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#and along comes this man
sunnydoodleboop · 1 year
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Teaching myself how to use Procreate with my latest hyper fixation -HelllooOOOooo Daniel Craig Bond (✿˵◕‿◕˵)
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ohrackham · 3 months
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It is not what you do for me that makes me love you. It's your kindness. Your empathy. How much you care. Just being you is enough, Colin. I do not need you to save me. I just need you to stand by me. To hold me. To kiss me.
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plutonicbees · 1 year
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with gwen and hobie being friends in across the spider-verse and hobie being so super cool i do hope that there is some acknowledgement of the origins of their friendship
aka - hobie brown is a gwen stacy fanboy and is immediately excited to meet her and then they play some world-saving punk rock music together
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usertoxicyaoi · 2 months
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"I'm not only good at talking ..."
4 MINUTES (2024). EPISODE ONE.
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solarpunkani · 1 year
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Hot 4am take but I feel like if we want to get people more interested in making their yards a more habitable space for wildlife like insects, we have to acknowledge that ‘Don’t want bugs in your house’ is still a 100% fair and valid point of view. ‘Loves nature’ and ‘doesn’t want roaches spiders and mosquitoes in the house’ aren’t opposites.
And with that in mind, when we propose to people that spraying pesticides around houses is Not A Good Idea, Actually, I feel like we need to give an alternative asides from ‘deal with it.’
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cardo-de-comer · 14 days
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Cat loaf
also some sketches with this creature. Imri is not a cat person. Devil is. Cats are cruel so they get along nicely
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fridayiminlcve · 5 months
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and are the poetry or literature or brains in the room with us right now?
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paperultra · 1 year
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mise en rose.
Pairing: OPLA!Roronoa Zoro x Reader Word Count: 3,806 words Warnings: Swearing, alcohol use
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The tune that your father used to whistle now leaves your lips the same way it left his.
Notes skip offkey across the water as your boat rocks gently, waves lapping up against the wooden sides. The moon shines brightly overhead. You shift in place and wait for a tug on your fishing line, the basket at your feet waiting patiently for its first meal.
Archy will be happy if you actually catch something for once. There’s not a lot of fish around here, and you’re not exactly sure why; something about the aquatic plants in the area, or if you were to believe the old man in the village square, a curse that swallows anything with fins that swims too close. The last time you caught something was months ago, and it was tiny and more bone than flesh.
You don’t really care. It’s enough to just sit out here and feel the waves.
Cheeks puffing up with air for another round of music, you let your gaze drift out towards the ocean and abruptly freeze.
There’s something floating in the distance.
A piece of debris. Wood from a hull, a scrap of sail perhaps?
The thought that it may be the remnant of a ship destroyed at sea is enough for you to reel in your line and start rowing towards it, anticipation bubbling up and drowning out any thoughts of a midnight snack.
You get close enough and your anticipation gives way to shock.
“Oh, shit.”
The guy clinging to the chunk of wood stirs and lifts his head, and you almost hit him upside the head with your oar.
“Oh, shit. You’re alive.”
“You say you’re going out fishing and you come back with a half-dead man with three swords?” Archy looks like he’s about to have an aneurysm, but this time, you don’t blame him. This is certainly uncharted territory and your older brother is hopeless without a map. “What the hell is wrong with you?”
“What was I supposed to do, leave him to die?”
“I dunno! Yeah!” he gestures to the waterlogged man lying halfway on the living room couch, one arm and leg hanging off the side. “Look at him. He’s probably a pirate!”
“Damn, you think?” Crouching down, you drag your eyes across Swordsman’s ragged clothing and grin. You might’ve just rescued someone with a bounty on his head. “That’d be so cool.”
“That would not be cool.”
You shrug. “Well, I brought him in already, so you might as well help me unless you want a dead body in our living room.”
“You little –” Taking a deep breath, Archy pinches the bridge of his nose and lets out a long, loud groan, and you know that you’ve won once more. “Fine. But as soon as he’s even a little bit better, we’re calling the Marines.”
“Okay,” you agree amicably. “So, what do we do first?”
“We have to undress him and warm him up.”
“Got it.” Your eager fingers go straight for the swords.
The man comes to life without warning. Seizing your wrist, he cracks one eye open and speaks in a low and rasping voice.
