#also yes i do write original fiction!

[curedeity]

I just realized bc im like. Likely mainly known as a fanfiction writer rn. None of you have any idea how much more batshit my original fiction writing style is.

[ruvviks]

All That's Left follows two journalists and their friends in post-apocalyptic United States as they travel from the fallen east coast megalopolis Opportunity back to Los Angeles, crossing through a harsh wasteland overrun with zombies— only to find out that there is a lot more life left than what the protected cities want them to believe. On their journey they meet dozens of people living their lives as peaceful as possible away from military forces, corporations, and corrupt governments; and they learn that the same mutated ghouls that took down Opportunity are spreading rapidly through the country, destroying everything in their path. Will this finally be the end of the world as we know it?

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;

@vvanessaives, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree

[crimeronan]

opened up some original fiction notes i fully forgot making six months ago, which are about what sol is about to do to this minor antagonist, and audibly murmured, "oh, jesus Fucking christ."

[bsaka7]

if i wrote a non-fanfic fantasy novella do u think anyone would read it be honest

[defiledtomb]

will we be able to show some fighting skills in new path? Like i know that mc will eventually be dragged back, bcs story must progress, but if we play as blood kell for example would we be able to do some dmg? I like to imagine that when my mc would finally be dragged back bloody cursing and with missing limbs lol there would be at least 2 or 3 mercs would have to be dragged unconscious behind them :D

[You approach the furthest blade with your breath caught in your lungs, their back still turned against you. Stabbing in the neck is out of the question, but you spot their hood loose around their neck and decide to pull it, bending them backwards. You help them along with a kick to the back of their knees. Your knife sinks in between armor and clothes. A squelching sound, blood seeping onto the grass now.]

This is one variation in a larger body of text, race and choice of trap will influence the route a lot!

[ylizam]

no, you’re watching 1981 General Hospital Ice Princess arc videos (Genie Francis was so young! just a bébé! also so good, obvs., like I’m just watching and sometimes I have to pause to reflect on how good she is and how from some angles she looks like her adult self and from others, wow, that’s a teenager), and you’re finding yourself thinking, “well, Luke/Laura/Robert has some potential. by which I mean the three of them should be making out all the time because the chemistry is definitely there and Laura’s hand is on your leg while she’s cuddling with Luke, Robert, just lean into it aren’t you a man of international mystery and spying and whatnot come on.”

[elainemorisi]

I think the thing is: I love breakup fic, but I hate "mature" "realism" about it. which is really just to say the thing I am saying about many of my fictional tastes, which is I hate most forms of closure

[buff-borf-bork]

"while you were learning to create and deepen your human relationships, I was studying how to pull the threads of reality apart and rewrite them" - new oc thats about to live rent free in my mind

[it-goes-on]

fellas another friend found out I write porn last night and was shocked. which is fascinating bc for years I’ve been operating under the assumption that literally everyone knows this about me.

[tsukimefuku]

blunt trauma ♰ nanami kento

summary: your mission is to execute a curse user. the issue? said curse user is nanami kento, your former high school classmate and the man who you still secretly love.

tags and cw: dark content, no use of y/n, sorcerer!f!reader, villain!nanami, +18, explicit smut (mostly rough with tender moments hate/love sex), unprotected sex (wrap it, ppl), masturbation, oral (f receiving), pv, from enemies to enemies who fucked 👍, drama and angst (i’m a latina who grew up watching telenovelas), mentions of death, canon-typical violence, ptsd, cursing, hurt/no comfort, this man is saltier than the sea and turned it into everybody else's problem. 

wc: 7.5k

notes etc.: somehow it became a character study. this is my rendition of what i think gege would make nanami to be like if they followed their original plan and had nanami be a villain. inspo list is so huge i had to make a playlist, i got carried away.

writing/reading soundtrack: playlist link ; main songs → way down we go (kaleo) and daylight (david kushner).

disclaimer: i do not in any way approve of (or encourage) the relationship depicted here. it is toxic and bad for all parties involved. this is fictional and should stay that way.

oh, father, tell me ♰ do we get what we deserve?

It felt like the air had been beaten out of your lungs by the very one and only blunt blade you ever knew when you heard the news from Gojo.

Of course the first thing he did when he finished wrapping things up was calling you. If roles were reversed, and this had been Geto, he wouldn't expect any less from you.

During the School's Exchange Event, Jujutsu High was attacked by multiple high grade curses and curse users.

One of them was your former best friend from high school, Nanami Kento. 

"Are you certain it was him?"

"Absolutely," Gojo replied on the other side of the line, "there were traces of cursed energy from his cursed technique. He was also spotted by one of MeiMei's ravens."

"And how many students did he…"

"Two students from Kyoto."

Your head instantly felt dizzy.

"He also killed around a dozen assistants and people securing cursed objects underground."

"Shit… shit," you muttered, forgetting for a few seconds what words were and how to form a coherent sentence. Following suit, your stomach dropped with a sinking ache the moment you made the obvious realization, uttering the most painful thing you had to say in your life — even worse than he's gone, so many years before.

 "This will earn him a death sentence, won't it?"

Gojo was silent for a few moments.

"Hey…"

"Tell me. I can take it."

After a bated breath — from your end, mostly — he confirmed your worst fears.

"Yes. It will."

Ever since Geto's and Nanami's defection, you and Gojo had a special type of shared sorrow over each other's failures to save the people you both loved the most. Call it trauma bonding or codependency, but you developed an unwavering sense of loyalty towards one another.

For that reason, he already knew what you were about to ask him, and you only would because you knew he wouldn't find it in himself to refuse it.

"When it happens, please, have me be appointed as the executioner."

"Of course."

Sitting with a glass of whiskey while gazing out of the window in an understated house just by the outskirts of Sendai, Nanami couldn't say he was fulfilled, unable to grasp the concept of feeling in any way elated ever since his teenage years. However, he was definitely satisfied that this plan had worked.

He managed to put a dent into Jujutsu Society, aiding Geto — or, at least, someone that looked like him, not that Nanami truly cared about it by this point — in retrieving multiple cursed objects that would be used for their inevitable fallout.

There had been a few casualties, though.

Two students and many personnel died — or rather, met their fateful end by the edge of his blunt blade —, but some deaths should be expected if Jujutsu Society was to be brought to the ground, down to its last brick.

Ever since that fateful day when he was nothing but a tall child sitting beside the cold corpse of his best friend, Yu Haibara, Nanami had simmered what would become a cauldron of absolute venom-dripping rage against Jujutsu Society.

To hell with saving other people — what about them? What about the teenager that would never grow to be a sorcerer, who became an inanimate nothing before ever getting the chance of making something out of himself? 

That face… Nanami could never forget it. It haunted his dreams, even a decade later. Such a stark contrast between the light-spirited smiles and this cold, gray monolith that laid in the morgue.

They had no right to rob their students from their youth, much less from their lives, but that's exactly what Jujutsu High did when they didn't even bother to check the mission appropriately before dispatching Haibara and Nanami to a certain death.

Nanami escaped, but just barely, by the skin of his teeth. Haibara, however, wasn't blessed with the same luck, and drew the short straw when his hitched final breaths met their end against Nanami's shoulder. Nanami, who carried his best friend on his back, desperately tried to win a losing race against death. 

Help was late to arrive.

They were too late for Haibara.

And, in a sense, they were too late for him, too.

The worst part, though, was when they were finally being transported all the way back to Jujutsu High. As he glanced over Haibara’s cadaver, now covered by a body bag, one particularly insensitive assistant very rudely stated, “at least there is a body to be buried.”

At least

There is a body 

To be buried

Those words echoed in his head for what felt like eternity. Was that the best they all had to hope for? To at least have remains left behind for the mourning?

