#and also the idiots i'm forced to interact with have been stressing me out so

[itsahotminuteinbetween]

this is mostly in jest but heads up i might not post official art besides small doodles for a while because my drafts ran out and these past two weeks have genuinely been destroying my mental health so I don't have the capacity to do anything seriously art-related right now

[immaturityofthomasastruc]

Every Episode of Miraculous Ladybug Season 5 Ranked (Part 2)

Part 1

(This site's stupid 30 images per post forced me to do this, so thanks for nothing, Tumblr)

#14: Transmission

I swear, I'm not doing these on purpose. This is just how I've been ranking the episodes.

Like I said in the last part, this episode just did not need to happen. The first half is cheap melodrama between Marinette and Adrien and the second half is a run of the mill Akuma fight with two different heroes. This is the story that seriously warranted two parts this season?

I just can't stand the fact that Marinette and Adrien gave up their Miraculous so easily here. Maybe if it was Season 2, Season 3 at the latest, I'd buy it, but near the middle of Season 5? They honestly view their love lives as more important than the battle with Monarch. If it was anything else like the stress or physical danger, I'd also be understanding, but Tikki and Plagg decide that Marinette and Adrien are so miserable that they need to be happy by losing their Miraculous without a fight. Remember, this was just two episodes after “Reunion”, which showed Joan of Arc was a Miraculous holder. So fighting in the Hundred Years' War didn't get so much as an ounce of concern from Tikki, but teenage angst is too much for her little heart to bear?

Maybe it's the benefit of knowing this won't be permanent, but the issue I have is how much the show draws this out for so long, as if the audience is supposed to buy it. “It's really happening, guys! Ladybug and Cat Noir won't be the stars anymore, we swear!” This kind of plot can work under the right circumstances. All you needed to do is at the very least, make it something they choose to do instead of their Kwamis taking their Miraculous away so we can see them weigh the benefits of giving up life as a superhero in ways that aren't exclusively about their love lives. I'd even buy it if it's something Ladybug and Cat Noir actually agreed on before quitting.

While I can sort of get Alya becoming Scarabella due to her experience with the Ladybug (even if she chose to give up using any Miraculous at the end of Season 4), Zoe getting the Cat just feels like the writers put a bunch of names in a hat and picked hers. The two just don't have as compelling a dynamic as Ladybug and Cat Noir do, because they don't get a lot of time to know each other. Alya and Zoe have almost never interact with each other, so the masks don't really shake up their relationship, because there's no relationship to speak of.

Also, the Akuma here was really forced. We know nothing about this new character while the show acts like we're supposed to know who he is based on some minor hints with Nora calling earlier. While I will give the show credit for arguably giving us the most powerful Akuma of all time due to being both a man and a bear, he's as forgettable as a villain as Kitty Noire is as a hero.

Just about nobody here comes out smelling like roses in this episode. The Kwamis are morons for caring about one ship becoming canon, Marinette and Adrien are selfish cowards for giving up their Miraculous with little hesitation, their friends are ignorant buffoons for thinking some random attempt to get Marinette and Adrien to talk will somehow seal the deal, and Alya and Zoe are idiots for not thinking that they should take off the shiny ring that tracks their every movement. It's a terrible episode, and the only reason why “Deflagration” is ranked higher is because it didn't irritate me as much as this one did.

#15: Determination

And now we're onto the really bad episodes this season.

This episode is pretty much what you've come to expect by Season 5. People keep forcing Marinette into situations she's clearly uncomfortable, and we're supposed to just laugh at her anxiety, because we still have eight episodes to go before the show decides to take her mental health seriously.

What makes this episode really sting for me is that it's Luka and Kagami that are forcing Marinette into these unfunny antics this time. For the most part, they never really stooped to this level and didn't try to force anything with their respective love interests until they had trouble in their relationships that required them to communicate. But now, even though one knows Marinette and Adrien are superheroes while the other is usually very blunt with her feelings (at least, before she became this season's next victim), they're going to try forcing Marinette and Adrien to spend time together even they both know they have feelings for each other and MY GOD, THIS IS SO STUPID! It's just a cheap excuse for more pointless shenanigans that stopped being funny years ago.

Yet somehow, that's not the worst of the Love Square drama this episode. It's here where we learn that Adrien fell in love with Marinette over a season ago, during a scene where she violated his personal space. In addition, Adrien somehow showed no signs of attraction to Marinette until the plot demanded it, and came right after another episode showing him falling for her. Why not make it the fake confession Marinette practiced with Cat Noir in “Glaciator 2”? The kiss Marinette gave Adrien at the end of “Heroes' Day”? I'd even take another umbrella scene callback like in “Mr. Pigeon 72”. But no, it's the statue scene that the writers decided on. It's like they noticed all the criticism Marinette got in that episode and were like “Joke's on you! Adrien actually liked being lusted over like an object!”.

And then the masks come on and make things even more convoluted. Adrien at least got to reflect on the events of a previous episode to explain his new feelings for Marinette, but what caused Ladybug to suddenly fall for Cat Noir after four seasons?

The writers don't even bother with an explanation for this. Ladybug spontaneously becomes attracted to Cat Noir with absolutely no foreshadowing, buildup, or even callbacks to earlier episodes. The writers either wanted to complicate things one last time before Adrienette became canon, they wanted to bury the Ladynoir conflict arc from last season in the sand, or the most likely option, a combination of both.

The idea of the public turning on Ladybug was an interesting one to take, seeing how she's been universally beloved for the past four seasons. But despite hinting at it in “Multiplication”, this is the farthest is goes, and even then, guess who's behind it? You can't keep raising points against the main characters if it's only Chloe who does it. It doesn't open debate on the story and essentially tells the audience that they're wrong to agree with her, no matter what kind of point she makes.

As dumb as the way it happened was, Ladybug still screwed up and endangered the city by losing the other Miraculous, but we can't actually challenge children by acknowledging that the hero actually did something wrong and needs to grow as a person. We need to use a recurring character as a strawman to tell the audience that only bad people think this way! Way to remove any interesting internal conflict, writers.

The Akuma was pretty weak, just being an older Puppeteer, down to using wax statues like what happened in “Puppeteer 2”. The army of wax heroes could have been interesting, but there wasn't enough time to do much with the idea. The one thing I liked was how the Ox Miraculous' Resistance was used. It felt like an upgrade instead of a core power Manipula got.

This episode pretty much set the stage for a new level of frustrating Love Square drama this season, and it was one of the season's first outright awful episodes.

#16: Conformation

The only reason this episode isn't at the bottom is because the rest of the ones on this list are far worse by comparison. Make of that what you will.

Like most season finales, this one continues the tradition of being better at buildup than actual execution. Gabriel's plan is pretty decent, even if it's just Heroes Day on a global scale. He utilizes his public influence and business skills to plan out a plan to get almost all of humanity working for him. While I don't like the Miraculized, I still think Gabriel being on top works here, especially since he's not going out into the field like the last three finales.

But other than an okay evil plan, this episode is still pretty bad. Marinette being infected with nightmare dust only happens to get her to the Agreste manor because the writers forgot that Marinette learned Gabriel was Monarch last episode. It could have been a decent way to up the stakes by showing Ladybug not being at 100%, but like everyone else, she just fights off the nightmare dust and doesn't have a single problem during her fight with Monarch. In general, the nightmare dust isn't really utilized well, only being an excuse to bring out the Miraculized. It doesn't impact everyone fighting off the Miraculized, and there's no lesson or theme about fear that's conveyed here.

Speaking of nightmare dust, I'm pretty sure the only reason why it was introduced in the first place was to bench Adrien, which is still easily one of the dumbest decisions the show has ever made. While everyone else had no problem resisting the nightmare dust, Adrien is just physically incapable of doing so because of some half-assed character arc the show pretended happened. So either Adrien got a more potent dosage of the nightmare dust, or Adrien's just too weak to actually overcome his fears. “Sandboy”? Never heard of it! The fact that the writers also tried to claim they were being subversive with fairy tale tropes and cliches didn't help, since it devalues Adrien as a character even further. He's not a superhero and Ladybug's closest ally. He's just some damsel in distress who needs to be saved. Let me just remind you, if the genders were reversed, this would not be seen as some bold move, but the same overused cliche trying to be something new.

I already talked about my problems with Nathalie in “Passion”, and the stuff she does here isn't really different. Despite enabling Gabriel for five seasons, the episode has the balls to act like Nathalie always had morals and is appalled by Gabriel planning to sacrifice someone to save his wife. Just remember, “Passion” established that Nathalie had a history as a treasure hunter, so this is like Indiana Jones not knowing what the Holy Grail does. Nathalie only got dumber than in “Passion” because she somehow thought she could take on a supervillain with nothing but a crossbow and a body that already has one foot in the grave. And just like Felix, Nathalie can't even apologize to Ladybug for the aiding and abetting a terrorist thing. Between Nathalie, Felix, and Gabriel, does using the Peacock Miraculous just make you an idiot?

While the buildup is decent, it's just not enough to really get audiences excited for the second part.