“Don’t. Touch. My swords.”
“Uh,” you say.
“We got to get everything off, mate,” Archy grumbles, and your guest turns his glare onto your brother. “I know how to clean swords and scabbards. I’ll dry them off and put them under the couch afterward.”
“I’ll do it myself.”
With a grunt, Swordsman pushes you away and attempts to sit up. He struggles for a full minute, jaw clenched and muscles trembling; his arms, strong and sturdy as they are, look like they’ll buckle at any moment.
Your eyebrows shoot up to the ceiling when he actually manages to prop himself up.
“Well, that’s impressive,” you mutter, making eye contact with Archy. He rolls his eyes. “Can you remove your clothes and wrap yourself up too?”
It takes a few moments before Swordsman has enough breath to respond. “I’m fine,” he says once he can.
“You’re really not,” Archy replies.
“You’re probably really dehydrated,” you say. “How long were you out there?”
The man stares at you, opens his mouth, pauses.
“Three days. Maybe.”
You gape. “You spent three days floating in the East Blue and you’re not dead?” You look at his neck for gills. “Are you a fishman or something?”
“No.”
“Really? I mean, I never met any fishmen before, so …”
His eye twitches. “I’m not a fishman.”
“Well, okay, if you say so.”
What a weird guy. Then again, you’ve heard that all sorts of characters traverse the Blue Sea. Devil fruit users, talking animals, clowns. A person who can survive the ocean for a couple days on a piece of wood is hardly out of the question.
“You���re dehydrated, in any case,” you conclude. “I’ll get you some water.”
After gruffly accepting a glass of water and putting on some dry clothes, Swordsman proceeds to “sleep it off” for the next twenty-four hours. When he finally wakes up, it’s in the middle of the night and you’ve just started rereading your favorite book.
“Oh, he’s awake,” you say when he stirs, swinging your feet off the coffee table and leaning forward in your chair to observe.
He grimaces under the dim light of your lamp, lifting an arm to press it over his eyes. “How long was I out,” he grouses.
“’Bout a day.”
“Shit.” He wriggles around in the fuzzy blanket you’ve wrapped around him. Once he’s loosened its hold enough, he sits up slowly and looks around, expression equal parts drowsy and wary. “Where –”
“Archy took your swords and cleaned them. They’re under the couch.”
“I told you not to touch them.”
“I didn’t. My brother did.”
Casting you the most unamused glare, Swordsman bends over to look underneath the couch. He pulls his swords out and places them in his lap, inspecting the white one first with a care that makes you rest your chin in your hand, curious and charmed. His brow furrows and you know that he finds your brother’s work to be satisfactory when he moves on to inspect the other two.
“Our uncle was a bladesmith in Loguetown. He taught Archy a thing or two before he passed.”
“You’re bladesmiths?”
“Coopers. Uncle was the rebel, I guess.” You close your book and stand up. “There’s leftover soup in the fridge. I’ll heat up the broth for you.”
This time, the man does not refuse your help and only nods. As you head to the kitchen and start to reheat the soup, you glance over and catch him sipping from the glass of water you’d topped off while he was asleep. Somehow, even that small action intrigues you. You smile.
“What?”
“Nothing.” Ladling the steaming broth into a small bowl, you stick a spoon in and walk back to where Swordsman is, sitting beside him. “Here you go. Don’t drink it too fast, and all that.”
He takes the soup, blows on a spoonful, tastes it. His eyes close, and something funny happens in your stomach when he opens them again to look at you.
“’S good.”
“Really?” He nods and puts the bowl to his lips to drink directly from it. “Thanks.”
You let him finish the miso broth in silence. It gives you time to stare at him some more; even with the horrible sunburn and petroleum jelly smeared everywhere, he’s a very handsome man, that much you can tell, with broad shoulders and a pretty face and hair as green as forest moss. The three earrings on his left ear gleam gold and sway with every movement he makes.
“Are you gonna keep staring at me, or are you gonna ask me questions?”
“Hm? Oh!” Shaking your head in slight bewilderment, you smile. “Yeah, I guess it would be good to ask some questions … so, what’s your name, anyway?”
“Roronoa Zoro.”
You tilt your head with a frown. “Roronoa Zoro.” You taste the name in your mouth. “That sounds really familiar. Are you a pirate?”
“No. I hunt them.”
