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cool-island-songs · 14 hours

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Analysis of ALNST Character Relationship Metrics

My art book won't be here for a minute, but I ran some screenshots I saw on twt through an image translator and have a lot of thoughts:

TILL: Despite claiming to hate everyone in the world, Till ranks Ivan at 70% intimacy even as he identifies perturbing behaviors of Ivan's going back years and refers to him as "a bother". He also ranks Sua at 10% in spite of having little to say about her and finding it uncomfortable to be around her.

Though he postures at being misanthropic and has all the manners you'd expect of a boy who was half off at the human child pound, he's actually quite gentle and sensitive. This is reflected in one of the graduation messages he's left by a classmate as well:

The person he feels closest to is an unattainable crush, and someone who doesn't feel that close with him in return, likely because he's too shy to really approach her or carry on a conversation.

MIZI: That's Mizi, of course, who's rather childlike and naive initially. She likes everyone, but since Till chokes when he tries to speak to her and often keeps his distance, she wonders if he's avoiding her because he dislikes her.

Mizi gravitates towards people who she sees as "perfect", which is how she describes Ivan and Sua in her graduation message to Ivan:

She doesn't see the darker side of Ivan's personality (which has been described on several occasions, even by himself, as "twisted") because he's attractive, successful, and helpful to her.

Though she likes everyone, Sua is her "God", and the only thing that can keep them apart is the tragedy of their situation, which forces Mizi to grow up in a brutally painful way.

SUA: Sua is far less idealistic and naive than Mizi, and has clearly thought about sacrificing herself to save Mizi, since Ivan picks on her for thinking of doing so in an official comic. Accordingly, her feelings about Mizi are far more tinged by the knowledge that they will one day be torn apart by external circumstances. She laments that reciprocating her feelings will one day cause Mizi great pain.

She's always been more somber, and despite her surface similarities to Ivan (which he notes in a follow-up comic wherein he realizes he was wrong about Sua's feelings for Mizi being unrequited), she's quite different on the inside. Sua's more sensitive and thus her colder exterior serves to protect her, whereas Ivan's outward persona creates an illusion of normalcy that doesn't reflect his reality.

Sua views Ivan and Till as a threat and a nuisance, respectively. Like Till, she senses something strange about Ivan, and when it comes to Till, it's just one person too many around for her. This is fascinating to me, because I thought she might pity Till! Her feelings about Ivan were already pretty clear from this panel of the 'piggyback' comic, and she seems deeply hurt in the first comic linked by his prodding.

IVAN: For his part, Ivan is fascinated by Till even though he's content to sit back and observe, pestering him to get a reaction or his attention for a brief time. He doesn't expect anything in return but wants more than anything to be on Till's mind (hence behaviors like stealing Till's belongings and returning them to him, pretending he had found them).

He prefers Sua to Mizi despite his awareness that Sua doesn't particularly like him, seeing her as a sister and even telling her she's "twisted" like he is. He likes Mizi well enough, especially her sincerity, but seems to find her optimism a bit much at times.

The fact that Mizi and the others would likely consider Ivan and Mizi quite close while Ivan does not reflects how much he postures even in his closest relationships. He struggles to connect with those he's most compelled by and it's not clear if he really wants to.

Some Ivantill thoughts before I go:

There seems to be a common sentiment that it's tragic Till was unable to see how much Ivan loved him, and I think we'll likely get more of Till's perspective on Ivan and their relationship in round 7. But it may not be the case that Ivan even wanted his true feelings to be seen, or would have known what to do if Till had reciprocated them.

There's something almost voyeuristic and self-negating in his feelings for Till (see: "I can’t reach you, so I imagine alone/You who shines, I stand next to you" from 'Black Sorrow'). He has far more self-awareness and willingness to accept things as they are than Till, who doesn't see that Mizi only has eyes for Sua and who would likely struggle to accept that reality.

Ivan, on the other hand, is well aware that his feelings for Till are "shallow", a bright fantasy to get him through his dark reality, and he seems to sincerely believe that his death won't scar Till because he's never really broken through to him. He's a schemer, and comments he makes in his graduation message to Till and the interview he gives in advance of round 6 suggest that he may have been planning to sacrifice himself for some time.

Part of me wonders if he hoped it would leave a mark on Till. Choking, kissing, and violently sacrificing oneself are all aggressive, forward acts, especially from someone who used to toy with people to get his kicks but was otherwise quite passive and unfeeling.

There are a lot of parallels in the one-sided loves, like Till acting out of his usual character for Mizi, and Ivan doing the same because of Till, putting all hopes of being saved in something just out of reach, staying in chains for that one special person. But Ivan's psychology is quite different from Till's, and in fact closest to Luka's re: low or no empathy. Both Ivan and Till are significantly traumatized by their upbringings but Ivan's difficult early life in the slums and his experience being dangled off that rooftop seem to have damaged his ability to connect to others or feel much of anything.

Till is the first person for whom he feels anything while for Till, Mizi is an early crush he puts on a pedestal in a much more commonplace way. I think the shared trauma of competing on that stage makes it much more difficult for either of them to imagine moving on, but Ivan is not wrong in identifying that he won't find that feeling again.

The thing that intrigues me most about this series is the way the contestants' differences play out, particularly with regard to how they view love and how they respond to their individual and shared challenges. I'd love to get into it further another time but this is quite long already so thanks for sticking with it if any have (haha)

#alnst #alien stage #character analysis #ivantill #mizisua #alnst ivan #alnst till #alnst mizi #alnst sua

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cementcornfield · 19 hours

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Ugh I can’t stand how chiefs fans are making fun of jamarr and calling him a diva (among other names) when Travis literally screamed in his coach’s face during the Super Bowl and has been ejected from a game before for disrespecting the ref.

tbh i don't mind chiefs fans shit talking ja'marr, they have every reason to hate him. he's embarrassed their team plenty and has done more than his share of shit talking. let them have their fun (although i agree it's def hypocritical after that travis moment that i guess no one ever wants to talk about!)

what upsets me SO much though is seeing our own fans turn on him. calling him selfish for the hold-in, blaming him for the contract debacle, saying he's overrated, saying we should trade him and keep tee (when they were all saying the exact opposite when tee requested a trade TWICE a few months ago 🙄). and i do understand that ja'marr was in the wrong for this penalty, but getting ridiculous penalties against the chiefs is kind of just what he does! like it cannot be emphasized enough how much that man hates the chiefs lmao.

ja'marr has been STRUGGLING these past few months and it's obvious how much of a toll this has taken on him. i'm not at all surprised things boiled over to a tipping point when he thought he was tackled in a particularly dangerous way (whether he was right or wrong, he DID believe it). right now he's taking a huge risk being out on the field at all without any real guarantees for the future. that shit is scary, it's scary betting on yourself even when you do believe in yourself 100%. people play better when they feel secure, when they feel valued, and the front office did everything they could this offseason to make him feel the opposite.

i'm really hoping he can have a big game this monday. supposedly the commanders defense is Not Good, so that should help us! (i just hope it isn't a trap game for us. but the fact that we're 0-2 i think will make the guys take it seriously.) winning helps cure all ails for competitors like ja'marr, and i believe we've got a lot of that ahead of us!

#also god i was thinking the other day #ja'marr is YOUNG!#he's not a child but like he got thrust into stardom at 18 when he was just becoming a man #and (for the most part) he has handled all that insanity well!#he's always been known as a hard worker and good team player #and now suddenly we're all turning on him because y'all are frustrated with another 0-2 start??#he is NOT the problem. find a new scapegoat!#also also i do think joe may be feeling some guilt/just a general feeling of unease after the Shove Heard Around The World #like joe wasn't at fault either. he was doing the right thing to try to break it up #but you know ja'marr felt that shove like a fucking slap in the face at that moment #it's supposed to be them against the world. ja'marr defends joe against any and everything #(including perfectly logical things like pat being objectively better lol)#joe shoving him back and taking the ref's side must have hurt. regardless of if it was right or wrong.#but of course joe would see it as having ja'marr's back because he was trying to stop further punishment #messy messy messy!#no one is in the wrong! and frankly i love the chance of Character Analysis this gave us.#but let's get the good vibes back soon please!

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paraphwrites · 3 days

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so obviously the time period a character comes from impacts them. but i adore the analysis of dbda and loneliness so now i want to analyze the characters + their time period + loneliness

edwin. so, edwin is from the 1900s. he was raised with the knowledge that he would join the military, that he would get married. this was an accepted part of life. now, i do not wish to analyze the full scale of edwin's relationship with violence (at least, not here), but i do think it's interesting that edwin goes out of his way not to inflict harm on others. this is potentially because he was raised in such a way where that was the norm, and he always knew he did not fit traditional male standards. he has always preferred knowledge and books to fighting and sport. this would have been incredibly isolating, especially as a young boy in a school for children of military members. additionally, as a queer person, edwin would have been entirely socially isolated from his peers. whether they picked up on it like simon or just thought he was un-manly, the point stands: edwin would not have fit in with his peers and seemingly had no friends when he died. which is very sad. and very lonely.

crystal. crystal's parents neglected her for their work. she lashes out. she lashes out and pushes people away (or in front of traffic). she is volatile and destructive and she is like this because she lives in an age when parents are expected to care for their children, and her parents still actively chose not to. crystal is especially traumatized because even tho she is in upper class which may have a higher rate of willful parental neglect, the expectation is still that parents love their children. moreover crystal is psychic, and that's never really been fun. she'll be completely different from all her peers in a fundamental way which she probably never talks about with any of them! so, like, of course when david, a demon, comes along, she lets him in - she's finally with someone who understands and makes her feel less lonely. someone else who's weird and angry and pretty and supernatural. and then he, too, betrays her. there is also almost certainly a race element, which may further disassociate her from her peers, seeing as the upper class is usually very white.

jenny. so jenny grew up as a lesbian in the 90s. now, i don't know much about washington state, but i do know that they legalized gay marriage in 2012. which means for over half of jenny's life, she was living with the knowledge that she would never get to live the same type of life as her peers; though the white picket fence americana dream may have been less prevalent by the 90s, it still was very ingrained in american society - especially small town society. i wonder if part of jenny's gothic fashion is to distinguish herself from other people - if she cannot have the same lives as them, then no one will make the mistake of assuming she will.

so the night nurse is lonely in a very unique way. she is lonely because she does not have a proper conception of an actual human life. she has no friends or relationships - nor does she want to; she does not know what they are like. and, i think, because she exists so outside of time and removed from society, that it makes her inherently lonely. she is lonely because somehow she was created and somehow someone convinced her that her only purpose in life is to collect lost children and she is satisfied with this but she is also alone. she has no time period to be contextualized in, and that in itself is the context.

niko is lonely because her dad is dead and her mom lives in a different continent. and i think that because she is able to utilize manga and cartoons as a form of escapism, it allows her to fill that void of devastating loneliness a bit more. she lives in a world where if she doesn't want to think she does not have to. she is not obligated to be courageous. however, she also lives in a world where she is able to choose to self-isolate, even if that isn't good for her. so when she is sad she hides away because she can and it's scary and she doesn't want to do it alone but she doesn't want to do it with her mom. i've seen people saying crystal is such a teenage girl but niko? niko wants her mom to comfort her but doesn't want to talk to her mom. niko is horribly lonely and it's only a gay victorian twink who can get her to smile again. niko is lonely because she exists in a world which allows her to be and it takes someone who is not from this time to help her move past this

charles. god, we all know how lonely charles is. biracial, abused by his father, probably bisexual, good with people yet killed via hate crime, morally upstanding. charles is the epitome of loneliness because he grows up in such a particular moment of time. he lives in the 80s. feminism and queer rights have been radically shifting in the past two decades. the 80s have huge amounts conservative pushback from these movements. so, yeah, being gay isn't a crime anymore, but gendered expectations are being reestablished in a new harmful way. so, yeah, charles is growing up in a time of progress, but he's also growing up in a household which will absolutely be anti-progress, and ergo charles is stuck in this dichotomy of he could hypothetically have everything but that would mean losing everything, too. he's lonely because his dad beats him. he's lonely because his mom doesn't say anything. he's lonely because he has a piercing but his dad locked him in his room for three days after it. he's lonely because he attends a boarding school which rich racist pricks. he's lonely because never once in his life has he admitted how the intersection of all his identities puts him in a situation where he is completely alone. and he isn't alone -he's got edwin- but their experiences with loneliness are vastly different.