#17: Representation

This episode is yet another example of the show's double standards.

Without going into detail too much, this episode came right after “Revolution”, the one that essentially portrayed Audrey taking control of Chloe's life as a karmic punishment. What happens in this episode? We learn Felix's father literally took control of his life and it's portrayed as wrong as child abuse should be. That's why this episode is still better than “Revolution”. It at the very least understands how serious child abuse is, and tries to tell Felix's story with as much dignity as two teenagers in white onesies can have.

With that being said, there's a reason why this episode is as low as it is. The Sentimonster play used to tell Marinette about Felix is just so stupid. The sets and costumes look ridiculous, it's hard to take the story seriously with Felix and Kagami doing all the voices, and most of it is unnecessary since the whole point is to tell Marinette that Gabriel is Monarch... something that the writers decided she needed to find out on her own in the next episode. It comes across less like Felix trying to alert Ladybug to who Monarch really is and more like he's just trying to justify his own actions. Hell, the actual reason he decided to tell Marinette about Gabriel was because he and Kagami were worried about their own relationship being ruined by him. And yet somehow, Ladybug lets him on the team at the end of the season.

The stuff with Adrien was also pretty dumb. It's cheap fanservice that reminds the audience of Cat Blanc when none of the characters should know who Cat Blanc is. You can call him Anticat all you want, but everyone can see that he's just Cat Blanc with blue hair. It's bad enough that this was what all the times Cat Noir almost Cataclysming people this season was meant to lead up to, but this is pretty much the reason why Adrien is benched during the finale.

This episode really shows how desperate the writers are to make people take this show seriously by showing serious topics like genocide and child abuse, as if the show didn't already ignore the horrible implications previous episodes (like the very last one before this) raised and will continue to raise during the season finale. So much of the episode is just dark for the sake of being dark. It's nothing too horrifying for children, of course, but the issue is how obvious it is that the writers are trying to raise the stakes right before the season finale and show how mature the show's writing is. For lack of a better term, it's this show's equivalent to “Ow The Edge”.

#18: Revelation

Get ready for the episode where the writers abandon all attempts to be subtle and create an episode specifically to attack people who think Chloe isn't the most evil character on the show. Because how dare they be optimistic and try to see the good in people! What do they think this is, a kids' show?

While a big problem with the Lila episodes was how stupid the class is, this episode made it so Marinette got to join in on losing brain cells too. Despite outright admitting to neglecting her duties as class representative (as absurd as it is to be in charge of notifying teachers about student progress they should be aware of), we're supposed to agree with her for not telling her teacher about Chloe cheating. Not only does this make no sense since you'd think Marinette would want to see Chloe get punished, but her claiming that all Chloe does is abuse her privileges loses any point to it because Marinette admitted to not doing her job as class representative, making her just as lazy as Chloe and unintentionally helping her through not telling the teachers. And that's not even getting into how many times Marinette has broken the secret identity rule despite also being the one to enforce it the most as the Guardian.

If the episode at least admitted to Marinette having personal issues that prevented her from displaying any form of professionalism towards Chloe (especially since this episode takes place after “Derision”), that'd be fine. Sometimes, people just can't let bygones be bygones and let their emotions dictate how they handle things. If she willingly resigned from her position by admitting she was just as at fault for Chloe getting as far as she did with her cheating, that would have worked. Instead, the episode does the same things it did with Adrien for the last few seasons: Go out of its way to vindicate Marinette's complaining and never even consider the idea of her being wrong in the slightest.

It's also hilarious to see Ms. Bustier act like an actual teacher for once and plan to work with Chloe to help make up her missed work, but portray it as a bad thing because in Marinette's eyes, that's not a punishment. Since the school year is almost over, Chloe will have to attend summer school at best and be held back or even expelled at worst. How the hell does that not count as a punishment, Marinette?

And don't forget how she gets not one, but two separate scenes insulting people for being idealistic and not wanting to write off people as beyond saving, the second one being copied from Astruc's Twittter.

And remember, this was right before a string of episodes where characters were able to change their ways, including Sabrina (Chloe's accomplice), Andre (Chloe's enabler), and Gabriel (Chloe's supervillain contact). How the hell is Chloe the only one being written off as irredeemable when she didn't pull off any of her evil plans without help? You can still punish Chloe. All I want is for the other characters to be punished as well.

But let's talk about the main event for this episode: Lila. In one of the most confusing “twists” in the show's history, she's now an identity thief who lives with three different mothers. Why? Because the writers have no idea how to hype people up for her being the main villain for Season 6, so they think just making her mysterious for the sake of making her mysterious is enough to build her up as a villain. It's like the writers realized Lila had absolutely zero resources of her own, so they felt like they needed to establish her as an evil genius to compensate. “Who cares if there's no logical explanation for how she's gotten as far as she has despite constantly boasting about her celebrity connections in public? We have to make her vague and mysterious, damn it! It worked for Judas Traveller and Kaine, didn't it?”

This episode takes multiple shots at fans and tries to make Lila seem more compelling than she actually is. It feels more like damage control than an actual plot-relevant episode.

#19: Illusion

Want to see the main characters acting like idiots for almost a half-hour? No? Too bad!

So much of this episode's conflict, the characters trying to investigate a possible lead related to Monarch, comes from everyone making stupid decisions. Nino tries to get one of the most influencial men in Paris akumatized, talks about it in public, falls for his trick, and lets him into his secret alliance. This season really cemented his role as the Zapp Brannigan of Miraculous Ladybug with how incompetent he is. If you really want to start portraying Nino as a tactical genius, maybe you should actually show him doing something smart instead of getting outsmarted by obvious tricks.

Of course, the other characters aren't immune to Nino's stupidity either. Marinette, Adrien, and Alya just go along with his asinine plan to get Gabriel akumatized, never question his logic, and ultimately still go along with the Resistance despite how obnoxious their leader is. The worst part is Ladybug not recognizing her own partner being stung by Venom... when they're fighting someone with access to over a dozen Miraculous. I know Cat Noir was born with glass bones and paper skin, but I don't think he literally freezes in terror when he's scared. And of course, Ladybug never questions the tiny invisible men who stunned Cat Noir after this scene.

The cafeteria scene is something that should really be cited as an example of how terrible this show is with acknowledging continuity. You thought there would be some compelling drama discussing the secret identity rule and all the double standards it has? NOPE! It's a funny joke about how confusing the identity stuff is at this point. The fact that Nino somehow doesn't understand the concept of secret identities in this scene is yet another reason as to why he isn't even qualified to lead an anime club, much less a resistance against Monarch.

The idea of Monarch using an illusion to fight Ladybug and Cat Noir was an interesting one, but it still had some holes. For one thing, what if the two heroes can't dodge one of the illusion Collector's attacks? What if they're fast enough to try tying him up, only to dispel the illusion? The entire plan pretty much relies on the fact that Ladybug and Cat Noir are too slow to catch the Collector.

But one scene that has only become more questionable after the finale is Ladybug trying to reach through to the illusion Collector. Like several episodes this season, it comes across like the show is spitting on idealism and wanting to solve problems peacefully because Monarch tricked Ladybug into believing he willingly rejected an Akuma. Remember kids, if someone says they want to change, it's really a trick as part of an evil supervillain's plan to maintain his secret identity.

This episode is like a microcosm of everything wrong with Season 5. Poor morals, characters acting like idiots, shooting down any potential for plot development, and being told characters are right when their actions say otherwise.

#20: Confrontation

Ladies and gentlemen, I give you the episode where the writers just gave up.

There is just so much that happens in this episode that the writers cram in. There's Marinette's “final” confrontation with Lila, the battle with Reflekta, Sabrina's redemption, Juleka's character development, Ms. Bustier's character development, Mr. Damocles' character development, and the reveal of Lila's true nature. I don't think I need to tell you that the writers struggle to make all of these plot threads work in less than a half-hour.

First off, Marinette and Lila. The previous episode implied that Marinette let Lila have this short-term victory because she had her own plan to expose her. This episode puts that plan into action. See, she has the genius idea of going along with submitting school application forms to Lila and Chloe with no actual countermeasure in place, waiting for Sabrina to have a sudden change of heart so they can work together to expose Lila and Chloe through a bathroom peephole. This is the kind of tactical intelligence that will be studied in the history books, let me tell you. There's just no weight to Marinette and Lila's final battle of wits because there isn't any. There's no series of gambits or scenarios that actually pit their minds against each other, so you don't get a lot of satisfaction from Marinette's triumph over Lila. It doesn't help that there's more focus on Sabrina than on Marinette, but I'll get to that later. Even the actual payoff is anti-climactic. Most of the class' apology to Marinette was deleted because Mr. Damocles using a Magical Charm shield was just too important to leave on the cutting room floor according to the writers.

This episode really shows just how Marinette's classmates are like NPCs in the Lila-centric stories. They don't second guess Lila's accusations due to their past experiences with Marinette, and as soon as Marinette's name is cleared, they instantly apologize to her and don't even think about how easily they were fooled by Lila and Chloe. The worst example is Alya, Marinette's confidant and someone who was trusted to temporarily use the Ladybug Miraculous last episode, falling for this and not trusting Marinette. My sister in Christ, your friend goes out and saves lives on a weekly basis at least. How can you fall for Lila's story? This is why I think the Lila episodes should have all been set pre-Season 4, so Alya falling for Lila's lies is a little more believable since she isn't already in on Marinette's biggest secret.

