’t mean to pressure you into saying it, and just being friends is fine. Even though I’m a loser that messed up just about everything.”

The hand catches in midair. Doll-like fingers weave through your grasp, and turn your touch warm as Ike turns to look at you. “Not with me. Don’t say that about yourself, okay?” 

You stare at how easily he held your hand, and how his fingers cradle your heart between the palms. The corners of Ike’s eyes are narrowed, two beads of peridot stone that can see through every little line of text between your pages, but there’s gentleness under his glasses. Something uncertain and fluffy. Softened like a lamb even though he leaves you defenseless. 

You don’t know what to say. Ike is beautiful and kind and handsome and thoughtful when he’s earnest like this. He’s got you stupid in the head and wrapped around his pinky finger, and doesn’t have a single clue.

Peridot sparkles. “You’re so much more than that. You don’t mess things up, Reader. I’m in love with you.”

Your mouth goes dry and your tongue is still tied. Forget speechlessness; the man took your own damn thoughts away. Your hand remains frozen in air with Ike’s. If it weren’t for the light drag of one of his fingernails along your skin, then you would have figured he took your senses as well.

But the drag ends, and the fingers unlace themselves, and chilled air fills in the gaps Ike once held close. The tips of his fingers rest at the curve of your palm for just one second more before they drift away.

The glint in his eyes dulls. His hand falls to his chest, over his heart, just as slow as he parted. The uncertainty took over, and now it’s like staring at a cloud that doesn’t know if it should rain. Ike’s gaze lowers to his heart. There’s a stretch of silence and motionlessness as he stares at where your touch once was, and you’re paralyzed where you lay.

Ike's hand curls in on itself, too loose to make a fist, and his lashes sink over his eyes. His mouth is set into a flat line, but the cheeks are dusted in pinks and reds and peppered freckles in-between, demure and shy all the while.

He turns his face away soon after that. Another break of silence, and he shuffles again, with your vision on his back as if it were a hiding place.

It startles you out of your stupor. The gridded sunlight lets you analyze what you missed. After months of thinking your feelings would never be reciprocated, Ike thought of you just the same. He’s always been in your corner, and you would go to the ends of the earth for him, and everything is in its perfect position. But his back is still turned, and the memory of last night—your confession, and his inaction—it rushes to your head.

So you reach out instead.

Maybe it’s a little selfish. You’re tired of bumbling around and concealing your true feelings, and now that everything's out in the open, you aren’t about to let go without resolution.

But Ike is your best friend, and the man you fell in love with. There was no way you’d ever let go in the first place.

You wrap your arms around his back and hug Ike.

“I think I get why you were so taken aback last night,” you whisper. Even though you’re alone with Ike, you still say it like a secret. “I can barely believe it myself.”

Your warmth is inviting, and every second that passes is another defense downed. Your head perches right above his neck and along his shoulder. It’s not your first hug with Ike at all, but there’s only been so many since you first met him in person that it still feels special, and with your bodies flush to the floor, it’s intimate. His eyes are averted and one cheek lays down on the blankets, but the tips of his ears glow scarlet under his jewelry. 

“I’m glad you were patient with me. I really didn’t think I had a chance with you. You know, the long distance and the company, and you know, the standard pining fare. I’m really lucky.” A smile slips through your words. “I’ll stay with you, okay? So take all the time you need.”

Ike chuckles. Even his laughter is blushy-bashful. “I’m just so happy you feel the same, too. I don’t even know what to do with myself.”

His body curls as he lays, and your legs brush along his as you cuddle. Holding him makes it feel like he was made to fit in your arms. You sigh. “I love when you can’t contain it. It’s so cute.” 

Ike squeaks at that, and unwittingly proves your point. “It feels so good to say that out loud. I mean, you’re okay with it, right?” A nod. “And you’re okay with… I don’t know. Are we still friends?”

“Of course we are, no matter what. You said you loved me first, so let me say this one?” 

You have a feeling you know what’s coming next. You hug him even tighter.

“Reader, let’s go out. I don’t want this feeling to end,” he confesses, and your world turns into rose and blush. “Can we?”

Though you expected it, he still takes your breath away—until he taps you on the hand. “Come on, say something before my heart explodes!”

“Mine already did! I can’t even think straight, and—I’d love that. I really want this.”

Another squeal breaks out as Ike buries his head into a blanket, and your heart soars as he melts. He resembles a swaddled-up kitten, and the rays of sunlight line his silhouette. The fluffy blanket reminds you of an angel’s downy wings along his kitten features. You can’t even see his face between the blanket and his hair, but his squeal continues, muted through the blanket as he swoons. 

Somehow that only makes you feel even more flustered. “No, don’t hide! I want to see you!”

Maybe it would’ve been better for your heart if he stayed put, because when Ike rises—with disheveled hair and glitter in his eyes the color of seaglass, and jewelry that frames his red face, and that galaxy of freckles you hold so dear and shine like stars between his blush—you feel your heart stop. Again.

“When did you start having this effect on me?” You ask, mesmerized, and before you know it you thumb over one of his rosy cheeks. “Your freckles are so beautiful.”

He sheepishly grins. “They don’t really show up online. They’re pale.”

“Never noticed them until I met you in person. I love them. I love you.”

The grin gets a little wider. One of his fingers grazes along the corner of your ear. Has his hand always been along your jawline?

Ike’s eyes are shining under the grid of sunlight. The lashes flit just a bit lower from your gaze. “Reader, can we…?”

You close your eyes.

And when Ike’s lips graze your own, you smile on instinct before you remember to kiss back. 

Ike brings you near, searching for the taste of you as he continues. His touch lodges past your jawline and into your hair, and when one of the fingers grazes along your ear you’re reminded just how much you love Ike. All the yearning you hid for so long bleeds through as you sink down to his level with his head in your hand, gentle yet impassioned.

Then your face bumps against Ike’s glasses. The kiss breaks as you back away.

There’s a brief pause in the aftermath. Ike wordlessly adjusts his glasses, now knocked off-center. Despite finally getting on the same page on your relationship with Ike, you’re still as clumsy about your feelings as ever.

But the corners of your lips curve up as he inspects the lens you squished, then a barely-stifled giggle, and next thing you know, Ike’s laughing along with you, still underneath your body and with one hand in your hair while the other holds his glasses in place. He sounds as charming as he looks, and the fact that he joined you even when you chuckled out of the blue means that his mind is just as charming as well.

Not that it was breaking news. You know your best friend well, and now that you don’t need to deny your feelings any longer, you know you’ve got good taste if Ike’s under you with crinkled eyes and hearty laughter.

When you speak next, the giggles patter out between your words but the quiet delight hangs in your teeth. “Can we try that again?”

Then his lips are on yours again, and the laughter twists between the second kiss, and the third, and the fourth, all the way until you collapse on the blankets with arms around each other, staring up at the stars on the bland popcorn ceiling as adoration fills the space between you. 

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

bonus.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Starting soon…

.　 . • ☆ . ° .• °:. *₊ ° . ☆

The chat flickers alive as a four-pointed flower, a diamond, and a thorned heart give way to the stream and the novelist behind the stinger. 

Kaidororero: welcome back ike!

Min (Ikey’s Book): 💙 IKEY IS BACK 💙

A normal broom: HI IKE

lunasmortas: 💙💙💙

viperip: ike! :_heart: :_heart: :_heart:

Sun shines through a clear day in Ike’s room onscreen, but in reality, blackout curtains block out the day outside. A sweet smile graces both Ike’s face and his model as the Quilldren welcome him home. 

He greets them, and cracks open a can of soda as he quickly scans through the chat. Obviously, the off-collab is on everyone’s minds. 

juuuuuuuuuus: did you have fun?

Kaidororero: offcollab POOOG

lunasmortas: SO CUTE :_heart: :heart:

Johnclone: Hope you had a good time!

zZirasthingZz: PEN AND PAPER REAL

Hm. A mod will eventually bonk that message. But then again, it’s inevitable that the ship would come up in chat. 

Ike takes it in stride and ignores it like any other shipper, but his heart still skips a beat. Nonetheless, he doesn’t call any attention to it. “How about that off-collab, right? I met up with my friends! Where do I even begin?”

Ike recounts his trip from the beginning, and the Quilldren react to his stories with interest. He was one of the last to arrive, so Nina, Uki and Reader picked him up from the airport, and met up with Aia, Ren, and Mika at the Airbnb. Vox was the only one to arrive after him, hot off the heels of a flight delay, but the demon was a welcome party all his own despite his exhaustion. 

“We went to karaoke once Vox got situated,” Ike explains. “Nina put that song in first so we could all let loose, and so she would have a fun voice tweet for everyone. Might as well confirm everyone that showed up, right?

