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mishy-mashy · 24 days

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Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

#KUDO IS UNDERRATED NEEDS MORE CONTENT RECOGNITION HES THE KINDEST WITTLE BOY EVER #my thoughts #i think ppl who write resistance stuff should also consider that not everything was black and white #there will be moral arguments where you cant decide. and the resistance has faced those sorts of things where There Is No Right Answer.#kudo is really kind tho. exactly because he cares so much he does all these things and tries to harden himself #but like exoskeletons work - its only an armor to protect the soft squishy insides and keep them from drying out #i woke up and had to put this stuff down #me: *picks up a sentence note in my fic notes* *puts it down here and elaborates*#the line was in relation to putting down stuff about the vestiges to remember dynamics #[Kudo is the kindest despite appearances]#kudo seems like he would be fiercely protective over ppl he cares about. exactly because hes seen so many of his comrades die over and over #kudo #bnha #mha #boku no hero academia #my hero academia #spoilers #ofa #one for all #bruce #bruce is the meme of “*chuckles* I'm in danger” and its just. Kudo w/ his new crazy idea chasing him down with Gearshift and Yoichis Factor #hikage shinomori #en tayutai #yoichi shigaraki #ive been thinking he was kind for a long time but never elaborated why. if u look at his actions words and thoughts it all makes sense #theres underlying kindness in there. he wants to be kind but the world would scorch him if he didnt have a stick up his ass #also adding on to the prev tag of kudo and fiercely protective- because in their times comrades were everything. otherwise you were alone #the world sucks resources are limited and youre a diseased human [Meta]. but you have someone willing to walk with you.#also about the [Kudo is the kindest] note among the vestiges- i dont think any of the other vestiges would do what kudo did #calmly volunteering himself rather than it being in panic. extending a hand and saving what shouldve been his mortal enemy. yknow

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babybells123 · 2 months

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There is something so beautifully anvilicious about these quotes;

" I am a bastard too now, just like him. Oh, it would be so sweet, to see him once again. But of course that could never be. Alayne Stone had no brothers, baseborn or otherwise." (AFFC, Alayne II)

"The dream was sweet . . . but Winterfell would never be his to show. It belonged to his brother, the King in the North. He was a Snow, not a Stark. Bastard, oathbreaker, and turncloak . . ." (ASOS, Jon V)

Both Jon and Sansa are yearning for Winterfell and the feelings/memories/family associated -but both are intrinsically restricting themselves based off of their bastard status. The notion of Sansa being the only Stark (and character) to transition from a high-born noble lady to a baseborn bastard cannot be overlooked. (And then of course, the notion of Jon being the only Stark (and character) to transition from baseborn bastard to lord commander, cannot be overlooked.) Jon has risen to the top whilst Sansa has lowered to the bottom.

She (GRRM) makes the comparison to Jon herself, meaning that GRRM makes the comparison himself. this isn't something interpreted by fans - it is right there, explicitly within the text.

Sansa's desire to reunite with Jon is "sweet," it'd be almost like a dream come true. Jon's "dream was sweet" as well. But "Winterfell could never be his" and seeing her brother once again "of course, could never be" (possible).

And then later on in the text, Jon is offered the chance to become Jon Stark, and have Winterfell in name. Thus his decidedly unsubtle desire (that he dismisses as an entirely impossible dream) is fulfilled by Stannis' offer, even though he eventually rejects it in truth "Winterfell belongs to my sister Sansa."

There is also the quote that precedes Jon's "sweet dream," where he fantasises about a beautiful little romance with Ygritte; showing her a flower from the glass gardens, feasting her in the great hall, bathing in the hot pools, and loving beneath the heart tree. This dream is directly connected to Winterfell and is obviously sexually + romantically charged.

So whilst Jon's desire is partially fulfilled (even if he doesn't accept it) can we possibly assume that Sansa's simultaneously unsubtle "that could never be" may also be fulfilled? Since GRRM seems to really be beating us over the head with how 'that could never happen' from Sansa's internal monologue "no one will ever marry me for love" is reiterated multiple times (just you wait sweet one!) and Sansa desiring to reunite with her brother who she has modelled her bastardry after, who is supposedly the only brother left to her, is immediately dismissed by Sansa because she's accepted the fact that she'll never be with her family again, (and that she shall never encounter true love).

The connections only keep connecting!

So to summarise:

Jon & Sansa both have "sweet" dreams/desires that connect to Winterfell/family.