I also have to roll my eyes at how melodramatic the talk about everyone's “futures” is. Yes, I don't know a lot about the French education system (If there's anything I'm getting wrong here, don't hesitate to let me know), but I don't get why they're treating their high school choices like such a big deal. Maybe if it was college, I'd get it, but high school? Why can't you just transfer if it doesn't work out? But then again, this is the same show created by a man who thinks school uniforms are a sign of fascism.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Speaking of futures, this episode also showed just how little the writers cared about Adrien at this point, with how a supposedly heartwaming moment is him having no plan in life other than Marinette. I know this might seem weird given my problem with him last season was his refusal to think about anyone but himself, but there's a difference between wanting someone to follow orders without complaining and giving them absolutely no motivation outside of their significant other. And once again, if you swap the genders, this becomes sexist as hell.

But the big problem comes in the form of how the side characters are utilized. I don't know why the writers decided to focus on developing characters like Sabrina, Juleka, Ms. Bustier, and Mr. Damocles with five episodes left in the season. This should have been done in earlier episodes, not in the middle of a major story arc. I'm just left not caring about the development because it takes away from the conflict between Marinette and Lila, to say nothing about how little Adrien and Alya contribute to the story.

To me, this episode feels like the writers had no idea how to make Marinette outsmarting Lila into an episode, so they crammed in all these half-assed character arcs to pad out the runtime. While “Revelation” personally upset me more, I personally think this is the worse episode of the two from a writing standpoint.

#21: Revolution

Given how often I've criticized the way Chloe has been handled over the years, I bet you're surprised that this one isn't at the bottom of the list. You'll be even more surprised to learn that I think Chloe is one of this episode's saving graces.

This episode (along with “Derision”) provide an example of the Chloe we should have gotten ever since Season 3 ended: A villain who's allowed to be a threat while still being funny. So much of the past two seasons have done nothing but portray Chloe as nothing but an incompetent joke, but here, near the end of the season, she's in a position of power and is taken seriously. The episode does a good job showing how tyrannical Chloe's rule as Mayor is while still making it funny and in-character for her. She uses her power on frivolous things because she's a teenage girl who doesn't understand the complicated issues that come with politics. It's also why her idea of punishment involves detention, because it's something she's more familiar with as someone in middle school. Of course, even the episode all about Chloe ruling Paris with an iron fist isn't stupid enough to actually let Chloe be a compelling antagonist. No, we need to constantly remind the audience that Chloe is being played, as if we're supposed to see her as nothing more than a pawn even though the show still wants us to see her as an irredeemable monster.

Putting aside that one speck of something interesting, this episode is still incredibly bad. So much of the story is dependent not on how smart the villains' plan is, but rather, how lazy the heroes are. Not only is there not a single moment where Ladybug and Cat Noir acknowledge that the whole reason why Chloe was able to take over as Mayor was their fault, they act as if Chloe abusing her power to make everyone's life a living hell isn't enough of a reason to stop her. What kind of Prime Directive bullshit is this? YOU JUST HELPED SOMEONE LEAD AN INSURRECTION AGAINST A POWERLESS CIVILIAN! HOW IS THIS ANY DIFFERENT?! If there was at least something involving Ladybug and Cat Noir taking responsibility for what happened or at least showing that they played a part in this (especially since they “grow up” in this episode), I'd get it. Instead, because this is Season 5, our heroes are perfection incarnate, and can't ever be wrong. Even when they finally decide to get off their asses and stop Chloe, they didn't know she was akumatized, and nobody seemed to care before Chloe blurted it out, so Ladybug and Cat Noir have no excuses for slacking off.

The final battle is just a joke. Not only is it another excuse to force the Resistance into the plot, it shows Ladybug and Cat Noir unlocking the full power of their Miraculous in the most anti-climactic way possible. Even though they spent most of the episode caring more about their personal lives than actually stopping the obvious threat, somehow, this means they “grew up”. There's no buildup, no explanation, and no catharsis gained from this achievement. All of a sudden, Ladybug and Cat Noir are adults now. There's one decent scene with Adrien, but that's far from an actual explanation. What, did you actually expect an explanation for something this huge? Too bad! We need to have Marinette tell Chloe she's not afraid of her anymore even though she was never afraid of her prior to this season. Of all the things that happened this season, this is the one that makes it clear that Season 5 was supposed to be the end. There is no way Season 6 can happen unless the writers come up with some crap that undoes this, because Ladybug and Cat Noir have essentially unlocked god mode.

But I saved the worst for last, and you all know what it is: Chloe's punishment. I still can't get over the fact that there's actually a scene heavily implying we're supposed to be happy Chloe is going to live with her emotionally abusive mother in the same season that's trying to tell a serious story about child abuse. There's already been so much said about all the horrible things this implies, so I'm going to try and bring up something else. Specifically, how everyone is just okay with this. I can buy Ladybug given all the things Chloe has done to her, but it's pretty odd that Cat Noir, Andre, and Zoe all decide to wash their hands of their association with Chloe as if they never knew her. They don't even feel bad that it had to come to this, and feel absolutely no sympathy for her. Remember in episodes like “Malediktator” and “Queen Banana” that showed Adrien and Zoe still cared for Chloe despite all the terrible things she's done, teaching kids a lesson about trying to show compassion to your enemies? The writers sure didn't, because Adrien and Zoe don't get to say a thing about Chloe after she's defeated. Way to establish connections between characters and do nothing with them, writers!

This episode had so many things wrong with it, and it only got worse the longer it went on, to the point where the ending is essentially condoning child abuse. It's disgusting, but at the very least, it means we're not going to have to deal with Chloe in Season 6.

.....

#22: Adoration

This is one of those episodes I honestly didn't think would hate as much as I did.

I think of all the episodes this season, this is the one that shows how frustratingly inconsistent the characterization is. Characters will either announce how much someone has changed or will take a complete 180 while the show makes it clear this is how things have always been. Not only does the show say Zoe has somehow changed and suddenly developed feelings for Marinette, but Chloe's view of Sabrina has gotten even lower, to the point where she calls her an underling to her face. Because actually showing character development and changing interpersonal relationships is too hard for these writers. It's like that rule everyone knows: Tell, don't show. That's how it goes, right?

Before anyone gets on my case about this, I'm not trying to say that Zoe having a crush on Marinette was a bad idea. The issue is more how it comes across like the show is trying to earn brownie points with LGBT+ audiences with the reveal. The issue is that this major revelation isn't about Zoe, but rather, Marinette. It's from a Marinette-focused episode all about her heterosexual feelings for Adrien while Zoe's coming out story is nothing more than a cautionary tale to get Marinette to finally try kissing Adrien. I'm not saying Marinette should have dumped Adrien to be with Zoe. The point I'm trying to make is if you want to show something as huge as a character coming out as sapphic, maybe put more focus on that character's struggles than the struggles the straight main character goes through. Maybe instead of being an afterthought in the story, make the episode about Marinette helping Zoe confess her feelings to a girl she likes.

This was also the episode that laid the groundwork for Andre and Sabrina's “redemption arcs”. Normally, I wouldn't mind something like them changing, but it's less to show a character becoming a better person and more to vilify a different character. Andre went from a corrupt politician who abuses his power to please his daughter to an honest politician who is forced to abuse his power to please his daughter. Sabrina went from Chloe's loyal friend who chooses to help her make people miserable to Chloe's underling who is being forced to help make people miserable. Both of them were perfectly willing to go along with Chloe's acts in the past, and as we saw in “Revolution”, being a pawn didn't excuse her from being punished, so by that logic, they shouldn't get a free pass either. It's also strange how this wasn't the episode where Andre and Sabrina officially cut ties with Chloe, considering they already had issues with them. There wasn't really a reason to wait if they already made their issues clear, especially Sabrina. Somehow framing Marinette here is okay but doing it a few episodes later is too much for her?

Also, Lila served no purpose in the episode. Just like in “Collusion” and “Revolution”, all she does is tell Chloe to do things she was perfectly capable of doing in earlier episodes. We're supposed to see her as a mastermind, but I don't get why she has to hold Chloe's hand here. Why can't Lila come up with her own plan or manipulate different people from behind the scenes? It only further highlights the double standards because while Sabrina being a lackey to Chloe earns her sympathy, Chloe being a lackey to Lila doesn't for some reason.

I am getting really tired of the whole “Nobody believes Marinette” formula that every Lila episode relies on (Chameleon, Ladybug, Risk, Revelation, Confrontation). It's the exact same story. Everyone who has known Marinette for the past four seasons suddenly loses all trust in her, only instead of instantly believing Lila, it's Chloe. CHLOE. This is worse than Lila, because she's at least in good graces with other people, but this is the same season that solidified the idea of nobody liking her at all. They seriously take her words at face value over Marinette, someone whose friends know has tormented her for a year at least (Derision)? Put aside how I feel about Chloe, this is a story that depends on trusting someone nobody has any reason to trust, and it makes no sense.