“But after that, we didn’t want to stress ourselves out to perform for voice tweets instead of just having fun, so that was the only song we recorded. I wish you could’ve heard Uki and Vox’s duet, though. And while we were singing, turns out Ren packed a ukulele with him! Sometimes he would learn how to play along by ear, like a jam session. Mika knows how to play ‘Somewhere Over The Rainbow’ too, so everyone joined in singing that while she played it. It was so much fun.”

Johnclone: Everyone sounded great!

sunblast99: uki’s voice >>>>>> everything else 💜💙

haabinae: :_tskr:

Festersk: WHAT I REALLY REALLY WANT 🗣🗣

A normal broom: what did you sing?

Ike leans back in his chair. He blows a lock of hair out of his sight as he tries to think. “I remember Vox sang something by George Strait, so then we all egged him on to sing ‘Country Roads.’ He only did it once I promised to queue up ‘Toxicity’ by System of a Down afterwards.”

lunasmortas: OMG 💙💙💙

gatamiizuus: ayo?

Y A M: YESSSSSSS :_tskr: :_tskr:

haabinae: I LOVE SOAD :_fanboy:

Thornmy: SO COOL 💙

“Thank you.” He says it out of obligation. If he thinks too hard about the compliments, he’ll get embarrassed. “What else was there? I think there was some Motionless in White, and Spiritbox. Oh, and My First Story. Can’t forget My First Story.”

K. K. Soda: ooooo

Alban Knox 【NIJISANJI EN】 ✓ : what about mcr

asper ch.: METAL SCREAM?

deeboorgur: HI ALBAN

Y A M: MCR YEAAAAA  :_glowstick_1: :_glowstick_2:

“I’m getting there, Alban!” 

Ike takes a sip while the Quilldren greet Alban. He’s not too surprised Alban seems to know more than the other viewers. He’s close with almost everyone that went on the trip, and was super active on Discord during the off-collab. The novelist lowers his soda as the chat floods in orange hearts. He wonders how Alban learned so much as an observer. He should ask. 

But that’s a question for after stream. Ike continues. “Thank Nina for that. She queued up ‘I’m Not Okay’ by My Chemical Romance, and then shoved two mics in my hands and Reader’s.”

And the chat explodes. 

Kaidororero: OMGGGGGG 💙💕

Y A M: PEN AND PAPER SO CUTE :_tskr:

zZirasthingZz: PEN AND PAPER DUET

asper ch.: AYOOOO MCR

gatamiizuus: I LOVE READER

ystariya: PEN AND PAPER MY BELOVED

“It’s a really fun song! It’s almost all clean vocals, but there’s this scream in the middle. Up until then, we sang together, but then I screamed, and Reader picked up the slack and sang the parts of the verse I couldn’t. They’re amazing.”

gatamiizuus: READER SIMPS COME GET Y’ALL’S JUICE

Thornmy: THAT SOUNDS SO GOOD

lunasmortas: 💙💕💙💕

ystariya: READER KARAOKE STREAM WHEN

Kaidororero: AWWWWWWW

The model on the screen doesn’t have the same glint in Ike’s eye when he talks about you. That first day of the trip was all about getting comfortable after long travel hours, and the stories went on as the days went by. Sightseeing with Aia and shopping with Uki by day, and spending the night shooting the shit with Ren until it turns into the littlest hours of the morning.

“Vox wanted to try a bunch of different restaurants with me, but you know me, ya boi is not good with most foods. So Nina usually came along in case I couldn’t finish something. She and Vox would share my leftovers.”

Something fond crosses over Ike’s face. His eyes cloud over in fog descending over a clear-sky day. “We would always talk over food about anything. I appreciate it a lot. They really get me.” The fog stills. “And over breakfast one morning, they gave me some excellent advice over something I’ve been meaning to do.”

ver*batim: ❤️💙❤️

K. K. Soda: MILORDDDDD

nroneo: :_heart:

A normal broom: upcoming project? 👀 

Johnclone: I love Nina Kosaka!

“Not a project, no. It was something I was really worried about, even when I was supposed to be taking a break with my friends,” he says. “But those two seriously helped me clear my head about it. Mika, too. Vox and Nina had a lot of nuanced advice, but Mika told it to me straight, and helped handle what I couldn’t. I’m really thankful to have them.”

His set jaw loosens. “Maybe I’ll talk about it one day.”

The model cocks to the side. Motion blurs the foggy sobriety away. With a lightness to his voice and a knowing gaze, Ike looks straight into the camera and smiles, sentimentality forgotten. The air clears. “But for now, it’s a secret~!

“Ah, now where was I? Spending time with my friends, right? Reader and I hung out often. Sometimes with others, but it ended up being the two of us more than not.”

Birds chirp outside Ike’s window in time with the hum of his PC. The backlit keyboard in front of the monitors glows the same color as the computer, a healthy blue light that tints the tips of his fingers. He usually sets it to a rainbow spectrum in his own time, but static blue is reserved for going live. It gets him in the right mindset for streaming, and makes his little apartment feel fantastical like the noble background that accompanies his model, even if it only reaches his fingertips. 

He’s sure the Ike on the screen has fingertips tinged with blue just like him, an extension of the man outside the screen but without the grittier details. Smooth, pristine hands under gloves where his are callused from guitar playing. Nothing under the model’s eyes but lashes and a line of red that brings out the pink in his eyes, very much unlike the heavy bags and sunken face from an awful delay on his flight back home. No freckles, either, but even cameras rarely pick them up on video call. Nina cooed over them the first time they met, as motherly as ever, but behind closed doors Reader was utterly fascinated with them. They mentioned something about watching blush travel around his face with the smattering of freckles in-between once or twice… maybe more? Doesn’t matter when he’s never heard that before and it repeats in his head when he catches himself daydreaming. It’s one of the best things he’s ever heard.

Vtuber Model Ike’s face doesn’t heat up like how Real Ike’s certainly is now. He clears his throat. “The weather was really nice during the entire trip, so we would always get into good conversations while walking back to where we were staying. And sometimes we didn’t want to end the conversation, so we’d just keep walking past our Airbnb until our feet hurt or it got dark, whichever came first. 

“Oh, here’s something funny. Uki really loves cafes, right? Usually he woke up early with Ren to go check out some cafes in the morning, way before the rest of us would even think of waking up. By the time everyone else woke up, they already finished their breakfast, and Uki would tell Reader about the ones to visit or skip. Whenever Uki recommended one, Reader always wanted to go themselves, so I went along to keep them company.” 

Even as his skin returns to its original shade, the sweetness sticks to his throat like the soda he’s barely touched at all. He’s wistful. He didn’t expect to miss Reader this much; after all, his relationship with them has bloomed so much ever since you first started working together, but two weeks together (including mutual close friends) changes things. It’s only been two days since he returned home, but he feels out of rhythm with them. 

He’s gotten too accustomed to them. Over the last few months, he thought he did a good job putting aside his feelings for Reader, even when Nina would tease him after every Pen and Paper collab and Vox and Mika would be right behind her, hyping him up to make a move. The fear of rejection was what motivated him to keep his close friendship with Reader without ever confessing to them.

“Reader…”

The world around him is nothing. Paused to buffer as he thinks. He can’t remember the last time he felt so happy. Just being in the same room as them makes him feel stupid, and surely he’s been acting like it. Everything he says sounds clumsy when he’s with them. After all, on that day when he owned up to the feelings he repressed for so long that he couldn’t properly react to Reader’s confession, he couldn’t say much more than how happy he was. Words fail to describe what Reader means to him, yet he’s a novelist, for crying out loud! How ironic!

“...Reader is so patient with me,” Ike says. “And they’re so considerate and dedicated. I wish I told them that earlier. It’s hard to say things out loud like this, but you only meet people like Reader once in a lifetime if you’re lucky, and even then, there’s no one quite like Reader.”

ystariya: i love reader

Kaidororero: pen and paper awwww

Y A M: PEN AND PAPER

acklmystafoot: ike is so sweet!!!

Reader 【NIJISANJI EN】 ✓ : 💙

“Aaah!”

Ike recoils like his keyboard is flaming lava. The model on the screen leans back and freezes in place while he nearly throws himself out of his chair. “R-Reader! What are you doing here?!”

Reader 【NIJISANJI EN】 ✓ : FKJLJJSLKFJDKS LMAOOOOOOOO

Johnclone: Hello Reader!

Y A M: OMG

Reader 【NIJISANJI EN】 ✓ : just wanted to say hi

Reader 【NIJISANJI EN】 ✓ : hi!

Festersk: LMAO

Ike sputters out nothing but empty air and nervous laughter. “Haha. Um. Hi! Welcome!”

Stupid! He wants to kick himself. He’s made improvement on verbalizing affection, and he’s comfortable with Reader, especially now that there aren’t any secrets left, but he’s still so unfamiliar with affection being returned that his heart is still doing kickflips in his chest. 

haabinae: :_blush: :_blush: :_blush:

juuuuuuuuuus: most normal pen and paper moment

Thornmy: AWWW

Reader 【NIJISANJI EN】 ✓ : check discord

A normal broom: Oh?