In any case, that was why, even though he had to kill, Nanami never mangled any of his human victims — something not easy to do, given how his technique worked and how easy it was to split someone in half.

You had noticed this perverted benevolence while looking over the necropsy reports, a realization that just added insult to injury.

Let there be something for the funeral, I suppose, was what he told himself.

In his own twisted way, Nanami figured this was a kindness very few sorcerers received at their tragic ends, and decided he'd definitely be more compassionate than what Jujutsu High put their sorcerers through. 

In his eyes, those from Jujutsu High who died under his will were the ones granted a truly merciful death.

His peace was disturbed by the sound of the entrance door being brutally kicked in, flying its way across the living room. He pulled his blunt blade from the side of his armchair with his free hand, but quickly put it down when realizing it was you that had just barged inside.

He knew you very well — well enough to be certain you wouldn't come swinging at him immediately.

"I can see you still have a temper. Destroying the door wasn’t necessary, I would've opened it for you," he stated, sipping on his drink.

"I don't care," you retorted, "I guess you already know why I'm here, in any case."

"I do. You're here to carry out my death sentence," he stated, completely unbothered, as if talking about the weather.

As if he was just mundanely stuck in his ways. 

You huffed, placing your hand over your sword's handle.

"Precisely."

"We haven't spoken in a long time, why don't you take a seat?" Nanami inquired, pointing at the armchair right in front of him. "I want to finish my drink."

You glared at the curse user, as he, unfazed, kept gulping on his whiskey. Nanami was wearing a black buttoned shirt, black pants and black oxford shoes, and you couldn't help but see him as a grim reaper — this was a somber look, fitting for the equally somber man who carried it.

For a second, you took in his features — you hadn’t seen Nanami for a few years after the last time you crossed paths.

His shoulders had slightly broadened, and he still bore the same chiseled face, framed by his sand-blond hair neatly slicked back.

Nanami’s eyes traveled over you quickly, apparently doing the very same thing.

Time had left its marks. It was evident you both had grown up — and apart.

You knew this was a shit idea, but entertained it enough that you actually walked towards the chair and sat down. There were definitely things to be talked about, and you just about had a million questions for him.

Most of them, however, boiled down to what you immediately asked.

"Why did you do it?"

Nanami put his glass on the coffee table right in front of you.

"It was a necessary means to an end."

His words came with frost-bitten coldness, his voice embodying the monotone you once loved, but eventually, grew to hate.

You scoffed, incredulous at his reply, involuntarily clenching your fingers around your katana's handle as it laid on your lap.

"Necessary means to an end? Nanami, you killed teenage sorcerers!"

"As I said, and I don't like repeating myself," he interjected, "it was a necessary sacrifice for a greater cause."

"You're such a hypocritical, self-righteous ass!"

Nanami sighed, clearly displeased.

"We have always been able to keep some semblance of respect for each other, despite our… differences. Do not use that foul language with me."

You laughed bitterly, no amusement or fun in your voice as you did.

"Do you think I can still have an ounce of respect for you after what you did? You murdered my people! They were all sorcerers. You killed students, Nanami! Jujutsu High's students! Just like Haibara once was!"

He shot his eyes at you, and the aura of his cursed energy grew sinister at your words. 

"Don't say his name."

Yu Haibara, arguably the glue that kept the trio together. You were hot headed, Nanami was intransigent, and Yu was the conciliatory ray of sunshine that kept you two — but you, particularly — from constant quarreling as classmates nearly every day.

But back then, you'd argue with Nanami with love.

This wasn't the case now.

Not entirely, at least.

"He was my best friend too, the three of us were! Do you really think this is what he would've wanted?!" you questioned him, equal parts hurt and enraged.

"I'm not one to ponder on could've or would've been's. Haibara is gone."

"I'm not a would've been!"

You could still remember it. The day you realized why dealing with Nanami and hearing his sharp comebacks riled you up so intensely. 

You finally understood you were in love with him.

Ever since the first day you met Nanami, you envied the way he'd be able to keep his feelings in check when you constantly felt like falling apart. You felt jealous at how he was considered a greatly competent individual, regarded by all as the best of your class, while you were basically viewed as a ticking bomb nearing explosion. And finally, it made you livid the way how everyone treated him like the informal leader of the trio when the three of you were out on a mission together.

However, those were the same things that got you to admire your friend and, eventually, fall in love for him.

That day, you asked Nanami to meet you outside after class by himself — much to Haibara's dismay —, because you had something to tell him. It was a Tuesday afternoon, and the unforgiving sun of summer was already setting, casting an orange glow through the leaves of the tree you were both under.

After confessing your feelings for him and bracing yourself for being shot down, because why the hell would Nanami Kento, the brilliant, competent, and mature second-year, have any interest in the chaotic, hot headed mess you were, you realized he actually looked surprised. After taking a few moments to collect himself, Nanami told you how he had thought you actually hated him.

At last, somewhat nervous — but definitely intent on not letting it show —, he confided he had affectionate feelings towards you as well.

Your first kiss was awkward, as it would be expected out of two inexperienced people such as you and Nanami were at that age, but it carried the sweet taste of a blue spring marked by teenage years' innocence.

It felt like a promise.

Unfortunately, such promise was unmercifully cut short the very next day, when Nanami and Haibara were dispatched to their life-changing mission.

What an irony it was that, in the end, you were the one to actually mature over Haibara's death, growing up to be an upstanding sorcerer, loved and admired by peers and students alike, and Nanami was the bomb to blow up in everybody's faces.

What a cruel irony.

"I was there too, and I'm still here, having to pick up the pieces of what you deliberately destroyed!" you rasped, angrily.

"You weren't a 'would've been'? Where were you when we needed you? When I needed you?" his voice didn't conceal the tinge of hurt that those questions carried.

What a fucking low blow.

"Nanami, that's not fair. There wasn't anything I could've done in that situation, and you know that!"

You blamed yourself for a while for not going on that mission with them, until you realized that you too would probably have died if you were there. From the three, Nanami was the only one strong and fast enough to pull off an escape like he did.

He diverted his gaze back to the window.

"You were the one to bring up hypothetical scenarios. Let's indulge in them for a minute, shall we?" 

Nanami glanced back at you, and his next words brimmed with bitter resentment, even if his voice sounded more calm and collected than ever.

"You see someone you supposedly love slowly sinking into darkness. What do you do?"

"Don't you dare, you condescending prick! I asked you so many fucking times what was going on. You were the one who shut me out!"

Your voice carried a decade-old pain that resonated from the depths of your soul.

It came from all the times you entered his dorm room with his favorite sandwich after he had cooped up in there for days on end, and he didn't even bother to eat it. Every time you asked him to talk to you, said you were there for him, and was met by a vacant stare.

And, at last, the time when he cruelly blamed you for not being there when Haibara died.

The way he coldly told you about Haibara's last words.

According to Nanami, Haibara said he wanted to speak to you one last time, at least to bid you farewell.

And you weren't there.

Oh, the viciousness with which he blamed you, and decided you owed him something for this perceived failure. 

The next time Nanami talked to you, he asked you to leave Jujutsu High with him, just like Geto did, and swore to destroy them. You tried, pleaded, implored for him to reconsider and stay, but the very following day, you were met by an empty room where the person you once loved used to be. 

That emptiness had, paradoxically, filled you wholly with grief.

Gojo once told you that nobody could save someone who didn't want to be saved.

You still thought you should've tried harder, in a childish attempt at giving yourself an illusory semblance of control over that clusterfuck of a situation.

This is the gap inside our psyche that feeling guilty tries to fill, isn't it?

We can only feel guilty about the things we could've changed, right?

Your voice sounded decades older than yourself, burdening the weight of multiple lifetimes of hurt and grief. Your soul was too old for your own good.