“You hunt them?”
“That’s what I said.”
You look at his swords again. His earrings. Three and three.
Shooting up from the couch, you dash to Archy’s room and slam the door open.
“Archimead! Wake up!” You grab your brother’s shoulders and rattle him.
“Shit – what?!” he gargles, pushing your face away with one meaty hand and sitting up. “What’s wrong? What happened?”
“It’s Roronoa Zoro!”
“What?”
“The guy in our living room,” you shriek at him, practically shaking, “is the Pirate Hunter Roronoa Zoro. I fished Roronoa Zoro out of the fucking ocean.”
Archy stops rubbing his eye. “What.”
Soon enough, Zoro faces both you and your brother in the living room once more.
“You’re Roronoa Zoro? For real?” Archy asks him.
Zoro blinks up him. “Yeah.”
“Can you prove it?”
“‘Can you prove it’ – Archy, look at him. He’s got three earrings in his left ear and three fucking swords.”
“He could be some sort of copycat. We have no idea what Roronoa Zoro actually looks like.”
“You’re such a pessimist. Nobody would lug around three swords if they couldn’t use all of them at once.” You turn your attention back onto Zoro. “How the hell did you get stranded out there?”
He looks between the two of you, waiting for a moment before crossing his arms. “I was headed to Mirror Ball Island, but the boat I was on got caught in a whirlpool,” he says, displeased. “Then I got separated from the rest of the crew. Don’t know if they survived or not.”
“Mirror Ball Island?” you repeat. “That’s a three-day journey from here, at least.”
“Where’s here?”
“Dokusha Village.” You open one of the books on the table and point to a tiny strip of coast you’d labeled on the edge of the East Blue map. “Right there. You could buy a boat and sail west, straight to Mirror Ball Island.”
“I don’t have any beri on me right now,” Zoro says.
“Oh, yeah. Of course you don’t.” Archy puts his hands on his hips. “Well, the merchant ship is coming by in two weeks. If you’re all good by then, you can hitch a ride.”
“I’ll be fine by tomorrow night.”
You snort, closing the book and reclining back. “The rate you’re going, I don’t doubt it. Does that mean you want to leave earlier? You’ll still need a boat and supplies. Food, water, towels, sleeping gear. That all costs money. I mean, we could lend you some, but still.”
“I’ll work for it,” Zoro replies. “I don’t take and give nothing in return.”
Both you and Archy give a hum of approval.
True to his word, Roronoa Zoro is up and off the couch by the fourth day.
He doesn’t have a clue as to how to make barrels or buckets, which is expected, so he ends up helping with the grunt work of carrying staves into the workshop and stacking finished barrels. Other than that, there’s not much for him to do.
“Sorry if it’s boring,” you apologize during lunch, speaking through a mouthful of sandwich. “You’re kind of just hired muscle.”
Zoro shrugs, chewing on his own sandwich. Two girls walking by – Phoebe and Iris, the blacksmith’s daughters – spot him on the bench and giggle, hurrying past with glances over their shoulders. He appears not to care. “It’s fine.”
“I think you’re even stronger than my brother. Is it because of your training as a swordsman?”
“Probably,” he says.
“When did you start?”
“When I was eight.”
You nod sagely. “Not surprised. I’ve been helping around the workshop since I was a kid, and I only just finished my apprenticeship a few weeks ago. It’s good to start young.”
It seems that Zoro agrees by the way he grunts, stuffing the last piece of crust into his mouth.
When he’s done, you muster the courage to ask, “What’s it like, being a bounty hunter?”
Zoro raises an eyebrow at you. Then he gazes back out at the street. “It’s fine,” he responds. “Makes good money.”
You sigh exasperatedly. “Yeah, but, like, is it fun? Do you spend a lot of time at sea? See a lot of different places? Stuff like that.”
“I don’t do it for fun. My only goal is to become the world’s greatest swordsman.” He leans back and puts his hands behind his head. “It’s a shitton of traveling, both on ships and on land. I’ve been all over the East Blue.”
“Wow.” The word comes out as a sigh. You crunch longingly on a carrot stick. “That sounds amazing. It’s my dream to travel all over the world on a ship.”
“How come you’re here, then?”