“Ah, okay! Give me a second.” Ike keeps his Discord on mute, and usually disables desktop notifications when he’s live, so he’s not surprised to open the window to unread messages and some non-urgent pings. Sure enough, Reader sent him something.

Reader: because you were talking about cafes

Reader: image.png (3)    | 💙 1 |

Me: Oh I recognize these from our first date!

It’s been over a week now, but just saying he went on a date with Reader has him squeezing his legs together so his feet wouldn’t start kicking in the air. 

Reader: ahh you remembered! 

Me: I should’ve figured you took more pictures than the ones you showed me

Reader: dw i have more i wanted to show you

Reader: image.png (8)    | 💙 1 |

Me: Seriously how are you so good at photography I don’t get it-

Me: You’re really pretty in this one!

Me: UGHHHH WHY DO I LOOK SO WEIRD    | ❌ 1 | 💕 1 |

Me: I DIDN’T EVEN NOTICE YOU TAKE THIS ONE

Reader: WTH YOU’RE NOT WEIRD

Reader: YOU’RE LITERALLY SO HANDSOME WHY DO YOU  T H I N K  I TOOK THAT PIC

Well, great, now he’s actually kicking in his seat. Ike is inclined to disagree, but when Reader says it, it’s a super-effective attack on his poor little novelist heart. 

Me: Akaslwdnja

Me: Thank you 😭

Reader: anyways i gotta go i stream in 20 min and i’ve barely eaten my food

Me: Go eat! Do you have enough water?

Reader: just refilled my bottle

Me: Good then don’t let me keep you! Have a good stream!

And before he can overthink it, in the moment—

Me: I love you!

His sights are set on his second monitor.

Reader is typing…

Reader doesn’t have to respond. Sometimes just saying it is enough. 

Reader: fdsjdfkl.

Ike’s been trying to relearn that lesson ever since he realized everything he repressed was reciprocated.

Reader: i love you too, ike

Words heard across the world, one of the people he holds most dear.

His heart beats loud in his ears, but he can feel it slow, somehow. Reader is exhilarating, but there’s security in them, too. The nerves kick in until he remembers they’re just as exposed as the other, and the vulnerability generate a sense of comfort. Reader makes him feel understood like no one else in the world does, and he trusts them more than anything.

He does. He does, he does, he does, even if he only has the strength to say it one at a time. Ike is in love.

Reader: i’ll let you know when i’m done streaming, we can watch a movie together after

Me: It’s a date!    | 💕 1 |

It takes him a moment to tear his gaze away from your messages. 

His streaming monitor reflects his movements. The chat moves along. Blue light spreads through his fingertips, just like how he imagines Vtuber Model Ike’s hands resting on his own keyboard, an extension of the man outside the screen, proof of the fantastical.

“They sent me something.” Ike’s laughter is gentle. “I really do love them.”

The chat zooms past, as expected. Surely that would get clipped alongside the off-collab Q&A, but he can’t seem to care. He doubts the fandom would really understand how deep the connection goes, and if they do? Some things are just meant to be private.

Besides, on the day Ike and Reader get comfortable enough in their relationship to go public, he knows the Quilldren have his back, just like Reader and their Bookworms. 

“Reader, if you’re still there, we need to meet up again,” Ike says. “I don’t know when, but one day.”

A flurry of messages, but only one truly matters.

Reader 【NIJISANJI EN】 ✓ : i wouldn’t miss it for the world

The model onscreen grins. It pales in comparison to Ike himself.

.　 . • ☆ . ° .• °:. *₊ ° . ☆

✧. ┊commentary ↣

✧. ┊ masterpost ✧. ┊ kofi

[wutheringmights]

I finished rereading The Song of the Lioness quartet by Tamora Pierce a couple of days back. I already talked about the first book in a post that garnered more attention than it deserved. I guess we were all happily reminiscing about the menstruation scenes together, or Tortall fans are so starved for content they (we) will reblog anything.(Understandable. I too am starved for a thriving Tortall fandom.)

I'm too lazy to make separate posts about each book, so we're just going to do a mega post covering the second, third, and fourth book.

Unlike last time, I will be giving a little criticism to this series. I still love it endlessly, but there were a few things about the prose I thought was interesting that I want to talk about a bit.

So, without further ado~

In the Hand of the Goddess

I think this one is my favorite one, despite how rushed the plot it. It contains all of my favorite plot points, like awkward romances with George and Jon, attending knight lessons, and a little summer war. Fun stuff.

But it definitely feels rushed. I really wish someone told Pierce to make this a 12 book series, expanding on Alanna's years at the castle. It would have gone so far to better develop the romances and the friendships in these books.

I am fascinated by what Pierce chose to skim over. Characters would die or kiss for the first time off screen, with the prose resuming with Alanna reacting to it. It demonstrates an understanding of character work that I personally adore and try to emulate in my own writing-- the real bones of a story being in how characters respond to fantastic events as opposed to the fantastic events themselves.

Also, the whole veil spell Roger cast in objectively stupid, and I mean that in the most affectionate way possible. You're telling me that Roger used magic to make Alanna lose interest in doing anything about the obviously evil things he was doing? That's fucking hilarious. You know an editor came back to Pierce and asked her to come up with a reason why Alanna wasn't just going to spring into action at the first sign of Roger trying to kill her, only for Pierce to come up with this. It's so silly. I love it.

Woman Who Rides Like A Man

Did this book age poorly? Yes, but not as badly as I remembered. That's not a stirring defense, and it's really not meant to be.

The Bahzir are a mess of Orientalism, and Pierce definitely deserves criticism for not only the way she wrote them but for the ways in which she frames their cultural practices as something that needs to be fixed. Having Alanna want to force them to change their culture to suit her beliefs is not a great look for both the character and the writer. And that's not even getting into the whole assimilation plotline.

But I did enjoy Pierce's attempts to expand on the definition of womanhood, especially as a part of Alanna learning to embrace femininity. There is this running thread in these last two books of Alanna learning about all the different ways to be a woman and choosing for herself what her gender means to her. It's not done particularly well, and anyone looking for a revolutionary examination of gender roles and identity is going to be sorely disappointed. But there's an attempt here that I can't help but appreciate.

This book is also where Pierce starts to slow the plot down, which lends it to having the most reasonable pacing out of the bunch. That being said, it's also the book where the lack of development for a bunch of the side characters start to hurt. I really wish Gary or Raoul joined Alanna in the desert. Raoul gets his moment in the sun with the Protector of the Small books, but Gary remains largely forgettable. In fact, I spent this entire read-through convinced this man dies at the end of the last book, if only because I can't remember where he appears in any of the other books.

Lioness Rampant

This book somehow has the improved pacing of the third book while still feeling rushed. The quest for the Dominion Jewel really should have been it's own book, if only to give Thayet and Buri more room for development. Thayet in particular really needs her moment to shine, especially when she continues to be an important character in the other series.

But do you know who did get a lot of screen time? Liam.

Remembered shit about this guy before going into this book. I could only vaguely recalled disliking him as a kid, but not as much as I venomously hated Jon. (Speaking of which-- I love the way this man is realistically shitty. Him getting dumped by Alanna is always my favorite scene.) But Liam? Fuck that guy. Holy shit. I give full applause to Pierce for portraying the important milestones every girl goes through growing up, which includes having a situationship that is so shitty that it becomes essential character development.

Roger's return feels very... cheesy? I think Alex should have stepped up to be the final villain on the story. Unlike Roger, Alex was Alanna's friend. They have history. The betrayal would have imbued that final fight with so many more emotions than it ultimately had. I also would have liked Alanna to have at least meaningfully talked to Alex sometime before the climax.

Honestly, it's impressive how reactive Alanna is as a character in the last half of the book. She doesn't seek out how to stop Roger's plan, or fix Thom, or anything. Other characters make plans and she just... waits for something to go wrong.

That being said, by virtue of Alanna's relationships with George, Liam, and Jon all happening sometime in this plot, this book becomes a good place to look to get the full berth of how Pierce handles romances. Which, I love her approach. The romances are never over the top or, for lack of a better word, too romantic. It's very down to earth, with characters dating, marrying, or breaking up for realistic reasons.

Jon and Alanna were friends who broke up because they had different life plans. Liam and Alanna broke up for having fundamentally different values. As much as I bitch about how shitty Jon and Liam are, they're not cartoonishly evil. They're just a little shitty the way most of your exes will be. Jon and Liam are men could find love with someone else. They just aren't suited for Alanna.

Meanwhile, the most romantic things George does are wait for her and be supportive. He doesn't fight or get territorial. He makes his feelings clear, then waits for Alanna's cues. Alanna definitely loves him, but she ends up with him in the end because their lifestyles and core beliefs meld together. There's no grand romantic gesture or whirlwind affairs. They are just a good pair.