as i have said a stupid number of times, dead boy detectives is a story about loneliness. and the writers made these characters so damn brilliantly because they all make so much sense in the context they were raised in.

we are all shaped by the context's we're raised in. everyone is raised at a different moment in history in different environments with different families. human experiences are so unique that everyone is inherently lonely. but lonely does not mean alone and lonely does not mean forever. it means when you were fourteen you cried yourself to sleep but now you're twenty and know how to play cricket and your friends come to all of your matches. it means you were raised in a world that was cruel and unforgiving, AND it means that because of that you don't have to be. dead boy detectives teaches us that we're all horribly lonely, and maybe that makes each other a little less lonely

i'll take some of your burden if you'll take some of mine, and whatnot

#the conclusion was a bit bumpy #but you know what i'm saying #dead boy detectives #edwin payne #charles rowland #save dead boy detectives #crystal palace #analysis #renew dead boy detectives #niko sasaki #jenny the butcher #character analysis

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raayllum · 3 days

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Invert Life and Death Theory

Yesterday, the fandom received two season seven synopses that detail similar mysterious concepts:

The stakes have never been higher as Aaravos and Claudia are on the warpath, determined to destroy the Cosmic Order and invert life and death. With the world’s fate on the line, our heroes must be ready to sacrifice everything to save it.

As Aaravos and Claudia seek to destroy the Cosmic Order and invert life and death, our heroes must be literally ready to sacrifice anything and everything love and believe in to save the world!

I will touch on the 'sacrifice' portion likely here, and then further in another meta that was actually already sitting in my drafts about it (as we've known for a while that S7's main theme is sacrifice, even if I didn't expect it to be so blatantly spelled out in the summaries). But I digress.

Aaravos (and Claudia) want to destroy the Cosmic Order. They want to invert life and death, to turn it upside down (much like Aaravos' chest star I might imagine). Presumably this is to make the Cosmic Order mortal-mortal so that they can be permanently killed and Aaravos can have his proper revenge. He might also be working towards trying to reassemble Leola's spirit somehow.

But what is that attempted inversion going to look like? Well... It does contextualize the weird consistent emphasis his plans have had on the Moon and Sun specifically:

And we might finally know why:

Sun and Moon, Life and Death

In previous posts, I'd speculated there was more than just politics or revenge at stake in Aaravos seemingly killing Luna Tenebris and Queen Aditi 300 years ago. Of course the in-story explanation that's most obvious is that he wanted political instability, which I think is certainly true.

However, thus far there's not really a Reason in-text that it had to be those two. Why not another Earth dragon instead, or a Tidebound king? Throughout the series the elves that have gotten the most focus and worldbuilding have routinely been Moonshadow and Sunfire elves, and it didn't really have to be. And of course we could get into the weeds and say that Earth could've been associated with Life and Sun with death, etc etc. but the point stands that I think this series long focus on Moonshadow and Sunfire elves/philosophies in addition to Aditi and Luna Tenebris' deaths/disappearances makes a lot of sense if Sun = Life and Moon = Death, and these are the things that Aaravos wishes to invert upside down.

The fact that this reflective relationship between Sun and Moon possibly ties into Aaravos being in a mirror, characters having shadow selves running around in the narrative, and the emphasis on mirrored images in the dark magic dreams we see also makes sense.

Aaravos already toppled the Sun Forge and thereby Sun Primal on his way through to the Storm Spire. Going back to the Moon Nexus in S6 was a welcome callback to Through the Moon, but the Moon Nexus specifically having a portal between life and death... reminding us of that location because it's going to play a much bigger role next season (potentially like other characters, like Aanya) could be on the table. In taking Lux Aurea, Aaravos got the corrupted Sun staff after all.

Speaking of which, let's talk about

Rayla and Claudia

I don't think I have to explain why or routinely how Rayla is associated with the Moon as a Moonshadow elf. Secretive yet open, caught between love and duty, life and death, truth and lies, light and dark, Rayla embodies all this and more. Callum has also asked for her to be his Death if push comes to shove and he's possessed again, but she's also what has saved him in S6 from said threat of possession (and likely will again). This isn't to say that Aaravos needs a Moon arcanum and is going to take Rayla's (though I suppose he could), I think the likelier outcome is corrupting the Moon Nexus (and hence why you animate/rig Lujanne, Allen, and a new Phoe-Phoe design under your software at all). But it does mean I think Rayla will be a mirror to Claudia / whatever is happening with the Moon Nexus as a way to manipulate Callum, per usual.

Conversely, Claudia has wielded the corrupted Sun staff — a literally corrupted light that represents dark magic to her outright in S6, and one that she uses as a literal and metaphorical crutch — since season three, only occasionally using her father's staff with Viren only using the Sun staff for the Hearts of Cinder spell. She's a sun that's already been eclipsed by Aaravos, by death, in more ways than one. Someone who's walked a continually bloodier, darker path the further the show has gone on.

If and when Claudia gives up dark magic, she'll be 'restored' as the Sun — uncorrupted, bolstered by the truth ("Careful, if you tell the truth you will lose her"), shining brightly again. In the meantime, though, if Claudia is brought home in parallel with Callum being saved from dark magic corruption in S6, I think someone else will be Claudia's 'sun'. So let's talk about it.

Trials and Tests of Love

While we might see more — I could see Karim getting a trial on a technicality in S7 — as it stands now we see three former trials in the series. The first is in S4 among the Sunfire elves with Lucia, who ruined a sacred ritual by putting out a light, and is declared not innocent but worthy of life over death. Then we see Leola, who despite being truly innocent is condemned to death by the Star/First Elves and is made into nothing more than a light star known as Leola's Last Wish. Finally, we're going to seemingly have Rayla, whose actions did lead to the death of her troupe of Moonshadow assassins in the Silvergrove.

Just like with starlight vs moonlight vs sunlight with the Celestial elves, and Astrid + star magic creatures like Sir Sparklepuff in particular....

AARAVOS: Otherwise the sun will rise, and you will not.

We see this pattern of sun, star, and moon again with the trials alongside ideas of mercy, innocence, and concepts of paying the price.

Meanwhile, in season six, both Claudia and Callum were searching for their deep truths. Their path. Callum found his in Rayla and accepted it wholeheartedly. Claudia thought she'd find hers in Viren ("I'll look at him and I'll know / I need him to show me the right path"), but found only his body and the prison he left behind. Of course, the main reason that Viren died in season six was that he wanted to save Katolis, and more than that, he wanted to save his son.

She said that this was my home, and that my brother and I needed each other.

If Claudia is an eclipsed sun, a form of life turned death, than Soren is the uncorrupted version of the sun, ready and willing to guide her back if she'll just give him the chance. And in going back to Katolis, in sparing/saving Soren, Viren did help give Claudia what she needed in order to find her true path some day, too: a life with her brother and Terry at her side.

Claudia's first real test of love in the series was whether to choose the egg — the world, her father's wishes — over the safety and wellbeing of her family — her brother. She made the right choice.

I'm here.

It'd make sense if one of her final tests of love was a similar trial — maybe even if Callum under possession/Aaravos' control hurts Soren ("Oh I've been stabbed by the stab-prince!") — and Claudia once again chooses her brother over everything, just as he chooses for and fights for her. She ultimately chooses life over death, reflecting the massive change in herself and her character arc.

Likewise, Rayla being a Moonshadow elf saved from death ("I leapt to my certain death, but you spread your wings and you saved me" / "Finnegrin was going to kill you, I didn't have a choice") from Callum means breaking his promise, yes.

However, it also frees her up from needing to be an assassin and therefore from needing to behave like she's "already dead" or that Callum is. The possession/corruption would be a fate worse than death / metaphorical to literal death and rather than delivering either, Rayla would save him in turn. Like Claudia, she chooses life over death, symbolizing the same turning point. Callum, meanwhile, could get the Moon arcanum by realizing he has dark and light inside him; this may not mean a total blank slate (idk if they'd repeat that) from corruption, but a way to permanently throw off Aaravos' control of him regardless.

Life, over death.

Life and death working in harmony under principles of justice, mercy, and compassion.

Conclusion

This is more of rambling "notes on top of all this" place than a proper conclusion, but just a summary of stuff / some speculation for later:

Aaravos needed Moon and Sun stuff specifically from Luna Tenebris and Queen Aditi and that's why he killed them

Aaravos is going to successfully make the Cosmic Council mortal, even if that means making himself mortal.

This makes him more powerful than the Council and they may have reason to ally with our main team in order to take down Aaravos and/or be destroyed themselves

Rayla as Moon and Claudia as Sun reflect both life and death, but each will likely choose life over death; for Rayla this is about a certainty, for Claudia it's more up in the air if she'll have her redemption arc yet (I could see it getting pushed further to arc 3).

I think it'd be really nice if the inversion of life and death had broad implications meant some characters got to say goodbye, like Callum and Ez having a moment with Harrow and/or Sarai

And I think that's about it! What do you think inverting life and death may mean?

#tdp #the dragon prince #aaravos #tdp meta #analysis series #tdp theory #tdp spoilers #s7 spoilers #s7 speculation #predictions #raydia

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heedzhee-art · 1 day

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more of my yapping about the fandom-given hetalia Ukraine name

I don't like the Katyusha Ukraine because in my opinion it doesn't suit her, and people constantly use the name incorrectly. basically, Katyusha is like a playful version of "Kateryna/Katya", but people write it like a formal first name pretty often (Katyusha Chernenko), no blame since it comes from a place of unfamiliarity with slavic languages, it's just a bit annoying. plus the word is associated with that one russian song that became popular during World War II god it just doesn't suit her at all in my opinion 😭

"Katyusha" is a diminutive form of the name Kateryna, except it's of russian origin; in Ukrainian the diminutive forms of the name are "Katrusya", "Katerynka", or less commonly "Katrunya"

historically, the russian empire and later the soviet union promoted russian at the expense of Ukrainian, leading to the suppression of Ukrainian culture and language. of course, some Ukrainians use Katyush/Katyusha as playful nicknames, because the blending of Ukrainian and russian, that's been caused by reoccurring russification, migration, and political influence, lead to mixed usage in everyday speech – it's a normal thing (surzhyk). it's not a crime to use this word or anything, I just find it ironic that the character that represents a nation constantly oppressed by russian imperialism, in hetalia only exists as a dependant and less important character to give russia more endearing relationships and make him more interesting, and then the Japanese fandom coincidentally has also chosen the russian word for her name (I assume it's after that popular soviet song)

really I feel there's not much Ukrainian about canon hetalia Ukraine, which seems to be a very common feeling among many of my Ukrainian friends who know about the character :/ they think she's cute and pretty, but when it comes to national identity and culture, she is not relatable even on a stereotypical level, and has little depth as a character

anyway, if you want some Ukrainian first names, here's a list of the ones I think sound fitting (SUBJECTIVE OPINION 😡)

🇺🇦🔱🌻🍲🇺🇦🌾🌻🍞🇺🇦🍲🌾

Myroslava (love this one) - slavic origin, a combination of мир and слава, meaning peace and glory. it suits resilient and strong people

Olha/Olya (ОЛЯ UA!!!!!!!) - scandinavian origin (ukr. variant of Hélga). yea it's a really old and really common name that associates with the Kyivan Rus era, anyway I use it because of a meme and due to every Olya I've met building this collective Olya in my head that's literally how I also see Ukraine. she's such an Olya. it's hard to explain

Olena (not Olyena) - greek origin (ukr. variant of Helénē) came to Ukrainian through Church Slavic "Yelena" (not Yelyena)

Lesya - Ukrainian name deriving from "Olesya" which in turn derives from "Oleksandra". I'm very biased about it because it's one of my favourite female names, and also many Ukrainians associate it with Lesya Ukrayinka, which is the self-given title of an outstanding Ukrainian writer, translator and cultural figure

Halyna - likely greek origin and comes from "galēnē". I like it because I get to call her Halynka/Halya, I think it sounds cute

Tetyana - common slavic name, likely of roman origin, it just has a tender and pretty sound to it

these names are common in some or all other slavic languages, differing in varied phonetics

😑 I am NOT gatekeeping people from calling her "Kateryna", I just personally dislike Katyusha or russian Yekatyerina for her, and in my opinion the old russian-speaking fandom did a better job naming her Olha, even if that popularized the russian transcription for this same name (Olga)

my Ukraine is named Olha Tkachenko. I just like it the most and I've kind of grown used to it. whateva

I will kiss you.