There are just so many minor issues in this episode that pile up enough to really piss me off. It's like a death by a thousand cuts.

#23: Collusion

I normally don't try to get political on this blog unless I absolutely have to, and talking about this episode is one of those occasions.

If you've been around since the early days of this blog, you'll remember that Astruc once compared Chloe to Donald Trump, and not too long after the January 6th attack on the Capitol Building at that.

Even before that thread, Astruc made a joke comparing Trump to Chloe less than a week after the attack.

Whether you agree with Astruc's views on Trump or not, the point is that he kept up with American politics and strongly opposes him. So anyway, let's get to the episode where the heroes let someone lead a small army to storm the mayor's office and force him to resign, which is totally different from what Trump did.

I cannot get over just how confusing this episode is. For a show created by someone who usually keeps up with American politics, this is such a tone-deaf episode. I get that the story is trying to lean into French history, and I'm not sure how far into production the crew was when the attack on the Capitol happened, but given how Astruc was aware of the drama, he and his team should have at least considered the implications this episode could raise. The problem with the discussion around January 6th is that the supporters see it in as righteous a light as Miss Sans-Culotte is. As far as they know, what happened wasn't a violent invasion of government property, but a peaceful demonstration. Sure, none of the talking balloons said “Hang Andre Bourgeois!”, but it still brings similar imagery to mind.

Something that also harms the French Revolution narrative is the fact that all of Miss Sans-Culotte's supporters are helping her against her will. Much like countless Akumas throughout the show's history (Darkblade, Kung Food, The Puppeteer, Princess Fragrance, Despair Bear, Befana, Zombizou, Malediktator, Gamer 2.0, Mr. Pigeon 72, Hack-San, Revelation, Confrontation), Miss Sans-Culotte brainwashes innocent civilians so they can help her cause. This goes against the idea that she's speaking for the people, because her victims don't have a say in this. She's not reenacting the French Revolution, she's reenacting Order 66!

Also, this is something I've neglected to discuss. Why make Miss Bustier pregnant at all, much less akumatize her while pregnant? Outside of her students telling Chloe not to make a scene because the stress caused from dealing that is bad for the baby, Ms. Bustier's pregnancy adds nothing to the story. Seriously, the story thinks Chloe annoying the class is more dangerous for Ms. Bustier's baby than Ms. Bustier herself running around and getting into fights with her baby inside. It could have made for some interesting drama where Ladybug and Cat Noir are hesitant to hurt a pregnant woman, even if she's been akumatized. While the writers do try to work around it by giving her minions to do the fighting (as much as it mucks up the themes of this episode), it still doesn't explain why she needed to be pregnant during this episode in the first place.

Putting aside how unlikable Miss Sans-Culotte is in this episode, you can't even enjoy seeing Andre getting kicked out of office because this is the same episode where the writers really want us to feel bad for him. Look at how sad the rich white politician is. Let's ignore the fact that he's a big part of the reason why Chloe is as bad as she is, has abused his power multiple times, and is all around the cause of his own problems. But even though this is a show that tries to take an anti-capitalist stance (which I'll get to more in “Emotion”), we're supposed to side with one of the biggest symbols of everything wrong with capitalism and political corruption. Even then, Andre is framed for corruption instead of the several instances he actually abused his power, as if they're trying to say he was never a corrupt man. He just loves his daughter. Is that too much to ask for? His daughter herself? Eh, who cares? You really need to support the rich white man. Are we sure this show was created by a liberal?

But the biggest issue is the moral. It's impossible to frame Miss Sans-Culotte storming the mayor's office as a peaceful protest because she's clearly inspired by one of the bloodiest and most violent revolutions in history. If she was supposed to be a violent warrior who needed to learn there was a better way, that would work, but instead, the show downplays how dangerous she is... when she has a guillotine blade for a weapon. You can't claim Miss Sans-Culotte is non-violently protesting Andre's administration when she brainwashes innocent civilians, storms into the building, and demands he resign without any question. Even taking all that into consideration, the moral ends up backfiring because forcing Andre out of office caused an even bigger problem with Chloe taking over, and the very next episode threw the non-violence message out the window.

Whether or not you want to consider the political implications here, this is still a terrible episode with a terrible moral.

#24: Pretension

I've always had issues with Felix, and after the trainwreck that was “Emotion”, let's just say this didn't exactly do anything to raise my opinion of him. Just like his other appearances for the last few seasons, he did absolutely nothing to help Ladybug, focused on only doing things that benefited him, and making everyone's lives worse due to his incompetence. And somehow, this idiot is the one who moves the plot along the most.

The entire conflict happened because Felix kidnapped Kagami without even coming up with a plan. Even when he believes that Kagami is a Sentimonster (I apologize for saying that word Felix hates, but once again, the show provides no alternative to it), he doesn't think of Tomoe being able to track her or command her to leave even at a far distance. He doesn't even try to explain himself to Ladybug and Cat Noir and spends more time running away from everyone who wants to kick his ass. But by the show's logic, he just needs friends, even though his entire deal is that he works alone to get what he wants.

It's bad enough that Felix has to screw up everything he touches, but now he's dragging Kagami to his level. Kagami has cemented her role as Felix's lackey/girlfriend and nothing more. People give Marinette crap for the way the behaves around Adrien in and out of universe, but Kagami knows nothing about Felix, yet a single conversation about his past is enough for her to fall head over heels in love with him. She went from someone not willing to take any bullcrap from Marinette and Adrien to believing Felix's story in a fraction of a heartbeat. This season really likes ruining the few likable characters the show has left.

I also have to roll my eyes at the conversation Marinette and Gabriel have about fashion. For one thing, it's one of the few times the entire season remembers that Marinette wants to be a fashion designer and doesn't really factor into her rivalry with Gabriel. This season made their conflict revolve around how to treat Adrien, not their views on fashion. It feels like they only brought it up to remind viewers that Marinette is still into fashion. Well, that, and also to take a stance on artistic integrity... supposedly.

And on that note, it's amazing how the writers display little to no self-awareness during this scene. The show that embraces sticking to the status quo and rejecting almost any attempt at keeping consistent continuity is now trying to teach children about the importance of being willing to take risks when creating something. This is like Hannibal Lecter trying to promote veganism. I get the message, but the messenger's history is keeping me from buying it. It doesn't help that for a scene trying to point out how outdated certain views are, the show ultimately chooses to take the side of the man with the “wrong” mindset by the end of the season.

The pancake metaphor really confuses me too. It's meant to be a running gag that the only thing Gabriel knows how to cook is pancakes, but A) Nothing is really indicated to show how terrible they are as a metaphor for how bad his outdated views are other than Marinette's verbal assessment of them, and B) We later learn Gabriel used to be poor, so either he never knew how to cook prior to earning his fortune or being rich somehow made him forget basic living skills. I'm just saying, when an episode of Sid the Science Kid manages to better convey someone doing a terrible job making pancakes, you might need to put in a little more effort to show how bad Gabriel's pancakes supposedly are.

Finally, Tomoe. This episode didn't really do much to show her as a compelling threat, given all she did was nag Gabriel and try to shoot her daughter when she didn't even try commanding her to fight back when she was kidnapped. She's nothing more than a female Gabriel and is another example of how overstuffed this show's cast is,

This episode is awful, plain and simple. It took aspects from previous episodes that were already questionable, and doubled down on them while acting like there weren't any problems at all.

#25: Derision

And now we're onto the really, REALLY bad episodes this season. One of the reasons why this post took so long to make was that I wasn't sure how to rank these last three episodes. Thankfully, I managed to find a way to rank them based on the morals are executed. With that being said, let's start scraping the bottom of the barrel.

Ah, “Derision”. You're the only episode that makes the backlash caused by “Chameleon” seem like a pleasant breeze. It's incredible to see just how much negative a reputation this episode has in the fandom. Virtually nobody likes it because it manages to upset everyone with its poor characterization. I'm talking Marinette fans, Adrien fans, Chloe fans, Kim fans, and pretty much every other character's fans. I've only seen a few die hard fans defend this episode, and they're the people on Tumblr who defend pretty much everything done this season.

I have just one question to ask about this episode: Why did it need to happen? We didn't learn anything new that we didn't know already. We know Chloe is mean, and we know Marinette used to be more timid and had no friends. We didn't even need that much of an explanation for why Marinette acts the way she does around Adrien, seeing how it was usually played for laughs

Speaking of which, let's talk about the fact that the episode tries to shame the audience for laughing at the jokes about Marinette's reactions to Adrien. You know, something that was the show's primary running gag ever since Season 1? A running gag the writers ran into the ground by the end of Season 3 but still chose to go with it? Now we're not supposed to have laughed at it, assuming we laughed at it all. Way to insult even the small portion of viewers who didn't get on your case about this, writers.