"How can you find it in yourself to blame me for this?! No… This is a prison of your own making. You built the house of cards that is tumbling down on your head as we speak entirely by yourself."

He huffed intensely through his nostrils — Nanami’s version of a snort —, looking the other way before proceeding, each syllable hitting you with the deadly precision of his cursed technique.

"You abandoned us, leaving me and Haibara to fend for ourselves, just like Jujutsu Society did."

By that point, you began yelling, and your voice reverberated all across the room.

"The hell I did!"

You had to take a deep breath before proceeding.

"I just couldn't get behind this dumb idea that we should become curse users and bring down Jujutsu Society."

"Why didn't you come with me?" he finally asked, in an amalgam of pain, sadness, longing, anger, and stinging resentment. "I would have followed you to the deepest recesses of hell if you asked me to."

You huffed, laughing angrily in between your teeth, before thrusting your words like thorns against him.

"Funny you should say that. You'd go anywhere for me? How about staying? Why couldn't you have stayed for me, then?!" 

Perhaps that request was egotistical, but you didn't care. If only for a moment, you wanted to give yourself this small privilege — to want in a world of duty.

"I was the one actually left to fend for myself, right inside the belly of the beast, and you couldn't have cared less."

He stared at you, nothing in his eyes other than the void left behind after his spirit got killed with his best friend so many years ago.

"I didn't stay because… Because," Nanami stated, with a grave finality, "and you're the one who chose to stay. You're still actively choosing to, just like you did back then."

"That's not a good enough answer," you replied with a bad taste in your mouth.

"It's what you've earned," he coldly replied, "but in case you change your mind-"

"Enough," you interrupted him, incredulous that even after everything, this man had the nerve of suggesting you'd ever be interested in running away with him. "It appalls me you would even consider I could… After what you've done? No, never."

Nanami sighed, and for a brief moment, seemed to be actually disappointed under his resigned, polished visage.

"Well, then. Let's get this over with, at once."

In a split second, you pushed your chair on the ground, falling on your shoulders and rolling on your back, dodging his lightning-fast attack. It left a crater behind, right where you were seconds before. Nanami jumped over the fallen armchair, and you dodged him once again, spinning on your heels, unsheathing your sword as you did so, to deal a beheading blow on the back of his neck.

However, right before impact, you faltered, slowing down your movement.

Your own body held you back from taking his life.

He didn't seem to notice.

Nanami bent down just in time to avoid the blow, and swung his blunt blade towards your kneecap. You were quick on your feet, and jumped back, putting a good distance between the both of you.

"I can see you're actually fighting to kill," he noted, getting up on his feet.

"Of course. That's what I came here to do," you spat in his direction.

"You were never the practical one."

You scoffed.

"Guess I learned something from you."

He smiled at the irony of that, but his eyes didn't follow his expression. 

Nanami lunged at you, but while you thought he'd deal his next blow in your direction, he hit your footing, having you fall on the ground. Abruptly, his blunt blade descended in your direction, but you were able to catch it and have it slip to your side using your katana supported by your hand behind it, sending a sharp, loud sound around the vicinity, trembling against the bones and flesh of the house.

You rolled on your side when he struck a new hit in your direction, leaving another gaping hole on the floor, and you jumped yourself up. 

Before you could attack him, however, he took you by surprise, and you lifted your sword to defend yourself. Nanami hit your katana with his blunt blade, breaking it near where the handle and the steel met, launching your body back on the wall.

The impact knocked the air out of your lungs, and you fell to your knees, unable to recover yourself as you got up. Instantly, you heard his quick, steady steps sprinting their way in your direction.

You were cornered.

This is it.

You braced yourself for the impact, closing your eyes. You remembered his technique perfectly.

Precise, just as he was.

Deadly, just as he was, too.

You were to die at the hands of the man you loved, who had become a murderer and only a distorted, broken version of whom you used to truly love.

This seemed like an oddly cruel way to go.

However, the impact never came.

His blunt blade stopped as it was about to hit your stomach, and you opened your eyes, just to see his face mere inches apart from yours. His mountainous form blocked your view from anything else behind him, and Nanami, at that moment, actually looked like the menace he truly was. 

“Why were you appointed as my executioner?” Nanami asked, much to your surprise.

“I asked to be,” you answered, holding his gaze as something went through his eyes. A hint of anger, most likely, and some sense of betrayal, certainly. 

“So, you want to kill someone you once loved? You were always prone to self-penitence, so it stands to reason you’d do something idiotic like that.”

You scoffed, grimacing at him, feeling your entire body incandescent with rage.

“I fucking hate you, Nanami.” 

He inched his face even closer, brushing your noses against one another, eyes stone-cold and hauntingly vacant.

“I hate you as well.”

For a moment, you wondered if he had really stopped his blade before impact. You didn't expect it, but hearing those words felt like you just had been hit, victim of a blunt trauma, at how much they tore you apart. 

The same blunt trauma that severed the Nanami you once knew — the teenager with bangs, who'd always be carrying around a few spare changes to get soda cans from the vending machine for you and Haibara, in his own understated kindness — and this empty monster looking back at you.

"Good. Finish me off, then, and get your revenge for a crime I never committed. Being unfair and an all-around self-centered asshole certainly suits you, fucker."

His hand made its way up your neck, and you were pressed against the wall. The grip was firm, but not enough to choke you — it came more as a warning than anything else.

"I already told you to stop using that foul language with me," he ordered, low voice simmering with genuine irritation.

"Then make me," you challenged him, hoping for this torture to be over as fast as possible.

Just fucking kill me already.

His blunt blade fell with a thud on the floor, and you were confused for a moment, wondering if he really wouldn't give you the kindness of a quick demise. Did he plan on choking you to death?

Did he hate you that much?

His other hand came up, but before you could do anything to try to resist — which would be nothing but a futile attempt at survival, given that Nanami was physically much stronger than you —, his fingers snaked their way through the back of your hair, tugging it at the roots. 

His mouth clashed against yours, all teeth, tongue, anger, and hunger, and instantly every nerve in your body flared up with a raging fiery ember you hadn't felt in years. All the pent-up resentment, hurt, and desire you had for Nanami swirled together in your gut, guiding your hands up his hair, as you also pulled on it intently, robbing him of a gasp.

You intertwined your tongue against his, and he unceremoniously bullied his own inside your mouth, leaving no crevice unexplored, as his hand on your neck descended towards your waist, where he clenched his fingers with a vicious grip. You whimpered against his lips, and he grunted in return, pushing his body on yours. His throbbing growing cock could be felt, even through both of your clothes, as he pressed it right against the edge of your pants.

When you finally parted after what seemed like a not-long-enough eternity, you huffed and panted, and albeit less than you, he was panting too.

"I fucking… hate you…" you gnarled, glaring into his eyes. The hazel-brown gaze you once adored was now clouded and dark, like the muddy waters of a deep lake.

"Shut the fuck up," Nanami groaned back, strongly cupping your cunt with his large hand. You whimpered in surprise, and he pulled you in harshly for another kiss, letting go of your hair and sex to sink his fingers on the backside of your thighs, pulling them. You immediately jumped up and threw your arms around his shoulders, as he manhandled your legs to have them hooked around him.

He quickly took you both inside the room, and tossed you on the bed, having you gasping in surprise. Before you could catch your breath, he climbed his way on top of you, pressing your body down, and clashed his mouth against yours again, making you actually lightheaded from a lack of air.

You pushed against his chest, grunting uneasy, and surprisingly, he parted his lips from yours.

"What?"

You panted heavily, nearly hyperventilating, and mindlessly rested your hand on his cheek.

"C-can't breathe…" was all you mustered up to say, trying to replenish oxygen back into your system.