#aph ukraine #hws ukraine #hetalia ukraine #hetalia #aph #hws #Olya UA #h #Olha Tkachenko #edited #minor grammar error due to drowsiness

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bunnis-monsters · 3 days

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I love your posts and stories! Fics? I’m not sure what you prefer to call them!

You’ve inspired me so much!

I was wondering. Your blog seems mostly focused with fem reader x masc monster bfs. If someone were to begin writing similar stories inspired by your blog would you want to be tagged as inspo? You’ve gotten my mental horny cogs whirring and I was thinking of trying my hand at a queer version of things like you’ve posted here.

To be clear: NOT fanfics of your work, or aping your work of COURSE— and most likely not even the same exact writing style bc it would be my style. Just a similar ideas of monster lovers short smutty scenarios.

Im probably over-explaining/over thinking it 😅

The tldr is that I love your work and you’ve inspired me!

I’m uncomfortable with people using any of my original ideas or stories, and especially lore I come up with myself.

You’re more than welcome to make a similar account to mine though, I’m certainly not the first and won’t be the last monster fucker account. I don’t own any of the monsters or anything, but I own my own original ideas, characters, and stories.

Even with credit for inspo I would still be uncomfortable. It’s something I’ve learned as a creator, I just don’t like it. If you see a monster that I write for you’d like to also write for, go ahead! Just don’t use my characters, original lore, or stories!

Example: You can use bee hybrids (I’m absolutely not the first to write about them), but please don’t copy the original lore I’ve written about them! Ofc they’re in a hive, there’s different types of workers and that’s not original, but my lore is different than usual bee hybrid stuff. You can check it out here.

Again, this isn’t me saying everything I write is a completely new concept, monster fucker accounts are not new at all and I’ve definitely taken inspiration from people myself.

But what is original is the lore and work I’ve put into these characters and worlds to make them my own! Part of me plans to write actual books with my ideas some day!

I fully encourage you to start an account if your own and you’re free to be inspired by me, as long as you don’t cross my boundaries.

#anon ask #ask answered #monster fucker #monster lover #monster fudger

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altraviolet · 23 hours

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TFOne!

I enjoyed it! Spoilery thoughts under the cut.

The scenery was so artfully and beautifully done!

-The way Iacon was built, with buildings coming up from the ground and down from the 'sky,' was so pretty! Actually, it's not until just NOW that I'm realizing how that works. The buildings are basically stalactites and stalagmites underground- attached to the ceiling and floor of an unimaginably huge cave.

-The surface! A fantastic feeling of awe as the characters rode up to the surface to find the stars and the landscape and the colors. The changing/rippling surface was super intriguing and I think that some of the first canon descriptions of Cybertron included that element - constantly changing landscape - but, citation needed. The wildlife and the flora were so pretty. I personally would've loved to see more about that, but I know in a kid's movie we have to focus on other things xD

-The character designs themselves I'm not super in love with, but they're not bad, they're fine. It was fun to watch the background for familiar characters, and MY GOD the "Jazz gets doorwingies and they bounce" moment was SO CUTE! Loved that.

The writing was totally fine. We definitely get invested in the characters. It was very nice to see the friends -> enemies pipeline in action. The moment Sentinel Prime mentioned his dead fellow Primes I thought, "lol bet you killed them" and yeah. As each scene progresses, you can easily predict what's going to happen plot-wise. But, you know, kid's movie, lol. You have a pretty simple premise, a few characters, some good dynamics... yeah, it did a good job balancing all that. If it weren't a kid's movie, it could've cut back on the 'humorous' moments (or made them less slapsticky) and spent more time on other things, and still retained the positive elements :D

Some things TFOne did very well that I hope future offerings from the franchise adapt:

-focus on smaller group of characters (especially if in a movie. a comic or serialized show can support a larger cast)

-focus on NOT THE WAR. we've seen it. we've seen iiiiiit 😭 give us more 'day in the life.' mining, racing- these are all nice glimpses into previously established, normal things. TF is science fiction: leaning into the worldbuilding for Cybertronians will add soooo much to the storytelling

-no humans 🎉🎉🎉🎉 this is a personal preference of mine, of course, but I would much rather watch the robots interact with each other, and their culture and their world, than see them come to earth and do the "revealed to humans" thing for the 4000th time. also, the humans are usually so annoying. my god. let the robots be the human analogs- that is what sci fi is. we see ourselves in other worlds, etc etc.

Where do we go from here, story-wise?

A quick recap of the conflicts in TFOne:

-OP-D friendship turmoil

-Sentinel Prime('s lies) vs the reality of the world

-Cybertronians vs Quintessons

By the end this changes to:

-OP vs Meg, and by extension, Autobots vs Decepticons

(-Sentinel Prime is dead)

-Quintessons are still out there soooo...??

It's a natural segue to The (civil) War, but the external threat from the Quintessons still exists. It'd be interesting to see what a sequel did, addressing that. OP would be fighting two fronts... which would naturally push the Autobots to finally abandon Cybertron, which is what leads to Earth landings and meeting with humans. But the movie ends with Cybertron overflowing in energon: now it's even more appealing to the Quintessons.

idk man. I'd love to see a different solution to what we've seen before.

anyway, this is long enough. I do recommend seeing the movie, if you can. It's visually stunning and fun. I hope it does well so that Uncle Hasbro dumps more money into this kind of storytelling.

On a personal note, I saw this with the 2 friends I saw RoTB with last year, and afterwards, we posed in front of the giant poster stand thingy in the movie theater lobby. My friend held up a finger like ☝️ as in "one" as in TF One, lol, so now when I think of this movie it comes with that sign

TF☝️

#ramblies #tfone #tf one spoilers #transformers one #spoilers

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cleabellanov · 2 days

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I do actually get insane when the actors adore the relationship between their characters. Like that’s * THE * best bonus we could ask for

I am, of course, talking about Cherik. It’s an art.

Like, we’re all aware the actors love their characters as much as their fans do. And although it’s years ago that all of it was happening, I think the release of Deadpool and Wolverine reignited some very strong flames and flashbacks in this fandom (that. end credits. montage.)

So yeah I just love it when

James and Michael talking about their characters literally raising a child together

James and Michael talk about their characters

Calling the relationship of Magneto and Proffesor X a “love story” because it is

All the times they’re just flirting with each other

(just one EARLY example)

Lines with double meanings and admitting it with no filter

This iconic interview when they talked about fanfiction and fan art like YES GIVE THE PEOPLE WHAT THEY WANT

Casually talking about a * Cherik * (emphasis on the ship name) spin-off when they just go “around the world looking for obscure fish”.

And many more, because the chemistry between the actors (Ian and Patrick too obviously) never ceased to be there at the heart of it all.

It makes me wonder what other actors ( cough cough Tom and Owen) would say if they were allowed to, like if disney let them out of the basement for example hahah ☺️ (don’t worry I know they’re doing their best) In any case, I guess we’ll never know…?

What I know, at least, is that X-men as movies and an era are laudable thank you very much

#which could mean nothing #deadpool and wolverine #Deadpool and Wolverine summer might be over but my obsession with cherik isn’t #sorry I was feeling peculiar #james mcavoy #charles xavier #michael fassbender #erik lehnsherr #20th centery fox #marvel cinematic universe #proffesor x #magneto #ian mckellen #patrick stewart #x men

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appleflavoredkitkats · 17 hours

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i will make a proper analysis post for this one day but i genuinely think the "fundy's mind" stream is fundy's magnum opus. it does so much in one short stream. it perfectly portrays the fundamentals of fundy's character while also leaving so much to be interpreted and decoded.

like of course half of the metaphors and mysteries put into that episode hinted his involvement w las nevadas. but, and i think this point stands better considering how his story was executed and concluded, i think the stream was such a perfect encapsulation of the cyclical nature of fundy's abandonment and self-worth issues. it is "fundy's mind" after all.

we see glimpses of wilbur, literal monologues of how he feels brushed aside. i think back then, our interpretations of the books were a little too literal— which was not wrong to assume at the time. fundy was having prophetic dreams, of course it was normal to think he could have been a time traveler or something of that sort.

but, in the present day, i feel like if you look into the texts of these books in a more metaphorical sense, it makes a lot more sense. there's definitely a theme about "waking up" in a metaphorical sense, but the dreams flip this phrase on its head in some sort of way, as if dream!fundy was trying to get fundy to look away from the books.

i posit that dream!fundy demands fundy to wake up because it actually shields fundy from the painful truth deeply embedded in his psyche. meanwhile, sleeping actually causes fundy to dig into this truth more as it causes him to stay into this dream world. so when fundy chooses to sleep, he's not shielding himself away— rather, it represents the metaphorical "waking up", beholding truths that he typically shies away from.

but then what is this "truth"?

well, when dream!fundy gives up scaring fundy off, he confesses to an evil someone who will destroy fundy and everything he ever loved. of course, this pertains to quackity, but here's the thing. if dream!fundy wanted to protect fundy, then he would have obviously warned him about quackity without hesitance.

i'd argue that quackity being some big baddie is half the "truth" dream!fundy is trying to warn him about. then what is the other half that's missing? i think it has something to do with the "you're not real" statements.

those seem like a scare tactic at first. if not, it does not feel like it's meant to be the "painful truth" dream!fundy is trying to shield from fundy because he says it multiple times before the actual "truth" is revealed. but i think the reveal actually becomes more impactful if you read it as "there will be an evil person out there, always, that will make you not real."

and i guess to explain— there's, like i said, a cyclical nature to fundy's issues. he follows someone, dedicating himself to the country until it all inevitably becomes futile in the end. it happens with all iterations of l'manberg and las nevadas. i've always stated that fundy is the embodiment of the nations he's apart of, and he dies alongside it whenever it comes down to it.

so when the book mentions, "you are not real", "this place isn't real", and "but he [those who left him, specifically quackity] is", i feel like it's not just talking about quackity and las nevadas. rather, if we think about it, this is literally the formula in which fundy's arcs literally follow. he becomes nothing alongside the dissolvement of a nation, because those he trusted and followed were real threats.

and what i think this dream hints in particular is that, las nevadas would be the last straw. after this, his existence becomes virtually nothing. he is rendered nothing.

which is literally what happens in the end.

fundy's storyline has always been about being sidelined, always forgotten or used as a punchline for a joke. in this case, i feel that the dream isn't just warning him about this, but rather it's literally his destiny to be forgotten. that is the painful truth dream!fundy doesn't want fundt to know. that's why he sounded so defeated by fundy's stubbornness and curiosity by the third book— he does not want fundy to know that it's literally in his fate that he ends up becoming nothing.

and, well, it's true. the last we see of fundy is when he jumped into the l'manberg crater after cutting himself off from wilbur. it's even stated that fundy didn't die to end it all, but rather to "get away from wilbur". at the same time, we see fundy donate schlatt's sword, one of his prized possessions, to the museum.

he literally cuts off one of the most integral, most defining, aspects of his character— his devotion to nationhood and those who embodied it. and after that, we never see him again. when fundy chose to choose things for himself, to separate himself from l'manberg, physically and ideologically, he's gone.

it's as if he's not real.

we never really know if fundy left for the best or the worst, really. but in the narrative of the dsmp, separating himself from l'manberg literally makes him null. that's the truth his dreams were trying to shield himself from.