I have read stories with far heavier focuses on romance, and none of those couples feel as perfect as Alanna and George. Those stories prioritize all the gooey moments over showing why the main couple should get together. For how little romantic interactions they have, you believe these two could have a successful marriage. Perfect stuff.

---

Over all, I really enjoyed rereading these books. For all my griping, I still love the story. I love Alanna. She's a character who is fundamental to my soul. No matter where I am in life, I will always want to open these books and find her again, to walk back into Tortall and join her on her quest to be a lady knight.

My copies of the series come with forewards from a previous edition. In one of them, Pierce wrote that this series started off as an adult fantasy story that was much darker and edgier. I need to know what that story looks like, what happened in it. Pierce can claim as she wants that she hardly remembers what it looks like, but I refuse to believe that. Release the unedited first draft, Pierce. I am begging you.

[unrequitedloveletter]

i'm here to send requestsss!

what about nikolai lantsov x sister!reader (or just sibling if you want to keep it gn) and how she had gone with nik every time he met up with the crows and she knows them all by now and she keeps in touch with kaz through letters and then one trip, she finally goes out to visit by herself and it's just hinted that y/n and kaz like each other

if you don't like it or feel it, feel free to ignore<3

Match Made by The Saints- K.B x fem! Reader

This was a blast to write, so thank you so much for sending it in! I am sorry it took me almost two weeks to write it out, I've just been stressing a lot over prom and upcoming grad stuff in combination with school related stress, as well as editing fics to get them ready for posting, but I hope you like this despite how much time it's taken

Fic type- this is fluff!

Warnings- mentions of alcohol, this is also mostly unedited and kaz is probably a bit ooc.

You'd naturally accompanied your brother every time he went to Ketterdam.

At first, it had been to act as the tether between royalty and the crows while Nikolai was acting as Sturmhond. Over time, it became an excuse to leave the palaces and see something outside of the village in Os Alta. From there, it became a matter of the fact that Ketterdam was a city that you quite liked and therefore, Nikolais trips provided you an excuse.

You knew the crows by name, and you loved each and every one of them.

There was Inej, her impeccable talent with her knives and her skills in the way of going unnoticed. She was excellent company, the wise type, unafraid to threaten your life in the same time she spoke one of her suli proverbs.

There was Nina and her abilities as a Grisha after her survival post jurda parem usage coupled with the fact that she was excellent company to keep, just as Inej was. There was the fact that she was skilled in combat, and the fact that, since making it out of the throes of parem withdrawal, she always seemed glad to throw a punch.

Her Fjerdan, Matthias, was the type to brood and stir in his silences, but most of those silences were comfortable. He was also good for a half decent cup of tea and, unlike other muscled types you'd known, did not have an affinity for the recital of eighty-page long sonnets.

There was Jesper, the sharpshooter, who was good for a glass of brandy and a bit of banter. He was the loyal type, the kind type, the type that you didn't expect to see much in a place like the Barrel. The love he held for Wylan, his boyfriend, was clear as water just in the way Jesper looked at him when he thought Wylan wasn't looking.

Wylan was the demo man, seemingly shy and a little aloof but very kind once you got to know him past it. He could create just about any bomb if he put his mind to it and he wasn't afraid to acknowledge his smarts in the area of destruction.

And then there was Kaz. The Bastard of the Barrel, Dirtyhands, a demon created in the alleyways and drowned in the harbor. He was the second person you'd met during your first visit to Ketterdam, but had been your favorite person to see in all of the visits since.

Over time, you and Kaz began sending letters to occupy the time between your visits. You'd get a letter every two weeks, write a response, and send it out the following day.

You talked about anything and everything with him, from things as simple as the weather to things as complex as heist plans and the week-old gossip in the city. Somewhere along that line, a bit of an unspoken romance developed.

It wasn't that you were romantically involved, no. You just liked each other, and as Jesper joined the two of you in the Slat, you drinking a bit of brandy and Kaz having opted for coffee and vodka, the fact that you liked each other was almost as obvious as the sky was blue.

"Enjoying the weather?" Jesper asked. "You could've come at a better time if you were hoping to miss out on the spring rain. In summer, it gets hot and humid."

"Ketterdam is different from Ravka, then," you said with a smile. "I find Ketterdams weather preferable, usually. Ravkan summers get hot and dry, and rain in springtime is rare until the last week of May. It's beautiful here, though."

"Beautiful, criminally underrated," Jesper hummed, daring a glance at Kaz. He was watching you intently, his expression unreadable everywhere but in his gaze. His expression wouldn't've been readable to anyone else, but Jesper had long learned to look for signs of emotion in Kaz where nobody else would've thought to, a skill Inej had taught him in her returns from her voyages.

Kaz Brekker was looking at you like you were the one thing throughout the entirety of the Slat that had actually mattered. Jesper was entirely sure that he could've grabbed the Van Eck DeKappel painting and returned it to his and Wylans home without Kaz noticing or caring all that much in the end.

"It's full of gorgeous and handsome criminals, if you go to the right gambling dens and gang headquarters. How long are you in?"

"Til the end of August," you hummed. "Needed to escape the palaces for a bit. All of it was beginning to feel too mundane."

Jesper suspected that you had missed a certain guy with a thousand different nicknames, all of which had nearly the same connotations, too. He didn't say as much, only looked to Kaz.

"She's in on our heist jobs for the next bit?"

"A few," Kaz nodded. "We'll be going back to Ravka alongside her at the end of August. The royals need our assistance with a jewelry heist."

Jesper observed your gaze. You were looking at Kaz like he was the most important person in the room, just as he was looking at you. He wouldn't've tried, but had he wanted to, he was sure he could steal the Lantsov emerald from your person without you giving a damn.

"Who else is in?"

"The rest of the crows," Kaz responded. "You'll have to tell Wylan, though. I'm not popping to yours for dinner, and I won't see him for three days."

"You have alternate dinner plans?" Jesper asked, glancing between you and Kaz for a few moments. "Yeah. That's fine. Have fun."

Jesper did not know what to think of the pairing you two could've made, he just knew that he did not miss it; the pining, the yearning, the 'we like each other but we're both oblivious.'

He was glad the two of you may have had each other, though. It seemed a match made by the saints--or a match that would be made when you both stopped being fools, anyway.

[ohbo-ohno]

bo, first of all i adore your writing!!

but you've mentioned a few shall we say 'darker themed' books you've read in asks here and there, can you give some recs of your faves?? pretty please??

first of all, i love you! and also yes always, i never mind giving book recs! i sorta ramble under the cut, sorry lol

alright i'll start with the darker romances. these are hard noncon, and depict abusive relationships that aren't always framed as bad. when i say dark i mean dark lmao, always be aware of what you're going itno before you read a dark romance

If you like my fics, I can almost guarantee you'll like Taken by Felicity Brandon. This is about an author who writes dark erotica and gets kidnapped by a fan, who forces her to live out some of her scenes. Includes petplay! I have my issues with the book (and I DNF'd the sequel) but ohhhh the smut is so good

I mentioned them a while back, but Measha Stone's Owned and Protected series is a 6 book series with noncon/dubcon petplay in every single book. Calling these "romance" is a stretch, but god if you like my noncon petplay stuff (and you're alright with reading explicit noncon and forced relationships), you might like these

I haaated the ending of Distorted by Nyla K. but dear fucking god it is a good prison dark romance. Also it is SO Ghoap coded, I would recommend reading the first ~80% of it lmfao

Corrupt Idol by Dinah Harper is the first book in a series that will probably never get finished, but honestly it's pretty good as a standalone. Dark step-brother romance, and I thought the writing (at least in the first half) was so good, I genuinely felt for the FMC at times (even if I was screaming at her)

Ok I'm not confident in this rec because I'm still not suuuuper sure how I feel about this book, but Torment by Dylan Page is a dark step-brother biker romance. The FMC is the MMC's "rock", and the only thing that keeps him from flying off into a violent rage when he's upset, and he develops an unhealthy attachment to her that everyone around them allows because they don't want to deal with him. I never read the second book, but this is another one where you really feel for the FMC

One of my favoriteeee dark A/B/O (specifically the first book) is Born to be Bound by Addison Cane. I would suggest not reading anything past the third book, and I'm not a huuge fan of the side plots, but the stuff with the FMC and MMC is just. God it's the perfect brand of dark A/B/O (in MY head)

I've recommended it before, but for my truly fucked in the head followers - Under His Heel by Adara Wolf is probably the darkest book I've ever read. It's a four book series (and I think the whole thing is worth reading) and it's got every single trigger warning except for (i think) scat, pedophilia, and necrophilia. it has rape, incest that's also rape, extreme body modification (though it's not permanent), severe public humiliation, severe mental torture, and just about 0 aftercare for our MMC. The book follows a man in a far distant future who's working as an indentured servant to pay off his debts & his incredibly sadistic and evil master. These books are far from "for everyone", but if you really want some fucked up romance (with heavy smut) I think these are worth reading!

aaand some softer dark romances. to me, these are books with some lighter kidnapping or soft noncon, abuse in a mental but not physical way, and MMCs who just think they're in the right

Gemma Weir's Montana Mountain Men is like an acid trip and it's kinda crack, but i read all 7 in like a day, so take that as you will. Each book is about a different brother in the same family as they fall in love - except, in this family the men supposedly know who their soulmate is the moment they lay eyes on them. So there's some light kidnapping, some manipulation/unhealthy behavior, and some birth control tampering in these. For what they are, I enjoyed almost all of them lmao

The Darkest Temptation by Danielle Lori is like a kidnapping romance written for non-dark romance readers tbh. It toes the line of noncon/dubcon, and it's definitely a kidnapping romance, but it's really not that dark.