His eyes softened so discreetly you nearly missed it, and his cold-ivory enclosure slightly cracked under the affectionate touch he didn't expect.

Nanami had no idea how much he had craved it ever since you parted ways, and hated himself, just a little, for how much such an innocuous gesture stirred his old feelings up, throwing his heart against his chest in a fluttering rush.

I should be over her by now, dammit.

Nanami also brought his hand up your face, and ghosted over your cheek for a second before sliding his fingers delicately down over it.

You also weren't prepared for that, and your chest tightened all over your heavy heart as you remembered your first kiss.

The way he'd cup your face in his hands.

 So delicate, so lovely.

This touch, at this very moment, felt like a painful reminder of everything you had lost.

"Kento…" you cooed, voice strained in your throat, with all the things you were sure you'd never say.

He hummed your name in return, and kissed you while sinking your body against the mattress. This kiss was different, as his lips brushed gently over yours, and his tongue tenderly teased over the seam of your mouth. You welcomed him in, and you both explored these deep waters tentatively, as he upped the intensity after each stroke of your tongues against each other.

He tasted like whiskey, and bread, and the tainted love left behind as nothing but a reminiscence of less grueling days. You couldn't help but feel robbed by him.

You both had been missing out on this for all these fucking years.

"Why did you have to go?" you asked, pulling back from him, a tinge of anger to your cadence, and another of pain in your face.

"Why did you have to stay?" he spat back at you, equal parts saddened and resentful.

His mouth made its way to your neck, and you gasped with the sensation of his warm breath mingled with saliva against your skin, as he licked and bit his way around.

You couldn’t find it in yourself to push him away, and your eyes burned with the prickling sensation of tears that wouldn’t come. You were starved for his touch, his smell, his body, even if this was the murderer of your students, of your friends.

In your head, you felt like digging a hole and throwing yourself in it, to wallow in the misery of realizing that you were about to fuck the murderer of people you loved, and that it felt good.

A pool of heat and fire shot down your insides as your heartbeats throbbed in between your legs.

You hated yourself, and on top of it all, hated Nanami. 

Hated that you couldn't help but still love him, even after all he had done.

This was the setting tension in between the both of you, the two extremes of hate and love pulling against each other, all while the tug of war rope refused to snap to either side.

He pulled your shirt over your head, tossing it aside, and you undid his shirt, unzipping his pants. He unzipped you too, and quickly enough, took off your pants along with your panties with a single sharp tug.

Back to rough, but not entirely, it seemed.

His hand glided against your thigh and his fingertips slipped over your entrance, getting completely glazed by your already dripping arousal. He grunted, a guttural and intense sound deep in his chest, giving you another bite on the soft skin of your neck.

"Hate me?" Nanami asked, teasing his digits over your cunt, "doesn't seem like it."

You managed to scoff at him, which would prove to be a mistake.

"Go fuck yours-"

Before you could finish your sentence, he dove two of his fingers inside knuckle-deep, without any hint of a warning, forcefully stretching your walls around them. You immediately let out a whimper so pitiful you wondered if that was really your voice.

He seemed satisfied at that. Perhaps, even elated.

"Good girl," Nanami whispered right beside your ear, nibbling against your earlobe with his teeth, sending shivers down your spine. He began sliding his fingers in and out, and you bucked down against his hand while moaning and mewling, walls sheathing his digits as he finger-fucked your cunt, neglecting your clit as punishment for calling him a condescending prick earlier.

His palm rucked against your dripping folds, echoing wet slaps all throughout the room, as your arousal kept pooling on his palm.

He mumbled softly against your skin, bringing his mouth up to brush against yours, "hate… you still love me."

You instantly drew one of your hands to slap him in the face for this hurtful teasing, but he had quick reflexes — quicker than yours. He dodged himself back as your hand hit the empty sheets, and edged his fingers to hit against your soft spot, pressing it so violently, you let out a strained cry from the shooting overstimulation pain.

"Ah- Shit!" you shouted, face all scrunched up.

"Can't you behave for once?" he chided, "why is it so hard for you to j-just-“ 

Nanami’s breath hitched in his throat as he grunted, unable to finish his sentence.

You shut him up the only way you could think — grabbing his cock harshly over his boxers. It was extremely effective, and he immediately humped his length against your hand, while lowly groaning.

With trembling hands and a violent snap, you haphazardly pulled his boxers down to his mid-thighs, as his fingers kept mercilessly bullying their way inside you, sending vibrating waves all throughout your body with every thrust.

“Stop… telling me… ah-aaah-“ you rolled your eyes back with a loud moan, struggling to keep a train of coherent thought, gnarling your next words,  “what to… ah- do!”

His cock sprang out, slapping against his belly. The tip was already flustered red, leaking with pre-cum, and had a long, prominent vein on the underside.

To punish him back for the roughness, you grabbed his length with one hand, and with the other, pressed the middle of your palm against his flushed tip, glistening his arousal around it with enough force to jump across the divide between intense pleasure and painful overstimulation.

Nanami cursed with a feral voice through his teeth, immediately biting the side muscles of your neck with no semblance of restraint, making sure to leave a purple remnant of pain etched on your skin.

“Ah- ouch! Fuck!” you spat out, tightening your grip around his cock, but weakened enough to release the tight pressure against his tip, letting him fuck into your hand. His hips bucked erratically, and his lips pressed a quick kiss right where he had previously bitten.

He couldn't help it.

Suddenly, Nanami stopped his rutting fingers to press his thumb against your already throbbing clit. That instantly had you seeing stars as you cursed loudly in between moans and grunts, drawing your free hand to his head, ferociously tugging at his hair, as heat pooled in your lower abdomen like fiery embers of coal.

He grabbed your arm, pulling it away from his shaft, and removed his fingers from your walls, having them clenching around nothing at such a sudden emptiness. You began complaining, only to have your voice cut short by his tongue slipping its way inside your mouth, in a sloppy, wet kiss. 

Parting from you, Nanami’s eyes were glassy, and you were absolutely sure your gaze must’ve looked just as hazy as his.

In a brief moment, before you realized it, he slid himself down, and unceremoniously lapped at your already sensitive clit with his warm tongue, hot breath tickling against your sensitive skin.

Both of your hands descended towards his hair, brushing over his golden and now messy locks more tenderly than you expected. Nanami suddenly shivered and moaned into your cunt, edging his tongue down your folds and back, eyes fluttering shut the moment he tasted you entirely.

He felt a tinge of pain clench at his chest, realizing this was the taste he had missed out on for all that time — your taste, which would surely ruin him forever.

Nanami’s pain, however, was quick to turn into outrage, as he began sucking on your clit relentlessly, eliciting the most animalistic sounds you had ever uttered.

You instinctively tried backing away, and he pulled on your thighs, holding them with such a violent force that his hand was sure to leave an engraving of his digits over your plush skin.

Nanami was intent on dragging this orgasm out of you by any means necessary.

You had never given him anything he wanted from you — be it the company to fight against Jujutsu High or the same unwavering loyalty he had for you. So this was something he’d take.

If you wouldn’t be by his side, then the least you could do was to cum for him so fervently, he’d be sure to ruin you just as much as he felt like you had ruined him. You owed him that, or so Nanami thought.

“Aaah-- Kento! S-slow d-… fuck!”

You came with a thunderous shout, jolting your hip forward as your thighs tightened with inhuman strength to the sides of his head. Nanami made sure to deliciously lick your way down from your high, applying such a precise and perfect pressure on your clit that you could’ve wept from sheer satisfaction.

After your legs went limp, he slowly climbed his way back to you, pressing kisses all over your body, leaving a ghost of heat wherever his mouth traveled. When Nanami finally reached your face, he put his forearms against your sides, hands over your shoulders, caging you in, as he pressed his mouth against yours in a slow kiss.