I only have about two positive things to say about this episode. For one thing, Chloe actually served as a pretty decent antagonist in the flashbacks. Much like in “Revolution”, when the writers actually let her be a villain on her own without being made a pawn, she can be somewhat entertaining. If this was the Chloe we got after Season 3, I don't I would have been as upset at the direction Astruc's team took with the character.

In addition, the thing that saves this episode from being at the bottom is that unlike the next two, it actually understands that what the antagonist did was wrong. They don't make up excuses for what Chloe did and she actually gets called out as a result. It doesn't lead to anything major, but it's something.

Like with “Queen Banana”, there's not much else I can say that hasn't already been said. There's plenty of retcons, the characterization for everyone is off, it attacks the audience, and the message about trauma got fumbled by the show's usual double standards. It's been said over and over again, and it's become a symbol of how much the show's quality has degraded.

#26: Emotion

I think if you've kept up with my reviews of this season, you should know by now that I don't exactly like Felix, and most of the problems I have with him can be attributed to this episode. In fact, for a while, this was going to be my choice for the bottom slot.

It's clear that the writers want to make Felix this wild card who's only in it for himself, but like most of the show's antagonists, they want to show Felix as this devious mastermind... but he's also not really evil, and you should feel bad for him. For most of the episode, Felix does nothing but make everyone's lives worse during his first outing as Argos. He smears his cousin's reputation yet again, tricks his girlfriend into dancing with him, condemns some rich kids for the crime of being rich when he's just as rich, and eventually wipes out all life on the face of the earth. But he's just doing it for his cousin, we swear!

While Felix has understandable motivations for what he does, wanting to free Adrien and Kagami, the way he tries to achieve his goal makes it hard to sympathize with him. If the whole point was that what he did was wrong and that he needs to find a different way, that could work. Instead, we're supposed to see him as this tragic figure who was forced to do terrible things when the episode shows him happily singing while causing chaos. It's the same problem with Gabriel, wanting a sympathetic character to do unapologetically evil things. The fact that he has to be told that genocide is bad doesn't make us want to sympathize with him when he breaks down crying. It paints a picture that he's crazy but the show wants to act like he isn't.

Even putting all the crap with Felix aside, the episode is still unbearable. The stuff with Marinette was poorly executed and was just done to get her involved in the plot, and later become the first one to excuse Felix for betraying her. Other than the dance scene, you could easily just have Marinette swing in as Ladybug when Argos starts his rampage and nothing would really change. The episode tries to make jokes about how unnecessary this is, but as usual, its attempts to be self-aware come across like its saying “What we're doing it wrong, we know it's wrong, but we're gonna do it anyway!”

Speaking of the dance scene, I can't stop rolling my eyes whenever Felix tries to be all “We live in a society” to Marinette. Forget the corrupt politicians, corporate moguls, human traffickers, and despotic rulers of foreign nations. The absolute worst section of humanity is composed of the teenage children of the 1%. Sure, you'd have to break my legs before I'd agree to supervise them at this party, but I don't get why these are the people we're supposed to see as irredeemable monsters. Do the writers think because these kids associate themselves with Chloe, we'll automatically hate them? Newsflash, but if I had to choose between hanging out with some annoying kids and a mass murderer, I'd stick with the annoying kids.

Rewatching this episode was what helped me finally realize just what my problem with the show's anti-capitalist message is. How the hell am I supposed to hate the villains on this show for being rich when several characters are rich or at the very least, are successful thanks to their connections to the rich? Think about it for a second. Putting aside Adrien and Kagami, you have Marinette, the daughter of two of the most popular bakers in Paris and earned the respect of multiple celebrities, Alya, the daughter of a chef who works at a five-star hotel, Nino, someone who got to DJ at a major fashion show, Rose, who is friends with a literal prince, Luka and Juleka, the children of a popular rock star, and Max, the son of an astronaut with access to cutting-edge technology. Somehow, these people are supposed to be poor? They make Monica from Friends look like Oscar the Grouch. It's why I can't take the message seriously. You can't write a story about a class struggle when both classes are shown to be pretty well-off.

The only thing that saves this episode from being at the bottom of the list is the fact that despite committing genocide while singing, Felix at least gets what he did was wrong and makes up for it. It doesn't fix everything else he did in this episode, but that's better than nothing. As for the villain featured in the episode that's at the bottom of this list? If you've been keeping track, I think you know who I mean.

#27: Re-Creation

I'll admit, I'm sort of cheating here. I'm judging this episode more as a finale than an individual episode, but I'm making an exception because the plot is tied to wrapping up all the loose ends this season.

I'm mentioning this because for a season finale, the stakes just feel so low. The fight between Bug Noire and Monarch doesn't have any weight to it because they've barely interacted at all for the last five seasons. These are supposed to be two mortal enemies, but you can't really buy the enmity between them. It ultimately cheapens the moment of Bug Noire triumphing over Monarch in the end... before Monarch triumphs over her not long afterwards, but we'll get to that.

The stuff with the Miraculized doesn't help either. We already know that the Ladybug and Cat Miraculous are in the Agreste manor, so the Miraculized's goal is impossible to achieve. It's never even explained why the Miraculized don't go back to the manor to help Monarch beat Bug Noire, since they should still be able to track the Miraculous. All of the fights with them just come across like filler, and there's no real sense of danger or hopelessness to be found. Whether the Miraculized win or lose is irrelevant. Nothing will happen either way because the important stuff is happening in the Agreste manor.

This extends to the part where all the heroes appear to help. It doesn't come across as an Avengers-esque moment for the climax, because it doesn't change anything. The episode never explains what any of these characters were doing prior to the events of this episode and why only now they're helping out. The United Heroes are the most egregious example because unlike Fei or Su-Han, they're a major organization whose members include the president, and they didn't do a damn thing when Monarch stole all of the other Miraculous. Speaking of, there is no way in hell that Su-Han taught Mirakung-Fu to three random people over Ladybug and Cat Noir, much less that those three people are actual masters after about two months at best. Maybe they got to train in Bunnix's Burrow? After all, she's not doing anything else to stop the end of the world other than sending four people over to Paris. This whole sequence really highlights how bland the other heroes of this universe are. If they're not slacking off when they're needed, they're criminally underdeveloped because there's a slim chance they'll get spin-offs to flesh them out.

But I think the biggest issue me and other people have with this finale is the resolution. In what is easily one of the most baffling decisions the show has made, Bug Noire doesn't defeat Monarch, and Monarch gets to make his wish. I don't care how many times the writers technically say she won because she beat him in a fight. Gabriel backstabbed her at the last minute and got her Miraculous to make his wish. Yeah, he died, but he succeed in achieving his goal, never faced any real consequences, didn't get any closure with his son (much less apologize for abusing him), told Marinette to lie about the monster he was to him, and was turned into a martyr with a statue made of the same things he used to control the world.

This ending infuriates me because it not only makes Marinette out to be a terrible hero for failing to do the one thing she was chosen to do (get the Butterfly Miraculous back), but it also ultimately makes Gabriel out to be a decent person even though he destroyed and recreated the world. All Marinette did was take credit for saving the world, and even then, Gabriel got more celebration in the end. Our hero, ladies and gentlemen! She got outsmarted by an abusive parent and didn't even get a new statue in her honor!

But the most damning thing of all this is the fact that this finale retroactively makes everything that's happened over the last five seasons completely pointless. If Gabriel making a wish wasn't as bad as it was supposed to be, why didn't Ladybug and Cat Noir let him borrow their Miraculous? Why make the stakes this high if you're going to downplay the impact of a madman recreating the world in his own image? Follow-up question: why make the stakes this high if the wish being made is ultimately shown to have huge benefits for society? In an attempt to wrap things up with a happy ending, the writers accidentally made the conflict completely meaningless.

That's why this resolution is the ultimate example of the writers refusing to allow any major changes to happen. If they're willing to treat the end of the universe as less important than Ms. Bustier becoming mayor, why should we assume they'll ever take their story seriously? For God's sake, every character you know and love is essentially dead, and we're supposed to act like that isn't a big deal? That's how you wanted to end the show originally? Then again, at least they tried to resolve something, unlike the Love Square. We still haven't gotten a reveal, and I don't think we ever will at this point. These writers will drag out the story until the show stops becoming profitable, which won't be for a long time.

And with that, I am officially done with Season 5. Honestly, after having to rewatch this season again, I'm not sure if it's even worth giving Season 6 a shot. There's nothing to look forward to, and Lila becoming the main villain isn't really appealing to me. At the very least, I have the movie review to look forward to, meaning I can watch something good for a change.

[lollytea]

Okay okay okay so my thoughts are a little jumbled right now so I'm not very coherent but I need to blabber about this one element of huntlow in For the Future that's got me going off the rails. It's the way in which they both take initiative in their interactions with each other, specifically how it differs with both Willow and Hunter.

There's a bit of a vibe in a lot of huntlow content that puts emphasis on Willow's confidence and Hunter's shyness, so she's the one who talks, who flirts, who acts, who gets the ball rolling. Meanwhile, Hunter clearly reciprocates and enjoys her attention but allows her to take the lead, rather than initiate anything himself. And this interpretation is perfectly fine. It's cute!! And Thanks to Them kinda gave us the impression that it wouldn't be that unlikely.