You wince, hushing him hastily. Glancing behind you, you clear your throat and lean in to speak softly. “Archy hates the ocean. He worked on a merchant ship for a few months when he was eighteen and got super sick.” Upon reading Zoro’s blank expression, you clarify, “I can’t just leave him. I’m the only family he’s got now, and his younger sibling to boot. So Dokusha Village it is.”
“You’re staying because of your brother.”
“Yeah. I love him, so it’s fine.” There’s a familiar ache in your chest, but you push it down and elbow Zoro’s ribs in jest. (He doesn’t even move a muscle. Geez.) “Makes okay money. I got a bunch of adventure books to live through, anyway.”
It’s a little hard to meet your lunch companion’s eyes after that. You eat the rest of your carrots in silence, pretending to be occupied with finishing them. Zoro doesn’t utter another word.
But as the two of you get back to work, he seems a little warmer, a little less stiff. You make a silly joke and Zoro huffs out something that almost sounds like a laugh while Archy threatens to stick you in a rum barrel and roll you down a hill.
Perhaps you’ve made another friend.
“What are you making?”
You blow off the wood dust, closing one eye to cut a fin just right. “Shark. See?”
The bonfire you’d made crackles just a few feet away as you place the half-finished carving into Zoro’s palm. He picks it up with his other hand and twists it around, touching with intention, and you almost feel self-conscious with the way he’s examining it.
“Nice,” he finally says, and the praise makes you giddy. He hands the shark back to you.
“Thanks. I had a lot of practice.”
Zoro rests his elbows on the rock behind him and takes another swig of sake. You resume carving the shark’s fins, bare feet buried in the cool sand.
Archy’s on a date for once, so he left the two of you to your own devices for the night with a distracted wave goodbye and a warning that he’ll be back late. You took that as a chance to break into the alcohol after supper and drag Zoro down to the beach. The swordsman was willing to come along, though you suspect it was mostly for the sake.
“Ain’t that your third bottle?”
“I can hold my liquor.”
You stick your tongue out at him. “No need to brag.”
He wipes his mouth, dark brown eyes black in the firelight. They glint like steel when he looks over at you, but he doesn’t say anything – not that you’re surprised; sometimes Zoro just looks at whatever he wants without any reason. He’s not particularly complicated in that sense.
(You like that. Too many things in life are complicated.)
“Hey, Zoro.”
“Hm.”
Your lips purse. “Do you think my brother will get married one day?”
“How am I supposed to know?” His tone is flat.
“Well, I dunno! It’s just a question.” You frown, slowing in your work. “It’s just that after our parents died, he’s been too busy looking after me and the shop to court someone. He’s turning thirty next year and most people his age have settled down already. I feel kind of bad.”
“It’s not your fault,” Zoro says. “Wouldn’t he have more time now, anyway, since you can take care of yourself?”
“I think he’s been out for so long he doesn’t know how to date anymore.”
Zoro downs the rest of his sake. You know that there’s no advice he can give you regarding Archy’s marriage prospects, which doesn’t surprise you either. You suppose you just need someone to listen. It’s not like you can talk to Archy about it.
“Hell,” you remember, “I’m expected to be married by now, too. I’ve never even been on a date.”
“Really?”
“Nope. Why, are you surprised?”
Stretching his legs out in front of him, Zoro yawns and closes his eyes. “You just seem like the type.”
“What do you mean?”
“You talk a lot,” he says.
You burst out laughing. “Yeah, I do. Would that make me a good date?”
“How am I supposed to know?”
“I’m guessing you’ve never been on one, either?”
Zoro shrugs. He doesn’t look too torn up about it. “Waste of time,” he mutters.
Your grin widens. “Figured you’d say that,” you drawl, digging your blade into the shark’s mouth. “Dating doesn’t really help you become the world’s greatest swordsman, does it?”
“Nope.”
“I still think it might be fun, though. If you’re with the right person.” With that, you brush away the last curl of wood from your carving. After admiring it for a few seconds, you offer the shark to Zoro, bumping the nose softly against his cheek. He opens his eyes and turns his head to squint at it. “Here you go. All yours.”
His brow furrows as he takes it.
“It’s a going away gift. Since you’re leaving tomorrow,” you say. Folding your knife and putting it down beside you, you grab your bottle of sake and gulp down half of what remains. “Don’t forget it.”