You were floating in a calm sea, salty waves caressing your body every time they passed through, and it felt cozy. Inviting, even. As he parted his lips from yours, Nanami gazed into your eyes in the way he used to.

For a second, you got catapulted into the past, and the orange sun that warmed your cheeks through the leaves as you kissed for the first time seemed to shine its rays over again.

With his arms around you, the nonsensical feeling of being protected washed over your heart.

“Come with me,” he whispered with a sultry, husky voice. 

“Kento…” you cooed, sighing, wanting nothing more than for this moment to extend for infinity.

But it couldn’t.

You didn’t go with him, so many years ago.

And wouldn’t go now, either.

That wasn’t how it worked for the both of you.

Nanami understood it, and what seemed like another crack against his unwavering walls had formed the moment his brows furrowed above his eyes.

“Fine, then,” he said, with a tinge of genuine hurt to his voice.

You parted your thighs to accommodate his hips, and he obliged, guiding his hand down to align his cock against your entrance. You bent and hooked your legs around him, pulling him in, and as the tip of his length got pressed against your dripping cunt, he gasped slightly over your lips.

Nanami sunk in slowly, going through your already relaxed ring. However, it apparently wasn’t relaxed enough, or perhaps he was just too big, because you could feel every inch of stretching his cock made against your walls as he slowly bottomed out inside your cunt.

His mouth fell open and you exhaled a moan into it, breaths mingling together. You two drank each other in. Nanami pressed his forehead against yours, and you both held each other’s gaze, as he pulled your left wrist above your head, holding it there, pushing you down the mattress by your waist with his other hand.

After a moment for you to take him in, Nanami began rolling his hips into you, while his hand kept bruisingly pressing your wrist against the mattress. You could feel his balancing act of trying to love you and wanting to hurt you at the same time.

You weren’t so different from him in that sense, though. Your nails got dragged down his back with abrasive force, and for a second, you considered drawing blood from him. He grunted, and you saw the spark of cold-hearted anger flash through his now dimmed eyes.

You both wanted to love each other just as much as you wanted to hurt each other.

In a more forgiving universe, perhaps, he’d hold your hand tenderly, intertwining his fingers in yours. Maybe you two would be in the kitchen as he showed you one of his favorite bread recipes, and share quiet moments of understanding companionship when remembering those who had left this world too soon.

But this wasn’t that universe, unfortunately.

He was to die, and you were to carry out his execution. 

Except you couldn’t, because even if you still tried to cling on to any sliver of morals, even if his life was something yours alone to take, the mere thought of a world without Nanami was far worse than the reality of a world in which he was a murderer.

You insisted on fighting a losing game, and much to no one’s surprise, you lost. 

Good riddance to me, I suppose.

His grunts came hitched and stuttered against your mouth as he was now rutting himself into you, biting your lower lip hard enough to almost pierce the skin with his teeth. You moaned loudly, dragged around with pain and pleasure, the combo that seemed to summarize the gist of your relationship.

He let go of your wrist and descended his hand without a warning towards your already overworked clit, glazing his thumb against the ring of arousal you were leaving around him before starting to make circles around your nub. Your moans came out cracked and faltering, as you tried to resist the instinctive urge of fleeing that the overstimulation was eliciting.

“Give me… one more,” Nanami groaned lowly against your cheek, planting multiple kisses down the side of your face and your chin. His hair — which had already fallen from its usual slick arrangement — brushed against your fluttering eyelids, momentarily weaving golden sand colors over your your vision, and you drove both your hands to the back of his head, pulling him in for another kiss. 

You could kiss him like this forever. 

You actually wanted to, at that moment.

To his request, you nodded, and this was probably the first time you acquiesced to any request Nanami had ever made to you. 

Fulfilled, his thrusts and his finger over your clit became increasingly erratic, as he was now moaning your name against your mouth. You pushed your tongue over his, sliding your hands up his head to tug at his roots, and that was all it took to tip him over the edge.

Nanami came with a muffled groan, having your tongue still pushed inside his mouth, and kept pumping himself inside you trying to keep the comedown at bay. His thick, white cum got glazed all over inside you, and the slaps of flesh and skin began sounding ever more wet than they already were.

You weren’t so far off, with your walls fluttering around him, and he noticed it, keeping his now trembling thumb pressed and circling intently over your clit. With one perfectly applied nudge on your sensitive bud, Nanami finally pulled you over the edge along with him.

Some tears began pooling on the edges of your lashes, and all your emotions — anger, sadness, grief, longing, and a particular brand of despair you cultivated during the last decade — came crashing down as he wrenched your second orgasm from you.

Your body convulsed under him, fluttering walls expelling his softening cock out, as you shouted and grunted into his mouth. You didn’t know if you were more furious at yourself for still loving him, at him for loving you, or at Jujutsu Society for jumbling you both like pawns to be tossed around until you two were broken beyond repair.

Angry at them for sending the young out to have their spirits crushed too soon. For all the deaths no one got to mourn because there was too much work, too little time, and the wounded were always left behind to fend for themselves.

Just like you were.

And just like Nanami was.

You sat at the edge of the bed while putting your shirt back on, and looked back at Nanami, who had his buttoned shirt open over his chest.

“Are you still resolute on your decision of not coming with me?” Nanami asked, with a tinge of eagerness. Or maybe it was just your imagination.

You pondered for a moment, and knew exactly what the answer to that question was.

“Yes. I’m not coming with you.”

For a second, you caught the faintest glimpse of the person he used to be. Something aching to genuine disappointment.

The longing that flashed through him, unfortunately, was quick to go, as he began buttoning his shirt down, averting his gaze elsewhere.

“Why?”

“Because I’d hate myself for the rest of my life if I did,” you stated, sighing before continuing, “and it’s not because I can’t kill you or because I love you that I don’t despise you. You crossed an uncrossable line.”

He pursed his lips, and almost felt regretful for the path he chose.

Almost, since regret now would come ten years too late.

“You can’t go back. They will know you let me go,” Nanami remarked. Be it from him or from looking around this house, Jujutsu High would surely hold you accountable for this — for willingly letting the curse user and murderer, Nanami Kento, escape their wrath.

“I know that,” you replied, a tad bit more defeated than you expected, “that’s why I’m fleeing to Hokkaido.”

He sighed and looked at you. You held his gaze, feeling a little hint of anxiety at what he seemed to be simmering under the surface.

With a warmer expression — or as warm as he could muster it up to be  —, Nanami spoke again. 

“I truly want you to come with me. You’d be safer. We’d… be by each other’s side.”

For a moment, you faltered, open lips with no sound coming out of them. Blinking yourself back to Earth, you asked, “you mean together?”

Nanami kept silent, but nodded, waiting for your response.

He wasn’t just asking for you to come with him, but to be with him.

You wanted to. You did. Something Nanami never knew was just how much you wanted to follow him when he asked you the same thing, so many years ago.

But even though you wholeheartedly loved him with every minute part of your being, your loyalty lied elsewhere.

Not with him, but with the people he had killed.

Well, at least that was the comfortable lie you were capable of living with.

It would destroy you to realize the loyalty you had for the murderer of the people you loved. 

In the end, even if you weren’t a teenager anymore, you were just as much a hostage to your feelings as you had always been.

The ticking took a long time, but the bomb eventually went off.

With a decade’s old delay.

“I… just can’t. I can’t.”

Nanami reclined himself against the wall over which the bed rested, closing his eyes as he supported the back of his head on it. 

He never told you, but this moment broke his heart all over again.

He felt pathetically small.

Guess we get what we deserve, after all.

“You really do have a taste for penitence,” Nanami noted, his voice barely concealing the bitterness that tainted those words.