#mcyt #dream smp #fundy #c!fundy #cfundy #dsmp #dream smp analysis #derealization tw

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lyrisnightblood · 2 days

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Dear "lovely" "canon Jiang Cheng Stans",

I see what you're doing here. I can see y'all talk about "book meta" and "writing Jiang Cheng as canonically accurate" and you know what?

Y'all are doing a fantastic job, keep it up 😍🎉

Yeah really! I mean it!

Y'all are doing a fantastic job showcasing just how utterly pathetic y'all are, how chronically online y'all are, and most importantly, y'all are doing a marvellous job showcasing your hate boner for a fictional character you claim to hate and is an "antagonist".

Keep up the lovely work y'all, show the world how you lack an ounce of reading comprehension, you booktok obsessed peeps!

And while you're at it, let me go spittin' facts, straight from the book.

Jiang Yanli is dead. End of the story. You can fantasize to your heart's content about how "she'll react to JC raising her son" and get your pants in a twist about all the bad things she'll supposedly say, but that's just it. You can only imagine it.

You know why?

Hmm idk cos she's fucking dead and no one knows what the dead wants?

This is exactly like "Don't do this your mother wouldn't have wanted this of you" "don't talk like you know my mother she's dead and i don't know what she wanted cos she's dead"

Well

I should've expected such callous behaviour from antis 🤷

Admit it, y'all wanted Wei Wuxian to raise Jin Ling huh? C'mon, don't be shy🥰 you can say that

Except your fave never could've raised Jin Ling cos 1) as if the Jin Sect would let their Sect heir be raised by the jianghu's most wanted person (Gasp, "wEi wUxIaN sLaNdEr" love check your books even wwx acknowledges that fact lolll) and 2) how tf could a dead man, no less a man who's soul got ripped into shards, take care of a baby?

"but Jin Guangyao was a better parental figure, and an actual parent"

Yeah, a parent who killed his own child cos he was worried about his reputation (I can already smell y'all coming at me to defend him like chill, I only said the truth, and yes, man was more worried about people knowing he married his sister and losing position than the life of his own son, just because he loved Rusong didn't change the fact that he was ready to go to the extreme). Not to mention how Jin Guangyao held a string to his own nephew's neck and threatened to kill him to save his skin while it was Jiang Cheng who begged him to let Jin Ling go

Betcha Jiang Yanli's ghost is watching the scene while sipping tea and praising Jin Guangyao huh

"but one of Jin Zixuan's cousin-"

Jin Zixun is dead. And is a truly despicable person. Or did you forget how he insulted Wei Wuxian left and right?

Oh wait. Of course you forgot, "criticizing" Jiang Cheng takes precedence! My bad, i should've known!

Let me stop y'all before you say "Jin Guangshan". You must be the utterly worst person in the planet to want a known womanizer and child abuser and rapist to raise a child. IDC Jin Guangshan is related to Jin Ling. Y'all just want a known abuser and sexual predator to raise Jin Ling just say you don't give two cents about the poor boy except when you want to hate on Jiang Cheng 🙄

"what about Jin Furen"

Yeah what about her? Or did you forget how she canonically had a role to play in Jin Ling's upbringing?

Who do you think is responsible for Jin Ling spending half a year in Lotus Pier? Certainly not Jin Guangyao!

If there was one person in the Jin Sect who could have enough sway to ensure that her own grandson is spending a significant amount of time in another sect, it's Jin Furen.

Three guesses why she did that?

Lol you actually thought I'd wait for your guess? LMFAOOOOO you're so cute 🤣🤣🤣🤣🤣

She did that because Jin Furen cared for A-Li and - wait for it - A-Cheng!!!

Reread the books if you missed it, mmkay?

She was fond of Yu Ziyuan, and by extension her children, and post-SSC, she offered to support both of them on multiple occasions (which they declined because any political support from Jin Sect would've come with strings attached cos JGS😑)

Establishing the fact that Jin Furen cared for Jiang Cheng, she had agreed to Jin Ling spending half his time in Lotus Pier because she sensed that he was all Jiang Cheng had left, and vice versa.

Y'all also have utterly forgotten about the cruel way Jin Ling's paternal cousins have bullied him for being an orphan. Like, Koi Tower is supposed to be his home, and he was bullied to the point where Lotus Pier became his sanctuary.

"AHA! GOTCHA! QIN SU SHOULD'VE RAISED HIM!"

Laughing My Fricking Ass Off TM

My man Qin Su was RIGHT THERE! No one was stopping her from raising Jin Ling! She could've been the maternal figure Jin Ling needed! And no one would have questioned it, it was actually expected for that timeline.

Except.... Did she? Did she do anything to make Jin Ling feel loved? Has Jin Ling ever talked about his aunt the same way he talks about his uncles? Apart from the respect that he gives to her as his paternal uncle's wife, does Jin Ling refer to her fondly? Even once?

"Alright, your point?"

Why thank you for asking 💗😌

My point is that Jiang Cheng is canonically the best guardian for Jin Ling, and this conclusion comes AFTER analysing every other candidate.

And you know what?

I am absolutely right🎉💗🌸😻

Evidence?

Exhibit A: Jiang Cheng accompanying Jin Ling's nighthunt to look out for him but also keeps himself at a distance so that Jin Ling actually participates in the nighthunt

Exhibit B: Letting Fairy enter Lotus Pier despite the strict dog ban (which he had adhered to even after wwx died)

Exhibit C: Jin Ling never once flinches or looks scared when Jiang Cheng shows his temper and says "I'll break your legs", he knows his jiujiu is all bark but would never hurt him

Exhibit D: "how dare you hit me? Even my jiujiu had never hit me!" - Jin Ling to Wei Wuxian (who btw oh so casually hits Jin Ling as if it's a normal thing to hit a child💀)

Exhibit E: "A-Ling! Who made you cry?" - Jiang Cheng when he saw a crying Jin Ling. No admonishment. No Judgement. And certainly no anger directed at Jin Ling.

Exhibit F: Jin Ling being unafraid to cry in front of his jiujiu, he knows he won't be judged.

Exhibit G: Jiang Cheng saving Jin Ling on multiple occasions.

Exhibit H: Jiang Cheng begging Jin Guangyao to take him hostage and release Jin Ling, without hesitation, despite his spiritual energy being locked and being stabbed in the chest.

I could go on and on and on but unlike you lovely people who have no hobby other than slandering Jiang Cheng, I have TONS.

And also a life.

So, go fantasize about your Jiang Cheng hate boner elsewhere. I see your pathetic attempt at taking over the Canon Jiang Cheng tag and it ain't working.

Ciao 🤟

#canon jiang cheng #canon jc #jiang cheng #jiang wanyin #mdzs #mo dao zu shi #grandmaster of demonic cultivation #mdzs jiang cheng #jiang yanli #jin ling #jin ling and his jiujiu #once again #congratulations antis for lacking reading comprehension #go back to booktok fr

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camilledlc · 2 days

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Because I love relating songs to characters and analysing why it works so well, I just have to rant about how So Long, London by Taylor Swift is Vanessa's perspective of her break up with Wade. This one is reaaaally long, so be ready for that if you still chose to read this. It is 4,5k of a weird analyse no one asked for. You have been warned :

I think the main reason why Vanessa (that I will from now call Ness) ended things with Wade was because of how bad he was doing. She tried to be there for him, but there's only so much you can do for someone who doesn't want to be helped. So really, it is quite evident as to how this song can be related to their story. I'll go in order of the lyrics, and really dive in with the meaning of the song. I'll write this as if Ness wrote the song herself, kinda. But despite me relating it to Ness, it will also kind of be a study of the song in itself, if anyone is interested in that.

The opening line "I saw in my mind fairy lights through the mist" shows two main things that to me will be crucial to understand exactly how it all went down and Ness' state of mind. The two central element being obviously the fairy lights and the mist. The mist represents this gloom, this sadness that had surrounded Wade, and therefore herself. He was extremely depressed because of the Avengers' rejection, and didn't seem to be able to pick himself back up. Everything for him became a mist, but it also made everything for Ness turn into a mist. Always being around a deeply person, to whom you're entirely devoted, it will take a huge tole on you. Their sadness become yours, etc. And by that point, you may think that there was no reason for her to stay, but no. That's why the fairy lights are here. The fairy lights doesn't represent the exit, the ending of this relationship that would finally brought her peace. This early on in the song, it wouldn't make sense. The author is still too deep into this relationship. The fairy lights are probably the reason why they are still together by that point, despite all the pain that it's causing Ness. Because while the relationship can generally be associated to a mist, there are moments of happiness, of "fairy lights through the the mist". Not all moments are bad, and they are occasions where Ness can see the old Wade, and what they used to have. And she wants to fight for that. Because deep down, they love each other in ways that can't be matched, and they loved each other for so long.

And so, this leads us to the next lyrics : "I kept calm and carried the weight of the rift / Pulling him tighter each time he was drifting away". Because Ness can see that not everything is bad in her relationship, that there are still pieces of what they used to be left to fight for, she tries. She tries to "[keep] calm", to be the rock Wade is in desperate need of. For Wade, it feels like his world is falling apart, as he can't seem to find a purpose for his life, a way to matter. He falls more and more into depression, unable to pull himself back up. The only thing stopping him from "drifting away" is Ness. But on the other hand, she can't keep carrying them both on her shoulders. It "weights" on her, and understandably so. She wants to be there for Wade, and she tries as much as she can to save him. But maybe it's a responsibility that's too heavy for her, and so, the come the next lyrics.

"My spine split from carrying us up the hill / Wet through my clothes, weary bones caught the chill". Those are pretty easy to understand and very explicit. The weight of Wade's sadness is becoming too much for us, and she is breaking under it. By being the only one trying to lift them up, she's going to end up even more broken than Wade. I of course think that "wet" references sadness in general. Sadness is often paired with deep blues, cold colours and a general theme of water--because of tears. With the "mist" being also a metaphor for this sadness, it isn't surprising. But this means that this sadness that Wade carried, this "mist", finally got to her. The "mist" finally reached her and made her "wet", meaning that his sadness started to become her sadness. She "caught the chill", she started to feel depressed too, because always being around someone depressed--especially if you're the only one lifting them up--makes you depressed too.