But the scenes involving them in For the Future were SO good. As an interesting subversion of the point above, it's actually Willow who's become the more uncertain one in their dynamic. As a contrast to how she comforts Gus when he tears up, Willow is rather hands-off when it comes to Hunter. It's likely because she understands that what he needs right now is space to process his grief, but in addition to that, she might be at a complete loss on how to help him. Because what could she possibly say? Willow can promise Gus that she'll find his Dad, she can assure Camila that things with Luz will be alright, but she can't bring Flapjack back. And even at this point in the episode, this may have been adding to her steadily escalating feelings of stress and helplessness. ("I can't help my friends...")

Willow feels like she keeps fucking up when it comes to Hunter. When she allowed herself that brief moment of childish indulgence by being silly with the plants, which resulted in Hunter snapping at her? Oh the way her smile dropped and she looked utterly devastated. She must have felt so guilty, so ashamed, so frustrated with herself for being so stupid and goofing off when her friend was severely hurting. And it's not like he was wrong for saying they didn't have time for this. But in typical Willow fashion, she shoved those feelings down and put on a smile for Gus.

There's no implication of it but I wonder if she also felt like an idiot for letting her emotions get the better of her when she saw that puppet of her Dad. She put herself in harm's way, forcing Hunter to charge after her and pull her to safety. Do you think she wonders if he was annoyed by that? Maybe that was eating away at her too. She's trying to be level-headed and reliable but it seems like she keeps slipping up. And Hunter is always there to witness it.

Of course, Willow didn't stop trying. Though she may have felt a bit rejected and disliked by him at the time, Willow still made the effort to look out for Hunter in any way that she could. She suggested they go outside and keep him company while he was pacing himself into the ground. And later on, she lit up with delight when she found something that she believed would comfort him.

And then she expressed, in her typical warm Willowy way, that they loved him unconditionally. She didn't have the perfect words to make everything okay. She was just being herself. Willow took a chance with this boy she didn't know how to help and simply said what she felt, hoping it would give him some semblance of solace.

But being herself wasn't good enough. At least not in Willow's eyes. She already had fragile confidence in regards to Hunter's current opinion of her but ohhhh the deafening silence that followed after she had bared her heart to him. The way she brought him to tears, leading her to believe she had rubbed salt in the wound. The way Luz had to gently intervene to make sure he was alright and Willow felt like sinking into the floor. How Hunter's quiet little "I....don't know..." speared her through. All of those things pushing her to her breaking point. She's made everything worse. Because that's what Half-a-Witch Willow does.

Hunter's perceived opinion of her is utterly deteriorating Willow's self confidence and it's the thing that results in her self loathing inflicted descent into thorny vines. She's in denial at first, still struggling to hold it together, still insisting that she can grasp hold of some facade. The pitchy and nervous tone of voice as Hunter appears on the scene and she desperately feigns nonchalance. She knows deep down that her magic is spiralling out of control but she cannot let him know. She cannot let him see her like this. And with this added anxiety of Hunter's presence, the vines only get worse.

Meanwhile, when it comes to Hunter, he is not idle by any means. He takes a proactive role in almost all of his significant moments with Willow.

Obviously, Hunter is a protector. He shields his friends from physical harm. He's especially paranoid about them getting hurt now after what happened to Flapjack because he can't lose them too. This paranoia, in addition to his overwhelming grief and recent trauma, has made Hunter high strung and irritable. Keeping his friends alive is his priority right now. Because of this, their emotional needs and how his snappish behavior is affecting them, is understandably the furthest thing from his mind.

But once he realizes that he's hurt Willow's feelings? Oh he looks completely shattered. The way Gus runs out the door to find her and Hunter murmurs "Wait..." before he rushes after both of them, calling out their names, begging for them to come back. There's none of the hesitation that Willow demonstrates with him, only loud desperation. What does he even intend to say to Willow? Who knows. Honestly, I don't think Hunter knows either. But it's not about that. It doesn't matter if Hunter has no idea what he's gonna say once he catches up with her. What matters is that he's running after her at all. He knows one thing and it's that he has to do something.

And that's what Hunter continues to do from that point. Something.

When he finds her tangled up in her own vines, mentally and emotionally unraveling, Gus hanging in distress above their heads, he's immediately asking her to explain, concerned and alarmed. When Willow's feigned cheerful demeanour shows its cracks and the vines start to ensnare Hunter, the last thing he does before he's fully bound is take a step towards the obviously overwhelmed and frightened Willow and try to reach out for her. Again, what was he planning to do? What was he gonna say? He probably had no idea. His actions were likely instinctive. But the fact that trying to provide some form of comfort to Willow was an instinctive response from him speaks volumes about their relationship. He's not going to stand around and do nothing while she's upset. Even if he's bad with words and emotions, he's always gonna try. She's worth trying for.

Cannot stress this enough but by the time her vines begin to consume her, Willow has probably convinced herself that Hunter's high regard for her has completely plummeted. Because why wouldn't it? This is, without a doubt, Willow at her most pathetic. But during this moment of complete wretchedness and self destruction, Hunter is the one who acts.

He bursts out of the vines and bundles her up in his arms. His hands press down on her shoulders and he frantically assures her that she's not to blame for any of this and she didn't ruin anything. He eases her anxieties by vocally expressing just how much he cares about her. He begs her not to be so mean to herself. And then, with desolate eyes and a soft gentle voice, he asks if she's been holding all this in the whole time.

He wants an answer. He wants her to talk to him. He wants her to tell him what's wrong so he can try to help. He wants to listen. And he's taking the initiative to get there.

And Willow's completely stunned face upon hearing all of this shows just how overgrown her insecurities had become, leading her to become entangled in the worst possible conclusion. She was now receieving affection and loving words from none other than the boy who she fully believed had lost patience with her for constantly messing everything up. The way the first tears pricked and her mouth wobbled when that soft gentle voice expressed concern for her, seconds before the dam inevitably burst. It was all a little too much for her I think.

Also can I talk about the little finger link?? I've been dying to talk about the little finger link!!!!

Everything about how that scene is executed is so sweet to me. Willow, though she's a lot more reassured over where she stands with Hunter, is still a little unsure on how to approach this. She doesn't hold his whole hand. No, that might be a bit much. For both Hunter and herself. Let's start smaller. Less nerve racking.

Of course, if she's still so hesitant, she doesn't have to touch him at all. But she wants to. She really wants to have physical contact with him in some capacity right now, even if it's as tentative as could be. In holding his hand, Willow would be making a rather bold statement. But in linking pinkies, it's more like she's asking a question. Is this okay?

She's clearly a bit unsure. Noticeably not looking at the touch, eyes locked on her feet before she speaks. But as unsure as it is, I think she's pretty brave for doing it at all.

What gets me is that what Hunter said left such an impact on her that she was compelled to thank him. She was grateful to be told that she didn't ruin everything. She had wanted to be told that she meant something to him. Even though she wasn't aware of it, she's realized that hearing those words took a huge weight off her chest. Willow could breathe again. She could see him a little clearer now. And she would like to tell him just how much those words meant to her. Just how much he meant to her.

This is the moment where Hunter silently answers Willow's question. He's choked up, he's nervous, he's overwhelmed, but in spite of all that, he still takes initiative.

In linking their pinkies, Willow is asking Is this okay?

And when Hunter deliberately presses the back of his hand against hers, he's answering her question. It's more than okay.

Anyway Hunter being proactive in almost all of the huntlow scenes, Willow being the more nervous one between them, neither getting to the point they've gotten to if they didn't each take the lead at different moments. It was all so good.

[jinkieswouldyoulookatthis]

The whole DNI banner thing in general feels very new and sad to me. Just so emblematic of the culture of trying to force everyone else to cater to the online experience you want, instead of tailoring your experience for yourself. It's one thing to expect people not to be hateful or mean in your notes, and another entirely to restrict the people you're willing to interact with to the ones you don't think are "degenerate".

Depending on how you define "shipping", I've always "shipped" Destiel and never "shipped" Wincest, but I've always enjoyed reading Wincest and Daddycest content. Specifically the darker stuff (my first big favorite spn fic was "Sins of the Innocent" by reapertownusa). I'm just not sure what, exactly, the folks who don't want to interact with "Wincesties" are afraid of. We're all just, like, regular people, and the world out there kinda thinks that *all* shippers are freaks, anyway.

As far as I can tell, and I realize that the situation will not be the same for everyone, there's this need to shun people who are deemed to be degenerates (as you said). Liking Wincest is definitely taken as a sign of real life moral failing.

Once again, I do want to stress that while I don't ship it, I have nothing against Destiel as a ship. When I first got into this fandom I read a lot of of everything and that's how I learned what worked for me and what didn't. That was in 2015 and I remember being more embarrassed about liking a ship at all than I was about being more drawn to the idea of Sam and Dean together than I was towards Dean and Castiel. So it took me a long time before I just embraced it. During that time I've seen the shift in the shipping wars, the imposed battle for morality that some seem to think that they are fighting. And I've seen it mirror the outside world's steady slide into authoritarianism.