Jon's dream is sexually/romantically charged, involves a red-headed girl, and establishes Jon's suppressed desires as actually romantic.

Both Jon and Sansa are bastards in these contexts.

Both Jon and Sansa woefully dismiss these dreams/desires as impossible as "that could never be" and "it could never be his to show."

Jon's desire however is later offered on a silver platter by Stannis Baratheon, to which he mulls over and states that he "has always wanted it" (to be his). Though he later refuses Stannis' offer on the basis that "Winterfell belongs to Sansa" - twice over he says this.

Jon 'giving' Winterfell to Sansa is in direct contrast to Robb (Sansa's image of an honourably idealistic older brother) flat out rejecting Sansa's claim on the basis of her marriage to Tyrion.

Jon thus establishes himself as the only character who respects and protects Sansa's claim. Who does not abuse or exploit it. (Even though he was given the opportunity for it and it's been his innermost desire since childhood.)

In a way, this further conveys Jon as Sansa's unspoken, subconscious hero who is protecting her interests and instilling all those heroic ideals (such as the Janos Slynt situation) - though she does not realise it and has accepted that "there are no heroes" at all. But Jon is the true hero, hiding in plain sight.

So, whilst Sansa believes there are no heroes, Jon fulfils those ideals. Whilst Sansa believes no one will marry her for love, Jon exists as the embodiment of all the chivalric, romantic ideals that she's so desperately wanted.

Can we now assume that Sansa believing that she will essentially never see Jon again as entirely anvilicious as she will in fact see Jon again?

GEORGE I'M IN YOUR WALLS.

#jonsa #jon x sansa #the fact that I could make a multitude of other connections #like Waymar Royce and the ashford tourney #and Valarr Targaryen #among many many other things #they really are so rich with subtext and linguistic parallels #and people will say they have 0 narrative basis???#HUH???#cause you know for a fact if this was about any other pairing you would not hear the end of it #just ironic lol #anyway Jonnel and Sansa Stark #not going to tell anymore than I already have !

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helios-two · 2 days

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cindy + studcoms compilation

#cindy the skull #steban the student communist #disco elysium #their dynamic is so funny to me. like as much as she ribs at them you can tell she still has a soft spot for them #and that they like her as well. or well i would say steban certainly moreso #steban also does mention getting cindy in the room regardless of whether she was mentioned earlier which i thought was nice #side note have you seen the disco elysium tvtropes page #like i found that first screenshot while looking for all the times cindy said communist #bc on her section it says that she supports communism “in spite of herself” so i was looking to see if she ever really mentioned it #in that sort of light but from what i was able to find (and from what you can see in the screenshots) she doesnt #and then it says TWICE on dros' page (among many many other things)#that he supports pederasty bc the commune legalized it #when he was calling gay people pederasts as a slur. & he uses it as a slur multiple more times in that same #conversation outside of that line #and they misspell dobreva's name as deobreva every single time its written (including in the section title)#and they listed her cause of death as being by firing squad #even though her suicide with abadanaiz is like #one of the two or three things we actually know about her #anyway i did actually create a tvtropes account because of this i hope you know that #just realized i forgot to tag ulixes #oh well

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gaybuttyogurt · 12 days

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alright i HAVE to read dungeon meshi now, having a certified mithrun head following me. i have just been enjoying him on my dash so far. his sopping wet, listless rotting swag… he captivates me

he's sopping wet in every other panel, you are in for the time of your fucking life i promise you.

he is an absolutely drenched man, his sog is ridiculous.

#his first REAL introduction is probably the fruitiest thing youll ever see #(talking about ch 53)#in all seriousness dungeon meshi quickly became one of my favorite mangas ive ever read #i HIGHLY recommend !#its SO good #dungeon meshi #mithrun #delicious in dungeon #dunmeshi #mithrun dungeon meshi #mithrun of the house of kerensil #ryoko kui #mithrun is an AMAZING character among many others #i love how ryoko kui makes characters

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lord-squiggletits · 4 months

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The reason this fandom hates IDW Optimus isn't because he's a cop (plenty of people are fine with Prowl) or because he's a bastard (most characters in IDW are) but because he commits the crime of being an actual person who's messy, flawed, and makes a shitload of high stakes mistakes fitting for the intense situations and pressure he's put under constantly.