Nicky the Driver by Cate C. Wells is (in my opinion) not as good as the first book in the series, but it's way lighter in terms of darkness level

Shiver by Ella Frank & Brooke Blaine is a stalker romance that fell a little short for me, but was overall enjoyable (iirc lol). It's about a young man who goes into a kink club and attracts the attention of the owner, who then stalks him. I think it just wasn't as dark as I wanted tbh, but if you like lighter dark stuff I think you might like this!

[c0zyrainfall]

I was thinking about it, and I started wondering what exactly is so appealing about damianya.

Twiyor is equally well written, I think, but I actually prefer the former (though I love both!). That's just because of preference and my appreciation for enemies to lovers. HOWEVER I have decided to draft up an analysis pinpointing why damianya is so enticing, because I write my own original material, and I think you can gain a lot of valuable insight by reverse engineering good writing.

First of all: What is the definition of a good romantic relationship?

I will use the following guidelines:

1) Based off of genuine friendship

2) Both are willing to sacrifice for the other and

3) Both parties make the other a better person.

The first guideline I outlined is big here. Because they are kids, they obviously should not be in a full on romantic relationship now. As a matter of fact, they will probably be waiting AT LEAST eight years. At least.

This means they have eight years to develop a true and wholesome friendship. A friendship with no romantic ulterior motives. They just get to enjoy being kids and growing up with one another. Because of this, they will see each other's high AND low points, rather than viewing the other with rose tinted lenses. Yes, maybe one of them (cough Damian) gets butterflies and feels flustered every time they see the other. But for now, it is very innocent and immature, a childish crush. By framing the goal for this relationship as FRIENDSHIP rather than ROMANCE, the two are able to develop a deeper understanding and a more complete picture of each other before they take anything to the next level.

Does the second point even need to be addressed? Anya is willing to take a tonitrus bolt for him. She is willing to stand up for him (well, technically for the "mission" but we'll get to that later). Damian is willing to take a hit for her, whether it be a dodgeball or a literal bomb. He gives her his share of the macaron (which he believes could help him with his intelligence.) He spends time he could be using to study to locate the finest teacakes in the world so he can give them to her.

Now to the third point.

When we first meet Damian, we don't like him. He is a classist jerk. So karma hits him (literally) in the form of Cupid's arrow. By developing a crush on Anya, he is learning that he should not treat others differently because they have less money. He becomes a better person by learning that "commoners" are the same as all the rich students at Eden.

Side tangent: while I relate more to Damian academic wise, aka pushing myself probably too far to get good grades, I'm sure we can all personally relate to Anya. She tries a lot of things. She fails at almost all of them. Thus, by seeing someone who is academically accomplished and rich be infatuated with her just for being herself, we start to realize that those things don't matter as much as we sometimes feel. Therefore, we want Damian to like her, because it is sweet. It is sweet that someone who places value on things like high academics is able to see past that and appreciate someone else for different good qualities, rather than the ones society deems most important. ~

When Anya first meets Damian, we cannot fault her for disliking him. He is rude to her because she is in a lower social class than him. She is rude to him because he is mean to her. This is perfectly reasonable. In the beginning, it would not make her a better person to be friends with him; as a matter of fact, avoiding him would probably be the high road in this situation. If I were her, I would not have wanted to be friends with him at all.

Side tangent 2:

If you like damianya, you are probably fond of Anya. And of Damian. This is true for me. He's my favorite sxf character. The reason WHY we are fond of him is because we know his backstory. We know he is actually a sweet little guy who just wants to be loved. So we also want him to succeed in his friendship with Anya.

However, though she may have picked up bits and pieces through her mind reading, Anya does not know this. And even if she did, she likely wouldn't understand the levity of it. She's only 4 or 5. ~

Damian and Anya have developed since they first met. They ARE friends (or close to it, anyways). So while at first it wouldn't have made Anya a better person to genuinely care about Damian, now it would.

Because we know Damian and care about him, we also want Anya to care about him. We want her to understand why he acts the way he does. We want her to understand that he actually cares about her.

While Damian is terrible at proving he cares through his words, he is really good at SHOWING her. If she understands he has a different method for showing care, Anya grows. She is able to develop a greater understanding of other people, rather than shaping the world through her own perspective. Framing Damian as the mission makes a lot of sense. She wants her parents to stay together and not get rid of her, and she wants world peace. Of course Anya is not bad for wanting these things. But she will be BETTER when she learns to see things from Damian's pov. She will see the world is not all black and white. She will see that he is not just a mission, and that he is actually as important to her as Yor is to Twilight.

So, conclusively, those are some reasons Damianya is a well written and popular ship. I could also go into detail about how it subverts expectations, likely has future plot relevance (in relation to the story as a whole rather than just a side plot), and is a generally unique and well executed idea. However, for now, I'll leave it at this. I tried to nail down the psychology of what makes it appealing to us, but if anyone has further insights, please feel free to let me know :) Hope you all have a great day

[thelaurenshippen]

Hi there! I started relistening to the bright sessions (as one does) and had a random question come up. When did you know that Mark/Sam wasn't going to be endgame (romantically)? I know in s4 they both fall apart separately and together, but even in Safehouse pt 2 (my absolute beloved) they argue about their coping mechanisms. Did you know then that they weren't going to end up together? How did you come to that conclusion?

hey!! this is a great question - I definitely did start the show thinking they were endgame and that's mostly what I was thinking at the time of safehouse too, despite their issues. I think it was really in writing Season 4 actually, when I realized that I was no longer telling a story about two people in love working through their issues, but was instead telling a story about two people who were in love but realized they shouldn't be together in that way. I started to feel those tension points in Season 3 (I would say the safehouse episodes were a true attempt for them to learn to work through their issues), but it wasn't until planning S4 that I really made the decision.

there are a lot of things that led to this that I'll try to articulate, because the honest, simplest answer as to why the plans changed was "because it felt like they should". but if I were think back and pinpoint a few reasons for that...

there was never supposed to be a love triangle. Mark was always bisexual but he and Damien were never supposed to develop feelings for one another. but the first time we got Andrew and Charlie into a room and read through their first episode together it was like "oh, OH-kay" (which, sidebar: clearly I was writing something between them subtextually because it wasn't like Andrew and Charlie were strangers to each other - I'd watched them act ALL sorts of scenes together in acting class but the romantic chemistry popped OUT with Mark/Damien. pretty much from the second motel episode on, I was writing leaning into that dynamic). that threw a lot of spanners into the works because while I never had plans to put Mark and Damien together, I hadn't anticipated Mark grappling with feelings for someone else.

similarly, I'd underestimated just how flawed Sam was. Sam is not a bad person, but she sometimes doesn't really know how to be a person who cares about other people. when you add that to the dynamics of Damien and Joan kind of, like, hovering over Mark in various unproductive ways (for Damien, it's destructive and invasive; for Joan, she's just a too-involved older sister sometimes), Sam becomes another person who is kind of, like...controlling Mark, or trying to, because she loves him and doesn't know how to (I mean, I'm pretty sure I'm just regurgitating actual lines I wrote lol). this is not to say that her flaws make her unable to be in a relationship (Mark is also deeply flawed!) but just that their flaws clashed against each other in ways I hadn't planned.

finally: Joan and found family. in my mind, there was something grand and romantic about Sam meeting Dr. Bright so that she could be led to Mark - like they were somehow always fated to meet. in actuality, it's not that at all - instead, the bond that Sam and Joan have is just as important as the one she has with Mark, albeit different. I don't believe in soulmates personally, but I've always liked the idea that you have people out there. soulmates in a more general sense - people you click with, have a connection with. it can be romantic, familial, friendship, work or creative partnerships, whatever. I think the Bryant siblings and Sam have that. I think Sam and Mark are meant for each other but in a non-exclusive way and in a...maybe not non-romantic way, but a way that doesn't have romance at the forefront. they love each other deeply and they fit, but a romantic partnership might not be the best way forward for them. and Joan and Sam are the whole heart of the show to me in some senses. as I was writing the finale, I very intentionally ended with the two of them - both because the final appearance of every character is in order of when they first appeared, but in reverse and also because the show starts with both of them in dark, destructive places and while there's broken trust between them throughout, they ultimately help each other get better. I thought Sam's story was about finding love and it was, but that love looked differently than I had planned.

okay, god, this has gotten waaaaaay too long and rambly. I hope this answers your question? one of my favorite things/the thing I miss most about making a show like TBS is being able to shift things based on chemistry/what the actors bring/etc. so often now, I'm writing entire seasons of things and then handing them off to production, in which anything can happen! the flexibility of recording episode by episode in TBS is something I took full advantage of.

thanks for listening and relistening!!