One of the logs in the bonfire crumbles, falling into the coals. Orange sparks fly up into the smoke and disappear just as quickly. You poke at the fire with a stick, trying not to think about how sad you’re going to be tomorrow morning.
“I won’t forget,” Zoro says.
“I know.”
It’s almost dawn, and the family boat is packed up and ready to set sail.
“Got everything?” Archy asks, lowering into a squat to scan over all the supplies.
“Yeah.” The swordsman drags a hand through his hair. “Thanks again for the boat.”
“It’s nothing.” Your brother elbows your arm, and you sway. “Oi. He said thank you.”
“I know,” you mumble. For the first time this morning, you spare Zoro a glance and smile at him, but it’s shaky and fake and you really hate how your voice wobbles when you say, “You don’t have to thank us. Just have a safe – have a safe –” Your voice cracks, and you look down at your feet, eyes burning. “Have a safe trip,” you finish quietly.
You can feel two pairs of eyes on you as your vision goes blurry. Shit. This is so embarrassing.
The fact of the matter is that Roronoa Zoro has been in Dokusha Village for only a week, and you’re already missing him like he’s been in your life for years. You’re going to watch him get into your family’s fishing boat and sail away, the wind at his back, the East Blue before him, and you will remain on the dock with your big brother beside you and your dream in your head.
You’re being selfish, but it’s not … it’s not fair.
Archy puts his hand on your shoulder and says your name.
You wipe your nose. “What?”
“… I’ve been thinking.” He sounds hesitant, taking in a deep breath and letting it go slowly, carefully. “You’ve always wanted to travel the world on a ship.”
It’s like the world tilts on its axis.
Rigidly, you look up at your brother, eyes wide.
“I’m not dumb, you know. You’ve only stayed here because of me,” Archy says. “I’m the one who’s supposed to look after you and protect you. But you’ve been able to do that for yourself for a while, now. Right?”
“Archy.” You swallow. “What are you …?”
“I talked with Zoro last night. He’s willing to take you to Mirror Ball Island, if you want.” His smile is crooked, but it trembles at the corners as he continues. “You know how to sail, how to navigate. We’ll just have to add some extra stuff to the boat.”
You can barely breathe.
“There’s plenty of merchant ships there,” Zoro adds, leaning on his sword. “Your skills are valuable. Just be willing to pull your own weight, and they’ll take you on board. If not, I’ll tell them to.”
“You don’t have to –” Now you’re full-on bawling. You throw your arms around Archy, who wraps you in a bear hug, and then around Zoro, who stiffens. “Thank you so much. Thank you thank you thank you.”
“No problem,” Zoro mumbles, patting you on the back. When you let go to beam at him, he averts his eyes and rubs the back of his neck. “Just hurry up.”
Nodding, you dash back up to your house, Archy following close behind. You grab your bag, throw what you need into it, snatch your hat from your bedpost. Less than twenty minutes pass before you’re all ready to go.
“Got everything?” Archy asks once more at the dock. You nod and look at Zoro, who nods as well. “All right.”
You hug Archy for the last time. Tears spill over and down your cheeks. “Thank you for everything, big bro. I’ll miss you.”
“I’ll miss you too, kid.” His voice is rough and trembly, muffled against your head. “Come back to visit sometime, okay?”
“Okay.”
Getting into the boat with Zoro, you help him check the rigging and hoist the sail. Archy unties the vessel and pushes the two of you off. As you float away, he waves, and you wave back, staring as he gets smaller and smaller.
“I’m not turning back,” Zoro tells you as you eventually settle in your seat. “Are you sure this is what you want?”
Is it?
You cast one last glance back at Dokusha Village, at the small point of your brother. Then you look out at the broad expanse of the ocean. And you feel many things – joy, sadness, apprehension – but above all that, you feel –
Free.
“Yes,” you say firmly. You push your hat down and smile at Zoro, and this time, it’s genuine. “It is.”
Zoro smiles back. And as the sun begins to warm your face, you whistle your father’s song and think about the journey to come.
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dcxdpdabbles · 1 year
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Hello ❤️
Can you please write something about Jason x Danny? Maybe something about Jason having a crush on this new guy (maybe Danny works in a library or helping people as a nurse) and just falling cause Danny is sincerely nice and isn't afraid of his Lazarus's rage
Jason first notices the new face volunteering at the soup kitchen when the guy hand-makes flour tortillas for the beans. Just like his mom used to make, alongside Mrs. Huerea before she got into drugs.