These DNIs are not really important in the grand scheme of things, I'm a respectful person (no matter what kind of shit I may spew when I get frustrated here) and I wouldn't ever knowingly push my ship, or anything else, onto someone who made it clear they didn't want it. I even double check blogs that I reblog from (or whose gifs I add to my own posts) before adding even a wincest tag to a post, to do my best to avoid upsetting anyone. I've been yelled at too many times and generally prefer to avoid unnecessary conflict.

And that's just it, if these blogs listed that Wincest squicked them, I would do all of this to avoid upsetting them, and still be able to share this space with them. But I don't think it's just about them not being exposed to Wincest, that's part of it for sure, but it's also about them not wanting to share this space with me. They don't want me in their space at all because they have made a personal judgement against me based on the flavor of fiction that I enjoy being an idiot about on this dumpster fire of a website.

It's that I see so many posts that have nothing to do with Destiel being tagged with it which feels like another way of setting up a fence between them and those of us they think need to stay away from them. These DNIs feel like giant no trespassing signs, the really over the top ones that tell you exactly what kind of gun they'll shoot you with if you don't obey the sign. And I guess that I just expect more from tumblrinas because I assumed that we better understand what it feels like to be judged and excluded. But really, people are people, and sometimes people are scared, reactionary, assholes, even here.

[tofania]

Omg I‘d love a WIPs list. What I enjoy is waiting for a chapter and connecting with the author during their process of writing. I’d love to see what you’d recommend

I love that too! Waiting can be so excruciating but also thrilling! And every time a new chapter drops it feels like a present 🥺

ANYWAY, my hellcheer wips list (currently reading + tbr)

Currently reading:

Teen Beat (at this point if you're my mutual you know how utterly obsessed I am with this fic, I've talked about it here), Tenderness (mentioned here), and The Street Of Philadelphia (mentioned here).

Poison: something different, may not be everyone's cup of tea: waitress!chrissy x retired rockstar!eddie, BDSM dynamic. The author warns in the tag that both C&E are "a little ooc" and yeah I do agree, they may feel a little ooc sometimes, but I really love the writing style, I love how they're interacting so far and I absolutely adore this really stressed \ a little lost Chrissy, she feels so real. Also, this is entirely from Chrissy's pov which I think it's intriguing because Eddie's a very mysterious figure here.

Reality and other highs: an absolute gem, I have the highest expectation for this fic because I loved the first chapter soo much. 12/10 the cutest idiots in love I've read so far.

I love the way I light up when you call me: everyday I check for an update because I love this concept so much: bodyguard!Eddie x Actress!Chrissy. I'm a sucker for this trope! Also, I love the idea of Laura Cunningham being an oppressive momager, it fits the canon chrissy\laura dynamics so well.

And we run with a lonely heart, and we run for this killing love... Rockstar!Eddie x Singer!Chrissy who just joined Corroded Coffin because their manager thinks adding a sexy vocalist could help the band to stay relevant... Of course, there's only one rule: don't fuck it up (namely, don't fuck!!). This is giving me all the Fleetwood Mac vibes I crave. Featuring a delicious piano oral sex scene. 10/10 I want more.

Dancing With Danger: we all love cute dork Eddie, right? Exactly, but sometime we may want to read a different take on him (but dw he's still 100% a good boy), and this fic is a perfect example. Also, the tags promise a satanic panic, Eddie wrongly accused of murder, and a corruption kink. 10/10 I have high expectations.

Light My Fire: this fic is making me lose my mind. It hasn't been updated since July and I am DYING because it features one of my favorite tropes ever: (almost) step-family AU. Chrissy's father died and Laura married Wayne (to everyone's surprise, so it's still kind of a mystery why they married and I am so intrigued!!), E&C are forced to live together and that sucks because Eddie has a massive crush and Chrissy apparently isn't exactly indifferent either but now they're family so it's a fucking mess (and I love this kind of drama!!!!). Also features adorable Eddie\Chrissy's little brother interactions. Let's manifest an update soon. UPDATE: IT WORKED A NEW CHAP DROPPED GO READ THIS ONE NOW!!

I Was Made For Lovin' You: the first eddissy fic that I read back in June 🥺 and sadly it hasn't been updated since. The first chapter was so good (and 10k long!).

TBR list (I've just realized I have too many fics on my TBR so I'll just post a few and I'll do a new list later)

swan song: "You know birds have hollow bones?” She says quietly into the thick air. “If I had hollow bones, I would fly away from here." Love the title, love the birds reference\metaphor, it seems very promising.

i wanna know what love is: Chrissy is married here. Love a good infedelity\ cheating trope!! let'ss go.

Class of '90, Come and Find Me: I am a sucker for college!AU so here we are.

This Office-Like fic by @eddiemoonson that's not out yet but I've read a snippet and I am so ready!!

The pacific Rim AU (that I can't find rn but I have it saved somewhere, I'm gonna include a link it once I find it): because I absolutely love Pacific Rim and drift concept.

[shameonmeeguiltypleasure]

Seducing Mr Bridgerton Chapter 4: The author rambles/Vents (Possible Spoilers for future chapters)

This is the most frustrating chapter to produce so far. Nothing is flowing and I hate everything about it!! The pace and rhythm of the POVs is so aggravating to work through, I've taken 16 breaks in the last three days!!! At this point, I think I'm just forcing out the words and it's so annoying!! Why can't the chemistry, banter and dynamics in my brain transfer to written word!!!

Aaaarrrrrggggghhh!!!

After trying to average at least 500-1000words per day till chapter completion. I've now got two extensively written deleted scenes. One just over 1000 and another at 700.

They're events/scenes that actually happen in the story, but their not necessary for the plot.

Honestly, I can understand why directors etc delete scenes from movies etc. Giving too much attention to side/minor character interactions and Povs can distract from the main storyline and characters.

On one hand, I feel like I'm growing as a writer thanks to the stress/struggle and temper tantrums this chapter has caused me. I'm learning alot about what is necessary narrative and overwhelming distracting details that lack purpose. But its so damn infuriating to have this chapter not match what my brain wants!!!

I think it's also the Canon chapter itself. I personally don't get the importance of the tea at Number 5. Other than them speculating and making theory's about LW it's a boring chapter. And in terms of Colin and Penelope, there was nothing really progressive in the chapter.

At this point, we all get that nobody thought Pen had the guts to do something like LW. And we all know Colin is an idiot boy with a heart of gold that needs to open his eyeballs asap.

I think I wanted this chapter to highlight the way others see Polin's interactions. Sure I've hinted and shortly indicated some characters understanding of them (Anthony, Benedict, Eloise and Lady D). But I wanted to write from an outside witness of the two of them together in the moment. I wanted to show that the tension/banter/affection between Colin and Penelope is so obvious that everyone is expecting/waiting for the snap that makes one of them make a move.

But my girl Eloise is so hard to write without letting her completely dominate the plot, narrative and tone of the chapter. Then there's Hyacinth who is eagerly wanting to be written in but struggling to hold any importance or purpose. Kate is hard as well. The Viscountess is very comfortable being a quiet observer, so quiet I forget she's even supposed to be in the scene. Violet has no purpose at all. But it's her tea party and so she's got to be there. And Anthony behaved for his feature and is very firmly refusing to do anything more.

Aaaarrrrrggggghhh!!!!

If I reflect on what I've mentioned so far, these are what come to mind:

Colin's gotten up to no good overseas. Sh! Don't tell the Bridgerton's.

Penelope knows detailed mechanics (and wonders bout her kinks) on the how of sex but has yet to experience it herself.

Implied Eloise and Penelope know each other's secrets but girl code ('We don't talk about _____' kinda vibe) to never speak or acknowledge that they know anything.

Colin doesn't like to be ignored, nor does he like to share.

Anthony can't read vibes and needs Kate to translate.

Colin thinks Penelope holds some sort of affection for Benedict. Strong enough for her to choose B over C.

This Author is such a fucking tease, they're frustrating themselves.

I have such specific plans for when Polin reaches their climax. I know I'm teasing, but that's because I want the characters to be starved for one another. I want them to devour and selfishly hoard one another from the eyes of the world. I want Colin to be utterly miserable after he's been given a taste of what he could have had for years but stupidly lost his right to after a temper tantrum. I want Penelope to deny, deny, deny Colin a single scrap of her love and affection so he can know the torture of pining and hungering without satisfaction. I need the darkness they hide within to overwhelm them both and to clash with one another so viscously they forget where they begin and the other ends. I NEED them to be so obsessed with one another that the rest of the world becomes background noise.

And fuck...... I just solved my own writer's block 🤦

Whelp. I'll guess I have to write from Polin pov and just give a short nod to someone else's pov at some point. Sorry if you feel disappointed about that.

In saying that, do you think I should post the deleted scenes? Should I do them separately or Nah? Should I wait till the end of the fic to properly share it on ao3 as a series?

Ugh idk.

[the-cryptographer]

Screw it, I'm asking Malik Ishtar for the meme thing! (Only if you want to, of course...)