[the-kr8tor]

Katy can I like vent for a second??

Please??

.

.

.

Ok so- why is romance mostly from what I see, about one person learning to not be afraid of falling in love?? Because that's cute and all but so overused. Why can't both parties be afraid of falling in love and figure it out together??

In romance anime it's usually the girls who struggle with being vulnerable. In American tv/movies it's usually the men.

I was watching Bridgeton and both seasons are centered around the men being guarded and undeserving of love while the female leads have these selfless ambitions who have little to no character development. This is just what I've observed ok?? I'm totally open to critism.

I think mainstream female writers follow this trend a lot. Which is why I like your writing. Either the men/women have the patience of a saint and take all of this toxic/immature behavior from the lead or they don't communicate when things go wrong.

To me, relationships are not a form of making life better but being an amazing part of it you know what I mean?? It's usually like- my life hasn't started or it just did because now I have a romantic interest. I think that's why the friends to lover trope is my favorite. The relationship has this foundation of trust and friendship.

Thank you for coming to my ted talk and sorry it was so long 💜

Also me kinda ranting under the cut

It's like that bc it's tried and tested, and the producers/ higher ups know that this kind of story sells already so why change it y'know. Yes, it sucks but that's the gist of Hollywood these days 😞 oh and also writing a good female lead is a toss of a coin for them, like some are really good, they have flaws but at the same time likeable and they have different goals instead of just "omg hot boy/girl" but from the recent stuff I've seen it's the opposite like it's either they're mary sues or just plain which is really sad especially if you see potential in the characters if they were actually written decently

But there are ofc some really good romance stories out there! And I've heard of the romcom boom with better written characters, so they're probably finally listening to ppl

I get what u mean about relationships that should start out with friendship first, like knowing them better before making kissy faces with each other y'know lol

I try very hard to make my leads likeable but at the same time having flaws, goals, and their own morals that makes them interesting. I'm glad u like how i write them bc the majority of the time i plot stuff out is centered around the characters and their relationships with the other characters

And i agree friends to lovers trope is the best

[nkjemisin]

Hello, hope you're doing well. Love your work a lot :)

If you don't mind, I'd like to ask an open-ended question about the Great Cities Trilogy becoming the Great Cities Duology.

It's fantastic either way! I'm just curious about how things would be different, in different circumstances.

I appreciate your time. Wish you all the best ❤️

Spoilers for the Great Cities!

Thank you!

It's important to understand that when I start a new trilogy, I really only plan out the beginning and the end in detail. The rest is just general points I mean to hit in each book. So I can tell you some ideas I thought about putting into the books at the time, but I can't tell you exactly what I would've actually written if my initial plans hadn't gotten derailed -- I'm not that much of a planner, and I tend to change course midstream anytime I get a better idea for something. But here's what I wrote into the first outline.

Book 1: What you read

Book 2: Tentative title: "The City Hard Fought." America vs. New York. I'd been planning to have a demagogue president -- obvs inspired by Trump; I started working on developing this as a book in 2017 -- attack New York City to further his political ambitions. This would've taken the form of the president eventually threatening to bomb the city/all blue cities. At the time I came up with it, the idea seemed completely far-fetched and silly... Aaaaaaand then Trump started attacking New York City to further his political ambitions. I realized I really didn't want to speak some ideas into existence, and also that I couldn't make something like that funny when it was really happening and ruining people's lives. So I changed things up. The mayoral race would always have happened, but I originally intended to put the start of it in the background of the second book and have it culminate in Book 3. R'lyeh would've spent a chunk of this book being punished for her failures in Book 1, effectively taking the metaphysical stuff off the plot table for a while so human nonsense could move to the forefront. Aislyn and São Paulo would've ended up trapped in the Ur with her (hadn't fully worked out how), and that plot would've turned on Aislyn convincing R'lyeh to do a jailbreak. The end of the book would've been Manny's family calling him home.

Book 3: Tentative title: "The Last City" or "The City Unbowed." New York vs. everybody else. With the demagogue president dead (I was planning for him to get eaten by the Ur, painfully and slowly), things would've gotten metaphysical again, with multiple cities coming to life and causing chaos, effectively led by the newly-awakened Chicago. I'd intended the core of this book to be an escalating "cold war" between NYC and Chicago, with their star-crossed romance and Brooklyn's first 100 days as magical mayor (dealing with an ambitious senator attempting to use NYC to establish himself as the next big demagogue) echoing the politics of the living cities. Among other things, it would've turned out that the Ur was manipulating things to cause war between the living cities, via a traitor in Manny's family, in order to weaken the cities and cause the "falling to the bottom of the Tree" problem that you saw in TWWM. I always planned to end with the climactic "all the living cities march to war as ghostly giant robots" scene that happened in TWWM, but I'd planned for R'lyeh to fight alongside them, and they would've been fighting a manifestation of the Ur itself. Probably a Cthulhu-like monster -- but monsters aren't very interesting to me, so as with TWWM the real threat is the Ur's authoritarianism.

So, different but not that different. Not sure I would've been able to fit in everything I'd originally planned; when I first come up with a new series I tend to be big on ideas, but not all of them work when I start writing. As you can see, I retained most of the major plot elements I'd originally planned. I think the biggest loss was the character-specific subplots I had planned. Like, Veneza would've had a blowout with her racist father; Chennai's ancient avatar was going to try and seduce Padmini back home to take over from her (same subplot involving the risk to Padmini's visa status); Brooklyn would've been a badass mayor; Manny and Neek would've gone on some awkward dates and probably had at least one awkward morning after. I would've spent more time on R'lyeh as she basically starts to decolonize herself. We would've gotten a lot more of Evil Manny, and Neek would've had to talk him down/win him back at some point. Also, tentatively I'd originally planned that Neek's revealed name would be "Nueva." Glad I changed my mind about that one.

Sad that it won't happen, but there's always fanfic! (Don't show it to me tho. h/t @seananmcguire )

[jayzissleppy]

sweet over spicy

You're my water when I'm stuck in the desert You're the Tylenol I take when my head hurts.. inspired by best part - Daniel Ceasar

✧･ﾟ: *✧･ﾟ:* 🫧 *:･ﾟ✧*:･ﾟ✧

includes ; established relationship, non idol au, fluff overload, seongwha is head over heels for reader pet names: love, darling (nothing bad to be worried about just a cute fluff) 😵‍💫

a/n ; i wrote this on impulse at 3AM so please be nice to me on this one, this is also my first time publishing my work !

words: ___

summary: you'd choose sweet over spicy anyday, you couldnt handle spicy food or spicy interactions, and sweet was just your favourite oh, and how your boyfriend seongwha was just that...

"love? i brought you some fruit." the study doors opened and the room was now filled with the scent of fresh fruit and your boyfriends voice.

"thank you seongie, you didn't have to." you say looking up at him feeling guilty.

"i thought you might need some, you've been in here for 4 hours now, don't you want to take a break?" you lightly chuckle.

"i don't know, i mean im almost done with writing my draft for this week"

you thought that being an author would been easy since it was something you always wanted to do, theres some days where your cooped up in the study and some days where you dont write for nearly a week. sometimes writing a romance novel is worse than an action novel, the plotline, character development, everything its too much, and seonghwa notices that.

"y/n, thats why its called weekly drafts. you're supposed to finish it in a week, not a day. your overworking yourself, just please lets take a break?" seonghwa says tucking a strand of hair behind your ear.

i mean an hour break wouldn't hurt right? you think to yourself as you push up of your chair to stand.

"just for a little bit okay?" you say while seonghwa smiles. "but not anything tiring love."

seongwha takes your hand and pulls you out the study and hands you your favourite hoodie and earmuffs.

"does a midnight stroll sound good?' he asks.

✧･ﾟ: *✧･ﾟ:* 🫧 *:･ﾟ✧*:･ﾟ✧

walking hand in hand around han river, is most definitely the break you needed. the sound of crickets and the leaves blowing, it was relaxing.