It's been years since he last had some, not because Alfred refuses to make it but because the butler never has the time.
It's usually a treat for Thanksgiving, Christmas, Hanukkah, or his birthday. Sometimes if Jason is lucky, there is another important holiday for the many members of Wayne Manor, and there is time for Alfred to get them done. He can have them more.
But mostly, Alfred had them store-bought.
That's why he wanders to the other man's line, mouth already watering as the volunteer piles smashed beans with cheese and tortillas onto plates. A name tag has a simple "Danny" on top of a white NASA shirt coupled with slightly baggy pants is the whole outfit of the stranger - odd in Gotham's winter time.
He offers Jason a smile, then, with a wink, places two more fresh tortillas on his plate.
Before he can say anything, Danny pushes the plate toward him. "I can tell you're a man who appreciates fine food. Take them. I can always make more. "
He jerks a thumb to the back, where a press awaits use. It looks just like Mrs. Huerea's iron-clad tool that, for a second, he's six again, early happy the women preparing for Christmas.
When his mother was sober, the Huereas had always opened their home to them. The elderly couple had always felt like grandparents to him.
"Thanks," He says around a forming grin. It matches Danny's.
Jason accepts the food with an excited thrill; for once, the memories of his mother are not so bitter and ruined. He moves out of the way for the next person, making a mental note to tell his men to ensure Danny gets home safely after his shift. It would be in his employee's way.
He does this often, assigning some Red Hood boys to make sure no one bothers any of the volunteers. Jason knows he can't get rid of all crime, not like Bruce believes, but he can at least protect those trying to make this place less of a shit hole.
He sits, savoring the flavor with great appreciation. He's got time to relax a little.
One of his Lieutenant is in the back, speaking to the director of the Soup Kitchen. This is one of Jason's protected areas, but to make sure people know it's not to be taken lightly, the Red Hood gang does require protection money.
He doesn't ask a lot but Jason knows that any place that doesn't have protection money is a bigger target. Of course he also here pretending to be hungry just to make sure the place is actually doing what they promised to do and feed people.
When Jason first took over, this particular place had been known to only give out half of the money they donated in food. The rest was going into the old director's pocket. When he caught wind of the senior director often refusing kids just to save money to steal, Jason quickly fed him to the fish.
His Lieutenant, Rogers, would not be able to recognize him. Jason was eating without a mask. What better disguise than his own dead face? Much less the other people in the soup kitchen.
Although he was meant to observe his surroundings for any funny business, Jason glued his eyes on Danny the entire time. It seemed the man had an easy smile for everyone and a calming personality that seemed to put even the most hostile at ease.
Snow. Jason thinks while watching Danny make more tortillas while chatting with a street kid until the young girl feels she could make one. He lets her round the table easily, showing her how to press down on the metal lever with the same soft ease. He's like pure white snow.
He would not last long in Crime Alley. Nothing pure ever does.
Jason fishes his food, unable to look away from what he knows would be a broken man in only a few weeks.
He leaves just as Rogers returns to the front clutching a brown bag. It looks like he didn't need to worry about the upkeeping of this place. He needs to check on the other kitchens in his territory before the day is out.
After three other Kitchens, Jason is satisfied that he's secured two. He must send Rogers to the last one because a few girls seemed uncomfortable with the leering crew. He'll have the creeps removed by this Friday.
He's swinging around as Red Hood on his normal patrol when he catches sight of Danny again. It's close to two in the morning, so he's surprised to see the other man cheerfully strolling about without any signs of exhaust.
He's also not wearing warm clothing despite the snow slowly falling around them. The only difference between what he was wearing earlier is the large black backpack. Jason half wonders if Danny only has nothing else to wear until the man pauses at an alley entry.
He crouches down, unzipping his bag, before pulling out a plastic-wrapped package. Jason watches him cautiously walk into the alley, following on the roofs out of curiosity.
His eyes widen when he spots a young boy hiding behind a trash bin, squishing himself against the wall as Danny carefully approaches him.
Jason hadn't seen the kid when he had passed by earlier, likely due to the boy knowing how to hide himself in the shadows. How had Danny seen him?