"I stopped trying to make him laugh / Stopped trying to drill the safe". Another easily-understandable set of lyrics, yet devastating in the context of Deadpool. We know a handful thing about him and how he is generally perceived by others, and one of his main traits is that he's funny. He is always one to laugh, or crack a joke, the one that makes you happier when things are bad. He is the one supposed to make other laughs, but with how bad he feels, the roles are reversed, and Ness has to try and try and try to make him happier, to "make him laugh". It must have been really heart-breaking to see the dynamics in their relationship change this much, see a person she knew like the back of her hand becoming a ghost of who they used to be. And eventually, he started to close up too much to her. He would be 'somewhere else, not fully there'. He wouldn't let her in, tell her what he was truly feeling--despite the fact that she could sense how bad he was doing. He became a "safe", a total stranger that she couldn't figure out, until she eventually had to give up. This is even more depressing when you know that Wade has had tendencies to lie to protect himself and push people away, which he could've also done here with Ness.

All of this leads her to start being angry, and confused, and wanting answers from him. Not the Wade she saw before leaving him, but her Wade, from before all this. She wants to understand : "Thinkin, how much sad did you think I had / Did you think I had in me?". I see this as both a rhetorical question, telling him that she can't handle all of his sadness and that she has to leave him behind at some point. That she doesn't have this much sadness in her to support him. But I also believe it has some genuine aspects of an earnest question, always waiting for an answer. Yet, she will repeat this multiple times, probably alluding to the fact that she doesn't have any. Because Wade doesn't have an answer to that either. She wants to know just how far Wade was willing to let himself fall down while thinking that Ness would stay, that she would pick him up. In a way, I think she felt betrayed and hurt by the way he was treating her, waiting for her to be there for him while he purposefully let himself drown in his own misery. So, eventually, she's angry and demands answer, demands an explanation to all of this, because this isn't the Wade she fell in love with.

And that's why it's so tragic : "Oh, the tragedy... / So Long, London". In this, we see just how heart-breaking their entire story is. It wasn't supposed to end this way, yet at that point in time, she saw no other issues. She didn't want to leave him, but she had to. It was tragic because it couldn't have been avoided, yet she felt as if it wasn't fair, and it wasn't meant to be this way. She can only constate that their ending is tragic, and she has to accept it despite the evident pain and sorrow (the punctuation). And so, she leaves. All of this, only could lead to that conclusion. She went through all stages, from loving him, to trying to support him, to giving up on helping him, to being angry at him, to giving up on them altogether now. She isn't fully saying goodbye, as she still feels as if their lives are too intertwined for them to not see each other again eventually. They both love each other too damn much to never do so, to truly end things here. By that point, she accepts that she must leave, and that their story ends, but she knows the love hasn't completely disappeared yet.

But when she says "You'll find someone...", she does admit that while love may persist, the relationship is over for good. By that point, she only includes him in the finding someone part. I think it's because she herself hasn't moved on from him, and she isn't sure by that point that she can. They know they can't date anymore, but she doesn't think that she'll fall in love as hard as she did with Wade with anyone else. But for him, she wants him to move on and find someone who will be able to handle Wade. In a way, she may feel guilty for leaving, despite knowing that it was killing her on the inside to stay. So she wishes for Wade to find someone who, unlike her, will be able to help Wade, or at least carry his burden with him without splitting under the weight.

I feel that the next part is a bit trickier, so if my ramble doesn't make sense, feel free to ignore it! But otherwise, I think that the lyrics "I didn't opt in to be your odd man out / I founded the club she's heard great things about" are definitely laced with bitterness. To me, it really represents that moment of Wade getting better, and how Ness will view herself into that. One the one hand, she knows she isn't entitled to anything regarding Wade anymore because she chose to leave, but on the other hand, she feels as if she didn't have a choice to leave. Everything was so awful that she had to leave for her own sake, so she didn't opt out of his life. She didn't want to be his friend, but she couldn't be anything else. Yet, everyone--including Wade--will make her feel like it was her decision. Even though they respect it, she feels that they don't understand that it wasn't truly her decision, and that under other circumstances, she would've never left Wade. If it wasn't for her survival, she would still be with him. But now, she is purposefully being left out of everything regarding Wade and all of his accomplishments. People will say that it's great to see him better again, to see him happier, and a true hero that wants to matter, etc. And yes, he did that on his own, but it does feel to her as if it invalidates everything she went through. She helped him for so long, and eventually had to give up. So he got better on his own and is praised for it, but what about all of her efforts? Don't they count in his recovery? Isn't her support the foundation of the person he is today? She is one of the reason Wade found his spark back, yet because she left before he did, she can never say as much. And it must feel bitter to see how much time and energy and love you lost trying to help someone who got better after you left them, after you've had enough.

Which is why we have "I left all I knew, you left me at the house by the Heath". Because, yes, she may have been the one who left Wade first officially, but Wade had left her way before that. When letting himself become a shadow of who he once was, he left Ness to fend on her own, the only one keeping their love, their home alive. The "house by the Heath" represents this home that they made for themselves, it was their lives, their futures. But Wade abandoned that mentally. Yet, it falls on Ness when she decides to abandon it physically. In this whole verse, she is feeling bitter, and angry, and regretful. She left everything behind, because Wade felt like her everything. But she wasn't the first one to do so, and Wade had actually done it before. She had in the past tried to support him when he had cancer, only for him to leave her to bear this alone. So, actually, she was the only one trying actively not to leave, not to let this relationship die.

"I stopped CPR, after all it's no use / The spirit was gone, we would never come to". It implies that for a long time, she tried to maintain their relationship alive, but it was for nothing. "The spirit" of their love had left when Wade did too, when he metaphorically left the relationship. It couldn't be brought back, and even if they had tried, it would've been too late. Their relationship was already too damaged to be salvaged. There is no use to perform CPR on a dead body.

The next lyric is heavily marked by the voice of the singer, showing the anger and resentment growing : "And I'm pissed off you let me give you all that youth for free". For this one, I think it's crucial we remember the context of both who they are in general. Ness is a woman in her mid-thirties/forties, meanwhile, Wade is an immortal guy who can't age nor die. Wade still has the whole eternity in front of him to do whatever he wants, to be someone great. But Ness spent most of her life with him, and now she's getting older. No matter who she ends up with it will be a very recent and new relationship, and it will take time to grow, and so she may have trouble later having the family she'd wanted. For her, it may feels like as if she's spent so many years with Wade, only to be back at square one. Except that for him, he can take the eternity to move up a few square, but her, she doesn't have that time. She doesn't have eternal "youth", which is why she may be so pissed, both at herself and at Wade. It can be very easy to start resenting someone when you feel like you have wasted so much time on them, for nothing to come out of it eventually. And it would be better if Wade was in the same boat as her, because then they would both have wasted time and it would be no one's fault. But she is alone in this, she is the one who gave her "youth for free".

The "For so long, London / Stitches undone / Two graves, one gun" only reinforce this idea. She gave her youth "for so long" and now she's feeling resentful. In a way, it feels like her decision killed them both. She knows the negative impact their breakup had on Wade, of course. But here, she also acknowledge just how much it affected her too. With "one gun", aka her decision to leave, she killed the both of them ("two graves"). Kind of in a "you had to kill me but it killed you just the same kind of way". And now, the relationship that she carefully spent time stitching up each time it split is now completely broken, the "stitches undone".

And so, she accepts that she has to move on : "I'll find someone". She knows how bad her decision also affected her, and how hard it will be to get back everything she lost to this relationship. But she can't stay down, and she has to find a way to move forward somehow. And she knows that it's possible, that eventually, she'll find someone else, she'll fall in love again and that life goes on. It's a way for her to try and find peace, to definitely put her relationship with Wade past her. And by the beginning of Deadpool and Wolverine, she believes that she has found that someone, she found Dermot. Someone good, who is different yet someone she is really happy with. She can fully move on, and so wants to try and befriend Wade, as a way to really put this all behind. Because despite knowing they can't ever get back together, she still has a lot of love for him--whether it's romantic or now platonic, she'll always love him, as he is one of the most important person for her. But it's clear that while she's almost moved on completely from him, he hasn't done the same. And because of the way he still holds out hope for them to be together again, she feels as though he thinks she abandoned him all over again.

So in a way, the upcoming bridge is her way of defending herself. "And you say I abandoned the ship / But I was going down with it" is literally her reiterating that she wasn't the one who left first, she was actually holding onto that relationship even more than Wade was, even though it was killing her, "My white knuckle dying grip". The singer's voice is by then really angry, and I think Ness is too by now. It feels unjust to be blamed for leaving a relationship. I don't think they are blaming her consciously, because Wade would never want to make her feel bad about it. But the sole fact that he's still holding out hope that they work out put the blame on her for the fact that it isn't working out. In a way, him still wanting her and not being able to move on makes her even now the responsible for Wade's misery, which is unfair because she already had to bear it and suffer from it for long enough in their relationship.

The next lyrics will all be analysed as a whole, so sorry for that : "Holding tight to your quiet resentment and / My friends said it isn't right to be scared / Everyday of a love affair / Every breath feels like rarest air / When you're not sure if he wants to be there". This may be a bit triggering, se be careful, but I think that while the original song may be talking about not wanting to be there in a relationship, from Ness' point of view, it will be more like there at all in this life. Wade is canonically a character that has a severe mental instability, a lot of traumas and issues, and he is one of the character who tried to off himself the most--even before having a regenerating factor. He clearly has always struggled with his mental health, and it was even worse during his depression. So when Ness feels scared that because she's "not sure if he wants to be there", she's talking about being scared that Wade would take the opportunity to off himself if he could die. It is extremely scary to be in a relationship with someone who doesn't wish to live anymore, when you never know if they are faking their smiles, planning on leaving it all behind, if you're not sure you'll wake up and they'll still be there. Even while knowing he can't die, it is still a terrifying thought. So now, their entire relationship, their "love affair" is completely overtook by this fear that it will all end at any moment, and also by this need to take every good thing in because they may not last, or there won't ever be any other good thing afterwards. Every moment of true joy "feels like rarest air". Because now, everything in her mind revolves around Wade's sadness, his "quiet resentment" of feeling like he doesn't matter, of not finding his purpose in this world.

But there's only so much that one person can take, and so, eventually, she is back to asking "So how much sad did you think I had / Did you think I had in me? / How much tragedy?". This times, it really feels as though she exposed previously during the bridge every arguments in her favour as to why she had to leave, and now she's showing him all of those arguments and telling him 'see?', and in the words of the song "Just how low did you think I'd go? Before I'd self-implode / Before I'd have to go be free". And those two last sentences summarize pretty much everything : she was self-imploding, so she had to leave and be free. This relationship, despite still having some good moments that guilted her into staying, was more like a prison to her by that point. In this bridge, she seems finale with her explanation, and feels a certain form of validation of her decision. By then, she is certain she made the right choice, and she is trying to show others, and especially Wade, that she had to move on and that still holding hope for a relationship together was just invalidating everything she went through (even if Wade isn't necessarily wanting that, or even realizing she might feel that way. He can't help but love her, but respects her decision nonetheless. There is no bad guy here, just a very complicated situation).

The very end of the song is definitely right by the end of the events of Deadpool and Wolverine. Wade tells her explicitly that he still loves her, still wants her, wants them. But when he tells her he still loves her, all she can think of is : "You swore that you loved me but where were the clues? / I died on the altar waiting for the proof / You sacrificed us to the gods of your bluest days". She may know, realistically, that Wade really did love and still do, but during the end of their relationship, she couldn't feel it. Everything in Wade's life was now centred around his sadness, which is here represented by the "gods of [your] bluest days". Their relationship was too much, and so he "sacrificed" it, because in his mind, there was no room for anything other than his depression. Which is valid and comprehensible, but extremely hard to live for Ness. She was desperately waiting for him to show her that he cared for her, that he still loved her, that he was still with her, like shown in the flashback when Cassandra Nova peered through Wade's mind. She asked him directly for proof of his love, and she eventually had to leave the "altar" because she was dying there otherwise. Wade was feeling so awful that he couldn't remind Ness just how much he loved her, so even now, she can't accept that he still does.