You scoffed, getting up on your feet, ready to leave as the first rays of sunshine began bleeding through the thick curtains that covered the bedroom’s window.

“Go to hell.”

He chuckled, a sound you hadn’t heard in a very long time. However, it sounded off-key. Wrong.

Sad.

“We’re already here.” 

At the end of it all, he wasn’t wrong.

You were doomed to always keep leaving each other.

If only the world had been a little kinder.

But kindness, it seemed, wasn’t in the cards for you.

End notes: I’m silently screaming. Oh my, this one took way longer than expected, but I enjoyed the writing process during every step of the way (I mean, if that wasn’t evident already from the fact that I made a playlist for this 😂). I forgot how much I was a sucker for gut wrenching angst. Hope you enjoyed it too! 🦉

-

Tag list: @actuallysaiyan @diogodxlot @jadedjane @redlikerozez @voiceless9000

@marvelousfanfictionbitch @kentocalls @ohhheymessa @magical-girl-b @simp-manhwa

@codenamesongbird

[intheholler]

the appalachian murder ballad <3 one of the most interesting elements of americana and american folk, imo!

my wife recently gave me A Look when i had one playing in the car and she was like, "why do all of these old folk songs talk about killing people lmao" and i realized i wanted to Talk About It at length.

nerd shit under the cut, and it's long. y'all been warned

so, as y'all probably know, a lot of appalachian folk music grew its roots in scottish folk (and then was heavily influenced by Black folks once it arrived here, but that's a post for another time).

they existed, as most folk music does, to deliver a narrative--to pass on a story orally, especially in communities where literacy was not widespread. their whole purpose was to get the news out there about current events, and everyone loves a good murder mystery!

as an aside, i saw someone liken the murder ballad to a ye olde true crime podcast and tbh, yeah lol.

the "original" murder ballads started back across the pond as news stories printed on broadsheets and penned in such a way that it was easy to put to melody.

they were meant to be passed on and keep the people informed about the goings-on in town. i imagine that because these songs were left up to their original orators to get them going, this would be why we have sooo many variations of old folk songs.

naturally then, almost always, they were based on real events, either sung from an outside perspective, from the killer's perspective and in some cases, from the victim's. of course, like most things from days of yore, they reek of social dogshit. the particular flavor of dogshit of the OG murder ballad was misogyny.

so, the murder ballad came over when the english and scots-irish settlers did. in fact, a lot of the current murder ballads are still telling stories from centuries ago, and, as is the way of folk, getting rewritten and given new names and melodies and evolving into the modern recordings we hear today.

305 such scottish and english ballads were noted and collected into what is famously known as the Child Ballads collected by a professor named francis james child in the 19th century. they have been reshaped and covered and recorded a million and one times, as is the folk way.

while newer ones continued to largely fit the formula of retelling real events and murder trials (such as one of my favorite ones, little sadie, about a murderer getting chased through the carolinas to have justice handed down), they also evolved into sometimes fictional, (often unfortunately misogynistic) cautionary tales.

perhaps the most famous examples of these are omie wise and pretty polly where the woman's death almost feels justified as if it's her fault (big shocker).

but i digress. in this way, the evolution of the murder ballad came to serve a similar purpose as the spooky legends of appalachia did/do now.

(why do we have those urban legends and oral traditions warning yall out of the woods? to keep babies from gettin lost n dying in them. i know it's a fun tiktok trend rn to tell tale of spooky scary woods like there's really more haints out here than there are anywhere else, but that's a rant for another time too ain't it)

so, the aforementioned little sadie (also known as "bad lee brown" in some cases) was first recorded in the 1920s. i'm also plugging my favorite female-vocaist cover of it there because it's superior when a woman does it, sorry.

it is a pretty straightforward murder ballad in its content--in the original version, the guy kills a woman, a stranger or his girlfriend sometimes depending on who is covering it.

but instead of it being a cautionary 'be careful and don't get pregnant or it's your fault' tale like omie wise and pretty polly, the guy doesn't get away with it, and he's not portrayed as sympathetic like the murderer is in so many ballads.

a few decades after, women started saying fuck you and writing their own murder ballads.

in the 40s, the femme fatale trope was in full swing with women flipping the script and killing their male lovers for slights against them instead.

men began to enter the "find out" phase in these songs and paid up for being abusive partners. women regained their agency and humanity by actually giving themselves an active voice instead of just being essentially 'fridged in the ballads of old.

her majesty dolly parton even covered plenty of old ballads herself but then went on to write the bridge, telling the pregnant-woman-in-the-murder-ballad's side of things for once. love her.

as a listener, i realized that i personally prefer these modern covers of appalachian murder ballads sung by women-led acts like dolly and gillian welch and even the super-recent crooked still especially, because there is a sense of reclamation, subverting its roots by giving it a woman's voice instead.

meaning that, like a lot else from the problematic past, the appalachian murder ballad is something to be enjoyed with critical ears. violence against women is an evergreen issue, of course, and you're going to encounter a lot of that in this branch of historical music.

but with folk songs, and especially the murder ballad, being such a foundational element of appalachian history and culture and fitting squarely into the appalachian gothic, i still find them important and so, so interesting

i do feel it's worth mentioning that there are "tamer" ones. with traditional and modern murder ballads alike, some of them are just for "fun," like a murder mystery novel is enjoyable to read; not all have a message or retell a historical trial.

(for instance, i'd even argue ultra-modern, popular americana songs like hell's comin' with me is a contemporary americana murder ballad--being sung by a male vocalist and having evolved from being at the expense of a woman to instead being directed at a harmful and corrupt church. that kind of thing)

in short: it continues to evolve, and i continue to eat that shit up.

anyway, to leave off, lemme share with yall my personal favorite murder ballad which fits squarely into murder mystery/horror novel territory imo.

it's the 10th child ballad and was originally known as "the twa sisters." it's been covered to hell n back and named and renamed.

but! if you listen to any flavor of americana, chances are high you already know it; popular names are "the dreadful wind and rain" and sometimes just "wind and rain."

in it, a jealous older sister pushes her other sister into a river (or stream, or sea, depending on who's covering it) over a dumbass man. the little sister's body floats away and a fiddle maker come upon her and took parts of her body to make a fiddle of his own. the only song the new fiddle plays is the tale about how it came to be, and it is the same song you have been listening to until then.

how's that for genuinely spooky-scary appalachia, y'all?

[the-modern-typewriter]

Hi

It's been brought to my attention that there are people out there who are sadly plagiarising my work again.

1. This is not okay.

To clarify, while I'm very happy for people to take inspiration from my stories (in the same way you might any book you read from a bookshop), I don't want my work used or reposted without credit.

I'm not going to go into lengths on why it is wrong to plagiarise someone else's writing. I don't think my tumblr post is magically going to change anyone's mind, especially as if you've followed me long enough you know we've done this rodeo before.

So.

2. How to tell when writing is plagiarised

It can be very difficult to tell when something is plagiarised, especially if we have never come across the original work before and have no reason to recognise it.

I don't think it's realistic for everyone to vet everything they come across online for plagiarism, but it's also something I don't see talked about a lot for fiction.

These questions to ask yourself are not foolproof and not applicable to everything. But I think they can be a start.

If the writer has posted more than one story, is there a similarity across them? While writing style can change across an author's different pieces, there is still usually going to be a similar feel across stories if they came from the same person. Writers have voices and quirks and little things that are specific to them. If every piece feels wildly different then it might be coming from different places. This is probably going to come down to gut reaction and instinct in the first instance. But that's okay. Because that gut reaction is just there to make you think twice and maybe investigate more thoroughly.

How much are they posting? Can people churn an extraordinary amount of words out? Yes, sometimes. But...as a general ballpark, no. Writing takes time and effort. If someone is coming out with enormous amounts of writing every day or week or month or whatever, then this can be a hint to look a little closer.

