Honestly I kinda don't get why we distinguish f!Cell/q!Cellbit and not q!Cell/q!Cellbit since we already have the different nicknames to know which is which
So I think that a good change would be to switch to q!Cell when we're talking about the Cell that is canon to QSMP and f!Cell when talking about Cell that is only canon to Fuga Impossivel since there are quite signficant deifferences between them like:
q!Cell: ate Pac's leg, met Bad before Alcatraz and escaped the island (since now he's on Quesadilla Island)
f!Cell: didn't eat Pac's leg (I'm pretty sure that detail was added later on to the canon but during QSMP so according to Fuga Impossivel it never happened), never met Bad (I don't know 100% because I didn't watch it ngl) and he technically might have as well died on that island
And these are basically key points in q!Cellbits backstory
Also pls correct me if i'm wrong about something i haven't actually watched it
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Truly…. Actually…. I have been thinking about making a small compilation of my misc ocs and just posting it
Like i have ocs that I would just love to have out there for fun and maybe talk about since I don’t really have anyone to do it with
Like the ones I would wanna talk about are my ocs for:
Resident Evil
Legend of Zelda (BOTW/TOTK)
Blood of Zeus
Marvel
Also my knb but KNB IS DEAD I GUESS BUT I HAVE A WHOLE ASS STORY FOR HER AND EVERYTHING.
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Looking at some screenshots from accomplice vs golden ending (or bad vs good endings, in general) I noticed that in the first case Yosuke is the last element in the group to speak, while in the second case he is the first one (and he really does not have much to say cause he knows they’ll meet in the future):
In bad endings, Yosuke is the last person to speak. He thanks the main character for the help, yet the vibes are just depressing and sad. The fog wasn’t lifted, the real culprit wasn’t caught (or they believe they caught him but it wasn’t the right person. tbh it gets more disturbing in the accomplice ending case, because the main character found the truth, but he decides to hide it from the others and to reject it (by burning the piece of evidence), and, Yosuke’s words will hit harder “You really helped us out with lots of stuff. Thanks, partner.” <- Yosuke always there, making me feel bad every single time i try to reach Adachi - rightfully tbh), no Dojima nor Nanako nor Teddie there at the station. It’s all gloomy, everyone is sad...because of Nanako’s situation, because of their own actions (if they kill Namatame they kinda do the same he did, manipulated by the killer, and in the name of self proclaimed “Justice” <- Nanako’s arcana, which is just revenge and has severe consequences), and/or a feeling of uselessness because the mystery wasn’t solved. No one runs for the train (the mood is really heavy, and the fog also reduces the visibility).
In the good endings, Yosuke is actually the first one to talk and... he does not even have much to say. He had previously said that he wouldn’t even saying goodbye, cause Yu/Souji would be probably come visit them soon. The mystery was solved, the sky is clean, Dojima Nanako and Teddie are there too, and even if saying goodbye is hard, they all feel like their bonds are strong and that their friendship is stronger than ever. It’s a sad moment but with happy tones, and they will surely meet again (the same won’t probably happen in the bad endings, because even if not revealed to them, the fog will spread and everyone will become shadows).
Yosuke’s expression is kinda similar in both cases, but knowing what has happened in the bad endings gives another meaning to his expression in the bad ones (it also makes me think about the scene where he catches Yu/Souji coming from the TV at Junes, after visiting Adachi, because it begs the question of how much does Yu/Souji trusts the team).
Yu/Souji’s stare is a bit different in both cases, looking more relaxed and calm in the good scenario, although in the bad ending he seems to be staring with some kind of affection (like, appreciation for their friendship and for believing in him, even if, in the accomplice ending he basically fucked everything up).(well, truth be told, they decided to recycle this part for every bad ending, so Yu/Souji will always look like that, being it his belief that Namatame is the killer or his hidden secret about Adachi. And the team looks the same, be it because of the unfortunate circumstances, or because they may feel Yu/Souji might have been hiding something <- which also reminds me how in many game options Yosuke keeps reminding him that he should not be the one carrying all the weight of the investigation and he should trust the team too)The accomplice ending final scene even adds an Adachi roaming aimlessly (or purposely crossing the line when the train Yu/Souji’s in is passing), and it is terrifying, kinda creepy (tbh it felt like he had became a shadow at that point and that he had been able to cross the line without being caught by the train because of that...at least it was what i felt first time watching it).He is waiting for the world as they know to simply end, and even if Yu/Souji decided to burn the piece of evidence, he does not even care about him as a person.On the other hand, completing his social link in a good ending route rewards you with a letter from him (and he calls Izanami bitch in the final final final final battle <3 certified Adachi moment).You can take his words however you want, but it feels like he truly appreciated the times he spent with Dojima, Nanako and Yu/Souji, even if he would still rather see the world burn than try to improve as a person. It does not mean he becomes a better person afterwards, but i guess he understands the concern some people still had for him, which is something he does no feel with Yu/Souji betraying everything he fought for until that moment (also cause going accomplice route is giving up the world, basically).On a final note, I also love how Dojima’s dialogue at the end (before leaving the house) changes depending on which bad ending the player gets, and how his questions are so on point, as if he was acting like some kind of conductor for the player to reflect on their choices.