Besides, we know she has supposedly moved on, as she is happy with her new boyfriend Dermot : "And I'm just getting color back into my face". After everything, she eventually felt like a lesser version of herself, beaten up by this tragic relationship. Wade's constant sadness got to her. But now, it's been a while, and she had time to move on, to find her own new happiness. It might be different colours than when she was with Wade, but she has colours nonetheless. She is happier out of the relationship. Yet, she can't help but be mad : "I'm just mad as hell cause I loved this place / For so long, London". It is quite obvious that despite being happy now, she had also been happy with Wade before all this. There had been so long where she thought she was gonna marry Wade, found a family together, that he was her soulmate. She knows it's for the better, but there's also something so frustrating about having to leave something that brought you joy for so long because now it has soured. The lyrics "Had a good run / A moment of warm sun" reminds that. Before Wade got depressed, there relationship was truly and utterly an happy relationship. There was so much good in it, and for a long time, it seemed like it would last. But it didn't.

"But I'm not the one / So long, London". She is here fully letting Wade go, and letting their romance go. In admitting that she isn't the one for Wade, she is admitting that they weren't soulmates who were meant to be, and that maybe it's better this way. She is admitting that even the earlier stage of their relationship was extremely good and happy, it was not enough. She isn't the one for him because she could love him at his best, but couldn't at his worst. And there is no shame in that, she knows now that some people aren't meant to be, despite being perfect for each other in every other aspects. For example, when she sees Logan, she understands that he can handle Wade at his worst, that he can lift him up. At the same time, it's a bit bitter because she wished she could've been the one, but she is also really grateful to be out of this relationship, and yet knowing that Wade's got someone else that will be there for him. She can leave peacefully knowing that.

Then, we have another repetition of "Stitches undone" which symbolize definitely the end of relationship, with nothing holding it together anymore, and "Two graves, one gun". Personally, I always heard something else and liked what I heard more, which is "Two graves, one gone". Here, it would be a representation of how they felt during Wade's depression. He was so sad that he was almost dead, which killed her on the inside too. They were "two graves". But some graves aren't meant to be side by side. She left the graveyard, found happiness again somewhere else. She brought herself back to life by leaving. Now, there is one grave that is "gone". But by using the last sentence "You'll find someone...", she is in a way giving him permission to move on from her as well, to leave the graveyard that was their relationship. She hopes for him that he'll find someone who will bring him back to life to, and she even thinks that Wade found that person already, found that in Logan. Now that she let go, she's telling Wade to do the same. To let her go.

The three different instances of "you'll find someone / i'll find someone / you'll find someone" really represents the progression of the breakup and the healing from it. At first, it's a way to convince herself that she has to leave, that she isn't made to handle this. By then, none of them have moved on. Then, it's her finding her own way of happiness, admitting that she's moving on. And the last one is her telling Wade to move on too. By the end of the song, their relationship has definitely ended, it's over for good.

"So long, London".

#deadpool #wade wilson #deadpool and wolverine #vanessa carlysle #character study #like a lot of it #relationship study #a taylor swift song explained from the point of view of a character #i'll do that more lmao #poolverine #deadclaws #at the very end though #logan howlett #wolverine

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dumbkiri · 2 days

Text

𝐓𝐈𝐌𝐄 𝐅𝐋𝐄𝐖 𝐁𝐘

𝗕𝗮𝗸𝘂𝗴𝗼 𝗞𝗮𝘁𝘀𝘂𝗸𝗶 𝘅 𝗙𝗲𝗺!𝗥𝗲𝗮𝗱𝗲𝗿

This is an AU where all characters are adults and have families!

“I wanna love you for the rest of my life.”

He declared so lovingly with his hands holding his wife gently.

The two of them danced under the moonlight and stars with silent looks from the audience surrounding the both of them. Her beautiful white dress swayed side to side as the two of them moved to the slow melody playing in the background.

She gave him a sweet smile and removed her hand off his shoulder to caress his face. The words she returned to him made his heart flutter, “Forever and always, Katsuki.”

He leaned forward and kissed her lips for the hundredth time that night. She felt so warm and real in this moment of his dream. He never wanted to leave knowing what awaited him when he awoke, so he remained in her arms for a bit longer.

He forgot about his real world problems and indulged in this heavenly dream with the love of his life. She gave him everything he ever wanted. Children that were born with incredible quirks and their best features combined. A house that they built together for their growing family.

But all good things come to an end eventually.

“Do you miss me, Katsuki?” She looked up at him with a disappointed expression, her [e.color] eyes dulling out.

He faltered, but replied, “Of course, I do. I miss you every time I look at our children. Katsumi looks more like you, but Hiro has your personality. When he gets mad, the earth beneath his feet cracks.”

He chuckled at the memory of Hiro’s shocked expression, then the seven year old apologizing profusely for the damage done in the dining room before he stomped away.

“But he was rightfully mad, was he not?”

Katsuki’s smile morphed into a frown as he returned his sad gaze to his wife knowing what she was talking about, “It was a misunderstanding, [Name].”

“He saw you kiss another woman, a woman that isn’t his mother,” She responded quickly as she pulled away from him. Her eyes looked down at the floor and she held herself together, he knew she did this when she felt insecure.

He wanted her not to feel that way. She was his wife, not some-

“I’m missing, not dead.”

His heart clenched at the reminder of her situation.

“You stopped looking for me so you could start a new relationship with someone else. Of course, it has to be with our children’s teacher, huh?”

She looked up at him and her sad glare poked a huge hole into his heart.

“Just because you stopped looking doesn’t mean Hiro has. He doesn’t understand what happened with that villain. All he knows is that you came home without me. Now two years go by and he sees you kissing his teacher. Wouldn’t his anger be justified because he never lost hope in finding me?”

Of course, it’s justified. But Camie kissed him, he didn’t initiate it. He couldn’t because all he could think about was his missing wife. All he could think about was how wrong it felt to touch another woman.

He swallowed the lump in his throat and shook his head, “I…I don’t love her, not like I love you.”

Then [Name] inhaled through her nose and said, “But you’re starting to. You don’t need to lie to me and you certainly don’t need to hide this from Hiro. He will understand when you give him time. Don’t let our boy grow up to hate you because you started loving a different woman. Let him understand why you stopped looking for me and why you’re settling for Camie.”

He was settling for Camie as harsh as it sounded, but the truth lied in your sentence.

“I meant what I said, loving you for the rest of my life,” He took a step toward her with his hands reaching out to her pretty face.

He held her with a loose grip then he rested his forehead against hers and said, “But our children need a mother. I can’t raise them on my own. Can you forgive me?”

He felt her tears touch his rough hands and he clenched his teeth to hold back his own. He waited for those words, remembering how this dream always ended in heartbreak. But her cruel words never came, instead she gave him a different answer. Not the one his mind usually came up with.

“Please don’t stop searching for me.”

The way his heart jumped in surprise had him pull back, looking into her [e.color] eyes that had tears pouring down her cheeks like a waterfall.

She held onto his hands and desperately said, “I’m missing, Katsuki. Don’t lose hope, I need you to keep looking for me. I want to come home.”

He couldn’t believe what he was hearing. This answer had been extremely different from the one she always gave him. He can remember word by word why she couldn’t forgive him, but now…she begged him to keep looking for her.

“[Name], is this- Where are you?”

The urge to ask that question to her felt strong and she shook her head, “I won’t be able to tell you, but I’m closer than you think. So please, keep looking. I don’t want to be with him anymore. I want to come home to you and our beautiful children.”

Her begging made him feel even more guilty for letting Camie kiss him. Then there was another issue that made his blood boil. She mentioned the villain that took her away. His guilt and his anger never mixed well together, it only made him more emotional seeing his wife so vulnerable.

Katsuki breathed heavily and pulled her into his strong arms with a kiss planted on the crown of her head.

She looked up at him through his hold and spoke, but her words could not be heard. Her lips moved, yet no sound entered his ears. He lost his hearing in a crucial moment and like a ripple in the water, she moved away from him.

…

“Hey, old man, it’s morning already.”

Katsuki woke up from his dream, hearing the voice of his grumpy 13 year old boy.

Now Hiro looked like Katsuki, inheriting the spiky blonde hair and sharp eyes, but his eyes were the color of his mother’s. The boy glared at his father when he received no response from the man and said mockingly, “Don’t you have a ‘meeting’ with my teacher? She wouldn’t stop talking about it last week.”

Katsuki groaned and sat up in the bed, his spiky hair unruly like always. His red eyes focused on his son as he blinked the sleep away.

“I do, but it’s really just a meeting.”

“Yeah, sure,” Hiro rolled his eyes and moved away from the door shouting, “Katsumi and I are going out with some friends to the park while you have this meeting. Then we’re going to grandparent’s house for dinner.”

“It’s not like that, brat!” Katsuki shouted back, gripping the bed sheets tightly as he growled out.

Then he heard his children getting ready to leave the house with no snappy remark from Hiro.

He rolled his shoulders and neck feeling the pops in his sore muscles. His eyes roamed the master bedroom and thought back to his dream with his wife.

She begged him to keep looking for her.

Yeah, he admitted that he did lose hope in finding her. Two years felt like forever without his sunshine and raising kids that looked and acted like her had been rough on his mental state.

Nevertheless, he needed to grow up and be a better father to them. They already lost their mother, they can’t afford to lose him too.

As Katsuki was getting ready for the parent teacher conference about Hiro and Katsumi, he heard his children down the hall speaking amongst themselves. Hiro, as usual, didn’t have the need to quiet down his tone while Katsumi tried her best to get her brother to speak softly.

“Did you really see dad kiss her?”

“Of course I did,” Hiro bit back, hurt that his sister doubted him.

Katsumi quickly replied to Hiro in a hushed whisper, “Whoa, hey! Not so loudly, Hiro~ Dad could be-”

“Good, he should be listening,” Hiro jabbed then moved on to say, “Dad kissed my teacher. Now all she does is gush about how ‘attractive’ he is to other teachers. You know how awkward it is to walk down the hall while our classmates talk about dad cheating on mom? She’s not dead, Sumi. She’s missing.”

Katsuki heard Katsumi sigh and sadly say, “Yeah, I know. But you’ve seen how dad is…angry and lonely almost every day. Mom…made him very happy back then, so who cares if he’s looking for companionship to fill that hole in his heart.”

“We should care,” Hiro snapped back, “Our mom is out there suffering with a villain. We’re suffering because we miss her. You and I are coping by relying on each other, dad can do the same.”

“I don’t think so,” Katsumi sighed and said, “He can’t even look at me, probably because I look like mom so much. I haven’t seen him smile at me since her kidnapping. He looks at me with regret and you look at me differently too.”

“What?” Hiro asked, surprised by his sister’s claim, “No, I don’t.”

“Don’t lie to me!” Katsumi snapped back, her temper just as bad as Katsuki’s when he was younger.

Katsuki heard Hiro fumble with his words and shook his head at his son’s response.

“Well sure, it’s hard to look at you, you literally look like mom! But that doesn’t mean-”

“You two are the worst! It’s not my fault I look like her!”

Katsuki heard his daughter storm down the stairs and shut the front door loudly, announcing her departure. Then he heard the frustrated mumbles from Hiro, the boy stomping down the stairs and angrily putting his shoes on.

“Stupid sister,” Hiro grumbled, grabbing something by the door, “she forgot to put her shoes on.”

Then his son slammed the front door after himself.

Katsuki took a deep breath in and thought about his children’s conversation with each other. He didn’t think Camie would talk about their budding relationship to other teachers. Didn’t know their classmates whispered about their family.

Then there was the situation with Katsumi.