THANK YOU :D

How I feel about this character:

My secret favourite!!! I think I tend to likecharacters that are all about BIG UGLY EMOTIONS, and Malik is a lot of those,lol. For me, he’s an effective villain – both really terrible and really understandably so. I think the way he gets so energetic about pursuing the God Cards and the Pharaoh, and then gets in over his head and has to abandon ship on his own revenge, and then continues to see through his role as tombkeeper because he’s just so worn out from trying to fight it – aaaaagh! It’s so upsettingly believable.

In terms of characterisation, he’s floating around brilliant but lazy territory for me. He’s intelligent, but also an idiot, andalso all he really wants to do is ride around on his bike and sleep alone inhis room and live comfortably. He’s capable, but not very ambitious. Not much of a visionary, lol.

All the people I ship romantically with this character:

Ryou. Yuugi. Shizuka.

…well that was a very short list for me. I can also enjoy theifshipping to a certain degree, although I’m not really very interestedin it as a postcanon or endgame ship. And the potential for Malik’s torture ofMai to be sexualised is something I think is both interesting and not that farfrom its canon presentation – so I guess that may count as shipping them insome kind of messed up way. And I guess I also I find myself conceptuallyinterested in Ishtar sibling incest, but I haven’t run into any that treats thesubject matter with the kind of tone I’d like.

More on the ships though: Malik doesn’t directly interact with Yuugi or Ryou much in canon, but both ships seem to have the ability to be about softness and healing to me. Since Ryou and Malik have both experiences a violent and upsetting possession of sorts, them coming to move past that together has the potential to be pretty sweet. And since Malik has a kind of troubled relationship with ‘the Pharaoh’, and how he feels his life has been shaped by these ancient politics, I think Yuugi’s kind of in a unique place to be able to understand both the past and Atem’s journey and his ownplace in the present to be able to help Malik contextualise that in a waythat’s meaningful to him.

And Malik & Shizuka is a nice ship if what you’re going for is exploring Shizuka’s massivedisillusionment. Leaving aside the way that a nice trip to visit yourestranged brother suddenly turned upsettingly full of ugly complicated feelings and murder, I think Malik tends towards a frankness that doesn’t sit well with Shizuka's ideals. This is a fun ship~

My non-romantic OTP for this character:

Ishtar Siblings!!! Malik’s relationship with Rishid is at once so lovely and so heartbreakingly upsetting. I think they struggle to find the balance between how they see each other as siblings and how they see each other in this hierarchy of master and subordinate – the way they come through for each other at the end of the story is just so touching. And Malik and Isis aren’t as close, but I like that their conflicting values, and understanding of their responsibilities, don’t compromise their love and the desire to protect one another. Ishtar Siblings!!!

I also like Malik & Yuugi & Ryou as a BrOTP. And I have a strange interest in Malik & Jou broing out or coming to realise they can’t bro out because he murdered you and tortured your best lady friend postcanon.

My unpopular opinion about this character:

I’m not really sure what constitutes an unpopular opinion regarding Malik, but I have several that might count.

(1) The Millennium Rod only exacerbated problems hewas already having due to the effects of trauma and a shaky headspace. YamiMalik is the product of Dissociative Identity Disorder in relationship to Borderline Personality Disorder, and exists in a reactionary way to Malik rather than being a distinct person.

(2)  He’s about as culturally Egyptian as your standard Amish person can be considered culturally American. (Or, idk, I think the Hutterites are a more apt comparison in a number of ways, if I’m sticking to offshoots of Christianity. More research on different religions is needed but, in terms of daily living, you can take all sorts of cues about the tombkeepers from different isolationist religious “cults”.)

(3) He’s a deadly serious character really –cerebral and ponderous. His sense of humour is along the lines of dry andsarcastic, rather than laugh-out-loud.

One thing I wish would happen / had happened with this character in canon:

I ALSO WISH THE ISHTARS HAD BEEN IN DSOD THANK YOU VERY MUCH!!

I think it would have made sense to mention them in relationship to what Seto was doing in Egypt at the very least. Seto was rooting around in Ancient Egyptian ruins that the tombkeepers had the right too, yeah? I feel like it might’ve been an interesting political/business deal he struck with the Ishtars. Maybe Isis needed money to help in the process of reintegrating the tombkeepers into above-ground society? I don’t know, but I feel like there’s a story there~

Also, it might be obvious from some of these other headcanons, but I wish the conclusion to Malik’s story had been more on the side of ‘the hate you’re feeling is valid if completely toxic’, which is why I like the idea of Yami Malik running amok in his head postcanon, even though I think the manga leaned heavily towards a canon interpretation where he was freed of Him.

my OTP:

Malik/Ryou edges out Malik/Yuugi by a little, but not by much.

my happy ending for them:

Not part of this meme, but you made me realise I wanted to write it all down~

Given my incredibly depressing diagnosis for Malik, I think managing his life will always be somewhat of a struggle. Yami Malik is probably here to stay. Malik will likely always have outbursts, and always have a cruel and violent streak. At his worst, the most I can say is that he and the people around him will be aware of the warning signs and be able to restrain him ahead of time instead of having to do so in the middle of an episode. At his best, I think Yami Malik might appear once every month or two, and just kind of storm around the house/apartment being sullen. I don’t think Yami Malik has the same kind of emotional range or needs as one would expect a completehuman to have – so he doesn’t need much more than to be acknowledged by the others and then left to his own devices. I don’t think he likes being touched, but he may someday accept a hug from Ryou or Yuugi or Isis and take a small comfort in the fact that he isn’t hated. Rishid is a lost cause, and will have to stay away during those times, because Yami Malik will without question react violently to him. I think, in a way, a direct reflection of Malik’s own desires– for his hatred and pain to be acknowledge and accepted by those around him, by all except Rishid, who Malik would most keenly like to be less hateful person for. Malik does not want Rishid to see Yami Malik, and so Yami Malik pushes Rishid away with a lot of force… potentially lethal force.

In terms of the more mundane things, I imagine Malik goes through a period where he wants to travel everywhere and see everything to kind of make up for the fact that he was confined to a dark hall his entire childhood. I think he’ll travel Africa and Europe and see more of Japan at thevery least, but who knows where his travels might take him~ But eventually Iimagine him settling down somewhere, since I don’t think his affinity fortravel is about travelling as much as its about taking in the world’s breadth.As long as he can enjoy bike rides and the wind and open sky and the company of those he likes, I think he’s fine being anywhere. He and Rishid are veryride-or-die so they’ll definitely stick together, I think. Him and Isis is moreiffy, but I’d like to see Isis and him also remain close and live close together.

In terms of a job, he’s really not into forty hour work weeks, lol. He wasn’t raised under the expectation he’d be part of a contemporary work force. And he’d additionally have trouble balancing that amount of stress with his mental healths. He’d take odd jobs here and there, or work part time in something pretty low pressure. Depending on how lucrative the limited amount of work he does is, he may or may not need to rely on his siblings or lover for support. In terms of what he does…? Tinker around a souvenir shop maybe? Or he runs errands for or does translations for the museum, through his connection with Isis?

And I don’t think he’d want kids, or make a verygood parent for that matter. He’s satisfied with being the weird uncle to his nieces and nephews.

my cross over ship:

I don’t have one, sorry~

a headcanon fact:

Hasn’t everything I’ve said thus far been me taking my own headcanons way too seriously?

Coptic, Arabic, French, Japanese. Rishid is the same, except he’s not as fluent in the last two, and also not as well studied in Ancient Egyptian scriptures. Isis is the only one of the Ishtar siblings that speaks English.

Oh, jeez, he is pretty much universally hated by his tombkeeper peers. Even when he was little he was a divisive character with how harsh and cruel he can be at times. And then he was shadily involved in the bloody murder of his father. When he left to form the Rare Hunters with Rishid, he bitterly alienated most of his extended tombkeeper family, but some of them followed him to join his crime syndicate. And then those who had followed him took poorly to the way Malik abandoned the Rare Hunters, and followed Isis back home with his tail between his legs. Literally everybody he grew up with except his siblings hates him and Malik spends the time from Battle City to the Ceremonial Duel hiding out in his room having Rishid bring him his meals because the tomb keepers are done with him and he’s done with them. And he’s technically their ‘leader’, but Isis made a bid for being de facto leader when he skipped out years earlier and, disappointed but resigned, she continues to carry the position when Malik’s returned. “She’s a great leader (even though she’s a woman),” everyone says. They all love her, lol.Rishid is more polarising, since he’s generally so mild and polite. Some of the tombkeepers see what he did as betrayal, but a lot of them view him with a sort of condescending pity and kindness - poor boy, led astray by his association with Master Malik. This makes Malik even more angry. ‘We are brothers and equals!!’ he yells. Even though he isn’t completely free of blame when it comes to treating Rishid as lesser.

Also, it’s totally canon that somewhere along the line he makes some big fuss and his criminal record from being involved with the Rare Hunters gets dragged out of the closet, and the Egyptian Government tells him to gtfo of our country… right?