Do you ever see hints of their writing process? Can the writer talk about their characters or what they want out of the story or anything like that? Do they ever post a story organically in response to a request or whatever? Not all writers know in-depth everything about their story or characters or plot, but the main point here is that the finished product is the tip of the iceberg. If someone is a writer than there is more going on beneath the surface of the posted stories.

I hope this helps!

[bunnwich]

It's Supposed to Be Fun

(a letter to my friends in the twst fandom)

I've been wanting to make this post for a while and these thoughts may seem scattered but I’m gonna try to express them. 

Lately, I have seen many friends and moots that either are leaving the fandom or feel guilty over not having posted in a while or losing interest in twst. On the other side, I also have friends being harassed.

This a reminder to remember why you joined this community to begin with. I know that keeping up with the fast-moving pace of fandom and comparing ourselves to others, can skew our perspective on these things.

It’s supposed to be fun. 

Why do we post art or write? Sure, partly for recognition, there's no denying that. But, why do we create, I mean really? For enjoyment. Not for others, not to be “popular” FOR JOY.

So, whether you’re dealing with people critiquing you or feeling guilty about not creating. My question is this: Why waste so much of your time on something that makes you miserable?

Did it stop being fun? Why? Haters? Loss of interest?

To my friends who feel guilty for not creating and not sure if they lost interest in twst: 

Don’t feel guilty. At one time, the creation of your twst content was natural. It's what you did for fun with friends or for yourself. Revisit that mindset and think - if creating twst content now will bring that same joy it did before.

If the answer is no, then maybe it’s time to pivot. It’s okay for interests to fade. It doesn’t mean that time, memories, or the friends you made are lost. Connect with your friends, we will understand! We still love you! It's not a race there's no time limit, just pick up were you want to. Draw fanart of old events or OCs.

To my friends who have been harassed: 

I say this with sincerity…. People who harass others over fictional characters are fucking losers.

Like… There’s no other eloquent way to encapsulate it. I’m starting to not care for the reason anymore - If you harass or be shady to others over a ship or fictional character. CONGRATS! YOU ARE A LOSER.

We all join fandoms as a hobby, for fun. We’re all just kids in the sandbox playing pretend again… and if you are the type of person to go up just to “kick the doll out of someone’s hand" or make commentary on how “their way of playing is wrong." You’re a loser. I have a life outside of twst, we all do. Someone saying my ship is wrong or cringe is just so laughable to me. We have to make fun of these people more for being so goddamn lame.

Imagine being so unhappy that when you see someone having fun you HAVE to comment on it. By all means, if it gets you through the day...talk shit to close friends or even post about it on your own blog. (THAT WAS ALWAYS ALLOWED.) Don't bother creators directly. Don't be a loser. I sure see tolerance leave people’s bodies when they see a fandom opinion they don't like. (And this is coming from someone who has lots of opinions on these things! But that's why I always put the disclaimers that, hey this is just MY opinion.)

Discussion is one thing, unhelpful comments are another. We shouldn’t give these people the time of day. Curate your online space. Yes, when you post things online you are subjecting yourself to scrutiny. But, we as creators need to stop letting these people have power over us. Period. We do this for free!! FOR FUN. The best thing you can do is create shamelessly.

Delete weird replies, block whoever you need to do to rid yourself of these people who have nothing better to do. Keep your peace. It’s supposed to be for fun. You don’t owe anyone a response.

The twst fandom is like a little family to me and I guess I feel protective over the people in it?  I have made many friends and memories because I joined it. And even dispite a handful of the negative experiences (AKA: A couple of “losers" that I’ve had to deal with.) I’ll always look fondly back on this time.

The key for me has always been to just…create for myself. I originally made bunnwich for me and one friend to make fun little arts about our Yuu’s and now I get to have lots of friends to share it with! I’ve transitioned from an OC blog to probably more of an Oc x Canon blog…but I don’t care tbh. I just…draw what I feel like. I know there are people who probably dislike me for that or feel strange about my content and that’s fine. I’m still gonna keep drawing it, loser.  

And I just want you guys to do the same, twst or not.

I can’t forget that all my followers and friends are a bonus, if I had never joined tumblr I’d still be drawing the silly shit I draw in peace. And while yes, I do want to grow as an artist and sell more merch and keep growing... I can’t forget my initial excitement for this silly little game. I like to talk about it. I like to write about it. It inspires me.

It’s supposed to be fun. Please remember that. I know it can be discouraging to have others being shitty to you. Or going through a creative drought. But, try not to let this stop you from creating what you love.

[81folklore]

older - CL16

pairings: charles leclerc x male!singer!reader (fc: luke hemmings)

summary: singer yn ln releases a love song with his boyfriend, and the public are not prepared for who it is about

authors note: this has been on my mind for SO LONG. i honestly dont like how many fics ive been doing on the same people (charles, lando etc) but whenever i go to start a new one on my list for someone else i think of something that i have to do😭 also in this reader is not a part of 5sos but close friends with the 3, wfttwtaf is readers album and older is exclusivly the readers song

authors note 2: i wanted to quickly clarify i am NOT speculating that charles or luke are gay/queer and this is not my intentions. luke obviously sings older and i find it easier to visualise it this way, while the reader in this is male, this could also be read as gn!reader. this is FICTION please do not tkae this as me speculating anything

authors note 3: i didnt really know what i was doing with this so its kind of all over the place and very rushed :/ but then again when arent my smau all over the place?? also can you tell i hate writing comments by the way i just dont😭

masterlist

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we started this song together back in 2020 and picked it back up at the end of 2022

'Older' was originally a voice memo of a 50’s-style love song that we wrote together, then forgot about. when thinking of concepts for my debut album i stumbled across the memo and fell in love with it all over again, but i put it aside yet again as to me, it deserved more than the album

the song has changed a lot from the original voice memo, but the meaning has stayed the same throughout. despite all the beauty, the ups and downs of a long-term relationship over many years, there’s inevitably going to be the worst moment of your love because one of you is going to lose each other

capturing those feelings in a song was tricky but ultimately we wrote from the heart and i think it shows in the song itself

this has always been a song between us, so having him play on this song was very importnt to me and im glad he said yes

older is now yours

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im very pleased to announce a very special one off show at the Royal Albert Hall in London this November 18th. I will be playing a bunch of tracks from my debut album and may be joined to play some others aswell! Tickets on sale this monday at 10 am BST. Lots of love always, yn x

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thank you for an incredible night at the royal albert hall

looking back at the best night of my life, i need to thank each and every one of you who allowed this dream to come true, i will never be able to thank you guys enough

performing in my dream venue, with my favorite people in the world was something i never thought was possible and yet here i am, writing this still on my high from last night

thank you to my friends; michael, ashton and calum who took the time to come to london and perform their songs with me, thank you for always loving me and agreeing to my crazy ideas

to my team and everyone who worked to make this night as special as it could be, thank you. thank you for making my htoughts a reality and making this night as wonderful as possible

thank you to the staff who worked throughout the show to make sure everyone was safe, well and looked after. you truly do not get as much credit as you deserve and i apreciate the hard work you put in to keep everyone happy

thank you to those who joined me, i wish each and every one of you who wanted to could have been there. thank you for singing along and listening to me pour my heart and soul into my music

thank you for letting me do this x

view comments

user55: not the pcd hitting already☹️

user1: and im supposed to pretend i didnt see yn and 5sos perform os/co??

user89: CHARLES?? YN IS DATING CHARLES??

user91: AND HE CAME ON STAGE?? AND THEY PERFORMED OLDER??