"Go away!" The boy yells when Danny gets too close for comfort. Jason's hackles rise, pulling out his gun in case he needs to intervene. He remembers the days when the sound of approaching footsteps to his hiding places in the streets meant.
Danny stops just on the other side of the trash bin. He places the package on top of it and backs away quickly. "I don't mean to bother you. But I thought you could use these. Stay warm, and if you need to escape the snowstorm, go to the address in the right pocket."
The boy doesn't answer, and Danny doesn't seem to wait for one. He leaves with quick strides. Jason watches him from the roof, noticing he returns to a slow stroll once he's back on the main street.
Below, the street kid carefully pulls the plastic bag towards him once he knows Danny is gone. He unwraps the bag only to gasp in delight at the jacket, gloves, hat, scarf, and socks inside. He quickly slips them on, burying himself in the small amounts of warmth they offer him.
Jason watches the boy for a few minutes before jumping down. The kid scrambles away until he realizes it's Rood Hood. Everyone knows that he won't harm street kids.
"Hey," He says, noting that the boy's new clothes seem to be made from expensive material, all in black and neon green. "Do you have somewhere warm to sleep tonight? Snowstorm is coming."
"I can handle it." The boy scoffs despite the shivers that wrack his body.
"I know you can. But it's not safe out here" He kneels at the boy's eye level. He seems about twelve, likely new to the streets since he has yet to find proper shelter. Dirty blond hair and dark, weary brown eyes stare back at him as Jason offers. "Let me get you somewhere safe."
"I won't go back to the stupid system."
"Nah, that shit's broken. I got a safe house for you to crash in."
The boy thinks it over. "Just us?"
Jason isn't a mind reader to know what the kid fears. "No. It's full of other people."
It takes a few more minutes, but eventually, he convinces Max to follow him. They travel across Crime Alley to one of the empty warehouses he had turned into an illegal shelter. Inside are various Red Hood gangsters passing out blankets and setting up cots for people from the streets to sleep.
The heaters are on, but a few still refuse to remove their warm clothing- likely in fear of theft or that it proves an extra layer of comfort- as they settle down.
Max thanks him as the boy rushes to a corner that seems to be taken over by children. He doesn't approach the others to speak to, but he looks more comfortable picking a cot close to them. Jason's eyes widen slightly when he realizes that all seven children are wearing some form of the Black and Neon Green outfits Danny had given Max.
Rogers strolls up next to him, nodding his chin at the children. "Some street kids have been saying a man is offering them free supplies. He doesn't ask for anything in return and leaves them alone with they tell him to. His calling card is the little neon green ghost he places on each item. Want me to take a few of our boys and check him out?"
Jason grunts. "No need. I already know who it is. He seems like a non-threat."
Rogers appears flabbergasted for only a few seconds before pulling himself together. "If you say so, boss."
Jason turns to stare at the man, and Rogers raises his hands. "All I'm saying is that it's a little odd how good the guy is at spotting street kids."
"How good is he?"
"It's like he can see in the dark. He might be a meta."
Jason thinks back to Danny walking around in his light clothes like it's the middle of summer instead of winter and finds some weight in the meta-theory. "I'll pay him a visit soon."
Rogers lets the matter drop, even if he is confused by Jason's involvement. Usually, he has some of the newest members of the youngest ones who reckon a personable target- or new recruits.
But something about Danny called out to Jason. He couldn't say it, but the man's snow-like personality eased the Pit Rage in him. Strangely it felt like Danny was the calm winter promising rest to the wounded parts of Jason's soul.
He didn't want to see Danny's pure heart ruined by this city.
Jason wonders if he could keep it safe and if Danny will even give him the chance to try.
He hopes so. Danny has such a lovely smile.
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turtleblogatlast · 5 months
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Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.
For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.
And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.