But we can't have Optimus actually react to his situations by lashing out or being unpleasant, no, he has to have the personality of a cardboard cutout of G1 whose only defining personality traits are "dad, funny, nice," and if he ever vents negative emotions it can only ever be #relatable depression or him being sad on his own without ever letting it show during the important parts of the story. If Optimus dares do things like be angry or frustrated or bitter it's just a sign that he's a bastard and LITERALLY the worst Optimus ever. If Optimus ever makes mistakes or does wrong things in the heat of anger/frustration/stress it's because he's just an evil bastard with no redeeming traits.

God forbid Optimus go through an unending gauntlet of war, politics, atrocities, near-complete loneliness, and a seemingly endless cycle of violence for his entire life and come out of it kind of bitter, angry, and tired of dealing with people's shit. He's not allowed to be a realistic person, context doesn't matter, sympathy doesnt matter. IDW Optimus doesn't fulfill the fandom's fantasies of Father Figure or Perfect Cultural Icon or Twinky Fucktoy and since that's the only reason most people care about Optimus in general, the fandom collectively trashes on IDW OP.

All because he can't fit into the overly simplified and childlike double standard the fandom has where if any other character is messy and flawed, that's good writing and interesting and compelling, but if OPTIMUS is messy and flawed, he's Literally The Worst and he's an asshole for no other reason than He Sucks, context be damned

#squiggposting #ive been here too long and seen the same shit too many times #i'm tired of going 'maybe it's just a difference in taste' nope #the issue is literally just double standards and people not reading the text or taking things out of context #and the worst part is if this were just something OP haters did i would get it #after all if you just dont like OP then of course you arent gonna find anything interesting or compelling #but i see this shit from literally other MOP fans who supposedly love M and OP #but their OP takes are shit and i can count the no. of people who write IDW OP on one hand #i kind of thought that at least among other OP fans there would be deeper readings but if anything it's worse #fandom OP content is 50% haha funny dad jokes g1 knockoff OP and 50% yaoi uke twink sad baby OP #so unimaginative. so fucking boring. so immature #to style yourselves some sort of mature TF fans and then viciously reject the One OP who #dared to be written a little darker and more flawed than any others #it's literally just people refusing to give a chance to any nuanced take on OP #they just want him to be There and Nice and for his biggest flaw to be Being Annoying About Equality or something #might delete later might not

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somewhat-very-insane · 4 months

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things that people seem to think are perfectly fine and socially acceptable, but that should not be punishments. and no, i don’t care what your kid did do «deserve it,» these are just wrong

starving or withholding food from your children

making your children destroy their comfort objects (or destroying the objects yourself)

feeding your children foods that they are allergic to

watching your children while they shower or bathe (when significantly past the age where any «help» bathing would be necessary)

hitting your children, manhandling your children, or otherwise utilizing aggressive physical contact against your children

making your children pick up broken glass (without teaching them how to safely do so) or walk on broken glass

withholding medical treatment from your children

threatening to do any of these things to your children

teaching your children ideas like «privacy is a privilege, not a right,»; «these items are in my house, so i am allowed to destroy them even if you paid for them»; and «people are allowed to hurt you if they feel like you did something wrong,» are so damaging to impressionable, fragile minds. you are setting your child up for a ruined, unstable future by doing these things.

* feel free to add on

#i am saying these things as someone who is also a victim of ramcoa #so more «severe» abuse #because upon being removed from the ramcoa i was placed into a household that did all of this #among other things #such as forcing me to get many pointless surgeries i did not want #but because it was «better» i was told that it could not be abuse.#//god's words #information #tw abuse #abuse tw #child abuse #abuse

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significant-ace-nnoyance · 5 months

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to all the people who were bitching about them not having the cops after percy and not having gabe complaining about percy in the news !!!! see?????? see what happens when you sit down for two seconds and let the writers COOK????????? give them a SECOND jesus they literally are doing everything so smart and so perfect just appreciate what they have given us and be patient!!!! they very obviously know what theyre doing

#percy jackson #percy series #i feel so vindicated because so many people were complaining about this among other things #and i was literally fighting with people like ??? that part of the book hasnt happened yet?????? slow down????#i dont undrestand the point of complaining about whats not there #when you could be appreciating what IS THERE #liek we are getting an adaptation of the gods #please dont miss it please appreciate it for what it is because if you dont thats literally tragic for you #percy jackon and the olympians

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incorrect-fnaf-quotes · 1 month

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So, with the Y/N and Springtrap plan/Rabbit Restoration Project, I was already like: “I’m not really going to make a full fic for it.” But, then, I thought of the endings...