He hated to admit it, but his daughter spoke the truth. Katsuki hadn’t smiled at her in the last two years, not even over her accomplishments. He couldn’t hold a long conversation with her or lock eyes with her.

But he heard her stories through his mother.

Coming to a conclusion on how to fix his relationship with his children, Katsuki pulled his phone from his pocket and messaged his mother:

I will be joining for dinner as well.

Who invited you?

Does it matter?

Just know that I’m coming over.

Gotta talk to the kids about their mother.

Do not drag me into your mess!

My grandchildren see me as a trusted guardian.

This is serious, old hag. You’re going to moderate the conversation.

I’m clearly biased, brat! You kissed Hiro’s teacher while still married!

Did you even think about how [Name] would feel?

She’s missing, not dead.

“I’m missing, not dead.”

His wife’s words from the dream played back as he read his mother’s message to him.

Yeah, he knows that. But he can’t help the urge to fill the hole in his heart just like how Hiro can’t help acting out against him. They all have different and unhealthy coping mechanisms.

Yeah, I did. I’m not going to deny it. But I don’t love Camie, she’s just there.

He didn’t get an immediate response and he stood at the door waiting as patiently as he could. His foot thumped on the floorboard while his bottom lip was between his teeth.

Then three message popped up instantly:

If you say one thing that I don’t like… I will kick you out of my house. No one hurts my grandbabies!

He smiled at her response and messaged her: I know.

……

Katsuki ignored the stares he received from other teachers and parents that he passed by in the hall. His hands were tucked into his jacket and clenched up from this unwanted attention. God, he felt small from their judgemental stares. He could hear their stupid whispers and he wanted nothing more to yell at them.

“Hey, dad,” Katsumi called out to him with her head down, “you don’t have to visit my teacher if you don’t want to. My grades are totally fine compared to Hiro’s and-”

“Sumi,” Katsuki sighed and looked to his left, barely catching her off guard with her nickname. He also hasn’t addressed her lovingly in two years and he hopes to fix this burned bridge between him and his daughter.

“Uh…” He trailed off and looked away from her surprised look. She was the spitting image of [Name] back in their grade school years.

‘Damn it, get it together and stop looking like a damn sad man!’ He yelled at himself mentally.

After getting his composure back, he walked up to Katsumi’s classroom and stopped at the door. He swallowed the lump in his throat and kneeled down to meet her height. She ignored his intense stare, but he gently guided her face to look at him.

Carefully he said, “I care about your grades as much as I do for Hiro’s. I know you won the prize at the science fair beating Izuku’s nerdy son. You worked hard to put that broccoli boy in his place and I’m damn proud of you for doing that. And I’m…sorry that…for everything.”

Stupidly, he couldn’t apologize properly to Katsumi.

Luckily for him, his daughter understood what he wanted to say. She blinked her tears away and jumped at him, hugging him with a sniffle. She wanted nothing more than to have an actual conversation with her dad. Finally he was owning up to his mistakes and this is all she really wanted from him.

“I forgive you, dad,” She moved away then tilted her head, “but it will take Hiro a lot of convincing to do the same. You really, really hurt him.”

Katsuki slumped and said, “Yeah, I know. But I want to make it up to you guys. I need to talk to you guys about something, but it’ll be with grandma too. She can keep Hiro calm and-”

Katsumi giggled and shook her head, “You really think grandma will be on your side?”

The man huffed out a frustrated sigh and stood up to his full height, “Your grandma asked me the same thing, but I wormed my way through.” He took Katsumi’s hand in his rough one and said, “Alright, let’s get this meeting done with.”

…

Katsuki knew of Katsumi’s accomplishments through his mother, yes. But everything his daughter ever achieved made him super proud. She led the classes with confidence, competed for the top spot of the class with a ‘friendly rival’ and everyone loved her.

He didn’t know Katsumi was popular among her classmates, especially since Hiro mentioned whispers of their family. God, he felt so stupid and regretted ever letting it get so far.

“Katsuki,” Camie’s voice had a hint of adoration in it, “what a pleasant surprise. I wasn’t sure if you had time for teacher conferences.” Her laugh echoed in the classroom and it caught the attention of the hero’s daughter.

Katsumi squeezed her father’s hand as they walked into Hiro’s classroom. She looked around the room and it looked sort of like her own classroom with Mr. Fujioka. Her red eyes then landed on the woman that gradually captured the attention of her father.

She was pretty tall and slim. Her short hair was a caramel color and Katsumi couldn’t deny her beauty. Did Ms. Utsushimi have something similar to her mother or was her father interested because the hole her mother left needed to be filled?

“I’m trying to fix my mistakes and be a better father for my children,” Katsuki grumbled out and walked over to the two chairs in front of Camie’s desk. He led Katsumi to one and sat down after his daughter did.

Then his red eyes met with Camie’s soft colored ones, “Is there anything I can do to help Hiro boost his grades? I know he’s failing some of his classes.”

Camie cleared her throat and sat down at her desk pulling up a file of Hiro’s school work. She pulled out some tests and showed the red marks on most of the questions. Then the teacher licked her lips before she explained,

“Hiro is smart, much like his sister,” Camie compared Hiro’s old work to his current school work, “He would have been in the same class as Katsumi and Sora this year and last year, but I’m sorry to bring this up as it is a touchy topic. His grades started dropping the moment his mother went missing.”

Katsuki already guessed that.

“Figures,” He mumbled under his breath and shook his head, “I’ll talk to him about his work. Thank you for this.”

Katsumi stood up from her chair and watched her dad do the same.

Quickly Camie followed suit and brushed her hair from her face, “If you really want to help Hiro out, you have to tell him to leave the work to the heroes.”

“Huh?” Katsuki gave Camie a sideways glance then turned his body towards her, “What are you talking about?”

Camie looked down at a nervous Katsumi then back to the father, “Your kids are actively looking for their mother along with Sora. They’ve been talking about the Market and how they can find her in that group.”

Oh hell no. His confusion immediately turned into a protective anger.

Katsuki spun around to question his daughter with an angry scowl on his face, “The hell are you guys doing, huh? Do you know what the Market is capable of?”

“Dad, we-”

“They hurt children like you!” Katsuki spat then grabbed Katsumi’s shoulders in a death grip, “The Market is a group of villains that should be left for the heroes to deal with, not a dumb trio like the three of you. Do you understand me, Katsumi?”

The little girl couldn't look her dad in the eyes, not when he looked so mad. He wasn’t even going to listen to her.

“Katsumi,” Katsuki growled out and shook her a bit to make her look him in the eyes. Then he crouched down and used one of his hands to force her to do so.

“They kidnap little girls and little boys with powerful quirks like you and your brother,” His eyes flashed with a dangerous warning, “then those kids are sold to the highest bidder. For months, these bidders do whatever they want to these children before they make them fight one another. The ones that lose a fight are disposed of. Do you want to end up in a ditch like them? Katsumi, I asked you a question!”

“No!” Katsumi cried, tears shining in her red eyes.

The sight of her tears softened up Katsuki’s flaring rage and he pulled her into a hug. He rubbed his hand up and down her back to soothe her, but she kept on crying. He went too far in scolding her and scaring her, but everything he said about the Market was true. He needed her to recognize the danger in trying to find a group like that.

Katsuki picked her up into his arms and held her gently, looking over at Camie, “We’re leaving.”

“O-oh, okay,” Camie whispered back and watched the little girl cry in her dad’s arms. The teacher never saw a sight like that before. But she didn’t blame Katsuki for acting out like that. She’s heard the stories and truly fears for her nosy students.

Children go missing every day, but a lot have been found dead with wounds from various quirks. She couldn’t imagine any of her students ending up like that.

She couldn’t imagine how Katsuki would react if one of his children ended up the same way.

……

Hiro’s head hurt a lot.

The last thing he could remember is walking to his grandma’s house after Katsumi messaged him saying that the conferences just ended. Now his location remained a mystery to him.

Fear slowly creeped up his back, but he had to stay focused. Fear blinds all the other senses that could help him out in this situation.

While sitting up, his body felt extremely tired and worn out. His [e.color] eyes looked around his surroundings, but only darkness covered him.

“What the hell is going on?” He questioned quietly.

‘Krttzzz!’

A bright flash blinded him and he blinked his eyes to get used to the light that shone on his body.

A flatscreen tv hung on the wall with the word ‘Welcome’ appeared on the screen. Then a robotic voice spoke to him through the speakers giving him orders,

“The drug will wear off in a few moments and once your system returns to normal you will go beyond the door to show off your quirk. If you do not comply, you will be terminated.”

Hiro pushed himself off the floor and the pain in his head gradually went away while he asked himself a million questions.

He had been drugged.

He needed to display his quirk once the door behind him opened.

If he doesn’t follow this order, he will be…killed?

“My dad said that the survivor from the Market is pretty messed up. Said that the boy used his quirk to kill other kids, kids that the heroes found all over Japan in alleys or abandoned places,” Sora's voice echoed in his head.

The door slid open with a swoosh and Hiro’s shoulders sagged in disbelief, “Oh, fuck me.”

#x reader #anime imagine #x female reader #manga imagine #bakugo katsuki #bakugo x reader #mha #mha bakugou #mha x reader #my hero academia

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boujiestpoet · 2 days

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STARCROSSED ( Charles Leclerc x Oc)

PREVIOUS CHAPTER NEXT CHAPTER

MASTERLIST

Summary: It really takes a village pt1

FACECLAIM: The extraordinary Tems

THIS IS A WORK OF FICTION. THE BEHAVIOUR OF THE CHARACTERS DOES NOT REFLECT THE REAL PERSONALITIES OF THE INDIVIDUAL UPON WHOM THEY ARE BASED. I AM MERELY BORROWING THEIR PHYSICAL LIKENESS AND THE PROFESSION THEY HAVE FOR THE SAKE OF THIS NARRATIVE

TW: Cringiness from the writer, grammatical errors (have mercy english is my semi firsr language)

Monte Carlo, Monaco

It was a quiet night, the sky an inky velvet blanket shined with stars, the streets nearly deserted. The gentle hum of the sea lapping against the harbor could barely be heard through the open window of Charles Leclerc’s apartment. Charles was slumped on his couch, and his mother Pascale sat beside him, she was the only anchor of peace he had at the moment.

For a while they remained silent, the silence was not as comforting as it usually was.

Pascale knew her son, his way of thinking and problem solving, but clearly at the moment her son was feeling suffocated by his own thoughts.

“ Charles” her voice was soft, she placed her hand gently on his hand, rubbing in a slow comforting circle.

“ You don’t need to say anything, remember I’m always hear”

He raised his head, his eyes read and glossy. He blinked, taking in the familiar faces of his mother, he deeply exhaled he was finally safe at home.

“ Maman it hurts” he said, his voice almost inaudible “ I thought that she..” his voice shaked, the sentence trailing off as a fresh wave of pain hit him.

She continued to try to console the young man, looking at him with compassion. Charles’ eyes sparkled everytime when he was talking about Leah, everybody could see that the driver was in love. Obviously in all relationships there was some up and down, but with more time passed, more problems were showing up.

“ You really loved her didn’t you?” she asked

Charles softly nodded, “ I did……I thought we were something special and deep, we promised each other that we would be there for each other, in any situation"

“ Did you think she was the one Charles?” she asked, the room was silent one more time. She carefully stared at him, while he was trying to force words out of his mouth, but nothing came out, he didn’t have an answer.

“ It’s alright if you don’t know” shesaid, her voice filled with love.

Charles swallowed hard “ I really thought she was the one Maman” his voice was croaky “After all this I don’t know…. how can I ?” he rubbed his face confused

“ I still can’t believe, I didn’t expect it, yes I’ve busy….” he sighed “ her best friend’s boyfriend, how can she be the one I fell in love?” he said astonished.