user50: i cant believe i saw this all happen live

user47: THANK YOU TO WHOEVER WAS RUNING THE GRAINY LIVESTREAM I OWE YOU MY LIFE🧎🧎🏻‍♀️🧎🏻‍♀️

ashtonirwin: thank you for everything yn. youre a real life angel

user16: NO CHARLES MENTION??

user9: BESTIE HE HAS A WHOLE POST

yourusername

liked by charles_leclerc, pierregasly, michaelclifford and 3,619,273 others

after having time to process this show, I feel so overcome with gratefulness. my music means so much to me and seeing so many people resonate with it in a live space was so special for me.

charlie, my life would literally fall apart without you and this would have never happened without you giving me the confidence to do so, i hold so much love and admiration for you

thank you for joining me on such a special night and performing our song with me, thank you for sticking with me through it all and thank you for allowing me to share this part of my life with you

i sometimes wonder where i would be if i didnt find you, if i wasnt blessed with your love. i try to think about the times before you, before us, but both feel impossible to do after feeling your love

life with you is so special and i promise to always cherish and love you

merci de m'avoir laissé vieillir avec toi, merci de m'avoir laissé t'adorer, merci de m'avoir choisi (thank you for letting me get old with you, thank you for letting me adore you, thank you for choosing me)

yn x

tagged: charles_leclerc

comments on this post have been limited

charles_leclerc: mon ange, je t'aimerai toujours (my angel, I will always love you)

charles_leclerc: je suis tellement privilégiée d'être celle que tu aimes🤍🤍 (I'm so privileged to be the one you love)

yourusername: vieillir avec toi ne semble pas si effrayant🖤🖤 (growing old with you doesn't seem so scary)

[olderthannetfic]

I have really mixed feelings about the small proportion of F/F fiction (original or fanfic), because yeah sure, people have their desires, they should write what they want, I get it. It all works out when I hear it from person to person. But somehow the logic only ever applies in one direction? "There are more male protagonists because men only care about male characters! Women also mostly care about male characters, because that's the majority of characters they get!" And then somehow we also yet kvetch when men write female characters (because it's incorrectly or something, nevermind if women are writing male characters correctly). Why don't we expect gay men to feel compelled only by femslash for the same reasons (but gender swapped) as the lesbian slashers/fujoshi? All of those very rational justifications are applied selectively, "for me for not for thee," and it all only leads to "idk I just don't wanna write femslash", for Reasons. Do we get to call them microaggressions yet?

--

No, you don't get to call other people's fantasy life a microaggression.

That is indeed "for me but not for thee" in the sense that you get to want what you want but other people aren't supposed to follow their id.

Do you also police gay men who spend too much time on drag and obsessing over female divas? That's an actual real world behavior that's somewhat equivalent. It frequently goes unchallenged, at least by progressives, because men are allowed to do whatever they want with chick stuff, while women are "stealing" if they dare to stray into dude stuff.

(God, I've seen so much more policing of drag kings being ~problematic~ for acting out stereotypical gender than policing of drag queens for the same. It's nuts!)

Fujoshi are often queer, but it's absurd to think we're mostly lesbians. We tend to be bi or asexual women with gender stuff going on, though there is a mix of everybody, including lesbians. There are also a lot of AFAB non-women who get lumped in with us. On the rare occasions I find a man willing to admit to being a similar demographic, he usually does like gender play in his hobbies and entertainment. It's just that men face even more pressure than women do to fit into tidy categories. Bi women get told we're whores. Bi men are told they don't exist.

Yes, I know plenty of lesbians who write more m/m than f/f, but in the big picture of all of AO3 or all of fanfic or all of media, they aren't the demographic driving these numbers. They're vastly outnumbered by the bi women, the asexual women, and the straight and gnc women.

The men we should be looking at as an equivalent aren't cis gay men but bicurious soy boys and the like.

Do most of us fujoshi object to equivalent men doing an equivalent thing? I've seen it sometimes, and I agree it's hypocritical. I'd like us to afford men the same ability to play and take on identities in their art. I remember enjoying Ranma fandom back in the day and reading quite a lot of f/f that was probably by men. It had some of that same sense of distance and fantasy that I so enjoy in m/m aimed at fujoshi. (I do consume some by-cis-gay, for-cis-gay content, both m/m and f/f, but it's often too literal and too bound up in specific named identities for my taste.)

On average, the people I see complaining most about men producing f/f material are the same people who think that because I have a clit, I should center my life around women exclusively. In other words, people spouting radfem ideology, perhaps on purpose or perhaps without realizing.

I do agree that some of the ways of expressing a lack of desire to write femslash can get pretty douchey. I want us to move away from some of the less accurate ones like "There are no compelling female characters" because of this.

But the reason for all these jerkass explanations is that women and people perceived as women who like m/m are constantly asked to explain ourselves. These aren't usually microaggressions: they're openly hostile. People get defensive and try to answer with important-sounding reasons about identity and pain because society at large won't accept "I like this" as the true explanation.

Pleasure is never enough of a reason for a woman to do something.

[penny-anna]

you do not have to like fanfiction. if you think fanfiction is cringy & annoying you can just Say That. but any attempt to argue that fanfiction is inherently inferior to other types of writing falls apart under scrutiny.

'most fanfiction is badly written' sturgeon's law is an adage that states '90% of everything is crap'. this was first coined in defence of science fiction, a genre often maligned as inherently inferior to 'real literature' (sound familiar??)

'oh but most fanfiction is worse than published fiction' yes; this is because pro published books go through a heavy selection and editorial process before the public see them. when it comes to quality of writing you are not comparing like to like. the appropriate 1:1 comparison would be fanfiction & amateur original fiction.

i have hung out in multiple online writing spaces & in 'anyone welcome' RL writing groups and can say with reasonable confidence that most original fiction getting produced is just plain mediocre. there's so so much bad original fiction being produced every day. u just never see it.

'you have to wade through so much garbage to find anything worth reading' you ever hear like. a fiction magazine editor describe what their slush pile experience is like??

'ok but fanfiction is bad because it lacks originality, it's better to come up with your own story & ideas' nobody actually thinks this!! people trot this out about fanfiction but like pro published literature is full of retellings of public domain stories and no-one ever argues that they're inherently worse or less creative than works with original plots.

the dividing line between fanfiction & 'original' fiction generally isn't actually originality, it's whether or not it's transformative of a text that's currently under copyright. & i would hope it's self-evident that the copyright status of the text a work is transforming shouldn't have any bearing on its literary merit. why on earth would it??

'but most fanfiction is trope-y and formulaic' yes this is true and yes i do think there's an argument to be made that a work of fiction that's interchangeable with thousands of other works of fiction is lacking in 'literary merit'.

however this is also true of a lot of pro published literature. whole swathes of genres like eg crime & romance exist to give readers the same experience over and over again. are these books bad? maybe! does their existence mean the entire genre they belong to should be written off? obviously no.

'but fanfiction is all about shipping' yeah a lot of fanfiction belongs to the romance & erotica genres. you do not have to like this. but disparagement of romance as a genre has its roots in the fact that it's mainly written & enjoyed by women. its just sexism lads. :(

'fanfiction encourages bad habits in writers' there's some merit to this argument IMO (that's a different rant) but see above re:90% of everything is crap; the presence of bad writing in a genre doesn't mean that the whole genre should be written off.

'what so you think fanfiction is as good as *insert classic novel here*' nobody is saying this; if you see someone arguing that fanfiction is real writing and jump to 'this person thinks MCU coffee shop AUs are culturally significant works of literature', to be blunt, that is a you problem.

'fanfiction just isn't real literature' ok so fiction divides into 'real literature' and 'not real literature'. got it.

[ID: screencap of a tumblr post by user theislandofmisfittoys:

Okay… nice dichotomy, IDIOT ‼ what lies  outside it???]

(OP)