"should we make a stop at a convenience store?" seongwha said swinging arms as you held hands. "hmm? i think i could do with something to drink" you smiled.

at the convenience store you and seongwha bought your ultimate favourite childhood drink, ramune.

bleggh.. "i dont remember it tasting like this you" said laughing. seongwha pulled his face as he drunk from the bottle.. "i think they.. cough .. changed the recipe" you both burst out in laughter. the laughter continued as seonghwa had hiccups and could barely speak a sentence without being cut off "should we.. hiccup.. get some rice crack..hiccup..-ers?"

you were almost on the floor in tears. upon leaving the store you noticed that there was a claw machine outside that had hello kitty and dear daniel, the most iconic sanrio couple other than kurmoi and badtz maru. you decided to quickly pull out some coins and try to win the plushies.

"should i help you darling?" seongwha said coming up behind you and placing his hand on yours. his hands were cold, but you didnt hate it. he used his hand to guide yours to the bag that hello kitty and daniel were inside, and within seconds the coldness of his hands filled yours with warmth. in that exact moment you though over and over again about how much you love seongwha. looking back at the time you first met, it truly was not a coincidence.

you were walking down the busy street of gangnam to get to your book signing event when you accidentally bumped into someone. your ipod played fell to the floor and so did his. you apologised to him and picked up your ipod before beginning to rush again. " excuse me, you have my ipod !" he shouted. you turned around and ran back to him to trade your ipods and laugh at how your both listening to the same song. "i see you like daniel ceasar too" he laughed. you smiled before beginning " i really have to run, but im really sorry about bumping into you, i hope the rest of your day is better" you said getting further away from him.

"but this just made my day the best" he whispered under his breath watching as you disappeared through the crowd, and luckily enough you ran into each other again.

you were taking a bus to gimpo airport in seoul when you sat down in front of him him. he watched over your shoulders as you looked for a song to listen too.

"i suggest best part by daniel ceaser" he said trying his hardest not to look like a creep. you immediately smiled when you saw his face and the ipod in his hands. he was hard not to forget, little studio ghibli stickers on it. "you have nice music taste" you replied putting the song on still smiling. "where are going with a suitcase?" he asked. "oh im leaving to japan for a few days for my book signing event."

"what books have you written, i might have one" he said showing the tote bag he had with him. "well i've written quite a few.." as you go on about the names of the books you've written you watch how his face lights up. "your her? the y/n?" he says shocked. you smile a little embarrassed. "im headed to the airport to get my book signed by you, because i was to late the last time." he said pulling one of your books out.

wow, to think that he would be a fan of yours is unbelievable i mean, he looks sweet, nice hair, gorgeous eyes... as you continued to think about every feature of his you realised just how pretty he was. to call him pretty was even an understatement.

"well i wouldnt mind signing one now.." you smiled lightly.

"actually.. could you also .. um.. could i have your number. not like a fan but i'd really like to get to know you sometime or take you out to dinner." he said getting embarrased and avoiding eye contact.

"id love that."

while in japan you and seongwha texted for hours, sharing the same timezone made it easy as well. and when you got back from japan he picked you up from the airport and took you to that promised dinner date. you talked throughout all the seasons, summer, autumn, winter and spring. the only thing that did change between those seasons were your feelings for eachother and the next thing you knew it was winter 2022 and seongwha and you were outside walking in the snow, planing to go ice skating, when he took your hand in his and spoke, "y/n its cold right?, but im not cold at all, my hands may be cold and so could my face, but my heart is warm and thats because of you. you've made every season have a new meaning behind it, summer used to just be 'summer', but now summer is when i spend my days at parks with you, reading, having a small picnic and when i least expected it. you were apart of more than just seasons, you invaded my everyday life. id walk past a flower shop and notice tulips and buy them out of impulse because they reminded me of you. i'd think of things that reminded me of you, till you were all i thought about. i loved the way your voice echoed through the back of my mind when i missed you most, or when i still felt the lingering kiss you left last winter as an 'accident'. well, if this is an accident i apologise but y/n, i love you, everything about you, would you allow me to be yours?" you would cry if you could, but you were afraid of your tears freezing. "seongie..i'd love that.. i love you" you say sniffiling the tears back. he placed his cold hands on your cheek pulling you in for a loving kiss. "thats not an accident right?" he said. you laughed "no.." and all of a sudden the coldness in his hands turned to warm.

"love?" he called out to you, waking you up from daydreaming. "i got the plushies" he said smiling and holding out the bag to you. you kissed his cheek "thank you seongie, you're too sweet !" you took the bag from him, as well as took his hand yet again. "lets go back?" he hummed a response.

while walking back seongwha suggested you sat down at a bench for a bit.

"y/n love, remember this?" he said pulling out his airpods and putting one in your ear as the melody finally hit you.

'I just wanna see I just wanna see how beautiful you are You know that I see it I know you're a star Where you go I follow No matter how far If life is a movie Oh you're the best part'

you smiled as you turned to face seongwha, stars from the sky reflecting in his eyes. seongwha softly sang along while intertwining his fingers with yours. "what should we have for dinner, sweet tteokbokie or spicy?" you looked at him intently, before leaning over and giving him a soft kiss.

"sweet, id choose sweet anyday"

end note: hihi ^^ i finished this quickly so i could focus on school so im sorry if this is a bit rushed, but i hope you enjoy! please dont forget to reblog to help me get more recognition as im a new! you may leave kind criticism !

[maleyanderecafe]

So, like, question. Is there a possibility that when a yandere lost their first s/o, would they fall a second time, or is that unlikely? I'd like to know an answer please ^^

Yeah, I think it's possible, but it does kind of depend on the scenario. It also sort of depends on what you mean by "lose" like their first love left them or if their first love died, which could have different implications to how the yandere thinks.

There are two main scenarios I can think of where this can work, either:

A. The yandere didn't develop yandere tendencies until after they meet the second person they fell for.

B. The yandere is using the second person as a type of replacement or projection for their first love.

First one is pretty explanatory, where the yandere is generally normal or has yet to develop yandere tendencies for their first lover and then grows yandere tendencies for the second one. There can be a lot of reasons for this, such as fear that they might lose their second love like they lost their first one, or if their first love was abusive they might feel like they have to make the second one work or fall into the. same trap again, or they could just develop the second love through circumstances. It could also be that the second love enables their yandere tendencies unlike their first love which escalates them into being a yandere if you want to go that route. Having a previous lover helps them have experience in romance, communication amongst other things and have them more experienced in a way that makes sense to their character (it's also a reason for dilf yanderes to exist if you really want to go that route as well). You can play around with how exactly that will work.

The second one usually happens if they are already yandere for their first love, or if losing their first love causes them to become a yandere. It usually begs the question of if they actually love the second love, or if they only love them because they remind the yandere of their first love. A Projective Yandere by definition attempts to project their love onto someone else who is similar, whether that be because of appearance, personality or characteristics. In some cases, if the yandere is delusional enough, the second love might not even be even remotely similar to their first love, or they might even try to force their second love to act like their first. Usually, these yanderes don't actually love their second love, but rather try to see the traits of their first love in them. If you want to write a yandere redemption, it might lead to them eventually accepting that their first love is gone and that they might truly love their second, or if you go a dark route, where they continually delude themselves with believing their second love is basically their first. This can also go with scenarios where it's more fuzzy, like a reincarnation plot where they are both the same person as their first, but also not. Or falling in love with their past self who didn't know who the yandere was. You can also play around with how this works as well.

I will say that because yanderes tend to very intensely focus on one love interest that it's not always easy to write yanderes that can fall in love multiple times. You could have one where a yandere constantly forces amnesia every time he loses a love so that everytime they go after someone it's considered "new" to them, but usually if a yandere is able to, they'll constantly and always persistently go after one person until the end. I'm sure there are other ways to deal with this kind of thing, but that's what I think about it.

It's been a while since I've done yandere analysis stuff- I should write more about it one day.

[williamrikers]

how (not) to write an office romance

okay so i am livid with rage after watching step by step episode 11 and i will say some very unkind things about it so if you loved the episode, please scroll past this.

in this post i will be comparing pat and jeng's romance on step by step to gun and cher's romance on a boss and a babe, and show all the ways in which the relationship in step by step, for me, fell flat.

yes, i am aware that we are dealing with two completely different genres here. abaab is a cute little comedy show (for the most part) while sbs takes its setting super seriously and tries to say something profound about homophobia. however, they're both at their core office romances with similar set-ups and obstacles, which they tackle completely differently.

the reason i am writing this is that, to me, pat and jeng do not feel emotionally resonant as a couple, and therefore the whole show is falling flat for me. i want to compare and contrast them with gun and cher, who are one of my favourite bl couples to date because of how they were presented to us.

now, pat and jeng had a nine-episode slow burn while cher was kissing gun in the second episode, so take what i'm about to say with a grain of salt. BUT. cher and gun were built up over time as a couple and we could see them grow as individuals as well as together, while all the most important couple moments of jeng and pat got lost in one of the many time skips (if they happened at all).