Then, I got a fun idea for the third option that I mentioned, and then it just kind of progressed immediately after that moment. So, y’know. Anyways.

Here it is- I’m not that certain if it’s all that great, buuuut...

—

Y/N hadn’t understood why Springtrap had gotten up and abruptly left—it was strange. He wasn’t explaining.

They remembered him telling them: “I’ll never leave you, love.” And... with how he had sounded, he seemed genuine.

It wasn’t that strange of a set up—they’d already been living together ever since they chose to bring him back for restoring.

Now though, it had been a bit different—not too much, but just slightly... due to the fact that they had chosen to get together.

They tried to keep him away from some people, though—considering one of the last times, someone broke in, wanting to steal his parts.

‘Only Max and my viewers seemed relaxed about him... now, at least.’ Y/N had thought. It had definitely taken a bit of time—even them.

Throughout the whole walk, they’d tried asking him questions—and the rabbit would speak, yet, he wasn’t revealing much.

Forty minutes ago, he’d finally mentioned *something*—at least they were getting somewhere. Literally and figuratively.

“A pizzeria...” Came the smooth, British voice from the restored rabbit. “There’s someone I... need to pay a little visit to, Y/N.”

Thirty minutes ago, they’d both stopped to rest. Or, Y/N did, and Springtrap simply waited alongside them.

Twenty minutes ago, Springtrap revealed that he knew they were getting closer. “You should go home.” He’d said.

They’d refused. “I’m staying with you, Spring. We’ll go back together after this.”

Ten minutes ago, the both of them had finally reached the pizzeria that Springtrap seemed insistent on going to.

From the outside... Y/N wasn’t sure what to think. It was a Freddy’s location—and until this moment, they’d never actually been to one.

Entering the building, the first things that the two of them had been able to see was a massive stage—as well as a smaller one to the side.

There were a lot of games, too, and Y/N had almost been tempted to go and play one—but they chose not to.

Two minutes ago, the building had started to heat up. Y/N wasn’t sure if it was their imagination or not—they always felt a little hot.

After glancing at Springtrap, he hadn’t seemed to notice. They still weren’t very certain on what he could or couldn’t feel.

A few seconds ago... the building went up in flames.

“Oh my God!” Y/N hissed, eyes widening. The flames danced around, as smoke quickly rose.

They stumbled backwards, hitting Springtrap’s side. Looking up at him, he seemed to be far more focused on something else.

They could hear a new voice—an unknown voice—beginning to speak from somewhere. Yet, they paid no attention, only focusing on Springtrap.

The entrances and exits were closing. They could see that from the corners of their eyes.

Springtrap’s attention finally snapped back to Y/N. “We need to get you out of here! Now!” He said.

Before Y/N had the chance to say anything, they were lifted up by the rabbit, who began running through the flaming pizzeria.

There was the entrance that they’d both gone through—Springtrap started hurrying over to it.

However... just as the rabbit and the human reached it, something abruptly closed over it, blocking the doors.

Growling in annoyance, Springtrap set Y/N beside him, and grabbed at the doors tightly.

The rabbit started pulling and tugging—and then he started slamming his fists into it—even kicking at it.

Yet, nothing happened. Growling again, Springtrap started to look around further, trying to find a different way.

A little distance away, in another room of the pizzeria, seemed to be a much smaller exit door. It hadn’t been closed yet.

“Woah-!” Y/N was picked up by the rabbit once more, and he started making his way towards the exit.

“Springtrap-!”

“Shush, Y/N.” The fear slipped through the rabbit’s voice. It was starting to close. “You’ll get-“

A good distance away from the exit door—a good distance from the two of them—a new, sudden voice rang out. “Daddy?!”

Y/N watched as the rabbit suddenly went still, the pair of ears atop his head twitching. He looked around. “...Elizabeth?”

Y/N frowned. “...Springtrap?”

For a few seconds, the rabbit looked around further—towards where the voice had come from, back at Y/N, and the door.

He set Y/N down in front of him, his grey glowing eyes gently staring down at the human. Y/N’s frown grew.

“Springtrap, what-“

Springtrap placed his giant, metal hands on Y/N’s shoulders. “Y/N... go. I love you, my dear.”

“W- Springtrap, I-“ The restored rabbit pulled them closer, placing his lips against theirs for just a moment, before releasing.