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I'm drawing Kakashi for the first time (as much as I love them, I rarely ever draw naruto characters so this is a little fun and new for me) and I'm struggling a little bc I'm trying to draw him relaxed, reclining with pakkun (in the way I recline with my cat) and I'm realizing there's something so personal abt drawing him in such a vulnerable pose ig. Like? I'm very tired too rn so maybe I'm being extra emotional and rambly but there are so few scenes of kakashi in canon where he's not wearing the jounin vest, where he's alone and relaxed and out of uniform. And I didn't realize it until I was trying to think back to other similar scenes and there really weren't any. and I'm kind of mesmerized by how you draw him because you capture that so so well, your art is gorgeous but it's also so real and expressive in a way that shows a lot of practice and a lot of love. Idk i think I've said this before and I'm sorry if it's annoying that I'm saying it again (I'll just shut up after this lol) but I went to an art school and I had massive burnout and only really started drawing again in the past 6 months and you were one of my inspirations 2 start drawing again and I'm still not as good as I'd like to be but I draw so much more now and having an actual passion for art has led to a huge improvement, so thank you and thank u for bearing with me and my sleep-deprived rambles. I think my original point got sidetracked. I forgot why i started writing this ask.
dkgjhsdgkjdshg no i think you're 100% right abt the kakashi relaxed thing, even when we see him "relaxed" he doesn't ever really Look relaxed. like
here he is chilling out in the hot springs. this man does not look relaxed but he DOES look exhausted and maybe a little like he's gotten lost. somebody help this confused man find the exit.
anyway art + motivation talk beneath the cut
djhsdkjghsdkjhg thank u for all the compliments abt my art, i do work really hard in order to draw expressive characters, and spend a lot of time paying attention to how the small details in posture and expression change how the character comes across, and im glad it pays off!
also yeah no, similarly, once i left art school (when the pandemic hit) i did have a good 6 months where i did not pick up the pencil even once, and like, usually i feel rlly bad or guilty when i'm not drawing, but my burnout was real bad and i was straight up angry abt everything dgkjhsdgkjh so i just...didn't draw for like 6 months. i didn't even feel bad about it bc i was too busy being angry
and i had a bad relationship with art at the time and eventually realized i kind of had to like? make a different relationship with art—like, try to stop seeing art as something which gave me fundamental worth as a human being, or part of who i am? you know? that's a LOT of pressure to put on just...something that i do.
if i took that kind of approach to literally any other task in my life, i'd never do it. imagine thinking that the way and style with which you descend the stairs gives you your worth as a person and if you don't do it exactly right then it means you're worthless as a person? buddy i'd just find a way to go down and out through the window LMAO
i think this is the thing which gives a lot of people burnout, it's exhausting to be constantly working on something and ALSO believe that if you fuck it up even a little, it's because you are the fuckup, and a fundamental failure of a person. god thats so much pressure.
anyway so i decided to make a naruto art blog because i don't even like naruto That Much but my best friend had been trying to get me into it for years (ty kate ilu kate), and so any art that i made would be purely for fun, wouldn't have anything to do with my self worth, and might make kate laugh too, and that's why this blog exists! and taking the pressure off of creating art like that has been enormously helpful to my mental health and my ability to create, also i take breaks alllllll the time, i'm like...way healthier about my art thanks to that, and also just...a nicer person, i think?
anyway i'm very glad that i inspired you to get back into art but i'm far more glad that you've found a passion for it, cultivating that passion and joy is so important
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assassins for one! yagi starts teaching izuku assassin stuff before ua, which is a convenient head start for him, but it also means am goes into ua with some teaching experience. would that color his classes there? no lethal techniques, but tracking and other techniques I imagine would make it. esp when afo is confirmed alive and midoriya could use experience. why are all might's classes so oddly underground-oriented, they wonder. still some private lessons w/ midoriya but less time for them.
Hmm yeah I'd say while tracking, stealth, speed, and lethal moves to watch out for from villains and other such information ends up in All Might's lessons more than in canon.... I don't know if I'd say his method of teaching that information would be better in the first semester. (Teaching one kid enthusiastic about murder is very different than slipping techniques into a lesson for twenty very different kids)
it does get ramped up (along with his teaching skills) over time and especially after summer, yeah. More direct, more scaffolded, more metacognition built in, plus the worry about the class's safety. Izuku's still better at passing it on to the classmates he does though
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