“ Charles you loved her, of course you trusted her, but unfortunately sometimes the people we love the most are the one who hurt us”

Charles leaned into his mother’s embrace, resting his head on her shoulder, he didn’t say anything else for a long time.

"Do you think I’ll ever find someone who’s really… the one?" he asked eventually, his voice laced with uncertainty.

Pascale smiled softly, pressing a kiss to his temple. "You will. But you don’t need to rush it, Charles. Love will come when it’s meant to. And when it does, you’ll know. Truly know."

Charles closed his eyes, letting her words settle into his heart, allowing himself the small comfort they brought. He didn’t have all the answers right now, and maybe that was okay.

Maybe healing didn’t come from having everything figured out, but from the quiet moments of support, the love that never wavered, even when everything else did.

..................................................................................

Can Money buy Forgiveness ?

By: Sarah Caldwell | Celebrity Insider

It looks like drama is brewing in the celebrity world once again! According to reports, since 5 a.m. this morning, a flurry of activity has been spotted outside actress Renée's house. Couriers have been seen going in and out, delivering flowers and lavish gifts, sparking speculation. An insider has apparently managed to get a scoop from one of the delivery drivers, who confirmed that the gifts are coming from none other than model Ben Fields.

For those not in the loop, Ben Fields allegedly cheated on Renée with her best friend, influencer Leah Dawn. The question on everyone's mind now: is Ben trying to win Renée back after his betrayal? Only time will tell if these grand gestures are enough to heal the damage caused by the scandalous affair.

Stay tuned for updates!

AN: She's back with another one. I HOPE YOU LIKE THIS NEW CHAPTER. How do you feel about real life and social media being in one chapter. Advice is welcome just be nice.

#black!reader #f1 smau #f1 x black!reader #black!oc #f1 x reader #smau #charles leclerc #charles leclerc x reader #charles leclerc x black!reader #f1 fanfic

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twinsarekeepers · 1 day

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I’m curious as to your honest thoughts on the show? Like I love pjo and all but the show was a bit of a let down writing wise. There’s always the point of “it’s an adaptation, not a carbon copy” like yes but this new writing isn’t exemplary better than the book just because it’s rewritten by the author himself

I think the show is well-written not because Rick is attached to it, but because I actually like the way the writers are approaching adapting the source material. I have a lot of issues with the original books in terms of writing quality because frankly speaking, I don’t think Rick is a very good writer. He has a lot of interesting things in those books that he never explores or drops within the first two and this fandom gives him and the books too much credit imo.

This is why I’m not very moved when people try to ascribe meaning to a certain scene or choice he made in the books to get mad at the show for changing. As an example, one of the main things people were upset about was the kids “knowing everything” in the show when they were getting tricked left and right in the book. Many posts were dedicated to how the book version is superior because it illustrates how they’re just twelve years old kids so of course they’ll make mistakes and get tricked by monsters.

That’s a perfectly fine interpretation but I was twelve years old when I first read tlt and I was able to anticipate almost every single trap, despite being pretty gullible and naive at that age. My knowledge of Greek mythology consisted of Disney’s Hercules, maybe two Google searches, and my second grade teacher’s reading of the kid friendly version of the Odyssey. No where near the level of Percy who’d been learning for a whole year in an established class on the topic with Chiron or Grover who was literally a satry born into the world or Annabeth, who spent the majority of her life dedicated to studying specifically quests and Greek mythology and was also on the run fighting monsters for a good portion of her childhood. Like twelve year olds can be dumb but those three stumbling into every trap was asking me to suspend my disbelief too far. I remember being upset that they weren’t able to figure it out because it was obvious that Rick wasn’t making that choice to show any personality flaws or character dynamics (because he would’ve had them learn and grow but they never did they just kept being not smart), he just wasn’t able to figure out a way for them to fall into those traps organically so he had to dumb them down.

I think the show was able to get across the characters’ childishness without compromising their established backstories. Yes, Annabeth knew it was Medusa right away because that makes sense for a kid who has experience with running into monsters. But, she still acted very much like a child in her interactions with her (and throughout the episode and season). She lashed out and called her a liar and wouldn’t listen to her side of the story because it painted her mother in a bad light. That’s peak twelve year old behavior.

Yes, Percy figured out Kronos was behind everything, but it makes sense because Percy knows Greek mythology and where Kronos resides. He still very much acts like a child when he asks Hades to give him back his mom in exchange for nothing because it’s the right thing to do.

There are dozens of examples like this for a lot of complaints of the show. And this is not me saying that the show is perfect: every single show has flaws. For me, I wasn’t the biggest fan of the dialogue or the exposition dumping. It didn’t hinder my enjoyment though because I don’t think it was egregious (and wrt the exposition dumping, I expected it because the book did it and there’s really no way to “show not tell” Greek myths). I also didn’t like that we didn’t get to really see the huge clashes between Zeus and Poseidon in the weather (we got references to it through news reports but I would’ve liked something more). I was able to look past it because I really liked the storytelling and the themes the show was pulling out of the original source material.

I loved Medusa-Sally parallels and Medusa-Annabeth parallels. I loved the juxtaposition of Pan’s quest to manifest density. I loved Percy and Annabeth’s opposite trajectory in respect to their relationships with their godly parents. I loved exploring Sally’s choice to send Percy to school instead of camp. I loved explicitly coding Annabeth as autistic. I loved Luke’s backstory being brought earlier into the story. I loved the deadline passing and Poseidon surrendering to save Percy. I loved Persues-Andromeda and percabeth parallels. I loved fleshing Grover out. I loved glory vs home seeking being the central theme of the show.

And lastly, I was able to understand that with a limited number of episodes and run time (due to the nature of child labor laws!), they did the best they could and I feel like they did a pretty good job for a first season.

These are not ALL of my thoughts on the show because that would be a very long post. I gave one detailed example of why I think the show succeeded in something the fandom tries to ascribe the books and it was like three paragraphs lol. Anyway this is not the post to try and convince me that the show is bad for whatever reason you have cooked up. I’m not going to change my mind and I doubt I’ll change yours. Here’s to a season 2 that builds on a solid season 1!

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aeligsido · 2 days

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[WM — September 2024] Prompt 6 — Time-Turner.

Rating: G.

TW: none.

Characters: Remus Lupin, Seren Lupin (OC), Mary Macdonald, Sirius Black (in the haunting-the-narrative kind of way).

Additional Tags: actor Sirius Black; celebrity Sirius Black; trans Remus Lupin; past trans male pregnancy; Mary and Peter are great friends I just need to say it; modern au; actress Seren Lupin but she’s just starting; Seren as a wolfstar baby except Sirius doesn’t know she’s his (or Remus’s for that matter).

Summary: Seren Lupin gets the lead role for upcoming coming-of-age movie Time-Turner.

Words count: 975.

A/N: Heya! I dropped this au in @impishtubist askbox some time ago and since it refused to leave my brain I'm now forced to write about it idk. I’ll write Sirius and Remus’ first meeting (in twelve years) for a later microfic I think lmao. Hope you like it! 💕

@wolfstarmicrofic

read on ao3.

Remus is worrying himself sick, pacing alone in the kitchen, opening and closing the fridge to make sure the cake is still here, getting the glasses out, putting them back in, starting making tea, forgetting it halfway through the process. He should have joined them after work, but he was too stressed and too scared of somehow destroying Seren’s chances.

It’s her last audition today. Some sort of chemistry test? To see if she gets along with the other actors? It all made sense when she was excitedly telling him about it yesterday again, but it’s like his brain is mush now.

The door opens, cutting him down from his own spiral, and Remus perks up, more stressed out by the whole affair than his daughter ever was.

“Dad! Dad! I got it!”

Seren appears in the kitchen, grinning like the little gremlin she is, teeth out and her brown curls slipping free from the careful braid Mary pushed them into this morning. Her eyes, a circle of dark brown cascading into a warm grey, are shining with delight and joy, and Remus finds himself breathless with love — just like almost twelve years ago, when they put this small, red, squealing baby on his chest with a congratulation.

His daughter jumps into his arms and he laughs in tandem with her. “That’s amazing! I knew you could do it!” He lets her free, just enough to put his hands on her cheeks and look at her in the eyes. “I’m so proud of you.”

She beams with the force of a thousand suns.

“Thanks! It was so cool, and, oh, you’ll never guess who’s gonna play my dad in the film! And Mister Dumbledore said that we could get a TV show too!”

Albus Dumbledore, one of the most acclaimed film directors still alive, with so many successes behind him — yet so eccentric you could never guess what he will go for next. After a blockbuster about a young crowds of vigilantes saving their world from tyranny, a rather depressing story about a young orphan in the middle of WWII becoming the oppressor, and a passionate but tragic gay romance at the end of the 19th century, a coming-of-age children story is right on par for the course. Time-Turner, as it’s called, will follow a young girl — played by Seren, his own daughter! — discovering her time travel power, while dealing with her mother’s recent demise.

Which makes the father of the heroine the other lead of the film, and someone Seren will have to spend a lot of time with. Remus hopes he’s a good person. Someone nice, who wouldn’t be put-out by her unlimited energy and her never-ending supply of questions.

“So?” he asks as Seren stops talking to take a breath. “Who will play your dad?”

She grins, more excited even than before. She has always looked more like him, in general, with more elegance in her traits and grace in her body than he ever possessed. But like that — oh, like that, she looks just like…

“Sirius Black!” she yells, bouncing on her feet, and she can’t help but do a little, victorious dance.

“That’s great,” he says, croaks out more than anything, and smiles as wide as he can, drowning the drumming of his heart and fear as much as he can. “Why don’t you call your grandparents to tell them the news?” He checks the time. “And your uncle Peter? He should be out of work by now.”

Seren nods and babbles some more and disappears toward her room. Mary, who was standing silently near the door the whole time, finally comes around.

Remus starts busying himself with tea. It’s easier than thinking through his rising panic.

“So,” says Mary, because of course she cannot not say anything. For a brief second, Remus wishes Peter had been the one disponible today — he would have judged silently but not said anything, him. “You never told us Sirius Black is Seren’s father.”

He groans. His face hits the table and he considers staying here forever.

“No one knows,” he finally mumbles. “How did you even guess?”

“He was here today.” She ponders her words an instant. “They’re a lot alike.”

“But he doesn’t—” He stops himself, but Mary has known him since they were kids. She can read him too easily.

“I don't think he does.”

Remus sighs. It’s not ideal; it was already not great when Sirius Black was Seren’s idol, but it will be worse now that they’re in contact. Now that he will be in her life.

“Do I ask how it happened, since you didn’t tell me at the time, or are we doing that later when you can get drunk?”

“Second option,” Remus immediately answers. He can still remember, after all those years, how Sirius kissed him like he was important, the warmth of his hands on his body, the softness of his hair— But they had basically been strangers to each other, several hook-ups to escape boring parties resulting in Remus's panic at his sudden pregnancy and a total loss of contact. And now— Now he has so much to lose.

“I’ll call Peter,” Mary nods sagely. Then, after a beat of silence, “it will come out at some point, you know.”

“I doubt it,” he mutters, prays. “It’s not like he’ll remember me, anyway.”

How could an acclaimed actor, known all around the world, remember a random waiter he slept with twelve years ago? Remus didn’t impact his life the way Sirius impacted his. He’ll never regret it, of course — Seren is the most precious thing in his life, and all the moments preceding her existence were pretty great too — but it's not like Sirius would want to have anything to do with them, anyway.

Remus can at least try to speak it into existence.

#my writing #my fic #hp #wolfstar #challenge #remus lupin #sirius black #mary macdonald #yes remus... keep believing sirius won't remember you lmao

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