Before Y/N had the chance to do much else—still processing the fire situation—Springtrap moved closer, and shoved them.

They gasped in surprise. His shove was enough to get them through the exit door—and, just in time, too.

As Y/N stumbled out of the door, landing on their bottom, it snapped just a second or two later.

They sat there for a moment in silence, eyes wide.

“Springtrap...?” Their voice cracked. They could feel their heart beginning to quicken. Y/N got to their feet.

“SPRINGTRAP!” They hurried towards the door, and started banging on it. “W-What are you doing?? Why did you do that?!”

Y/N kept banging against it. “I... we were going to leave together! I love you, too!” They’d heard that voice... who had it been?

Their fists began to hurt, so, Y/N stopped for a moment. Only to grab at the edges—attempting to pry open the door.

In those moments before the fire, when they’d both simply been looking around... Y/N hadn’t noticed many entrances and exits.

They could feel their eyes becoming watery. “Come on, come on!” They kept trying to pry open the door—although, it seemed useless.

After continuously trying for over two minutes, Y/N finally stopped, backing away. “I... I’ll get something! I’ll get something! Hold on!”

Y/N ran off.

They considered going back to their house to grab something to help—but, that would have taken far too long with the circumstances.

So, rather than that, they ran a good distance from the burning pizzeria—ignoring anything that may be happening around them.

They weren’t keeping track of how long they were gone for—yet, Y/N had assumed with, how fast they were going, it was only a few minutes.

...It wasn’t.

After finally managing to find *something* that could potentially help with getting inside, and getting the rabbit, they hurried back.

The item fell out of their hands as they arrived. Y/N stared up at the sight.

There was no longer a fire—it didn’t seem like it. For however long Y/N was gone... the building was already in a horrible condition.

One of the more noticeable things to Y/N, however, was that there seemed to be a large hole in the wall. ‘A way inside...’

Hurrying through the wall, Y/N started running, trying not to trip and fall over anything laying around.

Those animatronics were still on the stage—though, some of them were fallen over. All of them didn’t look the greatest now.

“Springtrap!” Nothing.

“SPRING-“ Just as they entered another area, they tripped and fell. Confused, Y/N looked back. ‘A metal wire?’ It looked like it belonged to an animatronic.

Getting back to their feet, Y/N continued running around, calling out for the rabbit—and simply getting no response.

Their eyes were starting to become watery again, but Y/N quickly started to wipe before anything managed to fall.

Entering the next room in their search, Y/N sighed. “SPRING-“ Getting a full look in the room, they gasped.

To the back of the room, there was a broken clown girl animatronic on the ground. Bits of the destroyed pizzeria were on top of her.

‘She must have gotten stuck...’

Not too far from the clown girl... was a rabbit—Springtrap. He was laying face down, motionless, and burned.

“Springtrap!” Y/N yelled. A second passed, before they managed to get their feet to start moving again.

After a moment, they reached Springtrap’s side, falling to their knees. “S-Springtrap?!” They shook him.

He remained still. Unmoving. Grabbing the sides of him, Y/N managed to move the animatronic rabbit, so that he was on his back.

So that Y/N could see his face.

His eyes were opened—normally, his gray eyes had a sort of glow to them. But, now? There was nothing. Absolutely nothing.

Y/N could feel themself starting to shake. They could feel the tears, finally beginning to spill. “Hey... hey! Wake up! Do... something!”

They let go for a moment, before reaching over, and gently grabbing the sides of his face. “This... this isn’t funny, Springtrap! Say something! Move!”

A moment later, they dropped him again—albeit carefully. Through their tears, they looked around the room—just for a moment, before their focus fell back onto him.

“Why... why would you-“ Y/N started, only to be interrupted by their own sob. The human shut their eyes tightly.

They inched closer to the motionless rabbit—more than they already were, before wrapping their arms around him, and their head fell onto his chest.

“I love you...”

#Not a quote #FNaF #Rabbit Restoration Project (R.R.P)#Springtrap #Y/N #This was a ‘in the moment’ thing—it all just came quickly #So I’m not very sure how all that good it happens to be—or how well Springtrap is in here #But. Caring Springtrap 👍#Springtrap x Y/N #Save tag #Xqkwjfjcj...#This was a very clear thing to me anyways #If it were possible for me to do I’d draw so much for this now—as well as the AU’s ofc #Many ideas... qisjxjcj #I’d join the artists in doing whatever with Springtrap #Among many other blorbos (Spring Bonnie...)

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