I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt raph#rottmnt leo#rise Raph#rise leo#I really do love this bit of character writing a ton#again it’s so small but like this is consistent!#little Raph just wanted to have fun with his bros 😭#Leo immediately coming in with the save both times (and more - remember Bug Busters?)#I really love too how none of them pointed fingers like#it was Understood that Leo would speak for them#listen there’s a reason Leo is the Face Man and it’s NOT just because he’s got a pretty face#he can talk both himself and his fam out of situations and I wish we saw it even more because it’s amazing to witness#circling back to Raph his bold nature is something I ADORE about him but I don’t see it brought up a lot which makes me so sad#like this boy is a RAPHAEL he is bold!!#and it’s cute too how the other bros immediately go along with it too#imo the Raph in these tot flashback is the same Raph that glues them all together as a bonding exercise#side note but damn…Leo saves them from punishment in the tot short and immediately gets jumped 😔#but yeah man I think a Lot about the little dynamics between the bros and how those dynamics could have first came into being#Leo being the face of the team and having been it since childhood-#-makes all the moments of immediately choosing to sacrifice himself when HE royally messes up all the more notable#if it’s one bro or the whole group individually he’s more chill about it but often still lets himself be the talker to get them out of it#he will do his damndest to get his brothers and himself out of trouble but once they’re in it he’s in the front with a smile#his own safety be damned#Raph is actually the same in that respect - he’ll jump into danger fists first but all bets are off when a brother is in danger#and like how Leo’s been the face - as the eldest Raph has been the de facto leader of sorts#he’s the one who is shown to make up their games! and I think that’s very cute#anyway their clashing in the movie is so interesting for a lot of reasons but one of them is that it shows how-#-even a longstanding dynamic like Raph and Leo’s that’s WORKED for so long is still susceptible to flaws…and to time
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netherfeildren · 8 months
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ONE YEAR OF JOEL MILLER, happy anniversary old man baby girls
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ohnomysoul · 3 months
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I think we should have a conversation about how people tend to portray Hornet as having a hair-trigger temper/being always just angry and how that’s both a disservice to her character and really odd considering how much of a stoic she tends to be in game about her feelings. She’s blunt and sharp but not explosive and straight up abrasive. She has tact. Just like someone who’s both a spider and born into a royal family has to be to survive.
And along with that, as a Lesbian myself, the way people write her as being always angry and pissed off mixed with the other defining trait of being a lesbian or sapphic in some way also rubs me the wrong way.
Like… I hope people realize that they are making her into the “angry/bitchy lesbian trope” right??? And by making her like be especially rude towards the men (who are written to hit on her) also plays into that? I doubt it’s intentional but it’s still offensive.
(Clarification too just in case: I love when people headcanon Hornet as being a Lesbian for obvious reasons that are not limited to me simply loving her as a character, but I do beg people to think more about how making the self controlled guardian that Hornet is into a lesbophobic trope that isn’t even adhering to her canon character is disheartening.)
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glassphinix · 2 years
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nemonas character arc
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whollyjoly · 5 months
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you know i dreamed about you / for twenty-nine years before i saw you - slow show. the national
4x05 Buck Begins II 7x05 You Don't Know Me
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yharnamsnewslug · 1 year
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Heads up - transandrophobes are gonna get much, MUCH worse before this all settles down. We went from barely known to "transandrophobia truthers" to now being just openly called "cuntboys" and "zippertits". I've been sent anon hate for the last three days and I've blocked them all and not responded, and YOU SHOULD DO IT TOO.
I was there when the acephobes and arophobes were foaming at the fucking mouth and this is transandrophobes getting fucking pissed that their shallow ass feminism is being called out. Keep posting, block liberally, do NOT be afraid of stepping away and taking time for yourselves. You don't owe any fights in expense of your mental health.
Have a good day, y'all, especially those in the spotlight such as black and jewish trans men ✌🏻
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starcurtain · 4 months
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I have this small, deeply personal headcanon that after his grandmother's passing, Alhaitham's home was so unbearably quiet that he started--just barely, just one or two words--to speak out loud to her as if she was still there.
"I've been accepted to the Akademiya, Grandmother."
"I passed my promotion exams."
"I debated with Haravatat's sage."
Just that, and quiet again.
But one day, it's: "I met someone strange."
"He keeps showing up when I'm trying to study."
"We don't agree on anything. Still..."
"I made a friend."
"Today, Kaveh and I were researching--"
"It's already dark. I didn't realize we spent so long in Razan Garden. Kaveh wanted to hear about my article--"
"He's going to be furious when I tell him the whole point for his portion of the lecture is based on a false predicate--"
The house where his grandmother used to be gets a little louder again; the noise lasts a little longer.
Until one day, when there's no words at all.
One day, when there's just the sound of a single sob, and then a long, long silence.
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