the thing that bugs me is that by episode 11 of sbs, we are told that jeng and pat have been together for a few months. but nothing -- NOTHING -- that we are shown on screen supports that. they don't treat each other like two people who have been together for a while. they don't even treat each other like they know each other well. they do not have a single normal conversation with each other. gun and cher, on the other hand, are shown being domestic with each other, over and over again. they talk about difficult emotions with each other. the moment cher lets his mask of happiness drop and starts crying in gun's arms is one of my favourites in film history because 1) it's just really STELLAR acting from book and 2) it shows how far they've come as a couple, how much trust they've developed between each other, how close they've grown. on step by step, pat is still looking at jeng exactly the same way he was in the first episode. WHICH HE SHOULD NOT BE DOING. if they've been sleeping together for half a year, he should not be looking at this man like a deer in headlights. maybe this is an issue that stems from ben being a very inexperienced young actor, but imo it's also a writing/direction issue. if jeng and pat were in a balanced relationship, i would expect pat to call jeng out on his bullshit. like for example, telling him in unmistakable terms that pat was trying to tell him about his resignation, and that jeng was unwilling to hear it. (cher would have had a field day with that one, if gun had ever stooped so low.) instead, pat just apologizes, like he has no say in the matter. GIANT RED FLAG!!!

now, cher as a character is set up to be rude and brash and he doesn't care about his job at all, basically, which is one of the only ways this kind of office romance works well: because cher negates the inherent power imbalance of the setting just by virtue of being himself. gun and cher as a couple never feel imbalanced or like gun has more power, even though he is older, even though he is technically cher's boss, even though cher calls him "boss" for like, the whole first year of their relationship. they do, in fact, have several conversations about that in canon, and gun spends months trying to get cher to call him phi in what i like to call the Great Pronoun War Of 2023. it was a form of flirting between them, and a cute quirk of their relationship, and not at all a form of power imbalance.

now, on step by step, pat calls jeng "khun jeng" repeatedly. even when it's just the two of them. even after we had scenes of him calling him "p'jeng" and -- in one memorable moment -- just "jeng" without any honorific (!!), in episode 11 it's khun all the way down. and it's grating. at work, sure, pat is trying to be professional, but in private? no, it rubs me the wrong way. especially since jeng never returns this level of formality, he never calls him khun pat. (this would still be a bit weird but i could accept it if it was done well like on manner of death for example.)

and there's no reason for this given on the show. we don't really have a sense of what they even call each other in private (and i absolutely refuse to believe that pat calls him khun jeng when they're in bed together). now, with gun and cher, we know exactly what they call each other at which point in their relationship. they discuss it! it changes several times! gun goes from pom to phi, then for a while back to pom and then back to phi for himself, all according to what is happening between them in the story and what it means for their characters. they start out using phi/nong during sex, then much later also use these pronouns when they're just hanging out.

sorry for ranting about pronouns for so long but i do think it's a good illustration of this issue: i have a very clear sense of how gun and cher treat each other in their relationship. i have a clear sense of what they might do when they're spending time together, how they might banter or joke around, how they might comfort each other when they're sad.

i have absolutely no idea what a normal day in the life of jeng and pat even looks like. i don't even know how they normally address each other in private, and i have even less of an idea what they're like as a couple. is there flirting? banter? what do they like to do together outside of having sex? what do they like about each other?

i can answer all of these questions for cher and gun. their relationship is given adequate space on the show for us to see what draws them together, and what keeps them together once they've found each other. we know why they like each other. we know how they make each other's lives better, we know how they spend their time, we know why their relationship is important to them.

cher is not romantic at all, in fact, he is the opposite, he ruins every single romantic moment by making a stupid comment like he's getting paid for it. but he is incredibly loving. the combination is absolutely fascinating as a character trait and gun comments on it on several occasions, and it's clear that gun loves cher the way he is, stupid comments and all.

when jeng and pat are together, are they romantic with each other? do they have shared jokes? do they, like, have fun together at all?

these questions keep haunting me because literally nothing about their relationship has been established in any way, and as a result, i find myself not invested in their love at all. at this point, i'm sort of hoping for pat to stay single because the show hasn't shown me a single scene of pat and jeng just. being happy together. you know. the core thing a relationship should be about? (i'm with yok kinnporsche on this.)

what exactly will pat be missing about jeng during the upcoming two year time skip? i don't know. does pat know? do the writers know? what exactly does jeng bring into pat's life that he can't get anywhere else, besides his dick? how does jeng make pat's life sweeter, how does he make pat's life easier, how does he make pat's life brighter? i have no idea. and at this point, i am starting to think that the writers have no idea, either.

anyway. the main plot of abaab was a mess and i won't try to defend it but the relationship between cher and gun was beautiful and deep and we got to see exactly how these two fell in love and why, how they changed each other's lives, how they made each other better, how they learned to be each other's comfort and happiness.

and without that? well, i don't need to watch people working a terrible job that doesn't make any sense. i can just go to work for that.

[lemotmo]

Yeah I'm still confused about Tommy's involvement in this storyline. (Also it doesn't help that I don't vibe with his character at all) Yes it started the Bi Buck story, but at the same time the whole relationship (if we can call it relationship yet) as been super rush. It just feels like they are trying to shove so many elements at the same time which doesn't give people time to see a connection developing.

Also I think what doesn't help me is that all the interview/cameo have been confusing me. It seems like Lou is there for an arc, but I have seen people saying that since the official Instagram follow him and that Oliver seem interested to continue to have Tommy there, he will be there for the whole season. (That interview where he could stay as a friend) Also saying that Tim was still writing that last 3 episode that it could change. I mean I'm pretty sure Tim as a vague ideas of where the major point of is story will go. If he does change it last second to include more Tommy then that will be pissed me off especially knowing that he was brought for an Eddie storyline in the beginning.

I hope he's gone soon. I was hoping episode 6, but it could be episode 7. This is a short season and I don't want them to to spend to much time on side character.

i don't know what to think anymore, but I think what doesn't help is how some part of the fandom try to make you feel guilty that you can't accept this new ship. I have been on a blocking spree and it feels great, but it hasn't be easy.

Sorry that was long, but just wanted to vent a bit and tell you I like some of your takes.

Exactly! Everything between Buck and Tommy is rushed and doesn't feel organic at all. It's a frustrating storyline for so many of us, because it just doesn't deliver on the romance. It's boring and dull and kinda just falls flat.

That's why I've got the strong suspicion that Tommy is only there to serve the narrative of Buck coming out as bisexual. He is a plot device to uncover this hidden side of Buck, but it doesn't make any kind of sense in the long run. 911 has been telling the Buck and Eddie story for so many seasons now. It feels organic and natural. There is a build-up and so much history between them. So why not use Eddie to give Buck his bisexual oh-moment? Simple, Buck needed to realise he was bisexual first. That way they can write a slow realisation of feelings for Eddie. Feelings that have always been there. Also, Eddie is still with Marisol at the moment. Any feelings reveal at this point would be so messy. This ship deserves better than this.

As for those interviews and cameos. Oliver always seems to rehash the same things: vague Tommy references and how he wants them to stay friends afterwards (which doesn't bode well for their romance), the kiss felt the same as a kiss with a woman, he is so damn proud to be able to play a bisexual man (GO Oliver! I love him for that!), if Buddie were to go romantic he would be open for it. He never really interacts with Lou directly or shares a lot of Tommy or bucktommy pictures. He just vibes with the fact that he is proud to play a bisexual character. Which... good for him!

As for Lou? He is all over the place. I like the guy, but he is very chaotic. But overall he has been pretty clear that he's only there for a little while. He is also still involved in other shows, so he won't have time to fully commit to 911 anyway. Next to that, even he has mentioned Buddie in his interviews and cameos. I mean... the fact that it was also pitched for him to be with Eddie? Yeah, Tommy is a plot device alright. It is always possible that Tim will try to milk Lou's popularity by extending his stay for a couple of more episodes, but overall I'm not too worried about his staying too long.

I know Tim is still writing some episodes of S7, but the main storylines are already set in stone by now. It's only the details and how to get from point A to B that still have to be worked out. I'd like to think that they wouldn't just change main storylines at the drop of a hat like that. Tim isn't always truthful when it comes to his comments on 911.

Okay, this is for everyone who needs to hear it:

Don't feel guilty for not vibing with a character or a ship!

Don't listen to haters who try to make you feel guilty about it. But also don't go out there to make other people feel guilty about shipping bucktommy. We all like what we like. All you can do is block haters and filter out the tags you don't want to see. Also, surround yourself with people who think alike. Trust me, there's a lot of us out there.

Lastly, I decidedly don't vibe with Tommy or bucktommy. I don't see any chemistry between them. But I also need to accept that this is where the storyline is right now. We have no other choice then to follow the narrative and hope it leads to something more interesting, like Buddie. We'll just have to wait and see and hope that the show is smart enough to follow the chemistry between Buck and Eddie, and not let themselves be swayed by the superficial and temporary popularity of one guest character.

Don't worry about venting here. I don't mind. These are trying times in the Buddie-fandom and we all need to let it out once in a while.